A key late 60s country crossover set, but one that also inspired a fair bit of funk as well! The title cut's a well-known gem – one that's been covered instrumentally in some break-heavy versions, but which sounds even more amazing here in Bobbie's original version – one of the moodiest pop tunes we've ever heard, with lyrics, and a way of presenting them, that still leaves us breathless all these many years later. There's also some other funky bits here too – Gentry's raspy "Mississippi Delta" – an original number that almost seems to unseat Tina Turner for down-home soul – and the groovy "Sunday Best", "Niki Hoeky", "Papa Won't You Let Me Go To Town With You", and "Chickasaw Country Child", all numbers that echo the same lilting acoustic guitar grooves of "Billie Joe". LP, Vinyl record album

The record where it all really came together for Fairport Convention – the point at which the already-great group really stepped forward to become something totally unique! By this point all the key elements are firmly in place – sublime vocals from the great Sandy Denny, amazing guitar and songwriting from the young Richard Thompson, and an overall approach to the music that was way more than folk – in the way the elements are layered together carefully, and build in these hypnotic lines that are completely amazing – almost modal in conception, but much more subtle – and the quality that really makes their work so unique. Titles include "Genesis Hall", "Autopsy", "Cajun Woman", "Percy's Song", "Million Dollar Bash", and "Who Knows Where The Time Goes". LP, Vinyl record album