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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Ken McIntyreComplete United Artists Sessions ... CD
Blue Note, Early 60s. Used 2 CDs ... $24.99
CD

Exact matches2
CD, LP, Vinyl record album cover art
Charles MingusTown Hall Concert (United Artists) ... LP
United Artists, 1962. Very Good+ Gatefold ... $24.99
A legendary work – featuring Charles Mingus' great and chaotic Town Hall concert, one of those special events that achieved legendary status before it even started – not just because of the range of great musicians involved, but because the whole set was barely off the ground by the time it began! The set features a brilliant set of arrangements that Mingus barely copied and handed around before the show started – but that hardly stopped the music from being great, because everyone plays magnificently, especially Jerome Richardson and Charles McPherson, who was hitting a really great period here with Mingus. Tracks include "Epitaph", "Clark in the Dark", "Freedom", and "My Search". LP, Vinyl record album
(Original textured cover gatefold pressing.)
 
Close matches: 34
Close matches3
CD, LP, Vinyl record album cover art
Manny AlbamDrum Feast ... LP
United Artists, 1959. Very Good- ... $11.99
A great one from arranger Manny Albam – heavy on drums, but with some nice exotic touches too! No players listed – but we're guessing it's a pretty hip lineup! LP, Vinyl record album
(Cover has some wear and splitting.)

Close matches4
CD, LP, Vinyl record album cover art
George Barnes & Carl KressTown Hall Concert ... LP
United Artists, 1963. Very Good ... $11.99
A rare meeting of these two guitarists! Titles include "Bidin My Time", "A Foggy Day", "Praise Be", "Bernie's Tune", and "Three Little Words". LP, Vinyl record album

Close matches5
CD, LP, Vinyl record album cover art
Bob Brookmeyer & Bill EvansIvory Hunters – Double Barrelled Piano ... CD
United Artists/Universal (Japan), 1959. New Copy ... $9.99
A compelling album of twin-piano lines – one in which Bill Evans and Bob Brookmeyer play head-to-head, in a spiraling modernist style that brings out the best in each player! Although Brookmeyer's best known as a trombonist, he's pretty great here on piano – and the album's a real treasure from his legendary late 50s years – a time when Bob was really opening up tremendously in his music! The album separates out the players via stereo – with Bill Evans in the right channel and Brookmeyer in the left – and the format usually has one player in a rhythm groove while the other solos over the top. The bass of Percy Heath and drums of Connie Kay complete the group – and titles include longish versions of "As Time Goes By", "I Got Rhythm", "The Man I Love", and "The Way You Look Tonight". CD
Also available Ivory Hunters – Double Barrelled Piano ... CD 9.99

Close matches6
CD, LP, Vinyl record album cover art
Bob Brookmeyer & Bill EvansIvory Hunters – Double Barrelled Piano ... CD
United Artists/Blue Note, 1959. Used ... $9.99
A compelling album of twin-piano lines – one in which Bill Evans and Bob Brookmeyer play head-to-head, in a spiraling modernist style that brings out the best in each player! Although Brookmeyer's best known as a trombonist, he's pretty great here on piano – and the album's a real treasure from his legendary late 50s years – a time when Bob was really opening up tremendously in his music! The album separates out the players via stereo – with Bill Evans in the right channel and Brookmeyer in the left – and the format usually has one player in a rhythm groove while the other solos over the top. The bass of Percy Heath and drums of Connie Kay complete the group – and titles include longish versions of "As Time Goes By", "I Got Rhythm", "The Man I Love", and "The Way You Look Tonight". CD
(Out of print.)
Also available Ivory Hunters – Double Barrelled Piano ... CD 9.99

Close matches7
CD, LP, Vinyl record album cover art
Benny CarterAspects (aka Jazz Calendar) ... LP
United Artists, 1959. Very Good ... $6.99
A real corker from Benny Carter's revival period at the end of the 50s – a large group session recorded with a very strong horn section, arranged and produced by Benny himself! The album's got a "calendar" gimmick – in that each of the 12 songs feature a month in the name – but you've gotta thank Benny for getting past that simple trick and keeping things real with an unobtrusive title and cover – and some extremely strong arrangements that cook nicely no matter what the tune! Titles include "Swingin In November", "Something For October", "August Moon", "March Wind", and "February Fiesta". LP, Vinyl record album
(Black label pressing with deep groove, titled "Jazz Calendar" on the label. Cover has clear tape on all seams, and extensive notes written on back.)

