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Exact matches: 8
Exact matches1
CD, LP, Vinyl record album cover art
Rufus HarleyBagpipe Blues ... LP
Atlantic, 1966. Good+ ... $2.99
An amazing record, from an amazing player – the mighty Rufus Harley, heard here on tenor, flute, and soprano sax – as well as bagpipes, his "trademark" instrument! Don't be put off by the bagpipes, though, because Harley plays in a righteous soul jazz groove, and uses the instrument more like a Coltrane-ish reed soloing vehicle, with sheets of hard blown sound, than he does as a corny Scottish sounding one. His playing is great, and he's recorded here with a great group of obscure Detroit musicians who play with a style that hints at the later stuff to come on the Tribe label – Oliver Collins on piano, James Glenn on bass, and Billy Abner on drums. The LP includes the cuts "Bagpipe Blues", "Sportin", "Sometimes I Feel Like A Motherless Child", "Chim Chim Cheree", "Kerry Dancers", and "More". LP, Vinyl record album
(Red & purple label pressing. Cover has some wear and a cutout hole.)

Exact matches2
CD, LP, Vinyl record album cover art
Rufus HarleyKing/Queens ... LP
Atlantic, 1970. Very Good+ ... $14.99
One of Rufus Harley's beautiful albums for Atlantic, and a record that shouldn't work at all – but it does, and does so wonderfully! Harley plays bagpipes throughout the album – but in a way that sounds nothing like any of the snoozy Scottish assumptions you may have about the instrument – and instead draws from a rich tradition of African reed work, and creates these amazing off-kilter tones with a deeply spiritual feel! The rhythms help Rufus realize this goal quite strongly – with players who include Richard Tee on piano, Chuck Rainey on bass, and Eric Gale on guitar – plus some other added African instrumentation on a few cuts, which widens the groove nicely. Tracks include "Kings", "Queens", and surprisingly wonderful covers of "8 Miles High" and "Windy". LP, Vinyl record album
(White label promo, with Stereo stickers on the labels.)

Exact matches3
CD, LP, Vinyl record album cover art
Rufus HarleyRe-Creation Of The Gods ... LP
Ankh, 1972. New Copy (reissue)... $9.99
One of the most legendary albums of jazz funk ever recorded! Rufus Harley was a saxophone player who also picked up the bagpipes for a few excellent 60s albums for Atlantic Records – and although those records are great, this 1972 independent album is a real mind blower! By the time of this set, Rufus had really stretched out – both creatively and spiritually – working his standard bagpipe jazz groove into a much trippier sound, one that explored the tonal and modal properties of the instrument. Not only that, Rufus got a lot funkier than ever before – working here with organist Bill Mason, a sonic contemporary of Leon Spencer and Charles Earland – and the resultant mix of organ and bagpipes creates a monstrous sound that's unlike anything we can describe! The album's a mixture of Sufi and Biblical statements – fused into long funky jazz tracks, stretching out into some incredible grooves. Includes the classic "Malika", plus the cuts "Etymology", "Hypothesis", and "Nobody Knows The Trouble I've Seen", done in a great heavy version! LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
Rufus HarleyScotch & Soul ... LP
Atlantic, 1967. Very Good+ ... $14.99
A gimmicky cover, a gimmick title, but one heck of a soulful set of jazz! The legendary Rufus Harley is a true original – a saxophonist who also plays bagpipes, but can wail on that instrument – along with tenor and soprano sax – in a mode that's strongly influenced by the best work of John Coltrane, Yusef, Lateef, and Eric Dolphy! This early set for Atlantic features Rufus in a kilt – but actually does a deeply righteous thing by returning the bagpipes to their African origin (supposedly the instrument was brought up to the British Isles during the Crusades) – and laying them out here in a sweet mix of modal moments and heavier soul jazz. The mix of modes is a lot like the best work of Yusef Lateef – and like Lateef, Harley hails from the Detroit jazz underground –a nd works here with a hip group of players from that scene – including Oliver Collins on piano, James Glenn on bass, and Billy Abner on drums. Robert Gossett adds in a bit of congas, to give the tunes even more groove than usual – and the whole thing's an important early expression of spiritual modes that would flourish even more strongly in the 70s. Titles include "Passing The Cup Around", "Taurus The 20th", "Sufur", and "Scotch & Soul". LP, Vinyl record album
(Red & purple label pressing. Cover has some wear along the bottom seam lined with clear tape.)

