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Close matches: 11
Close matches1
CD, LP, Vinyl record album cover art
✨✧ Cannonball AdderleySwingin' In Seattle – Live At The Penthouse 1966 to 1967 ... CD
Reel To Real, Mid 60s. New Copy ... Out Of Stock
Great live work from the Cannonball Adderley Quintet – recorded during a time when the group's star was really rising on Capitol Records, but at a level that's got the more open-ended, freely-blown style of their classic concert dates for Riverside! The material here was all recorded for radio in Seattle, and the fidelity is excellent – sounds that are sharp as any of the group's key live albums of the period – with some very hip announcements between a few of the tracks! And unlike some radio live issues on the market, this one is nice and long – with eight long tracks that really open up – full of magical moments from Cannonball on alto, Nat Adderley on cornet, Joe Zawinul on piano, Victor Gaskin on bass, and Roy McCurdy on drums. Titles include "Sticks", "Big P", "The Girl Next Door", "Back Home Blues", "Hippodelphia", "74 Miles Away", "Morning Of The Carnival", and Somewhere". CD
(Excellent package – with great mastering, and a 28 page booklet of notes!)

Close matches2
CD, LP, Vinyl record album cover art
✨✧ Roy BrooksUnderstanding ... CD
Reel To Reel, 1970. New Copy 2CD ... $21.99 24.99
An amazing unissued live set from drummer Roy Brooks – done at that moment when he was hitting the 70s with some very righteous energy, of the sort that only saw brief exposure on albums like The Free Slave, or some of Roy's own self-released titles! This album is a much-needed addition to that tiny catalog of spiritual avant gems – and it may well be the best of the bunch, as the live setting allows for long tracks that pack a hell of a punch all the way through – not just from Roy's work on drums, but also from this amazing quintet that includes Woody Shaw on trumpet, Carlos Garnett on tenor, Harold Mabern on piano, and Cecil McBee on bass! All players are at the height of their powers – often playing with even more edge than you might expect – and the album's as much a tribute to the genius of Shaw, Garnett, and Mabern as it is to the visionary leadership of Brooks. Titles include "Understanding", "Zoltan", "Taurus Woman", "The Theme", "Billie's Bounce", and "Prelude To Understanding" – all very long. CD

Close matches3
CD, LP, Vinyl record album cover art
✨✧ Roy BrooksUnderstanding (3LP 180 gram pressing) (2021 Record Store Day Release) ... LP
Reel To Reel, 1970. New Copy 3LPs Gatefold ... Out Of Stock
An amazing unissued live set from drummer Roy Brooks – done at that moment when he was hitting the 70s with some very righteous energy, of the sort that only saw brief exposure on albums like The Free Slave, or some of Roy's own self-released titles! This album is a much-needed addition to that tiny catalog of spiritual avant gems – and it may well be the best of the bunch, as the live setting allows for long tracks that pack a hell of a punch all the way through – not just from Roy's work on drums, but also from this amazing quintet that includes Woody Shaw on trumpet, Carlos Garnett on tenor, Harold Mabern on piano, and Cecil McBee on bass! All players are at the height of their powers – often playing with even more edge than you might expect – and the album's as much a tribute to the genius of Shaw, Garnett, and Mabern as it is to the visionary leadership of Brooks. Titles include "Understanding", "Zoltan", "Taurus Woman", "The Theme", "Billie's Bounce", and "Prelude To Understanding" – all very long. LP, Vinyl record album
(Hand-numbered limited edition pressing)
Also available Understanding ... CD 21.99

Close matches4
CD, LP, Vinyl record album cover art
✨✧ George ColemanGeorge Coleman Quintet In Baltimore ... CD
Reel To Real, 1971. New Copy ... $14.99 16.99
Tremendous work from tenorist George Coleman – featured here in the sort of setting that really reminds us of his genius when allowed to really open up and blow! The tracks are long, and the material was recorded by the Left Bank Jazz Society – that Baltimore-based organization that's managed to capture important (and excellent) sessions over the years, including classics from Lee Morgan and Wynton Kelly. Coleman was on one of the Kelly dates, but is even better here as a leader – and works with an unusual group that includes Danny Moore on trumpet, Albert Dailey on piano, Larry Ridley on bass, and Harold White on drums – with nice use of trumpet that keeps the record from being very different than just a live date from a tenorist with rhythm section. Titles include long takes of "Joy Spring", "Afternoon In Paris", "Sandu", and "Body & Soul". CD
Also available George Coleman Quintet In Baltimore (180 gram pressing) (2020 Black Friday Release) ... LP 24.99

Close matches5
CD, LP, Vinyl record album cover art
George ColemanGeorge Coleman Quintet In Baltimore (180 gram pressing) (2020 Black Friday Release) ... LP
Reel To Real, 1971. New Copy Gatefold ... $24.99
Tremendous work from tenorist George Coleman – featured here in the sort of setting that really reminds us of his genius when allowed to really open up and blow! The tracks are long, and the material was recorded by the Left Bank Jazz Society – that Baltimore-based organization that's managed to capture important (and excellent) sessions over the years, including classics from Lee Morgan and Wynton Kelly. Coleman was on one of the Kelly dates, but is even better here as a leader – and works with an unusual group that includes Danny Moore on trumpet, Albert Dailey on piano, Larry Ridley on bass, and Harold White on drums – with nice use of trumpet that keeps the record from being very different than just a live date from a tenorist with rhythm section. Titles include long takes of "Joy Spring", "Afternoon In Paris", "Sandu", and "Body & Soul". LP, Vinyl record album
(Hand-numbered limited edition pressing of 1500 – on heavyweight vinyl!)
Also available George Coleman Quintet In Baltimore ... CD 14.99

Close matches6
CD, LP, Vinyl record album cover art
CrossfireI Gotta Move/Why Keep Me Waiting ... 7-inch
Reel To Reel, 1975. Near Mint- ... $14.99
... 7-inch, Vinyl record

Close matches7
CD, LP, Vinyl record album cover art
✨✧ Harold LandWestward Bound ... CD
Reel To Reel, Early 60s. New Copy ... $14.99 16.99
A fantastic addition to the too-small catalog of work from the wonderful Harold Land – the west coast tenorist whose sound was maybe more of a bridge to the New York scene in the 50s and 60s – as you'll hear in this collection of well-recorded and unreleased material from his key years on the scene! All the cuts were recorded in Seattle, not LA – and Land is in top formation throughout – working in a few different groups with excellent players – including the mighty trumpeter Carmell Jones on two of the album's tracks, maybe worth the price of the record alone – plus Hampton Hawes and Buddy Montgomery on piano, Monk Montgomery on bass, and Philly Joe Jones on drums. Titles include "Triplin The Groove", "Vendetta", "Beepdurple", "Beauty", "Blue N Boogie", "Who Can I Turn To", and "Happily Dancing/Deep Harmonies Falling". CD
Also available Westward Bound (180 gram pressing) (2021 Record Store Day Release) ... LP 44.99

Close matches8
CD, LP, Vinyl record album cover art
✨✧ Harold LandWestward Bound (180 gram pressing) (2021 Record Store Day Release) ... LP
Reel To Reel, Early 60s. New Copy 2LP Gatefold ... $44.99 49.99
A fantastic addition to the too-small catalog of work from the wonderful Harold Land – the west coast tenorist whose sound was maybe more of a bridge to the New York scene in the 50s and 60s – as you'll hear in this collection of well-recorded and unreleased material from his key years on the scene! All the cuts were recorded in Seattle, not LA – and Land is in top formation throughout – working in a few different groups with excellent players – including the mighty trumpeter Carmell Jones on two of the album's tracks, maybe worth the price of the record alone – plus Hampton Hawes and Buddy Montgomery on piano, Monk Montgomery on bass, and Philly Joe Jones on drums. Titles include "Triplin The Groove", "Vendetta", "Beepdurple", "Beauty", "Blue N Boogie", "Who Can I Turn To", and "Happily Dancing/Deep Harmonies Falling". LP, Vinyl record album
(Hand-numbered limited edition of 1500! Heavy vinyl and a nice booklet of notes!)
Also available Westward Bound ... CD 14.99

Close matches9
CD, LP, Vinyl record album cover art
Neil Swainson Quintet with Joe Henderson & Woody Shaw49th Parallel ... CD
Concord/Reel To Real, 1987. New Copy ... $11.99 12.99
An overlooked moment of genius from Canadian bassist Neil Swainson – maybe the only album of his we've seen as a leader, and a tremendous showcase for the talents of Joe Henderson on tenor and Woody Shaw on trumpet! The album's a beautiful burner – filled with original songs by Neil, and handled by the group with some of the soulful flow you'd find on the best Woody Shaw albums for Muse Records in the 70s – a mode that's very much out of time, especially as the whole thing was issued on the Concord label, which isn't usually such a strong showcase for material as soulful and expressive as this! The rest of the combo features Jerry Fuller on drums and Gary Williamson on piano – and titles include "Don't Hurt Yourself", "49th Parallel", "Port Of Spain", "On The Lam", "Labyrinth", and "Southern Exposure". CD

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Freddy WarrenRonnie Scott's 1959 to 1969 (hardcover) ... Book
Reel Art (UK), 2019. New Copy ... Out Of Stock
A decade's worth of images from one of the hippest jazz clubs on the planet – London's Ronnie Scott's, which was home to some of the best performances in the city in the 60s! Photographer Freddy Warren was there through much of the decade – almost a fly on the wall for his access to the club and its performers – sometimes captured here onstage, sometimes in more unusual candid moments – mostly in black and white, but with a few color images too! The book has a good bit of text from Brit jazz historian Graham Marsh, and features dozens of wonderful shots – images of Sonny Rollins, Max Roach, Tubby Hayes, Duke Ellington, Yusef Lateef, Ella Fitzgerald, Jeanne Lee, Cannonball Adderley, and many others – even Ronnie himself! The book is heavy, hardcover, and oversize – 143 pages in all. Book

Close matches11
CD, LP, Vinyl record album cover art
VariousBlue Beat – The Singles Vol 1 – BB1 to BB72 (6CD set) ... CD
Reel To Reel (UK), Late 60s. New Copy 6CD ... $9.99
A huge run of music from the legendary Blue Beat label – a crucial British label that brought the sounds of Kingston to the shores of London – forever helping transform the musical culture in that city! Blue Beat got its start in the 60s, and much of this work is in the earliest Jamaican modes mento turning into jazz, ska, and even a bit of rocksteady – spread out here in a huge 6CD package that includes every track on the first 72 singles for the label – both a-sides and b-sides – which makes for 142 tracks in all! The set is huge, and features important 60s Jamaican recordings by a huge number of artists, plus London work too – work by Lloyd & Cecil, Laurel Aitken, Azzie Lawrence, Alton & Eddy, Clancy Eccles, Hank Marr, Errol Dixon, Eric Morris, Duke Reid's Group, Theo Beckford, The Mello Cats, Charmers, Sir D's Group, Roland Alphonso, Rico Rodriguez, Cecil Byrd, Byron Lee, and many others. CD
 
