Jazz — All

XA wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!

$



Items/page

Reel Time Edit search Phrase match

 
Sort by
Possible matches: 1
Possible matches1
CD, LP, Vinyl record album cover art
✨✧ Sun RaLost Reel Collection Vol 1 – Creator Of The Universe ... CD
Transparency, 1971. Used 2CD ... Out Of Stock
Lost work from Sun Ra – pulled from two different tapes recorded in the Bay Area in 1971! Disc one features an obscure performance – even by Ra standards – done at the Warehouse in San Francisco, with a group of unlisted players, all of whom really hit some of the farthest-reaching Arkestra modes of the time. The sound is often quite free, and relatively out – but a few sparer tracks feature great instrumental pairings that include percussion and trombone, and percussion with moog from Ra! Titles include "Discipline", "Enlightenment", "Satellites Are Spinning", and 3 more unidentified tracks. Disc two is quite different, but equally compelling – as it features Sun Ra speaking before a class at UC Berkeley, spinning out his thoughts in a relatively freewheeling manner! The lecture covers a number of themes similar to his writings of the time – quite political at moments, and always pretty compelling. CD
 
Partial matches: 48
Partial matches2
CD, LP, Vinyl record album cover art
Steve KhanEyewitness/Modern Times/Casa Loco ... CD
Antilles/BGO (UK), 1981/1982/1983. New Copy 2 CDs ... $14.99
A trio of early 80s albums from fusion giant Steve Khan – all lined up in a single collection! First up is Eyewitness – an early 80s effort from guitarist Steve Khan – a set recorded after some big records for Columbia, and one that follows very strongly in their legacy! Khan's super-deft here, but also able to create these washes of sound as much as some bold lines on his instrument – moving between the modes freely in the company of a tight quartet – with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussion – all much more in the loose, open style of fusion from the mid 70s than you might guess from the date of the record. Titles include "Where's Mumphrey", "Dr Slump", "Guy Lafleur", and "Auxilary Police". Modern Times has Steve Khan stretching out even more htan before – working on a set of three long tracks that really expand his ideas strongly – almost pushing his guitar sense of tone and color into some of the territory Pat Metheny was exploring at the time! The group is Khan's great quartet with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussoin – and titles include "Blades", "The Blue Shadow", "Modern Times", and "Penguin Village". Casa Loco is a record that's maybe a bit more electric on the rhythms than some of Steve Khan's previous sets – thanks to use of Simmons drums by drummer Steve Jordan – but a record that's still got Steve himself playing very strongly in the lead! Khan's as deft as ever here, working out these swirling chords that brew together in waves of sound – that special place a few fusion artists found themselves after the rock-jamming years of the 70s. The album features a bit of vocals from percussionist Manolo Badrena – which come across surprisingly well – and titles include "The Suitcase", "Uncle Roy", "Some Sharks", "Breakaway", and "Casa Loco". CD

Partial matches3
CD, LP, Vinyl record album cover art
Sun RaLost Reel Collection Vol 4 – Dance Of The Living Image ... CD
Transparency, 1974. Used 2 CDs ... $11.99
One of the most tape-centric entries in this great Lost Reel series – given that the recordings here were pulled from a San Francisco rehearsal by Ra & The Arkestra – and still contain some evidence of the recorder turning on and off! But despite that technical element – which actually creates a nice little window into the way the band worked away from the stage, and focused on certain elements on their own – the music here is still plenty darn great, and offers up a rare glimpse of the group during a short SF residence. The tracks include a few "unidentified titles" – which, according to the notes, are numbers that possibly haven't appeared on other recordings – and players include Ra, John Gilmore, Marshall Allen, Danny Ray Thompson, and James Jackson. 2CD set features titles that include "Dance Of The Living Image", "Sometimes I'm Happy", "Astro Nation", "Hard Hearted Hannah", "Passin Gas", "Sophisticated Lady", "Watusi", and a few of those unidentified titles! CD

