Jazz — All

A wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!




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Partial matches: 39
Partial matches1
CD, LP, Vinyl record album cover art
Juhani AaltonenEtiquette ... LP
Love/Svart (Finland), 1974. New Copy (reissue)... $21.99
Freely creative work from Finnish saxophonist Juhani Aaltonen – easily one of the most "out" sessions we've heard on the Love label, but also a record that has some of the strongly soulful undercurrents as other Love sessions. Juhani's working here with a shifting array of musicians on each track – sometimes playing in a spare or solo mode, other times stepping out with a fuller group. Drummer Edward Vesala turns in excellent work on nearly every track on the set – playing forcefully, yet spaciously alongside Aaltonen's bold lines on tenor sax and flute – and other instrumentation includes guitar, viola, and moog. The set's mostly acoustic, with a few electric touches from time to time – and tracks include "Fountain", "But Not For Me", "Summer", "Bhanki", "Perhaps", and "Ettiquette". LP, Vinyl record album

Partial matches2
CD, LP, Vinyl record album cover art
Kenny BurrellNight At The Vanguard ... CD
Chess/MCA, 1959. Used ... $4.99
A hip live date from Kenny Burrell – recorded with a trio that includes Richard Davis on bass and Roy Haynes on drums – both of whom help Kenny find a groove that's a bit lighter and more fluid than usual! The rhythms here are quite gentle, almost spare at times – and always touched with Haynes' great sense of lyricism. Kenny's guitar lines are right out front, freely flowing with plenty of warm chromatic hues, and styles that echo a bit more modernism than we've heard in other work of his from the late 50s. Titles include "Well You Needn't", "Trio", "All Night Long", and "Soft Winds". CD
(Out of print. Part of rear tray card has been cut.)

Partial matches3
CD, LP, Vinyl record album cover art
Eddie Costa/Vinnie BurkeEddie Costa/Vinnie Burke Trio ... CD
Jubilee/Warner (Japan), 1956. New Copy ... $14.99
A spare and sweet little set from the team of Eddie Costa and Vinnie Burke – one of the best of the east coast chamber jazz groups of the mid 50s! The pair's trio has Eddie on piano and vibes, Vinnie on bass, and Nick Stabulas on drums – all working together to craft light, rhythmic versions of tunes that really change them up rhythmically – working in the most playful mode of the time to freely create over the top of familiar numbers that include "Fascinating Rhythm", "It Could Happen To You", "Sweet & Lovely", "Yesterdays", and "Let's Do It". The set also features two nice originals – "Unison Blues" and "Pile Driver". CD
(SHM-CD pressing!)

Partial matches4
CD, LP, Vinyl record album cover art
Fille Qui MousseSe Taire Pour Une Femme Trop Belle (colored vinyl pressing) ... LP
Monster Melodies (France), 1971. New Copy Gatefold (reissue)... $34.99
One of the most far-out French groups we've ever heard – a freely jamming group who are in their very own space away from the typical prog or psych of the time! At some level, these guys are almost like an avant jazz group – given that there's no vocals at all on the record, and these guys jam pretty openly. Yet the instrumentation is also more rockish, too – lots of guitar, electric bass, and drums – although the instruments are often used in ways that are farther from melodic, making some ultra-cool sounds in some of the odder moments. The whole thing almost feels like some of the few rock outings from BYG/Actuel – and titles include "Resistance Instinctive", "Transplantation", "L'Eau Etait Vitage", "Cantate Disparate", and "Esplanade". (Rock, Jazz) LP, Vinyl record album
(Beautiful red marbled vinyl!)

Partial matches5
CD, LP, Vinyl record album cover art
Tiny GrimesCallin' The Blues ... LP
Prestige/Swingville, Late 50s. Very Good- ... $9.99
A seminal bit of early soul jazz guitar work from Tiny Grimes – a player better known for his work in an R&B vein, but an excellent jazz-based talent on this tasty session! Tiny's working here with a group that includes Eddie Lockjaw Davis on tenor and Ray Bryant on piano, in a mode that opens up the album's 4 long tracks into freely flowing vehicles for improvisation. Trombonist JC Higginbotham brings a nice "bottom" sound to the record, making for a slightly unusual frontline – and titles include "Blue Tiny", "Callin The Blues", "Grimes Times", and "Airmail Special". LP, Vinyl record album
(Red label Swingville pressing with deep groove. Cover has some wear.)

