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Africa Seven Edit search Phrase match

 
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Close matches: 4
Close matches1
CD, LP, Vinyl record album cover art
VariousAfrica Airways 1 & 2 – Funk Connection 1973 to 1980/Funk Departures 1973 to 1982 ... CD
Africa Seven (UK), 1970s/Early 80s. New Copy 2CD ... $6.99 13.99
A totally sweet set of grooves from the African scene of the 70s – and one that's a fair bit different than most of the other collections we've got on our racks! The styles here are a bit more offbeat, and a bit less familiar – not straight Afro Funk, but also not some of the popular genres of the time either – and instead often a compelling fusion of American funk, club, and disco with some very unusual local modes of expression – often with electric instrumentation that can come across in really great ways with weird production – making for unusual sounds on the keyboards and guitars. There's a bit more polish to the work than some of the rougher Afro groovers from the time – but never in a way that's ever too slick, just kind of a European mix of African roots and 70s funkier styles. 2CD set features all the tracks on the previous vinyl volumes – with titles that include "Give It Up" by Jo Bisso, "Jangolo" by Jo Tongo, "Kag Am" by Kemayo, "Africa Africa" by Ekambi Brilliant, "Black Gold" by Tala AM, "Father Time Mother Nature" by Jake Sollo, "Choco Date" by Jake Sollo, "Nande" by African Souls Band, "Mbongui" by M'Bamina, "Na Real Sekele Fo Ya" by Pasteur Lappe, "Don't Do It" by Bongi Makeba, "Get It On The Music" by Bozambo, "Tata Ngoh" by Misse Ngoh, "Toyota Fantasy (John Bryan edit)" by Miriam Makeba, "Piani" by Jo Tongo, "Aboki" by Ekambi Brilliant, and "Kilowi Kilowi" by M'Bamina. CD

Close matches2
CD, LP, Vinyl record album cover art
VariousAfrica Airways 5 – Brace Brace Boogie 1976 to 1982 ... LP
Africa Seven (UK), Late 70s/Early 80s. New Copy ... $22.99
Africa Airways takes to the skies again – and delivers a wonderful batch of funky soul tracks from the end of the 70s and start of the 80s! The work here is from a period when groups from Nigeria and other scenes were starting to absorb a lot more direct influences from American soul – especially clubbier modes of the disco generation, which were used to create a homespun variety of boogie – in a mode that really dominates this set! Lots of these tracks have upbeat vibes, tight rhythms, and strongly soulful elements in the lead – and titles include "Fine Biscuits" by Dikalo, "Angona Mana" by Mekongo President, "Chibidaba Chibidaba" by JK Mandengue, "Sugar Lump (edit)" by Tala AM, "French Girl" by Fotso, "Dashiki (inst)" by Mulamba, and "Too Young" by Jide Obe. LP, Vinyl record album

Close matches3
CD, LP, Vinyl record album cover art
✨✧ VariousReturn To The Mother's Garden – More Funky Sounds Of Female Africa 1971 to 1982 ... LP
Africa Seven (UK), 1970s/Early 80s. New Copy ... Out Of Stock
A sweet set of female grooves from 70s Africa – served up here in a variety of different styles, but mostly with a definite influence from American soul! Many of these tracks have great funky instrumentation – the sort that resonates strongly with mainstream R&B in the same decade, with lots of boogie and club in the rhythms – and plenty of great vocals over the top! A few tracks hit modes that are maybe more west African, yet still maintain a strongly soulful quality – and all together, this batch of tracks may make the best compilation so far from the ultra-hip Africa Seven label. Titles include "Just A Boogie" by Nayanka Bell, "Talking About Music" by Nana Love, "This Time Around" by Theadora Ifudu, "Enjoy Your Life" by Oby Onyioha, "N'Ziketio" by Diane Solo, "Lokognolo" by Bebe Manga, "Salif" by Sissi Massila, and "Nobody Can Stop You" by Christy Essien. LP, Vinyl record album

Close matches4
CD, LP, Vinyl record album cover art
VariousAfro Exotique – Adventures In The Leftfield 1972 to 1982 ... LP
Africa Seven (UK), 1970s/Early 80s. New Copy ... $22.99
A set that definitely lives up to its title – as all the tracks are from the more exotic, unusual side of the Afro Funk spectrum – including some great 70s experiments with American soul, Cuban percussion, and even a touch of reggae too! The package is lean on notes, but has a really great array of selections – interesting tracks that break way past the usual, with titles that include "The Coffee Cola Song" by Francis Bebey, "On My Way" by Aura, "Lamento Cubano" by Amara Toure & Orchestre Massako, "Eben Reggae" by Uta Bella, "Coconut" by Dan Lacksman, "Pesse Mi Buntare" by Yta Jourais, "My Girl Reggae" by Black Reggae, "Let My Music Take You" by Nel Oliver, "L'Enfant Et La Gazelle" by Myriam Makeba, and "Soledad" by Chakachas. LP, Vinyl record album
 
