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Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Charlie NothingInside/Outside ... LP
Everit, 1969. Used (reissue)... Temporarily Out Of Stock
LP, Vinyl record album
 
Possible matches: 19
Possible matches2
CD, LP, Vinyl record album cover art
Louis ArmstrongSatchmo At Pasadena ... LP
Decca, 1951. Near Mint- ... $11.99
A cool California concert from Louis Armstrong – surprisingly intimate, despite the setting – and recorded with a less-polished feel than some of his other 50s live dates! There's a relatively spontaneous quality to the music, and the album really helps keep the spirit of the concert intact – offering up snippits of Louis' commentary, and some strong audience response as well. Players include Armstrong on trumpet, Jack Teagarden on trombone, Barney Bigard on clarinet, Earl Hines on piano, Arvell Shaw on bass, and Cozy Cole on drums – and Armstrong sings, and is occasionally joined by Velma Middleton on vocals. Titles include "My Monday Date", "Baby It's Cold Outside", "Star Dust", "The Hucklebuck", "That's A Plenty", and "Just You Just Me". LP, Vinyl record album
(Rainbow label pressing. Cover has a cutout hole.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Roland KirkRip, Rig & Panic (gatefold) ... LP
Limelight, 1965. Very Good Gatefold ... $49.99
Mindblowing work from Roland Kirk – a record that really pushes the boundaries of his music even farther than some of his earlier, and excellent, albums for the Mercury label! Kirk's really stretching out here – finding a space in jazz that's uniquely his own – modern, yet playful – creative, yet never overindulgent – and perfectly balanced to find a whole new sound of soul for the 60s! Things never get too far outside, but Kirk's reedlines are always breaking out into fresh territory – incredible tenor parts, and also some amazing work on manzello and stritch too, both lesser-known reed instruments that Roland employs to incredible ends. Other group members fit his vibe perfectly – Jaki Byard on piano, Richard Davis on bass, and Elvin Jones on drums – each stepping quickly to catch the energy of each new twist and turn in Kirk's music. Titles include the sublime "From Bechet Byas & Fats" – plus "No Tonic Pres", "Rip Rig & Panic", "Mystical Dream", "Black Diamond", and "Slippery Hippery Flippery". This LP, like most of the Limelight ones from this era, comes with a cool heavy gatefold, and an excellent little book on the inside with colorful geometric shapes and stuff. LP, Vinyl record album
(In the extravagant gatefold cover. Cover has some staining and a peeled spot along the opening.)
Also available
Rip, Rig & Panic (non-gatefold pressing) ... LP 16.99
Rip, Rig & Panic ... LP 9.99

Possible matches4
CD, LP, Vinyl record album cover art
Roland KirkRip, Rig & Panic (non-gatefold pressing) ... LP
Limelight, 1965. Very Good+ ... $16.99
Mindblowing work from Roland Kirk – a record that really pushes the boundaries of his music even farther than some of his earlier, and excellent, albums for the Mercury label! Kirk's really stretching out here – finding a space in jazz that's uniquely his own – modern, yet playful – creative, yet never overindulgent – and perfectly balanced to find a whole new sound of soul for the 60s! Things never get too far outside, but Kirk's reedlines are always breaking out into fresh territory – incredible tenor parts, and also some amazing work on manzello and stritch too, both lesser-known reed instruments that Roland employs to incredible ends. Other group members fit his vibe perfectly – Jaki Byard on piano, Richard Davis on bass, and Elvin Jones on drums – each stepping quickly to catch the energy of each new twist and turn in Kirk's music. Titles include the sublime "From Bechet Byas & Fats" – plus "No Tonic Pres", "Rip Rig & Panic", "Mystical Dream", "Black Diamond", and "Slippery Hippery Flippery". This copy doesn't have the gatefold cover, but it's still got a nice textured one, and it's a second pressing from the 60's! LP, Vinyl record album
(Cover has some pen on back.)
Also available
Rip, Rig & Panic (gatefold) ... LP 49.99
Rip, Rig & Panic ... LP 9.99

