Four fantastic early albums from Waylon Jennings – all served up in a single package! First up is Folk Country – a mid 60s classic from Waylon Jennings – cut for RCA at a time when the singer was really beginning to find his own style! While not really a folk album, the use of the word in the title is maybe key to an understanding of Waylon's approach here – as he's already trying to go past the conventions of mainstream country music, and maybe bring in some of the depth of material and presentation that you'd be more likely to find from a folk singer – but all while still staying very true to the country music core that would hold strong over the decades! There's some great material on the album – and titles include "Another Bridge To Burn", "Cindy Of New Orleans", "I Don't Mind", "What Makes A Man Wander", "Look Into My Teardrops", and "Down Came The World". Leavin Town is a record with a really fantastic sense of spirit – from the rough-around-the-edges look of Waylon Jennings on the cover, to the album's presentation of music that really shows the deeper style of the singer at the start – tunes of yearning and searching that still sound fantastic all these many years later! The production is still somewhat in the Nashville RCA mode, but there's also some deeper currents that seem as if they're trying to pull in some of the hipper side of the scene too – served up nicely on titles that include "Leavin Town", "Anita You're Dreaming", "Doesn't Anybody Know My Name", "I Wonder Just Where I Went Wrong", "Time Will Tell The Story", "Baby Don't Be Looking In My Mind", and "Time To Bum Again". Next up is Wayon Sings Ol Harlan – a tribute to songwriter Harlan Howard! As with the best of his contemporaries, Waylon Jennings was always ready to acknowledge how important a good songwriter was to his music – definitely the case here on this late 60s tribute to the work of Harlan Howard! Howard wasn't the biggest star in the studio himself, but he gave key songs to a number of country acts in the 60s – and the rock-solid quality of his songs makes the album a real standout in the early RCA catalog of Waylon Jennings – a no-filler collection that's filled with gems that include "Sunset & Vine", "Busted", "Woman Let Me Sing You A Song", "She's Gone Gone Gone", "In This Very Same Room", "Heartaches For A Dime", "Tiger By The Tail", and "The Everglades". Last up is Nashville Rebel – a pretty nice soundtrack from the mid 60s – featuring a mixture of vocal and instrumental tunes, sung by Waylon Jennings, who also stars in the film, and arranged by Chet Atkins, who's also producing the album. Waylon's in fine form, and often singing with a style that's more expressive than earlier records, maybe because of his presence on the screen – and the instrumentals are great too – with kind of a honky tonk mod approach, similar to tracks you'd find in another groovy 60s soundtrack, but with a bit of a country twist. This means that you've got heavy twang in the guitar upfront, tightly snapping rhythms over a bit of strings, and a bit of organ or piano. Titles include "Lang's Theme", "Rush Street Blues", "Hoodlum", "Tennessee", "Silver Ribbons", "Nashville Bum", and "Green River". CD

Crazy goodness from the big 70s outlaw moment for Waylon Jennings – titles that inlcude "Tonight The Bottle Let Me Down", "Girl I Can Tell", "Whistlers & Jugglers", "I Walk The Line", "Billy", "As The Billy World Turns", "I've Always Been Crazy", and the postmodern "Don't You Think This Outlaw Bit's Done Got Out Of Hand". LP, Vinyl record album

Very early work from Waylon Jennings – the kind of material that shows just what a journeyman he was in country music! Long before he was a 70s superstar, filling large venues, Waylon was out there working the small clubs – including JD's in Phoenix, where this small-issue album was originally for sale! The set's not a live record, but certainly captures not just the spirit of the southwest scene at the time – but also the unique mix of modes that helped forge Jennings' unique sound – as bits from different strands of both rock and country are forged together with that already-amazing Waylon vocal style! Titles include a great early take on "Sally Was A Good Old Girl" – plus "Money", "Dream Baby", "It's So Easy", "Lorena", "Love's Gonna Live Here", "White Lightning", "Abilene", and "Don't Think Twice It's All Right". LP, Vinyl record album