Partial matches6
CD, LP, Vinyl record album cover art
Rodney JonesArticulation ... CD
Timeless/Ultra Vybe (Japan), 1978. New Copy ... $13.99
An overlooked spiritual jazz gem from the 70s – recorded for the Dutch Timeless label, but done in a mode that sparkles with the energy of Strata East at the time! Guitarist Rodney Jones is in some wonderfully hip company for the set – a lineup that includes Kenny Kirkland on piano, Wallace Roney on trumpet, Bob Mintzer on tenor, and Arthur Blythe on alto – all blowing together beautifully with a freely-soaring spiritual energy that reminds us a lot of some of Gary Bartz' more jazz-based albums of the time. And while Jones is the leader, his guitar work often takes second seat next to the well-crafted horn patterns in the set – very well-conceived, and always with a searching sort of post-Coltrane energy. Titles include "Articulation", "1978", "Hard New York Swing", "Blues For Wes", and "Nereda". CD

Partial matches7
CD, LP, Vinyl record album cover art
Steve KhanEyewitness/Modern Times/Casa Loco ... CD
Antilles/BGO (UK), 1981/1982/1983. New Copy 2 CDs ... $16.99
A trio of early 80s albums from fusion giant Steve Khan – all lined up in a single collection! First up is Eyewitness – an early 80s effort from guitarist Steve Khan – a set recorded after some big records for Columbia, and one that follows very strongly in their legacy! Khan's super-deft here, but also able to create these washes of sound as much as some bold lines on his instrument – moving between the modes freely in the company of a tight quartet – with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussion – all much more in the loose, open style of fusion from the mid 70s than you might guess from the date of the record. Titles include "Where's Mumphrey", "Dr Slump", "Guy Lafleur", and "Auxilary Police". Modern Times has Steve Khan stretching out even more htan before – working on a set of three long tracks that really expand his ideas strongly – almost pushing his guitar sense of tone and color into some of the territory Pat Metheny was exploring at the time! The group is Khan's great quartet with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussoin – and titles include "Blades", "The Blue Shadow", "Modern Times", and "Penguin Village". Casa Loco is a record that's maybe a bit more electric on the rhythms than some of Steve Khan's previous sets – thanks to use of Simmons drums by drummer Steve Jordan – but a record that's still got Steve himself playing very strongly in the lead! Khan's as deft as ever here, working out these swirling chords that brew together in waves of sound – that special place a few fusion artists found themselves after the rock-jamming years of the 70s. The album features a bit of vocals from percussionist Manolo Badrena – which come across surprisingly well – and titles include "The Suitcase", "Uncle Roy", "Some Sharks", "Breakaway", and "Casa Loco". CD

Partial matches8
CD, LP, Vinyl record album cover art
Louis Moholo, Dudu Pukwana, Johnny DyaniSpiritual Knowledge & Grace – Live In Eindhoven 1979 ... CD
Ogun (UK), 1979. New Copy ... $14.99
A treasure! The set features rare live work from three key members of The Blue Notes, working here alongside tenorist Frank Wright in a late 70s performance from the Netherlands – issued here for the first time, and with really brilliant sound overall! The lineup features Dudu Pukwana on alto and piano, Johnny Dyani on bass and piano, Louis Moholo on drums, and the legendary Frank Wright on tenor and a bit of double bass – all working together freely with a tremendous sense of collaboration – Wright's tenor blown with beautifully soulful, raspy tones that seem to push Dudu even farther than on some of his other albums from the time. There's almost an Art Ensemble Of Chicago feel to the record, although the whole thing comes off with a bit more of a South African soul – as befits the origin of the players – on titles that include "Ancient Spirit" and "Contemporary Fire". CD

