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Possible matches: 2
Possible matches1
CD, LP, Vinyl record album cover art
Command All StarsCuriosities 1972 ... CD
Reel Recordings (Canada), 1972. Used ... $9.99
"Spontaneous collective improvisations" from the Command All Stars – a batch of some of the best British jazzmen of the early 70s, recording in very free formation at the Command Studios under the guidance of Robert Fripp! The tunes are all pretty freewheeling – more outside than usual, even for these musicians – and the album's a wonderful chance to hear the farthest reaches of the talents of players who include Keith Tippett on piano, Elton Dean on saxes and electric piano, Nick Evans on trombone, Harry Miller and Johnny Dyani on bass, and Keith Bailey on drums. Titles include "Guilty", "But Insane", "African Sunset", "African Sunrise", and "Roots & Wings" – plus the additional cuts "Just Us Plus" and "Vehim", recorded by Dean and Evans with a different lineup, around the same time. CD
(Out of print.)

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Sun RaLost Reel Collection Vol 1 – Creator Of The Universe ... CD
Transparency, 1971. Used 2CD ... Temporarily Out Of Stock
Lost work from Sun Ra – pulled from two different tapes recorded in the Bay Area in 1971! Disc one features an obscure performance – even by Ra standards – done at the Warehouse in San Francisco, with a group of unlisted players, all of whom really hit some of the farthest-reaching Arkestra modes of the time. The sound is often quite free, and relatively out – but a few sparer tracks feature great instrumental pairings that include percussion and trombone, and percussion with moog from Ra! Titles include "Discipline", "Enlightenment", "Satellites Are Spinning", and 3 more unidentified tracks. Disc two is quite different, but equally compelling – as it features Sun Ra speaking before a class at UC Berkeley, spinning out his thoughts in a relatively freewheeling manner! The lecture covers a number of themes similar to his writings of the time – quite political at moments, and always pretty compelling. CD
 
Partial matches: 50
Partial matches3
CD, LP, Vinyl record album cover art
Albert AylerBells/Prophecy (with bonus tracks) ... CD
ESP, 1964/1965. New Copy 2CD ... $15.99
A double-length set that brings together 2 key early live sets by Albert Ayler – both recorded on the New York scene of the mid 60s! Bells was an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! Prophecy is longer – a full album that was recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after Ayler's untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". And then, if that's not enough, the 2CD package also features more material from the Prophecy sessions – 6 more tracks originally issued on the Albert Smiles With Sunny album – with titles that include "Saints", "Children", "Ghosts", "Spirits", and "Wizard" – all in different versions. CD

Partial matches4
CD, LP, Vinyl record album cover art
✨✧ Albert AylerBells/Prophecy (with bonus tracks) ... CD
ESP, 1964/1965. Used 2 CDs ... $9.99
A double-length set that brings together 2 key early live sets by Albert Ayler – both recorded on the New York scene of the mid 60s! Bells was an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! Prophecy is longer – a full album that was recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after Ayler's untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". And then, if that's not enough, the 2CD package also features more material from the Prophecy sessions – 6 more tracks originally issued on the Albert Smiles With Sunny album – with titles that include "Saints", "Children", "Ghosts", "Spirits", and "Wizard" – all in different versions. CD
Also available Bells/Prophecy (with bonus tracks) ... CD 15.99

Partial matches5
CD, LP, Vinyl record album cover art
Jimmy Bennington & Julian PriesterPortraits & Silhouettes ... CD
James Bennington, 2005. Used ... $5.99
Avant genius from two different Chicago generations – drummer Jimmy Bennington and trombonist Julian Priester, coming together here in a starkly striking session of work! Bennington produced the record, and it definitely leans more towards his sound overall – but it's great to hear Preister in such company, blowing with these open, freely creative tones that almost take us back to his important lineage in the Sun Ra Arkestra of the early years. Titles include "Dust", "Portraits & Satellites", "In Waltz Time", "Call I", and "Return To Saturn" – plus a special "Re Sun Ra/Julian's Oral History" – which features Priester interviewed by Bennington. CD

Partial matches6
CD, LP, Vinyl record album cover art
Kenny BurrellNight At The Vanguard ... CD
Chess/MCA, 1959. Used ... $6.99
A hip live date from Kenny Burrell – recorded with a trio that includes Richard Davis on bass and Roy Haynes on drums – both of whom help Kenny find a groove that's a bit lighter and more fluid than usual! The rhythms here are quite gentle, almost spare at times – and always touched with Haynes' great sense of lyricism. Kenny's guitar lines are right out front, freely flowing with plenty of warm chromatic hues, and styles that echo a bit more modernism than we've heard in other work of his from the late 50s. Titles include "Well You Needn't", "Trio", "All Night Long", and "Soft Winds". CD
(Out of print.)

