A trio of classics from the mighty Tom Scott! First up is the landmark Tom Scott & The LA Express – a real breakout moment for reedman Scott – the first truly big album for the saxophonist who'd been blowing some great records on his own, and lending his horn to a host of classic jazz and soul sessions too! The groove is a lot sharper and tighter than earlier Scott albums, but never too slick – and definitely has that great ear for a funky undercurrent that seems to bring out the most soulful notes in Tom's horns – underscored here by wicked rhythms from the LA Express combo that features Joe Sample on keyboards, Larry Carlton on guitar, Max Bennett on bass, and John Guerin on drums. Titles include the sublime break track "Sneaking In the Back" – plus "Dahomey Dance", "King Cobra", "Easy Life", "Spindrift", "Vertigo", "LA Expression", and "Strut Your Stuff". Tom Cat was a runaway hit for reedman Tom Scott – and the record that helped to elevate him to the ranks of studio and fusion superstardom in the 70s! By the time
of the record, Scott had already done some key work under his own name, and was contributing heavily to countless other sessions in the jazz, pop, soul, and soundtrack worlds. But this album's the one that really helped Tom get his groove out there – a particular approach to smooth fusion that still kept things plenty funky overall! Part of the credit for the set really goes to bassist Max Bennett and drummer John Guerin – who bring in a tightly snapping bottom that lets Scott get a bit smoother on the top with his saxes, in a style that's augmented by plenty of great keyboard work from Larry Nash. Titles include "Keep On Doin It", "Tom Cat", "Rock Island Rocket", "Mondo", "Refried", "Backfence Cattin", and "Love Poem". On New York Connection, Tom Scott leaves his LA group behind – and works with lots of great funk-based backings from a combo that includes Richard Tee on keyboards, Bob James on Fender Rhodes, and Eric Gale on guitar! The grooves are every bit as tight as on Tom's previous albums – and like those gems, they've got a balance that's never too slick or commercial – really in the best Kudu Records mode, with a strong ear for a hook, but lots of room for Scott to solo freel
y on tenor and soprano sax, plus a bit of flute and moog as well. Titles include "Uptown & Country", "New York Connection", "Time
& Love", "Midtown Rush", "Looking Out For Number 7", "You're Gonna Need Me", and "Dirty Old Man".
(Includes original slipcase.)