Genius early work from Kris Kristofferson – four great albums in a single package, with SACD mastering too! First up is The Silver Tongued Devil & I – a masterful tribute to the genius of Kris Kristofferson, and a record that perfectly illustrates that unique place he held in music at the start of the 70s! The album's Kris' second, and has maybe a more unified vibe than his debut – filled with original material that has that open, honest quality that Kristofferson brought to country music – and which also had a surprisingly strong impact on mainstream rock and singer/songwriter material too! There's both a frankness of feeling and sharpness of wit that make the whole thing wonderful – and the album's overflowing with original gems that include "Jody & The Kid", "Billy Dee", "Loving Her Was Easier", "The Taker", "When I Loved Her", "The Pilgrim Chapter 33" and "Epitaph" – plus a great reading of the Bobby Bare/Billy Joe Shaver tune "Good Christian Soldier". Border Lord is a wonderful album, and one that's full of lesser-known gems from Kris Kristofferson – from a time when he'd started sharing his songs with other singers first, and started to hold back all the good stuff for himself! The album's got help from some country music studio greats, but it's clearly Kristofferson's show, right from the start – overflowing with tunes that get delivery from Kris that nobody else can match – with a special understanding of the choice of words, balance of wit, and depth of feeling that makes him so great on record. Titles include "Burden Of Freedom", "Border Lord", "When She's Wrong", "Kiss The World Goodbye", "Getting By High & Strange", "Somebody Nobody Knows", and "Josie". Jesus Was A Capricorn is one of those records in which Kris Kristofferson takes on the 70s, and comes up with a sound and style that's completely his own – even when working within the mainstream of the time! His label, Monument, could do plenty of hokey stuff – and even arranger Bill Justis wasn't always the hippest of cats – nor producer Fred Foster. Yet working here, they all rise to the occasion under the majesty of the man's music – a soaring batch of original tunes, of that special sort that Kris was always keeping to himself after his early years writing hits for others. Titles include "Why Me", "Give It Time To Be Tender", "It Sure Was Love", "Nobody Wins", "Enough For You", and the title cut "Jesus Was A Capricorn", owed to John Prine! Spooky Lady's Sideshow is a record that has Kris Kristofferson loosening up his mix of styles slightly, almost a nod back to his debut – but all in a way that only seems to bring an even greater range of feeling to his songwriting! Kristofferson maybe looks a bit more casual and laidback on the cover than some previous sets, but he's still got all the sharpness of delivery that makes him so great, and which really matches his magical words – on titles that include "Broken Freedom Song", "Star Spangled Bummer", "Smile At Me Again", "I May Smoke Too Much", "Stairway To The Bottom", and "Rescue Mission". CD

A totally wonderful batch of cuts from the early years of Liberty Records, and related labels – cuts that really bristle with the kind of energy that was exploding in all sorts of styles on the LA scene at the end of the 50s! Liberty may not have the cred as Sun or Chess Records, but the company was really at the crossroads of music on the west coast, and had both the ears and the studio talent to really turn out some great singles at the time – often the sort of material that was very different than the vocals and mood music on its full length LPs. If you don't know this side of Liberty's legacy, you'll really in for a surprise – and even if you do, you'll still discover some overlooked gems in this 37 track set – presented complete with detailed notes on all the artists too. Titles include "Lies" by Lee Ross, "Buddy" by Jackie Dee, "Willa Mae" by Al Casey, "Little Bit" by Bobby Lonero, "You've Done It Again" by Andy & The Live Wires, "Sweet Baby Doll" by Johnny Burnette, "Ain't That Somethin" by Larry O'Keefe, "She's So Fine' by Andy Caldwell, "Sally Let Your Bangs Hang Down" by Johnny Olenn, "Billy Billy" by Dee Dee Dorety, and "Hey Baby" by Bill Lawrence. (Rock, Folk/Country) CD

... LP, Vinyl record album

Mindblowing minimalism from the legendary Sandy Bull – an artist who might have had acoustic roots in folk music, but who was instantly turning his music into something else – drawing on modal styles of Eastern music, European generations of expression on guitar, jazz-based improvisation – and maybe even prefiguring work to come from composers like Terry Riley and La Monte Young! This album's one of Bull's first, and it's pure genius right from the start – with a side-long performance on the incredible "Blend", which features slight drums from jazz musician Billy Higgins – which Sandy extrapolates these long passages on acoustic guitar. Side two features the fantastic "Carmina Burana Fantasy" on banjo – a kind of trans-historical performance that's right up there with John Fahey's best of the decade – alongside equally mindblowing "Non Nobis Domine" and "Little Maggie" – and the closing electric guitar genius of "Gospel Tune". LP, Vinyl record album

