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CD, LP, Vinyl record album cover art
George ColemanGeorge Coleman Quintet In Baltimore ... LP
Reel To Real, 1971. Near Mint- Gatefold ... $24.99
Tremendous work from tenorist George Coleman – featured here in the sort of setting that really reminds us of his genius when allowed to really open up and blow! The tracks are long, and the material was recorded by the Left Bank Jazz Society – that Baltimore-based organization that's managed to capture important (and excellent) sessions over the years, including classics from Lee Morgan and Wynton Kelly. Coleman was on one of the Kelly dates, but is even better here as a leader – and works with an unusual group that includes Danny Moore on trumpet, Albert Dailey on piano, Larry Ridley on bass, and Harold White on drums – with nice use of trumpet that keeps the record from being very different than just a live date from a tenorist with rhythm section. Titles include long takes of "Joy Spring", "Afternoon In Paris", "Sandu", and "Body & Soul". LP, Vinyl record album
(2020 Black Friday release. Includes booklet.)
 
Possible matches: 7
Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Chris ClarkSoul Sounds ... CD
Motown/Marginal (Belgium), 1967. Used ... Temporarily Out Of Stock
A great Motown album from Chris Clark – one of the few white singers ever signed to the label, and a great vocalist at that! Chris has a sound that's quite unique – halfway between Motown soul and some of the soul-inspired pop of the time – particularly that of UK singers like Dusty Springfield and some of her generation. There's a proud, bold sound here – all Motown in the backings, and often done with the kind of tightly-stepping grooves that have made some of Chris' singles big ones on the Northern Soul scene over the years. Titles include "I Want To Go Back There Again", "Day By Day Or Never", "From Head To Toe", "Sweeter As The Days Go By", "Do Right Baby Do Right", "Born To Love You Baby", "Love's Gone Bad", and "Whisper You Love Me Boy". CD
(1997 Marginal pressing – with lots of material you can't find on the Reel Music reissue!)
Also available Soul Sounds (with bonus track) ... CD 8.99

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ John FaheyYour Past Comes Back To Haunt You – The Fonotone Years 1958 to 1965 (5CD set & book) ... CD
Dust To Digital, Late 50s/Early 60s. Used 5 CDs ... Out Of Stock
A completely beautiful, heavy duty box of vintage John Fahey – his late 50s to mid 60s Fonotone recordings in 5CD set – 115 rare recordings from the formative years of the folk guitar genius, plus an 88 page hardbound book! Most of the music on this incredible Dust To Digital/Revenant set is appearing on CD for the first time ever – remastered from Joe Bussard's reel-to-reel tapes to the best sound quality obtainable. Essayists and other contributors to the book include Eddie Dean, Claudio Guerrierri, Glenn Jones, Malcolm Kirton and Mike Stewart, a poem by Byron Coley. It also includes Douglas Blazek's 1967 interview with Fahey, published for the first time. Songs include "Frankin Blues", "The Transcendental Waterfall", "Over The Hill Blues", "Green River Blues", "Libba's Rag", "Poor Boy Blues", "You Gonna Need Somebody On Your Bond", "Smoky Ordinary Blues (Dance Of The Inhabitants)", "Night Train To Valhalla", "House Carpenter", "Medley: Goodbye Old Paint/Whoopee Ti-Yi-Yo, Git Along Little Doggies", "Bottleneck Blues" and many, many more. CD
(In really great shape!)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Harry Miller's IsipingoFull Steam Ahead ... CD
Reel Recordings (Canada), Mid 70s. Used ... Out Of Stock
Wonderful work from British bassist Harry Miller – a set that echoes with his South African musical roots, but also shows his warmly collaborative presence on the British jazz scene of the 70s! The tracks here are all from rare tapes recorded by Harry in the mid 70s – beautiful numbers that recall the brilliance of the Blue Notes legacy in jazz, particularly some of the recordings by Chris McGregor & The Brotherhood Of Breath – as the tunes spin out, and soar to the skies with really righteous, soul-drenched energy! Players include Stan Tracey or Keith Tippett on piano, Mongezi Feza or Mark Charig on trumpet, Nick Evans or Malcolm Griffiths on trombone, Mike Osborne on alto sax, and Louis Moholo on drums. Miller's bold, round tones on bass are the the lead of the proceedings throughout – and titles include "Whey Hey", "Good Heavens Evans", "Family Affair", "Children At Play",a nd "Dancing Damon". CD
(Out of print.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Jeannie ReynoldsCherries, Bananas & Other Fine Things (with bonus tracks) ... CD
Casablanca/Reel Music, 1976. Used ... Out Of Stock
A great little album from Jeannie Reynolds – and her lasting contribution to underground soul! Jeannie's vocals are nice and deep – with hints of southern diva phrasing, filtered through some of the tighter soul styles coming out of Chicago and other points north at the time! Detroit talents LJ Reynolds, Tony Hester, and Don Davis produce – save for one song by Michael Henderson – and the big highlight is the slow groover "The Fruit Song", a sly seductive stepper of a track, with rolling congas, sweeping strings, and a very catchy hook from Jeannie. That number runs for about 7 minutes long – and the album also includes a number of nice shorter cuts, like "I've Still Got My Pride", "The Feelin' Ain't There", and "You Want To Get Your Hands On A Woman" – all wonderful numbers that will have you loving Jeannie as one of your favorite new discoveries in 70s soul! CD also features 4 non-LP bonus cuts – "Phone's Been Jumping All Day", "Unwanted Company", "Lay Some Lovin On Me", and "Love Don't Come Easy For Me". CD
Also available Cherries, Bananas & Other Fine Things (with bonus tracks) ... CD 6.99

Possible matches6
CD, LP, Vinyl record album cover art
Smokey Robinson & The MiraclesPocket Full Of Miracles ... LP
Tamla, 1969. Very Good ... $6.99
A great one by The Miracles! Smokey and the group are clearly pushing the envelope here – stretching out for a deeper harmony sound, moving towards some of the smoother styles they'd use a bit more in the 70s. The result is a slightly-confused album, but one with some really interesting material that gives the group a chance to experiment more with their vocal phrasing. Includes the heavy soul number "Flower Girl", plus the tracks "Who's Gonna Take The Blame", "Darling Dear", "The Reel Of Time", "Wishful Thinking", "Point It Out", and "Don't Take It So Hard". Also features a great medley of "Something" and "Something You Got". LP, Vinyl record album
(Original pressing. Cover has ring and edge wear, small initials in pen, a center split in the spine, and is bent at the top right corner.)

Possible matches7
CD, LP, Vinyl record album cover art
Sonny RollinsReel Life ... CD
Milestone/OJC, 1982. Used ... $3.99
An overlooked Sonny Rollins set from the early 80s – one that has him recording with a fair bit of guitar, but still staying very much in his best form as an improviser! The group here features both Bobby Broom on electric guitar, and Yoshiaki Masuo on acoustic and electric – both players who get in plenty of sound during the set, but always as a follow-up to Rollins' bold tenor voice in the lead. Remaining group members include Bob Cranshaw on electric bass and Jack DeJohnette on drums – and although the electric strings might normally make for a smooth sort of record, Sonny's sharper sound still brings plenty of edge – even when the rhythms of a few tunes get a bit bright. Titles include "My Little Brown Book", "Reel Life", "McGhee", "Rosita's Best Friend", and "Best Wishes". CD
(Out of print and still sealed. Small cutout hole through case and rear artwork.)

Possible matches8
CD, LP, Vinyl record album cover art
VariousLocal Customs – Downriver Revival ... LP
Numero, Late 60s/1970s. Near Mint- 2LP Gatefold ... $29.99
One of the coolest collections ever put out by The Numero Group – and that's saying a lot, given the hipness of the label! Downriver Revival chronicles the story of a unique studio in Michigan – Double U Sound, a custom recording spot that captured a wonderful range of soul, funk, gospel, and other sounds from the local community – beautifully presented here in a full 2LP set, plus a bonus DVD that features the near-complete 200 song archive of the studio! The DVD's really unique – so we'll talk about it first: Done with an interactive menu that lets you literally comb through the boxes of tapes in the Double U vault – selecting each reel recorded by the studio, and sampling the rich array of wonderful sounds from this untapped Michigan scene – a huge amount of music, far more than you'd ever find on a 2LP compilation. The DVD also features a documentary on the studio and Downriver Revial project – and that alone would be worth the price of admission – but the 2LP set then features 24 key numbers pulled from the vaults – tracks that were either issued on rare 45s, or never issued at all – and which represent a wonderful array of soulful sounds that definitely lives up to the Numero standard! Titles include "There's A Light" by Shirley Ann Lee, "Take Care Of Us" by The Revelations, "Untitled Jam" by Bobby Cook & The Explosions, "Foot Stumping (alt)" by Organics, "While You Were Gone" by Combinations, "Heaven" by Deliverance Echoes, "Untitled" by Burgess Band, "Round N Round" by Junior Mays Group, and "Walk With Me" by Calvin Cooke. LP, Vinyl record album
(Includes bonus CD.)
 
