A dozen great tracks from funky Latin soul grooves from LA – most of which forever transformed the sound of funk! All your favorites are here, with 12 tracks in all, including "Slippin Into Darkness", "Cisco Kid", "City Country City", "All Day Music", "Me & Baby Brother", "Why Can't We Be Friends", "Whose Cadillac Is That" and "Low Rider". CD

... 7-inch, Vinyl record

A wonderful first solo album from War – a set that has them breaking away from their early partnership with singer Eric Burdon – and finding an even better groove in the process! The vibe here is hipper, and even more righteous than before – some of those great jazz currents on flute, keyboards, and even harmonica – that sweet Lee Oskar mode that always made the group so great – set to very cool rhythms that blend together funk, Latin, and soul elements – all openly grooving here at a level that's free from some of the more hitbound modes of their biggest records. The whole thing's great, and still stunningly fresh after all these years – and titles include "Sun Oh Son", "Lonely Feelin", "Back Home", "War Drums", and "Vibeka". CD

The mellow slightly reggae-tinged title cut to one of War's biggest LPs, a huge AM radio hit back in the day. 7-inch, Vinyl record

A monster from start to finish – not only the greatest album from War, but maybe one of the greatest mainstream funk albums of all time! The set's got a really unique groove – one that so many others tried to copy, but which was forged here first – in a wicked LA blend of Chicano funk, heavy organ lines, and soulful singing that sews the whole thing together perfectly. Just about every cut is upbeat and funky – rolling along at that low-rider pace that was War's lasting contribution to funk music – and the album features the huge hits "World Is A Ghetto" and "Cisco Kid", two of the brightest spots on radio funk from the 70s – plus classics like "Four Cornered Room", "City Country City", "Where Was You At", and "Beetles In The Bog". LP, Vinyl record album

A monster from start to finish – not only the greatest album from War, but maybe one of the greatest mainstream funk albums of all time! The set's got a really unique groove – one that so many others tried to copy, but which was forged here first – in a wicked LA blend of Chicano funk, heavy organ lines, and soulful singing that sews the whole thing together perfectly. Just about every cut is upbeat and funky – rolling along at that low-rider pace that was War's lasting contribution to funk music – and the album features the huge hits "World Is A Ghetto" and "Cisco Kid", two of the brightest spots on radio funk from the 70s – plus classics like "Four Cornered Room", "City Country City", "Where Was You At", and "Beetles In The Bog". Features great bonus tracks too – previously unreleased "Ghetto Jam" numbers that are even more open and freewheeling than cuts on the album – titles that include "Freight Train Jam", "58 Blues", "War Is Coming (blues version)", and a sweet rehearsal take of "The World Is A Ghetto". CD

A monster from start to finish – not only the greatest album from War, but maybe one of the greatest mainstream funk albums of all time! The set's got a really unique groove – one that so many others tried to copy, but which was forged here first – in a wicked LA blend of Chicano funk, heavy organ lines, and soulful singing that sews the whole thing together perfectly. Just about every cut is upbeat and funky – rolling along at that low-rider pace that was War's lasting contribution to funk music – and the album features the huge hits "World Is A Ghetto" and "Cisco Kid", two of the brightest spots on radio funk from the 70s – plus classics like "Four Cornered Room", "City Country City", "Where Was You At", and "Beetles In The Bog". Plus, this box set features an insane amount of extra material – bonus tracks that include "This Is My Song Milton James", "Lee's Latin Jam", "LA Sunshine (original jam)", "War Is Coming (original jam)", and "Lonnie's Wednesday Night Jam" – plus 6 more "making of" sides of wax that feature all sorts of session performances of key tunes! LP, Vinyl record album

War did the music for this funky soundtrack to an early Lawrence Hilton-Jacobs film, and although most of the stuff on here is just typical War stuff, there's one track called "Flying Machine" that's a long funky chase scene-type track that's worth the price of the album alone! Other tracks include "The Kingsmen Sign", "Junk Yard", "Superdude", and "Youngblood". One of the best War LPs! LP, Vinyl record album