Exact matches5
CD, LP, Vinyl record album cover art
Rufus HarleyTribute To Courage ... LP
Atlantic, 1968. Very Good ... $6.99
Brilliant work by one of the most unusual jazz talents of the 60s! Rufus Harley's best known for his use of bagpipes in jazz music – a re-cooption of the instrument from Scottish styles, taking it back to its roots in northern Africa. A number of Harley's other albums from the time are a bit gimmicky – but this later set is a soul jazz masterpiece, infused with rich Coltrane-like modes of expression, as Harley plays both soprano sax and bagpipes over some long modal original compositions! The group is a great one – with Oliver Collins playing some fantastic spiraling lines on piano, and great bass and drum work by James Glenn & Billy Abner. Titles include "Ali", "X", "About Trane", "Tribute To Courage", and a great version of "Sunny"! LP, Vinyl record album
(Blue & green label pressing. Cover has sticker.)

Exact matches6
CD, LP, Vinyl record album cover art
Rufus ReidOut Front ... CD
Motema, 2010. Used ... $4.99
Rufus Reid's one of those players we can always count on for something interesting – and this album's no exception! The album's a trio date – lead by Reid's bass with those wonderfully full, round, soulful tones of his – an approach to his instrument that always grabs us right away, and which definitely lets you know it's the bassist at the lead of the record, and not the piano. Although we've also got to admit, pianist Steve Allee has plenty to add to the date – a romping groove that catches fire easily from Rufus' bass – quite easy to do when the group's also got Duduka Da Fonseca on drums! Titles include "Dry Land", "Ebony", "Reminiscing", "Glory", "Dona Maria", "The Rise Of The Row", and "The Crying Blues". CD
(Barcode has a mark.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Maynard Ferguson/Teddy Wilson/Clark Terry/Rufus JoJazz Festival ... LP
Wyncote, Mid 60s. Used ... Out Of Stock
LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Rufus HarleyPied Piper Of Jazz ... CD
Atlantic/Label M, Late 60s. Used ... Out Of Stock
Fantastic work from one of the most unique talents in jazz! Rufus Harley plays bagpipes – yes, that's right, bagpipes – in a modal Coltrane-esque way that's simply got to be heard to be believed. He uses the drone capability of the instrument to explore reed patterns in the same way that Coltrane did, inspired a bit by Eastern sounds, especially Indian music, but also working in an Afro-centric mode that reclaims the bagpipes as an instrument rooted in the middle east (where it was first picked up by soldiers during the crusades, and brought north to Scotland.) The whole thing might sound incredibly silly, but when you hear the music, you'll be convinced – and this CD is set up to do just that. The collection takes 9 tracks from Rufus glory days at Atlantic Records during the late 60s – and features Harley not only on bagpipes, but on tenor, soprano, and flute – playing in groups that feature players like Roy Ayers, Herbie Mann, Sonny Stitt, James Glenn, and Don Patterson. Titles include "Feelin Good", "Flute Bag", "Taurus The 20th", "More", "Sufur", and "Pipin The Blues". CD
(Out of print.)
 
Possible matches: 27
Possible matches9
CD, LP, Vinyl record album cover art
AwakeningMirage ... CD
Black Jazz/Snow Dog (Japan), 1973. New Copy ... $12.99 18.99
No Mirage here – as the album's got a presence that's impossible to deny – a solid, soulful uttering from this key Chicago combo of the 70s! The group's led by reedman Ari Brown – better known for his later avant work – and they've got a wicked blend of keyboards and horns with lots of complicated touches, played out over funky rhythms that are completely mindblowing! The great Ken Chaney plays keyboards, and in addition to Brown's reeds, the set also features trumpet from Frank Gordon, trombone from Steve Galloway, and bass from Rufus Reid – plus cool percussion from Arlington Davis and Drasheer Khalid. Most cuts are instrumental, and recorded beautifully – but one number, "The Ultimate Frontier", also features vocals from Anita Jefferies. Other cuts include "Slinky", "Mirage", "Just a Little Peace", and "March On". CD

Possible matches10
CD, LP, Vinyl record album cover art
Duke EllingtonLive At The Whitney ... CD
Impulse, 1972. Used ... $7.99
Crucial late work from Duke – as modern as The Whitney itself! The material was recorded live in performance at the Whitney Museum of American Art in 1972 – with Duke on piano, Joe Benjamin on bass, and Rufus Jones on drums – and it's got that angular, spare, fragile approach of some of Duke's rare later classics, especially the Money Jungle album. Tracks are a mixture of older themes from Ellington's career – done sparely and shortly – and titles include "Lotus Blossom", "Mood Indigo", "Kixx", "Dancers In Love", "Amour Amour", "Soda Fountain Rag", and "Meditation". CD
(Out of print.)