Partial matches: 70
Partial matches9
CD, LP, Vinyl record album cover art
Astral TravelIf You Say You Are From This Planet, Why Do You Treat It Like You Do? ... LP
Hyperjazz (Italy), 2020. Near Mint- ... $9.99 11.99
A record that really carries its message in its title – a set of spiritual ruminations on the nature of existence – inspired by the writings of Sun Ra, and carried off with vocals by Dwight Trible – who joins this Italian group for the recording! Each song is inspired by a different poem from Ra's This Planet Is Doomed – and the music is freely improvised, but in a relatively spiritual way – with leader Tommaso Cappellato on drums, with Fabrizio Puglisi on piano and keyboards, Piero Bittolo Bon on reeds and electronics, and Marco Privato on bass. The set may be one of the most avant albums that Trible ever recorded – and his vocals have the strong resonance of his straighter recordings, but a bit more bite, and a really mighty reach – on titles that include "Tomorrow's Destiny", "Infinity", "Science Has Changed", "The End", "Time", and "You Are From This Planet". LP, Vinyl record album
(Includes the printed inner sleeve.)

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Bad PlusGive ... CD
Sony, 2004. Used ... Out Of Stock
One of the most compelling modern groups in jazz does it again – taking the simple piano trio format and giving it a spin that's sure to catch even the most wary of ears! These guys aren't exactly funky, but they play in a freely rhythmic style that brings new life to anything they touch – and honestly, they're one of the few groups in jazz who could cover recent pop material and actually make us like it! There's an approach here that's almost in the mode of Medeski Martin & Wood – with open and experimental, yet still rhythmic and swinging – and always a fresh delight overall. Titles include "1979 Semi-Finalist", "Street Woman", "Frog & Toad", "Velouria", "Iron Man", "Neptune", and "Dirty Blonde". CD
(Out of print.)

Partial matches11
CD, LP, Vinyl record album cover art
✨✧ Billy BangDistinction Without A Difference (with bonus tracks) ... CD
Hat Hut/Corbett vs. Dempsey, 1980. Used Gatefold ... Temporarily Out Of Stock
Billy Bang has always been one of the most incredible players on his instrument – a jazz violinist who could take the strings into freely creative territory, yet also somehow manage to swing – a balance that nobody ever seemed to manage as well as Bang! And while Billy's work in groups is always wonderful, the strengths of his genius maybe come through even more in a solo setting like this – as Bang uses the violin in ways that are completely unheard of, even in jazz work of the decade before – but also while somehow holding to an inherent core that always makes his music make immediate sense, even to the most casual listener. The album's a true testament to the genius that Bang brought to jazz violin – and why we still love him on the instrument more than anyone else. Titles include "Theme For Masters", "Sometime Later", "Improvisation On Sweet Space", and "Loweski". This great edition comes in a gatefold LP-styled cover – almost like a mini version of the original record released by Hat Hut – with bonus tracks that include "Fiddle In The Floodlight", "Subway Ride With Giuseppi Logan", "Echo Vamp", "Prana", and "A Pebble Is A Small Rock". CD
Also available Distinction Without A Difference (with bonus tracks) ... CD 12.99

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Chuck BerryChuck Berry's Golden Decade (70s pressing) ... LP
Chess, Late 50s/Early 60s. Very Good+ 2LP Gatefold ... $8.99
A classic collection of Chuck Berry's early genius – a set that introduced his best cuts to a new younger audience in the 70s! All the work here is from the early Chess Records days – and titles include "Deep Feeling", "Wee Wee Hours", "Nadine", "Brown-Eyed Handsome Man", "Roll Over Beethoven", "Thirty Days", "Havana Moon", "Too Much Monkey Business", "School Days", "Reelin & Rockin", "Oh Baby Doll", "Too Pooped To Pop", "Round & Round", "Rock & Roll Music", and "Back In The USA". LP, Vinyl record album
(Cover has light wear.)

Partial matches13
CD, LP, Vinyl record album cover art
Chuck BerryJohnny B Goode – His Complete 50s Chess Recordings (4CD set) ... CD
Chess/Hip-O Select, Mid/Late 50s. Used ... $54.99 64.99
Chuck Berry at Chess – as monumental as anything recorded by anyone in the 1950s with an importance that can't be overstated – but even if you put the historical relevance and cultural cache aside, you're still left with some of the most exhilarating blasts of high octane rock, blues & r&b ever! Hip-O Select doesn't shy away from exhaustive collections – and if this mammoth, beautifully packaged 4 CD treasure trove doesn't have every note Chuck cut for Checker/Chess, probably does have all you'll ever need – with all the great singles, multiple alternate takes, instrumentals, demos, masters, live versions and more. Comes in a beautiful, foldout, string-bound package with a nice booklet, photos and notes by biographer Fred Rothwell. A great set – with more than 100 tracks on 4CDs! Includes "Maybellene", "Wee Wee Hours", "Thirty Days (To Come Back Home)", "You Can't Catch Me", "Brown Eyed Handsome Man", "Oh Baby Doll", "Rock And Roll Music", "Sweet Little Sixteen", "Reelin' And Rockin'", "Johnny B Goode", "Around And Around", "It' Don't Take But A Few Minutes", "21 Blues", "Memphis Tennessee", "Little Queenie", "Almost Grown", "County Line", "Let It Rock", "Too Pooped To Pop", and much, much more! CD
(Out of print. In great shape overall, but one of the tie "buttons" on front is missing. Everything else is great.)

Partial matches14
CD, LP, Vinyl record album cover art
Art BlakeyDrums Around The Corner (previously unissued material) ... CD
Blue Note, 1958/1959. Used ... $18.99
Pounding! This is the long-awaited re-release of a lost session that Blakey recorded in 1958, with a triple-drum rhythm group that included himself, Philly Joe Jones, and Roy Haynes – plus some additional conga work by Ray Barretto. Unlike other Blakey "drum orgy" sessions, though, this one's got a much straighter jazz feel – with plenty of solo space for trumpeter Lee Morgan and pianist Bobby Timmons. The drums work together in fantastic interplay – with Haynes' lyricism, Blakey's crackle, and Jones' raw power all providing perfect complement to each other while Morgan solos freely out front as the only horn (a role that he rarely ever got to take!) The set also includes 2 amazing other tracks that feature only bass and drum (not drum n bass!) interplay between Blakey and the late Paul Chambers – making for a total of 8 incredible tracks in all, with titles that include "Lee's Tune", "Blakey's Blues", "Lover", and "Drums In the Rain". Great stuff, and with notes by Kenny Washington, too! CD
(1999 Connoisseur pressing.)

Partial matches15
CD, LP, Vinyl record album cover art
Earl BosticVery Best Of Earl Bostic ... CD
King/Collectables, 1950s. Used ... $3.99 5.99
Includes the songs "Hot Sauce Boss", "Temptation", "Earl Blows A Fuse", "Who Snuck The Wine In The Gravy", "Choppin' It Down", "Seven Steps", "Don't You Do It", "Rockin' And Reelin'", "Flamingo", "Sleep", "Always", "Lover Come Back To Me", "I Got Loaded", "Moonglow", "Smoke Gets In Your Eyes", "For You", "Cherokee", "Steamwhistle Jump", "What! No Pearls?", "Deep Purple", "Cracked Ice", "Exercise", "No Name Jive", "Woodchopper's Ball", and "Back Beat Boogie". CD
(Out of print.)

Partial matches16
CD, LP, Vinyl record album cover art
Joanne BrackeenSix Ate (CDr pressing) ... CD
Choice (UK), 1975. Used ... $9.99
Great work from that point in the 70s when pianist Joanne Brackeen was really taking off – working in bold, modern tones that really set her apart from most of her generation – further underscoring her unique role in jazz! Brackeen's freely creative on the keys – playing in ways that soar out freely at points, yet still always manage to swing – a really careful balance between avant ideas and a traditional jazz groove – possibly illustrated better on this record than any other session we can think of! But the rhythm players are possibly a big part of the album's success – because bassist Cecil McBee and drummer Billy Hart also always show that same sort of balance in their own work, and prove to be great company here for Brackeen. Titles include "Zulu", "C-Sri", "Circle", "Six Ate", "Nefertiti", and "Snooze". CD
(Out of print, on demand CDr pressing.)

Partial matches17
CD, LP, Vinyl record album cover art
Jeannie & Jimmy CheathamMidnight Mama ... LP
Concord, 1986. Near Mint- ... $3.99 7.99
With Red Callendar on bass, John "Ironman" Harris on drums, Dinky Morris on saxophones, Jimmie Noone on tenor and clarinet, Curtis Peagler on alto, Snooky Young on trumpet, and special guest Eddie "Lockjaw" Davis on tenor. Titles include "Big Fat Daddy", "Piney Brown", "Finance Company Blues", "How Long Blues", and "Reel Ya Deel Ya Dee Dee Dee". LP, Vinyl record album
(Cover has light wear and a promo stamp.)