Close matches8
CD, LP, Vinyl record album cover art
Benny Carter & Hal SchaeferCan Can & Anything Goes ... LP
United Artists, 1960. Very Good ... $11.99
One side of work from each Cole Porter show – with some great alto solos from Benny Carter, piano from Hal Schaefer, and small group arrangements by both! LP, Vinyl record album

Close matches9
CD, LP, Vinyl record album cover art
✨✧ Chris ConnorWeekend In Paris ... CD
United Artists/Warner (Japan), 1963. New Copy ... $14.99
An overlooked gem from Chris Connor – a French session cut with arranger Michel Colombier, and a real standout from the rest of her recordings! There's a maturity here that's really great – a sound that's every bit as sad and sexy as Connor's work for Atlantic Records, but more sophisticated too – nicely measured in emotion, with maybe a Julie London touch at times, especially in the way the recording style brings out a bit of breathiness in Chris' vocals. Backings have a nice mix of guitar and strings, which creates a different feel than some of Connor's more jazz-based records – gentle and sexy, but never sleepy. Titles include "Meantime", "Johnny", "Chances Are", "I Love My Man", "Hum Drum Blues", and "I Could Go On Singing". (Vocalists, Jazz) CD
(SHM-CD pressing!)

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Duke Ellington/Charles Mingus/Max RoachMoney Jungle ... CD
United Artists, 1962. Used ... $3.99
Rarely are such "meeting of the minds" sessions worth any fuss at all – but in this case, the masterful talents of the players turn what should be a snoozy "common denominator" session into a modernist classic that still crackles with excitement after all these years! The real success factor here is Ellington, who was hitting a point in his career when he was really beginning to experiment again – as you'll hear in the beautifully angular piano lines that he lays next to Mingus' bass and Roach's lively drums. The set's nearly all originals, and titles include "Money Jungle", "Le Fleurs Africaines", and "Wig Wise". Very nice! CD features bonus tracks! CD

Close matches11
CD, LP, Vinyl record album cover art
Art FarmerModern Art ... LP
United Artists, 1958. Near Mint- ... $24.99
A seminal session as a leader by the young Art Farmer – recorded for United Artists, and a great set of tight lyrical tunes, played by Farmer in his sparkling style – in a group along with Benny Golson on tenor and Bill Evans on piano. Evans is a special treat here, as the 1958 session was recorded at a time when he was making a fair bit of appearances in various rhythm sections for horn players (like Miles Davis) – and although this role in Evans' career was a short one, it yielded some amazingly beautiful moments, as you'll hear on this album. Art's brother Addison plays bass, and Dave Bailey rounds out the group on drums. Tracks include "Cold Breeze", "Mox Nix", "Jubilation", and "Fair Weather". LP, Vinyl record album
(Black label pressing with colored rings at the top. Cover has light wear and a name on the back – but vinyl is great!)

Close matches12
CD, LP, Vinyl record album cover art
Curtis FullerSliding Easy ... LP
United Artists, 1959. Near Mint- ... $48.99
One of the rarest albums you'll ever find by Curtis Fuller – a sweetly modern set that's right up there with his Blue Note LPs! Arrangements on the set are by Benny Golson and Gigi Gryce – and the record's got the feel of some of their great work from the same time – soulful, grooving, but with one ear towards higher ideas and the future of modern jazz! The group includes Lee Morgan on trumpet, Hank Mobley on tenor, Tommy Flanagan on piano, Paul Chambers on bass, and Elvin Jones on drums – a cracker of a lineup, working here with Blue Note-like intensity. The record's a great one, with 2 original tracks – "Bit Of Heaven" and "Down Home" – and versions of "CTA", "Bongo Pop", and "I Wonder Where Our Love Has Gone". LP, Vinyl record album
(Japanese pressing, on King – with obi!)

