Jazz — All Formats


Soul Fire


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CD, LP, Vinyl record album cover art
Bobby LyleNight Fire ... CD CD format
Capitol/Soul Brother (UK), 1979. Used ... $9.99
A stone classic from Bobby Lyle – and a record that really has him stepping out strongly, both as a keyboardist and a singer! Bobby's strength at this point is undeniable – and he's got a perfect sense of balance that rivals contemporaries like Roy Ayers or Webster Lewis – both of whom work in a similarly jazzy groove! Lyle plays some great Fender Rhodes on the set – plus other more way-out keyboards too – and production is by the At-Home team, who really know how to bring in a strong sense of focus to the grooves, while still letting the best jazzy elements flourish. Titles include "Space Place", "Stop Running Away From Love", "Getting Into Love", "Dream Lady", "Stop Running Away From Love", and "For Love". CD
Possible matches: 40
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CD, LP, Vinyl record album cover art
AtomicHere Comes Everybody ... CD CD format
Jazzland (Norway), 2012. New Copy ... $14.99
Quite possibly the greatest album to date from Atomic – a set that steps out with a bold, rich sound right from the start – giving the whole thing the feel of some lost classic slice of avant jazz, but with a freshness that definitely marks the set with plenty of Atomic energy too! The horns are amazing – fierce interplay between the trumpet of Magnus Broo and reeds of Fredrik Ljungvist – locking together at times with these raging lines that have almost an ESP sort of feel – then breaking out with soul-drenching solos on their own – especially when Ljungvist handles the tenor. Paal Nilssen-Love's drums are on fire throughout – Havard Wilk barrels away on piano – and Ingebrigt Haker Flaten rolls things along strongly on bass. Titles include "Morphemes", "HCE", "Milano", "Kreuzberg Variations", "Panama", and "Unity Toccata". CD

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New Art BlakeyArt Blakey & The Jazz Messengers At The Jazz Corner Of The World Vols 1 & 2 ... CD CD format
Blue Note, 1959. Used 2CDs ... $19.99
Killer live material! Although the Jazz Messengers often recorded at Birdland (aka The Jazz Corner Of The World), the two albums on this disc are some of their best – and rarest – from that venue! The set features both volumes of these rare releases – which caught Blakey's group in an under-recorded transitional time when the lineup included new guard players Lee Morgan and Bobby Timmons, plus old guard tenor giant Hank Mobley. The mix is beautiful, and has a lot more gutbucket soul than the later sessions with Wayne Shorter. Tracks are all pretty long – and filled with live fire and frenzy. Titles include "Hipsippy Blues", "Justice", "Just Coolin", "Art's Revelation", and "M&M". CD
(Out of print.)
Also available At The Jazz Corner Of The World Vol 1 ... CD 13.99

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CD, LP, Vinyl record album cover art
Michael CarvinEach One Teach One ... CD CD format
Muse, 1992. New Copy ... $4.99
Michael Carvin's one of those players who always makes us sit up and take notice – not just for his own dynamic work on drums, but also for the way that he manages to lead a group with such soulful fire! This album's a great example of that skill, as Carvin brings together a mix of players who really open up beautifully together – driven by his own direction with the same free-thinking, soul-searching energy that Art Blakey used to bring to the Jazz Messengers in years back. But Carvin's rhythms are hardly Jazz Messengers stuff – given that the tunes here step out in a nice range of modes, and really show a nice evolution of soulbop standards over the years. The group features Antoine Roney on tenor, Claudio Roditi on trumpet, Carlton Holmes on piano, and David Williams on bass – and Houston Person plays guest tenor on one track, and also co-produced the album with Carvin. Titles include "Waltz For Gina", "Nails", "Recife's Blues", "Smoke Gets In Your Eyes", "One By One", and "I Don't Stand A Ghost Of A Chance With You". CD

Possible matches5
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Clarke Boland SextetCalypso Blues ... CD CD format
Rearward/Schema (Italy), Mid 60s. Used ... $18.99
Rare tracks by the Clarke-Boland Sextet – a small group offshoot of the funky Big Band that was led by Kenny Clarke and Francy Boland – and which featured some of the key soloists in the group! The lineup here includes Sahib Shihab on flute, Fats Sadi on vibes and bongos, Joe Harris on percussion, and Jimmy Woode on bass – plus Clarke and Boland on drums and piano, respectively – a wonderful group that has an incredible sense of rhythm, and comes up with loads of wonderful modal numbers throughout! The vibe is wonderful – and the collection's a great look at this unusual combo – filled with fire and soul – and proof that in the jazz world, at least, great things can happen when global boundaries are crossed. Titles include "Con Alma", "Invitation", "Sconsolato", "Lilemor", "Just Give Me Time", "Love Hungry", "Ensadinado", and "Man From Potter's Crossing". CD
(Out of print. Includes original slip case.)

