One of the most stunning debut albums of the 70s – and a set that burst on the scene with a sound that summed up a generation, but which had never been heard this clearly before! This self-titled Clash album was different from other landmarks of the time – work by the Sex Pistols, Ramones, and others – as the group had a sense of raw power, but also a tunefulness too – a way of pushing their message into territory that others wouldn't have reached – with tunes that were as surprisingly hummable as they were politically correct! There's a bit less Jamaican influence here than in later Clash years, but that quality is still present somewhat – and over the years, this is definitely a set we can return to again and again – with no sense of apology or outdated ideals at all. Nearly every cut's a classic – and titles include "Janie Jones", "Career Opportunities", "Police & Thieves", "Garageland", "Clash City Rockers", "I Fought The Law", "White Riot", "London's Burning", "White Man In Hammersmith Palais", and "I'm So Bored With The USA". LP, Vinyl record album

Includes 40 tracks on 2 CDs! CD

The second album from The Clash – ferocious, melodic and masterful bits of barbed greatness from the group – the greatest flaw of which is that it's not the first album. They're still completely great, playing in peak form even with the less shambling, slightly more polished production of Sandy Pearlman. This one stands out beautifully to us nowadays, since most of the songs aren't as overplayed as the more zeitgeiest-y earlier ones or the Mtv hits that came later on. Essential!! Titles include "Julie's In The Drug Squad", "All The Young Punks", "Last Gang In Town", "Guns On The Roof", "Cheap-Skate", "Drug-Stabbing Time", and "Safe European Home". LP, Vinyl record album

The longest album ever from The Clash – a stunning triple LP set that really shows the group bristling with new ideas and energy throughout! There's a hell of a lot going on here – some cuts that are every bit as strong as the previous records, others that offer a few mis-steps but in a wonderfully playful way – and a few more that really hit this sort of unique mix of genres and politics that could only be summed up as Clash-like at its best! Bits of hip hop, reggae, new wave, funk, and more mix together beautifully – and the album's got a hell of a lot of charm and character, even if you're skipping past a few of the cuts you don't like as much as the others. 36 tracks in all – and titles include "The Magnificent Seven", "Hitsville UK", "Junco Partner", "The Leader", "Police On My Back", "Midnight Log", "The Call Up", "Washington Bullets", "Broadway", "Rebel Waltz", "Look Here", "The Crooked Beat", "Somebody Got Murdered", "Lose This Skin", "Charlie Don't Surf", "Kingston Advice", "Corner Soul", "Let's Go Crazy", "The Sound Of Sinners", "Living In Fame", "Silicone On Sapphire", and "Career Opportunities". LP, Vinyl record album

... LP, Vinyl record album

Quite possibly the crowning masterpiece by The Clash – and a record that certainly pushed them out of the punk rock ghetto and into the collections of countless mainstream folks over the years! This is the set that really pushed the group over the top – the one that harnessed all the best energy of the previous two records and gave it a strong new focus – one that draws on roots as deep as the late 50s Elvis reference of the cover art, but which also bubbled over with newly approaching 80s musical ideas and politics! Yet the message never gets in the way of the guitar-heavy tuneful appeal of the songs – ringing out for decades on classics like "Train In Vain", "London Calling", "Spanish Bombs", "Lost In The Supermarket", "Guns Of Brixton", "Clampdown", and "Rudy Can't Fail". LP, Vinyl record album

The longest album ever from The Clash – a stunning triple LP set that really shows the group bristling with new ideas and energy throughout! There's a hell of a lot going on here – some cuts that are every bit as strong as the previous records, others that offer a few mis-steps but in a wonderfully playful way – and a few more that really hit this sort of unique mix of genres and politics that could only be summed up as Clash-like at its best! Bits of hip hop, reggae, new wave, funk, and more mix together beautifully – and the album's got a hell of a lot of charm and character, even if you're skipping past a few of the cuts you don't like as much as the others. 36 tracks in all – and titles include "The Magnificent Seven", "Hitsville UK", "Junco Partner", "The Leader", "Police On My Back", "Midnight Log", "The Call Up", "Washington Bullets", "Broadway", "Rebel Waltz", "Look Here", "The Crooked Beat", "Somebody Got Murdered", "Lose This Skin", "Charlie Don't Surf", "Kingston Advice", "Corner Soul", "Let's Go Crazy", "The Sound Of Sinners", "Living In Fame", "Silicone On Sapphire", and "Career Opportunities". CD