A quadruple package of late 60s albums from Waylon Jennings – served up here in a single set! First up is Love Of The Common People – a tremendous late 60s album from Waylon Jennings – a set that really has the singer finally finding his groove, and working that amazing vocal style towards the kind of material that would soon help him become the stuff of legend! At some level, it could be said that there are currents of folk on the album – at least in the choice of some of the tracks, including the title cut – but throughout, Waylon Jennings has a way of turning things towards the darker side of the spectrum, and delivering things in a way that goes way beyond familiar RCA Nashville territory! Titles include "Money Cannot Make The Man", "I Tremble For You", "If The Shoe Fits", "The Road", "Love Of The Common People", "You've Got To Hide Your Love Away", and "Taos New Mexico". Hangin On has Jennings emerging as a singer with a depth that goes way beyond some of the more pop-oriented country acts handled by Chet Atkins on RCA, with a way of transforming tunes and really making them feel like they were all his own! Jennings did write a few of the words on the set, but most of the music is by well-chosen contemporary songwriters – spreading out with a slightly larger scope than some of the other RCA acts might handle – which might be an indication of the larger audience that Jennings would soon reach with his music! Titles include "The Crowd", "The Chokin' Kind", "I Fall In Love So Easily", "How Long Have You Been There", "Julie", "Looking At A Heart That Needs A Home", "Woman Don't You Ever Laugh At Me", and "Lock Stock & Teardrops". Only The Greatest is a damn near perfect batch of top notch honky tonk numbers from the late 60s! Waylon's distinctive voice works its magic on a bunch of great tunes, including honky tonk classics like "Only Daddy That'll Walk That Line", Harlan Howard's "California Sunshine", plus some song choices that steer towards countrypolitan, pop and folk, but really brought into Waylon's world regardless, via his incredible voice, which is at peak power at this point. Other titles include "Weakness In A Man", "Sorry (Breaks A Good Man Down)", "Christina", "Kentucky Woman", "Long Gone", "Wave Goodbye To Me", and "Too Far Gone". Jewels is a record with a very well-put title – as the set's filled with late 60s jewels by the amazing Waylon Jennings – tracks from a time before the singer was hitting as big as he should have, but which are perfect for digging out and loving again as the years go on! Jennings has an edge and darkness here that's so different than so many of his contemporaries – a quality that maybe resonates with Johnny Cash's best moments, but which has a focus here that avoids some of the mis-steps that could often be more frequent on Johnny's studio albums at the time – really rock-solid presentation throughout, as Waylon takes on tunes by Harlan Howard, Merle Haggard, and Dallas Frazier – and throws his own tune into the mix too. Titles include "New York City RFD", "Six Strings Away", "How Much Rain Can One Man Stand", "Today I Started Loving You Again", "If You Were Mine To Lose", and "See You Around. CD

Four fantastic early 70s albums from Waylon Jennings – all brought together in a single set! First up is Singer Of Sad Songs – a real career-changing record from Waylon Jennings – a set that's a few years before his big burst of fame, but which already shows him exploring the kind of material and direction that would fuel that later fire! Lee Hazlewood is on board for some of the production, and the tunes are a really well-chosen batch of numbers that shake loose from some of the more commercial or folksy work that Jennings was recording for RCA a few years before – and starting to open up into some of the cooler country currents that were coming from the underground. The set features a wonderful version of the Lee Hazelwood tune "She Comes Running" – "Time Between Bottles Of Wine", "Sick & Tired", "No Regrets", "Honky Tonk Woman", "Rock Salt & Nails", "Donna On My Mind", and "Must You Throw Dirt In My Face". The Taker/Tulsa is seminal 70s work from Waylon Jennings – a set recorded at a time when the singer was really starting to break from the rest of the country music pack! The set features some great tunes penned by the young Kris Kristofferson – a hint at the sort of vibe going on here, as Jennings was starting to bring in some more interesting material to his performances – which here often including some nicely stripped-down instrumentation that hints at the outlaw sound to come! Titles include "The Taker", "You'll Look For Me", "Lovin' Her Was Easier", "Six White Horses", "Casey's Last Ride", "Sunday Mornin' Coming Down", "Tulsa", and "Grey Eyes You Know". Good Hearted Woman is a record that would give Waylon Jennings one of his big songs of the 70s – the great title track co-written with Willie Nelson, and a real blueprint for the growing outlaw vibe the pair would soon inhabit! Ronny Light handles a lot of the production, with that fresh style that's newly respectful of Waylon in comparison to some 60s recordings – sparkling nicely here on tunes that include nicely mature themes that really show the depths that Jennings could offer when given a chance. Titles include "Do No Good Woman", "To Beat The Devil", "One Of My Bad Habits", "The Same Old Lover Man", "Good Hearted Woman", and "It Should Be Easier Now". Ladies Love Outlaws has a hokey title – but the set's the sort that laid the groundwork for the big rise of Waylon Jennings in the 70s – full of material that includes some classics penned by Waylon himself, plus more from Hoyt Axton, Mickey Newbury, and Lee Clayton! The production is nicely modern – RCA finally getting things right with a singer of this depth – and titles include "Thanks", "Frisco Depot", "Sure Didn't Take Him Long", "Crazy Arms", "Revelation", "Never Been To Spain", and "Under Your Spell Again". CD