Partial matches18
CD, LP, Vinyl record album cover art
✨✧ Earl ColemanEarl Coleman Returns ... CD
Prestige, 1956. Used ... Just Sold Out!
Possibly the strongest album ever recorded by mellow-voiced jazz vocalist Earl Coleman – a singer with a deeper style that's very much in the classic Billy Eckstine mode, but which swings a bit more freely in a small combo! The set's got a nicely open style – with longer tracks than usual for a jazz vocal date, and lots of room for jazz soloists that include Art Farmer on trumpet, Gigi Gryce on alto, and Hank Jones on piano. The backing is in a great small group mode, and in a way, the album's almost unique for the time – and really predates a lot of later male vocal sides of this nature – offering Coleman more of a fresh start than just a standard "return" – and really paving the way for Johnny Hartman sides in the 60s. Titles include "Say It Isn't So", "Reminiscing", "Come Rain Or Come Shine", "No Love No Nothin", and a great version of "Social Call". CD features 4 bonus tracks that include "My Last Affair", "This Is Always", "I Haven't Changed A Thing", and "A Ghost Of A Chance". CD

Partial matches19
CD, LP, Vinyl record album cover art
Ornette ColemanSkies Of America ... LP
Columbia, 1972. Near Mint- ... $34.99
A brilliant large ensemble work from Ornette Coleman – ambitious material recorded with full orchestra, in a haunting sound that's light years from any of his smaller group recordings of the 60s and 70s! There's an incredible feel to the strings used here – played by the London Symphony Orchestra, conducted by David Measham – all tied up and dark, with swirling sounds that run up beautifully from the bottom, then take off to the skies promised in the title – opening the door for Ornette to come in and solo freely over the top – in a magical mix that easily makes the record a standout in his long and mighty career! Harmolodic theory is definitely a part of Coleman's conception here – but in very different ways than his quartet or quintet recordings. Tracks include "The Men Who Live In The White House", "Sunday In America", "Dreams", "Native Americans", "Silver Screen", and "The Artist In America". LP, Vinyl record album
(Cover has some surface wear and aging.)

Partial matches20
CD, LP, Vinyl record album cover art
✨✧ John ColtraneAscension (Version 1) ... LP
Impulse, 1965. Near Mint- Gatefold ... Out Of Stock
This is the rare first take of Ascension, and it differs greatly from the second take, which is the more widely available one. It's designated by the fact that the recording doesn't say "Version II" on the runoff groove. One of the freest, most exploratory albums ever recorded by Coltrane – and a unique session done with an expanded group of some of the most important avant jazz players of his generation! The format here is similar to Ornette Coleman's Free Jazz album – in that the music is freely improvised, and spans the entire LP as a non-stop performance – one that has Coltrane in the lead, but which also features alto from Marion Brown and John Tchicai, tenor from Archie Shepp and Pharaoh Sanders, trumpet from Freddie Hubbard and Dewey Johnson – and core rhythms from McCoy Tyner on piano, drums from Elvin Jones, and double basses from Art Davis and Jimmy Garrison. The record set the format for larger improvisatory groups in years to come – but is still one of the best examples of the form! LP, Vinyl record album
(Japanese pressing, in a non-gatefold cover, with obi – VIM 4666 – a great copy!)

Partial matches21
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Near Mint- ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(Japanese Sony pressing, with obi, still in shrink – 28AP 2833. Back cover has some light age spots near one edge, but front is great.)
Also available Kind Of Blue (with bonus track) ... CD 1.99

Partial matches22
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... $1.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD

Partial matches23
CD, LP, Vinyl record album cover art
Paul DesmondTake Ten (Japanese paper sleeve edition) ... CD
RCA (Japan), 1963. Used ... $6.99 9.99
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD
(Out of print, includes obi.)
Also available Take Ten Plus (with bonus tracks) ... CD 2.99

Partial matches24
CD, LP, Vinyl record album cover art
✨✧ Paul DesmondTake Ten (plus bonus tracks) ... CD
RCA, 1963. Used ... Out Of Stock
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD also features alternate takes of "Embarcadero" and "El Prince". CD
Also available
Take Ten (Japanese paper sleeve edition) ... CD 6.99
Take Ten Plus (with bonus tracks) ... CD 2.99

Partial matches25
CD, LP, Vinyl record album cover art
Paul DesmondTake Ten Plus (with bonus tracks) ... CD
RCA, 1963. Used ... $2.99 4.99
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". Plus, the CD reissue features 3 bonus tracks – "Out Of Nowhere", and alternate takes of "El Prince" and "Embarcadero". CD
(1999 CD pressing.)
Also available Take Ten (Japanese paper sleeve edition) ... CD 6.99

Partial matches26
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyUppsala Concert Vol 1 ... CD
Serene (France), 1961. Used ... Temporarily Out Of Stock
An especially rare live set from Eric Dolphy – recorded on an early trip to Sweden in 1961, and featuring some especially long tunes that really let him open up! Dolphy's working here with a local trio for backup – Rony Johansson on piano, Kurt Lindgren on bass, and Rune Carlsson on drums – but the real focus is on his long and freely creative solos on alto, flute, and bass clarinet. His tone has a very sharp edge – a sound that's never too far out, but which has all the fire of his best recordings for Prestige during this period – and it's especially wonderful to hear the way he transforms familiar numbers with this energy. CD
(Out of print.)

Partial matches27
CD, LP, Vinyl record album cover art
✨✧ Lou DonaldsonWailing With Lou ... LP
Blue Note, 1955. Near Mint- ... Temporarily Out Of Stock
Excellent early work by Lou Donaldson – recorded years before his electric funky period, and hard-grooving in the best Blue Note harbop style of the time! Lou's work on alto is impeccable here – crisp, clear, and freed from a Parker-like influence to roam freely in soulful territory that represented some of the best work of its type on the alto at the time! The group is tight and very in the pocket – with excellent Donaldson accompanist Herman Foster on piano, plus trumpet from Donald Byrd, bass from Peck Morrison, and drums from Art Taylor. Titles include "Move It", "LD Blues", "Old Folks", and "That Good Old Feeling". LP, Vinyl record album
(Japanese King pressing, GXK 8094. Cover has some light wear – vinyl is great.)

Partial matches28
CD, LP, Vinyl record album cover art
✨✧ Bill EvansSerenity ... CD
Le Jazz/Charly, 1972. Used ... Out Of Stock
Serenity – we couldn't think of a better way to describe Evans' lyrical stylings on piano. This wonderful recording captures Evans in the setting he was most comfortable in, the piano trio, with longtime cohort Eddie Gomez on bass and Marty Moreell rouding out the triop on drums. And while many of his sets were centered around his interpretations of standards, this set is made up primarily of Evans originals, a Legrand tune and one from the late great Scott LaFaro, the origianl bassist in Evans trio: "Re: Person I Knew", "Turn Out The Stars", "Gloria's Step", "Two Lonely People", "Waltz For Debbie" and "What Are You Doing For The Rest Of Your Life?". CD
(Out of print.)

Partial matches29
CD, LP, Vinyl record album cover art
✨✧ Bill Evans, Karin Krog, Archie Shepp, Bobby HutchersonLive At The Festival ... CD
Enja (Germany), 1970/1972/1973. Used ... Temporarily Out Of Stock
A very interesting batch of tracks – one tune apiece by each of the artists named in the title, recorded between the years 1970 and 1973 at the Festival Ljublijana, in Yugoslavia. Bill Evans performs a long, and straight reading of Miles Davis' "Nardis" with a trio that includes Eddie Gomez on bass and Tony Oxley on drums; Karin Krog sings a spare version of "Round Midnight", with only the bass of Arild Andersen for accompaniment; and Archie Shepp blows freely on a version of Grachan Moncur III's "Sonny's Back", in a group with Dave Burrell, Don Garrett, and Muhammad Ali. Perhaps the most striking track, though, is "The Creators" by Bobby Hutcherson – played with his group that included Harold Land and Hal Galper, and performed in an 18 minute reading that builds beautifully, into the dancing soul jazz sound that was Hutcherson's best contribution to jazz at the time! CD
(Out of print.)

Partial matches30
CD, LP, Vinyl record album cover art
✨✧ Bobby FewMore Or Less ... LP
Center Of the World (France), Mid 70s. Very Good+ ... Out Of Stock
Freely creative work from pianist Bobby Few – a talent whose work shows up on a number of key 70s sessions in Paris, but who hardly ever got to record as a leader on his own! The setting here is a trio one – with Bobby mostly on piano, plus a bit of voice and melodica – alongside Alan Silva on bass and Muhammad Ali on drums. The work echoes with inspiration from past recordings by both of those players, but also really shines in Few's inherently rhythmic approach to a tune – a style that's still pulsating and grooving in subtle ways, even when his lines are quite free. Titles include "More Or Less", "Few's Blues", "Simone", and "Chasing The Piano". LP, Vinyl record album
(Top cover seam is unglued, but this is a great copy overall.)