War became so popular on their own in later years that it's easy to forget how they first sprung onto the soul charts – here, in an album of many styles that was put together by the wayward Eric Burdon after the dissolution of The Animals. We have to admit that Burdon was a genius to hook onto the rich talents of this LA combo – even though he really didn't know what to do with them on this record. Part of the album's an homage to Roland Kirk, part is an extended reworking of "Tobacco Road", and part is an overly-long bluesy passage called "Blues For Memphis Slim". Fortunately, the record also includes the monster groover "Spill The Wine", one of the first big crossover tracks to popularize the Chicano funk sound of LA – and a great little groover that still hooks us in today. LP, Vinyl record album

... LP, Vinyl record album

Two excellent funky cuts from Eric Burdon and War! You probably know "Spill The Wine" – the Latin-tinged tune that made all them a lot of money, and which still sounds surprisingly great today – but "Magic Mountain" is also another winner, with a heavy funky beat at the beginning, and a great chugging groove that's in the best low rider mode! 7-inch, Vinyl record

A double-stuffed collection of work from the legendary War – one of the hippest soul groups on the Cali scene of the 70s, and one who just kept on making great music as the years went on! This expanded collection is a great testament to the group's genius – and the way they started out mixing together jazz, Latin, and funk elements with a special Los Angeles spin – then successfully brought in some clubbier elements in the late 70s, but all without ever falling into the disco cliches of so many of their contemporaries! Throughout the years, War remained a group with impeccable musicianship and a deep sense of soul – as you'll hear here on a set of gems that includes "Me & Baby Brother", "The World Is A Ghetto", "Get Down", "Spill The Wine", "Slippin Into Darkness", "All Day Music", "Gypsy Man", "Why Can't We Be Friends", "Cisco Kid", "LA Sunshine", "Low Rider", "Galaxy", "Outlaw", "You Got The Power", "Cinco De Mayo", "Smile Happy", "So", "Summer", "Don't Let No One Get You Down", and "Tobacco Road". LP, Vinyl record album

A great follow-up to War's first Music Band album – and proof that the group was still plenty darn funky at the end of the 70s! Although different from their original Chicano funk groove, the style here is still totally great – long, drawn-out funk that's filled with plenty of sharp edges, stepping basslines, sweet keyboards, and riffing guitars – sometimes a bit warmer than before, but in a way that's still plenty darn soulful. There's almost a bit more of an instrumental focus here than before – especially on the album's 13 minute remake of "The World Is A Ghetto". Other tracks include "Don't Take It Away", "I'll Take Care Of You", "Night People", and "The Music Band 2". LP, Vinyl record album

Badu is back with some of the deepest, funkiest and best music of her career – a mindblowing treatise for a New Amerykah – and what we'll consider an instant classic whether the world at large catches on or not! Erykah steps up this time with a set that balances the wilder impulses of her criminally underappreciated Worldwide Underground and more of a hip hop based, righteously grooving style – but still bursts with a freshness that's unrivaled to say the least. From free spirited soul, to sparse hip hop funk this record is both blunt and beautiful – with a slow-building emotional resonance that'll reach the most jaded souls. Modern soul music of the first order that gives us goosebumps from the first spin to the last beat! The album kicks off with Erykah riffing on and remixing Ramp's "American Promise" as an intro – and it just gets deeper from there. Producers/collaborators include Madlib, Sa-Ra, Karriem Riggins, James Poyser and ?uestlove. Amazing!!! Titles include "The Healer", "Me", "My People", "Soldier", "The Cell", "Twinkle", "Master Teacher", "The Hump" and "Telephone". The 9th Wonder produced single "Honey" is an unlisted bonus track. CD

Badu is back with some of the deepest, funkiest and best music of her career – a mindblowing treatise for a New Amerykah – and what we'll consider an instant classic whether the world at large catches on or not! Erykah steps up this time with a set that balances the wilder impulses of her criminally underappreciated Worldwide Underground and more of a hip hop based, righteously grooving style – but still bursts with a freshness that's unrivaled to say the least. From free spirited soul, to sparse hip hop funk this record is both blunt and beautiful – with a slow-building emotional resonance that'll reach the most jaded souls. Modern soul music of the first order that gives us goosebumps from the first spin to the last beat! The album kicks off with Erykah riffing on and remixing Ramp's "American Promise" as an intro – and it just gets deeper from there. Producers/collaborators include Madlib, Sa-Ra, Karriem Riggins, James Poyser and ?uestlove. Amazing!!! Titles include "The Healer", "Me", "My People", "Soldier", "The Cell", "Twinkle", "Master Teacher", "The Hump" and "Telephone". LP, Vinyl record album

