A real lost treasure from Art Farmer – a tremendous album that hardly ever shows up in the history books, and which, to our knowledge, has never properly been reissued! The set's a rare jazz side for the mostly-pop Scepter label – featuring Farmer at the head of a small group working with Tommy Flanagan on piano, Charles McPherson on alto, and either Steve Swallow or Ron Carter on bass. The album was done under the direction of Tom McIntosh – the brilliant young composer who had a magical talent for blending together modern and lyrical modes while still keeping a strong degree of soul. McIntosh contributed a few tunes to the set, as did Dennis Sandole – the nearly-forgotten trumpeter from the Philly scene of the 50s. There's a dark beauty to this session that surpasses even many other Farmer sides from the time – and titles include "Hyacinth", "Ally", "Happy Feet", "Minuet In G", and "Saucer Eyes". LP, Vinyl record album

... LP, Vinyl record album

The debut album from Meiko Kaji – an artist most folks knew first as an actress, but whose voice finds a wonderful setting in this record! There's a gentle current of funk to most tracks – stepping electric bass next to soaring strings, a bit of horns, and great use of koto from time to time – all to create this mellow groove that's totally great, and instantly appealing – which then opens the door to the subtle drama that Meiko brings to her vocals – beautifully sung, but with a presence that's very gripping, even if you don't understand the lyrics – and really served up in the best way possible, given the arrangements! Lyrics and titles are in Japanese – and tunes include "Shitto", "Aieno Kitai", "Ginchou Wataridori", "Jingi Komoriuta", "Ginchou Buruusu", "Hamabeno Meruhen", and "Yogiro Sukina Anata". CD

The debut album from Meiko Kaji – an artist most folks knew first as an actress, but whose voice finds a wonderful setting in this record! There's a gentle current of funk to most tracks – stepping electric bass next to soaring strings, a bit of horns, and great use of koto from time to time – all to create this mellow groove that's totally great, and instantly appealling – which then opens the door to the subtle drama that Meiko brings to her vocals – beautifully sung, but with a presence that's very gripping, even if you don't understand the lyrics – and really served up in the best way possible, given the arrangements! Lyrics and titles are in Japanese – and tunes include "Shitto", "Aieno Kitai", "Ginchou Wataridori", "Jingi Komoriuta", "Ginchou Buruusu", "Hamabeno Meruhen", and "Yogiro Sukina Anata". LP, Vinyl record album

Really wonderful sounds from Meiko Kaji – an actress as well as a singer, one who was famous for her Nikkatsu work at the start of the 70s – and who delivers the songs here with a similar sense of darkly moody drama! The music often mixes rock touches with larger arrangements – and the recording quality is completely sublime – so that Meiko's voice is right out front in the mix, really commanding the proceedings with a vibe that's expressive, but in ways that are very different than Japanese female vocals from the decade before. You might recognize her voice from use of her music by Quentin Tarantino – but you hardly need that reference to enjoy this set – a wonderful album full of gems that include "Wara No Ue", "Onna Somuki Uta", "Onna Hagure Uta", "Nigori Onna", "Urami Bushi", "Betuni Doutte Koto Demo Nishi", "Hitora Kaze", and "Onna Kawaki Uta". CD

Really wonderful sounds from Meiko Kaji – an actress as well as a singer, one who was famous for her Nikkatsu work at the start of the 70s – and who delivers the songs here with a similar sense of darkly moody drama! The music often mixes rock touches with larger arrangements – and the recording quality is completely sublime – so that Meiko's voice is right out front in the mix, really commanding the proceedings with a vibe that's expressive, but in ways that are very different than Japanese female vocals from the decade before. You might recognize her voice from use of her music by Quentin Tarantino – but you hardly need that reference to enjoy this set – a wonderful album full of gems that include "Wara No Ue", "Onna Somuki Uta", "Onna Hagure Uta", "Nigori Onna", "Urami Bushi", "Betuni Doutte Koto Demo Nishi", "Hitora Kaze", and "Onna Kawaki Uta". LP, Vinyl record album

A notorious EP from Japanese actress Kaoru Kuroki – who both bares herself on the cover, and on the songs within! The approach is a bit like city pop from the time, but with a style that's a bit more fluid – as the leadoff track is an electric take on a famous folk melody, followed by an erotic poem written by Kaoru and set to music! There's also a bit more of an erotic current through the other tunes too – and titles include "The Age Of Innocence", "A Love Note For You", "Chinatown Love", and "Birth From Time". LP, Vinyl record album

