A totally unique record from drummer Makaya McCraven – and a great one too! The set's built around improvised performances recorded over the period of a year – with some of Chicago's best underground jazz talents, including Matt Ulery on bass, Marquis Hill on trumpet, Jeff Parker on ... read moreCD
Easily one of the best albums ever cut by this oft-overlooked bop trumpeter – and a clean, clear, no-nonsense session played with some great modern touches! The session really steps off from McGhee's earlier work nicely – and is noteworthy not only for Howard's great trumpet work, but ... read moreCD
Wonderful work from one of the most important early bop trumpeters – the mighty Howard McGhee, heard here in a set of rare material that includes obscure studio sessions and some surprisingly great live performances too! McGhee was one of the first and the best to turn the trumpet towards ... read moreCD
A soulful treasure from 70s France – funky fusion at its best, played by drummer Noel McGhie and his legendary Space Spies combo! The group features some sweet electric piano on all the grooves – really skipping out with a light touch that steps around McGhie's tight drum work nicely ... read moreCD
Classic material by McGregor, recorded in the post-Blue Notes years, but featuring old bandmates Dudu Pukwana, Mongezi Feza, and Louis Moholo. The group also includes some great Brit avant players – like Evan Parker, Radu Malfatti, Harry Miller, and Harry Beckett – and the whole ... read moreCD
A modernist classic from 60s Blue Note! The album's one of Jackie McLean's greatest from the time – and one of his seminal "new thing" sessions cut with young modernists Grachan Moncur and Bobby Hutcherson. 3 of the 4 long tracks on the record were written by Moncur, and have a ... read moreCD
Stunning! This is one of Jackie McLean's best-ever albums, and it's a haunting mix of hard bop and some of the more modernist tendencies that would inform his "new thing" period. Butch Warren plays bass, and he drives the set with an intensity that reminds us of Mingus – and which ... read moreCD
A young Jackie McLean at the height of his powers – really stretching out here, but never going too far out – a perfect balance between his modern bop of previous records, and his groundbreaking "new thing" jazz to come! The group is a relatively straight ahead one – ... read moreCD
A very apt title – as Jackie McLean sits in for a soulful session with the Great Jazz Trio of Hank Jones, Ron Carter, and Tony Williams – all "old bottles" at this point in their career, but working together beautifully to brew some very mellow "new wine"! The album' ... read moreCD
A previously-unissued performance from Joe McPhee – recorded in the early 80s, and a searing ensemble take on Ornette Coleman's "Lonely Woman"! The arrangements are beautiful – as the track retains some of the haunting melody of the original composition, yet has a loose, ... read moreCD
A tremendous look at the early years of the legendary Joe McPhee – a set that's based around his classic Nation Time album, and which features other live material from the same time – including a Hat Hut album, and two CDs' worth of previously unissued work! The core album is legendary ... read moreCD
The title really gets things right here – as Joe McPhee is in some of his most sonic territory – really working sometimes at a level that's way beyond music, yet still managing to bring a strong sense of soul to the set too! The album begins with "Episode One", dedicated to ... read moreCD
A very cool combo – one that features the trombone of Massimo Morganti, tenor of Barend Middlehof, and piano of Nico Menci – all working together without any other instrumentation at all! The style means that the piano handles as much of the rhythm as it does the melody – making ... read moreCD
A great debut from an ultra-jazzy combo from the Finnish scene – one with the same sort of fire and crackle as the best groups on the Ricky Tick label! The tracks have a blend of 60s hardbop with some later soulful elements – and leader Kari Setala's got a mighty great touch on both ... read moreCD
Seminal sounds from one of the hippest vibists of the 60s – the great Jerzy Milian, who was easily Europe's answer to Bobby Hutcherson at the time! The material here comes from a few key performances by the Milian trio at the Jazz Jamboree festival in Poland – sort of the Eastern ... read moreCD
Sublime sounds from the late Harry Miller – material never issued during the course of his too-short life, but a great illustration of his really unique contribution to British jazz at the time! Miller's work on bass is wonderful throughout – very rich in feeling, and with a grounded ... read moreCD
Big ol' bass from Marcus Miller – but also some sweet keyboards and great vocals too – all wrapped up in a set that's really got Miller at the height of his powers! Marcus wonderfully skirts the worlds of soul and fusion for the record – and mostly creates a tight groove on his ... read moreCD
Lots of funky keys and choppy sax passages – on this sweet Japanese fusion session headed up by reedman Kohsuke Mine! Mine plays both soprano and tenor on the record, and it's got a feel that's halfway between some of the harder jamming European fusion sides of the 70s – like mid 70s ... read moreCD
Early work from this tremendous Japanese saxophonist – working here on both alto and soprano sax, in styles that are sharply angular, but also quite warm and soulful! Kosuke Mine's got a quality that's a bit like Joe Henderson at the same time – obviously informed by earlier hardbop, ... read moreCD
Great work from this lesser-known Japanese tenor player – an underrated genius with a style that's at once free-searching and introspective! Even though he plays tenor, Kosuke Mine's tone reminds us a lot of Jackie McLean on some of his best Blue Note sides – kind of leaning into ... read moreCD
Kosuke Mine —
Solid ... CD East Wind (Japan), 1976. New Copy ...