Possible matches: 13
Possible matches12
CD, LP, Vinyl record album cover art
✨✧ CanLost Tapes (3CD deluxe edition – 10" box) ... CD
Spoon, Late 60s-Mid 70s. Used 3 CDs ... Out Of Stock
A mighty impressive box set of previously unreleased Can – incredible stuff captured throughout their groundbreaking run from the late 60s to mid 70s – culled from hours and hours of tapes of the sessions that could have just as easily wound up on any of their classic records of the period! We figured that this would almost certainly be a solid companion piece to their initial run of classic albums – but the best thing about it is that out stands up really well on its own. Can pretty famously let the tapes run while they worked things out and let the magic happen spontaneously, so it stands to reason a lot of brilliant stuff was left on those tapes! We're surprised it took so long to pour through it and assemble some of the best of the "lost" material, but better late than never! Since it covers the full late 60s & early 70s periods, it's got bits with Mooney and Suzuki, hypnotic live takes, slow-building tension, moody lulls and violent bursts of sound – it's Can, alright! 30 tracks sequenced brilliantly over 3CDs – and it comes a reel-to-reel style box with a 10-inch booklet. Titles include "Millionenspiel", "Waiting For The Street Car", "Evening All Day", "Deadly Doris", "Bubble Rap", "Your Friendly Neighborhood Whore", "Bilnd Mirror Sur", "Bubble Rap", "Godzilla Fragment", "Barnacles", "The Agreement", "The Loop", "A Swan Is Born" and more. CD

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ John Duke KischSeparate Cinema – The First 100 Years Of Black Poster Art (hardcover) ... Book
Reel Art, 2018. New Copy ... Temporarily Out Of Stock
Beautiful posters from a huge legacy in film – 100 years' worth of images that were used to promote black cinema – with entries that run from the early silent era, through unusual mid-century material, 70s blacksploitation movies, and both mainstream and indie films from later decades! Yet the book is way more than just another poster book – as the images here come with plenty of text – thoughtful writings on trends, styles, and key figures in black film – amidst words and images that pull no punches on treatment of race and social issues. The book is oversized, very heavy, full color throughout, and 317 pages – filled with fantastic images. Book

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ LoveEverybody's Gotta Live (2021 Record Store Day Release) ... LP
High Moon, 1974. New Copy ... Out Of Stock
A really cool package – a set that features the famous 70s title track by Arthur Lee and Love, plus rare tracks from the sessions for their Reel To Real album – all on vinyl for the first time ever! "Everybody's Gotta Live" is completely wonderful – Lee at his finest, but in a very different way than in the 60s – charming on vocals right from the start, with acoustic guitar used to give the whole thing a different flavor of Love! Other cuts are a nice surprise, too – almost funky in parts, and showing some real new directions for Arthur – on titles that include "You Gotta Feel It (outtake)", "I Gotta Remember (outtake)", "Do It Yourself (outtake)", "Singing Cowboy (alt)", and "Everybody's Gotta Live (electric version)". LP, Vinyl record album
(Limited edition!)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Tony Nourmand & Graham Marsh, edsX-Rated – Adult Movie Posters Of The 60s & 70s (expanded edition) ... Book
Reel Art, 2018. New Copy ... Out Of Stock
Beautiful work from the glory days of the adult film – hundreds of posters that were used to publicize erotic cinema – often themselves a masterpiece in erotic aesthetics! Given that most of the posters were outside the theater, open to the public, there's a fair bit of hide and seek, teasing-type material here – at a level that's maybe even more creative than the images on the screen, especially when set to the typography and color filters of the late 60s/early 70s print world! The book features all posters in full color, and also intersperses some bits from magazines and other publications too – all at a level that's really playful, reveling in the style of the genre, while also poking a slight bit of fun. Graham Marsh was the art director, and you may know his name from a number of excellent album cover books – and overall, most images are softcore at best, with a small amount of nudity – although there are some heavier images from time to time. 352 pages, hardcover, and in full color. Book

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Esther PhillipsAlone Again, Naturally ... CD
Kudu/Reel Music, 1972. Used ... Temporarily Out Of Stock
One of the deepest soul sets from Esther Phillips' 70s years on Kudu Records – a set with some nicely gritty grooves and a surprisingly earthy feel at times – especially when compared to some of her other albums of the time! Backings are by James Brown's old reedman, Pee Wee Ellis – and although there's some of the usual Kudu electric funk in the mix, there's also some deeper soul elements too – a vibe that's often a bit laidback and open, almost more Atlantic Records at points – which is a mighty good fit for Esther's wonderful voice! As usual for Kudu, the players are an all-star lineup – one that includes Richard Tee on keyboards, George Benson on guitar, Maceo Parker on tenor, and Bernard Purdie and Billy Cobham on drums – and Don Sebesky's also on deck a bit, to sweeten a few tracks up with light strings. The album's got a great version of Bill Withers' "Use Me" that features a tasty break in the intro – and other titles include a great version of "Alone Again (Naturally)", plus the cuts "Let's Move & Groove", "Cherry Red", "Let Me In Your Life", and "You & Me Together". CD
(Out of print – and still sealed!)

Possible matches17
CD, LP, Vinyl record album cover art
Tom PrehnCentrifuga ... CD
Corbett vs. Dempsey, Mid 60s. New Copy ... $12.99 15.99
Crucial rare work from Danish piano genius Tom Prehn – a player who's only known for a handful of rare records from the 60s, and some unissued material that has come out in more recent years! This set falls somewhere between the space of both of those points – as the material had been released, but only on reel to reel format – making it even rarer than Prehn's vintage vinyl, and clearly able to use the extended format of the tape to let the group improvise in ways that they couldn't even do on a single record at the time! Case in point is the amazing 44 minute track "Centrifuga" – a cut that seems to have Prehn playing piano that sounds prepared, ala John Cage – mixed with equally unusual sounds from the bass of Poul Elders, some striking sounds from the drums of Finn Slumstrup, and this amazing raw tenor from Fritz Krogh – a player we don't know at all, but who's very much in the best mode of the early free jazz world on the European scene! The second part of the record features four shorter pieces, each numbered variations of "Solherv" – recorded six months after the first track, and with this open sonic sensibility that recalls much more contemporary improv work – such as recordings by Mats Gustafsson, who actually contributed the notes to the set. CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Sun RaLost Reel Collection Vol 4 – Dance Of The Living Image ... CD
Transparency, 1974. New Copy 2CD ... Out Of Stock
One of the most tape-centric entries in this great Lost Reel series – given that the recordings here were pulled from a San Francisco rehearsal by Ra & The Arkestra – and still contain some evidence of the recorder turning on and off! But despite that technical element – which actually creates a nice little window into the way the band worked away from the stage, and focused on certain elements on their own – the music here is still plenty darn great, and offers up a rare glimpse of the group during a short SF residence. The tracks include a few "unidentified titles" – which, according to the notes, are numbers that possibly haven't appeared on other recordings – and players include Ra, John Gilmore, Marshall Allen, Danny Ray Thompson, and James Jackson. 2CD set features titles that include "Dance Of The Living Image", "Sometimes I'm Happy", "Astro Nation", "Hard Hearted Hannah", "Passin Gas", "Sophisticated Lady", "Watusi", and a few of those unidentified titles! CD

Possible matches19
CD, LP, Vinyl record album cover art
Reel PeopleRetroflection Remixed ... CD
Reel People (UK), 2019. New Copy ... $7.99
Excellent remix version of Reel People's fantastic Retroflection – one that you can almost look to as an equally great alternative version of it – with remixes by Atjazz, John Morales, Terry Hunter, Tall Black Guy, DJ Spinna and others! The warmly collaborative spirit of the original album – with guest vocals by Angie Stone, Navasha Daya, Anthony David, Omar and others – makes this kind of a companion piece a natural fit. The remixers wisely hew to the gliding soul with jazzy touches that make Retroflection such a strong, standout work, while bringing in elements of club soul, jazzy samba, and timeless disco, depending on the producer/remixer. Titles include "Don't Stop The Music (Art Of Tones Modern Disco Mix)", "I Want To Thank You (Sebb Junior Remix)", "Thinking About Your Love (Da Brownie Remix)", "Keep It Up (DJ Spinna Galactic Funk Remix)", "I'm In Love (Buscrates Remix)", "Buttercup (Terry Hunter Main Club Mix", "Always There (Scott Diaz Funk Excursion)", and "Can We Pretend (Tall Black Guy Samba Remix)". CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ David Sanford Big Band with Hugh RaginPrayer For Lester Bowie ... CD
Greenleaf, 2021. New Copy ... Temporarily Out Of Stock
Wonderfully rich sounds from composer/arranger David Sanford – a tribute to the late Lester Bowie, of Art Ensemble fame – presented here with some trumpet contributions from Hugh Ragin, who does a might good job of stepping into Lester's mighty large shadow! Yet Ragin is only one of a number of strong soloists here – in a lineup that also includes work from Ted Levine on alto, Jim Messbauer and Mike Christianson on trombone, Ana Webber and Geoff Vidal on tenor, and Dave Fabris on guitar – just a handful of the musicians who step out and provide their own voices amidst the darkly-shaded pieces in the set, which work together to provide a sonic tapestry that seems to take us from Bowie's early years, to his time in the AACM, to some of his better-known projects of later years too. Titles include "Soldier & The CEO", "V Reel", "Popit", "Woman In Shadows", "Subtraf", and "Full Immersion". CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ VariousLocal Customs – Downriver Revival (CD & DVD) ... CD
Numero, Late 60s/1970s. New Copy CD & DVD ... Out Of Stock
One of the coolest collections ever put out by The Numero Group – and that's saying a lot, given the hipness of the label! Downriver Revival chronicles the story of a unique studio in Michigan – Double U Sound, a custom recording spot that captured a wonderful range of soul, funk, gospel, and other sounds from the local community – beautifully presented here in a full CD, plus a bonus DVD that features the near-complete 200 song archive of the studio! The DVD's really unique – so we'll talk about it first: Done with an interactive menu that lets you literally comb through the boxes of tapes in the Double U vault – selecting each reel recorded by the studio, and sampling the rich array of wonderful sounds from this untapped Michigan scene – a huge amount of music, far more than you'd ever find on a CD compilation. The DVD also features a documentary on the studio and Downriver Revial project – and that alone would be worth the price of admission – but the CD then features 24 key numbers pulled from the vaults – tracks that were either issued on rare 45s, or never issued at all – and which represent a wonderful array of soulful sounds that definitely lives up to the Numero standard! Titles include "There's A Light" by Shirley Ann Lee, "Take Care Of Us" by The Revelations, "Untitled Jam" by Bobby Cook & The Explosions, "Foot Stumping (alt)" by Organics, "While You Were Gone" by Combinations, "Heaven" by Deliverance Echoes, "Untitled" by Burgess Band, "Round N Round" by Junior Mays Group, and "Walk With Me" by Calvin Cooke. CD
(Please note that the DVD is Region 1.)