Possible matches6
CD, LP, Vinyl record album cover art
Philip Cohran & The Artistic Heritage EnsembleOn The Beach (aka Philip Cohran & The Artistic Heritage Ensemble) (LP sleeve edition) ... CD CD format
Zulu/Katalyst, Late 60s. New Copy ... $9.99 12.99
Mindblowing – and a landmark recording that crosses all boundaries in the Chicago music scene of the late 60s! Philip Cohran was a visionary musician who'd played with Sun Ra during the 60s, but who left Ra to forge his own musical vision by the middle part of the decade. The Artistic Heritage ensemble was a crucially important group in Chicago – one that drew players from both the soul and jazz scenes, with a wealth of talents that later went onto work with groups like Earth Wind & Fire, The Pharoahs, Ra's Arkestra, and other ensembles. Talents on this set alone include players like Charles Handy, Don Myrick, Aaron Dodd, Henry Gibson, and Louis Satterfield – not to mention Cohran, who plays cornet (as he did with Sun Ra), plus two groovy instruments of his own invention: the violin uke and the great Frankiphone, a sort of electric thumb piano whose use on these recordings pre-dated the very famous Kalimba sound that Earth Wind & Fire would use to great success during the 70s. The album includes the driving conga funk track "Unity", the singing soulful track "The Minstrel", the incredibly haunting "On The Beach", and the track "Motherhood", which has a strong Abbey Lincoln type of feel. Plus, the CD also includes 2 bonus cuts – "New Frankiphone Blues" ( a funky monster that was only ever out on a 7" single), and a great live version of "Unity" from 1968. The whole thing's a beautiful batch of spiritual jazzy tracks with a good groove – and a perfect blend of soul and spirit, jazz and righteousness! CD

Possible matches7
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Stanton Davis' Ghetto MysticismIsis Voyage ... LP LP format
Outrageous/Cultures Of Soul, Late 70s. New Copy 2LP ... $16.99
A great counterpart to the rare Stanton Davis Ghetto Mysticism album – and a set that was recorded right around the same time, with a number of previously unreleased tracks! The spiritual energy of that group has been well-loved by collectors for years – and enjoyed by others thanks to a recent reissue – and this sweet batch of rare cuts really augments that rare musical moment, by offering up a further set of completely cosmic grooves! The style is spacey jazz funk with some deeper elements in the mix – all recorded and arranged with an indie vibe that reminds us a lot of the classic Oneness Of Juju albums on Black Fire, but without as much vocals – just a strong focus on the sweet keyboard lines and soaring horn passages. Some tracks are brand new, others are different versions of themes from the Brighter Days album – and titles include "Delta Six/Brighter Days", "Isis Voyage", "Odwalla", "Things Can Not Stop Forever (Al Kent version)", "High Jazz (reprise – alt mix)", "Things Cannot Stop Forever (inst mix)", and "Funky Fried Tofu (alt inst version)". LP, Vinyl record album

Possible matches8
CD, LP, Vinyl record album cover art
DeodatoMotion ... CD CD format
Warner (Japan), 1984. New Copy ... $13.99
Motion has Deodato moving heavily into the realm of 80s soul – using a bit more of an electro feel overall – one that often includes work on Prophet, Linn drums, and DMX next to the more traditional instrumentation of the set. There's some great vocals from the Juicy team of Jerry and Katreese Barnes – singing in a style that's deeply soulful, and which really balances out the electronics with a good deal of vocal warmth. Camille also sings on a few tracks on the set, and titles include "SOS Fire In The Sky", "Never Knew Love", "Bus Stop", "Motion", "Are You For Real", and "Make You Feel Good". CD

Possible matches9
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George DukeFollow The Rainbow ... LP LP format
Epic, 1979. Very Good- ... $3.99
One of the great ones from the end of the 70s for George Duke – a ridiculously fertile period for Duke, which is a great thing – because he closed out the decade on a wave of excellent releases! On Follow The Rainbow, George is grooving just a bit more smoothly than before, and it's maybe not as much of a jazz album as some of earlier sets – which is just fine, because this album's also got some great modern numbers that follow in an Earth Wind & Fire-style spiritual soul tradition! Sheila E is in the group, and joins Lynn Davis and Josie James on vocals – and the three of them give the record a strong R&B vibe on the best cuts. Titles include "Festival", "Say That You Will", "Funkin' For The Thrill", "I Am For Real (May The Funk Be With You)", "Pluck", "Corine", "Straight From The Heart" and "Sunrise". LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
Tommy FlanaganTommy Flanagan Trio & Sextet (aka Bash) ... LP LP format
Jazztime/Onyx, 1961. Very Good+ ... $5.99
A different version of the album Bash – recorded for the Jazztime label in 1961, with leadership by Dave Bailey – a set that's filled with fire, soul, and imagination – recorded as part of the drummer's amazing (and amazingly short) early 60s run as a leader! The date smokes with the same sort of energy as Dave's great "Gutter" albums for Epic – a groove that's part Blue Note, part Prestige, and carried off with so much precision, we wonder why Bailey never recorded more as a leader. Players are all wonderful – Kenny Dorham's on trumpet, Curtis Fuller's on trombone, Frank Haynes is on tenor, and Tommy Flanagan's on piano. Ben Tucker provides excellent basswork, and proves that him and Bailey were one of the best hardbop rhythm teams ever! Cuts include "Grand Street", "Osmosis", "Soul Support", and "An Oscar For Oscar". 7 tracks in all – including some that haven't been on other versions of this session. Other titles include "Just Friends", "Like Someone In Love", and "BMT Express". LP, Vinyl record album
(Cover has some wear, and clear tape along some seams.)