Close matches13
CD, LP, Vinyl record album cover art
Thad JonesMotor City Scene ... LP
United Artists, Late 50s. Very Good- ... $49.99
A rare treasure from Thad Jones – a unique one-off session for United Artists, cut right around the same time as his classic 50s dates for Blue Note! The format is very laidback and open-ended – not really a blowing session, but kind of a relaxed studio outing – one that has Jones working with some players from his Detroit hometown, laying solos in the cut over some warmly soulful rhythms! Tracks are all nice and long, which gives plenty of room for solos – and in addition to Jones on cornet and flugelhorn, the set also features trombone from Al Grey, tenor from Billy Mitchell, piano from Tommy Flanagan, bass from Paul Chambers, and drums from Elvin Jones. Mitchell is always amazing in a set like this – and the album's one of his few small group sets of the time – worth it alone for his excellent playing. Titles include "Like Old Times", "Minor On Top", "Let's Play One", and "No Refill". LP, Vinyl record album
(Cover has some wear and a stereo sticker.)

Close matches14
CD, LP, Vinyl record album cover art
Irene KralSteveireno! ... LP
United Artists, 1959. Very Good+ ... $24.99
An excellent session of vocals cut by the lovely Irene Kral, with backing by Al Cohn, who leads a small group that includes Zoot Sims, Jimmy Raney, Hank Jones, and Charlie Persip. The "Steve" in the title is Steve Allen, who wrote a number of tracks on the session, and who also appears on the cover in a goofy photo with Irene. While Allen's compositions are (at least) a refreshing change from the tired batch of standards that might ruin an album like this, we're even more approving of the stuff he co-wrote with other folks here – like "Cool Blue", by Neal Hefti and Allen, "Yes", by Pete Rugolo and Allen, and "Run (Don't Walk)" by Hank Jones and Allen. LP, Vinyl record album
(Cover has some staining & wear.)

Close matches15
CD, LP, Vinyl record album cover art
Irene Kral with Herb PomeroyBand & I ... LP
United Artists, 1959. Very Good ... $19.99
Sparkling work from singer Irene Kral – and possibly the best album she ever cut! The backings here are by the Herb Pomeroy group – a slightly modern ensemble that still knows how to swing with a good dose of Boston soul – and the overall feel of the album's a lot more forceful than some of Irene's other albums, packing a punch we didn't know she had, and which we're happy to hear! There's a few cooler overtones here – somewhat in the June Christie mode – but overall the sound is upbeat, full, and swinging – served up with in arrangements by Ernie Wilkins and Al Cohn. Titles include "This Little Love", "What's Right For You", "Comes Love", "Lazy Afternoon", "I'd Know You Anywhere", and "It Isn't So Good". (Vocalists, Jazz) LP, Vinyl record album
(Blue label stereo pressing with deep groove.)

Close matches16
CD, LP, Vinyl record album cover art
Herbie MannBrazil, Bossa Nova, & Blues ... LP
United Artists, 1962. Very Good+ ... $9.99
Bossa nova from Herbie Mann – one of our favorite albums ever from the famous flute player – cut for United Artists, and a one-off session that's arguably better than most of his Atlantic work of the time! There's a groove here that's undeniable – a sense of swing that grabs us right from the get-go, and makes us totally love each new track before Mann's flute even comes into the mix! These grooves come from some great interplay between Dave Pike on marimbas, Haygood Hardy on vibes, Billy Bean on guitar, and a host of hip percussionists who include Willie Bobo, Carmen Costa, and Carlos Patato Valdez! Tracks are long, with a Joao Donato-like sense of space – similar to Pike's excellent bossa work for Prestige around the same time – which makes a perfect settion for Herbie's soulful flute. The whole thing's wonderful, and titles include "Me Faz Recordar", "Minha Saudade", "Copacabana", "Brazil", and "BN Blues". LP, Vinyl record album
(Original pressing in the textured cover.)

