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Zoot Sims, Al Cohn,  Edit search

 
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Exact matches: 6
Exact matches1
CD, LP, Vinyl record album cover art
Zoot Sims & Al CohnHoagy Carmichael Sessions & More ... CD
Lonehill (Spain), 1957/1961. Used ... $8.99
Two rare sets by the legendary pairing of Zoot Sims and Al Cohn – both of them a perfect example of the magic of that group! The first 8 tracks on the session feature Sims and Cohn blowing beautifully over a set of Hoagy Carmichael compositions – taken in a laidback, mellow-blowing way that's extremely nice – and which seems a bit of a contrast to some of the other sets of work by the pair from the time. The tunes are arranged by Bill Elton, and feature trumpet by Nick Travis and trombone by Jimmy Cleveland – and Zoot plays a bit of clarinet, as well as tenor, and Cohn seems to handle the clarinet too, plus a bit of baritone. Carmichael titles include "The Nearness Of You", "Skylark", "Two Sleepy People", "Up A Lazy River", and "I Get Along Without You Very Well". The remaining 8 tracks on the CD are from an equally obscure session from 1961 – one that features Sims and Cohn back on tenors, plus Mose Allison on piano, Gus Johnson on drums, and Bill Crow on bass – plus guest vocals by Cecil "Kidd Haffey" Collier on 3 tracks! The instrumental numbers on the set are a great extension of the Cohn/Sims sound of the 50s – spaciously recorded, with the horns hanging together perfectly in midair – and the vocal tunes have a blusier sound that's a real surprise. Titles include "Nagasaki", "Sweet Lorraine", "Autumn Leaves", "The Thing", and "Morning Fun". And honestly, we'd never heard either of these sessions before, and can't find them in our records – or else we'd tell you the original label for release. But at some level, that must make them all the rarer! CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Zoot Sims & Al Cohn & Tony ScottEast Coast Sounds ... LP
Jazzland, 1956. Good+ ... $4.99
A swinging east coast set featuring the reeds of Zoot Sims, Al Cohn, and Tony Scott. Trigger Alpert is actually the leader on these sides, in spite of the way the album is billed, and he plays bass in a piano-less rhythm section alongside Ed Shaughnessy on drums. The front line also includes Joe Wilder and Urbie Green, making for an horn heavy ensemble that blows nicely over Dick Hyman, Tony Scott and Marty Paich arrangements of standards and a handful of originals that include "Looking At You", "I Don't Want To Be Alone Again", "Trigger Happy", "Tranquilizer", "Where's That Rainbow?", "Treat Me Rough", "Triger Fantasy" and "Love Me Tomorrow". LP, Vinyl record album
(Orange label pressing with deep groove. Label has marker. Cover has green tape on the top seam, a split spine, splitting on the bottom seam, and some pen on back.)

Exact matches3
CD, LP, Vinyl record album cover art
Zoot Sims, Al Cohn, Art Farmer, & OthersJazz Goes Broadway ... LP
Vik, 1957. Very Good ... $6.99
Jazz-meets-Broadway session, in the typical RCA vein from this period. Elliot Lawrence, Al Cohn, and Manny Albam did the arrangements, and the group's got the usual suspects – Cohn, Sims, Gene Quill, etc – playing in tight ensemble format. Titles include "Just In Time", "Jubilation T. Cornepone", "Mack The Knife", "Joey Joey", and "Standing On The Corner". LP, Vinyl record album
(Original Vik pressing.)

Exact matches4
CD, LP, Vinyl record album cover art
Zoot Sims/Al CohnHappy Over Hoagy ... LP
Jass, Late 50s. Near Mint- ... $11.99
LP, Vinyl record album
(80s pressing.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Stan Getz/Zoot Sims/Al Cohn/Allen Eager/Brew MooreBrothers ... LP
Prestige, 1949/1952. Used ... Temporarily Out Of Stock
A classic Prestige LP that compiles earlier sides by Getz – four tunes from a 1949 session recorded under Stan Getz & His Four Brothers, with Zoot Sims, Al Cohn, Allen Eager, and Brew Moore – all blowing with Getz in a real "brothers-like" sax section sound. The remaining 4 tracks feature Stan and Al Cohn, working in a 1952 session with Geroge Wallington and Kai Winding – on some nice light boppish tracks that have that sweet smooth Getz tone firmly in place. The album's got a great Don Martin cover, and titles include "Battleground", "Five Brothers", "Four & One More", "Red Door", and "Zootcase". LP, Vinyl record album
(Yellow & black label NJ pressing, with deep groove and RVG stamp. )

