A hefty look at the key role of composition in British jazz during the glorious modern uprising that began in the second half of the 60s – a book that features chapters on key figures from that moment, including Barry Guy, Mike Gibbs, Michael Garrick, Mike Westbrook, John Mayer, and Keith Tippet! Each of the artists had their own way of mixing stricture and improvisation – Mayer in his experiments with Indian music, Guy in his embrace of free jazz, Gibbs in the way he mixed rock influences with avant jazz – a legacy that continues to be hugely influential, all these many years later! And don't mistake "composer" with "classical" – as none of these artists made music that was jazz throughout, not some of the more highbrow experiments on the American scene of the postwar years – an approach that author Duncan Heining gets at well in these pages, then backs up with a great bonus 2CD set of material to illustrate his arguments. Hardcover book is over 300 pages, with some black and white images. Book