The fantastic early sound of the great Johnny Cash – captured here by Sun Records, who really did a great job of bringing out the rhythmic pulse in Johnny's music! As with his best early singles, the style here is very raw – romping guitar riffs next to the man's incredible deep voice – set up perfectly on the sorts of tunes that just seem to get better and better the more you give them a listen! Titles include "Luther's Boogie", "I Just Thought You'd Like To Know", "I Forgot To Remember To Forget", "Katy Too", "You Tell Me", "Just About Time", "You Win Again", "Thanks A Lot", "Get Rhythm", and "I Could Never Be Ashamed Of You". LP, Vinyl record album

... LP, Vinyl record album

Darkly beautiful sounds from the duo of Don & Stevie Gere – a husband and wife who work here with a style that's folksy, but a bit spooky too – possibly due to the fact that the music within was recorded in their California home, and never issued for years! There's a deeply personal feel to the songs here – almost like we're peeking in on the intimacy of the couple, but as they try to put together a message to reach outside of their home too – themes of their own love mixed with greater societal issues – later taken up as some of the songs were reworked by other artists like David Gates, Curt Boettcher, and Waddy Wachtel. Yet there's an innocence to these original recordings that's really mindblowing – rescued from oblivion on aging acetates, and represented here on cuts that include "Sweet Sugar", "Keep An Eye On You", "Another Blue Day", "What Do You Think Of Me", "Kindly", and "Tell Me Now". (Rock, Folk/Country) LP, Vinyl record album

A pair of wonderful albums from the great John Fahey – back to back on a single CD! First up is Rivers & Religion – a really unique album by John Fahey – issued during a short stretch of initial mainstream approval, and a brief time of recording for Warner Brothers! Some of the album's quite different than the spare, solo Fahey you might know – and mixes his legendary guitar work with more elaborate elements than usual – additional instrumentation that includes bass, banjo, clarinet, piano, trombone, and fiddle – but all used at a level that really supports John's presence, not occludes it. Other tracks return to spare acoustic steel string guitar – creating an evocative balance that's mighty nice. Titles include "Funeral Song For Mississippi John Hurt", "Texas & Pacific Blues", "Dixie Pig Bar B Q Blues", "Lord Have Mercy Song", and "Deep River". After The Ball is a set with a disco ball on the cover, but a record that fits right in with the best early 20th century aesthetic in the work of John Fahey – particularly his way of reiimagining older musical traditions! There's a bit of added instrumentation on the record – two tracks that have some slight trad jazz flourishes – but overall, the album's mostly a solo effort with loads of wonderful guitar work from John – still as creative and as complicated as in his best recordings for Takoma! Other added instrumentation sometimes expands the sound with mandolin or banjo, but again in very sensitive ways – and titles include "Bucktown Stomp", "Om Shanthi Norris", "Beverly", and "Horses". CD

A record that really has Fairport Convention knocking it out of the park – making a bold turn towards British traditional music, but in a way that imbues these relics with a whole new life of their own! The album came at a key turning point – after an accident that took one of their members, and which almost saw the group disband – but instead turn towards the past for even deeper inspiration than some of their contemporaries, whom they'd covered on other records – at a level that seems to set Sandy Denny free into this sublime territory of her own! Denny's vocals are incredible – like a thing unlocked from some ancient vault – and they're given this wonderful focus through the growing complexity of Richard Thompson's guitar work, and the understated brilliance of Ashley Hutchings' bass – both of which bring in these modal inflections that are very 60s, and hardly conceived of as accompaniment with the original tunes. The result is tremendous – tunes that are completely transformed, as a touchstone for generations. Titles include "Matty Groves", "Reynardine", "Come All Ye", "The Deserter", "Tam Lin", and "Crazy Man Michael". LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

(Now Sound, Folk/Country) LP, Vinyl record album

... LP, Vinyl record album

60s gems from the great George Hamilton IV – titles that include "The Deepening Snow", "As Long As The Winds Blow", "Anita You're Not Dreaming", "The Great El Tigre", "I Get The Fever", "Long Time Gone", and "Bad Seeds". LP, Vinyl record album