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Exact matches: 16
Exact matches1
CD, LP, Vinyl record album cover art
Ron Carter & Jim HallLive At Village West ... CD
Concord, 1984. Used ... $8.99
CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Paul Desmond with Jim HallEasy Living ... LP
RCA, 1966. Very Good ... $39.99
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for Desmond's sound – and the backing is also free of piano, so the guitar and alto hang together wonderfully by themselves – suspended in space, dipping and turning around each other beautifully! The pair get some very light rhythmic accompaniment from Connie Kay on drums, and either Percy Heath or Gene Wright on bass – on titles that include "That Old Feeling", "Easy Living", "Blues For Fun", "Polka Dots & Moonbeams", and "When Joanna Loved Me". LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has some wear.)

Exact matches3
CD, LP, Vinyl record album cover art
Jimmy Giuffre, Bob Brookmeyer & Jim HallSwamp People ... CD
Giant Steps/Cherry Red (UK), 1958. Used ... $16.99
CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Jim HallAll Across The City ... CD
Concord, 1989. Used ... $13.99
CD
(Out of print.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Jim HallCircles ... CD
Concord, 1981. Used ... $9.99
CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Jim Hall & Red MitchellJim Hall Guitar/Red Mitchell Bass ... LP
Artists House, 1978. Very Good+ Gatefold ... $9.99
An overlooked gem from the sublime Artists House series of the 70s – a rare chance to hear Jim Hall in a really stripped-down setting! The record features spare duets between Hall's guitar and the acoustic bass of Red Mitchell – both players who worked together on the LA scene of the 50s, but who've matured tremendously here, and really know how to take advantage of a setting like this. Hall's well-pointed notes are always a treat in this sort of format, but Mitchell's also especially nice – playing with warmly-rounded tones that are really great. Titles include "Big Blues", "Waltz New", "Fly Me To The Moon", "Blue Dove", and "Osaka Express". LP, Vinyl record album

Exact matches7
CD, LP, Vinyl record album cover art
George Shearing & Jim HallFirst Edition ... CD
Concord, 1982. Used ... $14.99
CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallEasy Living ... CD
RCA (Japan), 1966. New Copy ... About November 15, 2015
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for Desmond's sound – and the backing is also free of piano, so the guitar and alto hang together wonderfully by themselves – suspended in space, dipping and turning around each other beautifully! The pair get some very light rhythmic accompaniment from Connie Kay on drums, and either Percy Heath or Gene Wright on bass – on titles that include "That Old Feeling", "Easy Living", "Blues For Fun", "Polka Dots & Moonbeams", and "When Joanna Loved Me". CD
Also available Easy Living ... LP 39.99

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Jim HallStoryteller (Circles/All Across The City) ... CD
Concord, 1981/1989. Used 2CD ... Temporarily Out Of Stock
CD

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Jim HallWhere Would I Be? ... LP
Milestone, 1971. Used ... Temporarily Out Of Stock
One of the hippest albums we've ever heard from guitarist Jim Hall – a set of free-thinking, open-ended tracks that show him really expanding his horizons at the end of the 60s! The album's drenched in Jim's warm, chromatic tones – whether gently played on a few mellow numbers, or falling over themselves like cascading water on the more upbeat tunes. The record's got some great drums and percussion from Airto, plus piano by Benny Aronov, who also plays electric on a few tracks as well. Titles include a great version of "Vera Cruz", plus "Minotaur", "Simple Samba", "Careful", "Wehre Would I Be", and "Goodbye My Love". LP, Vinyl record album
(Original pressing.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Ben Webster & Jim HallAt The Renaissance (gold CD) ... CD
Analog, 1960. Used ... Temporarily Out Of Stock
A previously unreleased live date from late in the career of Ben Webster – recorded at The Renaissance in Hollywood in 1960, but unissued until nearly 25 years later! The group features Jim Hall on guitar, Jimmy Rowles on piano, Red Mitchell on bass, and Frank Butler on drums – and tracks are all longish, and live-feeling – with that sense of fragility that marked some of Webster's later recordings in this mode, and even further deepened the humanity in his tone. And while the recording quality is definitely "live" at times, Ben's tone comes through loud and clear – different than on some of the tighter Verve recordings of a few years before, but in a way that's really great. Titles include "Georgia On My Mind, "Caravan", "Stardust", and "Ole Miss Blues". CD features 4 more bonus tracks – "Gone With The Wind", "What Is This Thing Called Love", "Mop Mop", and "Renaissance Blues". CD
(24 Karat Gold Limited Edition out of print.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Ron Carter/Jim HallTelepathy – Live At Village West/Telephone ... CD
Concord, 1984. Used 2CD ... Out Of Stock
CD