Possible matches5
CD, LP, Vinyl record album cover art
LeadersOut Here Like This ... LP
Black Saint (Italy), 1988. Near Mint- ... $6.99
Adventurous work from this avant jazz "supergroup" – one that's made up of players who are normally leaders on their own, but who work together here with the great spirit of a group! The lineup features Lester Bowie on trumpet, Arthur Blythe on alto, Chico Freeman on tenor and soprano sax, Kirk Lightsey on piano, Cecil McBee on bass, and Don Moye on percussion – and the tracks are longish, overall – and shift easily between the straighter and more outside proclivities of the players on the set – making for a well-rounded album that showcases the mainstream aspects of the American avant scene of the time. Titles include "Donkey Dust", "Portraits", "Felicite", "Loves I Once Knew", and "Zero". LP, Vinyl record album
(Cover has a small cutout mark.)

Possible matches6
CD, LP, Vinyl record album cover art
Modern Jazz QuartetThird Stream Music ... LP
Atlantic, 1957. Very Good ... $9.99
A seminal album that defined the fresh sound of a whole new generation in jazz – that "third stream" movement that was different from the cool jazz of the west coast, and the fire of New York! The style here follows that same mix of jazz and higher-concept elements you'd hear on other Modern Jazz Quartet albums for Atlantic – but the music is expanded here with some great help from outside parties too. The Jimmy Giuffre trio join the quartet on most of side one – adding in Jimmy's snakey clarinet and Jim Hall's fluid guitar lines for a really fresh take on the MJQ groove. The remainder of the album brings in the Beaux Arts String Quartet – who shade in the mix of vibes and piano with these dark strains that are really beautiful – and bring even more drama than usual to the music. Titles include "Da Capo", "Fine", "Exposure", "Sketch", and "Conversation". LP, Vinyl record album
(French pressing, with all French titles. Cover has some wear.)

Possible matches7
CD, LP, Vinyl record album cover art
Charlie Smith/Aaron SachsJazzville Vol 3 ... LP
Dawn, Late 50s. Very Good ... $24.99
One of the interesting Jazzville sides issued on the Dawn label, highlighting small cobos that fell a little outside the spotlight of some of the larger jazz oriented labels of the day, but worthy of far more than sidebar status. This set is divided in two like the ohers in the series, devoting one side of the LP to each of two artists. Charlie Smith's trio heads up side one, with drummer Charlie leading a tight trio featuring Hank Jones on piano and Oscar Pettiford on bass through crisp renditions of standards like "Hae You Met Miss Jones", "Body & Soul" and "Flying Home", plus Jones' "Blues For Sal". Side two features a larger group, showcasing reedman Aaron Sachs sextet with Dick Garcia, Osie Johnson, Aaron Bell, Joe Roland and Jimmie Cleveland. The deliver nice laidback takes on numbers that include "Aaron's Blues", "You're My Thrill", "Platter Pie", "Why Shouldn't I" and "Ah! The Pain". LP, Vinyl record album
(Cover has a small bit of tape on the top seam, and a number in the corner.)

Possible matches8
CD, LP, Vinyl record album cover art
Heiner StadlerBrains On Fire Vol 2 ... LP
Labor, 1974. Near Mint- ... $24.99
Pianist Heiner Stadler was a key part of the New Jersey underground of the late 60s and early 70s – and although he wasn't the greatest avant garde pianist in the world, he was fortunate enough to have his own record label, and to be able to work with some of the better talents of the scene on his own record. Case in point is this album, which features the track "Love In The Middle Of The Air", an extended duet between Reggie Workman on bass and Dee Dee Bridgewater on voice – really a wild one, and quite different than most of Bridgewater's work done in later years. The track's a key part of her career (not to mention Workman's), and Stadler fortunately stayed out of the set to let the pair improvise together freely. Side two features two shorter tracks – "UCS" and "Pointed" – more outside, and played with groups that include Tyrone Washington, Garnett Brown, Workman, and Lenny White. LP, Vinyl record album
(Original Labor pressing. Cover has a 3 inch split on the top seam.)