Possible matches11
CD, LP, Vinyl record album cover art
Bennie GreenHornful Of Soul ... CD CD format
Bethlehem/Solid (Japan), 1960. New Copy ... $13.99
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD

Possible matches12
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Keith JarrettKoln Concert ... LP LP format
ECM, 1975. Near Mint- 2LP Gatefold ... $14.99
A genre-defining moment from pianist Keith Jarrett – a record that really set the world on fire, and which continues to charm all these many decades later! Although Jarrett had already made some amazing music in a trio setting during the 60s, and in his more freewheeling groups with Dewey Redman in the early 70s, it's this sort of format that forever put him on the map – long, extended improvised passages on solo piano – played at a level that's still extremely lyrical, tuneful, and thoughtful – quite different than the free jazz waves that were building at the time! And while so many other people copied the style over the years, nobody does it better than Jarrett – especially on this landmark outing for the style. The work is amazing – extremely compelling as little melodies drift in and out of the waves of piano improvisation – without any of the sloppiness of some of Jarrett's imitators, and a surprising sense of soul and direction throughout! LP, Vinyl record album
(In great shape!)

Possible matches13
CD, LP, Vinyl record album cover art
Jazz A La Mode TrioLess Is More ... CD CD format
Cinedelic (Italy), 2013. Used Gatefold ... $12.99
A sweet Italian combo, and one who's got a very classic soul jazz sort of feel – a 60s-styled blend of Hammond and tenor that's mighty nice, and very much in the spirit of the vintage look of the cover! The record's got a great no-nonsense feel – just the right production to fit the group's soaring organ lines and hard-biting saxophone – spun out here over a host of classics from 60s, plus a few tasty originals too. The combo features Fabio Nobile on drums – who you might know from previous work in a more contemporary style – plus Sam Gambarini on Hammond, Alessandro Scala on tenor, and some guest trumpet from Marco Tamburini. Titles include "Bus Ride", "Money In The Pocket", "Fire Eater", "Funkallero", "Mambo In", "This I Dig Of You", and "Alligator Boogaloo". CD
(Out of print, punch through digipack sleeve.)

Possible matches14
CD, LP, Vinyl record album cover art
Ray MantillaHands Of Fire ... CD CD format
Red (Italy), 1984. New Copy ... $15.99 18.99
A fantastic session of Latin jazz – recorded by Ray Mantilla with a tight version of his Space Station combo! The album's a very percussive one – with percussion from Mantilla mixed with drums from Steve Berrios, who also plays percussion, and more drums from Joe Chambers, who also plays a bit of vibes on the date! Other players include Eddie Martinez on piano, Peter Barshay on bass, and Dick Oatts on saxes and flute – and there's a soulful groove here that makes the set run a lot deeper than other Latin jazz sides of its vintage – with an approach that's almost in an early 70s indie soul jazz mode, complicated rhythms dancing around searching spiritual solos that keep pushing onward as the album expands. A real treat from beginning to end – and with tracks that include "Ode To Vivian", "Gourdo Lobo", "Six For Kim", "Mariposa", and "En Nostros". CD

Possible matches15
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Mingus DynastyChair In The Sky ... CD CD format
Elektra/Collectables, 1979. Used ... $8.99
A bold statement from former members of the Charles Mingus group – working here together as a unit after the passing of Mingus, in a set that has some of the best fire and energy of Charles' later years! The tracks here are all Mingus compositions – performed in longish takes that allow for some great solo work from John Handy on alto, Joe Farrell on tenor, Jimmy Owens on trumpet, and Jimmy Knepper on trombone – and rhythm on the session is by the trio of Don Pullen on piano, Charlie Haden on bass, and Dannie Richmond on drums. Titles include "Goodbye Porkpie Hat", "Boogie Stop Shuffle", "My Jelly Roll Soul", and "Sweet Sucker Dance". CD

Possible matches16
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Duke PearsonIt Could Only Happen With You ... CD CD format
Blue Note (Japan), 1970. New Copy ... $13.99
Pivotal work from Duke Pearson – a brilliant set that perfectly sums up all the criss-crossing of styles he was working on in the late 60s – and comes up with a wonderful blend of electric jazz, Brazilian rhythms, and just a touch of 70s soul! Pearson plays some sweet Fender Rhodes on the set, in addition to acoustic piano – and there's some other wonderful instrumentation in the mix too – including flute and guitar from Hermeto Pascoal, making a rare Blue Note appearance – plus sweet flutes from Jerry Dodgion and Lew Tabackin, both blowing in kind of a CTI-ish way – as well as tenor from Frank Foster, trumpets from Collins/Shepley, and wonderful drums from Mickey Roker – whose inventive rhythms here really helps set fire to Duke's new ideas. Flora Purim sings on a few tracks – pre-Fantasy Records, and turning in some of her greatest vocals ever – and titles include a wonderful version of "Stormy", plus "Book's Bossa", "Gira, Girou", "Hermeto", "Emily", and "It Could Only Happen With You". CD

Possible matches17
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Buddy RichBuddy & Soul ... CD CD format
Pacific Jazz, 1969. Used ... $5.99
Groovy stuff! We'd never say a bad word about Buddy (or else he'd sock us one!), but this album is particularly nice – as it features Rich's swinging late 60s group doing some pop/jazz covers of groovy 60s tunes, plus some very tasty originals! All tracks are pretty short, and the band plays with a tight fire that reminds us of some of the best moments on the Blue Juice compilations. Includes covers of "Hello, I Love You", "Soul Kitchen", "Comin Home Baby", and "Love And Peace" – plus tasty originals like "Wonderbag", and "Soul Lady". CD
(Barcode has a cutout mark.)