Solid is right – as the album's one of the best-ever from Japanese saxophonist Kosuke Mine – a really far-reaching quartet session with a wonderfully vibrant feel! One of the real strengths of the session is its keyboard work by Mikio Masuda – warm and soulful, a perfect platform ... read moreCD
One of the funkiest albums ever on Blue Note – a set that mixes the trumpet talents of Blue Mitchell with some killer backings from Monk Higgins – all in a groove that more gritty edges than the best funky soundtracks of the time! Higgins keeps the backings full, but always quite lean ... read moreCD
A key 70s album from Blue Mitchell – and a set that's perfectly balanced between the lyricism of his mid 60s sides for Blue Note, and the electric funk of later years! The tracks are long, and have a really great vibe – plenty of room for Mitchell's sweet trumpet in the lead, with ... read moreCD
A later set from Blue Mitchell – but a great one too, and done in a fully-arranged soul fusion style that seems to bring out the best in his playing! The album's got a smoother sound than some of Blue's work for Blue Note or Mainstream – but the groove comes out surprisingly well, ... read moreCD
Nicole Mitchell —
Arc Of O ... CD Rogue Art (France), 2012. New Copy ...
One of the most ambitious sets we've heard from Nicole Mitchell – a really unique mixing of modes that features a core Chicago group coming into play with the Arche New Music Ensemble! The initial group features Nicole on flute, vocals, and electronics – with Mwata Boden on baritone ... read moreCD
A mighty soulful set from the group of bassist Takahashi Mizuhashi – served up in a really strong range of sounds that are spun out over the album's very long tracks! The set begins with a soulful rendition of "When A Man Loves A Woman", but then soars into freer jazz territory at ... read moreCD
A rare second chapter to Mobley's famous Workout album – recorded in the early 60s, but not issued until the mid 80s – and even then, only momentarily on vinyl! The session's a great one – a quartet outing with a structure that's similar to Hank's classic Soul Station record, but ... read moreCD
One of those rare treasures that was recorded by Blue Note in the 60s, but not issued at the time – a great late Hank Mobley set from 1967 that only saw the light of day in 1980! The album's got Hank really opening things up – using some of those more inventive rhythms and articulate ... read moreCD
One of the best-ever Hank Mobley albums on Blue Note – and a killer batch of soulful hardbop that was cut right around the same time as the classic No Room For Squares LP. In fact, the album contains work from 2 different sessions that filtered over to the Squares album – one that ... read moreCD
Hank Mobley was a genius – as you'll hear on this incredible hardbop session from the 60s! He never made a bad album, and even when playing straight, he had a sheer raw power that made every moment rich with excitement! This session's got a great lineup that features Grant Green on guitar, ... read moreCD
Louis Moholo Moholo Unit —
4 Blokes ... CD Ogun (UK), 2014. New Copy ...
Not just four blokes, but a killer quartet led by legendary drummer Louis Moholo – one that works at the same searing intensity as his Blue Notes group in the 70s! The combo is especially adept at quick-paced, fast-thinking creativity – and really leap forward with a great sense of ... read moreCD
Louis Moholo Moholo's Viva La Black —
Exile ... CD Ogun (UK), 1990/1991. New Copy Gatefold ...