Late 60s psyche pop on Atco from Bo Grumpus – a Boston group who only ever cut this one LP that we know of – and it's a groovy one! The sound has kind of tight pop combo groove with catchy melodies – fleshed out into trippier territory with some keys, trumpet, and overall bigger arrangements – some of which was done by Felix Pappalardi, who would go onto to bigger things with Mountain! Titles include "Sparrow Tune", "Think Twice", "Yesterday's Street", "The Breath O'Love", "A Knowing Young Touch", "Ragtimey Love", "Travelin In The Dark", "Brooklyn", "The Moon Will Rise" and "If I Came To You". LP, Vinyl record album

One of the last recordings ever made by the genius trumpeter Jaimie Branch – and a set that shows the bold new direction she was going in, right before she left our planet all too soon! The music here leaps forward from any of Branch's earlier recordings – with harder rhythms, more focus in the driving quality of the music, and even some lyrical passages that are quite stunning – vocals that add a lot to the music, and which could have had Jaimie finding an audience in a world far past just jazz! The core group is incredible – the drums of Chad Taylor have never been so powerful, urged on by the bass work of Jason Ajemian – and folded beautifully with the cello, voice, marimba, and keyboards of Lester St Louis. Branch herself also plays keyboards and percussion – and Daniel Villareal guests on some additional percussion too – and the whole thing comes together with an incredible sense of energy and vision, at a level that has us missing Jaimie's presence on the planet even more than before. Titles include "Aurora Rising", "Take Over The World", "Baba Louie", "Burning Grey", "The Mountain", and "Borealis Dancing". CD

One of the last recordings ever made by the genius trumpeter Jaimie Branch – and a set that shows the bold new direction she was going in, right before she left our planet all too soon! The music here leaps forward from any of Branch's earlier recordings – with harder rhythms, more focus in the driving quality of the music, and even some lyrical passages that are quite stunning – vocals that add a lot to the music, and which could have had Jaimie finding an audience in a world far past just jazz! The core group is incredible – the drums of Chad Taylor have never been so powerful, urged on by the bass work of Jason Ajemian – and folded beautifully with the cello, voice, marimba, and keyboards of Lester St Louis. Branch herself also plays keyboards and percussion – and Daniel Villareal guests on some additional percussion too – and the whole thing comes together with an incredible sense of energy and vision, at a level that has us missing Jaimie's presence on the planet even more than before. Titles include "Aurora Rising", "Take Over The World", "Baba Louie", "Burning Grey", "The Mountain", and "Borealis Dancing". LP, Vinyl record album

... LP, Vinyl record album

Part one of a massive two volume set that looks at the growth and change in African American sacred music from the Civil War onwards – shifts that occurred for years before the music became to be known as gospel, but with an ear towards all those elements that would really come to the forefront in the postwar years! Writer Robert Darden has roots both in the field of gospel journalism, and academia – and he blends both together in ways that follow a well-researched body of evidence, but also presents things in a very down to earth way at points. The book his hugely annotated, with some black and white images throughout – and is a fascinating look at this often-undocumented years of music. Hardcover edition is 210 pages. Book

Mid-40s recordings with the classic Ellington Orchestra line-up with Rex Stewart, Taft Jordan, Ray Nance, Lawrence Brown, Al Sears, Sonny Greer, Al Hibbler, and others. LP, Vinyl record album

With Jack Glottman on piano. CD

Includes 43 tracks on 2 CDs and features work with Louis Jordan, Louis Armstrong, the Ink Spots, and Eddie Heywood. CD

The final album in the "qatsi" trilogy, and one that's got the same sublime Philip Glass scoring as the others – but which also features some beautiful cello solos from Yo Yo Ma too! Given that there's a darker side to this film, the warmth of the cello balances things out nicely – and occasionally creates a nice juxtaposition with a few of the more urgent moments in the larger orchestrations – which are performed by the Philip Glass ensemble. Titles include "Media Weather", "Old World", "Intensive Time", "Primacy Of Number", "The Vivid Unknown", "Point Blank", and "Definition". LP, Vinyl record album