Possible matches18
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Max RoachScott Free ... CD CD format
Soul Note (Italy), 1985. Used ... $9.99
Bold work from Max Roach – great material from the piano-less quartet that features Odean Pope on tenor and Cecil Bridgewater on trumpet! The style here follows strongly from Roach's Horo and Japanese recordings of the late 70s – as the album features one long track, with plenty of creative improvisation from the horn players – and rhythmic moments that get mighty open from Max, who's really on fire at this point in his career. Tyrone Brown plays electric bass, which makes for a nice sort of pulse – and Pope and Bridgewater solo with real force, recalling the same soulful spirit of Roach albums from eyars past! One long track – "Scott Free" – a soulful, spiritual gem throughout. CD
(Out of print.)

Possible matches19
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Tony Scott & Jimmy KnepperFree Blown Jazz ... LP LP format
Carlton, Late 50s. Very Good ... $6.99
One of Tony Scott's best records from the time, and an excellent batch of tracks that really shows the direction he would head in the 60s. Scott's solos are incredibly open-ended – and he's backed by a group of hip players that includes Henry Grimes, Bill Evans, Paul Motian, and Sahib Shihab. Knepper's pretty good, too – but he lacks some of the fire he has in his recordings with Mingus. Titles include "The Chant", "The Explorer", "Body & Soul", and "Portrait Of Ravi", which shows his early interest in Latin music. LP, Vinyl record album
(Original stereo pressing with deep groove. Cover has a split spine, some wear, splitting on the bottom seam, and a name in pen on back.)

Possible matches20
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Archie SheppYasmina, A Black Woman (180 gram pressing) ... LP LP format
BYG/Actuel, 1969. New Copy Gatefold (reissue)... $11.99
Archie Shepp at his spiritual best – recording in Paris in 1969, and absorbing a heck of a lot of pan-African influences! The centerpiece of the album is the amazing "Yasmina" – a long track that builds with passion and fire, pulsing with an intensity that you'd expect more from Pharoah Sanders than Shepp himself. Next up is "Sonny's Back", a wonderful straight jazz groover with Archie and Hank Mobley on twin tenors upfront – making a rare and memorable recorded appearance together! The set's capped off by a mellow version of "Body & Soul", one that points towards the more soulful side of Shepp's work in the 70s. LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
Jimmy SmithSit On It/Unfinished Business ... CD CD format
Mercury/Soul Brother (UK), 1977/1978. New Copy ... $16.99
Great late 70s work from Jimmy Smith – two albums back to back on a single CD! One of our favorite later albums from organist Jimmy Smith – and a set that cooks heavily in a wicked blend of jazz, funk, and soul! The style's a bit like the groove that Johnny Hammond hit during his Gears period – arranged by Eugene McDaniels and Alan Silvestri, with an approach that's somewhere between Larry Mizell and Skip Scarborough – tight grooves, bits of vocals, yet plenty of room for Smith's keyboard solos to take off over the top! Players include Herbie Hancock on piano, Alan Silvestri on guitar, and Lenny White on drums – but the main star is Jimmy – who's grooving massively over the top of the album, with soaring solos that are some of his best work from the late 70s. Our favorite track on here is a masterful take of "Can't Hide Love", but there's a lot of other nice funky tracks like "Slippery Hips", "My Place In Space", and "Give Up the Booty". Unfinished Business is mighty soulful business from the great Jimmy Smith – a set for Mercury Records that updates his sound slightly, yet also hits some classic Hammond lines too! Jimmy plays a bit of acoustic piano and keyboards in addition to his classic organ – and works here in a setting that's tightly arranged, yet mostly small combo – with work from Ray Crawford on guitar, Nolan Phillips on tenor and flute, and added percussion from Buck Clarke and Stephanie Spruill. Rhythms step along nicely in kind of a 70s take on 60s soul jazz modes – leaving lots of room for Jimmy to open up on his solos – but there's also a few other more ambitious moments, including a great take on "Serpentine Fire" arranged by Ronnie Foster – and a warmly wonderful "Stevie" – which is a suite of tracks dedicated to Stevie Wonder. Other titles include "8 Counts For Rita", "Blues For Charlie", "Until It's Time For You To Go", and "Norristown PA". CD
Partial matches: 44
Partial matches42
CD, LP, Vinyl record album cover art
David Amram & George BarrowJazz Studio No 6 – Amram-Barrow Quartet/The Eastern Scene ... LP LP format
Decca, 1957. Very Good- ... $38.99
An enigmatic set of modern jazz – recorded by the Amram-Barrow Quartet – an obscure group led by tenor saxophonist George Barrow and horn player David Amram, the latter of whom would go onto great fame in the 60s and 70s for his groundbreaking arrangements, soundtrack work, and world/jazz experiments! At this point, Amram's a young modernist with some very fresh ideas – and contributes some wonderful original tunes to the session with a moody east coast style that almost has traces of the Mingus camp – particularly the work of Jimmy Knepper and Pepper Adams. George Barrow's tone on the tenor is really tremendous – sharp and soulful, reminding us a bit of the freshness that Hank Mobley brought to some of his early sessions in the 50s, but with less of a hardbop fire. The rhythm in the group is by Arthur Phipps on bass and Al Harewood on drums (Amram plays a bit of piano as well) – and titles include "City Talk", "Someday Morning Will Come", "Somewhere Along The Way", "Phipps Quipps", "Lobo Nocho", and "I Love You". LP, Vinyl record album
(Vinyl has light surface marks, but the heavy Decca vinyl still plays well. Cover is nice!)

