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Don Friedman Trio Edit search Phrase match

 
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Possible matches: 8
Possible matches1
CD, LP, Vinyl record album cover art
Don FriedmanProgressive ... CD
Progressive/Solid (Japan), 1978. New Copy ... $13.99
Excellent work from pianist Don Friedman – a set that's definitely progressive, but which also has a heck of a lot of warmth too – that fantastic balance of new ideas and lyricism that made Friedman one of the freshest pianists to emerge in the 60s, and which continued strongly through the course of later records like this! The trio features Frank Luther on bass and Billy Hart on drums – both players who can move openly with Friedman, yet keep things swinging too – a balance that's maybe not instantly heard on record – in ways that are better than we could ever hope to put in words. Titles include "Billie's Bounce", "Stella By Starlight", "What Are You Doing The Rest Of Your Life", "Moment's Notice", "I Remember You", and "All The Things You Are". CD

Possible matches2
CD, LP, Vinyl record album cover art
Lee Konitz, Don Friedman, & Attila ZollerThingin ... CD
Hatology (Switzerland), 1995. Used ... $9.99
A sublime meeting of three incredibly well-matched players – all artists who worked together in various formations back in the 60s, but waited another 30 years to record here as a trio! There's an airiness that really uniques all the artists in the trio – a sense of space and grace that's always heard in the piano of Don Friedman and guitar of Atilla Zoller, and which re-emerges wonderfully here in the alto of Konitz – recorded with a crispness and focus that is sometimes missing in other later sessions. The notes hang in space here beautifully – never too academic, but always with the sense of tone and timing that was probably first inspired by Lee's work of the 50s, in recordings that featured guitarist Billy Bauer, who always was clearly an inspiration to the sound of Attilla Zoller. But the actual formation here is more in the mode of the Hans Koller school, as he interpreted some of Konitz ideas in the German scene of the 50s and 60s – and the recording echoes with a sense of perfection that takes us back to some of the Koller/Zoller collaborations for MPS. Titles include "Images", "Thingin", "Joy For Joy", "Opus D'Amour", "Cloisterbells", and "Suite For 3". CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Mike Taylor TrioTrio ... LP
Philips/Audio Clarity (UK), 1967. New Copy (reissue)... Temporarily Out Of Stock
A lost set of modernist piano jazz from the British scene of the late 60s – very much in the mode of the best American work of the time by pianists like Steve Kuhn or Don Friedman! Taylor's got an incredible touch on the keys – a post-Bill Evans mode that uses space as much a sound, and which paints in broad colors and tones that seem to glisten in their own unique place in the musical spectrum. The sound is free, but never too "out" – and the trio performs a number of strong originals like "Just A Blues", "Two Autumns", "Guru", and "Abena" – plus completely transformed versions of "Stella By Starlight" and "All The Things You Are". LP, Vinyl record album

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Don FriedmanCircle Waltz ... LP
Riverside, 1962. Very Good+ ... Out Of Stock
A great little set from Friedman – a vastly underrated pianist who's working here as a bright young modernist in a trio with Chuck Israels on bass and Pete LaRoca on drums. The tracks have a freedom that reminds us a lot of Bill Evans' early work, with a warm lyricism that never gets too hokey – yet isn't afraid to show itself in Friedman's original compositions. Titles include "Sea's Breeze", "Loves Parting", "Modes Pivoting", and "Circle Waltz". LP, Vinyl record album
(Mono blue label Bill Grauer Productions Inc pressing, RLP 431, with microphone logo. Cover has light wear and aging, with bumped corners.)

Possible matches5
CD, LP, Vinyl record album cover art
Bob JamesOnce Upon A Time – The Lost 1965 New York Studio Sessions ... CD
Resonance, 1965. New Copy ... $16.99 18.99
Rare material from pianist Bob James – and tracks that are a lot different than his funky Fender Rhodes albums of the 70s! The set is the first-ever issued of work recorded at Columbia University in 1965 – and the vibe is a bit like James' album for Mercury Records around the same time – a bit straight at point, but also with some surprising avant moments too – touches that make Bob part of that young generation of new experimental pianists, which would also include Steve Kuhn, Don Friedman, and the young Keith Jarrett! The first half of the set very much lives up to that mode – with a trio that features Larry Rockwell on bass and the great Bob Pozar on drums – on titles that include "Lateef Minor 7th", "Once Upon A Time", "Serenata", and "Variations". The second half is from later in the year, and is maybe more boppish overall – with a trio that features Bill Wood on bass and Omar Clay on drums – on titles that include "Indian Summer", "Solar", "Long Forgotten Blues", and "Airegin". CD
Also available Once Upon A Time – The Lost 1965 New York Studio Sessions (180 gram pressing) (2020 Record Store Day Release) ... LP 24.99

Possible matches6
CD, LP, Vinyl record album cover art
Bob JamesOnce Upon A Time – The Lost 1965 New York Studio Sessions (180 gram pressing) (2020 Record Store Day Release) ... LP
Resonance, 1965. New Copy Gatefold ... $24.99
Rare material from pianist Bob James – and tracks that are a lot different than his funky Fender Rhodes albums of the 70s! The set is the first-ever issued of work recorded at Columbia University in 1965 – and the vibe is a bit like James' album for Mercury Records around the same time – a bit straight at point, but also with some surprising avant moments too – touches that make Bob part of that young generation of new experimental pianists, which would also include Steve Kuhn, Don Friedman, and the young Keith Jarrett! The first half of the set very much lives up to that mode – with a trio that features Larry Rockwell on bass and the great Bob Pozar on drums – on titles that include "Lateef Minor 7th", "Once Upon A Time", "Serenata", and "Variations". The second half is from later in the year, and is maybe more boppish overall – with a trio that features Bill Wood on bass and Omar Clay on drums – on titles that include "Indian Summer", "Solar", "Long Forgotten Blues", and "Airegin". LP, Vinyl record album
(Hand-numbered limited edition pressing – on 180 gram vinyl pressed at RTI!)
Also available Once Upon A Time – The Lost 1965 New York Studio Sessions ... CD 16.99