Partial matches4
CD, LP, Vinyl record album cover art
James Blood UlmerFreelancing ... CD
Sony/Wounded Bird, 1981. New Copy ... $10.99 11.99
A major label set, but one that stays very true to the new ideals that James Blood Ulmer was trying to bring to jazz guitar at the time – a really revolutionary style that moves beyond simple genre conventions, and embraces a whole world of new ideas that would inspire others in the decade to come! Ulmer plays with a real frenzy at points – deep currents that reflect the bluesy touches of his early work in jazz organ combos, but given a skittish energy that reflects his association with the downtown crowd – and which was very fitting for his record with Rough Trade! The core group here features James, bassist Amin Ali, and drummer G Calvin Weston – and some tracks feature work from David Murray on tenor, Oliver Lake on alto, and Olu Dara on trumpet. Titles include "Timeless", "Pleasure Control", "Night Lover", "Happy Time", "Rush Hour", "Stand Up To Yourself", and "High Time". CD

Partial matches5
CD, LP, Vinyl record album cover art
Billy BangDistinction Without A Difference (with bonus tracks) ... CD
Hat Hut/Corbett vs. Dempsey, 1980. New Copy Gatefold ... $12.99
Billy Bang has always been one of the most incredible players on his instrument – a jazz violinist who could take the strings into freely creative territory, yet also somehow manage to swing – a balance that nobody ever seemed to manage as well as Bang! And while Billy's work in groups is always wonderful, the strengths of his genius maybe come through even more in a solo setting like this – as Bang uses the violin in ways that are completely unheard of, even in jazz work of the decade before – but also while somehow holding to an inherent core that always makes his music make immediate sense, even to the most casual listener. The album's a true testament to the genius that Bang brought to jazz violin – and why we still love him on the instrument more than anyone else. Titles include "Theme For Masters", "Sometime Later", "Improvisation On Sweet Space", and "Loweski". This great edition comes in a gatefold LP-styled cover – almost like a mini version of the original record released by Hat Hut – with bonus tracks that include "Fiddle In The Floodlight", "Subway Ride With Giuseppi Logan", "Echo Vamp", "Prana", and "A Pebble Is A Small Rock". CD

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ Norman ConnorsDance Of Magic/Dark Of Light ... CD
Buddah/FTG, 1973. Used ... $15.99
Righteous early jazz work from Norman Connors – a pair of albums back to back on a single CD! Dance Of Magic is a landmark first album from drummer Norman Connors – a spiritual jazz masterpiece that builds wonderfully on the post-Coltrane tradition! Norman is years away from his smoother soul recordings at this point, and coming out of a righteous jazz background that included work with Marion Brown and Archie Shepp. For this initial set, Norman's in incredible company – working with players that include Herbie Hancock on both electric and acoustic keys, plus Eddie Henderson on trumpet, Gary Bartz and Carlos Garnett on saxes, Stanley Clarke on bass, and Billy Hart and Airto on percussion – plus a chorus of vocalists on the album's mighty title cut! Tracks are all long, spiritual, and freely exploratory – but never in a style that goes too far outside, or that forgets the joy and love that can spring forth in a forward-thinking session like this one! Titles include "Dance Of Magic", "Give The Drummer Some", "Morning Change", and "Blue". Dark Of Light is a sensational bit of righteous soul jazz – right up there with the best work on Strata East and Black Jazz from the time! The sound here is full, soulful, and spiritual – as Connors heads up a large ensemble that includes luminaries like Herbie Hancock, Eddie Henderson, Gary Bartz, Carlos Garnett, Buster Williams, and Dee Dee Bridgewater – all working together in a formation that's free spirited, yet tightly unified – often at a level that's even stronger than their own recordings! The album mixes a few longer tracks with shorter numbers – in a mode that reminds us a lot of Garnett's classic Black Love album – and titles include "Song For Rosa", "Black Lightnin", "Dark Of Light", "Butterfly Dreams", and "Laughter". CD
(Out of print. Punch through barcode.)