Partial matches31
CD, LP, Vinyl record album cover art
Clare FischerFirst Time Out ... CD
Pacific Jazz (Japan), 1962. Used ... $19.99
An amazing debut from pianist Clare Fischer – an artist who went onto have a subtle, but immediate influence upon both the American and Brazilian jazz scenes of the time! Fischer's got a lyrical approach to rhythm that's simply amazing – modern, but never cold and academic – and instead always freely dancing around, in a way that gives equal melodic roles to the bass and drums in his trio. There's a clear bossa nova inspiration here, but keep in mind that Fischer's sensibility was also a big influence on the bossa players of the time. The whole session sparkles with a fresh genius that still beats the work of most players still recording today – and Fischer's piano is accompanied by equally free-thinking work on bass by Gary Peacock and drums by Gene Stone. Most titles are originals, and tunes include "Toddler", "Stranger", "Nigerian Walk", "Afterfact", "Free Too Long", "Piece For Scotty", and "Blues For Home". CD
(Out of print, includes obi. Sealed.)
Also available First Time Out ... LP 19.99

Partial matches32
CD, LP, Vinyl record album cover art
Clare FischerFirst Time Out ... LP
Pacific Jazz, 1962. Very Good+ ... $19.99
An amazing debut from pianist Clare Fischer – an artist who went onto have a subtle, but immediate influence upon both the American and Brazilian jazz scenes of the time! Fischer's got a lyrical approach to rhythm that's simply amazing – modern, but never cold and academic – and instead always freely dancing around, in a way that gives equal melodic roles to the bass and drums in his trio. There's a clear bossa nova inspiration here, but keep in mind that Fischer's sensibility was also a big influence on the bossa players of the time. The whole session sparkles with a fresh genius that still beats the work of most players still recording today – and Fischer's piano is accompanied by equally free-thinking work on bass by Gary Peacock and drums by Gene Stone. Most titles are originals, and tunes include "Toddler", "Stranger", "Nigerian Walk", "Afterfact", "Free Too Long", "Piece For Scotty", and "Blues For Home". LP, Vinyl record album
(Nice original pressing - black and silver label.)
Also available First Time Out ... CD 19.99

Partial matches33
CD, LP, Vinyl record album cover art
✨✧ Don FriedmanMetamorphosis ... CD
Prestige/OJC, 1966. Used ... Out Of Stock
An excellent album that features modernist piano player Don Friedman in the company of guitarist Atilla Zoller – one of the most unique talents to ever handle his instruments, and a perfect match for the groundbreakingly expressive styles of Friedman. The pair are augmented here by bassist Richard Davis and drummer Joe Chambers – both of whom help the set to dance along freely, yet never lose its groove. Titles include "Drive", "Wakin Up", "Spring Sign", and "Dream Bells". CD
(Out of print.)

Partial matches34
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Michel LegrandCommunications '72 ... LP
Verve, 1972. Very Good+ Gatefold ... Out Of Stock
Some of the best work that Stan Getz ever recorded – a fantastic collaboration with French soundtrack maestro Michel Legrand! The album features larger orchestrations by Legrand, often touched with voices – swirling, swaying, and swinging in a style that's as hip, modern, and fresh as some of the greatest soundtracks Legrand wrote in the 60s. The setting lets Stan really open up – blowing freely in his best post-Coltrane mode, but with a tightness that's missing from other records – and a soulful approach to the tunes that really leaves us breathless! Tremendous stuff – a record that's unlike anything else we can describe, and one we've treasured for years! We love this one to death, and never tire of hearing it! Titles include "Soul Dance", "Flight", "Redemption", and "Bonjour Tristesse". LP, Vinyl record album
(Cover has a cut corner and light surface wear.)

Partial matches35
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreFree Fall (plus unreleased tracks) ... CD
Columbia/Legacy, 1963. Used ... Out Of Stock
An incredible batch of freely crafted tracks from Jimmy Giuffre's legendary early 60s trio! The group features Steve Swallow on bass and Paul Bley on piano, and the two young modernists were a perfect match of Giuffre's ever-developing ideas of freedom and harmony. The music is beautiful – with a sound that's like nothing else we can describe, and an approach that's free floating (or free falling), but never directionless, and never overindulgent. Perfectly measured, with a strong sense of melody and rhythm, even amidst the more outside moments. Titles include "Propulsion", "Threewe", "Dichotomy", "Man Alone", and "Divided Man" – plus 5 bonus cuts not issued on the original album! CD
(Out of print.)

Partial matches36
CD, LP, Vinyl record album cover art
Jimmy Giuffre/Mabel MercerTravelin Light/Merely Marvelous ... CD
Collectables, 1958/1960. Used ... $4.99
For some odd reason, the Collectables label chose to release albums by two different artists on one CD. We should be mad at them for that, but we can't get that angry, since we're extremely happy to have this Jimmy Giuffre album back in print again! Travelin' Light is one of Giuffre's best albums of all time, and the record is a perfect realization of his piano-less/bass-less trio style. The group is simply Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – and the sound is amazing! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe. Cuts include "Swamp People", "Lonely Time", "Green Country", and "Travelin Light". The Mabel Mercer album? Consider it a bonus! CD

Partial matches37
CD, LP, Vinyl record album cover art
✨✧ Stephane GrappelliJazz In Paris – Improvisations ... CD
Universal (France), 1956. Used ... Temporarily Out Of Stock
Not as freely improvised as you might think – but a nice set from the mid 50s, issued here with bonus unreleased tracks, and one that features Grappelli as the lead soloist in a quartet with Maurice Vander on piano and harpsichord, Pierre Michelot on bass, and Baptiste Reilles on drums. Tracks include "Dans La Vie", "If I Had You", "Body & Soul", "Fascinatin Rhythm", "Time After Time", "Slow En Re Majeur", and "Someone To Watch Over Me". CD
(Out of print, digipack case has some light edgewear.)

Partial matches38
CD, LP, Vinyl record album cover art
Barry HarrisLive In Tokyo (with bonus tracks) ... CD
Xanadu, 1976. Used ... $9.99 12.99
A great live set from pianist Barry Harris – material recorded on the same date that gave us the excellent Live In Tokyo album from reedman Charles McPherson – but done in a very different way that shows that Barry's clearly the leader on these tracks! The rhythm duo is wonderful – the mighty Sam Jones on bass and Leroy Williams on drums – players who can crackle when Harris wants them to, yet also lay back and give Barry lots of spacious territory to work some incredibly deft, personal magic on the keys. The sound almost takes us back to the initial Harris recordings of the early 60s, but also has some of those colors that would flow even more freely in some of his sessions for the Japanese market – on titles that include "I'll Remember April", "Fukai Aijo", "A Soft Spot", "Round Midnight", and "Un Poco Loco". CD features four bonus tracks too – two versions of "Ornithology", plus "Like Someone In Love" and "Night In Tunisia", both nice and long! CD
(Xanadu Master Edtion.)

Partial matches39
CD, LP, Vinyl record album cover art
Hasaan Ibn Ali (Hasaan)Retrospect In Retirement of Delay – The Solo Recordings ... CD
Omnivore, Mid 60s. Used 2CD ... $19.99
Stunning solo piano work from legendary Philly musician Hasaan – best known for his one Atlantic session with Max Roach, but sounding completely different here on his own! From the very first note of the set, you know that you're in the company of a committed modernist, of the same generation as Herbie Nichols and Elmo Hope – a player with an equally unique, individual conception, and an ability to work a very familiar instrument in all these really unusual ways – often with a quality that makes you feel as if Hasaan is about to step outside and improvise more freely, but always swinging back with an inherent sense of rhythm that's wonderful. The set features both original tunes and reworked standards, pulled from a variety of different tapes recorded in both Philly and New York in the mid 60s – superbly brought back to life here, with a double-length set of selections that include "Off My Back Jack", "Off Minor", "Atlantic Ones", "Mean To Me", "True Train", "Untitled Ballad", "Extemporaneous Prose Poem", "Besame Mucho", "On Green Dolphin Street", and "Arabic Song". CD
(Mark through barcode.)
Also available Retrospect In Retirement of Delay – The Solo Recordings ... CD 26.99

Partial matches40
CD, LP, Vinyl record album cover art
✨✧ Coleman Hawkins & Ben WebsterColeman Hawkins Encounters Ben Webster (with bonus tracks) ... CD
Verve, 1957. Used ... Just Sold Out!
A classic set in the best Verve Records mode – as these two mature giants of the tenor sax get lots of room to open up and solo with a great rhythm section at the core! Both Hawkins and Webster have a fantastic sense of tone and timing – and the space of the record really lets you hear the charms of both in equal measure – with backing from Oscar Peterson on piano, Herb Ellis on guitar, Ray Brown on bass, and Alvin Stoller on drums. The best tracks have lots of room – plenty of space so that the tenors aren't "encountering" each other in too close of quarters, with space to express themselves freely – and titles include "Blues For Yolande", "Rosita", "Shine On Harvest Moon", and "You'd Be So Nice To Come Home To". CD
(Out of print, Verve master edition in a tri-fold digipack.)