Quite possibly the crowning masterpiece by The Clash – and a record that certainly pushed them out of the punk rock ghetto and into the collections of countless mainstream folks over the years! This is the set that really pushed the group over the top – the one that harnessed all the best energy of the previous two records and gave it a strong new focus – one that draws on roots as deep as the late 50s Elvis reference of the cover art, but which also bubbled over with newly approaching 80s musical ideas and politics! Yet the message never gets in the way of the guitar-heavy tuneful appeal of the songs – ringing out for decades on classics like "Train In Vain", "London Calling", "Spanish Bombs", "Lost In The Supermarket", "Guns Of Brixton", "Clampdown", and "Rudy Can't Fail". CD

Quite possibly the crowning masterpiece by The Clash – and a record that certainly pushed them out of the punk rock ghetto and into the collections of countless mainstream folks over the years! This is the set that really pushed the group over the top – the one that harnessed all the best energy of the previous two records and gave it a strong new focus – one that draws on roots as deep as the late 50s Elvis reference of the cover art, but which also bubbled over with newly approaching 80s musical ideas and politics! Yet the message never gets in the way of the guitar-heavy tuneful appeal of the songs – ringing out for decades on classics like "Train In Vain", "London Calling", "Spanish Bombs", "Lost In The Supermarket", "Guns Of Brixton", "Clampdown", and "Rudy Can't Fail". CD

One of the most stunning debut albums of the 70s – and a set that burst on the scene with a sound that summed up a generation, but which had never been heard this clearly before! This self-titled Clash album was different from other landmarks of the time – work by the Sex Pistols, Ramones, and others – as the group had a sense of raw power, but also a tunefulness too – a way of pushing their message into territory that others wouldn't have reached – with tunes that were as surprisingly hummable as they were politically correct! There's a bit less Jamaican influence here than in later Clash years, but that quality is still present somewhat – and over the years, this is definitely a set we can return to again and again – with no sense of apology or outdated ideals at all. Nearly every cut's a classic – and the original UK tracklist includes "Janie Jones", "Career Opportunities", "Police & Thieves", "Garageland", "White Riot", "London's Burning", "Deny", "I'm So Bored With The USA". CD

Sure, the cover's a bit dated – but the politics have stayed surprisingly strong over the years – as has the music as well! Keep in mind that The Clash were waging war in the Mideast years before Desert Storm – in this searing mix of London punk, rocksteady roots, and slight new wave elements – delivered here with a surprising sense of self that really gave the whole thing a sense of wit – and more than enough legs to keep on going without collapsing under the passage of time! Titles include the hit "Should I Stay Or Should I Go", the classic "Rock The Casbah", and the tracks "Ghetto Defendant", "Car Jamming", "Know Your Rights", "Straight To Hell", and "Inoculated City". CD

Sure, the cover's a bit dated – but the politics have stayed surprisingly strong over the years – as has the music as well! Keep in mind that The Clash were waging war in the Mideast years before Desert Storm – in this searing mix of London punk, rocksteady roots, and slight new wave elements – delivered here with a surprising sense of self that really gave the whole thing a sense of wit – and more than enough legs to keep on going without collapsing under the passage of time! Titles include the hit "Should I Stay Or Should I Go", the classic "Rock The Casbah", and the tracks "Ghetto Defendant", "Car Jamming", "Know Your Rights", "Straight To Hell", and "Inoculated City". CD

Titles include their classic anthem "This Is England" – plus "Three Card Trick", "Play To Win", "Life Is Wild", "North & South", "Movers & Shakers", "Cool Under Heat", "We Are The Clash", and "Dirty Punk". LP, Vinyl record album

The second album from The Clash – ferocious, melodic and masterful bits of barbed greatness from the group – the greatest flaw of which is that it's not the first album. They're still completely great, playing in peak form even with the less shambling, slightly more polished production of Sandy Pearlman. This one stands out beautifully to us nowadays, since most of the songs aren't as overplayed as the more zeitgeiest-y earlier ones or the Mtv hits that came later on. Essential!! Titles include "Julie's In The Drug Squad", "All The Young Punks", "Last Gang In Town", "Guns On The Roof", "Cheap-Skate", "Drug-Stabbing Time", and "Safe European Home". CD

A couple of non-LP numbers from the Clash, cut in '81 during their transition between the hardcore politics of Sandinista! and the crowd pleasing punk-funk of Combat Rock. With some nice dubby disco-not-disco style mixes on the flip side too! 12-inch, Vinyl record