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Jim HallJim Hall Live ... LP
A&M, 1975. Used Gatefold ... Out Of Stock
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a lot of swing and imagination into such a tiny space! Hall's always had a rhythmic approach to his work, but here, playing with drummer Terry Clarke and bassist Don Thompson, he really opens into a great groove – stretching things past his usual standard, and bringing a lot more soul into the set than you might expect. The tunes are ones you'll recognize – "Angel Eyes", "Round Midnight", and "The Way You Look Tonight" – but the real charm is what Hall and the trio do with them! LP, Vinyl record album

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Jim HallIt's Nice To Be With You – Jim Hall In Berlin ... CD
MPS/Edel (Germany), 1969. New Copy ... Out Of Stock
A wonderful album from guitarist Jim Hall – different than some of his other work, and with a slightly harder edge! The unique session has him playing in an MPS 60s mode – more straight-on than some of his more airy moments – with a sound and tone that still recalls his work with Paul Desmond or Art Farmer, but a more direct approach, and an occasional groove as well! The trio's as unique as the record – the great Jimmy Woode on bass and drums from Daniel Humair – and titles include "Blue Joe", "Romaine", "Young One For Debra", "Body & Soul", and a great version of "Up Up & Away", which soars to the sky in a way you'd never expect from Jim! CD

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Charlie Haden & Jim HallCharlie Haden/Jim Hall ... CD
Blue Note/Impulse, 1990. New Copy ... Out Of Stock
Beautiful duets between guitarist Jim Hall and bassist Charlie Haden – recorded here in a previously-unissued live date from 1990 – with sublime sound throughout! Both players really open up when given the right sort of space – and find wonderful harmony together here – ways of brilliantly augmenting the strengths of each other, while also allowing for plenty of individual expression as well. The tracks are all quite long, and the record has this mellifluous quality that makes it a real standout in the catalog of both artists – a great reminder of Haden at his most intimate, and one of a handful of important duo recordings from Hall. Titles include "Down From Antigua", "First Song", "Turnaround", "Bemsha Swing", "In The Moment", "Skylark", and "Big Blues". CD

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Jim Hall & Enrico PieranunziDuologues ... CD
CAM (Italy), 2005. Used ... Out Of Stock
CD
 
Possible matches: 46
Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Bob Brookmeyer QuintetTraditionalism Revisited ... LP
World Pacific, 1957. Near Mint- ... $18.99
Beautifully modernist material from the great Brookmeyer – performing here with a well-suited group that features Jimmy Giuffre and Jim Hall, plus the great Dave Bailey on drums. The album features older tracks done in a surprisingly fresh style, and the trio of lead players dance around each other in a wonderful way. Titles include "Truckin", "Some Sweet Day", "Jada", and "Louisiana". LP, Vinyl record album
(Nice Japanese pressing – great vinyl and cover!)

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanScience Fiction (180 gram pressing) ... LP
Columbia/ORG, 1972. New Copy (reissue)... $26.99 29.99
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from the late 50s onward, brought into tighter focus for the Columbia setting – given a bit more complexity, although still with plenty of room for freedom – and played both with a smaller combo, and a slightly larger group. The mix of players is as striking as the sounds on the record – and includes Coleman on alto, trumpet, and violin – plus Dewey Redman on tenor, Don Cherry on pocket trumpet, Bobby Bradford on trumpet, Jim Hall on guitar, Cedar Walton on piano, Charlie Haden on bass, and Billy Higgins and Ed Blackwell on drums. Asha Pulthi sings a bit on the larger ensemble tracks – making a rare appearance here before her 70s soul career in Germany – and titles include "What Reason Could I Give", "Street Woman", "The Jungle Is A Skycraper", and "All My Life". LP, Vinyl record album
(Numbered limited edition of 2000!)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Paul DesmondBossa Antigua (with bonus tracks) ... CD
RCA, 1965. New Copy ... $5.99 6.99
The team of Paul Desmond and Jim Hall was one of the best ideas ever forged in American jazz of the 60s – and the icy pair are perfect company together on this album of bossa-inflected tracks with a very cool edge! The album allows Desmond's alto to take on a warmth and flowing quality it never had in the Dave Brubeck group – and Hall's guitar work, while a masterpiece of understatement, brings in just the right amount of ringing tone to echo out the brilliance of Desmond's ideas. Gene Wright and Connie Kay complete the group, and titles include "O Gato", "Samba Cantina", "Girl From East 9th", "Ship Without A Sail", and "Bossa Antigua". Plus, this excellent CD reissue features 2 bonus tracks – the groovy "Samba Cepeda" and an alternate take of "O Gato". CD