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ Art FarmerYou Make Me Smile ... LP
Soul Note (Italy), 1987. Near Mint- ... $4.99
Art Farmer really found a great home for his music on the Soul Note label in the 80s – a place where he could continue to grow strongly, in ways that almost let him find a new sort of edge in his horn! This album's a wonderful example of the strengths that Farmer found at the label – as the album's got an easygoing feel, but a bit more bit than some of Art's work of the 80s – a crisp tone in his own flugelhorn, which he'd mastered even more at the time, and some great support from the mighty Clifford Jordan on tenor, whose playing really adds a lot of depth to the session. Remaining players include Fred Hersh on piano, Rufus Reid on bass, and Akira Tana on drums – a pretty hip rhythm section – and titles include "You Make Me Smile", "Prelude No 1", "Nostalgia", "Flashback", "Souvenir", and "Have You Met Miss Jones". LP, Vinyl record album

Possible matches12
CD, LP, Vinyl record album cover art
Maynard FergusonStraightaway Jazz Themes ... LP
Roulette, Early 60s. Very Good ... $4.99
Forget what you think about Ferguson – this is a very hip album! Sure, Maynard's a bit hokey on the solos – but he's surrounded himself with a wonderful group that includes Jaki Byard, Don Menza, Willie Maiden, Lanny Morgan, Don Rader, and Rufus Jones. The tracks are a lot edgier than you'd expect – hard swinging in a big band mode, but with breakaway solos that really groove, and an overall tightness that never lets up. The tracks were composed for a TV show about car racing called Straightaway – and that's probably why the tracks have such a dramatic flair, sounding almost like those on some of the best crime jazz scores of the late 50s. Titles include "Mambo La Mans", "Cocky Scott", "Up Shift", "After The Race", "Stroking", and "Pit Stop". LP, Vinyl record album
(Orange label pressing.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Benny GolsonBenny Golson Quartet ... CD
LRC, 1990. Used ... $7.99
Beautiful work from the always-great Benny Golson – a wonderfully understated quartet session that's filled with plenty of long tracks, and sublime solo work from Golson! Benny's performed in many settings over the years – all of which are great – but we're recently quite partial to his more relaxed and open sessions from this period – dates like this which show a newly reborn focus on the sound of his horn and his ability to improvised creatively over an extended period of time. There's a definite Dexter Gordon influence to the impulse – but Benny serves up the music with a fair bit more soul and lyrical imagination – working here with a group that includes Mulgrew Miller on piano, Rufus Reid on bass, and Tony Reedus on drums. The set list features Golson standards "Up Jumped Spring" and "Stable Mates" – as well as the tracks "Voyage", "Beautiful Love", and "Goodbye". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
Dexter GordonGreat Encounters ... CD
Columbia/Wounded Bird, 1979. Used ... $4.99
A warmly collaborative effort from Dexter Gordon – one of his most satisfying albums from the late 70s Columbia revival, thanks to the presence of a hip array of guest artists! The album was recorded both live and in the studio – but the feeling is relatively spontaneous throughout – with a freewheeling, bop-heavy energy that really brings the most out of these famous "encounters"! 2 tracks feature Johnny Griffin on tenor, going head to head with Dex in really classic mode on "Blues Up & Down" and "Cake". 2 more tracks – "Diggin It" and "It's Only A Paper Moon" – feature trumpet from Woody Shaw, trombone from Curtis Fuller, and some especially great vocals from Eddie Jefferson – stretching out here with an energy and focus that almost beats most of the albums under his own name from the 70s! One more track – "Ruby My Dear" – is taken as a long solo vehicle by Gordon, no guest star present, with rhythm by the core trio of George Cables on piano, Rufus Reid on bass, and Eddie Gladden on drums. CD
(Out of print.)