Partial matches41
CD, LP, Vinyl record album cover art
Coleman Hawkins, Roy Eldridge, Pete Brown, et alColeman Hawkins All Stars At Newport ... LP
Verve, 1957. Near Mint- ... $14.99
Three great horn players with plenty of space to solo freely – working together on the stage of the Newport Jazz Festival in 1957! The combo's one put together for the date, but they groove together nicely – rhythm by the trio of Ray Bryant on piano, Al McKibbon on bass, and Jo Jones on drums – and top-line solo work from Coleman Hawkins on tenor, Roy Eldridge on trumpet, and the great Pete Brown on alto! The album may well be one of Brown's last appearances on Verve, and his work from the 50s is always a treat – and he gets in an especially nice solo on a version of "Day By Day". Other tracks include "I Can't Believe You're In Love With Me", "Moonglow", "Embraceable You", and "Sweet Georgia Brown". LP, Vinyl record album
(Early 80s mono Japanese Polydor pressing – UMV 2623 – with insert. Cover has light wear and a small cutout notch.)

Partial matches42
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✨✧ Andrew HillInvitation ... CD
Steeplechase (Denmark), 1974. Used ... Just Sold Out!
Andrew's come back inside for this 70s set – working in a trio format, still quite exploratory, but with less of the hard-pressed avant gardism of his Blue Note years. If anything, Andrew's moving about the keyboard more freely – especially on the longer flowing tunes, which have him working in a mode that's still quite melodic, yet in that "genius alone at the piano" mode of European and Japanese sessions at the time. Backing is by Chris White bass and Art Lewis drums – and titles include "Catfish", "Lost No More", "Invitation", and "Little John". CD

Partial matches43
CD, LP, Vinyl record album cover art
✨✧ Takehiro HondaTakehiro Honda Trio ... LP
Trio (Japan), 1970. Near Mint- Gatefold ... Just Sold Out!
Some of the earliest work we've ever seen from Japanese keyboard legend Takehiro Honda – a great batch of trio tracks, recorded with an open spirit and freely soaring vibe! Honda's playing acoustic piano throughout – working in a trio with Yoshio Suzuki and Fumio Watanabe – and his style here is often heavier on the left hand than in later work – clearly influenced by American soul jazz players of the 60s, and carried off with the skill to match! There's some great bluesy undercurrents on the best numbers – but still played with some of the greater freedoms of the Japanese trio style – and titles include "Emergency", "CMT & T", "This Guy's In Love With You", and "Hakai To Jojyo". LP, Vinyl record album
(Gatefold pressing, with cool poster insert! Poster has some light aging, but cover is nice.)

Partial matches44
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonStick-Up! ... CD
Blue Note, 1966. Used ... Temporarily Out Of Stock
The sticks are up, and Bobby Hutcherson is at the top of his game – hitting a whole new groove here in this sublime session of modal numbers for Blue Note – a slightly warmer set than his more modern albums of the "new thing" years, and a great indication of the directions he'd take in the 70s! Bobby's vibes are set up wonderfully here in a quintet that includes Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums – all players who bring key elements to the groove. Tyner's got an obvious ear for the modal rhythms that Hutcherson's heading for; Higgins' drum work is freely lyrical in all the best ways; and Henderson's horn sharpens the edges of the tunes a bit, bringing in some nice darker sounds. The kickoff track is an amazing modal reading of Ornette's "Una Muy Bonita", and the rest tracks are all Hutcherson originals, including "Summer Nights", "8/4 Beat", "Black Circle", "Verse", and "Blues Mind Matter". CD
(1997 Connoisseur pressing.)
Also available Stick-Up (180 gram pressing) ... LP 36.99

Partial matches45
CD, LP, Vinyl record album cover art
✨✧ Bobby HutchersonStick-Up! (Applause pressing) ... LP
Liberty/Applause, 1966. Near Mint- ... Temporarily Out Of Stock
The sticks are up, and Bobby Hutcherson is at the top of his game – hitting a whole new groove here in this sublime session of modal numbers for Blue Note – a slightly warmer set than his more modern albums of the "new thing" years, and a great indication of the directions he'd take in the 70s! Bobby's vibes are set up wonderfully here in a quintet that includes Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums – all players who bring key elements to the groove. Tyner's got an obvious ear for the modal rhythms that Hutcherson's heading for; Higgins' drum work is freely lyrical in all the best ways; and Henderson's horn sharpens the edges of the tunes a bit, bringing in some nice darker sounds. The kickoff track is an amazing modal reading of Ornette's "Una Muy Bonita", and the rest are all Hutcherson originals, including "Summer Nights", "8/4 Beat", "Black Circle", "Verse", and "Blues Mind Matter". LP, Vinyl record album
(Early 80s issue. Cover has light aging, lightly bent corner, and an ink stamp in back.)

Partial matches46
CD, LP, Vinyl record album cover art
✨✧ Bobby Hutcherson, Karin Krog, Archie SheppLive At The Festival ... LP
Enja (Germany), 1970/1972/1973. Near Mint- ... Out Of Stock
A very interesting batch of tracks – one tune apiece by each of the artists named in the title, recorded between the years 1970 and 1973 at the Festival Ljublijana, in Yugoslavia. Bill Evans performs a long, and straight reading of Miles Davis' "Nardis" with a trio that includes Eddie Gomez on bass and Tony Oxly on drums; Karin Krog sings a spare version of "Round Midnight", with only the bass of Arild Andersen for accompaniment; and Archie Shepp blows freely on a version of Grachan Moncur III's "Sonny's Back", in a group with Dave Burrell, Don Garrett, and Muhammad Ali. Perhaps the most striking track, though, is "The Creators" by Bobby Hutcherson – played with his group that included Harold Land and Hal Galper, and performed in an 18 minute reading that builds beautifully, into the dancing soul jazz sound that was Hutcherson's best contribution to jazz at the time! LP, Vinyl record album
(US yellow label pressing. Cover has light wear, some aging, and a cut corner.)

Partial matches47
CD, LP, Vinyl record album cover art
✨✧ KatalystNine Lives ... CD
Alpha Pup, 2021. Used ... Temporarily Out Of Stock
Warm jazzy goodness from Katalyst – a west coast group comprised of musicians who normally back bigger names in soul, jazz, and hip hop – but who here work in a vibe that's all their own, on a set of tunes that are improvised freely, yet still have a groove! The music is often spacey and electric – mellow jams that take a minute to find their rhythm, then layer in all sorts of great solo activity on keyboards, trumpet, trombone, and tenor – shifting nicely from track to track, and making for the kind of laidback, yet collaborative sound that really fits the creation of the album! Titles include "FreeHand", "BBB", "Liemert Night", "Fresh Earth", "Fresh Wind", and "Fitted". CD
(Sealed.)

Partial matches48
CD, LP, Vinyl record album cover art
✨✧ KatalystNine Lives ... LP
Alpha Pup, 2021. Sealed ... Just Sold Out!
Warm jazzy goodness from Katalyst – a west coast group comprised of musicians who normally back bigger names in soul, jazz, and hip hop – but who here work in a vibe that's all their own, on a set of tunes that are improvised freely, yet still have a groove! The music is often spacey and electric – mellow jams that take a minute to find their rhythm, then layer in all sorts of great solo activity on keyboards, trumpet, trombone, and tenor – shifting nicely from track to track, and making for the kind of laidback, yet collaborative sound that really fits the creation of the album! Titles include "FreeHand", "BBB", "Liemert Night", "Fresh Earth", "Fresh Wind", and "Fitted". LP, Vinyl record album

Partial matches49
CD, LP, Vinyl record album cover art
Yusef LateefHeart Vision ... CD
Yal, 1992. Used ... $8.99
Yusef Lateef on tenor and bamboo saxophone and keyboards, Christopher Newland on guitar, Everett Haffner on synthesizer, Adam Rudolph on percussion and digital orchestration, with vocals from Chinyere Nnenna Freelon, Richard Ross, and Tsidii Le Loka. CD
(Out of print.)

Partial matches50
CD, LP, Vinyl record album cover art
Shelly ManneLive – Shelly Manne & His Men At The Manne Hole Vol 1 ... CD
Contemporary/OJC, 1961. Used ... $5.99
An incredible record from Shelly Manne – one of his only dates recorded at The Manne Hole, even though it was his own club – and a killer live recording that was issued in a rare 2LP format for the time! The style here is similar to Manne's excellent recordings at the Blackhawk – open-ended, stretched out, and more freely expressive hardbop than on his 50s sides – played by a group that features plenty of excellent tenor from the great Richie Kamuca, plus trumpet from Conte Cantoli, piano from Russ Freeman, bass from Chuck Berghofer, and drums from Manne himself. As with the Blackhawk date, many of the tunes are familiar, but open up mostly as longer solo vehicles – completely transformed by the efforts of the group and their freewheeling lines. Titles on this second volume include "Love For Sale", "The Champ", "How Could It Happy To A Dream", and "Softly As In A Morning Sunrise". CD
(Early 90s OJC pressing.)