Partial matches7
CD, LP, Vinyl record album cover art
Eddie Costa/Vinnie BurkeEddie Costa/Vinnie Burke Trio ... CD
Jubilee (Japan), 1956. Used ... $11.99
A spare and sweet little set from the team of Eddie Costa and Vinnie Burke – one of the best of the east coast chamber jazz groups of the mid 50s! The pair's trio has Eddie on piano and vibes, Vinnie on bass, and Nick Stabulas on drums – all working together to craft light, rhythmic versions of tunes that really change them up rhythmically – working in the most playful mode of the time to freely create over the top of familiar numbers that include "Fascinating Rhythm", "It Could Happen To You", "Sweet & Lovely", "Yesterdays", and "Let's Do It". The set also features two nice originals – "Unison Blues" and "Pile Driver". CD
(Out of print, includes obi.)
Also available Eddie Costa/Vinnie Burke Trio ... LP 9.99

Partial matches8
CD, LP, Vinyl record album cover art
Eddie Costa/Vinnie BurkeEddie Costa/Vinnie Burke Trio ... LP
Jubilee, Late 50s. Near Mint- ... $9.99
A spare and sweet little set from the team of Eddie Costa and Vinnie Burke – one of the best of the east coast chamber jazz groups of the mid 50s! The pair's trio has Eddie on piano and vibes, Vinnie on bass, and Nick Stabulas on drums – all working together to craft light, rhythmic versions of tunes that really change them up rhythmically – working in the most playful mode of the time to freely create over the top of familiar numbers that include "Fascinating Rhythm", "It Could Happen To You", "Sweet & Lovely", "Yesterdays", and "Let's Do It". The set also features two nice originals – "Unison Blues" and "Pile Driver". LP, Vinyl record album
(70s Japanese pressing.)
Also available Eddie Costa/Vinnie Burke Trio ... CD 11.99

Partial matches9
CD, LP, Vinyl record album cover art
Elton Dean's NinesenseHappy Daze/Oh For The Edge ... CD
Ogun (UK), 1976/1977. Used ... $9.99
Seminal work from British reedman Elton Dean – two classic Ogun albums back to back on a single CD! First up is Happy Daze – a set that's got a lot more complicated class than you might expect from the title – really wonderful large ensemble arrangements penned by Dean, and definitely in the spirit that he claimed made the group the heir to Keith Tippett's previous group of the late 60s! The music here is all nicely inside, and pretty darn soulful – swinging and stepping with a bit more of a groove than some of the other Ogun Records work of the time – really back to that hip point at the end of the 60s, when British jazz groups stretched out in their spirit, but never got too avant in their style – a perfect blend that Dean really recreates here, with help from players who include Alan Skidmore on tenor, Harry Beckett on trumpet, Mark Charig on trumpet and tenor horn, Nick Evans and Radu Malfatti on trombones, Keith Tippett on piano, Harry Miller on bass, and Louis Moholo on drums. Titles include "Nicrotto", "Seven For Lee", "Sweet FA", and "Three For All". On Oh For The Edge, there's definitely an edge to the music – but one that's a bit different than that of some of Elton Dean's contemporaries in the 70s British scene! Dean brings a lot more swing and soul to this record than you might expect – working with a large group, but never letting the players get totally outside – which is a real change from some of the more freely improvising UK ensembles of the period. Dean's own work on alto and saxello are totally great – as are the core rhythms of the group, which come from Keith Tippett on piano, Harry Miller on bass, and Louis Moholo on drums. But we're also plenty happy to hear Alan Skidmore on tenor, Harry Beckett and Mark Charig on trumpets, and Nick Evans on trombone. The recording has a very good "roomy" sound to it that gives it a darker edge than some of the other Ogun recordings from the time – and tracks include "Fall In Free", "Dance", "Friday Night Blues", and "Prayer For Jesus". CD

Partial matches10
CD, LP, Vinyl record album cover art
Bill DixonNovember 1981 ... LP
Soul Note (Italy), 1981. Near Mint- 2LP Gatefold ... $49.99
Excellent early 80s live set recorded in Switzerland, by a trumpet player who has truly established his own unique and beautiful vocabulary within the world of progressive improvised music. Like many of the New Thing players from the 60s, Dixon seemed to languish largely unrecorded throughout the 70s, and then had a renewed lease on his recording career on European boutique labels like Soul Note in the 80s. This is one of his excellent 2 bass lineups, which features fellow pioneer Alan Silva as one of the bassists, and Mario Pavone as the other, with Laurence Cook rounding out the rhythm section on drums. As on some of his other rare sides, this set consists of a number of through composed pieces, thoroughly annotated in the nice liner booklet, but all of them platforms for each of the players to express themselves freely within. One LP's a studio recording, with 5 numbers: "November 1981", "Penthesilea", "The Second Son", "The Sirens" and "Another Quiet Feeling". The second LP is live side recorded around the same time, with "Webern", "Windswept Winterset", "Velvet" and "Llaattiinnoo Suite". LP, Vinyl record album
(Includes booklet!)