... 12-inch, Vinyl record

Essential! The mighty debut album from African disciples Culture pairing up with the Mighty Two, Joe Gibbs and Errol Thompson is one of the landmark sets of roots reggae, a defining moment of the genre dropped during the year when two sevens clashed. And though the apocalypse didn't rain down from the skies in '77, this album was certainly a world-changing event, one of the finest moments in Kingston's rich musical history! Gibbs provides the trio with a set of uplifting rhythms over which to harmonize, and Culture comes correct on every track, combining a tightly harmonized approach with a rawer, rootsier sound. 10 tracks in all, including "I'm Alone In The Wilderness", "Pirate Days", "Two Sevens Clash", "Caling Rastafari", "I'm Not Ashamed", 'Get Ready To Ride The Lion To Zion", "Black Starliner Must Come", "Jah Pretty Face", 'See Them A Come" and "Natty Dread Taking Over". CD

A driving, dramatic score for this early 80s epic of the gods! LP, Vinyl record album

The first album from Culture, and still their most classic – a set that takes its title from a prediction by Marcus Garvey – who said that there would be trouble in the world when "two sevens clash" on July 7, 1977! Fortunately, we made it all through that date in one piece – and good thing too, as the record's gone on to even more legendary status as the years have gone on – with a righteous sort of energy that just seems to get more important over the decades. Joe Gibbs produced, and arranged with Errol Thompson – and the slow-stepping rhythms of the set, heavy on bottom-end sounds, are a perfect backdrop for the message-oriented lyrics in the music. Every cut's a classic – and titles include "I'm Alone In The Wilderness", "Pirate Days", "Two Sevens Clash", "Calling Rastafari", "I'm Not Ashamed", "Get Ready To Ride The Lion To Zion", "Black Starliner Must Come", "Jah Pretty Face", "See Them A Come", and "Natty Dread Taking Over". This 30th anniversary edition combines the 10 tracks of the original LP with 5 bonus numbers! CD

Think you dig The Clash? Well, you've got nothing on Koji Takahashi – a Japanese collector who seems to have dedicated his life to the band! This unusual book documents Takahashi's huge collection of Clash records, and Clash-related material – not just vinyl, but posters, shirts, magazines, buttons, flyers, and plenty more – all served up here in a book that documents what must have been a lifetime of collecting! The book is from Japan, and main text is in Japanese – which you can either read with a translator app on your phone, or just skip overall – because there's hundreds of images in the book, of rare objects sure to please any fan of The Clash. Softcover edition is 191 pages, with images in color and black and white – filled with surprises throughout! Book

A seminal collection of work from the earliest years of the London punk scene in the 70s – material by a pre-Clash group that famously featured Joe Strummer, working at a level that definitely prefaces all the greatness to come! The style here is certainly in the gritty, short, heavy punch of early UK punk – but there's also a compelling strand that traces back to early rock and roll as well – bits of 50s and 60s influence working through the music, showing just how deep of roots Strummer and the Clash would later draw from. There's less reggae influence than later, but it's still somewhere there in the mix – especially on the live tracks – and titles are a mix of studio recordings plus live cuts – with titles that include "Letsgetabitarockin", "Surf City", "Silent Telephone", "Keys To Your Heart", "Hideaway", "Sweety Of The St Moritz", "Keep Taking The Tablets", "Lonely Mother's Son", and "Shake Your Hips". CD

A truly incredible collection – even more wonderful than we might have guessed from the title and cover – and both of those are already pretty darn appealing! This package might well be the most comprehensive we've ever seen on the early days of punk in England – a package that goes way past the big names, way past the classic cuts, and really digs deep into the huge explosion of indie labels that fueled the scene – creating a legacy of rare singles and amazing sounds that the British scene hadn't seen in years! If you dig the Sex Pistols or Clash, there's dozens of other tunes here to love – some by artists you'll know from later fame, represented here on very early tracks – and lots more from acts who maybe only gave the world a handful of brilliant singles. The presentation is as stunning as the music – 111 tracks on 4CDs, inside a heavy 64 page book-style jacket – with page after page of notes on each song and band, and lots of images as well. Consider this whole thing an overdue primer on all the punk you missed – even if you lived back in the day – and lose yourself in the huge array of tracks by groups who include The Radiators From Space, Puncture, Some Chicken, The Panik, The Only Ones, Suspects, Tueway Army, The Boys, Acme Sewage Co, Raped, Bazoomis, Menace GLC, Sids, Rudi, Art Attack, Angelic Upstarts, Mean Street, Poison Girls, Chelsea, Demon Preacher, Leyton Brothers, The Dole, Riff Raff, The Tights, Social Security, Nicky & The Dots, No Way, The Wall, Hollywood Brats, Disco Zombies, Spizzoil, Horrorcomic, The Cravats, and lots lots more! CD