Partial matches7
CD, LP, Vinyl record album cover art
Bill DixonNovember 1981 ... CD
Soul Note (Italy), 1981. Used ... $6.99
Excellent early 80s live set recorded in Switzerland, by a trumpet player who has truly established his own unique and beautiful vocabulary within the world of progressive improvised music. Like many of the New Thing players from the 60s, Dixon seemed to languish largely unrecorded throughout the 70s, and then had a renewed lease on his recording career on European boutique labels like Soul Note in the 80s. This is one of his excellent 2 bass lineups, which features fellow pioneer Alan Silva as one of the bassists, and Mario Pavone as the other, with Laurence Cook rounding out the rhythm section on drums. As on some of his other rare sides, this set consists of a number of through composed pieces, thoroughly annotated in the nice liner booklet, but all of them platforms for each of the players to express themselves freely within. One LP's a studio recording, with 5 numbers: "November 1981", "Penthesilea", "The Second Son", "The Sirens" and "Another Quiet Feeling". The second LP is live side recorded around the same time, with "Webern", "Windswept Winterset", "Velvet" and "Llaattiinnoo Suite". CD
(Out of print.)

Partial matches8
CD, LP, Vinyl record album cover art
George DukeFaces In Reflection ... LP
MPS, 1974. Very Good+ ... $19.99
Killer keyboards from the legendary George Duke – and one of his most righteous albums for the MPS label! The album's a spectacular set that showcases both sides of Duke's genius at the time – his spacey, soulful approach to a laidback tune – and his more jamming styles on the harder cuts! Instrumentation is somewhat spare – just keyboards and piano from George, who also sings a bit – plus Ndugu Chancler on drums and John Heard on bass – both playing with a freely creative energy that's definitely motivated by Duke. There's a beautiful mix of electricity and acoustic warmth on the set – never too forced, and clearly an inspiration for countless players in years to come – maybe even more so than Herbie Hancock's work of the time. Drums are great too – and snap tightly for plenty of nice breaks on the set – which are in turn augmented by mellower keys from Duke, who also sings with a sweetly electric soul style. Titles include "Capricorn", "The Opening", "Psychosomatic Dung", "North Beach", "Faces In Reflection", "Maria Tres Filhos", and "Da Somba". LP, Vinyl record album
(US pressing. Cover has some wear & a name in marker.)

Partial matches9
CD, LP, Vinyl record album cover art
Jimmy GiuffreTrav'lin' Light ... CD
Atlantic (Japan), 1958. New Copy ... $14.99
One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe – and titles include "Swamp People", "Lonely Time", "Green Country", and "Travelin Light". CD
(SHM-CD pressing!)

Partial matches10
CD, LP, Vinyl record album cover art
Leroy Jenkins with Muhal Richard AbramsLifelong Ambitions ... LP
Black Saint (Italy), 1977. Near Mint- ... $14.99
We always love Muhal Richard Abrams in a duet setting – and this album's no exception, as it features the pianist playing in very spare formation with violinist Leroy Jenkins – improvising freely in a concert performance from 1977! Abrams tone is often very dark and earthy, which seems to bring out similar qualities in Jenkins' instrument – almost a tautness, or tenseness, that's slightly unusual – ready for action in response to Muhal's music – sometimes a bit cowed by it, but rising strongly to state its own identity too. Tracks include "Greetings & Salutations", "Meditation", "Happiness", "The Blues", "The Weird World", and "The Father The Son The Holy Ghost". LP, Vinyl record album
(Cover has light wear.)

Partial matches11
CD, LP, Vinyl record album cover art
Roscoe Mitchell SextetSound (French pressing) ... LP
Goody (France), 1966. Near Mint- ... $9.99
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-breaking, freely-creative approach to jazz that builds strongly off the changes already wrought by Cecil Taylor, Ornette Coleman, and Archie Shepp! The format is somewhat like the Art Ensemble Of Chicago at times – with measured horn work from Mitchell on alto, clarinet, and recorder, Maurice McIntyre on tenor, Lester Bowie on trumpet and flugelhorn, and Lester Lashley on trombone (as well as a bit of cello). Some tracks – like the brilliant "Sound" – offer a slow-building exploration of tones and textures – while others, like the blues-joke "Little Suite", or the harmelodic "Ornette", show a wry sense of humor that would become a Chicago avant hallmark as the years went on! LP, Vinyl record album
(Early 70s pressing.)