Possible matches20
CD, LP, Vinyl record album cover art
Paul DesmondTake Ten ... LP
RCA/Speakers Corner, 1963. Near Mint- (reissue)... $24.99
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". LP, Vinyl record album
(Speakers Corner pressing, still in the shrink.)
Also available Take Ten (plus bonus tracks) ... CD 5.99

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Paul DesmondTake Ten (plus bonus tracks) ... CD
RCA, 1963. New Copy ... $5.99 6.98
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD also features alternate takes of "Embarcadero" and "El Prince". CD
Also available Take Ten ... LP 24.99

Possible matches22
CD, LP, Vinyl record album cover art
Bill EvansInterplay ... LP
Riverside/OJC, 1962. New Copy (reissue)... $16.99 19.98
A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents. In a way, the record's one of those sessions that Riverside would sometimes do – pairing a key new voice as a leader with others in an all-star group – but in another way, it's also a return to the sound that first brought Evans' to a wider audience in the 1957 and 1958 years – when he was working in non-trio groups with more famous players – adding his unique piano stylings to their (then) better-known solo modes. The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! He's playing a bit muted here, trying to go for that Miles/Evans combination from the late 50s – but that's plenty ok with us, as we love those records a lot. Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". LP, Vinyl record album
Also available Interplay ... LP 48.99

Possible matches23
CD, LP, Vinyl record album cover art
Bill EvansInterplay ... LP
Riverside, 1962. Good+ ... $48.99
A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents. In a way, the record's one of those sessions that Riverside would sometimes do – pairing a key new voice as a leader with others in an all-star group – but in another way, it's also a return to the sound that first brought Evans' to a wider audience in the 1957 and 1958 years – when he was working in non-trio groups with more famous players – adding his unique piano stylings to their (then) better-known solo modes. The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! He's playing a bit muted here, trying to go for that Miles/Evans combination from the late 50s – but that's plenty ok with us, as we love those records a lot. Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". LP, Vinyl record album
(Blue label Bill Grauer pressing with a deep groove. Cover has a small tear at the bottom corner. Vinyl has some marks but plays great!)
Also available Interplay ... LP 16.99

Possible matches24
CD, LP, Vinyl record album cover art
Stan GetzCool Velvet/Voices ... CD
Verve, 1960/1966. Used ... $6.99
Very groovy CD that brings together 2 different albums that Stan Getz cut with larger groups and more baroque orchestrations than usual. The Cool Velvet set is from 1960, and has Stan's breathy alto blowing with arrangements by Russ Garcia. The material has Garcia's usual off-kilter sense, and although the sound is a bit 50's, Getz cuts through the tracks nicely. The real treat, though, is the incredible Voices album, which has stunning arrangements by Claus Ogerman, and beautiful jazz playing by Herbie Hancock, Jim Hall, Ron Carter, and Artie Butler. We love this album to death, and it's filled with some of Getz's best playing of the 60s. Titles include "Zigeuner Song", "Infinidad", "Darling Joe", "Once", and "Nica's Dream". The whole CD's packaged beautifully, and it's got a total of 21 lovely lovely tracks! CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
Jimmy Giuffre1961 (Fusion/Thesis) (180 gram pressing) ... LP
ECM (Germany), 1961. New Copy 2LP Gatefold (reissue)... $31.99 35.99
2 amazing albums from the 2nd version of the Jimmy Giuffre 3! After working with his first combo of Bob Brookmeyer and Jim Hall during the late 50s, Giuffre hooked up with a pair of younger modernists – Paul Bley and Steve Swallow – reintroducing the piano and bass to his trio format, instruments that had been previously missing because Giuffre wanted to explore the possibilities of melodic composition freed from rhythmic constraints. With this trio, Giuffre was still working in that mode – as you'll hear on Bley and Swallow's incredibly free playing. The group's performances are not free jazz by any means, but they're a key link in that tradition – as Giuffre and crew do an excellent job of creating unconventional compositions, most of which feel like little sculptures in sound. There's a total of 20 tracks on 2LPs – and titles include "Cry, Want", "Trudgin", "Jesus Maria", "Ictus", "Sonic", "Whirrrrr", "The Gamut", "Herb & Ictus", and "Flight". Both records originally available on Verve, now repackaged by ECM. LP, Vinyl record album

Possible matches26
CD, LP, Vinyl record album cover art
Jimmy GiuffreJimmy Giuffre 3 ... LP
Atlantic, 1957. Very Good ... $29.99
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". LP, Vinyl record album
(Original black label pressing with deep groove. Cover has light wear in one corner, but is nice overall.)