Possible matches22
CD, LP, Vinyl record album cover art
VariousSpring Fever – 28 Easter Nuggets For Your Spring Season ... CD
Bear Family (Germany), Late 40s/1950s/Early 60s. New Copy ... $10.99 11.99
A whole host of tunes that will help you say goodbye to winter and hello to spring – a light and lively mix of postwar cuts in a variety of styles – from early rockers, to instrumentals, radio pop gems, and even a bit of R&B – all put together with a very playful vibe! The set's similar to the other "season" titles from Bear Family – showing how similar themes move through American music in different ways – almost like you're tuning into some old AM station in the month of May, discovering a whole host of tunes you might never have heard otherwise! Oddly, there's also a theme of chickens and eggs running through the set – which features 28 titles that include "Chicken Rock" by Fat Daddy Holmes, "Spring Fever" by Vilas Craig & The Kollege Kings, "One Fried Egg" by The Charioteers, "Rock Chicken Rock" by Ray Coleman & His Skyrockets, "Jungle Bunny" by The Fabulous Pearls, "The Rooster" by Ike Turner's Kings Of Rhythm, "Chicken Reel" by les Paul, "Easter Day" by The Dixon Brothers, "April Love" by Shirley Jones & Pat Boone, "Egghead" by Al Allen, "Spring Fever" by The Velvets, "End Of Spring" by Les Baxter, and "It Might As Well Be Spring" by Jerry Duane with the Monarchs. CD

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ VariousWonder Of Stevie 3 – Presented By DJ Spinna ... CD
BBE (UK), 1970s/2016. New Copy 2 CDs ... Out Of Stock
An incredible collection of Stevie Wonder cover versions – different versions of familiar tunes, but ones that really manage to sparkle with all the righteous soul of the Stevie himself! It's been over a decade since DJ Spinna brought us the last version of his Wonder Of Stevie series – and during that time, he's managed to come up with a huge amount of great tracks that make the whole thing go way way deeper than before – not just cuts that copy the Wonder mode, but which seem to draw strong inspiration from its genius, and really soar to the skies! Much of the music here resonates with a charm that's located around the years of albums like Music Of My Mind and Innervisions, with all the jazzy currents that might imply – and some cuts are 70s vintage, others are more contemporary. Titles include "Bird Of Beauty" by US Atlantic First Navy Show Band, "It's My Pleasure" by Billy Preston, "Love's In Need Of Love Today" by John Minnis Big Bone Band, "As" by Tony Sherman, "Buttercup" by Jackson 5, "Have A Talk With God" by East St Louis Gospelettes, "Betcha Wouldn't Hurt Me" by Quincy Jones, "Golden Lady" by Reel People with Tony Momrelle, "If You Don't Love Me" by GC Cameron, "If She Breaks Your Heart Again" by Foreign Exchange, "Don't You Worry Bout A Thing" by Black Sugar, "Go Home" by Jrod Indigo, and "Make My Water Boil" by David Ruffin. 2CDs – one of the cuts unmixed, one with the tracks in a continuous mix by Spinna! CD

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ VariousWonder Of Stevie 3 – Presented By DJ Spinna ... LP
BBE (UK), 1970s/2016. New Copy 2LP Gatefold ... Out Of Stock
An incredible collection of Stevie Wonder cover versions – different versions of familiar tunes, but ones that really manage to sparkle with all the righteous soul of the Stevie himself! It's been over a decade since DJ Spinna brought us the last version of his Wonder Of Stevie series – and during that time, he's managed to come up with a huge amount of great tracks that make the whole thing go way way deeper than before – not just cuts that copy the Wonder mode, but which seem to draw strong inspiration from its genius, and really soar to the skies! Much of the music here resonates with a charm that's located around the years of albums like Music Of My Mind and Innervisions, with all the jazzy currents that might imply – and some cuts are 70s vintage, others are more contemporary. Titles include "Bird Of Beauty" by US Atlantic First Navy Show Band, "It's My Pleasure" by Billy Preston, "Love's In Need Of Love Today" by John Minnis Big Bone Band, "As" by Tony Sherman, "Buttercup" by Jackson 5, "Have A Talk With God" by East St Louis Gospelettes, "Betcha Wouldn't Hurt Me" by Quincy Jones, "Golden Lady" by Reel People with Tony Momrelle, "If You Don't Love Me" by GC Cameron, "If She Breaks Your Heart Again" by Foreign Exchange, "Don't You Worry Bout A Thing" by Black Sugar, "Go Home" by Jrod Indigo, and "Make My Water Boil" by David Ruffin. LP, Vinyl record album
 
Partial matches: 131
Partial matches25
CD, LP, Vinyl record album cover art
✨✧ Ahmed (Pat Thomas/Antonin Gerbal/Joel Grip/Seymour Wright)Nights On Saturn (Communication) ... LP
Astral Spirits, 2021. New Copy ... Out Of Stock
That's a picture of legendary bassist Ahmed Abdul-Malik on the cover, and the title of the record hints at the legacy of Sun Ra – both references that should really give you an idea of the spirit of the sound within! The liner notes are by pianist Pat Thomas, who calls for a deeper exploration of the influence of West African Islamic culture on American jazz – but despite that text, and the group's name, the overall feel of the record is very much in the full-voiced sort of improvisation that we've come to love from Thomas in many different settings over the years! The quartet features Seymour Wright on alto, Joel Grip on bass, and Antonin Gerbal on drums – and all players do a great job of playing freely, but also handling the sound in these chunks that are inherently rhythmic, even though they've got a very different feel than standard jazz changes! Wright is especially compelling – with these repeated cries on alto that really give a special voice to the record – and the group performs one long improvisation, recorded at London's Cafe OTO. LP, Vinyl record album

Partial matches26
CD, LP, Vinyl record album cover art
✨✧ AirAir Time ... CD
Nessa, 1977. New Copy ... $13.99 16.98
One of the best albums ever by this legendary Chicago trio – a great example of the way that records on the Nessa label can really get to the heart of artists' intentions! The trio of Henry Threadgill on reeds, Fred Hopkins on bass, and Steve McCall on percussion have never sounded better – and have this intimate, soulful interplay that's sometimes missing from other efforts – that special kind of energy that makes the AACM so great when it's really clicking this well – as deeply spiritual as it is freely expressive! Threadgill plays alto, tenor, bass flute, and the compelling hubkaphone – and titles include "I'll Be Right Here Waiting", "No 2", "GvE", "Subtraction", and "Keep Right On Playing Thru The Mirror Over The Water". CD
Also available Air Time (180 gram pressing) ... LP 16.99

Partial matches27
CD, LP, Vinyl record album cover art
✨✧ AirAir Time (180 gram pressing) ... LP
Nessa, 1977. New Copy (reissue)... $16.99 19.99
One of the best albums ever by this legendary Chicago trio – a great example of the way that records on the Nessa label can really get to the heart of artists' intentions! The trio of Henry Threadgill on reeds, Fred Hopkins on bass, and Steve McCall on percussion have never sounded better – and have this intimate, soulful interplay that's sometimes missing from other efforts – that special kind of energy that makes the AACM so great when it's really clicking this well – as deeply spiritual as it is freely expressive! Threadgill plays alto, tenor, bass flute, and the compelling hubkaphone – and titles include "I'll Be Right Here Waiting", "No 2", "GvE", "Subtraction", and "Keep Right On Playing Thru The Mirror Over The Water". LP, Vinyl record album
Also available Air Time ... CD 13.99

Partial matches28
CD, LP, Vinyl record album cover art
Rodrigo Amado & Chris CorsanoNo Place To Fall ... CD
Astral Spirits, 2019. New Copy ... $8.99
Searing sounds from this excellent duo – Rodrigo Amado on tenor and Chris Corsano on drums – both musicians that have such a clear, tight understanding of each other that they're able to improvised freely in fantastic ways – whether moving at top speed as a duo, or stepping carefully around empty sonic space as they fill things in together! The record is one that really elevates our appreciation of both musicians, and which will have us certainly keeping an ear out for lots more in the future – and Amado especially is really emerging as a bold-toned tenorist with a strong current of soul. Titles include "Don't Take It Too Bad", "Announcement", "We'll Be Here In The Morning", "No Place To Fall", and "Into The Valley". CD
(Limited edition.)

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Artifact iTi (Bauer/Nilssen Love/Lehn/Vandermark)Artifact iTi – Live In St Johann ... CD
Okka Disk, 2008. New Copy ... $4.99 13.99
A really unusual assortment of players – coming together here in a way that makes for an equally unusual sort of sound! The meeting of Chicago saxophonist Ken Vandermark and European players is hardly anything new – and drummer Paal Nilssen Love here is a frequent musical partner – but there's some really special sounds coming from both the trombone of Johannes Bauer and the electronics of Thomas Lehn – the last of whom improvises freely, and makes this bristling sort of energy next to the acoustic instruments in the group! The sounds within move between music that has the feel of more familiar free improvisation, and tunes that almost have an electro-acoustic sort of heft – and the album features one long performance, divided up into three parts. CD

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✨✧ Artifact iTi (Bauer/Nilssen Love/Lehn/Vandermark)Artifact iTi – Live In St Johann ... CD
Okka Disk, 2008. Used Gatefold ... Out Of Stock
A really unusual assortment of players – coming together here in a way that makes for an equally unusual sort of sound! The meeting of Chicago saxophonist Ken Vandermark and European players is hardly anything new – and drummer Paal Nilssen Love here is a frequent musical partner – but there's some really special sounds coming from both the trombone of Johannes Bauer and the electronics of Thomas Lehn – the last of whom improvises freely, and makes this bristling sort of energy next to the acoustic instruments in the group! The sounds within move between music that has the feel of more familiar free improvisation, and tunes that almost have an electro-acoustic sort of heft – and the album features one long performance, divided up into three parts. CD
Also available Artifact iTi – Live In St Johann ... CD 4.99

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Astral TravelIf You Say You Are From This Planet, Why Do You Treat It Like You Do? ... LP
Hyperjazz (Italy), 2020. New Copy ... $11.99
A record that really carries its message in its title – a set of spiritual ruminations on the nature of existence – inspired by the writings of Sun Ra, and carried off with vocals by Dwight Trible – who joins this Italian group for the recording! Each song is inspired by a different poem from Ra's This Planet Is Doomed – and the music is freely improvised, but in a relatively spiritual way – with leader Tommaso Cappellato on drums, with Fabrizio Puglisi on piano and keyboards, Piero Bittolo Bon on reeds and electronics, and Marco Privato on bass. The set may be one of the most avant albums that Trible ever recorded – and his vocals have the strong resonance of his straighter recordings, but a bit more bite, and a really mighty reach – on titles that include "Tomorrow's Destiny", "Infinity", "Science Has Changed", "The End", "Time", and "You Are From This Planet". LP, Vinyl record album

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Albert Ayler1964 Prophecy Revisited ... CD
Hat Hut (Switzerland), 1964. New Copy ... $16.99 19.99
An expanded, remastered version of the album Prophecy – early work by Albert Ayler, recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after his untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". Newly remastered version of the full concert – with 10 tracks in all! CD

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✨✧ Albert AylerBells/Prophecy ... CD
ESP, 1964/1965. Used ... $9.99
A double-length set that brings together 2 key early live sets by Albert Ayler – both recorded on the New York scene of the mid 60s! Bells was an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! Prophecy is longer – a full album that was recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after Ayler's untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". CD
(Out of print.)