Partial matches11
CD, LP, Vinyl record album cover art
Jimmy GiuffreTrav'lin' Light ... CD
Atlantic (UK), 1958. New Copy ... $8.99
One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe – and titles include "Swamp People", "Lonely Time", "Green Country", and "Travelin Light". CD

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ Tiny GrimesCallin' The Blues ... LP
Prestige/Swingville, Late 50s. Very Good- ... $14.99
A seminal bit of early soul jazz guitar work from Tiny Grimes – a player better known for his work in an R&B vein, but an excellent jazz-based talent on this tasty session! Tiny's working here with a group that includes Eddie Lockjaw Davis on tenor and Ray Bryant on piano, in a mode that opens up the album's 4 long tracks into freely flowing vehicles for improvisation. Trombonist JC Higginbotham brings a nice "bottom" sound to the record, making for a slightly unusual frontline – and titles include "Blue Tiny", "Callin The Blues", "Grimes Times", and "Airmail Special". LP, Vinyl record album
(Red label Swingville pressing with deep groove. Cover has some wear.)

Partial matches13
CD, LP, Vinyl record album cover art
Joe HarriottFree Form ... CD
Jazzland/Gott Discs (UK), 1960. Used ... $24.99
Essential! This is the landmark album that forever put saxophonist Joe Harriott on the map, and it's a brilliant batch of tracks that prove that Harriott was advancing the jazz avant garde in England as much as players like Ornette Coleman and Cecil Taylor were advancing it in America. Despite the "free form" of the title, the tracks are more "new thing" – somewhat structured, with a rhythmic approach that's still a little straight, but solos that go nice and outside. Joe's overall conception is a beautiful mix of angular thinking with freely expressed soulful emotion – and the record's one that ranks up there with the 10 most groundbreaking of the 60s! The group's about as fantastic as you could ever expect from England at the time – with Shake Keane on trumpet, Pat Smythe on piano, Coleridge Goode on bass, and Phil Seamen on drums – and titles include "Formation", "Coda", "Abstract", "Straight Lines", and "Impression". CD
(Out of print.)

Partial matches14
CD, LP, Vinyl record album cover art
Steve KhanEyewitness/Modern Times/Casa Loco ... CD
Antilles/BGO (UK), 1981/1982/1983. New Copy 2 CDs ... $16.99
A trio of early 80s albums from fusion giant Steve Khan – all lined up in a single collection! First up is Eyewitness – an early 80s effort from guitarist Steve Khan – a set recorded after some big records for Columbia, and one that follows very strongly in their legacy! Khan's super-deft here, but also able to create these washes of sound as much as some bold lines on his instrument – moving between the modes freely in the company of a tight quartet – with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussion – all much more in the loose, open style of fusion from the mid 70s than you might guess from the date of the record. Titles include "Where's Mumphrey", "Dr Slump", "Guy Lafleur", and "Auxilary Police". Modern Times has Steve Khan stretching out even more htan before – working on a set of three long tracks that really expand his ideas strongly – almost pushing his guitar sense of tone and color into some of the territory Pat Metheny was exploring at the time! The group is Khan's great quartet with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussoin – and titles include "Blades", "The Blue Shadow", "Modern Times", and "Penguin Village". Casa Loco is a record that's maybe a bit more electric on the rhythms than some of Steve Khan's previous sets – thanks to use of Simmons drums by drummer Steve Jordan – but a record that's still got Steve himself playing very strongly in the lead! Khan's as deft as ever here, working out these swirling chords that brew together in waves of sound – that special place a few fusion artists found themselves after the rock-jamming years of the 70s. The album features a bit of vocals from percussionist Manolo Badrena – which come across surprisingly well – and titles include "The Suitcase", "Uncle Roy", "Some Sharks", "Breakaway", and "Casa Loco". CD