Possible matches9
CD, LP, Vinyl record album cover art
✨✧ Gato BarbieriMasters Of Jazz Vol 9 – Gato Barbieri (Fenix/Under Fire) ... LP
Flying Dutchman/RCA (Germany), 1971. Used 2LP ... Temporarily Out Of Stock
A pair of Gato Barbieri albums from the Flying Dutchman label – back to back on a German collection from the late 70s! First up is the great album Fenix – the record's neither too out, nor too poppy – and it has Barbieri playing with that incredible raspy tone – and working over modal grooves laid down by a hip group that includes Lonnie Liston Smith on acoustic and electric pianos, Ron Carter on bass, Lennie White on drums, and additional percussion on most tracks. The cuts have a Latin finish to them, but they've also got a strongly pronounced soul jazz vibe – something that's missing from lots of Gato's other work, and which feels a lot here like some of Pharoah Sander's best work for Impulse! Titles include "Tupac Amaru", "Bahia", "Falsa Bahiana", "El Dia Que Me Quieras", "El Arriero" and "Carnavalito". Next is the album Under Fire – great work from Gato – filled with Latin rhythm influences forged on his Impulse sessions of the same time, plus some nice spiritual blowing in the Pharoah Sanders tradition in which he was linked in the immediate post-Coltrane years. Airto and Mtume are on percussion on most tracks, and Lonnie Liston Smith plays some pretty outside piano on the set. All tracks are long, and titles include "El Parana", "Antonico", "El Sertao", and "Maria Domingas". LP, Vinyl record album

Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Rahsaan Roland KirkPrepare Thyself To Deal With A Miracle ... LP
Atlantic, 1973. Used Gatefold ... Temporarily Out Of Stock
One of Rahsaan Roland Kirk's last truly fantastic albums – a set that still has all the amazingly messed-up qualities of his best late 60s work – delivered with the honest heart and sense of soul that always make us love his music! The set was recorded for Atlantic in the early 70s, and it's got a wonderful mix of inside and outside playing – a bit more Kirk-unleased overall than some of the more focused experiments of previous records – filled with lots of personality, incredible reed work, and a sound that's spiritual, yet also deeply individual too! Rahsaan plays flute, notes flute, black mystery pipes, E flat sax, and clarinet – and other musicians include Charles McGhee on trumpet, Dick Griffin on trombone, Ron Burton on piano, and Sonny Brown and Ralph MacDonald on percussion – plus a hip string ensemble on some cuts – definitely giving the album a touch of the "Black Classical Music" style that Kirk always claimed was at the root of his work. Side two features the extended "Saxophone Concerto", which has some cool breathing tricks that really let Roland wail – and other tracks include "Celestial Bliss", "One Mind Winter/Summer", and "Ninth Ghost", all of which have a nice dose of spirituality. LP, Vinyl record album

Possible matches11
CD, LP, Vinyl record album cover art
✨✧ LA 4Pavane Pour Une Infante Defunte ... LP
East Wind (Japan), 1977. Used Gatefold ... Temporarily Out Of Stock
A beautiful group, and one with a very unique sound – a style that draws from the early 50s experiments in Brazilian jazz by Bud Shank and Laurindo Almeida – but which also moves the approach into even more sophisticated 70s territory! The quartet features Almeida on acoustic guitar and Bud Shank on some wonderful reeds – plus bass from Ray Brown and drums from Shelly Manne, but players who are open to all the new ideas of Bud and Laurindo, but who can also throw in a stronger groove when needed. The album's a wonderful experiment in really pushing the envelope of jazz expression further – but never in any sort of outside ways – and titles include a reading of Ravel's "Pavane Pour Une Infante Defunte", plus "C'Est What", "Corcovado", "Autumn Leaves", "Samba De Orfeu", and "Reveil". LP, Vinyl record album
(Japanese pressing.)
Also available Pavane Pour Une Infante Defunte ... CD 13.99