Seminal 70s work from Waylon Jennings – a set recorded at a time when the singer was really starting to break from the rest of the country music pack! The set features some great tunes penned by the young Kris Kristofferson – a hint at the sort of vibe going on here, as Jennings was starting to bring in some more interesting material to his performances – which here often including some nicely stripped-down instrumentation that hints at the outlaw sound to come! Titles include "The Taker", "You'll Look For Me", "Lovin' Her Was Easier", "Six White Horses", "Casey's Last Ride", "Sunday Mornin' Coming Down", "Tulsa", and "Grey Eyes You Know". CD

A trio of pre-stardom albums from Waylon Jennings – brought together here in a single set! First up is Just To Satisfy You – fantastic early work from Waylon Jennings – exactly the kind of record that shows how the singer could burst out of the pack, even in a familiar setting! There's still a lot of Chet Atkins elements in the production, but Waylon really pushes all that aside with his upfront, honest vocal approach – so much so that even hits by others are completely transformed in his style! Titles include "Farewell Party", "Sing The Blues To Daddy", "Straighten My Mind", "Just To Satisfy You", and "Lonely Weekends" – plus duets with Anita Carter on "I Got You" and "Rings Of Gold". Next up is Country Folk – one of the most unusual albums ever recorded during the early RCA years of Waylon Jennings – a set that features backing vocals from the male/female quartet The Kimberlys – of the sort that you might have heard from the Anita Kerr Singers on a Chet Akins production – but tuned much more towards a style that suits Waylon well! There's none of the too-sweet modes that Kerr might bring into the mix – and there's also occasional female leads that appear for a bit, creating a sense of duet with that magnificent Jennings voice – further deepened by the great choice of material, too – really unusual tracks that aren't the sort that RCA was usually adding to country sessions at the time. Titles include Jimmy Webb's immortal "MacArthur Park", plus "These New Changing Times", "Come Stay With Me", "Cindy Oh Cindy", "Games People Play", "Mary Ann Regrets", "Let Me Tell You My Mind", "Long Way Back Home", and "A World Of Our Own". Last up is Waylon – pivotal work from Waylon Jennings – a record that has him really starting to show the maturity and individuality that would make his mid 70s hits so great! Production here isn't that different than before – Chet Atkins and Danny Davis are still at the helm in the studio – but Waylon himself has really blossomed, and gone from being just an already-great country singer to a mature male interpreter of tunes – able to bring his own spin to material from an array of well-chosen sources. Anita Carter duets with Waylon on two tracks – and titles include "Brown Eyed Handsome Man", "Don't Play The Game", "The Thirty Third Of August", "Yellow Haired Woman", "This Time Tomorrow (I'll Be Gone)", "Where Love Has Died", "I May Never Pass This Way Again", and "Just Across The Way". CD