Brilliant recordings from drummer Louis Moholo – done at a time when he was one of the few surviving members of the legendary Blue Notes – working here with his Viva La Black combo, in a sound that has a similar mix of South African roots and European avant modes! The material's from ... read moreCD
Torolf Molgaard —
Lone Rider ... CD Artist/SeriE.WOC (Italy), 1972. New Copy ...
Some of the coolest use of trombone in jazz we've ever heard – a set that features multiple musicians on the instrument, but in ways that are different than any similar projects from the 50s or 60s! The style here is very loose and open, and the record steps along beautifully with electric ... read moreCD
The genius of modern music – expanded – in a set that features all the original recordings done by Thelonious Monk for Blue Note, in the order of their original release as 78rpm singles – in a great package that also features alternate takes and other variations! The core of the ... read moreCD
Mopti get some extra electrification here from Bendik Baksaas – whose synth, laptop, and turntables inflect their music with a nice range of sounds and styles! There's almost an 80s experimental sound to the record – especially the use of turntables, which introduce found sounds from ... read moreCD
A stunner of a set from Jason Moran – hardly the easy Fats Waller tribute you might guess from the title, and instead a sweet electric session that's filled with soul, and a quality that's a real change from some of Moran's other music! The record was co-produced by Meshelle Ndegeocello, who ... read moreCD
Of course it's about time for Joe Morello – because as Dave Brubeck's drummer, he was constantly caught in recording sessions that were all about unusual rhythms and timings in jazz! Yet this set really helps Joe break free from the Brubeck mode – and also shine strongly as a leader, ... read moreCD
One of our favorite albums from Lee Morgan – a soaringly soulful session that was recorded in the mid 60s, and finally issued by Blue Note at the end of the decade! The vibe here really follows from the lyrically inventive, post-Sidewinder mid 60s Morgan years – with a spirit that's ... read moreCD
One of Lee Morgan's most sparkling sessions from the early years – a record that already shows a sense of depth and imagination that would take Lee way beyond simple hardbop solo work! There's a sensitivity here that owes something of a debt to Clifford Brown, yet which is much more ... read moreCD
A very appropriate title for a very cooking little album – one of Lee Morgan's first efforts as a leader, cut back during his first years of late 50s fame! The style here is a bit less Morgan-esque than some of Lee's later 60s classics – but the record is rock-solid throughout, and ... read moreCD
A sock-solid sextet session from the mighty Lee Morgan – recorded for Blue Note at the height of his mid 60s powers, and carried off in a beautiful blend of soul jazz and some slight modern touches! The group here is top-shelf all the way through – Jackie McLean on alto, Hank Mobley on ... read moreCD
Lee Morgan —
Rajah ... CD Blue Note (Japan), 1966. New Copy ...
One of our favorite albums ever from the legendary trumpeter Lee Morgan – a set that Blue Note recorded in the mid 60s, but didn't show the world until almost two decades later! The album's got Lee as his lyrical best – working almost with a sense of exoticism, especially on the ... read moreCD
Great soul jazz from the LA underground! Pianist Nate Morgan plays in the tradition of McCoy Tyner and Stanley Cowell, with a swirling spiritual feel that's deeply rooted in a Love Supreme tradition. On this LP, he leads a quintet with Jesse Sharps on reeds and Danny Cortez on trumpet – and ... read moreCD
Kenji Mori may be the firebird on tenor and flute for the date – but the album also features some mighty bold lines on guitar from the young Kazumi Watanabe! Kazumi's got a dynamic sense of energy that really shapes the record from the start – these long, twangy electric passages that ... read moreCD
Katsutoshi Morizono —
Cool Alley ... CD Electric Bird/King (Japan), 1979. New Copy ...