Partial matches51
CD, LP, Vinyl record album cover art
✨✧ Charlie MarianoTango Para Charlie ... CD
Enja/Ultra Vybe (Japan), 2000. Used ... Temporarily Out Of Stock
Quite an interesting project from reedman Charlie Mariano – a record that shows that his search for new creative settings never ends! As you'd guess from the title, there's a bit of a tango inspiration to the record, but in a format that's very different than most tango jazz – as the album features Charlie on alto and flute, in duets with Quique Sinesi, who plays a variety of acoustic guitars, including 7 string Spanish, charango, and piccolo guitar. This spare sound is quite different than regular tango modes – and the spareness allows Mariano to solo freely – in that wonderful range of tones that's always made his work surprisingly soulful, no matter what the setting. Titles include "Tango Para Charlie", "If Only", "Zephyr", "The Lady", and "Faluseando". CD
(Still sealed, includes obi.)

Partial matches52
CD, LP, Vinyl record album cover art
✨✧ Marian McPartland85 Candles – Live in New York ... CD
Concord, 2005. Used 2 CDs ... Out Of Stock
With Karrin Allyson, Jackie Cain, Barbara Carroll, Regina Carter, Bill Charlap, Ravi Coltrane, Bill Crow, Glenn Davis, Dave Douglas, Jon Faddis, Nnenna Freelon, Jim Hall, Roy Hargrove, Jackie King, Gary Mazzaroppi, Jason Moran, Chris Potter, Loren Schoenberg, Curtis Stigers, Dr Billy Taylor, Clark Terry, George Wein, James Williams, and Phil Woods. CD
(Barcode has a cutout hole, discs each have a promo stamp.)

Partial matches53
CD, LP, Vinyl record album cover art
✨✧ Charles MingusCumbia & Jazz Fusion ... LP
Atlantic, 1978. Sealed ... Temporarily Out Of Stock
One of the most enigmatic albums that Charles Mingus ever recorded – especially in his later years! The set features two very long tracks done by Mingus for use in a film about cocaine traffic between New York and Columbia – but considering the nature of the music, and the freely exploratory style, both numbers here stand very well on their own! Although touched with some of the Latin influences you might expect from the title, the sounds are often darker and more brooding than, say, the Mingus style on the classic Tijuana Moods set. And instead, there's a very serious soundtrack-like vibe going on through most of the set – larger jazz orchestrations used to beautifully underscore subtle themes, and breakout solo moments from players who include Mauricio Smith on flute, Paul Jeffrey on tenor sax, Jack Walrath on trumpet, and Jimmy Knepper on trombone. The album also features a fair bit of added percussion – and features two long tracks, "Cumbia & Jazz Fusion" and "Music For Todo Modo". LP, Vinyl record album
(Sealed copy!)

Partial matches54
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Roscoe Mitchell TrioNo Side Effects ... CD
Rogue Art (France), 2006. Used 2 CDs ... $14.99
Really evocative work from Roscoe Mitchell – playing here in a spare trio setting that's totally great! Mitchell handles a wealth of reeds – soprano sax, alto, tenor, flute, and piccolo – plus a bit of percussion – and other players include Harrison Bankhead on bass and cello, and Vincent Davis on drums and more percussion – very well-suited musicians here to match Mitchell's extremely poetic approach to sound! Some numbers have a dark, deep-down sort of feel – really ruminating at the bottom of the reed tones – while others burst out freely with much stronger energy, showing that Mitchell can still let loose when he wants to, even this late in his career. The balance recalls all the genius of the AACM scene in the 70s – and the double-length set gives the players plenty of room to express themselves. Titles include "Ruddy", "Vermillion", "When The Wind Blows", "Poem", "Flash", "From Red To Rusk", "Parched Plain", "They Danced", "Ride", "Yellow Night", "Sway", and "Here We Go". CD

Partial matches55
CD, LP, Vinyl record album cover art
✨✧ Thelonious MonkLive In Paris Vol 1 ... CD
Explore, 1964. Used ... Temporarily Out Of Stock
A crystal-clear live recording by Thelonious Monk – captured in Paris during the height of his best years on Columbia Records! The group here is Monk's key 60s quartet – with Charlie Rouse on tenor, Ben Riley on drums, and Butch Warren on bass – all players who are more than willing to give Thelonious plenty of space to stretch out on his own when he wants to, but also manage to come in and sharpen up the groove as well! Rouse's tenor is always a joy at this point, and the longer than usual tracks allow both he and Monk to solo freely. Titles include "Four In One", "I'm Getting Sentimental Over You", "Straight No Chaser", "Epistrophy", and "Well You Needn't". CD
(Out of print and sealed.)

Partial matches56
CD, LP, Vinyl record album cover art
✨✧ Thelonious MonkLive In Paris Vol 2 ... CD
Explore, 1964. Used ... Temporarily Out Of Stock
A crystal-clear live recording by Thelonious Monk – captured in Paris during the height of his best years on Columbia Records! The group here is Monk's key 60s quartet – with Charlie Rouse on tenor, Ben Riley on drums, and Butch Warren on bass – all players who are more than willing to give Thelonious plenty of space to stretch out on his own when he wants to, but also manage to come in and sharpen up the groove as well! Rouse's tenor is always a joy at this point, and the longer than usual tracks allow both he and Monk to solo freely. Titles include "Blue Monk", "Sweet & Lovely", "Hackensack", Rhythm-a-ning", "Bright Mississippi", and "Epistrophy". CD
(Out of print and sealed.)

Partial matches57
CD, LP, Vinyl record album cover art
Ralph MooreImages ... LP
Landmark, 1989. Near Mint- ... $5.99 7.99
A key recording from one of our favorite tenor talents of the 80s – the amazing Ralph Moore, a player who really carries on a strong legacy from the 60s work of Hank Mobley! Like Mobley, Moore's got a very rich-voiced sound that's steeped in tradition, but which is also never afraid to take chances too – a way of handling the tenor that few of his contemporaries could match, which is probably why Ralph's presence really upped the ante on so many dates at the time as a sideman. He's even better as a leader, though, and this standout set for Landmark is a real gem – a record filled with freely creative energy throughout, and a never-ending sense of soul – as Moore's tenor is set up nicely in a core group with Benny Green on piano, Peter Washington on bass, and Kenny Washington on drums – the latter of whom brings some of the same magic to this set that Billy Higgins did to Blue Note in the 60s. Terence Blanchard plays trumpet on 4 of the album's tracks – and titles include "Punjab", "Freeway", "Enigma", "Blues For John", "One Second Please", and "Episode From A Village Dance". LP, Vinyl record album
(Cover has minimal wear and an index label in back.)

Partial matches58
CD, LP, Vinyl record album cover art
✨✧ New OrderCeremony/In A Lonely Place (version 1 – green cover) ... 12-inch
Factory (UK), 1981. Near Mint- (pic cover)... Temporarily Out Of Stock
The fantastic first single from New Order – issued here with the first take on the tune, which was recorded in the US at a time when the group, as Joy Division, were still reeling from the loss of Ian Curtis! The track's a great bridge between the two eras – and already sets up that amazing New Order sound so well. "In A Lonely Place" is great too – a paean back to the moodiness of Joy Division – but with a slight current of hope. 12-inch, Vinyl record
(Recent UK 180 gram Warner pressing.)

Partial matches59
CD, LP, Vinyl record album cover art
Eddie Palmieri/Cal TjaderBamboleate ... CD
Tico/Vampi Soul (Spain), 1967. Used ... $18.99
An incredible collaboration between pianist Eddie Palmieri and vibist Cal Tajder – a record done for Tico in answer to their previous session for Verve – and a set that's even harder-jamming overall! Cal and Eddie really find something special together on the record – and both players groove into a descarga mode that burns even more strongly than their own other work of the decade – a masterful jam that's a really true collaboration, and which brings out the best that both musicians had to offer. Cal's moving way beyond his familiar modes here – with a fluid, freely colorful sound – and Eddie himself is beginning to hit some of the darker, harder notes that would show up even more strongly on his records of the 70s. There's a much more strongly jazz-based sound here than most of Palmieri's previous records – a really bold focus on the instrumentation as it rolls out over some great modally-informed grooves – and titles include "Bamboleate", "Resemblance", "Guajira Candela", "Mi Montuno", and "Come An Get It". CD
(Out of print.)