Possible matches15
CD, LP, Vinyl record album cover art
Eddie HarrisInstant Death ... LP
Atlantic, 1972. Very Good ... $9.99
Damn great work from the amazing Eddie Harris – a record that's got a perfect blend of jazz and funk, but still holds onto more righteous elements too! Eddie's using his electric sax in a really great way – not as a gimmick at all, but as a way of linking both the soulful and progressive sides of the Chicago jazz scene – much like the way his old bassist Melvin Jackson did on the classic Funky Skull record! The group here is a small one, but features some really surprising work from players who include Muhal Richard Abrams on electric piano, Rufus Reid on electric and acoustic bass, Billy James on drums and Kalimba, Ronald Muldrow on guitar, and Henry Gibson on some mighty nice percussion. Eddie himself is a stunner – working not just on electric tenor, but also trumpet with a reed mouthpiece, and some weird way of vocalizing through a horn as well. The whole thing's got a vibe that matches the hippest, coolest electric jazz of the Cadet/Concept years – and titles include the great groover "Zambezi Dance", plus "Nightcap", "Tampion", "Instant Death", and "Superfluous". LP, Vinyl record album
(Cover has some surface wear and a sticker.)

Possible matches16
CD, LP, Vinyl record album cover art
Andrew HillEternal Spirit (with bonus tracks) ... CD
Blue Note, 1989. Used ... $12.99
A wonderful comeback from the great Andrew Hill – a sweet return to the Blue Note label, after dropping off the recording scene a bit at the end of the 70s! Hill first rose to greatness on the label, and returns to the same here too – in a mode that echoes the edges of his "new thing" years, but also has a warmer feel too – one that's different than the style of his Grass Roots album, but also much stronger than most of the other records he'd done in the years in between too. The group's a very sympathetic quintet – with mighty vibes from Bobby Hutcherson, plus alto sax from Greg Osby, bass from Rufus Reid, and drums from Ben Riley. Titles include "Pinnacle", "Golden Sunset", "Samba Rasta", "Tail Feather", "Spiritual Lover", and "Bobby's Tune". CD features 3 bonus tracks – "Pinnacle (alt take)", "Golden Sunset (alt take)", and "Spiritual Lover (alt take)". CD
(Out of print original CD pressing, not a CDr.)

Possible matches17
CD, LP, Vinyl record album cover art
Andrew HillShades ... CD
Soul Note (Italy), 1987. Used ... $6.99
Andrew Hill works mostly in a trio here – a great group with Rufus Reid on bass and Ben Riley on drums – but also gets some help from Clifford Jordan's tenor on a few tracks, which really makes the album stand out from other Hill dates of the time! The core group is already great – and Reid and Riley bring a slightly straighter vibe to the date, and a sound that's filled with plenty of soul – and when Jordan joins in, there's almost a classic hardbop approach going on – quite a change from usual for Andrew, and proof that he can handle just about anything that comes his way. Hill still throws out plenty of creative piano lines throughout – those deft, modern moments that are always illuminating, even amidst a straighter swing – with a tension that's not unlike his Grass Roots album. Titles include "Ball Square", "Domani", "La Verne", "Monk's Glimpse", and "Tripping". CD

Possible matches18
CD, LP, Vinyl record album cover art
Archie SheppFour For Trane ... CD
Impulse/Universal (Japan), 1964. New Copy ... $19.99
An amazing Impulse debut from Archie Shepp – easily one of his boldest musical statements ever, and a key announcement to the world that a new generation of modernists was on the rise! The album was co-produced by John Coltrane – who brought Shepp to the label, and almost gets out-done by Archie's sharply crafted musical vision on the set. The style here is that mix of freer lines and tighter conception that Shepp used with the New York Contemporary Five – and players include John Tchicai on alto from that group, plus Roswell Rudd on trombone, Alan Shorter on flugelhorn, Reggie Workman on bass, and Charles Moffett on drums. The lack of piano in the album is striking – and allows for plenty of horn interplay, but in a way that's much more cutting and dark than any of the piano-less horn dates from the 50s. Titles include 4 Coltrane compositions ("Syeeda's Song Flute", "Mr Syms", "Cousin Mary", and "Naima"), as sort of a tribute to Trane – plus Shepp's excellent "Rufus (Swung, his face at last to the wind, then his neck snapped)". CD
(SHM-CD pressing!)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ John StubblefieldConfessin' ... LP
Soul Note (Italy), 1985. Near Mint- ... $6.99
John Stubblefield at his 80s best – playing tenor and soprano sax in a group with Cecil Bridgewater on trumpet and flugelhorn, Mulgrew Miller on piano, Rufus Reid on bass, and Eddie Gladden on drums! Ttiles include the originals "Waltz For Duke Pearson", "Spiral Dance", "More Fun", "Confessin", and "Dusk To Dawn". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Henry ThreadgillX-75 Volume 1 ... LP
Arista/Novus, 1979. Near Mint- ... $16.99
Prime late 70s AACM/loft jazz material, composed and led by Threadgill, and featuring groups that include avant players like Joseph Jarman, Douglas Ewart, Amina Claudine Myers, and Rufus Reid. Titles include "Sir Simpleton", "Celebration", and "Air Song" – and most tracks have some poetic vocals, sung by Myers. LP, Vinyl record album
(Cover has light wear.)

