A classic to end all classics – and the record that showed the world that the kung fu genre could be every bit as funky as American crime and action films! Lalo Schifrin's at the height of his powers on this set – working in a blend of raw guitars, rolling bass, and choppy rhythms that groove about as fast as Bruce Lee's hands move on the screen in the film – and the album's a real standout in the 70s soundtrack scene, well worth all the hype and attention that's been given to it over the years! The record's one you'll dig if you're a fan of funk, or a student of Schifrin – and even after the passage of decades, it's still a tough soundtrack to beat. Titles include the classic "Theme From Enter The Dragon", plus "Bamboo Bird Cage", "The Monk", "Han's Island", "The Big Battle", and "The Human Fly". LP, Vinyl record album

Swinging big band exotica stuff recorded for Mercury as part of their 35mm film series. Includes "Baby Elephant Walk", "Afrikaan Beat", "Wimoweh (The Lion Sleeps Tonight)", "Botha-Botha", "Jolly Jika", "The Call Of The Jungle", "Skokiaan", "African Waltz", "Wa-Chi-Bam-Ba (Valley Of A Thousand Hills)", "King Kong", "Tsetse Fly", and "Tiana-Tche (The Jungle Roars)". LP, Vinyl record album

After "The Bottle", Joe's big remake of the Gil Scott Heron song in 1975, "Rap-O Clap-O" was probably his second biggest club cut. The track's got a very catchy groove – with sort of a stomping beat that Joe used to cook up his own dance. Arranged by the great Marty Sheller, so it's still got some Latin soul cred. 12-inch, Vinyl record

A crossover classic from the lovely Deborah Harry – a tune that broke Blondie big on the airwaves, yet which also had a great life of its own in the clubs – no doubt due to its driving Giorgio Moroder-influenced disco beat! Yet the track's also got a lot more to live up to, too – an important meeting of punk and disco – reconciled for just a minute, at a level that makes the track a cornerstone for both generations! 7-inch, Vinyl record

Sleazy, greasy early 80s trash rock from the one-and-only Cramps – live at New York's Peppermint Lounge! Includes Cramps classics "You Got Good Taste", "I Ain't Nothin But A Gorehound", "Beautiful Gardens" and more, plus that vicious Cramps take on "She Said" by hillbilly trash rock progenitor Hasil Adkins, "Faster Pussycat" and more. Lux sounds lucid as he ever does one second and like he's about the choke death seconds later, which is The Cramps personified, right? LP, Vinyl record album

A nice little shark-themed soundtrack, but one that comes across with a vibe that's quite different than any of the music used for Jaws – partly because there's a number of vocal tunes in the mix! The set features three standout songs – "Hollywood Big Time" and "You've Changed The World For Me", sung by Yvonne Wilkins – and "Ballad", which is sung by composer Maurizio De Angelis himself – which are then mixed with instrumental numbers that are electric and keyboard-heavy, maybe more in line with Italian slasher/horror work of the period than you might expect! The colder electronics must have given the watery scenes a really great vibe on the screen – and the package features great sound throughout, and a mighty nice graphic appeal. LP, Vinyl record album

Amazing stuff – and the beginning of a strong tradition of west coast funky Latin groups! El Chicano were one of a number of groups to emerge from LA of the 60s – rising forth on a wave of Mexican American pride to come up with a west coast version of the Latin Soul sound that had been emanating from Spanish Harlem a few years earlier. The group had an organ-heavy sound that first scored big on their rendition of Gerald Wilson's "Viva Tirado" – done as a single by the group with a stepping jazz beat that was missing from the earlier version, which worked great with their bubbly organ sound. The album was recorded to follow up the hit – done as a live set after hours at the Kabuki Sukiyaki Restaurant in south LA, and filled with tight jazzy covers 60s groovers like "Cantaloupe Island", "Eleanor Rigby", "Hurt So Bad", and "Coming Home Baby". The record's also got an amazing version of "Quiet Village" – and while it may not be as Latin as some of the group's later work, it's the beginning of a great tradition, and has a sound that was copied endlessly – but rarely matched! LP, Vinyl record album