Japanese fusion from the late 70s, but with some great American assist – given that the set was recorded in sunny Southern California, and features work from Larry Knechtel on piano, George Bohannon on trombone, and Ollie Mitchell on trumpet! Like some of the best albums of this type from ... read moreCD
Katsutoshi Morizono —
Escape ... CD Electric Bird/King (Japan), 1980. New Copy ...
A really great set from Japanese guitarist Katsutoshi Morizono – one that's filled with tight fusion lines, and a mighty soulful sense of rhythm! The set kicks off with a great version of Ben Sidran's "The Cadillac Kid" – almost worth the price of the album alone, given ... read moreCD
Katsutoshi Morizono is a guitarist who can be plenty soulful when he wants to – but he's also been a musician who's open to new ideas, too – one of which is the increased use of vocals on this early 80s set! Morizono's not the greatest singer in the world, but he's got this kind of ... read moreCD
The album's got a really classic-styled cover, and a classic-styled sound to match – a great Hammond/tenor vibe that's wonderfully old-school all the way through! The album was recorded live in a small Chicago club, and has the feel of a vintage Prestige records live date – with heavy ... read moreCD
Sam Morrison —
Dune ... CD East Wind/Universal (Japan), 1977. New Copy ...
A pretty great little fusion set from saxophonist Sam Morrison – as slinky, sloping, and seductive as the title – and a record that might have been right at home on CTI! The album features all original tunes by Morrison – played with a very cool group that includes Al Foster on ... read moreCD
Marvelous work from Mostly Other People Do The Killing – and a record that's quite different from its cheesy looking cover! The quartet never fail to amaze us with their creative energy – and this time around, they're paying homage to that moment in 80s jazz when the underground was ... read moreCD
A full-on electric jammer from Alphonse Mouzon – cut in the frenetic style of his Blue Note sides, but given an extra electric MPS twist! The lineup includes a host of strong European fusion players – including Miroslav Vitous on bass, Philip Catherine on guitars, and Joachim Kuhn on ... read moreCD
A monstrous bit of jazz funk from drummer Alphonse Mouzon – spacey tracks in a choppy style that reminds us a bit of some of the best European fusion albums from the period, but with a harder groove overall! Mini Moog and ARP trip out the sound throughout, but the underlying rhythms are nice ... read moreCD
A sweet second set from the Orissa group of trombonist Shigeharu Mukai – a combo that mixes funky fusion with some island and exotic touches – but all in a way that still maintains and electric groove! The trombone of Mukai is equally matches by the keyboards of Hiromichi Tsugaki and ... read moreCD
A bit more electric than some of Shigeharu Mukai's previous records – but a set that also makes up for that with a host of exotic touches too! The album follows off the same fusion vibe as Mukai's work with the Morning Flight group, but also brings in some tropical touches to the mix – ... read moreCD
Beautiful work from the Japanese jazz scene of the late 70s – an unlikely gem from trombonist Shigeharu Mukai, recorded with a sweet and gentle groove that's really amazing! Shigeharu has a soulful and fluid sound on his horn that ranks him with the best American players of the time – ... read moreCD
All keyboards from Minoru Mukaiya – a set that features lots of different Yamaha, Korg, and Roland keys – all working together to provide rhythm and melody on some sweet little 80s instrumentals! The style here is probably most in the fusion mode, but given that it's a one man show, ... read moreCD
Minoru Muraoka & New Dimension Group —
Bamboo ... CD King (Japan), Late 60s. New Copy ...
60s jazz meets Japanese bamboo flute – all in a session with a great mix of groovy and exotic touches! The record's a unique meeting of jazz and folkloric elements – done in a style that's a bit like some of the late 60s sessions of this nature on MPS, but a fair bit groovier overall ... read moreCD
A really different album from pianist Greg Murphy – an artist we know mostly for his work with Rashied Ali during his later years! This set's not what you might expect from the Blues For Miles title – hardly a recap of Davis' music, or his ideas at all – and instead comes across ... read moreCD
A brilliant portrait of the mid 70s NYC improvisation scene by the Music Ensemble – a collective featuring Billy Bang on violin, William Parker on bass, Roger Baird on drums, percussion and flute, Malik Baraka on trumpet and Daniel Carter tenor, alto, flute and percussion! The pieces ... read moreCD
Some of the earliest work from legendary Estonian pianist Tonu Naissoo – an artist who's only gotten his due on the global scene in the past decade or two, but who was a hell of a visionary right from the start! Tonu's got this way of balancing lyrical elements and darker corners – ... read moreCD
Michael Naura —
Call ... CD MPS/Edel (Germany), 1970. New Copy ...
