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Exact matches: 9
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallEasy Living ... CD
Bluebird/BMG, 1966. Used ... $7.99
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for Desmond's sound – and the backing is also free of piano, so the guitar and alto hang together wonderfully by themselves – suspended in space, dipping and turning around each other beautifully! The pair get some very light rhythmic accompaniment from Connie Kay on drums, and either Percy Heath or Gene Wright on bass – on titles that include "That Old Feeling", "Easy Living", "Blues For Fun", "Polka Dots & Moonbeams", and "When Joanna Loved Me". CD also features 2 bonus tracks – "All Through The Night" and "Rude Old Man". CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Jim HallJazz Guitar ... CD
Pacific Jazz, 1957. Used ... $5.99
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at Contemporary Records, but which also has that airier style that was Hall's first great calling card on his instrument. Some of the best cuts really have the notes hanging in air with incredible grace and a very subtle sense of swing – and titles include "This Is Always", "Look For The Silver Lining", "Stella By Starlight", "Deep In A Dream", "Seven Come Eleven", and "Thanks For The Memory". CD

Exact matches3
CD, LP, Vinyl record album cover art
Jim HallJim Hall Live ... CD
A&M, 1975. Used ... $4.99
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a lot of swing and imagination into such a tiny space! Hall's always had a rhythmic approach to his work, but here, playing with drummer Terry Clarke and bassist Don Thompson, he really opens into a great groove – stretching things past his usual standard, and bringing a lot more soul into the set than you might expect. The tunes are ones you'll recognize – "Angel Eyes", "Round Midnight", and "The Way You Look Tonight" – but the real charm is what Hall and the trio do with them! CD

Exact matches4
CD, LP, Vinyl record album cover art
Jim Hall with Tom HarrellThese Rooms (with bonus tracks) ... CD
Denon (Japan), 1988. Used ... $21.99
Jim Hall's working here beautifully with trumpeter Tom Harrell – a player whose spacious tones are a perfect match for Jim's open, airy phrasing on the guitar – all supported beautifully by rhythms from Steve LaSpina on bass and Joey Baron on drums! Harrell plays mostly flugelhorn on the date, using the instrument with a sense of space that reminds us of that point when Art Farmer first started really opening up – but taken to even greater extremes, with very careful placement of notes that says a hell of a lot with a hell of a little! Titles include "Bimini", "All Too Soon", "These Rooms", "Darn That Dream", and "Cross Court". CD features 3 bonus tracks – "Where Or When", "My Funny Valentine", and "From Now On". CD
(Out of print. Part of rear tray card has been cut.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Jim Hall & Enrico PieranunziDuologues ... CD
CAM (Italy), 2005. Used ... Temporarily Out Of Stock
(Barcode has a cutout hole.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Jim Hall/Ron CarterAlone Together ... CD
Milestone/OJC, 1972. Used ... Temporarily Out Of Stock
The title's an apt one, as the session features spare, unaccompanied duets between guitarist Jim Hall and bassist Ron Carter – done at a time when both players were stepping into some of their warmest, most sensitive years. Hall's especially great here – and even though he had already built a career out of working in lighter, less rhythm section-based settings, the early 70s saw him moving into even more unfettered territory – and opening up with incredibly personal, sensitive notes that danced equally well with the space around them. Titles include "St Thomas", "I'll Remember April", "Alone Together", "Softly As In A Morning Sunrise", and "Autumn Leaves". CD

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Jim HallConcierto ... LP
CTI, 1975. Used ... Out Of Stock
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". LP, Vinyl record album