... 7-inch, Vinyl record

Some of the most tripped-out music ever from The Holy Modal Rounders – and that's saying a lot, given the nature of the group! This unique early album on ESP features two side-long tracks – both of which are mini-suites of sort, and filled with odd sounds, weird themes, and a strange mixture of hippie instrumentation and sci-fi experimentation! The group for the record is a quartet – with the core combo of Peter Stampfel on violin and vocals and Steve Weber on guitar, augmented by playwright Sam Shephard on drums and Lee Crabtree on piano and organ – plus extra vocals from the trio of Antonia, Barbara, & Wendy. The music is in the best free-thinking style of other rock on the ESP label in the 60s – and titles include "Jimmy & Crash Survey The Universe" and "The Second-Hand Watch". LP, Vinyl record album

Some of the most tripped-out music ever from The Holy Modal Rounders – and that's saying a lot, given the nature of the group! This unique early album on ESP features two side-long tracks – both of which are mini-suites of sort, and filled with odd sounds, weird themes, and a strange mixture of hippie instrumentation and sci-fi experimentation! The group for the record is a quartet – with the core combo of Peter Stampfel on violin and vocals and Steve Weber on guitar, augmented by playwright Sam Shephard on drums and Lee Crabtree on piano and organ – plus extra vocals from the trio of Antonia, Barbara, & Wendy. The music is in the best free-thinking style of other rock on the ESP label in the 60s – and titles include "Jimmy & Crash Survey The Universe" and "The Second-Hand Watch". LP2 features Live In 1965 – Some of the earliest music ever from The Holy Modal Rounders – a rare live performance from 1965, recorded at the Chess Mate nightclub in Detroit, and featuring only the duo of Peter Stampfel and Steve Weber! The music here is a bit more folksy and a bit less trippy than some of the Rounders' later recordings, but it still shows a decidedly left-field approach – not just in the subjects of the tunes, but also in the way the guitar, banjo, and fiddle are used – almost as additional voices at times, instead of conventional folk instrumentation. Titles include "Crowley Waltz", "Black Eyed Suzy", "My Mind Capsized", "Fishin Blues", "Rum Mountain", "Random Canyon", "Skin Game", "Indian War Whoop", and "Flop Eared Mule". LP, Vinyl record album

... 7-inch, Vinyl record

A record that's as melancholic as its cover and title – definitely one of the more sensitive efforts we've ever heard from pianist Bobo Stenson – and a set that also really showcases some great contributions from bassist Anders Jormin as well! Jormin composed a few of the most beautiful tunes on the set, and also really wins us over with his solo moments on the set – in a trio that also features Jon Christensen on drums, working in his usual very open, very loose approach. Titles include "Sediment", "All My Life", "War Orphans", "Natt", "Eleventh Of January", "Bengali Blue", and "Oleo De Mujer Con Sombrero". CD

Featuring Phil Lynott (Thin Lizzy), Justin Hayward (Moody Blues), Chris Thompson (Manfred Mann), David Essex, and Richard Burton! LP, Vinyl record album

... CD

... CD

Includes "Handle The Vibe", "It's All Mo Thug", 'Ready 4 War", "Ain't Nothin Changed (Everyday Thang part 2)", "Thug Luv", "Hatin Nation", and "Evil Paradise". 25 tracks in all. LP, Vinyl record album

One of the last recordings ever made by the genius trumpeter Jaimie Branch – and a set that shows the bold new direction she was going in, right before she left our planet all too soon! The music here leaps forward from any of Branch's earlier recordings – with harder rhythms, more focus in the driving quality of the music, and even some lyrical passages that are quite stunning – vocals that add a lot to the music, and which could have had Jaimie finding an audience in a world far past just jazz! The core group is incredible – the drums of Chad Taylor have never been so powerful, urged on by the bass work of Jason Ajemian – and folded beautifully with the cello, voice, marimba, and keyboards of Lester St Louis. Branch herself also plays keyboards and percussion – and Daniel Villareal guests on some additional percussion too – and the whole thing comes together with an incredible sense of energy and vision, at a level that has us missing Jaimie's presence on the planet even more than before. Titles include "Aurora Rising", "Take Over The World", "Baba Louie", "Burning Grey", "The Mountain", and "Borealis Dancing". LP, Vinyl record album