Wicked funk from Japanese keyboardist Norio Maeda – also a hell of an arranger, too – as you'll hear on this superb set from the start of the 70s! The record's one of those key albums that took a 60s groovy Japanese sound much further into the future – giving the whole thing a sharper edge, with heavier drums – and using trippy guitar, weird flute lines, and keyboards to give the whole thing a vibe that's almost more blacksploitation or kung fu soundtrack than most of what Maeda had done before! Tracks are all pretty lively, and work together as a sweet set of grooves – almost with a funky Lalo Schifrin sort of vibe – and all the notes and titles are in Japanese, or else we'd have even more information to convey. LP, Vinyl record album

An early gem from Hidehiko "Sleepy" Matsumoto – easily one of the greatest players on the Japanese scene of the postwar years, and a tenorist who we might easily compare to the great Hank Mobley! This album's got the same sort of soulful subtlety of Mobley's classic Soul Station – an easygoing blend of strong tenor leads, piano, bass, and drums – plus a bit of guitar that mostly sits back in the rhythms and complicates them slightly. Hidehiko's tone is wonderful – bold, strong, and deep, but extremely personal too – very much at home with the familiar standards of the set, yet not in a way that has him sleepwalking through them. Titles and players are all in Japanese, so we can't tell you much more – but take it from us, this album's a cooker, especially if you dig the laidback Blue Note work of Hank Mobley or Ike Quebec! CD

A soulful, almost spiritual set at points – with Mukai on trombone, Kazumi Watanabe on guitar, and Fumio Itabashi on piano! Titles include "Impressions", "Afro Blue", "Old Folks", and "Stella By Starlight". LP, Vinyl record album

Incredible work from one of the greatest groups of the New York avant scene of the 60s – the legendary New York Contemporary Five, a combo that features Archie Shepp on tenor, John Tchicai on alto, Don Cherry on cornet, Don Moore on bass, and JC Moses on drums! This 1963 recording, originally done in Copenhagen, is one of the group's most lasting statements – a bold, bracing bit of jazz that seems to pick up energy from Ornette Coleman's dimming flame, prefacing Albert Ayler inferno to come, wrapped up with some of the sensitivity of Eric Dolphy in his final years – a record that rivals the best that any of those three players had to offer. Shepp's got an intensity that almost blows away his Impulse sides, and Tchicai has hardly ever sounded better – and even Cherry seems to be unlocking a whole new side of his spirit in the process of the recording! Titles include "Mick", "The Funeral", "When Will The Blues Leave", "Crepuscule With Nellie", "OC", and "Cisum". LP, Vinyl record album

A really unusual record from early 70s Japan – one that features vocals from erotic actress Reiko Ike – done in a mode that's very similar to her sexy appearances on screen! And in fact, when we say "vocals", maybe "vocalizations" should be more the case – as many of these tracks are sexy grunts, groans, and exclamations – mixed with a bit of more conventional singing – set to instrumentation that's groovy and jazzy, and which has some nice soundtrack modes in the styles – all almost like an audio equivalent of softcore porn, with a quality that's enough to make Serge Gainsbourg and Jane Birkin blush! LP, Vinyl record album

A brilliant early album from Japanese drummer Hideo Shiraki – a jazz session that bristles with the same intensity as key late 50s work by Benny Golson or Gigi Gryce! Although Hideo's leading the group on drums, his work on the kit is remarkably subtle – done with the snappingly rhythmic style that marked some of Golson's best modern experiments of a few years before – not nearly as bombastic as his stint with Art Blakey, and more in the rhythmically stepping quality of his work with Art Farmer in the Jazztet. Key players on the session include Hidehiko Matsumoto on tenor and flute and Yuzuru Sera on piano – both of whom give the album a fluid grace that's really beautiful – and soulful edges that allow the record to stand equally next to anything coming out of the US at the time. One track features a bit of koto at the start – echoing Shiraki's later world jazz experiments – but most of the set is straight modern hardbop, with tracks that include "Blue Romeo", "Etude No 1", "Just One Or Eight", "You Don't Know What Love Is", and Benny Golson's "Five Spot After Dark". LP, Vinyl record album