Partial matches15
CD, LP, Vinyl record album cover art
Charles MingusJazz Workshop Concerts 1964/1965 (7CD set) ... CD
Mosaic, 1964/1965. New Copy 7 CDs ... $118.99 119.00
Key moments in the career of Charles Mingus – all recorded during the crucial years of 1964 and 1965, and featuring the first-time release of a fair bit of live material too! The set represents the first full presentation of recordings that have appeared piecemeal on a handful of obscure releases – self-released records from Mingus himself – Town Hall, My Favorite Quintet, and Music Written For Monterey – all really expanded here with the full recordings of the tracks, and unreleased titles provided from the original tapes! Mingus was really on fire during these years – severed from most of his bigger label associations, and freely working on some of his most inventive ideas with various smaller groups of players – all fresh young talents who were key interpreters of Charles' ideas – including Johnny Coles and Lonnie Hillyer on trumpet, Jimmy Owens on trumpet and flugelhorn, Charles McPherson on alto sax, Clifford Jordan on tenor, Jaki Byard on piano, Eric Dolphy on alto, flute, and bass clarinet. The stalwart Dannie Richmond is on drums, and the sides represent some of Dolphy's last, and most important recordings on the planet – recordings done at Town Hall and in Amsterdam in April of 1964 – in addition to live material at Monterey in 1964 and 1965, in Minneapolis in May of 1965. Tracks are all quite long – some pushing the half-hour timing – and as with the best live Mingus, there's variations here that go way past any studio readings – really incredible solo flights that are still beautifully integrated with the ideas of the main group. Titles include "So Long Eric", "Orange Was The Color Of Her Dress Then Blue Silk", "Mingus Piano Solo", "Bird Preamble", "Themeless Blues", "Copa City Titty", "A Lonely Day In Selma", "Cocktails For Two", "Praying With Eric", "Parkeriana", "ATFW", "Meditations On A Pair Of Wire Cutters", and "Meditations On Integration". 7CDs, limited edition, and with a great book of notes too! CD

Partial matches16
CD, LP, Vinyl record album cover art
Roscoe Mitchell SextetSound ... LP
Delmark, 1966. New Copy (reissue)... $12.99
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-breaking, freely-creative approach to jazz that builds strongly off the changes already wrought by Cecil Taylor, Ornette Coleman, and Archie Shepp! The format is somewhat like the Art Ensemble Of Chicago at times – with measured horn work from Mitchell on alto, clarinet, and recorder, Maurice McIntyre on tenor, Lester Bowie on trumpet and flugelhorn, and Lester Lashley on trombone (as well as a bit of cello). Some tracks – like the brilliant "Sound" – offer a slow-building exploration of tones and textures – while others, like the blues-joke "Little Suite", or the harmelodic "Ornette", show a wry sense of humor that would become a Chicago avant hallmark as the years went on! LP, Vinyl record album

Partial matches17
CD, LP, Vinyl record album cover art
Teruo NakamuraRising Sun ... LP
Polydor, 1977. Very Good ... $18.99
Massive music from bassist Teruo Nakamura – a set that brings a Japanese take to the US fusion scene of the mid 70s – blending Teruo's warm, soulful vision with some great work from players who include Steve Grossman and Carter Jefferson on reeds, Lonnie Smith on keyboards, and Harry Whitaker on electric piano! The tracks are tight, but never slick – driven strongly forward by Nakamura's killer basslines, but always in a relaxed, open way that gives the players plenty of room to solo freely – almost with the energy of some of the more electric spiritual jazz sets of the 70s, but a bit tighter overall. The album's a killer all the way through – a surprising, but excellent choice for wider issue in the US at the time – and titles include "Red Shoes", "Precious One", "The Cat", "Steppin with Lord", and "Sweet Pea & Collard Greens". LP, Vinyl record album
(Cover has a cut corner.)

Partial matches18
CD, LP, Vinyl record album cover art
Michel Portal/Leon Francioli/Pierre FavreArrivederci Le Chouartse ... CD
Hatology (Switzerland), 1980. Used ... $9.99
Freely creative work from the trio of Michel Portal on saxes, Leon Francioli on bass, and Pierre Favre on drums and percussion – all working live in an equally-weighted improvisatory session! The 3 tracks here are all quite long – and build at the beginning from some tentative ideas put forth by each member of the group – Portal, on an assortment of reeds that includes alto, tenor, clarinet, and bass clarinet – shading out space with that textural quality that makes his work so great. Favre demonstrates careful restraint at times in his percussion – but then bursts forth with feeling when the moment is right – and titles include "Arrivederci", "Le Chouartse I", and "Le Chouartse II". CD