... CD

... CD

With Chris Potter on saxophone and flute plus David Hazeltine on piano. CD

Bloody War folk songs from the early 20th Century – put together for an essential compilation from the deep searchers at Tompkins Square – with patriotic tunes, weary laments, and even some darkly humorous perspectives! The songs are spun from the experiences of World War I, going back to the Civil War and Spanish American War. Fiddle and banjo tunes, strummed guitar narratives and more styles that either predate or predict strains of American country and folk music to come. Amazing stuff! Includes "Just As The Sun Went Down" by Zeke Morris, "Uncle Sam & The Kaiser", by Ernest V Stoneman, "Not A World Of That Be Said" by Wade Mainer & Sons Of The Mountaineers, "Everybody Help The Boys Come Home" by William & Versey Smith, "He Is Coming To Us Dead" by GB Grayson & Henry Whitter and more, 15 tracks in all. CD

Music from Battle Of Britain, The Guns Of Navarone, Patton, The Bridge On The River Kwai, Das Boot, The Great Escape, Battle Of Midway, and more – 20 tracks total. CD

... CD

... LP, Vinyl record album

Geoff Love galore – two instrumental albums from the 70s – back to back on a single CD! War Movie Themes features Love's recasting of famous themes from military films – including some classics from the 50s and 60s, given a slightly lighter reading here as a great device that still lets you enjoy the famous themes – yet without all the heavy drama of the original soundtrack! Titles include "Is Paris Burning", "Colonel Bogey", "Lawrence Of Arabia", "The Guns Of Navarone", "The Longest Day", and "Where Eagles Dare". Concerto Movie Themes features famous concerto moments from older soundtracks – brought back to life in stunning sound by Geoff Love, whose recordings here really make the best of 70s studio technology! Most numbers are from classical sources, but re-arranged for a famous film appearance – then recast here by Love – usually with a piano in the lead. Titles include "Warsaw Concerto", "The Way To The Stars", "Theme From Grieg's Piano Concerto", "Cornish Rhapsody", "Theme From Concerto In B Flat Minor", and "Spellbound Concerto". CD

Kind of nutty stuff from this weird Blake Edwards film that starred James Coburn and Dick Shawn. The material's not as jazz-based as some of Mancini's other scores, but it does have a delightfully nutty sound that's in keeping with the kind of mad 60s film it was written for. The postwar memory of the film situates it in Italy, so a fair number of the melodies have slight Italian overtones – including "Sicily Forever", "Gina", "Wine and Women", and "Festa!". LP, Vinyl record album

... CD

... LP, Vinyl record album

The breakthrough classic – with titles that include "Two Hearts Beat As One", "Sunday Bloody Sunday", "New Year's Day", "40", "Surrender", "The Refugee", "Red Light", and "Seconds". CD

The Buddah soul stable came out in full force for this soundtrack, including Harvy Fuqua, The New Birth, Barbara Mason, and Horace Ott – as well as the little known group Badder Than Evil! They play on the great instrumental track "Hot Wheels", which is the chase theme in the film, and a great sample track! Also includes "Super Shine #9", sung by Sister Goose & the Ducklings, which is a very groovy, goofy, soulful number – plus the tracks "Child Of Tomorrow", "Harlem Dreams", "Child Of Tomorrow", and "Come On & Dream Some Paradise". LP, Vinyl record album

One of the last recordings ever made by the genius trumpeter Jaimie Branch – and a set that shows the bold new direction she was going in, right before she left our planet all too soon! The music here leaps forward from any of Branch's earlier recordings – with harder rhythms, more focus in the driving quality of the music, and even some lyrical passages that are quite stunning – vocals that add a lot to the music, and which could have had Jaimie finding an audience in a world far past just jazz! The core group is incredible – the drums of Chad Taylor have never been so powerful, urged on by the bass work of Jason Ajemian – and folded beautifully with the cello, voice, marimba, and keyboards of Lester St Louis. Branch herself also plays keyboards and percussion – and Daniel Villareal guests on some additional percussion too – and the whole thing comes together with an incredible sense of energy and vision, at a level that has us missing Jaimie's presence on the planet even more than before. Titles include "Aurora Rising", "Take Over The World", "Baba Louie", "Burning Grey", "The Mountain", and "Borealis Dancing". LP, Vinyl record album