One of the last great JBs singles! The track starts with a great spoken intro, then leaps into a hard heavy cookin' instrumental groove, with a nice snapping choppy beat! Backed here by the JBs' great cover of Sly Stone's big hit, too! 7-inch, Vinyl record

Next to "Beat Bop", K-Rob's finest moment, with the great, raw big beat Profile sound. "Psycho Lorraine" uses the same beat as "Homeboy". 12-inch, Vinyl record

Reflex never had much of a long recorded legacy – but they certainly made their mark with this classic album of 80s electro pop! The tunes follow somewhere in the territory of contemporaries like Human League or Ultravox, but also maybe have a quirkier vibe that's more in the spirit of the indie scene – especially in the ways the keyboard lines and vocals take on all these odd inflections – maybe a nod towards soulful styles, but also a mode that quickly fell out of favor overseas – but which is also what makes the whole thing so completely charming! Titles include the big title hit "The Politics Of Dancing" – and "Hitline", "Hurt", "Couldn't Stand A Day", "Jungle", "Sensitive", "Keep In Touch", "Praying To The Beat", and "Pointless". LP, Vinyl record album

A 70s issue of 2 seminal sides from George Russell, originally recorded in the 50s. The first, New York New York is a wonderful album from George Russell – and a refreshing change from his overly-academic modernist work! The session's an unusual one – a musical portrait of New York City, performed with an all-star cast that includes John Coltrane, Art Farmer, Bill Evans, Phil Woods, Benny Golson, Max Roach, and Hal McKusick – all working together to paint tones on the tunes that George has crafted to set up his scene of New York in the 50s. Most importantly, though, Jon Hendricks acts as the narrator of the album – talking and scatting in hipster mode, laying out a bit of beat rapportage about the Big Apple, all done in a very cool 50s style that's a bit different from his own vocal work. Titles include "Manhattan", "Big City Blues", "Manhattan-Rico", and "A Helluva Town". And don't let the title of the second, Jazz In The Space Age, mislead you into thinking it's a record of bachelor pad musi. The set's one of Russell's finest recordings of the 50s, and it features some wonderful work in odd tones and scales, executed by another awesome cast of players, including Bill Evans, Paul Bley, Hal McKusick, Bob Brookmeyer, and David Young. An essential chapter in Russell's career, and nice to have in any form. Titles include "Chromatic Universe (parts 1, 2, & 3)", "Dimensions", "Waltz From Outer Space", and "The Lydiot". LP, Vinyl record album

A classic to end all classics – and the record that showed the world that the kung fu genre could be every bit as funky as American crime and action films! Lalo Schifrin's at the height of his powers on this set – working in a blend of raw guitars, rolling bass, and choppy rhythms that groove about as fast as Bruce Lee's hands move on the screen in the film – and the album's a real standout in the 70s soundtrack scene, well worth all the hype and attention that's been given to it over the years! The record's one you'll dig if you're a fan of funk, or a student of Schifrin – and even after the passage of decades, it's still a tough soundtrack to beat. Titles include the classic "Theme From Enter The Dragon", plus "Bamboo Bird Cage", "The Monk", "Han's Island", "The Big Battle", and "The Human Fly". LP, Vinyl record album

A big one for Siouxsie and the group – from a time when they were both pushing forth the darker corners of mainstream pop, and making a few surprising turns for the dancefloor tune! Some of the upbeat moments here crossed over surprisingly well in the clubs at the time, but even those still have all the trademark touches intact – fuzzy guitar, space around the edges, and those haunting vocals that were always the lady's greatest calling card. Titles include "The Killing Jar", "Rawhead & Bloodybones", "The Last Beat Of My Heart", "Rhapsody", "Peek A Boo", "Ornaments Of Gold", and "Turn To Stone". LP, Vinyl record album