Possible matches7
CD, LP, Vinyl record album cover art
Mike WoffordStrawberry Wine – The Jazz Piano Of Mike Wofford ... LP
Epic, Early 60s. Sealed ... $5.99
Excellent early work from pianist Mike Wofford – a player who'd show up more strongly in the 70s, but who's already in great form here in this early 60s session! The album's quite unique – not the mainstream piano trio material that you'd expect from a major label at the time, and more in a mode that recalls the early experiments of other 60s players like Don Friedman or Steve Kuhn – with an open sense of tone that rings out beautifully, and a way of breaking down rhythmic conventions in support of the sound. The overall album's still quite straight, but with a great deal of fresh feeling, especially for the time – and Mike's trio on the date includes John Doling on bass and John Guerin on drums. Titles include "Kay Note", "Moment", "I Know Your Heart", "Whim", "Three For All", and "Strawberry Wine". LP, Vinyl record album
(Cover has a cutout hole and some staple holes in one corner.)

Possible matches8
CD, LP, Vinyl record album cover art
Clark TerryHappy Horns Of Clark Terry/It's What's Happenin' ... CD
Impulse, 1965/1967. Used ... $6.99
Clark Terry in two modes – both recorded for Impulse Records in the 60s! The Happy Horns is a really great little album – one that really gets at the bright, joyous feel that Clark Terry brings to his music! Despite the "happy" in the title – which might make you think this one would be a bit silly – the album's a pretty great record! Terry plays both trumpet and flugelhorn (hence the "horns" in the title) – and he's working with a spare, tight, and surprisingly creative group that includes drummer Walter Perkins, bassist Milt Hinton, pianist Roger Kellaway, and the sax team of Phil Woods and Ben Webster. Tunes are light and playful, but never sloppy – instead quite inventive, and done in a way that's halfway between Terry's own late 50s work as a leader (as on Argo), and some of his work on sessions like Ed Thigpen's magnificent Out Of The Storm. Titles include "Jazz Conversations", "High Towers", "In A Mist", "Rockin In Rhythm", "Return To Swahili", and "Impulsive". It's What's Happenin is a very groovy record – one of the most unique from trumpeter Clark Terry! At the end of the 60s, many soul jazz sax players – like Eddie Harris and Lou Donaldson – turned towards the new electric technology of the Varitone company in an attempt to keep up with the electric guitar-driven pop music that was beating them out in record sales. While that trend worked large for the sax players, Clark Terry's one of the few trumpeters we can think of who gave the Varitone a try – and surprisingly, it was a great way to capture the playful style that Terry had been developing during the mid 60s. The album's nothing fancy, but the Varitone gives Terry a nice tone that works well with the easy trio backing led by pianist Don Friedman, and featuring Dave Bailey on drums and George Duvivier on bass. The album includes an extended jazzy reading of Grofe's "Grand Canyon Suite", plus "Electric Mumbles", "Take Me Back To Elkhart", and "Tee Pee Time". CD
 
Partial matches: 1
Partial matches9
CD, LP, Vinyl record album cover art
Glen CampbellGlen Travis Campbell/I Knew Jesus/I Remember Hank Williams ... CD
Capitol/BGO (UK), 1972/1973. New Copy 2CD ... $10.99 16.99
A trio of early 70s albums from Glen Campbell – all of them a lot more obscure than his hits! Glen Travis Campbell has a cover proclaiming that the set is "a new musical path" – and producer Jimmy Bowen works with bigger backings from Larry Muhuberac to use soaring strings next to the acoustic core, in ways that push Glen into some of the more soulful expressions he had to offer. The approach is a bit hard to describe, but it's different both from country roots, and from Jimmy Webb territory – that majestic Glen Campbell sound rising up nicely – on tunes that include "One Last Time", "I Will Never Pass This Way Again", "Sweet Fantasy", "Running Scared", "Just For What I Am", and "The Last Thing On My Mind". I Knew Jesus is a record that continues the further exploration of Glen Campbell's vocal range – with some mellow fluid moments that are awash in deeper trills, mixed with more upfront tunes that do a great job of unlocking more of the country currents in Glen's talents – a great shift, and one that would come on even more strongly in his mid 70s return to fame. The set includes a great version of the Kinky Friedman song "Sold American" – one we maybe like even better than Kinky's – plus "I Take It On Home", "I Want To Be With You Always", "Give Me Back That Old Familiar Feeling", "You're The One", and "On This Road". On the final album, Glen Campbell takes on the music of Hank Williams – but in a way that often has the sort of dreamy haze that goes with the "I Remember" in the title! The songs are all Hank's, but the presentation isn't gritty honky tonk – and instead uses fuller backings with Glen's lead vocals, almost as if the whole thing were done in the mid 60s by Chet Atkins at RCA! Jimmy Bowen's at the helm, but there's backup singers and fuller strings than before – which really changes up the Campbell takes on tunes that include "Cold Cold Heart", "Half As Much", "Your Cheatin Heart", "I'm So Lonesome I Could Cry", and "You Win Again". CD
 
 
 



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