The first (and maybe only) American release by one of the greatest Brazilian singer/
songwriters of the sixties – and a record that's quite different than any Sergio Mendes work of the time, despite Sergio's name in the title! The vibe is like Lobo's best of Brazil from the late 60s – a post-bossa set that's quite complicated overall – rich in filling, and full of sweeping production, haunting compositions, and great jazzy arrangements. Players on the session include Hermeto Pascoal, Airto, Oscar Castro-Neves, Tiao Neto, and Claudio Slon – and Sergio Mendes was involved in the arrangements, but clear
ly the main focus was given to Lobo – as the overall quality is much deeper. The record includes great recordings of some of Edu's classic compositions – like "Zanzibar", "Ponteio", and "Casa Forte" – plus, it's got some other tracks that he never did before, like "Crystal
Illusions", "Sharp Tongue", and "Hey Jude".
(Out of print.)