Close matches17
CD, LP, Vinyl record album cover art
Herbie MannSugarloaf – Jazz Impressions Of Brazil (aka Brazil, Bossa Nova, & Blues) ... LP
United Artists, 1962. Very Good Gatefold ... $2.99
Bossa nova from Herbie Mann – one of our favorite albums ever from the famous flute player – cut for United Artists, and a one-off session that's arguably better than most of his Atlantic work of the time! There's a groove here that's undeniable – a sense of swing that grabs us right from the get-go, and makes us totally love each new track before Mann's flute even comes into the mix! These grooves come from some great interplay between Dave Pike on marimbas, Haygood Hardy on vibes, Billy Bean on guitar, and a host of hip percussionists who include Willie Bobo, Carmen Costa, and Carlos Patato Valdez! Tracks are long, with a Joao Donato-like sense of space – similar to Pike's excellent bossa work for Prestige around the same time – which makes a perfect settion for Herbie's soulful flute. The whole thing's wonderful, and titles include "Me Faz Recordar", "Minha Saudade", "Copacabana", "Brazil", and "BN Blues". Originally issued as Brazil, Bossa Nova, Blues – and issued here in the late 60s with a different cover! LP, Vinyl record album
(Solid State pressing. Cover has a bit of pen inside the gatefold.)

Close matches18
CD, LP, Vinyl record album cover art
Charles MingusJazz Portraits (white cover) ... LP
United Artists, 1959. Very Good ... $39.99
Great stuff – recorded in Mingus' classic period! Mingus leads a sharp small group here, a quintet featuring Booker Ervin, John Handy, Richard Wyands, and Dannie Richmond, of course. The session was recorded live at the Nonagon Gallery in New York, and has that sort of arch-modernist groove that was Mingus' hallmark in these key late 50's years. Ervin, as always, is amazing, and John Handy, who makes his recording debut here, demonstrates the genius that Mingus had for spotting brilliant young players as he plays with the sort of imgination and intensity that he only ever managed to hit again on one or two of his own records as a leader. The record's got 4 long tracks, including long takes of "Nostalgia In Times Square", "Alice's Wonderland", and "No Private Income Blues". LP, Vinyl record album
(Black label stereo pressing. Cover has ring & edge wear and a half split bottom seam.)

Close matches19
CD, LP, Vinyl record album cover art
Motherhood (Paul Nero)Feel So Free ... CD
United Artists/Zeitgeist (UK), 1969. New Copy ... $16.99
A record that looks like a psychedelic rock set from the cover, but which comes across as a groovy bit of jazz – all with lots of sweet saxophone lines from a young Klaus Doldinger! The album credits all the original tracks to Paul Nero – and the set's got the same mix of funk and soul instrumentals we love on Nero's classic albums under his own name – kind of a tripped-out German take on the styles of Stax and Motown in the 60s, but with much wilder instrumentation overall – including some great solos on electric guitar and tenor sax! The rhythms are really romping – pretty darn funky throughout – and the whole thing is wonderful – with titles that include "Back In The Dark", "Cleopatho", "Last Beer", "Yackedy Soul", "Slurpin", "Soul Tiger", and "Soul Town". CD

Close matches20
CD, LP, Vinyl record album cover art
NiagaraSUB ... LP
United Artists/PMG (Austria), 1972. New Copy (reissue)... $23.99
A legendary bit of heavy funk from Germany – served up by a cool combo led by drummer Klaus Weiss! The lineup here includes fuzzy guitar, electric piano, and lots of heavy percussion – all served up in a way that's jamming, but a lot more straightforwardly funky than some of the group's contemporaries on the European scene! Ack Van Rooyen plays trumpet, Ferdinand Povel plays tenor and flute, and the production is often very tripped-out – abstracting the jazz roots a bit with some really cool touches. A great bridge between the MPS scene and the more progressive German groups – with titles that include "SUB", "Bones", "Niagara", "Terra Incognita", "Gibili", and "Kikiriti". LP, Vinyl record album