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Albert AylerSpiritual Unity (with bonus track) ... CD
ESP, 1964. New Copy ... $12.99
A landmark recording – Albert Ayler's first album for the ESP label, and a record that hit the jazz world like a bullet! Spiritual Unity sets the stage for a format that would become huge in the European avant scene of the 70s, 80s, 90s, and even today – the sax-driven power-trio, tenor against bass and drums, working freely with less rhythmic constraints than before, searching for new sounds and new modes of expression, working through changes in a style first proposed by Sonny Rollins, but taken to new intensity by the New York underground of the 60s. That sound is summed up here perfectly by Ayler, Gary Peacock, and Sunny Murray – working together with an edgey brilliance, on classic tracks that include "Ghosts: First Variation", "Ghosts: Second Variation", "The Wizard", and "Spirits". 50th Anniversary Edition – also includes the bonus track "Vibrations". CD

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✨✧ Billy BangDistinction Without A Difference (with bonus tracks) ... CD
Hat Hut/Corbett vs. Dempsey, 1980. New Copy Gatefold ... $12.99
Billy Bang has always been one of the most incredible players on his instrument – a jazz violinist who could take the strings into freely creative territory, yet also somehow manage to swing – a balance that nobody ever seemed to manage as well as Bang! And while Billy's work in groups is always wonderful, the strengths of his genius maybe come through even more in a solo setting like this – as Bang uses the violin in ways that are completely unheard of, even in jazz work of the decade before – but also while somehow holding to an inherent core that always makes his music make immediate sense, even to the most casual listener. The album's a true testament to the genius that Bang brought to jazz violin – and why we still love him on the instrument more than anyone else. Titles include "Theme For Masters", "Sometime Later", "Improvisation On Sweet Space", and "Loweski". This great edition comes in a gatefold LP-styled cover – almost like a mini version of the original record released by Hat Hut – with bonus tracks that include "Fiddle In The Floodlight", "Subway Ride With Giuseppi Logan", "Echo Vamp", "Prana", and "A Pebble Is A Small Rock". CD

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✨✧ Billy Bang & William ParkerMedicine Buddha ... CD
No Business (Lithuania), 2014. New Copy ... Temporarily Out Of Stock
Wonderful work from two players who've just gotten better and better over the decades – both musicians who've made a huge impression from the late 70s onward, but who also continue to grow and refine their ideas as the years go on! This set features beautiful duets recorded at the Rubin Museum of Art in New York, in 2009 – with Bang on violin and thumb piano, and William Parker on bass, plus a bit of shakuhashi and dousn gouni as well. Both players handle strings at a level that's far different than most of their contemporaries or influences – and have this sublimely spiritual style that's often a bit exotic too – but never in the sort of easier ways of Bang's Vietnam-related projects. Instead there's a very freely creative spirit as both players come together – finding a unique voice that's extremely moving, and never too heavy-handed – a huge reminder of why we love them both so much. Titles include "Bronx Aborigines", "Eternal Planet", "Buddha's Joy", "Medicine Buddha", and "Sky Song". CD

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✨✧ Han Bennink & Guus JanssenMij Een Biet ... CD
ICP (Netherlands), 2020. New Copy ... Out Of Stock
Great live duets between drummer Han Bennink and pianist Guus Janssen – the latter of whom was Misha Mengelberg's replacement in the larger ICP organization, and has turned out to be a fantastic musical partner for Han on a number of other recordings! Here, things are stripped down to just the two of them – and Bennink leaps right out in the fray with that really unique improvisational quality of his – that mode of being really freely expressive and sonically experimental, yet somehow holding close to a sense of tunefulness too – a quality that Janssen has really showed us in his piano, which rings out beautifully here, with tones and colors that get a nice sort of focus in comparison to some of his later group recordings. Titles include "Ips", "Riedel", "Beuk", "Verder Geen Leed", and "Meej Een Biet" – all billed as "instant compositions" – plus versions of the Wynton Kelly tune "Little Girl Your Daddy Is Calling You" and the Mengelberg song "Op Het Strand Van Scheveningen". CD

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Steve Beresford & Han BenninkB + B In Edam ... CD
ICP (Netherlands), 2000. New Copy ... $19.99 24.99
Delightful work from this amazingly creative duo – a pair of freely-improvising musicians, but also one who take things far from the familiar modes of free jazz! Han Bennink is incredible on the drums – able to move with stunning dexterity, but never in a way that's bombastic or egotistic at all – and Steve Beresford used piano and toy electronics in these ways that really show his quick wit and open ear for all sorts of sonic territory! Beresford can make some noisy moments, but never revels in them – as the strength of the performance seems to come from the return to tunefulness – which both players do in ways that balance out their freer flights, and really show us the genius behind their instant compositions. Titles include "Crumbs In Bed", "Hagel Slag", "Billow Your Pillow", and "Teas Not Made". CD

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Chuck BerryToronto Rock & Roll Revival 1969 ... CD
Sunset Blvd, 1969. New Copy ... $16.99 17.99
A searing live set from Chuck Berry – one that's way better than the "rock and roll revival" in the title! In 1969, Chuck was still completely on fire – after making some albums for Mercury that were filled with expansive guitar lines and really great sounds – and about to move back to Chess, where he'd experiment with funk too! Here, Berry stretches out in a live setting with all these wicked long guitar solos – of a sort that you'd be hard-pressed to find on earlier records – almost like he's showing the Hendrix generation that he was there first! Sure, most of the tunes are familiar – but the versions here are very different – and titles include "Wee Wee Hours", "Memphis Tennessee", "Maybellene", "I'm Your Hoochie Coochie Man", "Rock & Roll Music", "School Day", "Johnny B Good/Carol/Promised Land", and "Reelin & Rockin". CD

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✨✧ Paul BleyTouching (with bonus track) (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1965. New Copy ... Out Of Stock
Prime modern work from the great Paul Bley – a pianist who was really expanding his sound at this time – to a level that would soon make him a legend around the globe! The European date is a great chance to hear Bley really opening things up – playing freely, with an amazing command of the keyboard – faster flurries of notes at times than you might hear on his 70s material, but with an equally sensitive ear for space and sound – all balanced by perfect work from Kent Carter on bass and Barry Altschul on drums! There's an instantly haunting quality to the music – which is all unique original material from Bley's scene – titles that include his own compositions Bley's "Pablo" and "Mazatlan", plus Annette Peacock's "Both" and "Cartoon", and Carla Bley's "Start". CD also features the bonus track "Closer" – another Carla Bley composition. CD
(Part of the "Freedom Paper Sleeve Collection" series!)

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Peter Brotzmann Chicago TentetChicago Tentet At Molde 2007 ... CD
Okka Disk, 2007. New Copy Gatefold ... $9.99 13.99
A 10th Anniversary performance by the Chicago Tentet – a wonderful group that's become the fruitful union of saxophonist Peter Brotzmann with a younger generation of players who were working heavily on the Chicago scene at the time! Back when the group first started, it was something of an experiment – but over the following decade, the ensemble won great attention for their playing, and for good reason too – considering the solo contributions of players like Ken Vandermark and Mats Gustafsson on reeds, Joe McPhee on trumpet and tenor, Johannes Bauer on trombone, Kent Kessler on bass, and Paal Nilssen Love on drums – all working under the visionary leadership of Peter Brotzmann! The tracks are all somewhat long and open-ended – almost more spacious than on other Chicago Tentet records, with a freely improvised feel. Titles include "Ten By Ten", "Little By Little", and "Step By Step". CD

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✨✧ James BrownLove Power Peace – Live At The Olympia Paris 1971 (3LP set) ... LP
Polydor/Sundazed, 1971. Near Mint- 3LP Gatefold ... $44.99
A lost treasure from James Brown & The JBs – a vintage live performance from the early 70s, and one that captures the group at the height of their powers! The format here is very similar to the excellent Revolution Of The Mind set – a totally funky, totally righteous live performance that has James and the group even more energized than in the studio – working with the kind of razor-sharp intensity that made them a legendary funk act – leaping from tune to tune with nary a break at all! Bobby Byrd acts as the MC, and joins James for a bit of vocals – and the group at this point still includes Bootsy Collins on bass, plus loads of great guitar from Catfish Collins, and Fred Wesley on trombone and Jabo Starks on drums. Dave Matthews handled some of the arrangements – and titles include "Soul Power", "Sex Machine", "Bewildered", "It's A New Day", "Ain't It Funky Now", "Brother Rapp", "Super Bad", "Give It Up Or Turnit A Loose", and "Papa's Got A Brand New Bag/I Got You/I Got The Feelin". Note – this is the first presentation of the material exactly the way that James Brown intended – as a 3LP set, without the remixing from the previous CD – pulled right from the original reels! LP, Vinyl record album

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Kenny BurrellNight At The Vanguard (with bonus tracks) ... CD
Argo/Universal (Japan), 1959. New Copy ... $18.99
A hip live date from Kenny Burrell – recorded with a trio that includes Richard Davis on bass and Roy Haynes on drums – both of whom help Kenny find a groove that's a bit lighter and more fluid than usual! The rhythms here are quite gentle, almost spare at times – and always touched with Haynes' great sense of lyricism. Kenny's guitar lines are right out front, freely flowing with plenty of warm chromatic hues, and styles that echo a bit more modernism than we've heard in other work of his from the late 50s. Titles include "Well You Needn't", "Trio", "All Night Long", and "Soft Winds". CD
(SHM-CD pressing – part of the Kenny Burrell 90th Anniversary Collection!)

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✨✧ Henry CainFunky Organ-ization Of Henry Cain ... LP
Capitol, Late 60s. Very Good ... Out Of Stock
Sweet and funky organ work from the great Henry Cain – a little known player who recorded on some excellent sides for Capitol in the 60s, including some of the albums by Howard Roberts! This set is Cain's one full album for the label – and it's a tight and jumpy set of instrumentals, produced by David Axelrod with a nice sharp edge. Arrangements are by HB Barnum and Oliver Nelson – both of whom really hit the right sound for Cain's clean approach to the Hammond keys – setting up enough space for him to groove freely, yet still keeping the band tightly reigned into the rhythm of the cuts. Titles include "Horror Scope", "Shake A Lady", "Dead End Street", "Why", "Sunny", "The Way I Feel", and "Critic's Choice". LP, Vinyl record album
(Orignal pressing. Cover has a FREE punch-out on the corner, and some light wear.)