Partial matches60
CD, LP, Vinyl record album cover art
✨✧ Jeff ParkerNew Breed ... CD
International Anthem, 2016. Used ... Temporarily Out Of Stock
The record we've been waiting years for Jeff Parker to make – a fantastic funky set that shows off a whole new side of his talents! Parker's guitar has been on plenty of great albums over the past decade or two, but this set may well be one of his greatest moments so far – a really unusual, really personal set that takes his music to a whole new level – partly schooled by vintage funk, as you might guess from the cover – but also partly set up in a spirited new direction that propels Jeff farther forward than any other record! Parker plays guitar and a range of keyboards – and the album almost has a laidback Shuggie Otis vibe at points, but is a lot more complex overall – thanks to excellent rhythm work from Paul Bryan on bass and Jamire Williams on drums – who ground the sound, but can take off freely with Parker, too – as does Josh Johnson on alto, flute, and some other keyboards too. The whole thing almost puts Jeff into Robert Glasper territory – in its unique blend of jazz, funk, and soulful currents – but very unique, a genre unto his own, really well-deserved after all these years. The album's brilliant from start to finish, with cuts that include "Executive Life", "Para Ha Tay", "Here Comes Ezra", "Jrifted", "Visions", "How Fun Is It To Year Whip", and "Get Dressed". CD

Partial matches61
CD, LP, Vinyl record album cover art
Bill Perkins & Richie KamucaTenors Head On ... CD
Pacific Jazz, 1956. Used ... $7.99 13.99
A killer date from two of the hippest tenors of the west coast scene in the 50s – Bill Perkins and Richie Kamuca – both musicians who worked in the cool school, but could also come across with plenty of soul! The album's got both tenors working head on – hitting counterpoint modes at times, but also opening up more freely at others – showing the balance between composition, arrangement, and improvisation that made the scene so great at the time – yet executed with a bit more depth of feeling, as we'd expect from Perkins and Kaumca. Rhythm is from the trio of Pete Jolly on piano, Red Mitchell on bass, and Stan Levey on drums – and titles include "Spain", "Pick A Dilly", "Oh Look At Me Now", "Don't Be That Way", and "Blues For Two". CD
(Out of print. Traycard has discoloration from age & a cutout notch.)

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Willie PickensIt's About Time! ... CD
Southport, 1987. Used ... $6.99
The title's a reference to the fact that the album's a long-overdue debut as a leader for pianist Willie Pickens – a player who was important in the Chicago scene for years, but had never made it into the studio until the late 80s. The set's an odd one – in that it features a fair number of solo piano tracks, with Pickens playing in a style that's freely moves up and down the timeline of jazz piano expression, almost in the mode of some of Jaki Byard's work. Other tracks are in trio mode, but still pianistically evocative of a number of styles – and titles include "Invitation", "Wave", "Lush Life", and "Stella By Starlight". CD

Partial matches63
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Sonny RollinsFreelance Years – Complete Riverside & Contemporary Recordings (5 CD set) ... CD
Riverside/Contemporary/Fantasy, Mid/Late 50s. Used 5 CDs ... $29.99
5 CDs – all wonderful! The set brings together 8 of Sonny Rollins' classic albums from the late 50s – Brilliant Corners, Way Out West, Jazz Contrasts, The Sound Of Sonny, That's Him!, Sonny Rollins Plays, Freedom Suite and Sonny Rollins & The Contemporary Leaders. CD
(Complete and in nice shape!)

Partial matches64
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✨✧ Sonny RollinsWay Out West ... LP
Contemporary, 1957. Near Mint- ... Out Of Stock
A classic set that brings the east coast tenor of Sonny Rollins into contact with a west coast rhythm section of Ray Brown and Shelly Manne! Despite Rollins' silly look on the cover, and the album's overall "western" theme, the session's a brilliant one – right up there with Sonny's strongest trio sides of the late 50s, and a key link in a string of excellent recordings for Blue Note, Prestige, and Riverside! The lack of a piano really opens up the style of the set – letting Sonny explore freely on his solos, while Brown's bass and Manne's drums do more than enough to keep the rhythms going on their own. Solos aren't as "out" as on the Village Vanguard sessions, but certainly every bit as inspired – and titles include "I'm An Old Cowhand", "Solitude", "Come, Gone", "Way Out West", and "Wagon Wheels". LP, Vinyl record album
(Very nice Japanese pressing, with obi – VIJ 303)

Partial matches65
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Charlie RouseEpistrophy ... LP
Landmark, 1988. Near Mint- ... $11.99
A great little later set from Charlie Rouse – recorded for the Landmark label, and done in a real "back to basics" style! The format is modern, Monkish hardbop – a full set of Thelonious originals, performed lovingly by Rouse, Monk's most important sideman of the 60s. The tunes are taken a bit more freely than on their classic readings by Monk – which is a good thing, as it makes the album much more than just a rehash of older themes. Players on the set include Don Cherry, George Cables, Buddy Montgomery, and Jessica Williams – and tunes include "Nutty", "Ruby My Dear", "Blue Monk", "Epistrophy", and "Round Midnight". LP, Vinyl record album
(Cover is bent a bit at the corners.)

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✨✧ Wanda Sa & Celia VazBrasileiras ... CD
CID (Brazil), 1993. Used ... Temporarily Out Of Stock
A beautiful set of Brazilian vocals – inflected with a bit of bossa inspiration, but coming off a lot more freely overall! Wanda Sa and Celia Vaz sing dual vocals on a haunting set of tracks that have a strangely spacey sound, thanks to the lilting loveliness of the ladies' voices. The overall effect is kind of like a prime late 70s/early 80s Joyce session – and it's no surprise that Joyce guests on the record, along with Gal Costa, Nana Caymmi, and Quarteto Em Cy. Titles include "Amazon River", "Aqua de Beber", "Lugar Comum", "Uma Bencao", and "Molambo". Very nice! CD
(Original Brazilian pressing.)

Partial matches67
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Ronnie ScottRonnie Scott Jazz Club Vol 3 ... LP
Esquire (UK), Early 50s. Very Good+ ... $79.99
Early live material from British tenor giant Ronnie Scott – sides not recorded at his own famous club, but by the BBC for broadcast – which maybe makes them some of Scott's first recordings of this nature, and certainly some of the best from the time! The first large chunk of material features Ronnie heading up an octet – not only blowing freely, in some of his best bop modes of the time – but also really showing off his talent as an arranger – in front of musicians who include Jimmy Deuchar on trumpet, Derek Humble on alto, Benny Green on baritone sax, and Victor Feldman on vibes, piano, and congas! Peter King also joins the group on tenor on a few tracks too. LP, Vinyl record album
(Cover has light wear, and a bit of tape on the top and bottom seams.)

Partial matches68
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Steely DanCan't Buy A Thrill ... LP
ABC, 1972. Very Good ... $29.99
The first album from Steely Dan, and a really nice chapter in their career – one that's maybe a bit less iconic than the late 70s records, but in a way that really keeps things interesting! There's definitely less jazz and polish than on the later albums – but already, the group are writing the kinds of songs that nobody ever seemed to pen before, and which few other groups could match later – despite the countless legions who tried! The guitars are all nice and strong – that sharp Skunk Baxter edge that helped get the group firmly onto the charts right away – on titles that include their classic singles "Do It Again" and "Reelin In The Years", the oft-showcased "Dirty Work", and other cuts that include "Kings", "Midnite Cruiser", "Only A Fool Would Say That", "Fire In The Hole", "Brooklyn Owes The Charmer Under Me", "Change Of The Guard", and "Turn That Heartbeat Over Again". LP, Vinyl record album
(Early 80s MCA pressing in a non-gatefold cover, with a name in marker in back. Label on Side B has initials in marker.)

Partial matches69
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Steely DanGreatest Hits ... LP
ABC, 1970s. Very Good+ 2LP Gatefold ... Just Sold Out!
We've always considered Steely Dan one of the quintessential 70s "Album Oriented Rock" bands, in that all of there albums work so well as a whole, so the idea of a greatest hits collection doesn't exactly work for us. Still, taken out of context, these songs are still gems, and listening to them in sequence really lets you hear the groups progression from their intellectual rock roots to their later sophisticated jazz influenced style. 18 tracks in all: "Do It Again", "Reeling InThe Years", "My Old School", "Bodhisattva", "Show Biz Kids", "East St Louis Toodle Oo", "Rikki Don't Lose That Number", "Pretzel Logic", "Any Major Dude", "Here At The Western World", "Black Friday", "Bad Sneakers", "Doctor Wu", "Haitian Divorce", "Kid Charlemagne", "The Fez", "Peg" and "Josie". LP, Vinyl record album
(Yellow label pressing with Masterdisk stamp, in the textured cover. Includes the printed inner sleeves. Cover has some surface wear and an unglued seam held by clear tape.)