Close matches21
CD, LP, Vinyl record album cover art
Noel PointerCalling ... CD
United Artists/Soulmusic.com (UK), 1980. New Copy ... $3.99 13.99
Sublime work from Noel Pointer – a set that sparkles equally from both his soul and jazz talents! The record's a perfect example of the way that key artists like Pointer were blending R&B and fusion at the end of the 70s – really perfecting earlier experiments of cats like Norman Connors or Johnny Hammond, and coming up with a style that not only brings a lot of depth to mainstream soul, but which also helps save fusion from some of its more overindulgent tendencies! The core sounds are mixed with some nice strings on some of the album's best tracks – giving the set a great sense of class and sophistication that really helps it transcend the usual – while other numbers stick tight to the kind of Capitol Rare grooving that Pointer was always great at – sweet mellow groovers and steppers that have made the record a classic for years. Titles include "Tween The Lines", "Love Is", "Calling", "Take A Look", "As Long As I Know", "Morning Song", "Higher Than Heaven", and "Precious Pearl". (Soul, Jazz) CD

Close matches22
CD, LP, Vinyl record album cover art
Noel PointerHold On ... LP
United Artists, 1976. Very Good ... $1.99
Early work from Noel Pointer – recorded in a smooth, soulful mode with plenty of help on arrangements and production from Dave Grusin! Like Dave's best work from the time, the set's got a feel that's tight, but never as commercial or cloying as mainstream fusion a few years later – and Noel's sweet work on electric violin is set up nicely with keyboards from Dave, guitar from Eric Gale, drums from Steve Gadd, and percussion from Ralph MacDonald. Noel sings a bit on the set, but even better are the vocals from Patti Austin, Gwen Guthrie, Yolanda McCullough, and others – who flesh out the backgrounds on some tunes. Titles include "Staying With You", "Movin In", "Superwoman", "Stardust Lady", "Hold On", and the extended "Roots Suite", based on Quincy Jones music for the show! (Soul, Jazz) LP, Vinyl record album
(Includes the printed inner sleeve.)
 
Possible matches: 4
Possible matches37
CD, LP, Vinyl record album cover art
Howard McGheeSharp Edge ... CD
Black Lion, 1961. Used ... $9.99
An obscure Howard McGhee session, but a great one! The 1961 session was recorded during Maggie's great comeback years – at a time when he was doing some great work for labels that included Bethlehem, Contemporary, and United Artists. The spirit of this set is similar to those – sort of an easy-going blend of light bop with some of the gentler swinging tones that McGhee was putting into his horn at the time. The quintet on the set features George Coleman on tenor, Junior Mance on piano, George Tucker on bass, and Jimmy Cobb on drums – and the whole thing's got an easygoing mellow feel that we really like a lot. Titles include "The Sharp Edge", "Cool", "Shades Of Blue", "Arabee", and "My Delight". CD features some bonus alternate takes, too! CD
(Out of print.)

Possible matches38
CD, LP, Vinyl record album cover art
Charles MingusTown Hall Concert (Jazz Workshop) ... CD
OJC, 1962. Used ... $3.99
A great later example of the genius of Mingus with Eric Dolphy – a performance done shortly before Dolphy left on his tragic last visit to Europe in 1964, and which features both him and Mingus at their freest together! Don't mistake the album for the similarly-titled Town Hall album on United Artists, because this session's a lot more open-ended – with longer tracks, and a real focus on freely creative solos from players that include Dolphy, Clifford Jordan, Johnny Coles, and Jaki Byard. The album features only 2 long tracks – both titled after Dolphy's passing, with appropriate names "Praying With Eric" and "So Long Eric". And as an added bonus, the back cover features a great Mingus rant against the record industry! CD
(BMG Direct pressing. CD has some marker.)