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✨✧ Rudiger Carl IncKing Alcohol (New Version) (with bonus tracks) ... CD
FMP/Corbett vs. Dempsey, 1972. Used Gatefold ... Out Of Stock
Maybe the greatest moment ever on record from Rudiger Carl – and not just because the album is "dedicated to all drinker friends"! Despite that embrace of alcohol, the record's got a very sobering power – as the group is a free jazz trio, working in the best bracing early FMP way – with Carl on tenor, Gunter Christmann on trombone, and Detlef Shoenenberg on drums – all turning their instruments inside out as they madly, freely, explosively work off the power of one another! Christmann is especially amazing – and this album might well be to his trombone what the late 60s FMP sides were to Brotzmann's tenor – although Detlef's drums are pretty amazing too – very different than any contemporaries or precursors, and worth the price of admission alone. Titles include "Thrombose", "King Alcohol", "AEIOU", and "Rush Hour/Something/Triotrip". Plus, this 2CD reissue adds in an astounding 70 more minutes of unreleased recordings from the same sessions! CD

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Don CherrySummer House Sessions (with bonus CD) ... CD
Blank Forms, 1968. New Copy 2CD ... $20.99
Here's a summer house we'd really like to visit on our next vacation – a legendary spot in Sweden, where Don Cherry created freely with some of the hippest players on the local scene in 1968! The tracks here were all recorded for later commercial release, which never ended up happening – and they represent a key bridge in Cherry's career between his important American work of the mid 60s, and his growing global consciousness to come – maybe a first chapter in the sound that would become the Organic Music Society! The set features one 46 minute improvisation on CD1, and more session material on CD2 – with an array of musicians that includes Cherry on pocket trumpet and flute, Bernt Rosengren on tenor and flute, Gunnar Lindqvist on reeds, Tommy Koverhult on tenor and a variety of flutes, Jacques Thollot and Leif Wennerstrom on drums, Torbjorn Hultcrantz and Kent Carter on bass, and percussion from Bulent Ates – plus other members of the group! There's no vocals, but there's a strong sense of rhythmic cohesion throughout – freewheeling jazz, but not entirely free either – and filled with a global inspiration that makes the whole thing come off with an organic sense of beauty. CD

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Ornette ColemanMusic Of Ornette Coleman – Forms & Sounds/Skies Of America ... CD
Sony/BGO (UK), 1967/1972. New Copy 2CDs ... $9.99 19.99
A great couple of harder-to-find Ornette Coleman records – nicely paired up in a 2CD set! First up is The Music Of Ornette Coleman, from 1967 – which is beautiful record that serves as both a showcase for Ornette's "serious" writing efforts – and his ability to play with a larger ensemble! It kicks off with Ornette playing trumpet solos with The Philadelphia Woodwind Quintet as they perform his "Forms & Sounds" live. That's followed by recordings of Ornette's "Space Flight" and "Saints & Soldiers" performed by The Chamber Symphony of Philadelphia Quartet, a string ensemble that brings a new light to Ornette's compositions! Skies Of America is an ambitious record with full orchestra, in a haunting sound that's light years from any of his smaller group recordings of the 60s and 70s! There's an incredible feel to the strings used here – played by the London Symphony Orchestra, conducted by David Measham – all tied up and dark, with swirling sounds that run up beautifully from the bottom, then take off to the skies promised in the title – opening the door for Ornette to come in and solo freely over the top – in a magical mix that easily makes the record a standout in his long and mighty career! Harmolodic theory is definitely a part of Coleman's conception here – but in very different ways than his quartet or quintet recordings. Lots of tracks on this one, including "Skies Of America", "The Men Who Live In The White House", "Sunday In America", "Dreams", "Native Americans", "Silver Screen", "The Artist In America" and more. CD

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Ornette ColemanSkies Of America ... LP
Columbia, 1972. Very Good+ ... $39.99
A brilliant large ensemble work from Ornette Coleman – ambitious material recorded with full orchestra, in a haunting sound that's light years from any of his smaller group recordings of the 60s and 70s! There's an incredible feel to the strings used here – played by the London Symphony Orchestra, conducted by David Measham – all tied up and dark, with swirling sounds that run up beautifully from the bottom, then take off to the skies promised in the title – opening the door for Ornette to come in and solo freely over the top – in a magical mix that easily makes the record a standout in his long and mighty career! Harmolodic theory is definitely a part of Coleman's conception here – but in very different ways than his quartet or quintet recordings. Tracks include "The Men Who Live In The White House", "Sunday In America", "Dreams", "Native Americans", "Silver Screen", and "The Artist In America". LP, Vinyl record album
(Cover has light wear.)

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John ColtraneAscension (remastered) ... CD
Impulse, 1965. Used ... $6.99
One of the freest, most exploratory albums ever recorded by John Coltrane – and a unique session done with an expanded group of some of the most important avant jazz players of his generation! The format here is similar to Ornette Coleman's Free Jazz album – in that the music is freely improvised, and spans the entire LP as a non-stop performance – one that has Coltrane in the lead, but which also features alto from Marion Brown and John Tchicai, tenor from Archie Shepp and Pharaoh Sanders, trumpet from Freddie Hubbard and Dewey Johnson – and core rhythms from McCoy Tyner on piano, drums from Elvin Jones, and double basses from Art Davis and Jimmy Garrison. The record set the format for larger improvistory groups in years to come – but is still one of the best examples of the form! CD
(Out of print, remastered edition – includes both versions of the title track! Digipack case has some edgewear.)
Also available Ascension (versions 1 & 2) ... CD 8.99

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John ColtraneAscension (versions 1 & 2) ... CD
Impulse, 1965. Used ... $8.99
One of the freest, most exploratory albums ever recorded by John Coltrane – and a unique session done with an expanded group of some of the most important avant jazz players of his generation! The format here is similar to Ornette Coleman's Free Jazz album – in that the music is freely improvised, and spans the entire LP as a non-stop performance – one that has Coltrane in the lead, but which also features alto from Marion Brown and John Tchicai, tenor from Archie Shepp and Pharaoh Sanders, trumpet from Freddie Hubbard and Dewey Johnson – and core rhythms from McCoy Tyner on piano, drums from Elvin Jones, and double basses from Art Davis and Jimmy Garrison. The record set the format for larger improvisatory groups in years to come – but is still one of the best examples of the form! Plus, the CD features both versions of "Ascension" – finally bringing them together for the first time! CD
(Impulse Originals digipack pressing – in great shape!)
Also available Ascension (remastered) ... CD 6.99

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Stanley Cowell, Billy Harper, & OthersSuch Great Friends (180 gram pressing) ... LP
Strata East/Pure Pleasure (UK), 1983. New Copy (reissue)... $34.99 44.99
A lost bit of late Strata East – and an all-star session that never lets up! The album's a quartet effort – led by Stanley Cowell, but equally featuring participation from Billy Harper on tenor, Reggie Workman on bass, and Billy Hart on drums – all soaring together on long tracks that really preserve the best spirit of Strata East in the 70s – even though the label never issued the record at the time. The overall feel is a lot like Harper's own work from the time – particularly his late 70s Japanese sessions – driven strongly by Cowell's modal approach to the groove, a sound that's perfectly executed by the team of Workman and Hart. The tracks are all quite long, spinning out with a freely expressive approach – and titles include "Sweet Song", "Destiny Is Yours", "Layla Joy", and "East Harlem Nostalgia". LP, Vinyl record album
(Limited edition 180 gram pressing – first time on vinyl!)

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✨✧ CrampsRockinnreelin ... LP
Big Beat (UK), 1986. New Copy (reissue)... Out Of Stock
Vital vinyl snapshot of The Cramps tearing it up in Auckland, New Zealand in 1986! It was right around this time that the group really started touring harder and harder and laying the groundwork for their legacy as one of the greatest live bands rooted in the punk 70s. Really, they're rooted in the trash rock 50s and early 60s, inspiration-wise – and on stage, the mix of roots rock love, sex shop costumes and ghoulish B-Movie twists and turns was an incredible thing to behold. Includes "The Hot Pearl Snatch", "People Ain't No Good", "What's Inside A Girl", "Cornfed Dames", "Sunlasses After Dark", "Can Your Pussy Do The Dog?", "Aloha From Hell", "Heartbreak Hotel", "Do The Clam" and more. LP, Vinyl record album

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Robert Creeley & OthersHave We Told You All You'd Thought To Know? ... CD
Cuneiform, 2001. Used ... $9.99
Feature poet Robert Creeley performing his own work with a group that includes David Torn on guitar and electronics, David Cast on reeds, Steve Swallow on bass, and Chris Massey on drums. CD

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Marilyn Crispell/Eddie Prevost/Harrison SmithConcerOTO ... CD
Matchless (UK), 2021. New Copy ... $16.99 19.99
Pianist Marilyn Crispell is heard here in a very strong AMM setting – working in a live set with Eddie Prevost on drums and Harrison Smith on tenor – all improvising freely in a very open sort of way! The mode is maybe most like the spaces that Prevost has explored over the past 20 years – free jazz, but always open to more sonic textures, which are sometimes surprisingly warm, depending on the part of the drum kit he's choosing to work at certain moments – and Crispell reminds us yet again that she's a superb partner in any sort of setting like this – wonderfully sensitive, and always able to add a lot with just a little! Titles include "A Meditative Interlude", "Main 2", "An Exploratory Introduction", "Main 1", and "Finale". CD

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Andrew CyrilleOde To The Living Tree (180 gram pressing) ... LP
Venus (Japan), 1994. New Copy ... $59.99
Pure genius from Andrew Cyrille – a record that's got a bit more of a soaring, spiritual vibe than some of his more freely improvised work of the past – a set that marks a key chapter in this stretch of the drummer's career, similar to his album on DIW at the same time! The group is excellent – with David Murray on tenor and bass clarinet, Oliver Lake on alto, Fred Hopkins on bass, and Steve Colson on electric piano – stretching out on long tracks that are filled with modal changes! The album includes a very nice 20 minute remake of "A Love Supreme", plus the originals "Ode To The Living Tree" and "So That Life Can Endure". LP, Vinyl record album
(Great Japanese pressing – heavy vinyl and obi! Part of the Venus Hyper Magnum Sound Masterpiece LP Collection!)

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Miles DavisKind Of Blue ... CD
Columbia, 1959. Used ... $2.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Columbia Jazz Masterpiece pressing.)

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✨✧ Miles DavisKind Of Blue ... LP
Columbia, 1959. Very Good- ... Temporarily Out Of Stock
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(Mono 6 eye pressing with deep groove and 1H/1D matrix. NOTE – Cover has a one inch wide peel spot down the top half of the rear paste-on at the opening, some surface wear, aging and light staining on the back.)
Also available
Kind Of Blue (with bonus track) ... CD 2.99
Kind Of Blue (Gold CD) ... CD 16.99
Kind Of Blue (mono) (180 gram pressing) ... LP 24.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Partial matches58
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (Columbia Jazz Masterpieces pressing) ... LP
Columbia, 1959. Sealed ... $39.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album

Partial matches59
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (Gold CD) ... CD
Columbia, 1959. Used ... $16.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(Out of print gold CD. Does not include slipcase.)
Also available
Kind Of Blue (with bonus track) ... CD 2.99
Kind Of Blue (mono) (180 gram pressing) ... LP 24.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Partial matches60
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (mono) (180 gram pressing) ... LP
Columbia, 1959. New Copy (reissue)... $24.99 25.98
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
(180 gram vinyl pressing!)
Also available
Kind Of Blue (with bonus track) ... CD 2.99
Kind Of Blue (Gold CD) ... CD 16.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Partial matches61
CD, LP, Vinyl record album cover art
✨✧ Miles DavisKind Of Blue (stereo) (180 gram vinyl) ... LP
Columbia, 1959. New Copy (reissue)... $24.99 25.98
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". LP, Vinyl record album
Also available
Kind Of Blue (with bonus track) ... CD 2.99
Kind Of Blue (Gold CD) ... CD 16.99
Kind Of Blue (mono) (180 gram pressing) ... LP 24.99

Partial matches62
CD, LP, Vinyl record album cover art
Miles DavisKind Of Blue (with bonus track) ... CD
Columbia, 1959. Used ... $2.99
What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space. The whole thing's sublime – and titles include "Blue In Green", "All Blues", "So What", and "Freddie Freeloader". CD
(BMG music club pressing.)
Also available
Kind Of Blue (Gold CD) ... CD 16.99
Kind Of Blue (mono) (180 gram pressing) ... LP 24.99
Kind Of Blue (stereo) (180 gram vinyl) ... LP 24.99