A stunner of a Fender Rhodes album – one of a few rare sides cut by pianist Michael Naura – and a lost MPS session that's one of the label's best from the 70s! The group's a quartet, with a very open, fluid sound – and it mixes Naura's Rhodes with the vibes of Wolfgang Schluter ... read moreCD
One of the last sessions Oliver Nelson ever recorded – a genius batch of work recorded for the Japanese East Wind label, and maybe one of his greatest albums ever! The set's a wonderful link between the sophisticated large group sounds that Nelson did for Impulse Records in the 60s, and some ... read moreCD
A killer set of searing soulful spiritual material from Oliver Nelson – and one of his best albums of the 70s! There's hardly anything "Swiss" in the music – save for the fact that it was recorded at the Montreux Jazz Fest – as the large ensemble recording has Nelson at ... read moreCD
New York Liner (David Matthews) —
New York Liner ... CD Electric Bird/King (Japan), 1981. New Copy ...
A great post-CTI project from arranger David Matthews – working here with a group that includes lots of tight fusion guitar lines from Eric Gale, John Tropea, and David Spinozza! All three players get plenty of time in the spotlight – and seem to trade rhythm and solo efforts ... read moreCD
Sweet electric grooving from David Newman – a great little album cut with Roy Ayers on vibes and Pat Rebillot on electric piano – both of whom bring a very different feel to the set than Newman's work of the 60s! The style is warm and tight, but never too smooth – as there's ... read moreCD
Nineteenth Whole —
Smilin' ... CD Eastbound/Westbound (UK), 1972. New Copy ...
One of the sweetest little jazz funk albums of the early 70s – and a masterful blend of vibes, guitar, and organ from this legendary Indianapolis combo! The group are probably best known for their backing work behind Grant Green on some of his funky Blue Note sides – or for vibes ... read moreCD
(Comes in a great little cardboard LP-styled sleeve!)
Teus Nobel —
Legacy ... CD Flyin High (Netherlands), 2014. New Copy ...
The cover's got a very moody look, but the record opens up nicely with a warmer vibe than you might expect – an airy blend of the trumpet of Teus Nobel, who's got a way of phrasing that can sometimes bite hard, sometimes lay back with a much more fluid approach! There's a slight ECM style to ... read moreCD
Beautiful solo piano from Mike Nock – and a record that grabs us a lot more than we would have expected! Nock's a player who's had so many different great moments, in so many different settings, it's almost easy to overlook a more subtle record like this – yet the album's got a sense ... read moreCD
Larry Nozero —
Time ... CD Strata/180 Proof, 1974. New Copy ...
Sweet reeds and lots of Fender Rhodes – a lost 70s album from the Detroit underground, and one of the best-ever sets from saxophonist Larry Nozero! Larry's working here in close collaboration with keyboardist Dennis Tini – whose Rhodes and Clavinet work really make the album sparkle, ... read moreCD
A fresh reworking of Don Cherry's legendary Complete Communion album for Blue Note – played here by a trio of Norwegian players who are clearly inspired by the original! The lineup here is a bit different than the classic version – with Atle Nymo on tenor, Ingebrigt Haker Flaten on ... read moreCD
Really really great work from pianist Mats Oberg – a musician we've always loved, but who really blows us away with this solo set of improvisations! Mats has this free-flowing sense of imagination that really loves us breathless – a way of creating on the keys of the piano that almost ... read moreCD
Blue sounds recorded in Manhattan, but played by Japanese trumpeter Shunzo Ohno – who returns to the tight fusion styles of his records from a decade before! The album has Ohno as the lead soloist in a hip group that includes Mike Stern on guitar, and keyboards from Gil Goldstein, Kenny ... read moreCD
Shunzoh Ohno —
Bubbles ... CD East Wind (Japan), 1975. New Copy ...