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ James Williams SextetProgress Report ... LP
Sunnyside, 1985. Near Mint- ... $4.99
Pianist Williams is in great company here – a sympathetic group with Bill Easley on alto and flute, Billy Pierce on tenor and soprano sax, Kevin Eubanks on guitar, Tony Reedus on drums, and Rufus Reid on bass – plus a bit of percussion from Jerry Gonzalez! LP, Vinyl record album

Possible matches22
CD, LP, Vinyl record album cover art
VariousBlack Roots – Funky & Abstract Directions In Jazz 1965 to 1975 ... CD
Atlantic/BGP (UK), Late 60s/Early 70s. New Copy ... $11.99 18.99
Some of the hippest jazz tracks ever recorded by Atlantic Records – a great blend of numbers that mixes together modal groovers, funky jams, and hard-hitting soul jazz tracks! The music here nicely steps around a number of different styles, and a number of different artists – and represents the cooler side of the Atlantic jazz catalog – instead of some of their better-known, crossover hits – mixed with a few funk and soul numbers too! The set was compiled by London DJ Russ Dewbury – and he did an excellent job of dipping into all the right parts of the Atlantic catalog, and timed out the set so that the cuts fit together extremely well. Titles include "I Walk On Gilded Splinters" by Dr John, "Jagger The Dagger" by Eugene McDaniels, "It's Your Thing" by Shirley Scott, "See Line Woman" by Yusef Lateef, "Mean Greens" by Eddie Harris, "The Windjammer" by Mongo Santamaria, "Black Root" by Roland Kirk, "The Fakir" by Duke Pearson, "Witchi Tai To" by Jim Pepper, "Sufur" by Rufus Harley, and "Foxy Brown" by David Newman. (Funky Compilations, Jazz) CD

Possible matches23
CD, LP, Vinyl record album cover art
VariousMod Jazz ... LP
Kent (UK), 1960s/Early 70s. New Copy 2LP Gatefold ... $26.99
One of our favorite compilations of all time – a smoking batch of soulful jazz from the 60s, with a slight bit of funk and blues thrown in as well! The set's exactly what's promised in the title – jazz cuts, but with an ultra-cool mod vibe – the kind of soulful sounds that played big with the younger London crowd digging American music in the mid 60s – and also the kind of music you'd be likely to find blasting out of a backroom jukebox on the west side of Chicago! There's loads of rare single mixes of LP tracks on the set, and a number of smoking 45s from artists you might know better from more mainstream work – really hitting hard here, alongside a few special numbers from the indie underground too. Tracks are cool enough for old school hipsters – but appealing enough to bring in a new listener too – and as proof of that, we've given this one away for many years as a Christmas present. The collection features 25 tracks in all – non-stop pleasure throughout – with titles that include "Soul Shoutin" by Shirley Scott, "Tengo Tango" by Cannonball Adderley Sextet, "Whip It On Me" by Billy Hawks, "Yeh Yeh" by Mongo Santamaria, "Black Talk" by Charles Earland, "I'm Ready" by Otis Spann, "Mama Rufus" by Merced Blue Notes, "Theme From NYPD" by Johnny Hammond, "Step Out & Get It" by The Nomos, "Why Don't You Do Right" by Mark Murphy, "Collard Greens" by Freddie McCoy, "Theme From The Carpetbaggers" by Jack McDuff, "Filthy McNasty" by Eddie Jefferson, "Evil Ways" by Cal Tjader, "Kenny's Theme" by Kenny Burrell, and "Games" by Ivan Boogaloo Joe Jones. (Funky Compilations, Jazz) LP, Vinyl record album