Four full albums from Waylon Jennings – served up here in one double CD set! First up is What Goes Around Comes Around – Waylon Jennings' last album of the 70s, and a set that continues the superstar run he forged during the decade – delivered with that increasing power and focus that Jennings brought to his records as the years went on – still strongly country through and through, but with a quality that helped Waylon to really reach out and find audiences that some of his contemporaries couldn't touch! The material is really well-chosen, and fits that swagger that Jennings could bring to his vocals, but without ever pushing things too far – none of the hoke that could occasionally get in the way – on titles that include "I Ain't Livin Long Like This", "What Goes Around", "It's The World's Gone Crazy", "Old Love New Eyes", "Come With Me", and "Ivory Tower". Music Man is a set recorded at a time when Waylon Jennings had really reached superstardom – and was also finding a whole new ear for his music on the TV screen, thanks to his work on Dukes Of Hazzard! Think what you might about that show, Waylon's theme is a great one – and it's presented here along with a number of other well-chosen numbers that are delivered with a nicely understated sound overall – no attempt to try to force any sort of country rock agenda on Jennings, even when he's taking on the music of Steely Dan! And surprisingly, he does a pretty great job of that – reworking "Do It Again" into a completely different sort of song – heard here next to "It's Alright", "Storms Never Last", "Nashville Wimmin", "He Went To Paris", and "Good Ol Boys". On Black On Black, Waylon Jennings gets some great help from producer Chips Moman – who creates this laidback, rootsy groove that's perfect for the singer's sound – a move that's a wonderful choice, given that at this point in his career, Jennings could have gone for an arena-filling country rock sort of approach – but instead stays true to the kind of confident, up-close material that filled his classic albums for RCA in the 70s! Titles include "Honky Tonky Blues", "Women Do Know How To Carry On", "We Made It As Lovers", "Gonna Write A Letter", "Shine", and a remake of "Just To Satisfy You". On Waylon & Company, the "company" is as key as Waylon Jennings himself – as the set features the country music legend serving up a set of duets with a surprisingly great range of other singers – an all-star lineup that includes Jerry Reed, Tony Joe White, Hank Williams Jr, Willie Nelson, and Emmylou Harris! The set's a great reminder of the collaborative spirit that Jennings really started bringing to his music in the 70s – similar to Willie Nelson, a frequent recording partner – as a way of never letting superstardom make Waylon too prideful to not share the spotlight with someone else. Titles include "Hold On I'm Comin", "Spanish Johnny", "I'll Find It Where I Can", "Sight For Sore Eyes", "The Conversation", "So You Want To Be A Cowboy Singer", and "Leave Them Boys Alone". CD

Titles include "Mamas Don't Let Your Babies Grow Up To bE Cowboys", "Don't Cuss The Fiddle", "Gold Dust Woman", "The Wurlitzer Prize", "The Year 2003 Minus 25", "If You Can Touch Her At All", and "I Can Get Off On You". LP, Vinyl record album

Featuring Waylon Jennings, Willie Nelson, Jessi Coulter, Tompall Glaser. LP, Vinyl record album

Most folks associate Buck Owens with Capitol Records – the label that catapulted him to fame in the 60s – but after that initial run with the company, Owens recorded briefly for Warner Brothers in the mid 70s – with really great results that made for some mighty special music! That famous Owens voice is still in fantastic form – but given maybe a more mature direction on some of the material – maybe informed a bit by changes in country music that were being wrought by singers like Waylon Jennings or David Allen Coe – who seem to inspire Buck to take on a bit more honky tonk at times, and move away from more familiar Bakersfield modes. This great set brings together all the work that Owens did for the label – the albums Buck Em and Our Old Mansion – plus a fair bit of singles that he issued at the same time too. 41 tracks in all – with titles that include "Hollywood Waltz", "We're Gonna Build A Fire", "Child Support", "When I Need You", "Hangin In & Hangin On", "Love Is A Warm Cowboy", "How Come My Dog Don't Bark", "Texas Tornado", "He Don't Deserve You Anymore", "You're Gonna Need A Doctor", "Streets Of Bakersfield", and "When I Need You". CD

A really wonderful collection of work from the great Jerry Reed – some more obscure albums than his bigger hits, which makes for a really fresh selection of music throughout! Explores Guitar Country is maybe one of the rootsier efforts during the early RCA years of Jerry Reed – a set that definitely lives up to the "guitar country" promised in the title, as his strong command of the instrument is right up front in the mix – often on these midtempo numbers that sound perfect with his style! Jerry sings a bit, but his guitar is almost the strongest voice on the record – nicely unadorned, especially for RCA at the time – on titles that include "Bluegrass With Guts", "Are You From Dixie", "Wayfarin Stranger", "Barbara Allen", "In The Pines", "Swarmin", and "A Worried Man". Cookin has Jerry Reed reaching for some of the groovier material that would bring him great fame – but the songs are also balanced with some slightly folksy currents, maybe a bit like the late 60s work of Waylon Jennings – with some surprising commentary from time to time, and a richness of feeling that wasn't always allowed Jerry in some of his more famous, joke-heavy moments. Titles include "Turn It Around In Your Mind", "How Many Tomorrows", "Sometimes Feelin", "Plastic Saddle", "Alabama Jubilee", and "My Next Impersonation". Georgia Sunshine is a record that has Jerry Reed really hitting that formula that would make for some big albums in the 70s – a mix of witty, upbeat numbers and some occasional deeper moments – many of which are featured here in songs penned by Jerry himself! The set features the big hit "Amos Moses" – plus "Good Friends & Neighbors", "Talk About The Good Times", "Preacher & The Bear", "Georgia Sunshine", "That's All Part Of Losing", and "Dream Sweet Dreams About Me". Me & Jerry is a great duet album with Chet Atkins – a set that showcases the super-strong guitar talents of both musicians – very different in sound and style, but perfectly matched on a strong set of instrumentals! The tunes are mostly familiar, but nicely fresh in this setting – with lots of creativity from both musicians – and titles include "Tennessee Stud", "Wreck Of The John B", "Nut Sundae", "Stump Water", "Cannonball Rag", and "The January February March". CD