Partial matches63
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles In Berlin ... CD
Columbia/Legacy, 1964. Used ... Temporarily Out Of Stock
A really great bit of live work from Miles Davis – and the first-ever recorded appearance of the quintet with Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams – even though the album was never issued in the US at the time! The set follows very strongly in the mode of the group's work at the Plugged Nickel – with a pace that's faster than usual, and bristling with freely exploratory energy. Titles include "Milestones", "So What", "Walkin", and a nicely stepped-up version of "Autumn Leaves". Shorter's solos are worth the price of the record alone, but Williams' work on the kit never ceases to amaze! CD features a bonus track – "Stella By Starlight"! CD

Partial matches64
CD, LP, Vinyl record album cover art
✨✧ Nathan DavisRules Of Freedom ... CD
Polydor (France), 1967. Used ... Temporarily Out Of Stock
One of the greatest records ever recorded by Nathan Davis – an incredibly soulful reed player who's one of our favorite jazz artists ever! This one was cut in Paris in 1967 – a few years after his straighter sides for Saba/MPS, and a few years before his more funky and spiritual albums in the US. The album's a gem – reeling in a modal Coltrane-ish mode that is perfect for Davis' searching style on soprano and tenor sax. Hampton Hawes, Jimmy Garrison, and Art Taylor make up the rest of the group – and under Davis' leadership, they play some of their best work of the 60s, coming together like a finely-honed group that we'd rank right up there with Coltrane's classic quartet. A true gem, and proof that Davis is one of the undisputed jazz masters of the 60s. Titles include "Mandingo's Pad", "Ahali The Painter", "A5", and "Love Is Freedom". CD
(Out of print and in excellent shape!)

Partial matches65
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyBerlin Concerts ... CD
Enja/Ultra Vybe (Japan), 1961. New Copy ... Out Of Stock
Wonderful work by Dolphy – as essential to his catalog as any of his albums on Prestige from the same time! Although Dolphy broke plenty of musical barriers in the studio, to our ears, it was always in a live setting that he sounded best – freely exploring the kind of space his playing opened up, hitting notes that were more soulful and spiritual than many that he ever recorded on his studio sides. This set is a perfect example of that trend – as Dolphy's working here with a strong straight jazz combo, one that includes the great Benny Bailey on trumpet, in a set that features familiar tunes, turned into haunting explorations of Dolphy's new jazz idiom. One of the highlights is an incredible 15 minute version of Randy Weston's "Hi Fly", with Dolphy doing great work on flute – and other tunes include "Hot House", "Geewee", "When Lights Are Low", "I'll Remember April", and "The Meeting". CD
(Part of the Enja Real Jazz Classics series!)

Partial matches66
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyEric Dolphy (Outward Bound/Out There) (2LP set) ... LP
Prestige, Early 60s. Near Mint- 2LP Gatefold ... Just Sold Out!
Two classic Eric Dolphy albums – back to back in a single set! First up us Outward Bound – Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments on the west coast – sharp-edged and freely exploratory, in a way that pushes the playful lyricism of the Chico Hamilton years aside, and reaches out into the new territory hinted at by the title! The group is a quintet that features Freddie Hubbard on trumpet, Jaki Byard on piano, George Tucker on bass, and Roy Haynes on drums – and the overall sound is a beautiful mix of modernist hard bop and some of Dolphy's later freer styles. Dolphy plays his usual mix of alto, flute, and bass clarinet – and the tracks include "245", "Miss Toni", "Les", and "GW". Out There is Eric Dolphy's second album as a leader – and already a bold step forward from the first! The format here changes from the more standard lineup of before – as Dolphy drops out other horn players, loses the piano, and brings the cello of Ron Carter into the frontline! Backing is by the bass of George Duvivier and the drums of Roy Haynes – and the mix of cello and bass creates the freely spirited sound that allows Dolphy to take off on even freer solo flights. The session has a very moody, very dark feel – especially on the tracks where Dolphy is playing B flat and bass clarinet – and titles include "The Baron", "Eclipse", "Sketch Of Melba", "Feathers", and "17 West". LP, Vinyl record album
(70s issue. Cover has light ringwear.)

Partial matches67
CD, LP, Vinyl record album cover art
Eric DolphyOut There ... CD
New Jazz/OJC, 1960. Used ... Just Sold Out!
Eric Dolphy's second album as a leader – and already a bold step forward from the first! The format here changes from the more standard lineup of before – as Dolphy drops out other horn players, loses the piano, and brings the cello of Ron Carter into the frontline! Backing is by the bass of George Duvivier and the drums of Roy Haynes – and the mix of cello and bass creates the freely spirited sound that allows Dolphy to take off on even freer solo flights. The session has a very moody, very dark feel – especially on the tracks where Dolphy is playing B flat and bass clarinet – and titles include "The Baron", "Eclipse", "Sketch Of Melba", "Feathers", and "17 West". CD

Partial matches68
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOut There (RVG remaster series) ... CD
Prestige/New Jazz, 1960. Used ... Temporarily Out Of Stock
Eric Dolphy's second album as a leader – and already a bold step forward from the first! The format here changes from the more standard lineup of before – as Dolphy drops out other horn players, loses the piano, and brings the cello of Ron Carter into the frontline! Backing is by the bass of George Duvivier and the drums of Roy Haynes – and the mix of cello and bass creates the freely spirited sound that allows Dolphy to take off on even freer solo flights. The session has a very moody, very dark feel – especially on the tracks where Dolphy is playing B flat and bass clarinet – and titles include "The Baron", "Eclipse", "Sketch Of Melba", "Feathers", and "17 West". CD

Partial matches69
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOutward Bound ... LP
New Jazz/OJC, 1960. New Copy (reissue)... Temporarily Out Of Stock
Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments on the west coast – sharp-edged and freely exploratory, in a way that pushes the playful lyricism of the Chico Hamilton years aside, and reaches out into the new territory hinted at by the title! The group is a quintet that features Freddie Hubbard on trumpet, Jaki Byard on piano, George Tucker on bass, and Roy Haynes on drums – and the overall sound is a beautiful mix of modernist hard bop and some of Dolphy's later freer styles. Dolphy plays his usual mix of alto, flute, and bass clarinet – and the tracks include "245", "Miss Toni", "Les", and "GW". LP, Vinyl record album

Partial matches70
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOutward Bound ... LP
New Jazz, 1960. Near Mint- ... Temporarily Out Of Stock
Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments on the west coast – sharp-edged and freely exploratory, in a way that pushes the playful lyricism of the Chico Hamilton years aside, and reaches out into the new territory hinted at by the title! The group is a quintet that features Freddie Hubbard on trumpet, Jaki Byard on piano, George Tucker on bass, and Roy Haynes on drums – and the overall sound is a beautiful mix of modernist hard bop and some of Dolphy's later freer styles. Dolphy plays his usual mix of alto, flute, and bass clarinet – and the tracks include "245", "Miss Toni", "Les", and "GW". LP, Vinyl record album
(Japanese pressing – VIJ 247 – with insert. Back cover has some light aging, and inside cover has tape traces – but front is great!)

Partial matches71
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyOutward Bound (RVG remaster edition) ... CD
New Jazz, 1960. Used ... Temporarily Out Of Stock
Eric Dolphy's first album ever as a leader – recorded almost immediately after his arrival on the New York scene! The sound here is already bolder and stronger than the Dolphy experiments on the west coast – sharp-edged and freely exploratory, in a way that pushes the playful lyricism of the Chico Hamilton years aside, and reaches out into the new territory hinted at by the title! The group is a quintet that features Freddie Hubbard on trumpet, Jaki Byard on piano, George Tucker on bass, and Roy Haynes on drums – and the overall sound is a beautiful mix of modernist hard bop and some of Dolphy's later freer styles. Dolphy plays his usual mix of alto, flute, and bass clarinet – and the tracks include "245", "Miss Toni", "Les", and "GW". CD features 3 bonus tracks – "April Fool", "GW (alt take 1)", and "245 (alt take 1)". CD

Partial matches72
CD, LP, Vinyl record album cover art
Lou Donaldson QuintetWailing With Lou ... CD
Blue Note (Japan), 1955. New Copy ... $13.99 About October 20, 2021
Excellent early work by Lou Donaldson – recorded years before his electric funky period, and hard-grooving in the best Blue Note harbop style of the time! Lou's work on alto is impeccable here – crisp, clear, and freed from a Parker-like influence to roam freely in soulful territory that represented some of the best work of its type on the alto at the time! The group is tight and very in the pocket – with excellent Donaldson accompanist Herman Foster on piano, plus trumpet from Donald Byrd, bass from Peck Morrison, and drums from Art Taylor. Titles include "Move It", "LD Blues", "Old Folks", and "That Good Old Feeling". CD

Partial matches73
CD, LP, Vinyl record album cover art
DopolariansBond ... CD
Mahakala, 2021. New Copy ... Just Sold Out!
You might not know the name of the group, but there's plenty of familiar names in the lineup – yet all coming together to build something new and fresh – a set with echoes of a variety of different southern landscapes, recorded and improvised in a studio in New Orleans! This isn't the usual Crescent City jazz, as the vibe here is a mix of freely improvised moments and deeper thematic passages – spread out over three long tracks that work together well as a suite, performed by William Parker on bass, Brian Blade on drums, Chad Fowler on alto, Marc Franklin on trumpet, Christopher Parker on piano, and Kelley Hurt on voice. Titles include "The Bond", "The Emergence", and "The Release". CD

Partial matches74
CD, LP, Vinyl record album cover art
✨✧ George DukeFaces In Reflection (180 gram pressing) ... LP
MPS (Germany), 1974. New Copy (reissue)... Out Of Stock
Killer keyboards from the legendary George Duke – and one of his most righteous albums for the MPS label! The album's a spectacular set that showcases both sides of Duke's genius at the time – his spacey, soulful approach to a laidback tune – and his more jamming styles on the harder cuts! Instrumentation is somewhat spare – just keyboards and piano from George, who also sings a bit – plus Ndugu Chancler on drums and John Heard on bass – both playing with a freely creative energy that's definitely motivated by Duke. There's a beautiful mix of electricity and acoustic warmth on the set – never too forced, and clearly an inspiration for countless players in years to come – maybe even more so than Herbie Hancock's work of the time. Drums are great too – and snap tightly for plenty of nice breaks on the set – which are in turn augmented by mellower keys from Duke, who also sings with a sweetly electric soul style. Titles include "Capricorn", "The Opening", "Psychosomatic Dung", "North Beach", "Faces In Reflection", "Maria Tres Filhos", and "Da Somba". LP, Vinyl record album

Partial matches75
CD, LP, Vinyl record album cover art
✨✧ Paul Dunmall/Matthew Shipp/Joe Morris/Gerald CleaverBright Awakening ... CD
Rogue (France), 2021. New Copy ... $14.99 16.99
A bold, bright awakening from this freely improvising quartet – a crack lineup who work nonstop here for 56 minutes, in a performance captured at the Vision Festival 17 in New York! Paul Dunmall is ferocious on tenor, and really seems to set fire to the piano of Matthew Shipp – as Shipp's moving at a pace and intensity that's even stronger than usual, as if he's trying to keep up with the constantly creative energy of the tenor. And both the bass of Joe Morris and drums of Gerald Cleaver complete the intensity – working as two more sides of a very strongly-shaped quadrangle of sound. The set features one long track – "The Bright Awakening". CD

Partial matches76
CD, LP, Vinyl record album cover art
✨✧ Kurt EllingFlirting With Twilight ... CD
Blue Note, 2001. Used ... Temporarily Out Of Stock
Think what you may about this groove-patched hipster – we still think he's one of the best jazz vocalists of our time! Kurt Elling's carrying a torch that few other singers could handle – a direct line back to the genius male jazz vocal work of singers like Mark Murphy and Jon Hendricks, armed with the confident emotionality and freely expressive style of the former, and the jazz-based virtuosity and sense of humor of the latter. This recent Blue Note session is very much in Elling's best mode – a bit too sweet in parts, but filled with some great numbers that show him always pushing the envelope, not content to just be a "modern classic" vocalist, as might be said for some of his female contemporaries in the jazz vocal realm. Titles include "Say It", "While You Are Mine", "I'm Thru With Love", "Orange Blossoms In Summertime", "Detour Ahead", "Lil Darlin", and "Easy Living". And sure, we wish there were more original compositions – as on other albums – but Elling really still does a great job with the standards! CD
(Out of print.)