Possible matches39
CD, LP, Vinyl record album cover art
✨✧ Howard McGheeShades Of Blue ... LP
Black Lion, 1961. Used ... Temporarily Out Of Stock
An obscure Howard McGhee session, but a great one! The 1961 session was recorded during Maggie's great comeback years – at a time when he was doing some great work for labels that included Bethlehem, Contemporary, and United Artists. The spirit of this set is similar to those – sort of an easy-going blend of light bop with some of the gentler swinging tones that McGhee was putting into his horn at the time. The quintet on the set features George Coleman on tenor, Junior Mance on piano, George Tucker on bass, and Jimmy Cobb on drums – and the whole thing's got an easygoing mellow feel that we really like a lot. Titles include "The Sharp Edge", "Cool", "Shades Of Blue", "Arabee", and "My Delight". LP, Vinyl record album
(70s US pressing. Cover has a cut corner.)

Possible matches40
CD, LP, Vinyl record album cover art
✨✧ Cecil TaylorIn Transition (Jazz Advance/Love For Sale) ... LP
Blue Note, 1955/1959. Used 2LP Gatefold ... Temporarily Out Of Stock
This is the great Blue Note two-fer from the 70's that combines two rare Cecil Taylor albums from the 50's – one recorded for the Transition label, one for United Artists. First up is Jazz Advance – one of the best pre-1960 sessions by Cecil Taylor, recorded in Boston in 1956, and originally issued on the totally rare Transition label in a very small pressing! Taylor's playing here with the great bassist Buell Neidlinger, one of his prime compaitriots in the early days, and the trio (with Dennis Charles) is joined by Steve Lacy on a few tracks. The session's a great way to hear Taylor's development at the beginning, as it includes a number of jazz standards – like "Azure", "Sweet & Lovely", and "Bemsha Swing" – all given an off-kilter twist by Taylor and group. This is probably best heard on one of the album's highlights – a 9 minute solo reading of Cole Porter's "You'd Be So Nice To Come Home To"! Next is Love For Sale – a stunner of an album from Cecil Taylor's early days – a set that features three early trio tracks – which let you hear Cecil developing his freer approach on strange takes on Cole Porter's "Get Out of Town", "I Love Paris", and "Love For Sale". The other three tracks are originals by Taylor, and expand the group to a quintet with the amaaaaazing frontline talents of Ted Curson on trumpet and Bill Barron on tenor, always one of our favorite pair of modernists, and players that add richness to any session they grace. LP, Vinyl record album
(Cover has a slightly bent corner.)
 
Partial matches: 4
Partial matches41
CD, LP, Vinyl record album cover art
Stan Getz & Joao GilbertoGetz/Gilberto '76 ... CD
Resonance, 1976. New Copy ... $16.99 18.99
Genius material from the team of tenorist Stan Getz and Brazilian bossa legend Joao Gilberto – reunited here in a brief mid 70s period, after their famous Verve recordings of the early 60s – and in a way that shows all the changes both artists had gone through over the years! Stan and Joao would go onto produce the sublime Best Of Two Worlds studio record during this same stretch – but this never-issued live date is arguably even deeper and darker than that record – as Stan blows with the stronger current of melancholy he seemed to unlock in period of his Sweet Rain record and onward – and Joao himself does all the singing here, without help from any female vocalist – with that bluer, more personal vibe he hit on his incredible record from 1973. The maturity and emotion of both musicians comes through right away – and support is from the trio of Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums – all wonderful musicians who also know just the right moment to step back and let the two giants dominate when needed. Titles include "Eu Vim Da Bahia", "E Preciso Perdoar", "Doralice", "Morena Boca De Ouro", "Joao Marcelo", "Aguas De Marco", "Samba De Minha Terra", and "Retrato Em Branco E Preto". CD
Also available Getz/Gilberto '76 (180 gram pressing) ... LP 22.99