Partial matches9
CD, LP, Vinyl record album cover art
David Murray & Gwo-Ka Masters Feat Pharoah SandersGwotet ... CD
Justin Time, 2004. Used ... $6.99
A rich tapestry of Afro-Caribbean rhythms – and one of the most compelling albums we've heard in years from David Murray! The set features an expanded group of percussionists, vocalists, and other instrumentalists – fronted by lead solo stars David Murray and Pharoah Sanders – all jamming freely in styles that bring together bits of African, Haitian, and Cuban rhythms – forging them into a bold new sound for the project! Tracks are all quite longish, and given the previous skills that both Murray and Sanders have exhibited in such settings, they're more than up for the challenge of working with such a heady group of players! Titles include "Go To Jazz", "Gwotet", "Djolla Feeling", "La Jwa", "O Leonso", and "Ovwa". CD

Partial matches10
CD, LP, Vinyl record album cover art
Anthony OrtegaNew Dance! ... LP
Revelation, 1967. Sealed ... $49.99
One of the clearest moments of brilliance ever from saxophonist Anthony Ortega – an album that should stand as one of THE avant jazz sessions of the 60s, but which is sadly often overlooked! Although Ortega first rose to fame quickly in the 50s, his talents were often used in larger backing ensembles and studio work in the 60s – and this rare date for Revelation Records is one of the few times he got to express himself freely in the studio – bursting out with a free sense of expression and energy that lies somewhere in the space between Jimmy Giuffre, Marion Brown, and Anthony Braxton! The setting is free, but Ortega often shows a Giuffre-like sense of rhythm and timing, even at the sparest moments – and the rasp in his tone recalls the gentle soulfulness of Brown at his most expressive – touched by some of the greater complexities of Braxton's early approach to the sound of the alto. Accompaniment is by Bobby West on bass and Bill Goodwin on drums on some numbers – and simply by Chuck Domanico on bass on others. LP, Vinyl record album
(Cover has a small cutout mark.)

Partial matches11
CD, LP, Vinyl record album cover art
Sante PalumboSway ... CD
CPT/Schema (Italy), 1973. New Copy ... $16.99
An amazing set from the Italian scene of the early 70s – a jazz album with a fair bit of electric instrumentation, but one that comes across in a very different way than American or other European fusion of the time! Instead, there's kind of this core acoustic energy to the record – maybe from the righteous work on the kit, plus additional percussion, from Lino Liguori – who can hang back some moments, then step into a tune in a very explosive way – really giving focus to the keyboard work of leader Sante Palumbo, as he plays both acoustic and Fender Rhodes on the album. The record's also got some excellent alto, flute, and tenor from Hugo Heredia – an Argentine musician – plus great guitar from Sergio Farina, who can play freely one minute, and hit some wah-wah funk the next! There's a mix of outside jazz and funk throughout the record – in a way that's quite unusual, and which really keeps things on edge – and the whole thing feels like some of the most compelling records on the Dire label from the same period. Titles include "Sway", "Canon", "Bartokiana", "Sweeten", and "Mad". CD
Also available Sway (with bonus CD) ... LP 22.99

Partial matches12
CD, LP, Vinyl record album cover art
Sante PalumboSway (with bonus CD) ... LP
CPT/Schema (Italy), 1973. New Copy (reissue)... $22.99
An amazing set from the Italian scene of the early 70s – a jazz album with a fair bit of electric instrumentation, but one that comes across in a very different way than American or other European fusion of the time! Instead, there's kind of this core acoustic energy to the record – maybe from the righteous work on the kit, plus additional percussion, from Lino Liguori – who can hang back some moments, then step into a tune in a very explosive way – really giving focus to the keyboard work of leader Sante Palumbo, as he plays both acoustic and Fender Rhodes on the album. The record's also got some excellent alto, flute, and tenor from Hugo Heredia – an Argentine musician – plus great guitar from Sergio Farina, who can play freely one minute, and hit some wah-wah funk the next! There's a mix of outside jazz and funk throughout the record – in a way that's quite unusual, and which really keeps things on edge – and the whole thing feels like some of the most compelling records on the Dire label from the same period. Titles include "Sway", "Canon", "Bartokiana", "Sweeten", and "Mad". LP, Vinyl record album
(Includes bonus CD!)
Also available Sway ... CD 16.99