Partial matches77
CD, LP, Vinyl record album cover art
Bill EvansYou Must Believe In Spring ... CD
Warner, 1977. Used ... $5.99
Wonderful late work by Evans – recorded in 1977, but not issued until after his death in 1980. The session benefits from the bass work of Eddie Gomez – rich, round, and warm – a perfect accompaniment for Evans' sometimes faltering piano work at the time – and a player that Evans was incredibly lucky to be working with during much of his later years. The set includes a wonderful version of Michel Legrand's "You Must Believe In Spring", plus the tracks "Theme From Mash", "The Peacocks", "Sometime Ago", and "Gary's Theme". CD also features 3 previously unissued bonus tracks – "Without A Song", "All Of You", and "Freddie Freeloader". CD
(Out of print, BMG music club pressing. Some light age spots on the artwork.)

Partial matches78
CD, LP, Vinyl record album cover art
Bill Evans, Karin Krog, Archie Shepp, Bobby HutcheLive At The Festival ... CD
Enja/Ultra Vybe (Japan), Early 70s. New Copy ... $16.99
A very interesting batch of tracks – one tune apiece by each of the artists named in the title, recorded between the years 1970 and 1973 at the Festival Ljublijana, in Yugoslavia. Bill Evans performs a long, and straight reading of Miles Davis' "Nardis" with a trio that includes Eddie Gomez on bass and Tony Oxley on drums; Karin Krog sings a spare version of "Round Midnight", with only the bass of Arild Andersen for accompaniment; and Archie Shepp blows freely on a version of Grachan Moncur III's "Sonny's Back", in a group with Dave Burrell, Don Garrett, and Muhammad Ali. Perhaps the most striking track, though, is "The Creators" by Bobby Hutcherson – played with his group that included Harold Land and Hal Galper, and performed in an 18 minute reading that builds beautifully, into the dancing soul jazz sound that was Hutcherson's best contribution to jazz at the time! CD
(Part of the "Enja – Real Jazz Classics" series!)

Partial matches79
CD, LP, Vinyl record album cover art
Sammy Fain/Sammy CahnThree Sailors & A Girl (10-inch) ... LP
Capitol, Early 50s. Very Good ... $1.99
Features vocals from Jane Powell and Gordon MacRae, and orchestrations from George Greeley. LP, Vinyl record album
(Cover has some surface wear, aging, and clear tape holding the seams and spine.)

Partial matches80
CD, LP, Vinyl record album cover art
Fire (Mats Gustafsson)Defeat ... CD
Rune Grammafon (Germany), 2021. New Copy ... $14.99
One of the more intimate albums recorded under the Fire name – a set that features core work from the trio of Johan Berthling on electric bass, Andreas Wearlin on drums, and Mats Gustafsson on flute, baritone sax, and live electronics! The electric bass is key here, and often sets up a groove that holds things fast, even in the more freely improvised moments – and even when the trio is joined by Goran Kajfes on trumpet, and Mats Aleklint on trombone, the sound is still quite tight overall – but still mixed with the bolder expressions you'd expect from the players involved! At times, it almost feels like Mats is playing the changes – which is a real surprise – and titles include "Defeat", "A Random Belt Rats You Out", "Each Millimeter Of The Toad (parts 1 & 2)", and "Alien". CD

Partial matches81
CD, LP, Vinyl record album cover art
✨✧ Fire (Mats Gustafsson)Defeat ... LP
Rune Grammafon (Germany), 2021. New Copy ... Out Of Stock
One of the more intimate albums recorded under the Fire name – a set that features core work from the trio of Johan Berthling on electric bass, Andreas Wearlin on drums, and Mats Gustafsson on flute, baritone sax, and live electronics! The electric bass is key here, and often sets up a groove that holds things fast, even in the more freely improvised moments – and even when the trio is joined by Goran Kajfes on trumpet, and Mats Aleklint on trombone, the sound is still quite tight overall – but still mixed with the bolder expressions you'd expect from the players involved! At times, it almost feels like Mats is playing the changes – which is a real surprise – and titles include "Defeat", "A Random Belt Rats You Out", "Each Millimeter Of The Toad (parts 1 & 2)", and "Alien". LP, Vinyl record album
Also available Defeat ... CD 14.99

Partial matches82
CD, LP, Vinyl record album cover art
Flow Trio with Joe McPheeWinter Garden ... CD
ESP, 2021. New Copy ... $12.99
The legendary Joe McPhee makes a great appearance here – pushing the Flow Trio to a level of intensity that makes the album rival some of the mid 60s greats from the early years of the ESP label! The sound is wonderfully full and free – McPhee just blowing tenor, with a fantastic tone – alongside the tenor and soprano of Louie Belogenis, the bass of Joe Morris, and drums of Charles Downs – three players who definitely know and understand each others' energy, and work together seamlessly at level that just makes the contributions of McPhee more icing on the cake. The whole album is freely improvised, and with a nice sense of variety – on selections that include "Harbinger", "Recombinant", "Rabble Rouser", "Glistening", "Accretion", and "Winter Garden". CD

Partial matches83
CD, LP, Vinyl record album cover art
✨✧ Nick Fraser/Kris Davis/Tony MalabyZoning ... CD
Astral Spirits, 2019. New Copy ... Temporarily Out Of Stock
Drummer Nick Fraser has a great sense of cyclical energy here – a way of playing freely, but elliptically – so that there's this sense of passage and phase in some of the music, even while all the members are improvising with great intensity! The core trio features Fraser on drums, Kris Davis on piano, and Tony Malaby on saxes – the last of whom blows with an angular energy that strikes a great balance between the piano and drums. Half the record also features two more guests – Ingrid Laubrock on tenor and Lina Allemano on trumpet – and titles include "Zoning", "Wells Tower", "Sketch 46", "Coda", "Charismatics", and "Events". CD

Partial matches84
CD, LP, Vinyl record album cover art
✨✧ Ryo FukuiScenery ... LP
We Release Jazz (Switzerland), 1976. New Copy (reissue)... Temporarily Out Of Stock
Lyrical magic from pianist Ryo Fukui – a lost gem from the Japanese scene of the 70s, and a beautifully flowing album throughout! Fukui's got a wide-open touch to the piano that we totally love – and is easily one of the best of his contemporaries on the Japanese trio scene of the time – working in the open-ended mode that was allowed by labels in Tokyo during the 70s, a style that was never too far outside, but which really allowed the pianist to soar with a driving, rhythmic intensity. There's a bit of a modal groove to some of the tracks on the album, but more than that, there's just a beautiful sense of freedom – a love of sound and texture that's never reduced to mere experimentation, and which has Ryo taking full command of the keys to soar to the skies on waves of acoustic soul. The group on the set features Yoshinori Fukui on drums and Satoshi Denpo on bass – and tracks include "I Want To Talk About You", "Scenery", "Autumn Leaves", "Early Summer", and "It Could Happen To You". LP, Vinyl record album
(Sourced from the original reels and mastered at half speed!)

Partial matches85
CD, LP, Vinyl record album cover art
Full Blast (Peter Brotzmann)Farewell Tonic (with download) ... LP
Trost (Austria), 2007. New Copy ... $22.99
Full Blast really live up to their name here – as the trio comes on with a searing power that almost recalls the early FMP work of reedman Peter Brotzmann! Brotzmann's part of the group, playing a variety of saxes – alongside the drums of Michael Wertmueller and electric bass of Marino Pliakas – who tumble along with really frenetic energy that also brings out the same in the saxophonist – blowing hard, fast, and with machine gun-like intensity as the group improvise freely over five different selections recorded at New York's Tonic club in 2007. Titles include "Tonic 1", "Tonic 2", "Tonic 3", "Tonic 4", and "Tonic 5". LP, Vinyl record album
(Hand-numbered limited edition of 500 – with bonus download!)

Partial matches86
CD, LP, Vinyl record album cover art
✨✧ Stan Getz QuartetStan Getz Quartet In Paris ... CD
Verve (Japan), 1966. Used ... Temporarily Out Of Stock
A rare set from one of Stan Getz's hippest groups! The album was recorded in Paris in 1966, during a time in which Stan was working with a groundbreaking quartet that included Gary Burton on vibes, Steve Swallow on bass, and Roy Haynes on drums – a combo that unfortunately got a bit overshadowed by Stan's bossa work, which was recorded in earlier years, but still getting issued and played heavily during the time of the Burton quartet's reign. The upshot of that situation was that the combo weren't nearly as exposed, or recorded, as much as they should have been – making the record an essential look at this under-documented side of Stan's career. Getz's tone is fantastic – and he glides freely with the young modernists in a way that you barely ever hear on any of his sides from the 60s, save for, perhaps, the sublime Sweet Rain LP. Titles include the long "The Knight Rides Again" – plus the tracks "Singing Song", "On Green Dolphin Street", "Edelweiss", and "Manha De Carnaval". CD
(Out of print, 2017 SHM-CD pressing, includes obi.)

Partial matches87
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreFree Fall (plus unreleased tracks) ... CD
Columbia/Legacy, 1963. Used ... Temporarily Out Of Stock
An incredible batch of freely crafted tracks from Jimmy Giuffre's legendary early 60s trio! The group features Steve Swallow on bass and Paul Bley on piano, and the two young modernists were a perfect match of Giuffre's ever-developing ideas of freedom and harmony. The music is beautiful – with a sound that's like nothing else we can describe, and an approach that's free floating (or free falling), but never directionless, and never overindulgent. Perfectly measured, with a strong sense of melody and rhythm, even amidst the more outside moments. Titles include "Propulsion", "Threewe", "Dichotomy", "Man Alone", and "Divided Man" – plus 5 bonus cuts not issued on the original album! CD
(Out of print.)

Partial matches88
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreTrav'lin' Light ... LP
Atlantic, 1958. Very Good ... Out Of Stock
One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe – and titles include "Swamp People", "Lonely Time", "Green Country", and "Travelin Light". LP, Vinyl record album
(Black label pressing with deep groove. Cover is nice!)