Possible matches: 2
Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Pacific ExpressOn Time ... LP
Gull (South Africa), 1978. Sealed ... Temporarily Out Of Stock
Warm 70s soul from Pacific Express – a South African group, but one who maybe have more of a west coast American vibe than you might expect! The music here is really well put-together – maybe on the more soulful side of the AOR spectrum, but without any of the too-polished modes you'd get on a major label – just a strong focus on tuneful instrumentation and rock-solid hooks on most of the tunes! There's plenty of jazzy instrumentation in the mix – including nice use of Fender Rhodes, and some work on tenor sax by South African jazz legend Basil Coetzee – on titles that include "I Hear Music", "Dream", "Give A Little Love", "Saturday Night", "Angel Of Love", "We Got A Good Thing Going On", "The Way It Used To Be", and "Reaching Out For Your Love". LP, Vinyl record album
(Recent UK reissue on World Seven, sealed! Shrinkwrap has a sticker remnant.)

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ VariousSoul Safari Presents Township Jive & Kwela Jazz Vol 3 ... CD
Ubuntu (Netherlands), Early 60s. New Copy ... Out Of Stock
Maybe our favorite volume so far in this excellent series – a set that focuses on early 60s work from South Africa, with a vibe that really showcases that great sound that would soon explode globally – as artists like Hugh Masekela and Miriam Makeba got wider exposure! Yet the music here is hardly as commercial as sounds from those two – as the overall production and presentation is nice and rootsy – lively rhythms topped with jazzy instrumentation and these especially wonderful vocals that dip, turn, soar, and fly – all at a level that would become cliche in the world music boom decades later, but which still sounds beautiful here at the roots. All tracks were hand-picked from the archives of the International Library Of African Music – and titles include "Nylon" and "Intogeymy" by The Lower Buttons, "Seven Stiches" and "Rock Phata 1001" by Kid Ma Wrong Wrong, "Lulu Part 4" by Bra Sello, "Mangothobane" and "Wamuhle Lomfana" by Flying Jazz Queens, "Kudala Ngizula" by Cowboy Superman & His Cowboy Sisters, and "Nice Time" by Que Sisters. CD
 
Partial matches: 4
Partial matches7
CD, LP, Vinyl record album cover art
✨✧ CultureTwo Sevens Clash (Shanachie) ... LP
Shanachie, 1987. Very Good ... Temporarily Out Of Stock
Essential! The mighty debut album from African disciples Culture pairing up with the Mighty Two, Joe Gibbs and Errol Thompson is one of the landmark sets of roots reggae, a defining moment of the genre dropped during the year when two sevens clashed. And though the apocalypse didn't rain down from the skies in '77, this album was certainly a world-changing event, one of the finest moments in Kingston's rich musical history! Gibbs provides the trio with a set of uplifting rhythms over which to harmonize, and Culture comes correct on every track, combining a tightly harmonized approach with a rawer, rootsier sound. 10 tracks in all, including "I'm Alone In The Wilderness", "Pirate Days", "Two Sevens Clash", "Caling Rastafari", "I'm Not Ashamed", 'Get Ready To Ride The Lion To Zion", "Black Starliner Must Come", "Jah Pretty Face", 'See Them A Come" and "Natty Dread Taking Over". LP, Vinyl record album
(80s Shanachie pressing.)