A massive collection of work from these important years in music – and even if you don't know or care about Gary Crowley, who's pictured on the cover, you'll find plenty to love here if you dig UK sounds from the late 70s and early 80s! As indicated by the title, the set focuses on new wave and punk tracks – which also means that there's plenty of post-punk too – and the package does a really great job of offering up music that stands the test of time, even though much of it never got much play on American airwaves back in the day – music that really helped set the tone for a generation, and whose effects are still resonating all these many years later. As with volume one, the presentation is great – a very nice package, with detailed notes – and the 2LP version features 28 titles – with work by The Times, Shake, The Limps, Newtown Neurotics, The Slits, Gary Valentine, Basement 5, Dolly Mixture, Liquid Stone, The Subterraneans, Stiff Little Fingers, The Jam, Zounds, The Cure, The City Limits, Moving England, The Barracudas, Penetration, X-Ray Spex, The Limit, Magazine, Golinski Brothers, The Clash, and others. LP, Vinyl record album

One of the few albums ever cut as a leader by pianist Lorraine Geller – a player who's probably best remembered for her work with saxophonist (and husband) Herb Geller, but who also really swings nicely on her own! The album has Lorraine working with an LA trio that features Leroy Vinnegar on bass and drumming by either Lawrence Marable or Bruz Freeman – all of whom bring in a very soulful undercurrent to the record, helping bridge the two sides of the LA scene of the time, and making the album way deeper than you'd expect from the slightly elegant cover and title! The tracks aren't as strikingly modern as work cut by her husband during the 50s, but are quite strong nonetheless – with many unusual titles that include "Clash By Night", "Madam X", "Mystery Theatre", and "Everybody's Blues". LP, Vinyl record album

An essential look at the key years of the Chicago house scene – the time when the city's musicians were carving out a whole new space in sound! Although early house first began as an extension of some of the later modes of disco and 80s club, influences from European post-punk and post-disco work soon crept into the mix, and pushed the Chicago artists to work in a darker, edgier sound that was completely unique! The work from this period is filled with stark, spare electronics – not the cheesy kind that showed up often in New York electro records, but intense analogue bits that had a really dark, dystopic space age sort of quality – laid out over harsh beats and bass, and often presented with no additional vocals at all. For the collection, Soul Jazz do a great job of picking out the best of the early acid house scene in Chicago (the key recordings before the term got picked up overseas, and used to make some very dodgy dance music at the end of the 80s) – and then they go on to pull together some of the best strands of the house revival in Chicago in the early 90s, including key work from the Cajual label. 2 CD set features 17 tracks in all – including "This Is Acid" by Maurice, "Do You Want To Percolate" by The Sweat Boyz, "Beyond The Clouds" by Mr Fingers, "Go Wild Rhythm Track" by Virgo, "Acid Crash" by Tyree, "Dum Dum (part 2)" by Fresh, "Acid Bass" by Roy Davis Jr, "Phuture Jacks" by Phuture, "I've Lost Control" by Sleezy D, "Take Me Higher" by Virgo Four, "Acid Over" by Tyree, "Box Energy" by DJ Pierre, "Video Clash" by Lil Louis, "Explorer" by Green Velvet, "Like This" by Two Of A Kind, "Acid Tracks" by Phuture, and "Downfall" by Armando. CD

A pretty rough and rugged set of rock tracks – performed by a trio who were all prisoners at London's legendary Borstal! The title makes you think this might be some sort of Clash-type record, but the date belies the difference – and the overall approach is kind of in the Rolling Stones/Immediate Records mode of the late 60s – soulful at times, and with some added arrangements that include strings and larger orchestrations behind the core rock sound. Titles include "Long Long While", "Borstal", "See You Later", "You Made Me What I Am", "Life Is What You Make It", and "Take What We Want". LP, Vinyl record album

