... LP, Vinyl record album

A really unusual setting for the legendary T Bone Walker – one of those fantastic records he made while hanging out on the French scene in the late 60s and early 70s – a time when he was able to work in a crossroads of styles that really opened up his sound! That's definitely the case here – as although Walker is very much his strong self on guitar and vocals, he's backed by a wonderfully unusual group – one that features French jazz legend George Arvanitas on piano, delivering some surprisingly bluesy lines – and which also includes tenor sax from the great Hal Singer, another musician who was really able to bridge worlds on the Parisian scene! George's fantastic bassman Jacky Samson is at the core, helping the groove – and titles include "Leaving You Behind", "I Hate To See You Go", "Ain't That Cold Baby", "Late Blues", and "Someone Is Going To Mistreat You". LP, Vinyl record album

A fitting title to this one – as it virtually describes the standard that the blues business was operating on during the early 70s – as artists came out of the shadows and found big audiences on college campuses, rock clubs, and other crossover scenes! The concept is carried to the Nth degree on the cover – which has a front image of a young Asian boy eating a big watermelon, Sambo-style – and the back cover features notes that say things like "Chinese kids like watermelon, Irish like bagels, black people like Jewish rye, and today everybody loves the Blues." Fortunately, this comic packaging doesn't affect the album too much – as Junior's still in the fine form he was at the end of the 60s, cruising between blues and soul, with a slight touch of jazz, in a unique way that sounds better to our ears than the work of most of his contemporaries. Titles include "Five Long Years", "That's Alright", "Way Back Home", "Man Or Mouse", and "I Like Your Style". CD

A great little set from T-Bone – recorded at the end of the 60s, with a lineup that includes other blues musicians like Joe Turner, Otis Spann, and George Harmonica Smith, plus jazz funk players like Paul Humphrey and Ernie Watts! The vibe is very laidback – and most tracks on the album stretch out in an extended free-form style that's quite unusual compared to T-Bone's other records. As usual, his guitar and vocals are very soulful – and titles include "Paris Blues", "Blues Jam", and "Jot's Blues". A real gem on Flying Dutchman/Bluestime. CD

A great little set from T-Bone – recorded at the end of the 60s, with a lineup that includes other blues musicians like Joe Turner, Otis Spann, and George Harmonica Smith, plus jazz funk players like Paul Humphrey and Ernie Watts! The vibe is very laidback – and most tracks on the album stretch out in an extended free-form style that's quite unusual compared to T-Bone's other records. As usual, his guitar and vocals are very soulful – and titles include "Paris Blues", "Blues Jam", and "Jot's Blues". A real gem on Flying Dutchman/Bluestime. LP, Vinyl record album

The definitely got the title right here – as BB King is plenty great, and already a powerhouse in these early years of his career! King sprung forth from the Memphis scene almost fully-formed – and in addition to his famous guitar work, he was also a hell of a singer who could bring a new sort of soulful presence to blues music – able to croon with the charm of a jazz singer in the right moments, join with a doo wop group at others, yet come on with the power of a bluesman whenever he stepped in front of the mic! This great album has BB in all these modes – recorded with brilliantly bold sound – and titles include "I Had A Woman", "Sweet Sixteen", "Someday Baby", "I'm Gonna Quit My Baby", and "I Was Blind". LP, Vinyl record album

Muddy Waters makes a classic appearance at the Newport Jazz Festival – playing a folksy set of blues in the years before the festival had turned more strongly towards that sort of music! The performance is surprisingly well-recorded – at a level that's similar to Waters' earlier studio dates for Chess, but with a clarity that's impressive, given the live setting – and which captures just a bit of the open space in which the group was working. Waters' vocals and guitar are supported by harmonica from James Cotton and piano from Otis Spann – who also sings on one number too. Titles include "I Got My Brand On You", "Baby Please Don't Go", "Soon Forgotten", "Tiger In Your Tank", "I Feel So Good", and "Goodbye Newport Blues". CD also features 4 bonus tracks – including "Meanest Woman", plus different versions of songs on the LP! LP, Vinyl record album

Fantastic material from Jimmy Witherspoon – that sublime mix of blues and jazz that really set him apart from the rest! Titles include "Failing By Degrees", "Big Fine Girl", "Have A Ball", "Fickle Woman", "Sweet Lovin Baby", and "Ain't Nobody's Business". (Vocalists, Blues) LP, Vinyl record album

A totally great collection of rare material from the Bluestime label – a rare rootsy side of the Flying Dutchman imprint at the start of the 70s! Flying Dutchman is a well-remembered label for its rich array of funk and jazz titles – and although Bluestime worked in the blues side of the spectrum, most of these numbers are pretty darn funky too – thanks to some shared musicians and production talents with the main Flying Dutchman scene. In other words, the tracks are all pretty darn hip – and way way more than blues – really more funk tunes that have a gritty, raspy edge – like those rare few times when Chess Records' bluesmen got nice and funky. Titles include "I'm A Dues Payin Man" by Optis Spann, "Every Day I Have The Blues" by T-Bone Walker, "Plastic Man" by Joe Turner, "Love" by Harmonica Slim, "Paris Blues" by The Super Black Blues Band, "I Wonder Why" by Otis Spann, "Something So Bright" by Malcolm & Chris, "That's Alright" by Harmonica Slim, Chicago Charva Chapter" by The Plaster Caster Blues Band, "Disillusion Blues" by Leon Thomas, and "For BB King" by T-Bone Walker. (Funky Compilations, Blues) CD

Fantastic west coast blues from the 60s, none of issued at the time – collected together here in a set that really shows the continuing evolution of the sound of LA! During the 60s, the city's blues took on some of the transformations that were happing in Chicago – with similar roots in a southern scene that moved into a hipper, more urban environment – where blues phrasing was more electrified, and mixed with influences from soul and jazz – often with some funky hybrids along the way! All the cuts here were recorded by Kent Records – the clear black music powerhouse of the west coast at the time – and half were issued on rare Japanese CDs in the 90s, the other 12 appear here for the first time ever – and as usual with Ace, the presentation, notes, and sound quality are wonderful. Titles include "Mama Said" and "Hey Baby" by Willie Headen, "Address In My Hand" and "Soul Blues" by Willie Garland, "Christine" and "Baby Don't Tear My Clothes" by Model T Slim, "Blues Pain" by Lowell Fulson, "You Told Me A Lie" by Smokey Wilson, "Before Day" by Big Mama Thornton, and "Rocks In My Pillow" and "Let Me Play With Your Poodle" by Long Gone Miles. CD

BB King brings in a sweet dose of jazz to his work – just a touch of the funkier backings that some of his electric contemporaries were getting at the time – maybe not as hard-wailing as some of the Chess funky blues records, but definitely somewhere in that direction! Players on the date include Mel Brown and Jesse Davis on guitars, Bobby Bryant on trumpet, Red Holloway on tenor, Plas Johnson on baritone, Clifford Coulter and Victor Feldman on piano, and the great Earl Palmer on drums. Titles include "Help The Poor", "Can't You Hear Me Talking To You", "Midnight", "I Got Some Help I Don't Need", "I've Been Blue Too Long", "Lucille's Granny, and "Can't You Hear Me Talking To You". LP, Vinyl record album