Possible matches27
CD, LP, Vinyl record album cover art
Sonny GreenwichEvol-ution, Love's Reverse ... LP
PM, 1979. New Copy ... $11.99
One of the few albums ever cut by the great Canadian guitarist Sonny Greenwich – a player who might be best known to American ears for his one recording with Hank Mobley, but who went onto make some great music of his own during the 70s! Greenwich has a style that's loose and sprightly – very uniquely his own, and shown here better than on any other record – a quality that has the single-note punch of Grant Green, but the airier vibe of Jim Hall at times – a surprising balance that comes off very well throughout. The album has Sonny in the company of PM Records labelmates Gene Perla on bass and Don Thompson on piano – plus Claude Ranger on drums – and titles include "A Day Is night To Some", "Time-Space", "Prelune", and "Nica's Dream". LP, Vinyl record album

Possible matches28
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet Featuring Buddy Collette ... LP
Pacific Jazz, 1955. Very Good ... $9.99
An archetypal record from the west coast scene of the 50s – a sublime batch of lightly grooving numbers from Chico Hamilton's famous early Quintet! The power here really comes from a triad of three players – reedman Buddy Collette, mentioned in the title and playing flute, alto, tenor, and clarinet; guitarist Jim Hall, whose spacious use of his instrument set new standards with this record; and cellist Fred Katz, often an unsung hero whose gentle sound shapes really helped bring a sense of tone and color to the group. Also featured is bassist Carson Smith, giving the same great sensitive accompaniment here he did in Gerry Mulligan's early quartet – and Chico himself is on drums, of course, but often playing with unusual timings and touches that really make for a lot more than conventional rhythm! Titles include "Blue Sands", "The Sage", "A Nice Day", "Buddy Boo", and "Spectacular" – as well as "Free Form", which is totally improvised – although in a way that's very different from any 60's track that would have the same sort of name! LP, Vinyl record album
(Black label Pacific Jazz pressing with deep groove.)

Possible matches29
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet In Hi Fi ... LP
Pacific Jazz, 1956. Very Good- ... $5.99
One of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height of their powers here – a bit restricted, perhaps, but in the way that Hamilton was using to craft some of the more creative sounds of the 50s LA jazz scene – perfectly shaped and formed throughout! Just about every band member contributed a song and an arrangement to the album – and titles include "The Ghost", "Chrissie", "Jonalah", "Sleepy Slept Here", "Drums West", "The Squimp", and "Sleep". LP, Vinyl record album
(Black label pressing with deep groove. Cover has clear tape along the top & bottom seams.)

Possible matches30
CD, LP, Vinyl record album cover art
Chico HamiltonEllington Suite ... LP
Pacific Jazz, 1958. Very Good+ ... $18.99
Forget the Ellington in the title, because this is more a moody album of west coast chamber jazz, in the best tradition of the Chico Hamilton group! This album features the version of Chico's group with Paul Horn on flute and alto sax – plus Jim Hall guitar, Fred Katz cello, and Buddy Collette on tenor and alto sax. The sound differs a bit from the version you may know from the CD reissue – as that one features Dolphy in the group – but it's still great, with titles that include "Azure", "In A Mellotone", "Day Dream", "I'm Beginning To See The Light", and "I'm Just A Lucky So & So". LP, Vinyl record album
(Black label World Pacific pressing with deep groove. Cover is in nice shape, with a bit of pen on the back.)