Partial matches43
CD, LP, Vinyl record album cover art
New Kenny BarronLucifer ... LP LP format
Muse, 1975. Near Mint- ... $49.99
Totally excellent Kenny Barron album on Muse, and one of his hardest to find! There's a killer cut on here called "Hellbound" that's got Kenny playing this fantastic electric piano and moog stuff on top of overdubbed acoustic piano, which provides a rhythmic underpinning. The track is long and spacey, with an excellent modal groove that would make an excellent sample, but which also grooves beautifully on its own! Lots of other cool cuts too, all with more instrumentation, and a nice soulful funky sound. Titles include "Luciver", "Spirits", "Firefly", and "Ethereally Yours" – and players include James Spaulding, Bill Barron, and Billy Hart. Beautiful! LP, Vinyl record album
(Cover has a small cutout mark.)

Partial matches44
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Wil BladesField Notes ... CD CD format
Royal Potato, 2014. Used Gatefold ... $8.99
Keyboardist Wil Blades always gets our attention – but here he somehow sounds even better than before – working in a sweet funky trio with a deeply soulful feel, and maybe some of the funkiest guitar we've ever heard from the great Jeff Parker! Parker's probably best known for some of his more experimental work – which ranges beyond just standard jazz – but he also spent some time coming up with Hammond combos, so sounds great here working alongsid Wil's tightly creative work on the B3, as well as some clavinet at a few points too! Drummer Simon Lott has a tight, break-sensitive sound to his work – which makes even the mellow moments nice and funky – which only seems to set Parker on fire more than ever. Titles include "Chrome", "Addis", "Parks N Wreck", "Miller's Time", "Red Lanterns Are Blue", and "I Get The Blues When It Rains". CD

Partial matches45
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Peter Brotzmann/Adasiewicz/Edwards/NobleMental Shake (180 gram pressing) ... LP LP format
OTOroku (UK), 2014. New Copy ... $23.99
A brilliant free improvisation from a really great lineup – a quartet that brings together the legendary reed work of Peter Brotzmann and the vibes of Jason Adasiewicz – already great enough on their own, but matched here with the bass of John Edwards and drums of Steve Noble – the latter of whom we know for his fantastic rhythms in Rip Rig & Panic! Noble's drums have these earthy tones that are quite different from the usual drummer on a free improv gig – and the vibes of Adasiewicz ring out strongly with this inspiration. Brotzmann's got a real fire, but also a focus too – blowing strongly and soulfully on alto, tenor, b flat clarinet, and tarogato – and Edwards works in an understated by powerful way to keep the energy moving forward. One long improvisation – worthy of old school classic status – more ESP than FMP! LP, Vinyl record album

Partial matches46
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Ray Brown & Milt JacksonRay Brown/Milt Jackson ... LP LP format
Verve, Mid 60s. Very Good+ ... $6.99
A really hip record from the team of bassist Ray Brown and vibist Milt Jackson – a swinging large group record that has them fronting arrangements from Oliver Nelson and Jimmy Heath! Nelson and Heath are both mighty hip cats at this point in their career – and bring a soulful swing to the record that really takes off – a groove that's lively, but tuned with lots of cool colors and tones too – shifting effortlessly while things move forward – but always with the right soulful appeal for older fans of both leaders. Milt's especially great in this setting – even more on fire than some of his other collaborations with Brown – and titles include "Dew & Mud", "Lined With A Groove", "Lazy Theme", "In A Crowd", and "Now Hear My Meaning". LP, Vinyl record album
(Cover has an X imprint on one corner.)

Partial matches47
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Sonny ClarkMy Conception ... CD CD format
Blue Note (Japan), 1957/1959. New Copy ... $18.99
Beautiful hardbop – and one of Sonny Clark's best albums! The My Conception session was originally recorded in 1959, when Clark was at the height of his powers – but it was never issued on vinyl until 1980 – in this rare limited Japanese pressing! The set's got Clark at his most lyrical – playing with a lot of hardbop fire, but also some touches of Horace Silver soulfulness, a perfect match for session-mates Donald Byrd and Hank Mobley. Mobley's in particularly fine form at this point, and the whole set's a real winner! Titles include "Junka", "Blues Blue", "Minor Meeting", and "Royal Flush". CD
(SHMCD pressing.)