One of the few albums ever cut as a leader by pianist Lorraine Geller – a player who's probably best remembered for her work with saxophonist (and husband) Herb Geller, but who also really swings nicely on her own! The album has Lorraine working with an LA trio that features Leroy Vinnegar on bass and drumming by either Lawrence Marable or Bruz Freeman – all of whom bring in a very soulful undercurrent to the record, helping bridge the two sides of the LA scene of the time, and making the album way deeper than you'd expect from the slightly elegant cover and title! The tracks aren't as strikingly modern as work cut by her husband during the 50s, but are quite strong nonetheless – with many unusual titles that include "Clash By Night", "Madam X", "Mystery Theatre", and "Everybody's Blues". CD

A classic shot of The Clash live in the Combat Rock era is on the cover – for a feature on that pivotal era for the band, in which they were breaking out bigger in some ways and in some regions (particularly in the US in the early days of omnipresent music videos on TV) and in other ways starting to signal the end of the band as we knew it! It's a great piece, and there are loads of other features, smaller items, news and reviews on bands both old and new in this issue –including The Godfathers, The Professionals, Ruts DC, New Model Army, Die Toten Hosen, Nine Below Zero, Random Hand and lots more. As usual, just flipping through the pages and seeing ads for all the gigs coming up around the UK is worth the price alone! Magazine

One of the hipper benefit records of the early 80s – with exclusive live performances by The Clash, The Specials, Ian Dury, Elvis Costello, The Who, Rockpile, Wings, Pretenders, Queen, and Rockestra – a group with Paul McCartney, Pete Townshend, Robert Plant, and Dave Edmunds! LP, Vinyl record album

A massive collection of work from these important years in music – and even if you don't know or care about Gary Crowley, who's pictured on the cover, you'll find plenty to love here if you dig UK sounds from the late 70s and early 80s! As indicated by the title, the set focuses on new wave and punk tracks – which also means that there's plenty of post-punk too – and the package does a really great job of offering up music that stands the test of time, even though much of it never got much play on American airwaves back in the day – music that really helped set the tone for a generation, and whose effects are still resonating all these many years later. As with volume one, the presentation is great – a very nice package, with detailed notes – and the 4CD set features 77 titles – with work by The Times, Shake, The Limps, Newtown Neurotics, The Slits, Gary Valentine, Basement 5, Dolly Mixture, Liquid Stone, The Subterraneans, Stiff Little Fingers, The Jam, Zounds, The Cure, The City Limits, Moving England, The Barracudas, Penetration, X-Ray Spex, The Limit, Magazine, Golinski Brothers, The Clash, and others. CD

A deep dip into the sound of the late 70s – served up by writer Jon Savage, an author who's first claim to fame was his work on UK punk – which makes him a perfect guide for the sounds of this generation! Yet the music here is way more than just punk, too – as Savage really gets at the spirit of the time by mixing together revolutionary late 70s classics with more down to earth cuts – show just how much was going on at the time, and how the late 70s was still a moment of great experimentation and new ideas, even past the world of mohawks and safety pins! As with the other great entries in this "year" series from Savage, the overall presentation is wonderful – richly detailed notes that show his keen sense of musical observation and understanding – and a blend of 46 fantastic cuts on 2CDs, with titles that include "No Bones For The Dogs" by Joe Gibbs, "Magic Fly" by Space, "Prophecy Revel" by Bo Jangles, "Soda Passing" by The Boys, "Neat Neat Neat" by The Damned, "Utopia Me Giorgio" by Giorgio, "Day By Day" by Generation X, "The Modern Dance" by Pere Ubu, "Warm Leatherette" by The Normal, "Heavy Manners" by Prince Far I, "Kings Lead Hat" by Brian Eno, "Being Boiled" by The Human League, "28/8/78" by Scritti Politti, "Tired Of Walking Tired" by The Diodes, "I Remember" by Suicide, "Never" by Penetration, "White Night" by The Lines, "Come Back Jonee" by Devo, "The Set Up" by Cabaret Voltaire, "Human Fly" by The Cramps, "Situation" by The Middle Class, "Hippie" by Suzannes, "Warrior In Woolworths" by X Ray Spex, "Hindu God Of Love" by Lipstick Killers, "All Night Party" by A Certain Ratio, "Spacer" by Sheila B & Devotion, and "I Heard It Through The Grapevine" by The Slits. CD