Sweet electric funk – and a really great, long-lost Japanese fusion session from the 70s! The album's headed up by Japanese trumpeter Shunzoh Ohno, but it also features work by American players like Reggie Lucas on guitar, Sam Johnson on keyboards, and Roy Haynes on drums – all of whom ... read moreCD
An aggressive bit of funky fusion – a set that matches the talents of Japanese trumpeter Shunzoh Ohno with some hip American grooves from Reggie Lucas on guitar, Cedric Lawson on keyboards, Don Pate on bass, and Roy Haynes on drums! The sound is very full-on – in a mid 70s Miles Davis ... read moreCD
A pivotal album in the development of the Japanese piano trio sound of the 70s – one that links together an older mode of expression with some of the newer freedoms on the scene! Yuji Ohno grabs us here from the very first note with a bold voice on the keys – one that's got some echoes ... read moreCD
Trumpeter Itaru Oki is listed as the leader here, but the set gets some especially strong help from Takashi Tokuhiro on bass – who begins side one's "Shirasagi" with this amazing solo that's worth the price of the album alone! Side two begins with a complete reworking of "You ... read moreCD
Pianist Johnny O'Neal is a mighty warm talent – and a hell of a singer too, working with this raspy tone that's very much his own – and definitely on the bluesier side of the jazz spectrum! This excellent live set has Johnny working at the height of his charms – shifting ... read moreCD
Mike Osborne —
Dawn ... CD Cuneiform, 1966/1970. New Copy ...
Genius work from British altoist Mike Osborne – a set of lost vault recordings that we might well rank right up there with Mike's classic albums for the Ogun label! The first two thirds of the set has Osborne blowing wonderfully in this open-ended trio with Harry Miller on bass and Louis ... read moreCD
Beautiful alto from Yoshio Otmo – a player who brings an old school style of soul to his horn, but who also works here in the leaner, more modern mode of the Three Blind Mice label! The title track starts the album off with a wonderful sense of bite – a brilliant take on "Moon ... read moreCD
Twin alto sax work from the leaders – blowing here together with a really rich sound that almost feels like some of Phil Woods alto-heavy dates from years back, but with a vibe that's more 70s Japanese as well! The pair are both great soloists on their own – and step out in the lead on ... read moreCD
Japanese drummer George Otsuka is always one hell of a hip cat – one of those players whose name on a record always means that we'll pick it up – and never fail to hear something wonderful! And while Otsuka first got his start working with a piano trio at the end of the 60s, this sweet ... read moreCD
(Blu Spec CD.)
Marty Paich, Herbie Harper, Larry Bunker, et al —
Jazz City Workshop ... CD Bethlehem/Solid (Japan), 1955. New Copy ...
An excellent swinging Bethlehem session from the mid 50s – one that's recorded in LA, but with a sound that's way hotter than most of the label's other west coast sides! The group's extremely tight – and features Marty Paich on piano as the leader, next to great trombone from Herbie ... read moreCD
Jason Palmer —
Places ... CD Steeplechase (Denmark), 2014. New Copy ...
Really beautiful work from trumpeter Jason Palmer – a fresh young talent, and a hell of a writer too! The tracks here are each based on special places for Palmer – and are each written with a very different feel – not in a way that's gimmicky at all, but which really show the ... read moreCD
One of the only albums of jazz we've seen from the Korean scene of the 70s – but a really special little record that aims to echo some of the most spiritual modes from the US scene of the time! The record's the brainchild of arranger Lee Pan Guen – who doesn't play on the record, but ... read moreCD
One of the greatest albums ever on the legendary Strata East label – and that's saying a hell of a lot! Drummer Billy Parker is a player that we don't know much, but he'll always be well-remembered for this album's sublime blend of spiritual jazz styles! The lineup is wonderful – a ... read moreCD
Evan Parker/Barry Guy/Paul Lytton —
At The Vortex ... CD Emanem (UK), 1996. New Copy ...