Partial matches19
CD, LP, Vinyl record album cover art
Pharoah SandersTauhid/Jewels Of Thought ... CD
Impulse (Germany), 1967/1969. New Copy ... $11.99
Two Pharoah Sanders classics – back to back on a single CD! Tauhid is one of the first moments of genius from a young Pharoah Sanders – a set that builds on the energy of John Coltrane's Love Supreme generation – but takes it in a much more expansive direction! The album's got a sense of majesty that's years ahead of its time – righteous, positive, spiritual jazz that flows out with a timeless power, and a quality that almost out-Coltrane's Coltrane! All tracks are long, expressive, and freely flowing – building with a very organic sense of energy – totally free from any gimmicks or cliche. Players include Dave Burrell on piano, Henry Grimes on bass, and Sonny Sharrock on guitar – and Pharoah plays alto, tenor, and piccolo – and even vocalizes a bit. The album begins with the amazing "Upper & Lower Egypt" – which is a perfect illustration of the two sides of Pharoah's genius – free/out & spiritual/modal – and other titles include "Japan", and "Capricorn Rising". Jewels Of Thought is a wonderful reunion of Pharoah Sanders and vocalist Leon Thomas – and a set that captures a lot of the same energy as the pair's previous record – Karma! Thomas' vocals are in wonderful form for the set – stretching out soulfully on the extended classic "Hum-Allah-Hum-Allah-Hum-Allah" – a title that has much of the same grace and power as "The Creator Has A Master Plan. The rest of the players on the date include Lonnie Liston Smith on piano, Richard Davis and Cecil McBee on basses, and Idris Muhammad and Roy Haynes on drums – and unusually enough, each of the double bassists and drummers gets their own channel of sound to work with! The other long track on the album is the extended "Sun In Aquarius" – which is a bit more outside, but still pretty great! CD

Partial matches20
CD, LP, Vinyl record album cover art
Irene Schweizer & Han BenninkWelcome Back ... CD
Intakt (Switzerland), 2015. New Copy ... $17.99 19.99
Two amazing musicians who somehow sound even better here as a pair than on their own – and that's saying quite a lot, given the musical legacy of pianist Irene Schweizer and drummer Han Bennink! Schweizer's always been one of our favorite improvisers – as she's got an ability to freely create, and cascade these technically amazing sounds on her instrument – but she always seems to hang onto a sense of tonality, and maybe sometimes a slight sense of wit! All that really seems to inspired Bennink, too – who works here at some of his most musical modes, with these light, lively sounds coming from the drums he attacks with all these really special sort of touches. The pairing is superb – maybe one of our favorite records from either player in recent years – and titles include "Firewood", "Apus Melba", "Bleu Fonce", "Meet Me Tonight In Dreamland", "Trap 5", "Kit 4", "Welcome Back", and "I Surrender Dear". CD

Partial matches21
CD, LP, Vinyl record album cover art
Woody Shaw with Tone Jansa QuartetDr Chi ... CD
Timeless/Ultra Vybe (Japan), 1986. New Copy ... $13.99
Late greatness from Woody Shaw – a beautiful little session recorded in Lubljana with the Tone Jansa Quartet! Jansa's group has a freely spiritual approach – a lot like that of the best ensembles Shaw was working with in the 70s, and with some surprisingly soulful work by Jansa on flute on a number of tracks. The album's got a slightly more introspective feel than the previous meeting of Jansa and Shaw – with longer tracks that build in tone and color, before taking off on wonderfully spiritual solo flights – but the whole thing's great, with excellent original tunes by both leaders, and some nicely extended numbers that really let them stretch out! Titles include "Odra", "Zoltan", "Chain", "Nostalgia", and "Stroll & Flight". CD

Partial matches22
CD, LP, Vinyl record album cover art
✨✧ Horace SilverHorace Silver Live At Newport 1958 ... CD
Blue Note, 1958. Used ... $8.99
Great rare work from Horace Silver – a lost late 50s live date that's somewhat different than his usual work of the time for Blue Note! This concert performance has a sound that's a bit more open and unfettered than the tighter Silver studio groove – still well-conceived overall, with all the brilliance we'd expect from Horace – but also somewhat more of a focus on the individual actions of the soloists over the ensemble! Most numbers here stretch out to the 10 minute range, if not farther – and leave plenty of room for the horn players and Silver to improvise freely with a great deal of imagination. The lineup includes Louis Smith on trumpet, Junior Cook on tenor, Gene Taylor on bass, and Louis Hayes on drums – and titles include "Tippin", "The Outlaw", "Senor Blues", and "Cool Eyes". CD
 
 
 



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