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ John Benson Brooks with Cannonball AdderleyAlabama Concerto ... CD
Riverside/OJC, 1958. Used ... Temporarily Out Of Stock
A groundbreaking album – not only for Cannonball Adderley, but for the jazz concerto format, used to strong effect here in this excellent modernist composition by John Benson Brooks! The album's based on a number of historical and mythical southern themes – and although it gets a bit hokey at times, the work of Adderley and Art Farmer on the solo sections really opens up the piece and gives it a deep sense of soul. The setting is a drummer-less small group, with Barry Galbraith on guitar, Milt Hinton on bass, and Brooks on occasional piano – and themes include "The Loop", "Trampin", "Little John Shoes", "Milord's Calling", and "Rufus Playboy". CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdHarlem Blues ... LP
Landmark, 1988. New Copy ... Temporarily Out Of Stock
A beautifully sensitive album from Donald Byrd – quite a change from his better-known jazz funk work of the 70s and early 80s – and part of a back-to-basics move he made in part of that latter decade! The album's very much in the best straight mode of the Landmark Records label scene of the time – Byrd blowing strong and soulfully in the company of a key combo that features Kenny Garrett on alto, Mulgrew Miller on piano, Rufus Reid on bass, and Marvin Smitty Smith on drums – all players who really bring a lot of fire to the record, and almost push Byrd back to his pre-electric 60s years on Blue Note. Mike Daugherty plays synth on two tracks – using the instrument in gentle, string-like ways – but overall the record is proudly acoustic at most moments. Titles include "Harlem Blues", "Fly Little Byrd", "Voyage A Deux", "Sir Master Kool Guy", and "Blue Monk". LP, Vinyl record album
(Original pressing – in limited supply!)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonFar East Suite – Special Mix (Bluebird) ... CD
RCA/Bluebird, 1966. Used ... Temporarily Out Of Stock
One of Ellington's greatest albums of the 60s – and a record tinged with Eastern themes and darkly angular modern arrangements. The group here features Ellington stalwarts Johnny Hodges, Paul Gonsalves, Harry Carney, Cootie Williams, Mercer Ellington, and Rufus Jones – and the players work together tightly to craft the suite of tracks based on Ellington's impressions of recent travels through the Mid and Far East during the 60s. Titles include "Tourist Point Of View", "Isfahan", "Depk", "Mount Harissa", "Amad", "Agra", and "Blue Pepper". Plus, the CD reissue features 4 alternate takes not on the LP! CD
(Out of print.)

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Frank Foster & Frank WessTwo For The Blues ... CD
Pablo/OJC, 1983. Used ... Temporarily Out Of Stock
A wonderful reunion of the team of Frank Foster and Frank Wess – caught here in an easy-going and laidback style that's miles away from their work with Count Basie! The youthful rhythm section of Kenny Barron, Rufus Reid, and Marvin Smitty Smith really adds a lot to the set – giving the record a later sort of soul jazz vibe, one that's perfect for the pair to solo over in open-ended lines. Both Franks play tenor sax, and Wess plays flute and alto as well – while Foster does some excellent work on soprano sax. Titles include "Bay Street", "Two For The Blues", "But For The Likes Of You", "Nancy With The Laughing Face", "Your Beauty Is A Song Of Love", and "A Time For Love". CD
(Out of print, BMG music club pressing.)

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Frank GordonClarion Echoes ... LP
Soul Note (Italy), 1985. Used ... Temporarily Out Of Stock
The first album as a leader from trumpeter Frank Gordon – one of the lesser-remembered members of the AACM in the 70s, and an artist who's probably best known for his work in the soulful combo The Awakening! This set has Gordon blowing in some richly creative territory, especially for the 80s – a soulful, stretched-out sort of groove that's mostly built around original compositions by Frank – well-written numbers with a strong undercurrent of darkness, even at moments of brighter light from some of the soloists – who include Bobby Watson on alto sax, Ari Brown on tenor, and James Williams on piano. There's a rock-solid rhythm section on the date – courtesy of Rufus Reid on bass and Carl Allen on drums – which offsets some of the more exploratory horn passages nicely – and titles include "El Toro", "Clarion Echoes", "Convulsion", "Illusion", "Libra", and "Take Off". LP, Vinyl record album
 
 
 



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