Partial matches89
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreFree Fall Clarinet Revisited ... CD
Hat Art (Switzerland), 1962. New Copy ... Temporarily Out Of Stock
An incredible batch of freely crafted tracks from Jimmy Giuffre's legendary early 60s trio! The group features Steve Swallow on bass and Paul Bley on piano, and the two young modernists were a perfect match of Giuffre's ever-developing ideas of freedom and harmony. The music is beautiful – with a sound that's like nothing else we can describe, and an approach that's free floating (or free falling), but never directionless, and never overindulgent. Perfectly measured, with a strong sense of melody and rhythm, even amidst the more outside moments. Titles include "Propulsion", "Threewe", "Dichotomy", "Man Alone", and "Divided Man". CD

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✨✧ Burton GreeneOn Tour ... CD
ESP/Get Back (Italy), 1966. Used ... Temporarily Out Of Stock
Pretty far out work from pianist Burton Greene – working here on recordings pulled from the famous ESP tour of New York in the mid 60s! The performances feature Greene on piano and piano harp – in trio format with Steve Tintweiss on bass and Shelly Rusten on drums – both of whom give Burton plenty of space to stretch out in an open-ended, freely improvised sort of way. There's a very spacious, dynamic style to the music – with oblique segments interspersed with more wide open ones, and occasional crescendos with wide sheets of sound. The album features 4 long tracks – "Bloom In The Commune", "Ascent", "Tree Theme", and "Transcendence". CD

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Joe HarriottFree Form & Abstract Revisited ... CD
Hat Art (Switzerland), Early 60s. New Copy 2CD ... $18.99 19.95
A pair of legendary albums from the mighty Joe Harriott – a player who emigrated to England in the 50s, then set the scene on fire in the following decade! First up is Free Form – the landmark album that forever put saxophonist Joe Harriott on the map, and it's a brilliant batch of tracks that prove that Harriott was advancing the jazz avant garde in England as much as players like Ornette Coleman and Cecil Taylor were advancing it in America. Despite the "free form" of the title, the tracks are more "new thing" – somewhat structured, with a rhythmic approach that's still a little straight, but solos that go nice and outside. Joe's overall conception is a beautiful mix of angular thinking with freely expressed soulful emotion – and the record's one that ranks up there with the 10 most groundbreaking of the 60s! The group's about as fantastic as you could ever expect from England at the time – with Shake Keane on trumpet, Pat Smythe on piano, Coleridge Goode on bass, and Phil Seamen on drums – and titles include "Formation", "Coda", "Abstract", "Straight Lines", and "Impression". Next is Abstract – one of the legendary sets of avant garde jazz by the British alto genius Joe Harriott – an artist who was sometimes billed as the British Ornette Coleman – a reputation he definitely earns with the groundbreaking quality of this album! The conception is bold right from the start – strongly rhythmic, but at a level that's different from Coleman's music – with some deeply emotional undertones to the solos (which also include work from Shake Keane on trumpet!) – and occasional modal elements that also bring in some spiritual elements to work perfect with the breakout solos. The group also features crack rhythm work from Pat Smythe on piano, Coleridge Goode on bass, and Phil Seaman on drums – and the track list includes "Subject", "Shadows", "Tonal", "Oleo", "Pictures", "Idiom", "Compound" and "Modal". CD

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✨✧ Gerrit Hatcher & Jakob WarmenbolSublime Again ... CD
No Index, 2020. New Copy ... Out Of Stock
Wonderfully jagged duets between tenorist Gerrit Hatcher and drummer Jakob Warmenbol – the latter of whom occasionally plays some instruments in ways that really go past the usual! Warmenbol's drums are usually rhythmically structured, but still very offbeat – which lets the tenor of Hatcher to wander more freely in open space, often hitting these really reedy, raspy notes that have a nice undercurrent of power. Titles include "Tempest Hutch", "Discomforting Comfort", "Contraband", "Birthday Man", and "Adult Frequencies". CD

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Coleman Hawkins & Ben WebsterColeman Hawkins Encounters Ben Webster ... CD
Verve, 1957. Used ... $3.99
A classic set in the best Verve Records mode – as these two mature giants of the tenor sax get lots of room to open up and solo with a great rhythm section at the core! Both Hawkins and Webster have a fantastic sense of tone and timing – and the space of the record really lets you hear the charms of both in equal measure – with backing from Oscar Peterson on piano, Herb Ellis on guitar, Ray Brown on bass, and Alvin Stoller on drums. The best tracks have lots of room – plenty of space so that the tenors aren't "encountering" each other in too close of quarters, with space to express themselves freely – and titles include "Blues For Yolande", "Rosita", "Shine On Harvest Moon", and "You'd Be So Nice To Come Home To". CD
(Out of print.)

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✨✧ Jon HendricksFreddie Freeloader ... CD
Denon, 1990. Used ... Temporarily Out Of Stock
One of the last great records ever cut by Jon Hendricks – one of our favorite singers of all time! The album's a bit of a "tour de force" – with Hendricks singing alongside a host of famous jazz musicians and vocalists, working in an all star setting that's sometimes too good for its own good, but at other times works magically! The best moments are those when Jon actually takes the lead himself, singing in that warm, raspy, honest style that's always made him the kind of a singer that brings meaning to lyrics that always leave us cold from other vocalists. The album's got a wonderful re-reading of the Italian classic "Estate", redone here with English lyrics as "In Summer" – and one of Hendricks finest moments on record! Other tracks include "Listen To Monk", "Sugar", "Freddie Freeloader", "High As A Mountain", "Trinkle Tinkle", and "The Finer Things In Life" – and players include Tommy Flanagan, George Benson, Wynton Marsalis, Stanley Turrentine, and Al Jarreau. CD

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✨✧ Andrew HillInvitation ... CD
Steeplechase (Denmark), 1974. Used ... Temporarily Out Of Stock
Andrew's come back inside for this 70s set – working in a trio format, still quite exploratory, but with less of the hard-pressed avant gardism of his Blue Note years. If anything, Andrew's moving about the keyboard more freely – especially on the longer flowing tunes, which have him working in a mode that's still quite melodic, yet in that "genius alone at the piano" mode of European and Japanese sessions at the time. Backing is by Chris White bass and Art Lewis drums – and titles include "Catfish", "Lost No More", "Invitation", and "Little John". CD

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✨✧ Noah HowardBlack Ark (Japanese paper sleeve edition) ... CD
Freedom/Muzak (Japan), 1969. New Copy Gatefold ... Out Of Stock
Quite possibly the strongest moment of genius ever from saxophonist Noah Howard – a legendary album that captures the altoist at the height of his powers! The 1969 session was recorded at a time when Howard's contemporaries were making big noise overseas – but the date finds Noah at home in New York, working with a lineup that includes Arthur Doyle on tenor, Earl Cross on trumpet, Leslie Waldron on piano, Norris Jones on bass, and Mohammed Ali on drums – all in a groove that's a perfect link between the avant sound of Shepp and Ayler in the 60s, and some of the rougher modes of the loft jazz scene to come! Howard's got a great way of stating a theme on these tunes – a manner that has the group in very cohesive formation at the beginning, often with righteous overtones – then opening up freely in the ensuing space with some incredibly bold solos. The whole thing's amazing – a US date that easily matches, if not beats, the brilliance of the best BYG/Actual generation overseas – and titles include "Domiabra", "Ole Negro", "Mount Fuji", and "Queen Anne". Great package too – a tri-fold gatefold cover, and very unique! CD

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Noah HowardSpace Dimension ... LP
America/SeriE.WOC (Netherlands), Early 70s. New Copy (reissue)... $46.99 49.99
One of the few key pairings of Noah Howard and Frank Wright – and a great session that stands perfectly next to those recordings made by the pair under Wright's name! The record bristles with the best energy of the BYG and America sides from the time – but possibly goes even beyond those with a sense of cohesion and soulfulness that is especially gripping. The pairing of Howard's alto and Wright's tenor is one of those few avant matches made in heaven, and they work together wonderfully in freely exploratory territory that recalls the best of the ESP scene of the 60s. The group's a quartet – with Bobby Few on piano and Art Taylor on drums – and tracks include the Howard originals "Space Dimension", "Viva Black", "Song For Poets", and "Blues For Thelma" – plus a shorter version of Wright's classic "Church Number Nine", recorded with Muhammad Ali on drums. LP, Vinyl record album
(Limited edition of 250!)

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✨✧ Bobby HutchersonStick-Up! ... CD
Blue Note, 1966. Used ... Temporarily Out Of Stock
The sticks are up, and Bobby Hutcherson is at the top of his game – hitting a whole new groove here in this sublime session of modal numbers for Blue Note – a slightly warmer set than his more modern albums of the "new thing" years, and a great indication of the directions he'd take in the 70s! Bobby's vibes are set up wonderfully here in a quintet that includes Joe Henderson on tenor sax, McCoy Tyner on piano, Herbie Lewis on bass, and Billy Higgins on drums – all players who bring key elements to the groove. Tyner's got an obvious ear for the modal rhythms that Hutcherson's heading for; Higgins' drum work is freely lyrical in all the best ways; and Henderson's horn sharpens the edges of the tunes a bit, bringing in some nice darker sounds. The kickoff track is an amazing modal reading of Ornette's "Una Muy Bonita", and the rest tracks are all Hutcherson originals, including "Summer Nights", "8/4 Beat", "Black Circle", "Verse", and "Blues Mind Matter". CD
(Out of print, Connoisseur pressing.)

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✨✧ Icepick (Nate Wooley/Ingebrigt Haker-Flaten/Chris Corsano)Hellraiser ... LP
Astral Spirits, 2020. New Copy ... Out Of Stock
A group that comes on with the sharply pointed force of their name – a really powerful presentation of sounds from Nate Wooley on trumpet, Chris Corsano on drums, and Ingebrigt Haker-Flaten on bass! All three players are fantastic here – leaping right out of the box with an energy that clearly shows an implicit understanding of each others' strengths, and improvising freely in ways that are really wrapped around each other – not the single expressions of the three different egos in the group, but instead this really unified approach that makes the whole thing even more forceful overall! Haker-Flaten is especially impressive – a player who's always great, but whose fast, rumbling presence here really seems to move mountains – on titles that include "El Bound", "Chicago Deader", and "Blue Line" – all references to the Windy City pedigree of the set. LP, Vinyl record album

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Hideo Ichikawa TrioTomorrow ... CD
Three Blind Mice/Craftman (Japan), 1976. New Copy ... $19.99 24.00
Hideo Ichikawa may have been one of the most inventive pianists to record for the Three Blind Mice label in the 70s – an artist whose talents are expansive both on the acoustic and electric versions of the instrument he uses here – and which also extend to a few contributions on percussion and recorder as well! The tracks are all nice and long – in the best TBM way – and Ichikawa has a way of playing freely, but never in a free jazz mode – always sliding to the right lyrical moments when things get a bit too sharp-edged, but never in a way that's undercutting his sound. The Fender Rhodes is especially nice – played with round, warm notes – and the rest of the group features Isoo Fukui on bass and cello, and Hideo Yamaki on drums and bells. Titles include "Between The Lights", "Tomorrow", "234 Out Of The Boundless Verdant Land", and "Birds My Birds". CD
(Part of the Three Blind Mice Supreme Collection!)
 
 
 



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