Bilal Abdurahman -- All Categories (LPs, CDs, Vinyl Record Albums) -- Dusty Groove is Chicago's Online Record Store
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Bilal Abdurahman Edit search Phrase match

 
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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Bilal AbdurahmanAfrican Musical Instruments ... LP
Asch, 1970. Very Good+ ... Out Of Stock
One of the coolest and most unusual albums by this percussionist who recorded famously for Folkways – a set that explores a variety of different African instruments – from North African at the start, to a larger Sub-Saharan section at the end! LP, Vinyl record album
 
Possible matches: 2
Possible matches2
CD, LP, Vinyl record album cover art
✨✧ East New York Ensemble De MusicAt The Helm ... CD
Folkways, 1974. New Copy ... Out Of Stock
An extremely righteous bit of soul jazz – originally issued in a very small pressing by Folkway Records, at a time when the label was doing some great underground recordings! The sound is loose and free – spiritually building in a manner that recalls the work of Ahmed Abdul Malik, Phil Cohran, and some of the AACM – and the album has a style that's exploratory, but never goes too far out, or loses its sense of rhythm and swing. Tracks are longish, and the core group features soprano sax and Korean reeds by Bilal Abdurahman and vibes by Ameen Nuraldeen – plus guest work on bass by James Smith, and appearances by a lot of different world percussion players. There's a nice Eastern feel to some of the tracks, and titles include "Mevlana", "Ti Ti", "Sun Flower", and "Bent El Jerusalem". CD
(Special limited CD – pressed up for us by the Smithsonian Folkways label. Comes with original cover artwork, and the CD also features a PDF file with the original liner notes and other materials from the original record release.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ East New York Ensemble De MusicAt The Helm ... CD
Folkways, 1974. Used ... Out Of Stock
An extremely righteous bit of soul jazz – originally issued in a very small pressing by Folkway Records, at a time when the label was doing some great underground recordings! The sound is loose and free – spiritually building in a manner that recalls the work of Ahmed Abdul Malik, Phil Cohran, and some of the AACM – and the album has a style that's exploratory, but never goes too far out, or loses its sense of rhythm and swing. Tracks are longish, and the core group features soprano sax and Korean reeds by Bilal Abdurahman and vibes by Ameen Nuraldeen – plus guest work on bass by James Smith, and appearances by a lot of different world percussion players. There's a nice Eastern feel to some of the tracks, and titles include "Mevlana", "Ti Ti", "Sun Flower", and "Bent El Jerusalem". CD
 
 
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