Partial matches12
CD, LP, Vinyl record album cover art
Wallace RoneyIntuition ... CD
Muse, 1988. Used ... $9.99
A great late 80s session by trumpeter Wallace Roney – bold, and strongly-blown – proof that he was clearly one of the most striking young trumpet talents of his generation! The album is nicely open-ended, and freely crafted with a strong group that includes Kenny Garrett on alto, Gary Thomas on tenor, Mulgrew Miller on piano, Ron Carter on bass, and Cindy Blackman on drums. Roney's firmly in the lead on all tracks, but the added horn work of Garrett and Thomas comes together in lean lines that keep a range of expression on most of the set. Titles include "Intuition", "Ahead", "Taberah", "For Duke", and "Sometimes My Heart Cries". CD
(Out of print.)

Partial matches13
CD, LP, Vinyl record album cover art
Ronnie ScottLive At The Jazz Club ... CD
Esquire/Solid (Japan), 1952/1953. New Copy ... $9.99
Early live material from British tenor giant Ronnie Scott – sides not recorded at his own famous club, but by the BBC for broadcast – which maybe makes them some of Scott's first recordings of this nature, and certainly some of the best from the time! The first large chunk of material features Ronnie heading up an octet – not only blowing freely, in some of his best bop modes of the time – but also really showing off his talent as an arranger – in front of musicians who include Jimmy Deuchar on trumpet, Derek Humble on alto, Benny Green on baritone sax, and Norman Stenfalt on piano. The same group plays on the rest of the tracks, with the addition of Peter King on tenor sax – and titles include "All The Things You Are", "The Champ", "Popo", "Pantagrulian", "Mullenium", "The Nearness Of You", and "Nemo". CD

Partial matches14
CD, LP, Vinyl record album cover art
Tom ScottTom Scott & The LA Express/Tom Cat/New York Connection ... CD
BGO (UK), 1973/1974/1975. Used 2CD ... $11.99
A trio of classics from the mighty Tom Scott! First up is the landmark Tom Scott & The LA Express – a real breakout moment for reedman Scott – the first truly big album for the saxophonist who'd been blowing some great records on his own, and lending his horn to a host of classic jazz and soul sessions too! The groove is a lot sharper and tighter than earlier Scott albums, but never too slick – and definitely has that great ear for a funky undercurrent that seems to bring out the most soulful notes in Tom's horns – underscored here by wicked rhythms from the LA Express combo that features Joe Sample on keyboards, Larry Carlton on guitar, Max Bennett on bass, and John Guerin on drums. Titles include the sublime break track "Sneaking In the Back" – plus "Dahomey Dance", "King Cobra", "Easy Life", "Spindrift", "Vertigo", "LA Expression", and "Strut Your Stuff". Tom Cat was a runaway hit for reedman Tom Scott – and the record that helped to elevate him to the ranks of studio and fusion superstardom in the 70s! By the time of the record, Scott had already done some key work under his own name, and was contributing heavily to countless other sessions in the jazz, pop, soul, and soundtrack worlds. But this album's the one that really helped Tom get his groove out there – a particular approach to smooth fusion that still kept things plenty funky overall! Part of the credit for the set really goes to bassist Max Bennett and drummer John Guerin – who bring in a tightly snapping bottom that lets Scott get a bit smoother on the top with his saxes, in a style that's augmented by plenty of great keyboard work from Larry Nash. Titles include "Keep On Doin It", "Tom Cat", "Rock Island Rocket", "Mondo", "Refried", "Backfence Cattin", and "Love Poem". On New York Connection, Tom Scott leaves his LA group behind – and works with lots of great funk-based backings from a combo that includes Richard Tee on keyboards, Bob James on Fender Rhodes, and Eric Gale on guitar! The grooves are every bit as tight as on Tom's previous albums – and like those gems, they've got a balance that's never too slick or commercial – really in the best Kudu Records mode, with a strong ear for a hook, but lots of room for Scott to solo freely on tenor and soprano sax, plus a bit of flute and moog as well. Titles include "Uptown & Country", "New York Connection", "Time & Love", "Midtown Rush", "Looking Out For Number 7", "You're Gonna Need Me", and "Dirty Old Man". CD
(Includes original slipcase.)

