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Alexander Von Schlippenbach Edit search Phrase match

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Exact matches: 5
Exact matches1
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Alexander Von SchlippenbachPayan ... CD
Enja/Ultra Vybe (Japan), 1972. New Copy ... $16.99 About May 12, 2021
Beautiful solo material from of the greatest avant European pianists of the past 50 years – a musician that we'd rank right up there with Cecil Taylor for his sense of freedom on the keys – but who's even more amazing given his tighter focus at times, and his richer sense of jazz history! The album's one of Schlippenbach's best – really wonderful throughout, with a sense of imagination that never lets up – sometimes leading to Monkish moments or Herbie Nichols whimsey – sometimes much freer and fiercer – and extremely moving throughout. Titles include "Payan", "Nimmy Pimmy", "Pumpkin", and "Kinds Of Weirdness", which features Schlippenbach on added percussion! CD
This title is scheduled for release about Wednesday, May 12.

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Alexander Von SchlippenbachSlow Pieces For Aki ... CD
Intakt (Switzerland), 2020. New Copy ... $18.99 19.99
Spacious sounds from pianist Alexander Von Schlippenbach – a set dedicated to Aki Takase, a fellow pianist who's had an influence on his work in more ways than one – and who here is clearly the inspiration for slower movement and more contemplative sounds on the keys! We've always loved this side of Schlippenbach – he can be a demon when he wants to, but is often even more compelling when he works on the spaces between the notes – which is definitely the case here, as the set moves between short improvisations and some compositions that draw inspiration from the shared life of Aki and Alexander. Titles include "Cleo", "Naninga Nandemo", "Zycado", "Frage Nicht", "Dydo", "Improvisation V", "Haru No Yuki", "Improvisation III", "Tell You", "I Told You", and "Torso". CD

Exact matches3
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Alexander Von Schlippenbach/Dag Magnus NarvesenLiminal Field ... CD
Not Two (Poland), 2018. New Copy ... $14.99
Exactly the kind of record that first made us fall in love with the piano of Alexander Von Schlippenbach – a set that has a jagged but freewheeling sort of vibe – improvised, but with that inherent musicality that can make Schlippenbach's piano come across in tuneful ways, even in such a setting! Drummer Dag Magnus Narvesen duets with Alexander here – almost following his initial energy – letting the piano lineup and cascade in these long lines that are often as rhythmic as they are tuneful – then peppered in by the drums as the two pulse together beautifully. Titles include "Relay Extempore", "Reveries In Monochrome", "Brass Tacks", and "Morphing Monk" – the last of which features very cool improvisations on themes from Thelonious Monk! CD

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Alexander Von SchlippenbachLight Blue – Schlippenbach Plays Monk ... CD
Enja/Ultra Vybe (Japan), 1996. New Copy ... Temporarily Out Of Stock
The great Alexander Von Schlippenbach plays the music of Thelonious Monk – and, like everything Schlippenbach does, the results are wonderful and full of surprise! The tunes are familiar, and a modernist like Alexander has no trouble with the changes – but the real surprise here is both the way that he brings in some of the tones he learned while in freer improvising territory over the years, yet still manages to make the whole thing swing nicely – thanks in part to strong basswork from Ino Nobuyoshi, and some mostly straight drums from Sunny Murray! Titles include "Trinkle Trinkle", "Off Minor", "Let's Cool One", "Coming On The Hudson", "Work", "Bye Ya", "Skippy", and "Bolivar Blues". CD
(Part of the "Enja – Real Jazz Classics" series!)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Alexander Von Schlippenbach QuartetThree Nails Left ... CD
FMP/Corbett vs. Dempsey, 1975. New Copy Gatefold ... Temporarily Out Of Stock
Amazing work from this seminal group on the FMP scene – a quartet led by pianist Alexander Von Schlippenbach, but equally balanced between the saxes of Evan Parker, bass of Peter Kowald, and percussion of Paul Lovens! We're not sure how much to take the "nails" in the title seriously, but it does sound as if Schlippenbach is playing prepared piano at times – or perhaps his command of the keyboard is just so strong, he can make other-worldly elements come from the instrument whenever he wants! Much of the music has a full-on FMP intensity – that non-stop, sonically adventurous quality inherited from Machine Gun – spun out over three great live improvisations, titled "Range", "Black Holes", and "Three Nails Left". CD
(Remastered from the original tapes – and first time on CD!)
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✨✧ VariousJazz Am Rhein – 1967 to 1968 (6CD set) ... CD
Be! (Germany), 1967/1968. New Copy 6CD ... Temporarily Out Of Stock
Fantastic work from two different years of this important German Jazz Festival – material that provides a great live complement to some of the best studio jazz recordings of the late 60s European scene – such as those coming from the MPS label, and some of the record companies in Paris and London! The vibe here is mostly straight, but there are plenty of currents of modern, and maybe just a bit of free – and the set's especially great in illustrating the sort of unique groupings and musical moments that can make the jazz festival scene so rewarding! Material from 1967 includes three long tracks by the group of saxophonist Klaus Doldinger with organist Ingfried Hoffmann; a long performance from a big band led by Kurt Edelhagen, with work from trumpeters Shake Keane and Jimmy Deuchar, tenorists Wilton Gaynair and Karl Drewo, and altoist Derek Humble; four tracks by a quartet led by trumpeter Dusko Goykovich, with Bent Jaedig on tenor; two long improvisations from a group that features Manfred Schoof on trumpet, Gerd Dudek on tenor, Alexander Von Schlippenbach on piano, and Jaki Liebezeit on drums; one track by a quartet with Ted Curson on trumpet and Nick Bridnola on soprano sax; four long cuts by the Clarke Boland Sextet, with Sahib Shihab on flute and baritone, Ake Persson on trombone, and Idrees Sulieman on trumpet; a sweet large group led by organist Ingfried Hoffmann, and a few other hip cuts too. 1968 features work by a sextet led by bassist Peter Trunk, with Shake Keane on flugelhorn, Jiggs Whigham on trombone, and Rob Pronk on piano; four tracks by the Clarke Boland Big Band, with Johnny Griffin and Ronnie Scott on tenor, and Sahib Shihab on baritone; two cuts by the twin tenor group of Hank Mobley and Johnny Griffin; a vocal performance by Jon Hendricks with a Clarke Boland group with Johnny Griffin in the lead; twin trombones from the Slide Hampton and Ake Persson Quintet; hip work from the trio of pianist George Gruntz, bassist Henri Texier, and drummer Daniel Humair; a number of tight tracks from the Maynard Ferguson big band, with Pete King on tenor; and two shorter trio tracks from Joachim Kuhn. Like other Be Music titles, the presentation is great – a really well-done box, and big booklet of notes and images. CD

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