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Charles LloydForest Flower ... LP
Atlantic, 1966. Used Gatefold ... Temporarily Out Of Stock
A famous album – but for good reason! The set's something of a landmark in spiritual jazz from the 60s – and it features a classic live performance from Charles Lloyd, recorded at the Monterey Jazz Festival – almost as a distillation and popularization of ideas that were brewing in the music of John Coltrane, Eric Dolphy, and others! The group here features a young Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all flowing magnificently with Lloyd's work on tenor and flute – in an open-ended groove that draws on modal rhythms for inspiration, and which features solos that stretch out, but never go "outside"! The classic performances of "Forest Flower" takes up all of side one – with a dreamy drifting quality that has Jarrett at his best – and side two features a version of his "Sorcery", plus McBee's "Song Of Her", and a version of "East Of The Sun". LP, Vinyl record album
(Red & green label pressing. Cover has some wear.)

Possible matches13
CD, LP, Vinyl record album cover art
✨✧ Pharoah SandersJewels Of Thought ... LP
Impulse, 1969. Used ... Temporarily Out Of Stock
A wonderful reunion of Pharoah Sanders and vocalist Leon Thomas – and a set that captures a lot of the same energy as the pair's previous record – Karma! Thomas' vocals are in wonderful form for the set – stretching out soulfully on the extended classic "Hum-Allah-Hum-Allah-Hum-Allah" – a title that has much of the same grace and power as "The Creator Has A Master Plan. The rest of the players on the date include Lonnie Liston Smith on piano, Richard Davis and Cecil McBee on basses, and Idris Muhammad and Roy Haynes on drums – and unusually enough, each of the double bassists and drummers gets their own channel of sound to work with! The other long track on the album is the extended "Sun In Aquarius" – which is a bit more outside, but still pretty great! LP, Vinyl record album
(Rainbow label stereo pressing – An excellent copy!)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Archie Shepp & The Full Moon EnsembleLive In Antibes Vol 1 ... LP
Actuel (France), 1970. Used Gatefold ... Temporarily Out Of Stock
A seminal live set from tenorist Archie Shepp – and some of his freest, least-structured material ever! Shepp's still a righteous force here on his horn, but there also seems to be equal emphasis on the contributions of all members of the group – woven together in a really rich tapestry of sound, but with less of the structuring righteous concepts of some of Archie's other work – especially his sides for Impulse. Shepp had really been experiencing some new freedoms on the French scene of the late 60s – even more so than in the US avant outfield – and you can definitely hear him taking flight here, with a like-minded group of players that includes Clifford Thornton on trombone and shenai, Alan Shorter on flugelhorn, Joseph Dujean on guitar, Beb Guerin on bass, and Claud Delcloo on drums. This first part of the live set features one long track – "The Early Bird" – a slow building number that goes increasingly outside as it progresses, featuring some very over the top solo work from Shepp, who also plays a bit of piano on the set! LP, Vinyl record album
(Original pressing. Vinyl is great, but cover has a light stain and small split in one corner.)

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Cedar WaltonEastern Rebellion (Muse) ... LP
Timeless/Muse, 1975. Used ... Temporarily Out Of Stock
A seminal work in the development of the career of Cedar Walton – the formation of his excellent Eastern Rebellion ensemble, a group that became a platform for soul jazz expression for the next two decades! The group on this set features George Coleman on tenor, Sam Jones on bass, and Billy Higgins on drums – all working in territory that Walton and Clifford Jordan were exploring heavily at the time – long, drawn-out soul jazz tunes – frequently built upon modal rhythms, and touched with traces of post-Coltrane blowing. The key factor, though, is that the work's never too outside, never too overindulgent – just hard-swinging soul jazz, in a 70s expression of the older Blue Note ideal! Titles include "Bolivia", "5/4 Thing", "Mode For Joe", and "Naima". LP, Vinyl record album
(US Timeless/Muse pressing. Cover has some ring & edge wear, aging, a peeled spot in one corner and a bit of moisture staining on the back.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ John ColtraneOm ... LP
Impulse, 1965. Used ... Out Of Stock
A pure statement of being and essence – and one of John Coltrane's spiritual masterpieces from the 60s! The 1965 recording was one of Trane's most adventurous so far – as it featured just one album-length track, building up out of relatively free expressions from Coltrane in the studio – initially in the spirit of Love Supreme, but much sharper-edged and unbridled overall – as if the meditative spirit of the previous recording had unlocked a sense of freedom that refused to be tied down to simple structures! The group is great – and features Pharoah Sanders on tenor, Donald Garrett on bass clarinet, McCoy Tyner on piano, Jimmy Garrison on bass, and Elvin Jones on drums – plus a bit of flute and percussion from Joe Brazil. The playing is much freer than on other albums of the time, but also has some introspective spiritual moments – clearly inspired by the Love Supreme recording, but taken a shade outside as well! LP, Vinyl record album
(Orange & black label pressing. Cover is in pretty nice shape, but has a center split in the bottom seam.)