Possible matches31
CD, LP, Vinyl record album cover art
Chico HamiltonStar Studded Cast (aka Tanganyika) ... LP
Tampa, 1956. Very Good- ... $7.99
A real lost slice of work from the career of Chico Hamilton – recorded for the short-lived Dig label, owned by R&B artist Johnny Otis in the mid 50s! The group here is slightly different than Hamilton's quintet that recorded for Pacific Jazz – in that it's got a sound that's a bit less arranged, and which often opens up into some more freewheeling jazz styles at times. Buddy Collette and Jim Hall are on the session from Chico's regular group – and Buddy's really the co-leader of the set, and contributed some fantastic original tunes that are perfect for his colorful work on reeds. And the group's also got Curtis Counce on bass and Gerald Wiggins on piano – bringing a decidedly heavier groove to the record than on most 50s Hamilton work – one that's topped off by the trumpet of John Anderson, often muted but still powerful enough to make its presence known on the set. Titles include the Collette originals "It's You", "Green Dream", "Jungle Pogo Stick", "Tanganyika", and "A Walk On The Veldt" – plus other session originals "And So Is Love", "Wagnervous", and "The Blindfold Test". LP, Vinyl record album
(Heavy pink label Tampa pressing with deep groove. Cover has a half split top seam with a piece of clear tape at the end, and a split bottom seam with clear tape at the center.)

Possible matches32
CD, LP, Vinyl record album cover art
Lee KonitzLee Konitz Duets (Japanese pressing) ... CD
Milestone (Japan), 1967. Used ... $6.99
An interesting concept record, with Konitz approaching a variety of material, much of it written by his collaborators, in wide open duet settings. Players include Jim Hall, Joe Henderson, Elvin Jones and Richie Kamuca, and on each piece, both Konitz and his companion have loads of room to extrapolate on the base composition. Perhaps the highlight of the record is to be able to listen to Konitz wrap his warm tone around each piece, and then dance lightly around the melody. 8 numbers, including "Erb" with Jim Hall, "Checkerboard" with Dick Katz, and "You Don't Know What Love Is" with Joe Henderson. CD
(Out of print. CD case has a cutout notch.)

Possible matches33
CD, LP, Vinyl record album cover art
John LewisWonderful World Of Jazz (Jazzlore) ... LP
Atlantic, 1960. Near Mint- ... $7.99
One of the best early albums cut by John Lewis as a leader – a set that's a fair bit different than John's work with the Modern Jazz Quartet – thanks to strong guest appearances from players who include Paul Gonsalves and Benny Golson on tenor sax, Eric Dolphy on alto, Jim Hall on guitar, and Herb Pomeroy on trumpet. Most of the tracks are a great mix of the mellow, introspective Lewis approach with some of the freer, more relaxed styles of the soloists – an approach that's slightly third stream, but which also has some of the great sounds and tones that Lewis forged on his Afternoon In Paris album with Sacha Distel. Titles include great versions of "Body & Soul" and "Afternoon In Paris", plus Lewis' classic "2 Degrees East, 3 Degrees West", as well as "I Should Care" and "I Remember Clifford". LP, Vinyl record album
(Jazzlore pressing from 80s. Cover has a cutout notch, a few creases, and remnants of an old price sticker.)

Possible matches34
CD, LP, Vinyl record album cover art
John Lewis, Bill Perkins & OthersGrand Encounter – 2 Degrees East/3 Degrees West ... LP
Pacific Jazz, 1956. Very Good- ... $14.99
A classic meeting of east and west coast artists of the third stream jazz sphere of the late 50s – one that features the team of John Lewis and Percy Heath of the Modern Jazz Quartet working alongside the west coast tenor of Bill Perkins, plus the guitar of Jim Hall and drums of Chico Hamilton! The whole album's got quite a unique feel – one that's as airy as that of the MJQ work of the time, but not nearly as academic or sleepy – thanks to a nice biting tone from Perkins' tenor, which really seems to stretch out in the space provided by Lewis. There's almost a similarly sublime quality here as on Lewis' album with Sacha Distel – Afternoon In Paris – which featured a similar use of space for great tenor sound (in that case, the tenor of Barney Wilen.) Titles include "2 Degrees East 3 Degrees West", "Easy Living", "Skylark", and "I Can't Get Started". LP, Vinyl record album
(Black label World Pacific pressing with deep groove. Label has a Free Bonus Record stamp. Cover has split seams, with a piece of masking tape on the bottom, a center split on the spine, and Free Bonus Record stampon back.)