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Zoot Sims/Al Cohn/Charlie Shavers/Urbie GreenHappy Over Hoagy/We Dig Cole ... CD
Jass, Late 50s. Used ... Temporarily Out Of Stock
CD
(Out of print.)
Also available Happy Over Hoagy ... LP 11.99
 
Close matches: 2
Close matches7
CD, LP, Vinyl record album cover art
Al Cohn & Zoot SimsFrom A to Z & Beyond ... CD
RCA/Bluebird, 1956. Used ... $4.99
A twin-tenor classic from the team of Al Cohn and Zoot Sims – one of the duo's best-remembered albums from their 50s years at RCA – and a perfect blend of their talent for individual improvisation and unified ensemble energy! The album boasts 2 different groups – one with Hank Jones on piano, Milt Hinton on bass, and Osie Johnson on drums; the other with Dick Sherman on trumpet, Dave McKenna on piano, and the rhythm team of Hinton and Johnson – but the main focus is on Al and Zoot throughout, both blowing these lines that are crisp and modern, yet filled with soul – especially on Sims' passages, which break free a bit more than some of the other RCA jazz sessions of the time. Titles include "My Blues", "More Bread", "Sherm's Terms", "From A To Z", "Crimea River", and "Mediolistic". CD
(Out of print.)

Close matches8
CD, LP, Vinyl record album cover art
Al Cohn & Zoot SimsYou N Me ... LP
Mercury, 1960. Very Good ... $11.99
One of the best albums that Al Cohn and Zoot Sims ever cut together – and that's saying a lot, given the strength of their collaborations during the 50s and 60s! The set's got a nice small group feeling, and is a bit more open and relaxed than some of their RCA material – still in the sharp, thoughtful mode that marked both Cohn and Sims' sessions – but also a bit more earthy, too – possibly because they've got Mose Allison in the combo on piano. The album includes the incredible spare sax-only track "Improvisation For Unaccompanied Saxophones", which is an extremely haunting track that sounds unlike anything the pair had ever done together – and other titles have the full quintet playing, tunes that include "The Opener", "The Note" and "You N Me". LP, Vinyl record album
(Black label pressing with deep groove. Vinyl has a messy drillhole though the label, with vinyl run-off on one side. Cover has some pen & marker on back, a small split on the top seam, and drillholes through the center.)
 
