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XWe're especially heavy on New York sounds of the 60s and 70s -- Latin Soul, salsa, boogaloo, and more!

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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Joe BataanSalsoul ... LP
Mericana, 1973. New Copy (reissue)... $9.99
A landmark album from Joe Bataan – so great, that it made the entire record company change its name! The record has Joe really bursting out after his seminal Latin Soul work of the late 60s – blending Latin rhythms and American soul into a whole new style of music – one that Joe called "Salsoul", because of it's mixture of salsa and soul! The blend is fantastic, a real milestone in the NuYorican scene – and handled perfectly by Joe on every cut! There's some massive Latin funk on here, including the tracks "Latin Strut" and "Aftershower Funk", plus some straighter Latin jazz, like "Sunny Gets Blue Mambo", and a great Latin Soul cut with English vocals called "Johnny". LP, Vinyl record album
 
Close matches: 2
Close matches2
CD, LP, Vinyl record album cover art
✨✧ Joe BataanAfrofilipino ... LP
Salsoul, 1975. Used ... Temporarily Out Of Stock
An amazing crossover moment of the 70s Latin scene! During the 60s Joe Bataan had been experimenting with the many different mode of Latin Soul – crossing over styles in a way that not only reflected his complicated roots, but which also tried to break Latin music out of the small uptown market it was getting locked into. On the album before this one, Joe coined the term Salsoul, which he used to describe his unique mix of salsa and soul – which on this record also gets a bit of an infusion of disco, which was a brilliant move by Joe, and broke the album out of the ghetto, onto dancefloors around the world. The centerpiece of the record is Joe's funky cover of Gil Scott-Heron's classic "The Bottle" – but just about every track is great, and there's loads of excellent titles like "Chico & The Man", "Women Don't Want To Love Me", "X-Rated Symphony", "When You're Down (Funky Mambo)", and remakes of older Latin Soul tunes "What Good Is A Castle" and "Ordinary Guy". LP, Vinyl record album
(White label promo. Label has some marker. Cover has cut top corners, heavy ring & edge wear, and a name in marker on front.)

Close matches3
CD, LP, Vinyl record album cover art
✨✧ LibreIncreible ... CD
Salsoul/Ultra Vybe (Japan), 1981. New Copy ... Out Of Stock
A very well-titled set from Libre – as the group were one of the more incredible acts on the New York scene of the 70s – always a bit more underground than the salsa mainstream, and able to easily bridge so many generations with their music! Leader Manny Oquendo has a great ear for unusual sounds – and finds a way to blend contemporary jazzy currents with some deeper Afro-Cuban rhythms – with a sound that's both holding to tradition, but able to really push things forward – without some of the more reactionary tendencies found in some of his scenemates. The quality of the musicians is one of the great strengths of the record – as the set features work from Dave Valentin on flute, Jerry Gonzalez on congas and trumpet, and Papo Vasquez on trombone – under the direction of bassist Andy Gonzalez, who handles arrangements with Marty Sheller and Luis Cruz. Titles include "Tracionera", "Decidete", "Yo No Vuelvo Contigo", and "Goza La Vida". CD
 
Possible matches: 3
Possible matches4
CD, LP, Vinyl record album cover art
Joe BataanLatin Funk Brother ... CD
Fania/Vampi Soul (Spain), 1967/1972. Used ... $12.99
Some of the most soulful Latin tunes ever recorded – brilliant work by Joe Bataan, the self-styled Latin Funk Brother who forever changed the course of the music! The tracks on the set date from Joe's late 60s and early 70s sides for Fania – pre-Salsoul work that had Joe working in a variety of styles that blended together Latin rhythms and influences from American soul – including doo wop harmonies, sock-soul lyrics, and some unbelievably touching ballad styles. This set's a great introduction to Joe's work – with more soul than the funk in the title might imply, but extremely great stuff nonetheless! Titles include "Cry", "Ordinary Guy", "It's A Good Feeling (Riot)", "Shaft", "Johnny's No Good", "Make Me Smile", "Chili Beans", "Special Girl", "Too Much Lovin", "Gypsy Woman", and "I'm Satisfied". CD

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Joe BataanSaint Latin's Day Massacre ... LP
Fania, 1972. New Copy (reissue)... $9.99
A real turning point for Joe Bataan – and the beginning of his funky Latin sound of the 70s! The album was one of the first in Joe's "Salsoul" style – a sweet blend of Latin rhythms, late 60s Latin soul influences, and some of the hipper styles bubbling through the NuYorican scene. A few cuts are in the sweet soul ballad mode of Joe's earlier years – but there's others that pick up the groove nicely, and add in some guitar and vibes for a sweet electrified groove. Includes a great remake of "Theme From Shaft", plus the two-part "I Wish You Love", "If I Were A King", "Coco E", "El Regreso", and "Charangaringa". LP, Vinyl record album

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ VariousSon Cubano NYC – Cuban Roots New York Spices 1972 to 1982 ... LP
Honest Jons (UK), 1970s/Early 80s. New Copy 2LP Gatefold ... Out Of Stock
The rebirth of the Afro-Cuban groove on the New York scene of the 70s – great recordings in the "new traditionalist" sound of the time! After the boom of the Latin Soul sound of the late 60s, and the rise of salsa in the early 70s, there was also a "back to basics" movement within the players of the New York Latin community – a shift that stripped down the sound, reintroduced traditional instrumentation, and worked in rhythms that might have been used on older sessions, but which were slightly updated for the newer recordings. The work of that period, although strong, has often been overlooked in favor of some of the flashier sounds of the scene – and this set wonderfully corrects that fault by bringing together a great sampling of work from the traditional spectrum of the Salsoul and SAR record labels, along with the kind of notes and commitment to quality that makes the Honest Jon's reissues so great! Titles include "Son Sabroson" by Rey Roig, "Chuchillo Para La Pina Cubana" by Charlie Rodriguez, "Chocolate En C7" and "Trumpet En Montuno" by Chocolate, "Oriente" and "Tiene Sabor" by Henry Fiol, "Yo Perdi El Corazon" by Lita Branda, "Camina Y Ven Pa La Loma" by Roberto Torres, "Celosa" by Angelo Y Su Conjunto Modelo, and "Los Dos Hermanos" by Los Jimaguas. LP, Vinyl record album
 
 
 



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