Partial matches48
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John ColtraneLive At The Village Vanguard Again! ... LP LP format
Impulse, 1966. Near Mint- Gatefold ... $16.99
John Coltrane returns to the Village Vanguard – but his sound here is a lot more far-reaching than a few years before! The album's a great counterpart to the first Vanguard session – as it takes all of the bold, soaring energy of that date, and balances it with the newly introspective sound of the later Coltrane years – plus some of the freedoms learned from the Love Supreme era. The group here showcases the new territory explored by Coltrane – with Trane himself on tenor, soprano, and a bit of bass clarinet (echoing earlier Dolphy), plus Pharoah Sanders on additional tenor, Alice Coltrane on piano, Jimmy Garrison on bass, and Rasheid Ali on drums. The album only features 2 long tracks – an incredibly soulful version of "Naima", and a very firey version of "My Favorite Things", but one that begins with a haunting bass solo by Garrison! LP, Vinyl record album
(80s pressing in a gatefold cover, which has some wear.)

Partial matches49
CD, LP, Vinyl record album cover art
Johnny Dyani With Witchdoctor's Son & Dudu PukwanaRejoice/Together ... CD CD format
Cadillac (UK), 1978/1979. New Copy 2 CDs ... $19.99
A pair of albums from the legendary Johnny Dyani – packaged here in one great little set! Rejoice features searing live work from Johnny Dyani – a set that has the bassist opening up strongly in a trio with Mongezi Feza on trumpet and Okey Temiz on drums and percussion! Feza sounds even better here than usual – blowing these long, inventive solo lines that match the work of Ted Curson for 70s fire – really spurred on by Okey's creative changes, into a soulful space that may well be some of Mongezi's most spiritually expressive of the 70s! Dyani's bass is strong, and ever-present – never needing to dominate, but always felt as this rich pulse – and powerful melodic element at just the right moments. Titles include "Mad High", "Makaya Makaya", "Pukwana" and "Imbomgolo". CD also features an unreleased track from the same performance – the 20 minute "Mad High Revisited". Together is a record that really gets back to Johnny Dyani's roots in South African jazz! Although Dyani and his expatriates in the Blue Notes helped give London a new sound of avant jazz expression in the 70s, the music here returns to the warmer melodic style of their early 60s days – with loping rhythms that draw on regional tradition, and soulful interplay between the alto of Dudu Pukwana, tenor of Peter Shimmy Radise, and keyboards from Dyani – who shifts his instrument for this special recording! The group also features use of guitar, congas, whistles, and a South American harp – used in rhythmic ways that pulsate warmly – on titles that include "Kalahari", "Tula Tula", "High Priest", "Johnny's Kwela", and "Together". CD

Partial matches50
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Don EllisNew Don Ellis Band Goes Underground/Don Ellis At Fillmore ... CD CD format
Columbia/BGO (UK), 1969/1970. New Copy 2 CDs ... $14.99
Pivotal electric work from Don Ellis – a pair of albums back to back! The New Don Ellis Band Goes Underground is a monumental jazz rock crossover album from Ellis – soaring along on a fuzzed-out big band groove! The set's got most of the elements of Ellis' other electric sets for Columbia – but also features a tighter, shorter approach to the tunes – plus some vocals by Patti Allen, which adds a nice soul component to the set. There's a lot of nice production touches on the set, making the instrumentation take on whole new sounds in an electro-acoustic way – and the best tracks get nice and funky! Titles include "Higher", "Bulgarian Bulge", "Eli's Comin", "Acoustical Lass", "House In The Country", "Gooood Feelin", "Send My Baby Back", and "Black Baby". Don Ellis At Fillmore features funky madness at the legendary Fillmore Auditorium – and a searing set of tracks that rivals the best studio work from trumpeter Don Ellis! The feel here is really open, spontaneous, and inventive – and tunes are a lot more extended than on most of Don's studio sides from the time – with not only more room for solos, but also a seemingly greater focus on rhythms, which are often upbeat, firey, and very grooving on most numbers. There's a really great mix of trumpet and electronics on the record – including ring modulator and Fender Rhodes – and possibly inspired by the Fillmore setting, Don really opens up on all burners, spacing out with a really hip little groove. Titles include "Pussy Wiggle Stomp", "Salvatore Sam", "Rock Odyssey", "Final Analysis", "Excursion II", and "Antea". CD

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Fire Orchestra (Mats Gustafsson)Enter ... CD CD format
Rune Grammafon (Germany), 2014. New Copy ... $16.99
One of the coolest, wildest performances we've ever heard from the Fire Orchestra – an expanded version of a core jazz combo that includes Mats Gustafsson on tenor – but which here has grown to a very bold lineup of musicians with a trio of voices as well! The album features one long piece – the mighty "Enter" – a strongly spiritual number that mixes soulful jazz expressions with freer improvisations, and some psych elements from time to time – a really amazing blend that holds up tremendously well, even throughout the double-length space of the recording. In addition to Gustafsson on tenor – and also conducting the group – the lineup features Jonas Kullhammar on baritone sax, Fredrik Ljungkvist on baritone and clarinet, Anna Hogberg on alto, Magnus Broo and Emil Strandberg on trumpet, Goran Kajfes on cornet, Sten Sandell on keyboards, Raymond Strid on drums, and the trio of Mariam Wallentin, Sofia Jernberg, and Simon Ohlsson on voices. CD

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Lloyd GlennAfter Hours ... LP LP format
Score, 1958. Good+ ... $5.99
Classic work from Texas R&B pianist Lloyd Glenn – a great talent with a heavy-handed style that cut some sublime mellow groovers during the 50s. This album's got some really incredible cuts that bridge the gap between R&B and the soul jazz style of later players like Ray Bryant – and Glenn grooves along with some nice percussion in the small combo, really picking up the groove on the best cuts. Titles include "Tipsy", "Hyde Park", "Rompin", "After Hours (parts 1 & 2)", and "Wildfire". LP, Vinyl record album
(Original heavy maroon label pressing, with deep groove. Cover has a split top seam and spine.)