Beautiful work from songwriter Chips Moman – a key force on the Memphis scene at the end of the 60s, and a writer whose pen managed to touch a huge range of genres and styles over the years! Chips is maybe best known for the famous songs he gave to Aretha Franklin and others in his early years – but Moman has that special southern style of easily crossing genres, which meant that his heartfelt lyrics were also taken up by folks in country and rock as well – as you'll hear on this great collection that brings together all sorts of unusual interpretations of Chips' tunes! If there ever was an artist to warrant the treatment that Ace gives in its "songwriter" series, it was Moman – and there's plenty of notes on the songs and the recordings to help flesh out your understanding of his genius. Titles include "Promises" by Carla Thomas, "For You" by Gizzelle, "Do Right Woman Do Right Man" by Cher, "Fool In Love" by the Veltones, "I'll Never Give Her Up" by The Canes, "Don't Let It Be This Time" by The Gentrys, "You're Gonna See A Lot More Of My Leaving" by Barbara Lynn, "Okeechobee Purple" by Gary Stewart, "Dark End Of The Street" by The Flying Burrito Brothers, "Another Somebody Done Somebody Wrong Song" by BJ Thomas, "Luckenbach Texas" by Waylon Jennings, "So Much Like My Dad" by George Strait, "Here Come The Flowers" by Dottie West, and "Easy Street" by Johnny Cash. CD

Music from Merle Haggard, Mary Chapin Carpenter, Dwight Yoakam, Alison Krauss And Union Station, The Mavericks, Patty Loveless, George Jones, Tammy Wynette, Willie Nelson, The Judds, Waylon Jennings, and more. CD

A fabulous look at a new wave of music that hit the American scene at the end of the 60s – sophisticated songs with a deep sense of narrative that went way beyond the usual – first sprung by the world of country music, but with an influence that went on to touch all other styles too! This set goes right to the core – and brings together cuts from the hippest songwriters of the period, delivered in versions that may well be the best to ever make it on records – including a few tunes that will really come as a surprise if you think you know the artists from their hits! As you'd guess from the title, the world here is very similar to that in "Ode To Billie Joe" – a world that's also given great illumination by the detailed notes within. Titles include "Endless Miles Of Highway" by Jerry Reed, "If Only She Had Stayed" by Chris Gantry, "July 12, 1939" by Charlie Rich, "What Am I Doing In LA" by Nat Stuckey, "The House Song" by Lee Hazlewood, "Mr Jackson's Got Nothing To Do" by John Hartford, "Widow Wimberley" by Tony Joe White, "Mr Walker It's All Over" by Billie Jo Spears, "Drivin Nails In The Walls" by Waylon Jennings, "Four Shades Of Love" by Henson Cargill, "The Back Side Of Dallas" by Jeanne C Riley, "Way Before The Time Of Towns" by Hoyt Axton, "Down From Dover" by Dolly Parton, "Fabulous Body & Smile" by Sir Robert Charles Griggs, and "Why Can't I Come Home" by Ed Bruce. CD