A well-titled set from the lyrical king – the mighty T La Rock, one of the key mid 80s MCs who helped introduce a whole new level of sophistication to hip hop! T La Rock maybe never hit the heights of KRS-One, Rakim, or other contemporaries – but this set has all the sharp fire and intensity that made that moment of new creativity so great – from the edgey production work and scratches by Louie Lou, to the extra help from Mantronik, and even the album's early appearances by Special K and MC Serch – which further the sense of collaboration from the streets that made some of the Fresh Records sets so great. Titles include "Lyrical King", "Back To Burn", "Three Minutes Of Beat Box", "Bust These Lyrics", "This Beat kicks", "Big Beat In London", and "It's Time To Chill". LP, Vinyl record album

The incredible first album from Traffic – a record that was already way ahead of the pack, and would set the tone for so many other sounds and modes from others in years to come! At some level, the group were just coming off the big beat group years in the UK – that time of strong inspiration from American soul, jazz, and R&B – but they're already pushing all these elements in very different ways – certainly psychedelic, as you'd guess from the image on the cover – but also still holding onto a lot of the soul and jazz that first inspired them! To our ears, the reed work of Chris Wood is as important to the record as the Hammond from Steve Winwood, guitar from Dave Mason, and drums from Jim Capaldi – plus the vocals from all three – and in addition to the classic title cut "Mr Fantasy", other tunes include "Dealer", "House For Everyone", "Berkshire Poppies", "No Face No Name No Number", and "Coloured Rain". LP, Vinyl record album

We're alright. . .don't nobody worry 'bout us, we're smiling like fools at the sounds of this most classic of lowbrow 80s comedies – the unimpeachably hilarious Caddyshack – with we-don't-care-how-uncool-you-think-they-may-be pop anthems by Kenny Loggins and original music by Johnny Mandel! The Loggins tunes blend a masterful ear for the pop & soul hits of the previous couple decades, they're undeniable fun and catchy (if profoundly unhip, boo and hoo) and the cheeky bits of score by Mandel co-opting classical compositions in the interest of toilet humor are just as boisterous. Titles include "I'm Alright", "Make The Move" and "Mr Night" by Kenny Loggins, "There She Goes" by The Beat, "Divine Intervention", "Marina" and "The Big Bang" by Johnny Mandel and more. LP, Vinyl record album

A sweet second set from Touch Of Class – a group who broke big in the indie underground of the 70s with their debut – and who still continue here in a great blend of upbeat rhythms and richer soul styles! Some numbers are clearly aimed at the dancefloor – as on their debut – but these guys can also slide into a mellower number with a laidback harmony vibe – a blend that's rooted in some of the younger east coast group modes of the early 70s, but which is taken here to some slightly more mature territory by the trio. Gerald and Pete Jackson of the group handled the arrangements – in a way that's nice and fresh – and a good change from some of the more "packaged" approaches on other albums of this nature. Titles include "Let Yourself Go", "You Took The Sunshine", "I Need Action", "I Found My Rainbow", and "You've Got My Soul". LP, Vinyl record album

A standout solo moment for Yazz – the singer who first rose to fame as part of the Coldcut soundsystem, then really broke big at a point when UK soul was cracking the American mainstream! Yazz may have a bleached-out look on the cover, but her sound is deeply soulful – and fits in perfectly with the house-styled grooves on the record – backings that have an unabashed love of disco, at a time when listening audiences were maybe forgiving that music for all of its previous excesses, and strongly embracing its best qualities again – in a groove that's maybe a bit similar to Lisa Stansfield at the time, although with more beats and less strings. Production and backings are by Coldcut, FON, Youth, and other hip talents – and titles include her great remake of "The Only Way Is Up" – plus "Systematic People", "Wanted On The Floor", "Stand Up For Your Love Rights", "Fine Time", "Where Has All The Love Gone", "Got To Share", and "Turn It Up". LP, Vinyl record album