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Alphonso JohnsonSpellbound ... LP LP format
Epic, 1977. Good+ ... $0.99
A soulfully spacey fusion set from Alphonso Johnson – with a really catchy sound! The maestro is working in an eclectic mode that's part Earth, Wind, & Fire, part Return To Forever, and part Alphonze Mouzon/Tommy Bolin jamming. The best moments on the record are the more straight ahead ones – which really flirt with chunky rock sounds on the other side of the rubbery fusion funkiness! Mouzon's working on all kinds of electric sounds on this one – a bunch of custom bass effects, steel drums and more – with Clyde Criner working with a long list of keys and synthesizers, Kevin Shireve on guitar and David Igelfeld on drums and percussion. Titles include "Face Blaster", "Summer Solstice", "Bahama Mama", "Nomads", and Moonlight Conversation" "Feelings Are. . .The Hardest Words To Say" and "Earthtales Suite". LP, Vinyl record album

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Hubert LawsCrying Song/Afro Classic/Rite Of Spring ... CD CD format
CTI/BGO (UK), 1969/1970/1971. New Copy 2CD ... $19.99
Hubert Laws on CTI Records – a mighty great thing, as you'll hear on these three vintage albums for the label! First up is Crying Song, a landmark record – the first album that flutist Hubert Laws cut for CTI, and the beginning of a very important partnership with the label! The record is a sublime exploration of sound and space – very different than Laws' 60s Latin sides for Atlantic, and handled in a baroque mode that has his flute drifting over a mixture of organ, piano, and rhythms augmented with strings – easy and jazzy in the same moment, with a hip sophistication that points the way towards a new flute sound in the 70s! Titles include "Crying Song", "Listen To The Band", "Cymbaline", "Feelin Alright", "I've Gotta Get A Message To You", "La Jean", "Love Is Blue/Sing A Rainbow", and "How Long Will It Be". Afro Classic is an amazing album – and the cornerstone of the CTI sound! The record's an incredibly baroque set of tracks from funky flautist Hubert Laws – featuring arrangements from Don Sebesky that mix complicated lines on flute with electric piano from Bob James, into a swirling mass of sound that's warm, soulful, and fuzzy. The record's incredibly hip – and even on material like "Theme From Love Story", "Fire & Rain", and "Passacaglia In C Minor", Laws and the group soar away into another plane of being! Jazz flute and CTI were never the same after this album! Rite Of Spring is a groundbreaking record from flautist Hubert Laws – a mixture of classical themes and jazz, handled with an airy CTI approach – and set to arrangements by Don Sebesky that are simply mindblowing! The album's a wonderful example of the way that CTI really pushed the boundaries of instrumental expression in the 70s – taking Laws wonderfully breathy work on flute, and mixing it with some well-crafted backings that also feature electric piano by Bob James, bass by Ron Carter, and percussion by Airto and Jack DeJohnette. The larger group is handled by Sebesky, who really brings some magic to the record – a sense of sound, space, and timing that's still a heck of a lot more mature and sophisticated than most instrumental recordings coming out today! Titles include "Syrinx", "Rite Of Spring", "Brandenburg Concerto No 3", and "Pavane". CD

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Mighty MightySee The Light ... CD CD format
Schema (Italy), 2013. New Copy ... $19.99
A great debut from an ultra-jazzy combo from the Finnish scene – one with the same sort of fire and crackle as the best groups on the Ricky Tick label! The tracks have a blend of 60s hardbop with some later soulful elements – and leader Kari Setala's got a mighty great touch on both piano and keyboards – the former used in these strongly modal ways at points, the latter with even more deft touches on some of the record's more 70s funk-styled selections! Other instrumentation features trumpet, tenor, bass, drums, and percussion – and almost all tracks are originals with a mighty fresh sound. Titles include "Backyard Boogie", "Dark Sun", "Seventh Sign", "Time's Up", "See The Light", and "Simba". CD

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New Red Mitchell-Harold Land QuintetHear Ye!!!! Hear Ye!!!! ... LP LP format
Atlantic, 1961. Very Good+ ... $34.99
Killer work from a very unique little group – the short-lived union of bassist Red Mitchell and saxophonist Harold Land – heard here in one of the hippest dates from the LA scene of the early 60s! Mitchell's a well-known name from more straight ahead sides of the 50s, but working here with Land he really hits a great groove – that harder sort of soulbop sound that was coming out of LA for a few brief years in the 60s – played with a sense of tightness and fire that matched the best work of the time in New York! The whole group here is great – and the amazing Carmell Jones is in the group on trumpet, alongside Frank Strazzeri on piano and Leon Pettis on drums. The solos are great, and the writing is too – with some lively lyrical original compositions that include "Comara", "Pari Passu", "Catacomb", and "Triplin Awhile". A great bridge between Land's earlier sessions under his own name, and his later partnership with Bobby Hutcherson! LP, Vinyl record album
(UK pressing on London/Atlantic. Cover has some discoloration from age, some peeling of the gloss, and a bit of pen on back.)