A fabulous look at a new wave of music that hit the American scene at the end of the 60s – sophisticated songs with a deep sense of narrative that went way beyond the usual – first sprung by the world of country music, but with an influence that went on to touch all other styles too! This set goes right to the core – and brings together cuts from the hippest songwriters of the period, delivered in versions that may well be the best to ever make it on records – including a few tunes that will really come as a surprise if you think you know the artists from their hits! As you'd guess from the title, the world here is very similar to that in "Ode To Billie Joe" – a world that's also given great illumination by the detailed notes within. Titles include "Endless Miles Of Highway" by Jerry Reed, "If Only She Had Stayed" by Chris Gantry, "July 12, 1939" by Charlie Rich, "What Am I Doing In LA" by Nat Stuckey, "The House Song" by Lee Hazlewood, "Mr Jackson's Got Nothing To Do" by John Hartford, "Widow Wimberley" by Tony Joe White, "Mr Walker It's All Over" by Billie Jo Spears, "Drivin Nails In The Walls" by Waylon Jennings, "Four Shades Of Love" by Henson Cargill, "The Back Side Of Dallas" by Jeanne C Riley, "Way Before The Time Of Towns" by Hoyt Axton, "Down From Dover" by Dolly Parton, "Fabulous Body & Smile" by Sir Robert Charles Griggs, and "Why Can't I Come Home" by Ed Bruce. CD

A fabulous look at a new wave of music that hit the American scene at the end of the 60s – sophisticated songs with a deep sense of narrative that went way beyond the usual – first sprung by the world of country music, but with an influence that went on to touch all other styles too! This set goes right to the core – and brings together cuts from the hippest songwriters of the period, delivered in versions that may well be the best to ever make it on records – including a few tunes that will really come as a surprise if you think you know the artists from their hits! As you'd guess from the title, the world here is very similar to that in "Ode To Billie Joe" – a world that's also given great illumination by the detailed notes within. Titles include "Endless Miles Of Highway" by Jerry Reed, "If Only She Had Stayed" by Chris Gantry, "July 12, 1939" by Charlie Rich, "What Am I Doing In LA" by Nat Stuckey, "The House Song" by Lee Hazlewood, "Mr Jackson's Got Nothing To Do" by John Hartford, "Widow Wimberley" by Tony Joe White, "Mr Walker It's All Over" by Billie Jo Spears, "Drivin Nails In The Walls" by Waylon Jennings, "Four Shades Of Love" by Henson Cargill, "The Back Side Of Dallas" by Jeanne C Riley, "Way Before The Time Of Towns" by Hoyt Axton, "Down From Dover" by Dolly Parton, "Fabulous Body & Smile" by Sir Robert Charles Griggs, and "Why Can't I Come Home" by Ed Bruce. LP, Vinyl record album

The great Jimmy Webb is one of our favorite songwriters of the 60s – a young man at the start, but one who could come across with a maturity that few of his contemporaries could match – arguably setting the scene for a key step into adult pop that would really explode in the 70s! Yet by that, we don't mean that Webb is any sort of "adult contemporary" figure from the softer side of the spectrum – as his tunes are open, honest, and filled with an understanding of the heart and its ability to break, delivered in ways that are still as powerful today as they were back when first written. The package features some of Jimmy's greatest songs, some in their famous recordings, but many more in lesser-known takes that only stand as further testament to Webb's words on the page – which really work some magic, no matter what the setting! In the best Ace tradition, the whole thing comes with a superb set of notes and details on the material – mostly late 60s tracks from Jimmy's key years, but a few gems from later too. Titles include "If This Was The Last Song" by Dee Dee Warwick, "I Keep It Hid" by The Supremes, "Carpet Man" by The Nocturnes, "I Need You" by Shane Martin, "Midnight Mail" by Joey Scarbury, "MacArthur Park" by Waylon Jennings, "Do What You Gotta Do" by Nina Simone, "The Worst That Could Happen" by BJ Thomas, "Requiem 820 Latham" by Mel Torme, "Magic Garden" by Dusty Springfield, "Rosecrans Blvd" by 5th Dimension, "Honey Come Back" by Chuck Jackson, "Wichita Lineman" by Tony Joe White, "Didn't We" by James Darren, "Which Way To Nowhere" by Brooklyn Bridge, and "Clowns Exit Laughing" by The Fortunes. CD

Includes selections by Waylon Jennings, Jerry Lee Lewis, Conway Twitty, George Jones, Osborne Brothers, Tammy Wynette, Merle Haggard, Buck Owens, Porter Wagoner, Dolly Parton, Charley Pride, Jeannie C Riley, Glen Campbell, Johnny Cash, Loretta Lynn, Flatt & Scruggs, Del Reeves, and Henson Cargill. 24 tracks total. CD