A richly-detailed look at England's Ambassador magazine of the postwar years – a publication devoted to promoting the rise of the British cloth industry, but which had an approach that made it much more like a fashion magazine overall! The book is lovely – heavy, oversize, and overflowing with photographs, images from the publication, and other ephemera – all brought together as part of an exhibition at London's V&A museum. Obviously, the publication was not one that we saw on our shores – but the book brings forth this crucial addition to magazine culture in all its glory – in a heavy hardcover book that's 240 pages in length, with images throughout. Book

With featured soloists Ray Nance, Johnny Hodges, Lawrence Brown, Taft Jordan, Jimmy Hamiltn, Harry Carney, Junior Raglan, and Joe Nanton. Titles include "Star Spangled Banner", "Take The A Train", "Tea For Two", "Honeysuckle Rose", "Ring Dem Bells", "Black And Tan Fantasy", and more. LP, Vinyl record album

A surprisingly wonderful record! Back in the day, we remember that we didn't like these later P-Funk albums because they weren't as druggy, trippy, or guitar heavy as the early stuff. Now, though, they sound pretty darn sweet to our ears – especially this one, which has lots of cool pre-electro grooves with sweet keyboards, vocoder vocals, and spacey basslines that blow out in deep rich waves of funky soul. The whole thing's an amazing evolution of the George Clinton groove – and titles include "Electric Spanking Of War Babies", "Funk Gets Stronger", "Shockwaves", "Icka-prick", "Brettino's Bounce", and "She Loves You". Nice Pedro Bell cover, too! CD

A well-done collection of images from the second world war – editorial cartoons that address the conflict in a variety of different ways – from the looming threat of war in the late 30s, through the actual years of combat that took up most of the first part of the 40s – into some materials that deal with the aftermath of the war as well! The book is in black and white throughout, and presents each cartoon with brief notes and sometimes a bit of translation – as the cartoons are from a variety of sources, US and UK, but other European territories as well – served up with a great array of very striking images that match the wit and politics of their themes. Softcover edition is black and white, 192 pages, with far more images than that number. Book

Not the first album of spoken word by Dr King to be issued by Motown – but one that came out on their important Black Forum label after King's death – as a message about the Vietnam War, which was still going strong after many years! King's peaceful approach to protest makes for a natural shift to a discussion of the Vietnam War – and as with all his speeches, the timing, tone, and rhetoric is still extremely powerful all these many years later! LP, Vinyl record album

Produced by George Martin and includes the Stevie Wonder duet, "Ebony And Ivory", plus "Take It Away", "Somebody Who Cares", "What's That You're Doing?" and more. LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

... CD

Two ultra-hip albums from Billy Paul – back to back in a single set! First up is 360 Degrees Of Billy Paul – a record that features Billy Paul at the height of his powers – able to capture the ears of the crossover audience, yet still stay very strongly on message – all with this righteous power that maybe makes Billy one of the hippest mainstream soul stars of the 70s! Gamble & Huff are at the helm, and arrangements at Sigma Sound are by Lenny Pakula, Norman Harris, and Bobby Martin – but throughout the whole thing, it's Billy's delivery that really sends the record over the top – the new sense of maturity he brings to the huge hit "Me & Mrs Jones", the funky vibe of "Am I Black Enough For You", and the wealth of great work on tracks that include "I'm Gonna Make It This Time", "I'm Just A Prisoner", "Brown Baby", and "Let's Stay Together". A masterpiece of sophisticated soul that not only had Billy crossing over big, but which opened whole new doors in the market for black male singers! War Of The Gods is a stone treasure from one of the greatest soul singers of the 70s – and a set you'll regularly find in the coolest of record collections from back in the day! Billy Paul was always one of the hippest talents on Philly International – mixing together soul and jazz influences with a deeper sense of spirituality, and long experience as a sophisticated vocalist. This album's one of his most sublime efforts – kind of a quasi-spiritual record with a similar high-concept approach to some of Marvin Gaye's work from the same time – really righteous, in ways that the Philly label didn't always hit – and which really goes past even most of Billy's already hip previous efforts. Gamble and Huff produced and wrote most of the record – including the two long tracks that make up side one, "I See The Light" and "War Of The Gods", the latter of which starts out slow and moody, then breaks out into a club groove. Other titles include the more standard soul tune "The Whole Town's Talking", plus "Thanks For Saving My Life" and "Peace Holy Peace". CD