The monumental debut of BT Express – and an excellent funk album that often gets overlooked by fans of the music because of the band's bigger fame as a disco group! This first record has the combo grooving hard and instrumentally – in the mode of a tight blacksploitation soundtrack, with plenty of tight wah wah guitar riffing, conga beats, and funky flute and sax – topped off by just the right amount of strings to make the set soar even more! The album's best known for the title track "Do It (Til You're Satisfied)" – which was a big hit, but is still an excellent groover – and the set also includes loads of other great cuts too – like "Express", which was the original song that the created the JBs' response track "Monorail"; "This House is Smokin'", which has lots of funky descending horn bits; and other great tunes that include "Mental Telepathy", "If It Don't Turn You On", and "Do You Like It". LP, Vinyl record album

A dream of a record from Crown Heights Affair – the group's classic first set, and maybe as fine a batch of early club work you could ever hope to find! Like so many of the east coast acts at the start of the disco generation, these guys are a well-trained funk ensemble, playing at a faster clip for the new dancefloor sound – which means that at the core, they've still got some fantastic instrumentation – and a groove that rivals their bigger contemporaries, like Kool & The Gang, Fatback, or BT Express! The drums are fantastic, the basslines nice and subtle, the horns used with some real grace – and there's also some really cool moog solos on the best numbers – which really makes the album a treat. Titles include both disco and vocal versions of their hit "Dreaming A Dream" – plus the tracks "I Am Me", "You Smiled", "Foxy", "I Am Me", "Feeling Tall", "Every Beat Of My Heart", "Na Na Hey Hey", and "Picture Show". LP, Vinyl record album

One of Lamont Dozier's biggest albums of the 70s – a sweet debut for Warner Brothers, but one that still keeps all the best elements of his ABC albums firmly intact! Arrangements are still by Lamont and McKinley Jackson – who really know how to help Dozier find that tightness brewed up in the Detroit scene, while also pushing things further with some upbeat grooves that really find new territory too! Dozier's vocals are great – that slightly less than perfect style that always makes his work sound so personal and meaningful next to some of his slicker 70s contemporaries – a really appealing style that always has his 70s records at the top of our listening stack. Titles include "Joy", "Groovin On a Natural High", "Right There", "With A Little Bit Of Mending (We Could Be As Good As New)", "Ain't Never Loved Nobody", and a great remake of "It's the Same Old Song". LP, Vinyl record album

Early crossover work as a solo act from James Ingram – and a set that features some stellar production from Quincy Jones! The album's one of the best of Q's pop-styled efforts of the time – and although it played big at the time, it's got a sound that's much better than we remember, especially on the more upbeat numbers – rock-solid vocals from Ingram, sung with a youthful quality that's nicely shies away from some of his more clunky commercial modes. Titles include the big hit "Yah Mo B There", plus "She Loves Me", "Try Your Love Again", "Party Animal", "Whatever We Imagine", "One More Rhythm", and "There's No Easy Way". LP, Vinyl record album

A big crossover moment for Peter Tosh – a set that was issued on the Rolling Stones own label, with a bit of help from Keith and Mick themselves! But if that makes you worry about some clunky effort that tries to blend rock and reggae, you can put all your fears aside – as the set's got all the soulful charm that made Tosh one of the true giants of the 70s – potentially as influential as Bob Marley, especially at the time – and working with rock-solid help from Sly and Robbie on rhythms, and Mao Chung on lead guitar, Fender Rhodes, and even a bit of moog! Tracks include "You Gotta Walk Don't Look Back", "Pick Myself Up", "Soon Come", "Moses The Prophet", "Stand Firm", "Dem Ha Fe Get A Beatin", and "Creation". LP, Vinyl record album