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Terumasa HinoTaro's Mood ... LP
Enja, 1973. Used ... Out Of Stock
One of the first great non-Japanese recordings by trumpeter Terumasa Hino – a smoking little live set from Germany, done at a time when Hino was working at the height of his youthful powers! The mode here is stretched out and open – never too outside, but very exploratory – in the direction that Hino took quite strongly on his Japanese albums as the 70s approached, but performed here in a style that's even more organic than those records. The group is all Japanese – with Motohiko Hino on drums and Mikio Masuda on piano – and added conga at the bottom of the backings almost gives the record an early 70s Impulse Records sort of feel – nice and spiritual, and plenty soulful! Titles include "Alone Alone & Alone", "Taro's Mood", "Black Daffodil", and "Predawn". LP, Vinyl record album
(US pressing. Cover has a cut corner.)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Horace TapscottTapscott Sessions Vol 4 ... LP
Nimbus, 1982. Used ... Out Of Stock
A magical set of solo piano work by Horace Tapscott – one of the few players who can hold our ear so strongly in such a setting! The album features original tunes by Tapscott, Arthur Blythe, and Louis Spears – spun out in a soulfully elliptical style that manages to be exploratory without ever needing to go too far outside. As with others in this series, the recording quality is excellent – and really resonates with the strength of the piano work! Titles include "A Dress For Renee", "Shades Of Soweto", "Whit", "The Hero's Last Dance", and "Toward The Sunset". LP, Vinyl record album

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Cecil TaylorUnit Structures ... LP
Blue Note, 1966. Used ... Out Of Stock
One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists – who operate based on a system of energy and impulses described by Taylor in the notes, at a level that's maybe one of his most inventive, ambitious expressions of the decade! The whole lineup is great – with especially strong horn work from Eddie Gale on trumpet, Jimmy Lyons on alto, and Ken McIntyre on alto, oboe, and bass clarinet – and Taylor's piano gets accompaniment from two groundbreaking bassists – Henry Grimes and Alan Silva – plus drums from Andrew Cyrille. Given the lineup, and the format, the whole thing almost feels more like one of the BYG/Actuel avant sessions than Blue Note in the 60s – and titles include "Steps", "Enter Evening (Soft Line Structure)", "Unit Structure/As Of A Now/Section", and "Tales (8 Whisps)". LP, Vinyl record album
(UA pressing. Cover has light wear.)
Also available Unit Structures (75th anniversary edition) ... LP 16.99

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Milt JacksonVibrations ... LP
Atlantic, 1964. Used ... Out Of Stock
While we have never really gone nuts for much of the MJQ's recorded work, Milt Jackson's recordings as a leader outside the group had a more soulful approach than the colder MJQ albums. This set for Atlantic features players like Jimmy Heath and Tommy Flanagan alongside Milt, and has nice buoyant feel throughout, as they run through some nice bop versions of standards and blues. Includes the title track, plus "Sweet Georgia Brown", "Algo Bueno", "Mallets Towards None" and 4 more. LP, Vinyl record album
(Red & purple label pressing. Cover has corner wear.)
 
 
 



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