Partial matches13
CD, LP, Vinyl record album cover art
Bill Perkins & Richie KamucaTenors Head On ... LP
Liberty, 1956. Very Good- ... $24.99
A killer date from two of the hippest tenors of the west coast scene in the 50s – Bill Perkins and Richie Kamuca – both musicians who worked in the cool school, but could also come across with plenty of soul! The album's got both tenors working head on – hitting counterpoint modes at times, but also opening up more freely at others – showing the balance between composition, arrangement, and improvisation that made the scene so great at the time – yet executed with a bit more depth of feeling, as we'd expect from Perkins and Kaumca. Rhythm is from the trio of Pete Jolly on piano, Red Mitchell on bass, and Stan Levey on drums – and titles include "Spain", "Pick A Dilly", "Oh Look At Me Now", "Don't Be That Way", and "Blues For Two". LP, Vinyl record album
(Heavy blue label pressing. Cover has moderate wear with a split bottom seam.)

Partial matches14
CD, LP, Vinyl record album cover art
Sam RiversQuest (PA USA pressing) ... LP
PA USA, 1979. Very Good+ Gatefold ... $9.99
One of Sam Rivers' most freely expressive albums – a set of extended improvisations that features the leader on tenor, soprano, flute, and piano – really spinning out with some strongly expressive solos! The rest of the lineup is quite free too – with Dave Holland on bass and Barry Altschul on percussion – a pair who sometimes hit rhythmic impulses at the best moments, but also often stretch out and do their thing in a relatively free way too. Titles include "Judgement", "Hope", "Expectation", and "Vision". LP, Vinyl record album

Partial matches15
CD, LP, Vinyl record album cover art
Max RoachConversations (Speak, Brother, Speak/Deeds, Not Words) ... LP
Fantasy, 1958/1962. Near Mint- 2LP Gatefold ... $9.99
Nice Prestige 2-fer from the 70s that brings together 2 great albums. Speak, Brother, Speak is solid righteous jazz from the Max Roach of the 60s – recorded at a time when the player was really breaking away from his straighter hardbop roots, and delving deeper into more freely soulful jazz expression! It features 2 long tracks – each a side apiece – played by Max with a quartet that includes Clifford Jordan on tenor, Eddie Khan on bass, and Mal Waldron on piano. Jordan really takes off on the album – demonstrating a great ability for long blowing and creative exploration that was only hinted at on his other studio sessions at the time, and which really points the way towards some of his freer-thinking records of the 70s. Waldron is great too – bringing in some nicely darker colors that really help to round out the sound. Titles include "Speak Brother Speak" and "A Variation". Deeds, Not Words is another classic Max Roach session, from a bit earlier in 1958, with Booker Little, George Coleman, Art Davis, and Ray Draper. The album's got a couple of great originals by Bill Lee – "Jodie's Cha Cha" and "Deeds, Not Words" – plus Draper's classic "Filide", which is one of those tracks that you know you've heard, but can never recognize. Also included is "Conversation", a very cool solo by Roach on the drums! LP, Vinyl record album

Partial matches16
CD, LP, Vinyl record album cover art
David Sancious & ToneTrue Stories ... LP
Arista, 1978. Very Good ... $2.99
A heavy blend of soul, jazz, and rock influences – all jamming together freely in this late 70s set from David Sancious and his Tone group! The style here is probably more appealing to rock fans looking for a bit of fusion than it is to fans of keyboard jazz from the 70s – but as with other Sancious albums from the period, there's enough of a range of modes going on that if you don't hear something you like at first, you're bound to hear something you do later! Other members of the group include Alex Lighterwood, Gail Boggs, Gerald Carboy, and Brenda Madison – all of whom seem to sing together on some of the fuller vocal numbers. Titles include "Sound Of Love", "On The Inside", "Matter Of Time", "Ever The Same", and "Fade Away". LP, Vinyl record album
(Includes the printed inner sleeve.)