Cypress Hill's debut masterpiece – one of the biggest and best first albums in 90s hip hop! There's little we can add to the canon when it comes to describing this album's impact, but it's still pretty revelatory. Like other west coast rap heavies of the time, Cypress Hill documents real world street violence with a darkly comic sensibility, redefined usage of the word "blunt" forever more, and simply delivered one of the most influential rap (or rock, considering the astonishing crossover success) albums of the decade. Titles include "How I Could Just Kill A Man", "Hand On The Pump", "Hole In The Head", "Real Estate", "Stoned Is The Way Of The Walk", "Phunky Feel One", "Pigs", "Latin Lingo", "Something For The Blunted", and "Psychobeatbuckdown". LP, Vinyl record album

A great album that's often overlooked amidst the flurry of early 70's releases on Curtom, but which stands as one of Mayfield's greatest from the 70s! In fact, we'd say that the album's one that we enjoy putting on more than most – because the songs are less familiar, and not nearly as played-out as some of Curtis' bigger hits. The production style's still the same – with plenty of rumbling funky soul, arranged by Rich Tufo in that classic Curtom mode – and you can't beat Curtis' vocals on songs like "Mother's Son", "Love Me (Right In The Pocket)", "A Prayer", and "Ain't No Love Lost". LP, Vinyl record album

"Papa Was Too" is one of Joe's big tracks with the breakbeat crowd – starting with a tight snapping intro that never goes out of style, and which is a monster little break! It's also sort of his answer to Otis Redding's "Tramp"! 7-inch, Vinyl record

One of the coolest concepts ever for a 60s rock record – and maybe one of the standout sets from The Turtles! The album is set up as a "Battle Of The Bands" – one that has the group pretending to be a different ensemble from track to track on the record, either Natures Children, Fats Mallard & The Bluegrass Fireball, The Bigg Brothers, The LA Bust '66, and many other fake combos – all in a way that offers up a brilliant commentary on rock music in the late 60s! The effortlessness with which the group approaches the songs is fantastic – each number could have been a hit for the individual groups, were they real. One of our favorite tracks is the incredible "I'm Chief Kamanawanalea", played by the Royal Macademia Nuts – which has an incredible funky breakbeat all the way through! Another nice one is the funky cut "Buzzsaw", which has a fuzzy guitar groove that sounds a lot like "Tramp" – and other titles include "Surfer Dan", "The Last Thing I Remember", "Elenore", "You Showed Me", "Food", and "Chicken Little Was Right". LP, Vinyl record album

A huge moment for War – maybe the group's biggest album of the 70s, but a set that still has them holding onto everything that makes the great! Like Earth Wind & Fire at their best, War have this way of staying strong and righteous, while still able to hit a hook – jamming one minute, but finding sharp focus the next – and balancing it all out over the course of an album so that there's a sense of depth that really keeps on going once the familiar cuts draw you in. In this case, the familiar cuts are giants – the stunning Latin funk gem "Low Rider", which became an anthem for a generation, and the radio hit "Why Can't We Be Friends" – mixed with other nuggets like the jazzy "Don't No One Get You Down", the funky "Heartbeat", and the cuts "Lotus Blossom", "Smile Happy", "So", and "Leroy's Latin Lament". LP, Vinyl record album

The debut album from Jody Watley – an instant hit that became one of the biggest soul albums of the mid 80s! Jody stepped out from soul group Shalamar to work with producer Andre Cymone on a this set of tracks that set the blueprint for slick soul at the time – still very much in the bass and keys mode of Shalamar and other chart-topping acts of a few years back, but with more space for strong vocals in the lead. Titles include "Looking For A New Love", "Still A Thrill", "Some Kind Of Lover", "For The Girls", "Love Injection", "Do It To The Beat", "Don't You Want Me", "Most Of All", and "Learn To Say No", a duet with George Michael. LP, Vinyl record album