Possible matches: 3
Possible matches9
CD, LP, Vinyl record album cover art
Miles Davis5 Original Albums (Miles Davis & Horns/Collectors Items/Blue Haze/Walkin/Steamin) (5CD set) ... CD
Prestige/Universal (Germany), Late 50s/Early 60s. New Copy 5CD ... $24.99
5 classic Miles Davis albums from the 50s – all packaged together in tiny LP-styled sleeves! First up is Miles Davis & Horns – a batch of all-star sessions that has him playing with some really tremendous contemporaries! The set compiles early Miles Davis sides from two different Prestige sessions of the early 50s – material originally issued as 10 inch LPs, but brought together here in a very cool full length package with a cover image by Mad Magazine's Don Martin! Side one features Miles with a sextet that includes Sonny Rollins, Bennie Green, John Lewis, Percy Heath, and Roy Haynes – on the tracks "Morpheus", "Down", "Blue Room", and "Whispering" – all taken in a boppish mode, but with slight modern touches. Side two features the compositions of Al Cohn – "Tasty Pudding", "Floppy", "Willie The Wailer", and "For Adults Only" – played by a septet that features Cohn, Zoot Sims, John Lewis, Kenny Clarke, Leonard Gaskin, and Sonny Truitt – a very nice match to the sound of side one, and a surprisingly unified record overall! Next is a set of Collectors Items that Miles Davis recorded for Prestige in the 50s – both dates that were too short to be issued as albums by themselves, combined here into one full length record! The first batch of material is from 1953 – and features Davis working with Sonny Rollins and Charlie Parker (playing here under his "Charlie Chan" session name) – all in a mode that steps off a bit from the boppishness of Davis' Blue Note recordings. Titles include 2 takes of "Serpent's Tooth", plus "Round Midnight" and "Compulsion". The second half of the record is from 3 year later, 1956 – and again features Rollins, plus Tommy Flanagan on piano, Paul Chambers on bass, and Art Taylor on drums. Tracks are a bit longer and more mature in the Davis idiom – and titles include "In Your Own Sweet Way", "Vierd Blues", and "No Line". Blue Haze is an early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish – less of the glistening Davis style of later years, but still quite strongly voiced nonetheless. Players include Horace Silver on piano on most tracks, plus a bit of keys from John Lewis – and one track even features Charles Mingus on piano! Other players on the sessions include Art Blakey, Max Roach, or Kenny Clarke on drums – plus Percy Heath on bass, and a bit of alto from Davey Schildkraut. Titles include "I'll Remember April", "Old Devil Moon", "Tune Up", "Miles Ahead", "Four", and "Smooch". Walkin is as classic an early album by Miles Davis as you can find – truly filled with the "all star" players billed in the title, and a session that has the sharpness of Davis' bop work for Blue Note, yet also lets him stretch out in a slightly more relaxed format! The album features Miles trumpet with 2 different groups – one a sextet with Horace Silver, JJ Johnson, and Lucky Thompson; the other a quintet with Silver and the obscure altoist Davey Schildkraut! Tracks are long, with lots of solo room – and titles include his classic takes on "Walkin", "Blue N Boogie", and "Solar" – plus versions of "You Don't Know What Love Is" and "Love Me Or Leave Me". Steamin is an early pairing of Miles Davis & John Coltrane – one of the duo's mid 50s classics for Prestige, as you might guess from the verb in the title! And although "Steamin" might be a word that's a bit too firey to describe the action going on here, the album's got a tremendous sense of presence throughout – as Davis' cooler trumpet is matched with Trane's earthier solo work – all supported by Red Garland trio backing in a style that's as near-classic as it comes for 50s jazz. Titles include "Diane", "Something I Dreamed Last Night", "When I Fall In Love", and "Salt Peanuts". CD

Possible matches10
CD, LP, Vinyl record album cover art
Irene KralSteveireno! ... LP
United Artists, 1959. Very Good+ ... $14.99
An excellent session of vocals cut by the lovely Irene Kral, with backing by Al Cohn, who leads a small group that includes Zoot Sims, Jimmy Raney, Hank Jones, and Charlie Persip. The "Steve" in the title is Steve Allen, who wrote a number of tracks on the session, and who also appears on the cover in a goofy photo with Irene. While Allen's compositions are (at least) a refreshing change from the tired batch of standards that might ruin an album like this, we're even more approving of the stuff he co-wrote with other folks here – like "Cool Blue", by Neal Hefti and Allen, "Yes", by Pete Rugolo and Allen, and "Run (Don't Walk)" by Hank Jones and Allen. LP, Vinyl record album
(Cover has some staining & wear.)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Bill PottsJazz Soul Of Porgy & Bess ... CD
United Artists/Capitol, 1959. Used ... Out Of Stock
A stone cooker – and one of the best versions of Porgy & Bess recorded in a jazz format! It's a slightly-forgotten fact that at the time of the big late 50s film version of Porgy & Bess, there was a bit of trouble with the soundtrack – so the market was flooded with other versions of Gershwin's score in a hope to fill the void. This is one of the best of that bunch – a very well-done set of tunes arranged and conducted by Bill Potts, recorded with a strong set of soloists that include Al Cohn, Gene Quill, Zoot Sims, Art Farmer, Bill Evans, Charlie Shavers, Bob Brookmeyer, and Harry Edison. Tracks are the usual batch of Porgy & Bess numbers – "I Loves You Porgy", "It Ain't Necessarily So", "My Man's Gone Now", "A Woman Is A Sometimes Thing", "Summertime" – all woven together wonderfully in a rich tapestry of sound, with some particularly evocative solos. CD
(Out of print original pressing.)
 
 
 



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