A great quintet led by drummer Ralph Peterson – with Jimmy Greene on tenor and soprano sax, Jeremy Pelt on trumpet and flugelhorn, Orrin Evans on piano, and Eric Revis on bass. CD

Campy 20s-sounding tunes – penned by Ralston for this all-star World War 1 extravaganza. Most of the material is comedic, and vocals are by Richard Howard, Joanne Brown, Pia Colombo, Corin Redgrave, and others. Titles include "Belgium Put The Kaibosh On The Kaiser", "When This Lousy War Is Over", "I Want To Go Home", "Hush! Here Comes A Whizzbang", "Oh! It's A Lovely War", "Over There", and "Goodbyeee". LP, Vinyl record album

... 12-inch, Vinyl record

A stone 70s classic in the Island Records catalog – proof that although the label was scoring big with some of their superstar acts, they still had a great ear out for groundbreaking reggae material! The mighty Max Romeo works here with Lee Scratch Perry in the studio – who gives him fantastic support, at a level that opens up really righteous currents in his music – a fantastic blend of the roots reggae spirit of Romeo and the studio genius of Perry! Romeo's soulful inflections matched perfectly to the dark, swampy Black Ark grooves – on titles that include "War Ina Babylon", "Chase The Devil", "Stealin'", "One Step Forward", "Smile Out Of Style", "Uptown Babies", "Tan And See", "Smokey Room", and "Norman". LP, Vinyl record album

A real breakout album for Edwin Starr – and the kind of full-on set that really helped give his music a bold new focus! Starr had already scored nicely on some playful tracks from the Motor City scene of the late 60s – but here, he emerges as a singer with a lot more depth than before – not only on the righteous tunes, like the classic title track – but also on some of the warmer ones too, which showcase a new adult style of singing we might not have expected a few years before! Unlike other Motown efforts of this level, there doesn't seem to be any core arranger and producer – which means that Edwin himself did an even greater job of pulling the whole thing together – a great run of tracks that includes the classic "War (What Is It Good For)", a killer version of "California Soul", one of the best Motown-penned tracks from the time – and the tracks "Time", "I Just Wanted To Cry", "All Around The World", "At Last I Found A Love", "I Can't Replace My Old Love", and "She Should Have Been Home". LP, Vinyl record album

The Stax debut of Angie Stone – a new setting for the singer, and one that really helps her freshen up her groove! Although a contemporary soul diva, Angie's definitely in classic territory here – maybe not the space of Stax from the 60s and 70s, but a rock-solid sound overall, and more than enough to help us renew our faith in her work! The backings are simple, but never too commercial – tightly stepping beats on the bottom that bounce Angie up over the top, but never push her vocals too far. And as before, some of the best moments have an almost-spoken sort of quality – a way of unfolding out a tune that's very real and natural. Guests include Betty Wright and James Ingram, and titles include "Take Everything In", "Sometimes", "Make It Last", "Here We Go Again", "Baby", "My People", "Half A Chance", "Go Back To Your Life", "Wait For Me", "Pop Pop", and "Happy Being Me". CD

... CD

Produced by Tosh himself, band includes Keith Sterling, Santa Davison, Fully Fullwood, Sticky thompson, Skully Sims and others. 8 tracks in all, including "No Nuclear War", "Nah Goa Jail", "Fight Apartheid", "Vampire", "In My Song", "Lesson In My Life", "Testify" and "Come Together". LP, Vinyl record album

The breakthrough classic – with titles that include "Two Hearts Beat As One", "Sunday Bloody Sunday", "New Year's Day", "40", "Surrender", "The Refugee", "Red Light", and "Seconds". LP, Vinyl record album

