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XStandup, sketches, and spoken word -- plus kids records, sports records, and even some Folkways oddities!



Atlantic Edit search

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Close matches: 4
Close matches1
CD, LP, Vinyl record album cover art
Alfred RyderThis Is My Beloved ... LP
Atlantic, 1956. Very Good ... $3.99
... LP, Vinyl record album
(Cover has some wear. Vinyl plays with a click due to a pressing flaw near the start of both sides.)

Close matches2
CD, LP, Vinyl record album cover art
Kenny Solms & Gail ParentHere Comes The Bird ... LP
Atlantic, 1967. Near Mint- ... $3.99
... LP, Vinyl record album

Close matches3
CD, LP, Vinyl record album cover art
Flip WilsonCowboys & Colored People ... LP
Atlantic, 1967. Near Mint- ... $4.99
Hip work from Flip Wilson – an early album on Atlantic Records, issued before his bit TV fame – and a set that's got exactly the kind of edgey vibe you might expect from the title! The set was captured live in a small club, and Wilson's got a very wide appeal in his presentation – that kind of warmth and charisma that made him a very important force in breaking the boundaries between audiences at the time – able to keep things interesting enough with maybe a wider societal range of topics than the personal humor of Bill Cosby, on routines that include "Staying On Too Long", "Midget", "Riot Suit", "Confidential Survey", "Cheap Hotel", and "Kids". LP, Vinyl record album
(Pink & tan label pressing.)

Close matches4
CD, LP, Vinyl record album cover art
✨✧ Allen GinsbergAllen Ginsberg Reads Kaddish – A 20th Century American Ecstatic Narrative Poem ... LP
Atlantic, 1966. Very Good+ Gatefold ... Temporarily Out Of Stock
The one-and-only entry in the Verbatum series from Atlantic Records – a proposed spoken word offshoot of the label – but one that only ever issued this fantastic 60s reading by Allen Ginsberg! As you might guess from the cover's beautiful photograph by Richard Avedon, Ginsberg is at the height of his hippie years here – and the poem Kaddish is a freewheeling, spiritually-infused work that is quite different than some of the earlier beat material. Ginsberg draws both on his Jewish roots and his increasing conflict with society for the piece – which is presented here in a lively recording done at Brandeis in 1964. LP, Vinyl record album
(White label promo. Cover is lightly bent on the bottom 1/3.)

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