Possible matches35
CD, LP, Vinyl record album cover art
Yoshiaki Masuo111 Sullivan Street ... CD
East Wind (Japan), 1975. New Copy ... $13.99
One of the only albums we've ever seen from Japanese guitarist Yoshiaki Masuo – and an unusual record that features very small, spare groupings – either solo, or with some slight accompaniment from a set of musicians that includes Bob Mover on alto, Bob Cranshaw on bass, and David Lee on drums! The approach is almost like Jim Hall at his mellow best – although Masuo's got a different style on the instrument, but one that's open and expressive, even when laidback – so that there's plenty of color and life throughout, even at the gentler moments. The pairing of Mover's alto with guitar is especially nice – and titles include "Swing 42", "Reminiscence", "West Side Highway", and "Washington Square Blues". CD

Possible matches36
CD, LP, Vinyl record album cover art
Red MitchellRejoice! (LP sleeve reissue) ... CD
Pacific Jazz/LP Time (Spain), 1961. Used ... $18.99
Brilliant work from one of the most important forces on the LA scene of the 50s – and one of the few early albums Red Mitchell cut under his own name! The album's a live set that has Red playing jazz cello – mostly plucking the instrument like a bass, with the great Jimmy Bond handling the real bass work on the set in the rhythm section! Given Bond's usual ability to make a session groove, the sound here is plenty darn nice throughout – a romping, vamping sort of style that's got a much deeper feel than you might expect from an album of jazz cello. The rest of the group includes Frank Strazzeri on piano, Frank Butler on drums, and Jim Hall on guitar – the last of whom matches notes nicely with Mitchell, almost in a grittier take on west coast jazz counterpoint. Titles include "Jim's Blues", "Rejoice", "Black Eyed Peas", and "Night In Tunisia". CD
(Out of print. Includes Spanish obi.)
 
Partial matches: 19
Partial matches63
CD, LP, Vinyl record album cover art
Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHMCD.)

Partial matches64
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdFancy Free ... LP
Blue Note, 1969. Very Good ... $29.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". LP, Vinyl record album
(Liberty pressing with Van Gelder stamp.)

Partial matches65
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP
Columbia, 1961. Very Good ... $9.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! LP, Vinyl record album
(2 eye pressing. Cover has light wear.)
Also available
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD 13.99
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese paper sleeve edition) ... CD 9.99

Partial matches66
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1961. Used ... $9.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! CD
(Out of print. Includes obi!)
Also available
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP 9.99
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD 13.99

Partial matches67
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD
Columbia (Japan), 1961. Used ... $13.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 8 tracks in all. CD
(90s Japanese pressing.)
Also available
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP 9.99
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese paper sleeve edition) ... CD 9.99

Partial matches68
CD, LP, Vinyl record album cover art
Curtis FullerAll Star Sextets ... LP
Savoy, 1959. Near Mint- 2LP Gatefold ... $13.99
Outstanding early work from Curtis Fuller, leading a smoking small group through bop and hard bop numbers in a modernist mode like some of the best Jazztet sides Art Farmer and Benny Golson would go on to cut a few years later. Golson's featured here alongside Fuller in the front line, with either Lee Morgan or Thad Jones on trumpet, and the group filled out with a batch of top notch sidemen in the rhythm section as the title implies: Wynton Kelly, Paul Chambers, Charlie Persip, Mcoy Tyner, Jimmy Garrison and Dave Bailey. Some of the best bop sides issued on Savoy, and among the hardest to find, too! Includes "It's All Right With Me", "Arabia", "I'll Walk Alone", "Judy's Dilemma", "Wheatleigh Hall", "Kachin", "Bang Bang", "Imagination", "Blues De Funk" and "Lido Road". LP, Vinyl record album
(Cover has a promo sticker, a cut corner, a small peeled spot from price sticker removal, and some light wear.)

Partial matches69
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreMusic Man ... LP
Atlantic, Late 50s. Very Good ... $9.99
The Music Man, made different – thanks to very fresh arrangements from Jimmy Giuffre – heard here in one of his few large group sessions for Atlantic Records! The music is all from the score of the famous show, but Giuffre really reworks things with some sharp modern jazz edges – inventive rhythms from bassist Wendell Marshall and drummer Ed Shaugnessy – and no use of piano at all, which allows for plenty of free play in the horn section – which features Giuffre on tenor, clarinet, and baritone – plus Al Cohn and Eddie Wasserman on tenor, Joe Wilder and Phil Sunkel on trumpets, and Sol Schlinger on baritone sax. Without any vocals, and with Jimmy's unique structures, these tunes take on some very fresh styles – and titles include "Marian The Librarian", "The Wells Fargo Wagon", "Iowa Stubborn", "Gary Indiana", and "It's You". LP, Vinyl record album
(Original black label pressing with deep groove.)