Partial matches15
CD, LP, Vinyl record album cover art
Tomorrow's GiftGoodbye Future ... LP
Interchord/Long Hair (Germany), 1972. New Copy Gatefold (reissue)... $29.99
One of those amazing groups from the early 70s German scene – the kind of outfit who were doomed to failure right from the start, but didn't ever let that stop them from making some incredible music! The sounds here came about as a result of the dwindling Tomorrow's Gift lineup woodshedding in a schoolhouse in rural Germany – experimenting freely with all sorts of timings, styles, and instrumental combinations – then refining the whole thing down to their core lineup of keyboards, bass, and drums! There's no vocals at all – which almost makes the record a jazz fusion set at times, particularly in comparison to some of the more rockish US work of the time – but Conny Plank produced, and also introduced lots of other cool sonic elements that really helped complicate the sound – and create a legendary album in the process. Titles include "Jazzi Jazzi", "Wienersatz", "Naturgemass", "Didden Fur Dunden", and "Allerheiligen". (Rock, Jazz) LP, Vinyl record album

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Pharoah SandersIzipho Zam (My Gifts) ... LP
Strata East/Everland (Austria), 1973. New Copy (reissue)... Temporarily Out Of Stock
A rare non-Impulse Records album from the early days of Pharoah Sanders – but a set that ranks right up there with his classics for that legendary label! The album's one of the classics in Strata East's Dolphy Series – and it's a uniquely collaborative session from 1969, one that has Sanders working with a largeish group that includes Sonny Fortune on alto sax, Sonny Sharrock on guitar, Lonnie Liston Smith on piano, Leon Thomas on vocals, and Cecil McBee on bass – all coming together with a freely exploratory sort of energy, one that's a bit like some of Archie Shepp's most righteous sides from the same time. Sanders' tenor still dominates most numbers, but not as much as on some of the Impulse sides – and there's a nicely relaxed and personal feel to the whole album. The album features 3 long tracks – "Prince Of Peace", which has Leon Thomas doing his "Creator Has A Master Plan" thing, and the cuts "Balance" and "Izipho Zam", the latter of which jams for a full 28 minutes! LP, Vinyl record album

Partial matches17
CD, LP, Vinyl record album cover art
✨✧ Roscoe Mitchell SextetSound ... LP
Delmark, 1966. New Copy (reissue)... Out Of Stock
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-breaking, freely-creative approach to jazz that builds strongly off the changes already wrought by Cecil Taylor, Ornette Coleman, and Archie Shepp! The format is somewhat like the Art Ensemble Of Chicago at times – with measured horn work from Mitchell on alto, clarinet, and recorder, Maurice McIntyre on tenor, Lester Bowie on trumpet and flugelhorn, and Lester Lashley on trombone (as well as a bit of cello). Some tracks – like the brilliant "Sound" – offer a slow-building exploration of tones and textures – while others, like the blues-joke "Little Suite", or the harmelodic "Ornette", show a wry sense of humor that would become a Chicago avant hallmark as the years went on! LP, Vinyl record album