A funky treasure trove from Apple & The Three Oranges – a group we hardly know at all, but who really blow us away with the cuts on this collection! The groove is plenty hard right from the get-go – the best of the funky 45 underground of the early 70s – which means that there's more 60s rawness on the record than you'd get from bigger-label funk at the time – as Ed "Apple" Nelson still works here with a mostly underground vibe! Ed plays drums – which are mighty hard on most numbers – and his vocals have this offbeat, off-kilter, over the top quality that almost reminds us a bit of the Hank Ballard/James Brown recordings for late 60s King – particularly in the way that Nelson's completely unbridled with his energy. The whole thing's great – one of the best funky collections we've heard in years – and presented with a rich amount of notes and historical information too. Titles include "Free & Easy (parts 1 & 2)", "Moon Light", "Curse Upon The World", "What Goes Around Comes Around", "Down Home Publicity", "True Love Will Never Die", "Gotta Stand For Something (parts 1 & 2)", and "I'll Give You A Ring". Features a great 16 page booklet with extensive liner notes and photos! LP, Vinyl record album

Man, these guys really know how to groove – and even on a bigger label, with a more commercial image, they still manage to come up with a tight little set! There's a key ear for a bassline and beat that keeps The Bar-Kays standing stronger than most of their contemporaries – a sense of rhythm schooled in years of indie funk that comes through even on the mellower cuts here – which themselves show an even better side of the group in this generation, one that comes across great here on a few slower numbers that have a sweetly stepping groove. Titles include "Nightcruising", "Freaky Behavior", "Feels Like I'm Falling In Love", "Touch Tone", "Hit & Run", "Unforgettable Dream", "Traffic Jammer", and "Backseat Driver". LP, Vinyl record album

The breakthrough album by Blondie! Parallel Lines is their third album overall, and having been released only 7 months after their second, you know they were hungry to break big – and they do it here with unbeatable cool. For as tight and bright as as the sound is, a trademark of producer Mike Chapman, there's still something of the raucous downtown energy here – and also some pretty great stylistic strides, such as the disco-aware smash "Heart Of Glass". Includes the equally classic "One Way Or Another" plus "Hanging On The Telephone", "Just Go Away", "I Know But I Don't Know" "Will Anything Happen", "Picture This", "11:59 and more. LP, Vinyl record album

One of the best debuts in the history of hip hop – and one of the most important albums the genre ever produced! Criminal Minded is a landmark for a number of reasons. Among the biggest is, of course, that it was recorded with the late great DJ Scott La Rock – and he was soon to fall prey to the very street violence that BDP documented with such raw brilliance by KRS-One. Importance aside, Criminal Minded is simply a great, timeless record that no true fan of gritty classic hip hop should be without. The track list alone is a full chapter in the hip hop book of legends – with tunes like "Poetry", "Elementary", "South Bronx", "Super-Hoe", "Bridge is Over", and the "P is Free" remix. Also includes "Criminal Minded", "Dope Beat", and "9mm Goes Bang". LP, Vinyl record album

Incredible work from Chocolate Star – less a group than a record label or project name used for some excellent underground club recordings from the late 70s and early 80s! Gary Davis is the real brainchild here – keyboardist, songwriter, and main spiritual force behind the music – but Peter Brown also played a big hand in some of the initial Chocolate Star sessions too, and there's a definite P&P groove to most of this work! The Chocolate Star touch is perhaps best known on the classic club track "Got To Get Your Love" by Clyde Alexander & Sanction – but it's even better on the more obscure work throughout the entire package – an array of tunes that run from funky club to other modes that include mellow soul, old school hip hop, and even some very spare tracks that mostly just have keyboards and beats! Titles include "Gee Dee", "Last Night", "Stay With Me", "Time For Love Is Now", "Super Jake", "Gotta Get Your Love", "The Professor Here", "The Pop", "Gotta Get Your Love (Kenny Dope rmx)", "The Pop (12")", "The Professor Is Space Walking", and "Gee Dee (alt mix)". LP, Vinyl record album