Partial matches70
CD, LP, Vinyl record album cover art
Bennie GreenHornful Of Soul (Japanese pressing) ... CD
Bethlehem (Japan), 1960. Used ... $19.99
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD
(Out of print. Includes obi.)

Partial matches71
CD, LP, Vinyl record album cover art
Jimmy McPartland & Wild Bill DavisonDixieland At Carnegie Hall ... LP
Roulette, Late 50s. Very Good ... $5.99
LP, Vinyl record album
(Cover has light wear, aging and a few small spots of clear tape.)

Partial matches72
CD, LP, Vinyl record album cover art
✨✧ Charles MingusMingus Ah Um ... CD
Columbia, 1959. Used ... Temporarily Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". CD
(Columbia Jazz Masters pressing.)

Partial matches73
CD, LP, Vinyl record album cover art
✨✧ Sonny Rollins/Thad JonesSonny Rollins & Thad Jones ... LP
Period/Up Front, Mid 50s. Used ... Temporarily Out Of Stock
A legendary split album from the hardbop underground of the 50s – two different sides by two different artists – both of them great! Side one features stunning work from Sonny Rollins – blowing at a level that matches his early gems for Blue Note, with that razor-sharp tone and sense of timing – and a style that's already beginning to move away from some of the more familiar conventions of bop. Sonny's tracks only include three numbers – but all are worth the price of admission – and feature Rollins on tenor with Jimmy Cleveland on trombone, Gil Coggins on piano, Wendell Marshall on bass, and Kenny Dennis on drums – on the titles "Like Someone In Love", "Sonnymoon For Two", and "Theme From Pathetique Symphony". Thad Jones really shines on side two – an early demonstration of his conception for a larger group, but done at a level that's looser than some of his big band recordings with Mel Lewis. The group features tremendous tenor from Frank Foster on two tracks that also have piano by Jimmy Jones – and titles include "Lust For Life" and "I Got It Thad & That Ain't Bad". LP, Vinyl record album

Partial matches74
CD, LP, Vinyl record album cover art
✨✧ Stan GetzEarly Stan (with bonus tracks) ... CD
Prestige/OJC, 1949/1954. Used ... Out Of Stock
A 60s album that collects earlier 10" sessions by Stan – one from 1949, and one from 1954! The 1949 sessions have Stan playing in a group with Terry Gibbs, Shorter Rogers, and George Wallington – on tunes that include "Michelle (parts 1 & 2)", "T&S", "Cuddles", and "Terry's Tune". The 1954 sessions are a bit more in the classic "Early Stan" mode – as they feature Getz working in a quintet with Jimmy Raney on guitar and Hall Overton on piano – very much in the Roost mode that first got Stan his fame, with that amazing tone really opening up on numbers that include "Motion", "Lee", "Signal", and "Round Midnight". CD features 4 bonus alternate tracks too! CD

Partial matches75
CD, LP, Vinyl record album cover art
✨✧ Eddie HigginsEddie Higgins ... LP
Vee Jay, 1961. Used ... Out Of Stock
Early genius from Eddie Higgins – a pianist who was a big thing on the Chicago scene of the 60s, but is probably best known to most folks for his revival records of the past decade or two! The younger Higgins has more of an edge than the later one – and this self-titled debut is a cooker of a hardbop album – thanks not only to work from Eddie's core trio, but also some great horn interplay from Frank Foster on tenor and Paul Seranno on trumpet! Eddie wrote some of the best cuts on the record – some really fresh numbers – and he gets rhythmic help from either Richard Evans or Jim Atlas on bass, and Marshall Thompson on drums. Higgins titles include "Foot's Bag", "Zarac The Evil One", and "AB's Blues" – and the album also features versions of "Blues For Big Scotia" and "Falling In Love With Love". LP, Vinyl record album
(Rainbow label pressing with deep groove.)