Partial matches8
CD, LP, Vinyl record album cover art
John RenbournUnpentangled – The Sixties Albums (There You Go/John Renbourn/Bert & John/Another Monday/Watch The Stars/Sir John A Lot Of/bonus tracks) (6CD set) ... CD
Transatlantic/Cherry Tree (UK), Late 60s. New Copy 6CD ... $32.99
A treasure trove of greatness from British folk rock legend John Renbourn – all of his late 60s solo work, done before moving on to greater fame in Pentangle! First up is There You Go – a rare one from singer Dorris Henderson and future Pentangle founder John Rensbourn! Florida born, LA raised singer Dorris Henderson moved to London in 1965 and was soon singing London's folk clubs, where she met Rensbourn. A solid mix of traditionals and then contemporary folk songs – stripped down and honest takes on "Saly Free And Easy", "Cotton Eyed Joe", "Mr Tamborine Man", "Going To Memphis", Something Lonesome", "Mist On The Mountain" and more. This edition includes bonus tracks from a rare 45 – "Hangman" and "Leaves That Are Green". Next is the self-titled John Renbourn from 1965 – a set that would not only establish John's legacy for years to come, but also have a very strong impact upon the role of the guitar on the British scene too! The album's definitely in a mode that owes something to an American folk legacy – but it also really breaks from the past with unusual phrasings and colorings in Renbourn's guitar – certainly with an ear towards ancient English modes, but also at once very fresh and contemporary – a strong precursor to the waves of new acoustic talents that would flow from the UK a few years later, but maybe even more revolutionary – given that John's mostly just working here with his guitar and voice. Bert Jansch adds guitar to a few tracks – and titles include "Song", "Down On The Barge", "Plainsong", "Judy", "Beth's Blues", "Blue Bones", "Train Tune", "Winter Is Gone", and "Noah & Rabbit". Bert & John is a hell of a collaboration between British legends Bert Jansch and John Renbourn – both working here together to completely redefine the sound of their music for the generation to come! This one album may well hold all the sense of subtle power and possibility that was about to flower in the Brit movement often known as "acid folk" – that reworking of older aesthetics with modern conceptions, and doing so mostly with their work on acoustic guitar – quite a feat, given the stripped-down instrumentation of the set! Bert sings a bit – in that incredible style of his – but the real attraction here is the guitar interplay, which is always fresh, never hokey, neither familiar American folk nor forced singer-songwriter backup material. Titles include a wonderful reworking of Charles Mingus' "Goodbye Pork Pie Hat" – plus "Red's Favourite", "Orlando", "Soho", "Piano Tune", "East Wind", "After The Dance", and "The Time Has Come". Another Monday is maybe the most obscure album in the collection – a set that is mostly instrumental, with some completely fantastic work by Renbourn on guitar – but which also features a bit of guest vocals from singer Jacqui McShee – whose warmer presence next to John really makes for a nice pairing. The album's as powerful as it is subtle, really beautiful in its sense of variety – with titles that include "Buffalo", "One For William", "Lost Lover Blues", "Another Monday", "Day At The Seaside", "Nobody's Fault But Mine", and "Waltz". Watch The Stars is another great collaboration with Dorris Henderson – an American singer, but one who moved to London in the 60s – where she cut this rare gem with guitarist John Renbourn! The album's got a righteous vibe that's hipper than the usual folk set – with some traditional tunes and some contemporary material – recorded with that amazing phrasing that made Renbourn's guitar so distinct right from the start, with lots of those jazzy currents we love so much – and which really fit the creative vocal approach of Henderson! Dorris also plays some autoharp, and there's a bit of bass in the backings – although overall the main focus here is on Renbourn's guitar and Henderson's vocals. Titles include "Come Up Horsey", "God Bless The Child", "Watch The Stars", "30 Days In Jail", "Mosaic Patterns", "Tomorrow Is A Long Time", and "There's Anger In This Land". Sir John A Lot Of is perhaps one of the best-known albums from British guitar legend John Renbourn – as it was issued widely in the US, and kept in print for a surprisingly long time over the years! The approach here is slightly different than Renbourn's previous records – a bit in the image presented by the cover, although with maybe not as slavish a sound – as John just uses the whole thing to go a bit more ancient than before, in ways that echo the time travel that the whole British folk scene was taking as the 70s approached. The tunes are done in ways that are really beautiful – still lots of the incredible guitar work that made Renbourn such a standout on the scene – plus flute from jazzman Ray Warleigh, who's very different here than usual – and spare use of finger cymbals, African drums, and glockenspiel by Terry Cox. Titles include "Morgana", "Transfusion", "The Trees They Do Grow High", "Sweet Potato", "Seven Up", and "White Fishes". 6CD box features all records in original artwork sleeves, with a booklet of notes – and bonus tracks that include "Message To Pretty", "The Waggoner's Lad", "Lucky Thirteen", "Blues Run The Game", "The Wildest Pig In Captivity (alt)", "Can't Keep From Crying", "Transfusion (alt)", and "The Leaves Are Green". CD

Partial matches9
CD, LP, Vinyl record album cover art
✨✧ Ramsey LewisSalongo ... LP
Columbia, 1976. Very Good+ ... Temporarily Out Of Stock
A tremendous little record, and one of the funky 70s sets that Ramsey Lewis recorded with Earth Wind & Fire! Well, not Earth Wind & Fire entirely – but the Kalimba Productions team of Maurice White and Charles Stepney that gave the group its sound – plus a nice sprinkling of other players that were often associated with sessions by the group! Ramsey's own combo here includes Steve Cobb on drums and vocals, and Derf Reklaw on reeds and vocals as well – and the overall sound has bits of African and Brazilian influences, worked into a soulful fusion groove that sounds a lot like the instrumental backings EWF were using at the time. Titles include "Brazilica", "Slick", "Rubato", "Salongo", and "Seventh Fold". LP, Vinyl record album
(Canadian pressing. Cover has a cutout hole and light wear.)

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ John RenbournSir John Alot Of Merrie Englandes Musyk Thyng & Ye Grene Knyghte ... LP
Reprise, 1968. Very Good+ ... Temporarily Out Of Stock
A record that's perhaps one of the best-known albums from British guitar legend John Renbourn – as it was issued widely in the US, and kept in print for a surprisingly long time over the years! The approach here is slightly different than Renbourn's previous records – a bit in the image presented by the cover, although with maybe not as slavish a sound – as John just uses the whole thing to go a bit more ancient than before, in ways that echo the time travel that the whole British folk scene was taking as the 70s approached. The tunes are done in ways that are really beautiful – still lots of the incredible guitar work that made Renbourn such a standout on the scene – plus flute from jazzman Ray Warleigh, who's very different here than usual – and spare use of finger cymbals, African drums, and glockenspiel by Terry Cox. Titles include "Morgana", "Transfusion", "The Trees They Do Grow High", "Sweet Potato", "Seven Up", and "White Fishes". LP, Vinyl record album
(Tan label pressing. Cover has light wear.)
 
 
 



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