A trio of well-matched players – really stretching out on some long improvised passages! The album's a live one – a concert performance at London's Vortex – and features two very long sets that really demonstrate the mature improvising talents of the trio – boldly blown ... read moreCD
A really unusual project from bassist William Parker – a great tribute to the legendary Godard film Alphaville, done with music that's a surprisingly great fit! There's almost a jazz soundtrack feel to the record at points – a bit straighter than usual for Parker, but still with plenty ... read moreCD
One of the coolest, grooviest albums ever from the legendary pianist Horace Parlan – a sweet little Latin-inflected set that's unlike any of his other records for Blue Note! All of Parlan's work for the label is great, but this album's something even more special – thanks to the ... read moreCD
Horace Parlan —
Us Three ... CD Blue Note (Japan), 1960. New Copy ...
A classic Blue Note album – with one of the label's most compelling cover images ever! The "three" in this case refers to pianist Horace Parlan, bassist George Tucker, and drummer Al Harewood – all of whom jam nicely on this classic soul trio album from Blue Note! The record ... read moreCD
Stunning work from bassist Jaco Pastorius – a player who'd already wowed audiences with his seminal 70s sides with Weather Report, and on his own – but an artist who really finds a way to grow even more on these early 80s sessions for Warner Brothers! Pastorious continues to push the ... read moreCD
Jaco Pastorius at the height of his powers – working here on a set of smoking live recordings that feature both the Word Of Mouth Sextet, and a larger big band! The core combo features Pastorius on some really incredible bass – that re-worked approach to the electric instrument in jazz ... read moreCD
A really unusual album from the mighty Hammond giant John Patton – as the set features two tenor players in the group, both of them great! The tenor's no stranger to the sublime keyboard work of Patton – but here, the great one gets help from both Fred Jackson and Harold Vick – ... read moreCD
Rare work by Hammond organ giant Big John Patton – recorded in 1968, but never issued until 1995, and even then, only briefly! The record features Patton at his finest – stretching out from his basic soul jazz roots, into a more searching use of the organ that's undoubtedly influenced ... read moreCD
A brilliantly bubbling session from Hammond genius John Patton – and a set that serves as a real link between the gutbucket soul of his early years, and some of the fresher phrasing he was beginning to explore at Blue Note! Patton's lines on the keys are a wonderful thing to behold (and ... read moreCD
A much-needed recording of the late 60s big band of pianist Duke Pearson – an amazing ensemble who only recorded just a bit for Blue Note – and who really shine here in this rare concert performance! The set was recorded as part of the legendary late 60s run of concerts for Baltimore's ... read moreCD
Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on ... read moreCD
Incredible work from pianist Duke Pearson – a darkly-tinged album of grooves that surpasses all his other gems for Blue Note! The record showcases some great work from Bobby Hutcherson – slid into the mix in a really sly way, so that his jazzy vibes color all the tunes with an edgey ... read moreCD
Jeremy Pelt —
Musings ... CD High Note, 2015. New Copy ...
Sophisticated sounds from trumpeter Jeremy Pelt – a player who seems to find more and more of his own space with each new recording! This time around, Pelt plays with a mostly-compressed vibe that's both very focused in its phrasing, yet also open to new explorations as well – a sense ... read moreCD
Pentagon (Cedar Walton, Clifford Jordan, etc) —
Pentagon ... CD East Wind/Universal (Japan), 1976. New Copy ...
A really wonderful album that's sometimes overlooked because of it's relatively oblique cover and name – which both hide the wonderful talents within! In truth, the set might be billed as a Cedar Walton session – or maybe almost an Eastern Rebellion one – as the vibe here is very ... read moreCD
One of Art Pepper's classic recordings, in which he plays with a spare quartet backing by Miles Davis' rhythm section at the time – Paul Chambers, Red Garland, and Philly Joe Jones. An essential East meets West jazz recording, with Art at the top of his game, playing in a unique setting for ... read moreCD