Partial matches42
CD, LP, Vinyl record album cover art
Stan Getz & Joao GilbertoGetz/Gilberto '76 (180 gram pressing) ... LP
Resonance, 1976. Near Mint- Gatefold ... $22.99
Genius material from the team of tenorist Stan Getz and Brazilian bossa legend Joao Gilberto – reunited here in a brief mid 70s period, after their famous Verve recordings of the early 60s – and in a way that shows all the changes both artists had gone through over the years! Stan and Joao would go onto produce the sublime Best Of Two Worlds studio record during this same stretch – but this never-issued live date is arguably even deeper and darker than that record – as Stan blows with the stronger current of melancholy he seemed to unlock in period of his Sweet Rain record and onward – and Joao himself does all the singing here, without help from any female vocalist – with that bluer, more personal vibe he hit on his incredible record from 1973. The maturity and emotion of both musicians comes through right away – and support is from the trio of Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums – all wonderful musicians who also know just the right moment to step back and let the two giants dominate when needed. Titles include "Eu Vim Da Bahia", "E Preciso Perdoar", "Doralice", "Morena Boca De Ouro", "Joao Marcelo", "Aguas De Marco", "Samba De Minha Terra", and "Retrato Em Branco E Preto". LP, Vinyl record album
(Promo.)
Also available Getz/Gilberto '76 ... CD 16.99

Partial matches43
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Joao GilbertoGetz/Gilberto '76 ... CD
Resonance, 1976. Used ... Temporarily Out Of Stock
Genius material from the team of tenorist Stan Getz and Brazilian bossa legend Joao Gilberto – reunited here in a brief mid 70s period, after their famous Verve recordings of the early 60s – and in a way that shows all the changes both artists had gone through over the years! Stan and Joao would go onto produce the sublime Best Of Two Worlds studio record during this same stretch – but this never-issued live date is arguably even deeper and darker than that record – as Stan blows with the stronger current of melancholy he seemed to unlock in period of his Sweet Rain record and onward – and Joao himself does all the singing here, without help from any female vocalist – with that bluer, more personal vibe he hit on his incredible record from 1973. The maturity and emotion of both musicians comes through right away – and support is from the trio of Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums – all wonderful musicians who also know just the right moment to step back and let the two giants dominate when needed. Titles include "Eu Vim Da Bahia", "E Preciso Perdoar", "Doralice", "Morena Boca De Ouro", "Joao Marcelo", "Aguas De Marco", "Samba De Minha Terra", and "Retrato Em Branco E Preto". CD
Also available
Getz/Gilberto '76 ... CD 16.99
Getz/Gilberto '76 (180 gram pressing) ... LP 22.99

Partial matches44
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Joao GilbertoGetz/Gilberto '76 (180 gram pressing) ... LP
Resonance, 1976. New Copy Gatefold ... Out Of Stock
Genius material from the team of tenorist Stan Getz and Brazilian bossa legend Joao Gilberto – reunited here in a brief mid 70s period, after their famous Verve recordings of the early 60s – and in a way that shows all the changes both artists had gone through over the years! Stan and Joao would go onto produce the sublime Best Of Two Worlds studio record during this same stretch – but this never-issued live date is arguably even deeper and darker than that record – as Stan blows with the stronger current of melancholy he seemed to unlock in period of his Sweet Rain record and onward – and Joao himself does all the singing here, without help from any female vocalist – with that bluer, more personal vibe he hit on his incredible record from 1973. The maturity and emotion of both musicians comes through right away – and support is from the trio of Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums – all wonderful musicians who also know just the right moment to step back and let the two giants dominate when needed. Titles include "Eu Vim Da Bahia", "E Preciso Perdoar", "Doralice", "Morena Boca De Ouro", "Joao Marcelo", "Aguas De Marco", "Samba De Minha Terra", and "Retrato Em Branco E Preto". LP, Vinyl record album
(Hand numbered, limited edition of 2000!)
Also available
Getz/Gilberto '76 ... CD 16.99
Getz/Gilberto '76 (180 gram pressing) ... LP 22.99
 
 
 



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