Partial matches17
CD, LP, Vinyl record album cover art
Irene Schweizer & Han BenninkWelcome Back ... CD
Intakt (Switzerland), 2015. New Copy ... $17.99 19.99
Two amazing musicians who somehow sound even better here as a pair than on their own – and that's saying quite a lot, given the musical legacy of pianist Irene Schweizer and drummer Han Bennink! Schweizer's always been one of our favorite improvisers – as she's got an ability to freely create, and cascade these technically amazing sounds on her instrument – but she always seems to hang onto a sense of tonality, and maybe sometimes a slight sense of wit! All that really seems to inspired Bennink, too – who works here at some of his most musical modes, with these light, lively sounds coming from the drums he attacks with all these really special sort of touches. The pairing is superb – maybe one of our favorite records from either player in recent years – and titles include "Firewood", "Apus Melba", "Bleu Fonce", "Meet Me Tonight In Dreamland", "Trap 5", "Kit 4", "Welcome Back", and "I Surrender Dear". CD

Partial matches18
CD, LP, Vinyl record album cover art
Spontaneous Music EnsembleKaryobin – Are The Imaginary Birds Said To Live In Paradise (Japanese paper sleeve edition) ... CD
Island/Universal (Japan), 1968. New Copy ... $31.99
One of the first albums ever from this legendary British creative force in jazz – heard here at a time when the group was a quintet – with the mighty drummer John Stevens at the lead – alongside mindblowingly fresh performances from Evan Parker on soprano sax, Kenny Wheeler on trumpet, Derek Bailey on guitar, and Dave Holland on bass! The players are so new to the scene that Bailey is actually billed as "Dennis" on the back of the original album cover, and Kenny is listed as "Wheel" – but they all play here with the confidence and vision that would soon make them giants – and key players who'd show the world that the UK scene was every bit as free-thinking as those in the US and Europe. The album features one long improvisation – and Bailey is especially wonderful in the setting – making these ringing notes that scatter and skitter alongside Parker's beautiful soprano work – egged on by Steven's to move freely over the drum kit. CD
(SHM-CD pressing! Beautiful package – a tiny LP sleeve replica of the original Island cover and label!)

Partial matches19
CD, LP, Vinyl record album cover art
Three Out (Mike Nock)Move ... CD
Columbia/Be! (Germany), Early 60s. New Copy ... $16.99
Totally great work from a young Mike Nock – a pianist that most folks know for his electric and experimental sounds of the 70s, but who's appearing here on record for the first time ever – at the head of a totally cooking soul jazz combo! Nock's command of the piano is tremendous right from the start – both hands flying freely, but with a very rhythmic vibe – one that's underscored by the strong work of Freddy Logan on bass and Chris Karan on drums – both musicians we don't know at all, but who really know how to make the record groove – especially in comparison to other Aussie jazz dates from the time. The bass is especially great – a key part of the album's sound, and explored by Nock with these bluesy chords on the piano – and titles include "Move", "Way Back", "Primitive", "Little Niles", "Freshwater", and "Softly As In A Morning Sunrise". CD
Also available Move ... LP 14.99

Partial matches20
CD, LP, Vinyl record album cover art
Three Out (Mike Nock)Move ... LP
Columbia/Be! (Germany), 1960. New Copy (reissue)... $14.99
Totally great work from a young Mike Nock – a pianist that most folks know for his electric and experimental sounds of the 70s, but who's appearing here on record for the first time ever – at the head of a totally cooking soul jazz combo! Nock's command of the piano is tremendous right from the start – both hands flying freely, but with a very rhythmic vibe – one that's underscored by the strong work of Freddy Logan on bass and Chris Karan on drums – both musicians we don't know at all, but who really know how to make the record groove – especially in comparison to other Aussie jazz dates from the time. The bass is especially great – a key part of the album's sound, and explored by Nock with these bluesy chords on the piano – and titles include "Move", "Way Back", "Primitive", "Little Niles", "Freshwater", and "Softly As In A Morning Sunrise". LP, Vinyl record album
Also available Move ... CD 16.99
 
 
 



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