A brilliant pairing of talents – Brazilian trumpeter Marcio Montarroyos and the soulful Stone Alliance group of the 70s – coming together here in Rio with extra help from Hermeto Pascoal on reeds, and added work from Brazilian musicians David Slon, Dom Bira, and Erasto De Holanda Vasconcelos! The style is tighter and harder than the usual Brazilian jazz of the time – a bit fusiony at points, but always with a richer vibe that's almost more in a 70s Latin jazz mode – maybe because of the strong bottom end from the trio of Gene Perla on bass, Don Alias on drums, and the mighty Steve Grossman on reeds! It's an especially nice treat to hear Grossman in this setting – a nice change from usual, but one that he really illuminates with his soulful lines – and titles include "Hey Bicho Vamos Nessa", "Risa", "The Greeting", "On The Foot Peg", "A Child Is Born" and "Libra Rising". LP, Vinyl record album

A fantastically free session from the Japanese scene of the late 60s – a set that really points the way towards some of the more dramatic, dynamic guitar-based expression to come in later decades! The group's a trio, with guitarist Masayuki Takayanagi very firmly in the lead – playing his instrument in a range of compelling ways – bowing the strings one minute, plucking with Derek Bailey-like complexity the next – sometimes with heavy drums and bass, other times standing out in very free solo space. The whole album's got a very freely improvised feel, and stands as an early link between free jazz and experimental rock modes - with tracks that include "Piranha", "Herdsman's Pipe Of Spain", "The Galactic System", "Sick Sick Sickness My Aunt", and "Study No 3 Up & Down". LP, Vinyl record album

A great Japanese session from Mal Waldron – with excellent tenor and flute from Akira Miyazawa, plus bass from Isao Suzuki and drums from Hironobu Fuzisawa! LP, Vinyl record album

A great Mal Waldron set – recorded with a trio that includes George Mraz on bass and Al Foster on drums! Given the rhythm players, the sound here is a bit warmer than some of Waldron's more avant work from the European scene– and both sets are a nice reminder that Mal could still be a very sensitive interpreter of a standard, too – not just his own, slightly bolder compositions. Mraz is nicely high in the recording, stepping around in this sweet pulse that often seems to dominate Foster's work on drums – which makes for a nice bottom end that lets Mal do plenty of his own thing on the keys. Titles include "Love For Sale", "Summertime", "I Surrender Dear", "Yesterdays", and "All Of You". LP, Vinyl record album

A totally cool little record from Japan – one that mixes old school acoustic instrumentation on shamisen with these larger arrangements that have a much more contemporary vibe – partly 70s funk, partly soundtrack in scope, and a very cool backdrop for the spare sound of the unique three-stringed instrument! Chisato Yamada plays with plenty of feeling here – often doing a heck of a lot with just a little – as the larger charts from Takeshi Terauchi swell and groove, almost as if the whole thing were some groovy film score from the time! All song titles are in Japanese – and the set features the long "Sea Of Japan" suite, plus a few shorter tracks too. LP, Vinyl record album

A standout early hit from Mai Yamane – a singer who's also known for her work in Cowboy Bebop, but who's clearly a superstar in the spotlight on her own! There's an easygoing groove to the record that's sly and slightly funky at the best spots – arranged by guitarist Makoto Matsushita, who really knows how to let Mai open up and flow – often with a style that's richly expressive, much more so than many of her early 80s Japanese contemporaries! Titles include "Heart For Sale", "Tasogare", "Get Away", "Wave", "City Drive", and "Foolin Myself". LP, Vinyl record album

One of the greatest jazz-meets-classical albums from pianist Eugen Cicero – thanks to a good amount of Rokoko in the grooves! The more flowery, flourishing style of the Rokoko era proves to be a perfect foil for Cicero's incredible approach to the keys – one that lets him bring even more complicated touches to the piano, while still working with tightly jazzy rhythms from the team of Peter Witte on bass and Charlie Antolini on drums! Witte and Antolini are great throughout – keeping things tight and focused, and making the record way more than a virtuostic exploration of classical themes. As much a jazz record as the best Swingle Singers sides from the 60s – with titles that include a great original called "Bach's Softly Sunrise", plus Bach's "Solfeggio C Moll", Couperin's "L'Adoslecente", and Scarlatti's "Sonate C-Dur". LP, Vinyl record album