Partial matches70
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Sonny StittSonny Stitt & The Top Brass ... LP
Atlantic, 1966. Very Good ... Just Sold Out!
A heck of a great little record – one that shouldn't work so well, but it does! For the set, Sonny Stitt's blowing in front of a larger brass section – and while the prospect of a Sonny Stitt big band record might not sound that great at first, this one really kicks, largely because of Sonny's great solo work! Stitt's in perfect form by this point – blowing freely above a core brass group that features Blue Mitchell, Jimmy Cleveland, and Willie Ruff – arranged tightly by Tadd Dameron and Jimmy Mundy, yet still given enough room to swing with a heck of a lot of soul! Also quite nice is the organ work on the set by the obscure female player Perri Lee – a great little groover with a lean sound that cuts through the arrangements and really makes them sparkle! Titles include "Souls Valley", "On A Misty Night", "Stittsie", "Poinciana", "Sea Sea Rider", and "The Four Ninety". LP, Vinyl record album
(Mono red & purple label pressing with AT etch. Cover has minimal wear and a small cutout hole.)

Partial matches71
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Sonny StittSonny Stitt & The Top Brass (Jazzlore) ... LP
Atlantic, 1966. Sealed ... $7.99
A heck of a great little record – one that shouldn't work so well, but it does! For the set, Sonny Stitt's blowing in front of a larger brass section – and while the prospect of a Sonny Stitt big band record might not sound that great at first, this one really kicks, largely because of Sonny's great solo work! Stitt's in perfect form by this point – blowing freely above a core brass group that features Blue Mitchell, Jimmy Cleveland, and Willie Ruff – arranged tightly by Tadd Dameron and Jimmy Mundy, yet still given enough room to swing with a heck of a lot of soul! Also quite nice is the organ work on the set by the obscure female player Perri Lee – a great little groover with a lean sound that cuts through the arrangements and really makes them sparkle! Titles include "Souls Valley", "On A Misty Night", "Stittsie", "Poinciana", "Sea Sea Rider", and "The Four Ninety". LP, Vinyl record album
(80s Jazzlore pressing, still sealed! Cover has a cutout notch.)

Partial matches72
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✨✧ Steve SwallowHome – Music By Steve Swallow To Poems By Robert Creeley ... LP
ECM, 1980. Near Mint- ... Temporarily Out Of Stock
A real standout in the classic catalog of ECM – not only because the record's got a slightly different inspiration than most, but also because it seems to unlock some especially beautiful moments from players who could sound different in other settings on the label! As the title indicates, the tunes here all take inspiration from the poetry of Robert Creeley – but never in a mode that's got the usual jazz meets poetry approach – as Sheila Jordan sings the lyrics when they appear, with a sense of her own power that's very different than a more standard recitation – and which, to us, really feels a lot like her great vocal performances with Steve Kuhn for ECM. Kuhn is also in the group on piano, and other musicians include David Liebman on saxes, Lyle Mays on keyboards, and Bob Moses on drums – all working under the superb leadership of bassist Steve Swallow – who really outdid himself with the depth of feeling in this project. Titles include "Colors", "In The Fall", "She Was Young", "Some Echoes", "Ice Cream", and "You Didn't Think". LP, Vinyl record album
(US pressing. Cover has some surface wear and a promo stamp.)

Partial matches73
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✨✧ TouchTouch ... LP
Coliseum, 1969. Near Mint- Gatefold ... Out Of Stock
A pivotal record in the sound of the US scene at the end of the 60s – and a record that seems to trace an entire evolution in rock during the space of just one album! Touch have roots that go back to The Kingsmen and Don & The Goodtimes – and you can definitely hear garage elements in the organ and guitars – but they're also stretching out freely in all the heady freedoms of the late 60s – with a soaring approach that definitely lives up to the cover image! There's a blend of rough and rootsy with confident and cosmic going on – a really powerful approach that's made the album a standout for years, even if the group never hit some of the fame of their bigger contemporaries. Titles include "We Feel Fine", "Friendly Birds", "Down At Circe's Place", "The Spiritual Death Of Howard Greer", and "Seventy Five". LP, Vinyl record album
(In the fold-out cover, with light edge wear.)

Partial matches74
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✨✧ Tower/TanenbaumHexachords For Flute/Breakfast Rhythms/Rituals & Reactions – Patricia Spencer/Daniel Schulman/DaCapo Chamber Players/Elizabeth Reel/Daniel Paget/Chorus & Instrumental Ensemble Of The Manhattan School Of Music ... LP
CRI, 1977. Near Mint- ... Out Of Stock
... LP, Vinyl record album
(Cover has a cutout hole, ring and edge wear, and a center split in the top seam.)

Partial matches75
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✨✧ Francois TusquesAlors Nosferatu Combina Un Plan Ingenieux ... LP
Cacophonic (UK), Late 60s/Early 70s. Sealed ... Temporarily Out Of Stock
Never-heard music from from French free jazz legend Francois Tusques – sounds that grew out of a 1968 "happening" experiment he was doing on the Parisian scene – but which then took stronger force as the American avant garde descended on the city during the BYG/Actuel generation! The tapes were recorded at a few different events at the end of the 60s – and have this loose structure in which a large ensemble improvise freely along a musical idea, then really take off into flights of their own – in a way, maybe an early example of the improvising orchestra at work. Players include Noel McGhie, Barre Phillips, Aldo Romano, Alan Silva, Claude Delcloo, Earl Freeman, and others – and titles include "Le Fumet Du Jubjub", "La Voute D'Un Caveau Ou D'Un Charnier", and "Tout Le Pouvoir Au Peuple". LP, Vinyl record album
(2019 issue.)

Partial matches76
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Gerald WilsonFeelin Kinda Blues ... LP
Pacific Jazz, Mid 60s. Near Mint- ... $7.99
Ahhh . . . Gerald Wilson at the height of his powers – recording here in a mode that could never miss! The group's a jazz orchestra, but it's filled with some of the hippest cats on the west coast in the 60s – soulful soloists who include Anthony Ortega on flute and alto, Curtis Amy on soprano sax, Phil Moore on piano, Teddy Edwards on tenor, Victor Feldman on vibes, and Dennis Budimir on guitar – all grooving in tight formation that still allow plenty of space for solos on each tune – even when the group is vamping, romping, and hitting an all-out swinging 60s soul jazz groove! Includes versions of "Freddy Freeloader", "Watermelon Man", "Yeh Yeh", and "I Got You (I Feel Good)" – and other titles include "Well Son Shuffle", "Do Anything You Wanna", "When I'm Feeling Kinda Blue", and "One On The House". LP, Vinyl record album
(Early 80s pressing in a barcode cover.)

Partial matches77
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✨✧ World Saxophone QuartetLive In Zurich ... CD
Black Saint (Italy), 1981. Used ... Temporarily Out Of Stock
Tremendous interplay on saxes from this ultra-hip combo – a legendary lineup that features David Murray, Oliver Lake, Hamiet Bluiett, and Julius Hemphill – all blowing hard on a variety of saxes! The sound here is possibly a bit more free at times than some of the quartet's other 80s albums – less trying to come up with a straighter jazz groove from a batch of horns, and instead more willing to let all the players soar out and express themselves freely. Many tracks definitely still have a sense of structure, but there's also a bit of a different feel here that we really like. Titles include "Steppin", "Bordertown", "Funny Paper", "Stick", "Hattie Wall", "My First Winter", and "Touchic". CD
(Out of print.)

Partial matches78
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✨✧ VariousGroove Pa Svenska – Jazz, Funk, Afro, Soul, Pop, & Rock 1966 to 1984 ... CD
Amigo (Sweden), Late 60s/1970s/Early 80s. Used ... Out Of Stock
Sweden funky? You bet your bippy – and if you've got any doubts on that account, check out this mighty mighty set! The collection's a wonderful overview of the funkier side of the Swedish musical spectrum of the 60s and 70s – and pulls together a wide range of tunes from a real variety of sources – not just the few Swedish break and rare groove classics that we already know, but also a huge number of bits that we never would have heard otherwise. The great thing about these tracks is the way that they freely work with the styles they're using for inspiration – in a way that blends together Latin, African, Brazilian, and American modes – yet manages to come up with something completely different in the end. Titles are also from a good range of different labels too – showing the real diversity in the Swedish recording scene of the time, clearly one of the most culturally well-developed in Northern Europe during the postwar years. 17 tracks in all – with titles that include "Jamtlandsk Brudmarsch 73" by Merit Hemmingson & Folkmusigruppen, "Maldito Primitivo" by Hot Salsa, "Been To Canaan" by Alice Babs, "Horroscope" by Ralph Lundsten & The Andromeda All Stars, "Hot Pepper" by The Impossibles, "Happiness Is" by Melvyn Price, "Hovmastarsoppa" by Bernt Staf, "You Never Come Closer" by Doris, "Funkum" by Reebop, "En Larling Pa Varan Gard" by Sylvia Vrethammar, "Sar" by Jojje Wadenius Mitt, "The Snake" by Douglas Westlund & Kjell Ohman, "70 Kila Mtu" by Archimedes Badkar & Afro 70, "Gorillan Gar Ut" by Bo Nilsson, and "Otinku" by Modern Sound. CD
(Out of print.)
 
 
 



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