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Freddie ReddShades Of Redd ... LP LP format
Blue Note, 1960. Near Mint- ... $29.99
An exquisite bit of modernist hardbop – recorded by Freddie Redd with the same sort of sound that he brought to the classic Connection recording, also done for Blue Note! As with that session, Redd is working here with alto from a young Jackie McLean's on alto sax – really at the top of his powers here, and beautifully skirting a line that runs between soulful hardbop and some of the more modern phrasing McLean would use during his "new thing" years! Tina Brooks is on tenor, and as on other classic Blue Notes – such as the Street Singer album – the Brooks/McLean combination makes for some stellar solo work throughout. Redd's piano is firey in a way that we can hardly describe, and tracks include "Thespian", "Melanie", and "Shadows". LP, Vinyl record album
(Heavy 200 gram pressing – from Classic Records!)

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Ronnie ScottRonnie Scott Quintet Featuring Alan Skidmore – BBC Jazz Club (180 gram pressing) ... LP LP format
Gearbox (UK), 1966. New Copy ... $34.99
A pair of British tenor giants – heard here in a previously unissued live performance – the legendary Ronnie Scott and the up-and-coming Alan Skidmore – both playing together here in a well-recorded set for the BBC! Scott's soulful lead really helps shape the energy of the tunes, but Skidmore's youthful exuberance really sets things on fire – and arguably makes the music even more compelling than some of Ronnie's other sides from the time – with a quality that's definitely reaching out to some of the new territory he'd explore on his own a few years later. The rhythm section is more than well-suited to keep up with the energy of the saxophonists – Gordon Beck on piano, Jeff Clyne on bass, and Johnny Butts on drums – and titles include "Oleo", "The 1612 Overture", "Sonnymoon For Two", "Where Are You", and "Night In Tunisia". LP, Vinyl record album
(Super-heavy vinyl, and a great pressing!)

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New Archie SheppBird Fire – A Tribute To Charlie Parker ... CD CD format
Impro (France), 1979. New Copy ... $14.99 16.99
The set's billed as a "tribute to Charlie Parker", but it's got a heck of a lot more to offer than that – as the album's one of the best of Archie Shepp's late 70s efforts, and has a gentle soulfulness that goes way beyond just duplicating Bird! The tunes are all numbers associated with Charlie Parker, to be sure – but Archie's working here in a mode that's often less boppish than it is searingly soulful – in that great later Shepp way of hitting the reed of the tenor with a nice degree of "rasp", voicing things with a bit more dirt than Parker ever would have – and eschewing deftly cutting lines for more personally introspective modes. The group features Everett Hollins on trumpet, Siefried Kessler on piano, Bob Cunningham on bass, and Clifford Jarvis on drums – and titles include "Now's The Time", "Lover Man", "Au Privave", and "Parker's Mood" – all in nice long versions. CD
Also available Bird Fire – A Tribute To Charlie Parker ... LP 12.99

Partial matches60
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Archie SheppBird Fire – A Tribute To Charlie Parker ... LP LP format
Impro (France), 1979. Very Good+ ... $12.99
The set's billed as a "tribute to Charlie Parker", but it's got a heck of a lot more to offer than that – as the album's one of the best of Archie Shepp's late 70s efforts, and has a gentle soulfulness that goes way beyond just duplicating Bird! The tunes are all numbers associated with Charlie Parker, to be sure – but Archie's working here in a mode that's often less boppish than it is searingly soulful – in that great later Shepp way of hitting the reed of the tenor with a nice degree of "rasp", voicing things with a bit more dirt than Parker ever would have – and eschewing deftly cutting lines for more personally introspective modes. The group features Everett Hollins on trumpet, Siefried Kessler on piano, Bob Cunningham on bass, and Clifford Jarvis on drums – and titles include "Now's The Time", "Lover Man", "Au Privave", and "Parker's Mood" – all in nice long versions. LP, Vinyl record album
Also available Bird Fire – A Tribute To Charlie Parker ... CD 14.99

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Tordenskjolds SoldaterPeace ... CD CD format
Spectator/SeriE.WOC (Italy), 1970. New Copy ... $26.99
An incredibly soulful set of jazz from the Danish scene at the start of the 70s – and a record that's much more in keeping with the spiritual sounds of the American underground at the time! The set boasts some tremendous tenor work from Jesper Nehammar – a player we don't know at all, but who's clearly drawn a lot of energy from both John Coltrane and Pharoah Sanders, especially the modal structures to the way he builds a solo, then soars out on his own! Ole Matthiessen plays piano in the group, and also wrote most of the tunes – and he's got this McCoy Tyner-like ability to block out wonderful phrases that really set the rhythms on fire, driven on by some more subtle efforts from Henrik Hove on bass and Jon Finsen on drums. The whole thing's wonderful – a record you'd file somewhere between your favorite albums on Impulse and Strata East – and titles include "Message For Mike", "Peace", "Brother Yusef", "More Peace", "Voodoo Dance", and "Pharoah". CD