A deep dip into the sound of the late 70s – served up by writer Jon Savage, an author who's first claim to fame was his work on UK punk – which makes him a perfect guide for the sounds of this generation! Yet the music here is way more than just punk, too – as Savage really gets at the spirit of the time by mixing together revolutionary late 70s classics with more down to earth cuts – show just how much was going on at the time, and how the late 70s was still a moment of great experimentation and new ideas, even past the world of mohawks and safety pins! As with the other great entries in this "year" series from Savage, the overall presentation is wonderful – richly detailed notes that show his keen sense of musical observation and understanding – and a blend of 46 fantastic cuts on 2CDs, with titles that include "No Bones For The Dogs" by Joe Gibbs, "Magic Fly" by Space, "Prophecy Revel" by Bo Jangles, "Soda Passing" by The Boys, "Neat Neat Neat" by The Damned, "Utopia Me Giorgio" by Giorgio, "Day By Day" by Generation X, "The Modern Dance" by Pere Ubu, "Warm Leatherette" by The Normal, "Heavy Manners" by Prince Far I, "Kings Lead Hat" by Brian Eno, "Being Boiled" by The Human League, "28/8/78" by Scritti Politti, "Tired Of Walking Tired" by The Diodes, "I Remember" by Suicide, "Never" by Penetration, "White Night" by The Lines, "Come Back Jonee" by Devo, "The Set Up" by Cabaret Voltaire, "Human Fly" by The Cramps, "Situation" by The Middle Class, "Hippie" by Suzannes, "Warrior In Woolworths" by X Ray Spex, "Hindu God Of Love" by Lipstick Killers, "All Night Party" by A Certain Ratio, "Spacer" by Sheila B & Devotion, and "I Heard It Through The Grapevine" by The Slits. CD

No soundclash here – as the grooves are all right on the money, and fit perfectly together throughout – a blinding blend of tropical-styled sounds that really lives up to the promise of the package! Sofrito have outdone themselves here – and come up with the kinds of tracks we'd never have found in a million years of digging – mostly vintage numbers from the late 70s and early 80s tropical scene – mixed with a few contemporary numbers that seem to have an equally classic sort of vibe! The package is an instant global grooves party right from the start – and titles include "O Ti Yo" by Midnight Groovers, "Cumbia Y Tambo" by La Pesada, "Ebolo" by Bell'A Njoh, "Vibrations Groove" by Lord Shorty & Vibrations International, ""Mwekuru Muthao" by Melodica Teens Band, "La Zorra Y El Perol" by Grupo Canalon De Tinbiqui, and "The Path (Sofrito edit)" by Concept Neuf. LP, Vinyl record album

As near as we can tell, this wasn't actually recorded live, but features Duke Reid and Coxsone Dodd cuts compiled back to back soundclash style. Top to bottom it makes a great set, of bouncy good time reggae, with 16 tracks in all: Clue J & The Blues Blasters "Milk Lane Hop", Delroy Wilson "Duke & The Sir", Bunny & Scully "Don't Do It", Clue J & The Blues Blasters "Five Minutes On Beeston Street", Owen Gray "Grandma, Grandpa", Rolando & Karl McLaughling "Shocker's Hop", Basil Gabbidon "I'll Find Love", Clue J & The Blues Blasters "Swanee River Rock", Dukies Group "Dukies Cooking", The Skatalites "Twilight Zone", Roland Alphonso "Blackberry Brandy", Bunny, Skita & Count Ossie "Cool Breeze", The Skatalites "What Makes Honey", Duke's Group "Pink Lane Hop", Tommy McCook & The Supersonics "Pink Champain" and Busty & Cool "What A World". CD

Tracks include "D&D Soundclash" with Cocoa Brovas and production by Da Beatminerz, "Mic Stance", "Equality", "Defeat", and "Monotony", all with production by Premier, "Whirlwind Thru Cities", "Mortal Kombat" with Masta Killa, "Bring It Right", "Trilogy Of Terror" with Guru & Hannibal Stax, "Self Mastery", "Bigacts Littleacts" with GZA, "Warfare" with M.O.P., "Soul Assassination", and more. LP, Vinyl record album

The record that put the Bristol sound of the era on the map – and pretty much delivered the opening salvo for the coming trip hop movement! Heady instrumental hip hop clashes with dub and new school soul on this seminal set, one that really existed outside of most early 90s trends, even if it relished the technical possibilities, so it really stands the test of time and sounds fresh to to this day. Shara Nelson and Horace Andy provided some well placed guest vocals on a few numbers, and titles include "Safe From Harm", "One Love", "Blue Lines", "Be Thankful For What You've Got", "Five Man Army", "Unfinished Sympathy", "Daydreaming", "Lately" and "Hymn Of The Big Wheel". CD