Partial matches18
CD, LP, Vinyl record album cover art
✨✧ David SanciousTrue Stories/Just As I Thought ... CD
Arista/Beat Goes On (UK), 1978/1979. New Copy ... Out Of Stock
A pair of albums from David Sancious – back to back on a single CD! First up is True Stories – a heavy blend of soul, jazz, and rock influences – all jamming together freely in this late 70s set from David Sancious and his Tone group! The style here is probably more appealing to rock fans looking for a bit of fusion than it is to fans of keyboard jazz from the 70s – but as with other Sancious albums from the period, there's enough of a range of modes going on that if you don't hear something you like at first, you're bound to hear something you do later! Other members of the group include Alex Lighterwood, Gail Boggs, Gerald Carboy, and Brenda Madison – all of whom seem to sing together on some of the fuller vocal numbers. Titles include "Sound Of Love", "On The Inside", "Matter Of Time", "Ever The Same", and "Fade Away". On Just As I Thought, David Sancious is working as a solo act – without the billing of the Tone group on his previous albums – but the overall sound is still very much in the same wonderful blend of fusion, funk, and soul! David's keyboards are maybe a bit more at the forefront than before – and the album has him stretching out wonderfully on a variety of keys – polymoog, prophet, minimoog, Hammond, and both electric and acoustic piano – crafting lines that are never too overdone, and which always have a nice sense of hook – but which also deliver a lot more bite than sounds by smoother fusion artists. There's a fair bit of instrumental numbers on the set – but the record also features Kabir Ghani singing on "Again" and "Suite For The End Of An Age". Other titles include "The Naked I", "Run", "Just As I Thought", and "Valley Of The Shadow". CD

Partial matches19
CD, LP, Vinyl record album cover art
✨✧ Joe McPhee & Raymond BoniLive From The Magic City ... CD
Trost (Austria), 1985. New Copy ... Out Of Stock
A lost duet between Joe McPhee and Raymond Boni – done at a time when both musicians were making some incredible contributions to the early Hat Art Records catalog! The sound here is maybe sharper and starker than either of their studio sets from the time – improvised freely in two different sets, with Joe on soprano sax, electronics, and a bit of voice – and Boni on electric guitar and electronics, the latter of which sometimes seem to be processing his sounds on guitar. On the back cover photo, McPhee also appears to be electrifying his soprano – and together, the pair definitely hit some more abstract sonic passages as they improvise. The original concert was inspired by a quote by Eric Dolphy – "When you hear music, after it's over, it's gone, in the air, you can never capture it again" – but fortunately, we have this album to help with that! CD

Partial matches20
CD, LP, Vinyl record album cover art
Juhani AaltonenEtiquette ... LP
Love/Svart (Finland), 1974. New Copy (reissue)... $19.99
Freely creative work from Finnish saxophonist Juhani Aaltonen – easily one of the most "out" sessions we've heard on the Love label, but also a record that has some of the strongly soulful undercurrents as other Love sessions. Juhani's working here with a shifting array of musicians on each track – sometimes playing in a spare or solo mode, other times stepping out with a fuller group. Drummer Edward Vesala turns in excellent work on nearly every track on the set – playing forcefully, yet spaciously alongside Aaltonen's bold lines on tenor sax and flute – and other instrumentation includes guitar, viola, and moog. The set's mostly acoustic, with a few electric touches from time to time – and tracks include "Fountain", "But Not For Me", "Summer", "Bhanki", "Perhaps", and "Ettiquette". LP, Vinyl record album

Partial matches21
CD, LP, Vinyl record album cover art
AirAir Time (180 gram pressing) ... LP
Nessa, 1977. New Copy (reissue)... $18.99 20.99
One of the best albums ever by this legendary Chicago trio – a great example of the way that records on the Nessa label can really get to the heart of artists' intentions! The trio of Henry Threadgill on reeds, Fred Hopkins on bass, and Steve McCall on percussion have never sounded better – and have this intimate, soulful interplay that's sometimes missing from other efforts – that special kind of energy that makes the AACM so great when it's really clicking this well – as deeply spiritual as it is freely expressive! Threadgill plays alto, tenor, bass flute, and the compelling hubkaphone –a nd titles include "I'll Be Right Here Waiting", "No 2", "GvE", "Subtraction", and "Keep Right On Playing Thru The Mirror Over The Water". LP, Vinyl record album
 
 
 



⇑ Top