A classic boogie groover from the early 80s – the one and only album from Gemini, and one of the few albums issued on the tiny M&M label! Although an indie effort, the album's got a tightness that matches the best 80s groove on bigger labels from the time – especially the excellent work coming out of Capitol, which would be a good match for the upbeat rhythms and well-crafted grooves going on here. Production is right on the money – very together without sounding slick – and the album's got a wonderfully soulful charm, served up by two male vocalists who sound great on both the upbeat and mellower tunes in the set. Titles include "Everytime I See A Pretty Lady", "You've Got Something Special", "Ain't No Love", "My Love For You Keeps On Growing", "The Power Of Your Love", and the great mellow soul ballad "I Don't Want To Lose You". LP, Vinyl record album

An overlooked gem from Rick James' classic early run for Motown – a set that maybe didn't chart as big as some of his other records for the label, but which stands strongly today as a well-crafted batch of mellow funky soul! James has a bit less of the bass-heavy riffs here than you'd expect – and instead, the record has kind of a laidback, almost dreamy feel at times – still upbeat, but with the kind of relaxed, glowing vibe you'd be more likely to find from Teena Marie around this point – a really nice contrast with the more familiar hit sounds you'd know from Rick! We actually really like these mellower groovers – which are almost like some of Johnny Watson's Caribbean-tinged grooves – and the production augments the tunes with a bit of sound effects, which really furthers the paradise garden feel of the tunes. Titles include "Mary Go Round", "Summer Love", "Big Time", "Don't Give Up On Love", "Getting It On In The Sunshine", and "Island Lady". LP, Vinyl record album

Evelyn King's still gliding high here – working with that upbeat, catchy style that really helped her hit big during the early 80s – a perfect fit for the hook-heavy sound of her vocals! The mode's a bit like Denise Williams at the time, although maybe a bit less commercial – and King brings in a host of different producers to help give different shape to different tracks in the set – almost in a way that tries to reach out towards a number of (then) contemporary soul modes – some mellow, some upbeat and grooving. Titles include "I'm So Romantic", "Till Midnight", "Out Of Control", "Just For The Night", "Heartbreaker", and "Talking In My Sleep". LP, Vinyl record album

Quite possibly the biggest early moment of US fame for Roxy Music – thanks to the classic "Love Is The Drug", which kicks off the album and is easily one of the group's best-known tunes of the 70s! The album tightens things up slightly from the sound of Country Life before – not as many dark corners, but still plenty of the offbeat styles that make these early Roxy Music albums so great – with none of the softer styles that took over during the early 80s years. Other tracks include "End Of The Line", "She Sells", "Could It Happen To Me", "Both Ends Burning", "Just Another High", and "Whirlwind". LP, Vinyl record album

One of the coolest concepts ever for a 60s rock record – and maybe one of the standout sets from The Turtles! The album is set up as a "Battle Of The Bands" – one that has the group pretending to be a different ensemble from track to track on the record, either Natures Children, Fats Mallard & The Bluegrass Fireball, The Bigg Brothers, The LA Bust '66, and many other fake combos – all in a way that offers up a brilliant commentary on rock music in the late 60s! The effortlessness with which the group approaches the songs is fantastic – each number could have been a hit for the individual groups, were they real. One of our favorite tracks is the incredible "I'm Chief Kamanawanalea", played by the Royal Macademia Nuts – which has an incredible funky breakbeat all the way through! Another nice one is the funky cut "Buzzsaw", which has a fuzzy guitar groove that sounds a lot like "Tramp" – and other titles include "Surfer Dan", "The Last Thing I Remember", "Elenore", "You Showed Me", "Food", and "Chicken Little Was Right". LP, Vinyl record album

What can we say? "Ring My Bell" was one of the biggest crossover disco tracks of the late 70s – with a cool electronic groove on the beat, and lyrics and production by Frederick Knight, making the southern soul singer one of the more unlikely disco forces of the time. This 12" single features the full 8 minute version – with the "Midnight Mix" by Richie Rivera. 12-inch, Vinyl record