... CD

The brilliant 3rd album from Mike Westbrook – a sharp-edged, two volume set with a scathing anti-war theme! The work is Westbrook's first total-concept album, and it's still one of his best – written with an edge that's free from some of the more whimsical touches that showed up in Mike's later years, and played by a core group of British avant soloists with searing intensity! You've never heard large group scoring like this – bold, ambitious, and quite different than most of what's come before. And although the whole thing sounds as if it's going to fall apart at any moment, it always snaps back into a sharp focus just in the nick of time – with brilliant results that bring the same sense of surprise that you might get from, say, a classic album from Charles Mingus or Archie Shepp! Players include Kenny Wheeler and Henry Lowther on trumpets, Mike Gibbs and Paul Rutherford on trombones, John Surman on baritone and soprano sax, Mike Osborne on alto and clarinet, Alan Skidmore on tenor and flute, Brian Smith on tenor, and Harry Miller and Barre Phillips on bass. This set features both volumes of the recording – with titles that include "Landscape", "Hooray", "Other World", "Marching Song", "Transition", "Rosie", "Tension", "Ballad", "Conflict", and "Requiem". LP, Vinyl record album

Includes 26 tracks from Jaybird Coleman, Charley Patton, Blind Willie Davis, Elder Otis Jones, Blind Roosevelt Graves, William and Versey Smith, Bo Weavil Jackson, and more. CD

... LP, Vinyl record album

... LP, Vinyl record album

... LP, Vinyl record album

With The Lox and DMX. 12-inch, Vinyl record

... 7-inch, Vinyl record

... CD

... LP, Vinyl record album

A real breakout album for Edwin Starr – and the kind of full-on set that really helped give his music a bold new focus! Starr had already scored nicely on some playful tracks from the Motor City scene of the late 60s – but here, he emerges as a singer with a lot more depth than before – not only on the righteous tunes, like the classic title track – but also on some of the warmer ones too, which showcase a new adult style of singing we might not have expected a few years before! Unlike other Motown efforts of this level, there doesn't seem to be any core arranger and producer – which means that Edwin himself did an even greater job of pulling the whole thing together – a great run of tracks that includes the classic "War (What Is It Good For)", a killer version of "California Soul", one of the best Motown-penned tracks from the time – and the tracks "Time", "I Just Wanted To Cry", "All Around The World", "At Last I Found A Love", "I Can't Replace My Old Love", and "She Should Have Been Home". LP, Vinyl record album

The Vietnam war was tough on most folks in the US – but it's no secret that it was especially tough on black Americans – who were often given little choice and little chance to get out of the callup to the military action – which left a huge impression on their community for years to come! This package documents the affect of Vietnam in soul music – in ways that are both direct and more subtle, as the package blends together a number of tracks that you likely don't know at all, and others that you might have missed as being critical of the war – as there's more subtle messaging going on, a lesson that was learned during the Civil Rights era, when a mellower lyric might get more mainstream circulation – as a call to action that a change was going to come. The quality of cuts here is wonderful – as well-selected as some of the Ace/Kent collections of rare soul music on small labels – and there's definitely a few here that we're hearing for the first time, alongside other numbers that really sound great in the setting. Titles include "Fighting For My Baby" by Donald Jenkins, "Lonely Soldier" by William Bell, "Letter To A Buddie" by Joe Medwick, "I Want To Come Home For Christmas" by Marvin Gaye, "My Ship Is Coming In Tomorrow" by The Pace Setters, "Johnny" by King Hannibal, "Going On Strike" by The Emotions, "Uncle Sam" by Jimmy Hughes, "My Soldier Boy Is Coming Home" by The Shirelles, "Glad To Be Home" by Charles Smith & Jeff Cooper, "The War Is Over My Brother" by The Sensational Saints, "Home To Stay" by RB Greaves, "Stop The War" by The Impressions, "Wish You Were Here With Me" by The Fawns, "VC Blues" by Allen Orange, "Promise That You'll Wait" by Michael Lizzmore, "Men Are Getting Scarce" by Chairmen Of The Board, and "Leave Him Alone" by Stu Gardner. CD