Partial matches76
CD, LP, Vinyl record album cover art
✨✧ Charles MingusMingus Ah Um (180 gram pressing) ... LP
Columbia, 1959. New Copy (reissue)... Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album

Partial matches77
CD, LP, Vinyl record album cover art
✨✧ Sonny Rollins/Thad JonesSonny Rollins Plays/Thad Jones & His Ensemble (Japanese paper sleeve edition) ... CD
Period/SSJ (Japan), Mid 50s. New Copy ... Out Of Stock
A legendary split album from the hardbop underground of the 50s – two different sides by two different artists – both of them great! Side one features stunning work from Sonny Rollins – blowing at a level that matches his early gems for Blue Note, with that razor-sharp tone and sense of timing – and a style that's already beginning to move away from some of the more familiar conventions of bop. Sonny's tracks only include three numbers – but all are worth the price of admission – and feature Rollins on tenor with Jimmy Cleveland on trombone, Gil Coggins on piano, Wendell Marshall on bass, and Kenny Dennis on drums – on the titles "Like Someone In Love", "Sonnymoon For Two", and "Theme From Pathetique Symphony". Thad Jones really shines on side two – an early demonstration of his conception for a larger group, but done at a level that's looser than some of his big band recordings with Mel Lewis. The group features tremendous tenor from Frank Foster on two tracks that also have piano by Jimmy Jones – and one longer number features Frank Wess instead on tenor, with Henry Coker on trombone and Tommy Flanagan on piano. This lineup performs a longer "Ballad Medley" – while Foster blows on "Lust For Life" and "I Got It Thad & That Ain't Bad". CD

Partial matches78
CD, LP, Vinyl record album cover art
✨✧ Teddy CharlesWord From Bird ... CD
Atlantic/Collectables, 1956. Used ... Out Of Stock
A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors – often as textural as it is jazz-based – with a level of sophistication that goes beyond even Charles key modernist work from the early 50s. Teddy's on vibes, alongside Art Farmer on trumpet, Eddie Bert on trombone, Hal Stein on alto, Don Butterfield on tuba, George Barrow on baritone, Hall Overton on piano, and Jimmy Raney on guitar – and while some tracks feature a tentet, 4 of the album's numbers feature a smaller quartet with Charles Mingus on bass! Titles include the 10 minute composition "Word From Bird" – plus "Blue Greens", "Laura", "Showtime", and "Just One Of Those Things". CD

Partial matches79
CD, LP, Vinyl record album cover art
✨✧ Bennie GreenHornful Of Soul ... CD
Bethlehem/Solid (Japan), 1960. New Copy ... Out Of Stock
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD
Also available Hornful Of Soul (Japanese pressing) ... CD 19.99

Partial matches80
CD, LP, Vinyl record album cover art
✨✧ Milt JacksonOpus De Funk (Milt Jackson Quartet aka Soul Pioneers/Milt Jackson Quintet/Invitation) ... LP
Prestige, 1954/1955/1962. Used 2LP Gatefold ... Out Of Stock
A 70s double LP issue of a variety of sides Milt cut as a leader for Prestige and Riverside. The first batch of numbers were originally released as a couple of 10"s, then repackaged under various guises in LP format, and feature a slightly different take on the Modern Jazz Quartet sound of the early years – as the album features Milt Jackson's vibes in the company of MJQ bandmates Percy Heath and Connie Kay, but also includes Horace Silver on piano – in the spot normally reserved for John Lewis! The presence of Silver on piano gives a bit of a harder edge to the set, one that almost recalls some of Jackson's work on Blue Note in the early 50s, yet which is rounded out here by a few lighter and more lyrical touches on rhythm. The set includes a great reading of "Moonray", the Jackson original "Stonewall", and the tracks "Wonder Why", "I Should Care", and "My Funny Valentine". There's also 4 numbers with the same group adding Henry Boozier on trumpet, performing "Soma", "Buhaina", "Opus De Funk" and "I've Lost Your Love". The second LP is from almost a decade on, a very nice little Milt Jackson album – cut in the mode of some of his excellent soul jazz group sides from the mid 60s. This set pushes Milt past the format of much of his other work – especially that of the MJQ – as it features him in a very soulful sextet, working with Tommy Flanagan on piano, Kenny Dorham on trumpet, Jimmy Heath on tenor, Ron Carter on bass, and Connie Kay on drums. The presence of Dorham and Heath give the album a light lyrical swing that really opens things up – and there's a fair bit of modally-oriented tunes on the set that hint at the more soulful playing of most of the players in the 70s. Tracks include a great version of "Invitation", plus "The Sealer", "Poom A Loom", "Ruby", and "None Shall Wander". LP, Vinyl record album
(Cover has some light wear.)

Partial matches81
CD, LP, Vinyl record album cover art
✨✧ Jack TeagardenJack Teagarden – Jazz Great ... LP
Bethlehem, 1954. Used ... Out Of Stock
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". LP, Vinyl record album
(Deep groove red label pressing. Cover has white tape along the seams & opening.)
 
 
 



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