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Michel Petrucciani/Jim Hall/Wayne ShorterPower Of Three ... CD
Blue Note, 1986. Used ... Out Of Stock
A key moment in the career of pianist Michel Petrucciani – and a set that features an amazing collaboration with guitarist Jim Hall, and a fair bit of great tenor and soprano sax from Wayne Shorter too! Hall's guitar is heard on every track on the set – ringing out in those wonderfully spare, openly flowing notes he first started crafting in the 50s – a surprisingly wonderful counterpart to the piano of Petrucciani, which seems to take on an even more sensitive and evocative feel for the date. Shorter comes in on a few of the album's tracks – arcing great lines over the colors of the pair, in a way that's a bit like some of the Jimmy Giuffre experiments with Hall in the 50s – but more tuned towards Shorter's own sense of tone and timing. Titles include "Careful", "Bimini", "Morning Blues", "Limbo", and "Waltz New". CD
(Out of print. BMG Direct pressing.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Jim HallLive In Tokyo ... CD
King (Japan), 1976. New Copy ... Out Of Stock
A rare 70s set from guitarist Jim Hall – one that's got a cover that recalls Blue Note artwork used for Kenny Burrell, and recorded with a strong sound to match! The record's got maybe a bit more bite than some of Jim's airier sessions from the 70s – a strong power with Hall in the lead not just as a sound-shaper, but also as a more pronounced force in the trio – with some surprisingly edgey moments that really make the album stand out from the pack! There's some wonderfully deft passages here that really remind us how great Hall can be in the right setting – and the setting here features Don Thompson on bass and Terry Clarke on drums – on titles that include "Twister", "St Thomas", "Concierto De Aranjuez", "Secret Love", and "Chelsea Bridge". CD
Possible matches: 41
Possible matches10
CD, LP, Vinyl record album cover art
Ruby BraffRuby Braff Goes Girl Crazy ... CD
Warner/Wounded Bird, 1959. New Copy ... $3.99 11.98
One of the greatest albums ever recorded by trumpeter Ruby Braff – a set that's hipper than some of his other 50s sessions, thanks to some wonderful sidemen! The sound here is still somewhat traditional, but there's also an undercurrent of 50s modern swing too – thanks to work by Jim Hall on guitar, Al Cohn on tenor, and Hank Jones on piano – all players who skew the record nicely away from some of the too-sweet or too-familiar modes of some of Ruby's other sessions. The music is all from the Gershwin score for Girl Crazy – played in a mellow and open-handed style that brings a new sense of swing to the tunes – and rhythm is by George Duvivier or Bob Haggart on bass, and Buzzy Drootin on drums. Titles include "Embraceable You", "Treat Me Rough", "But Not For Me", "I Got Rhythm", and "Bidin My Time". CD

Possible matches11
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✨✧ Bob BrookmeyerBob Brookmeyer – Mosaic Select (Boob Brokmeyer Quartet/Traditionalism Revisited/Street Swingers/Kansas City Revisited/Stretching Out) ... CD
Blue Note/Mosaic, 1950s. Used 3CD ... $49.99
An incredible collection of work from Bob Brookmeyer – tracing the development of his sound in the 50s through a variety of different settings! The package begins with material from an original 10" LP session in 1954 – featuring Brookmeyer on trombone with backing by the John Williams trio. The set then expands to feature tracks recorded by Brookmeyer, Jim Hall, and Jimmy Giuffre as material that was originally issued on the album Traditionalism Revisited, but which also features tracks from that session that came out on other more obscure sources, including a Playboy jazz album and a Brookmeyer LP on Crown. The set then follows with a beautiful guitar/trombone session that features Jim Hall, Jimy Raney, and Brookmeyer – originally issued as The Street Swingers. Next up is material from a bluesy 1958 set, recorded with vocalist Big Miller, as well as Paul Quinichette, Al Cohn, and Jim Hall – for the album Kansas City Revisited. The set's completed by material from the beautiful UA album Stretching Out – which featured Zoot Sims, Harry Edison, and Al Cohn – and the whole thing's packaged with a great booklet that gives notes on the material. 37 tracks in all – in a limited, numbered set! CD
(Out of print. Limited, numbered edition. Slipcase and jewel cases have cutout notches along the spines.)

Possible matches12
CD, LP, Vinyl record album cover art
Gary BurtonSomething's Coming/Groovy Sound Of Music/Time Machine ... CD
RCA/BGO (UK), 1964/1965/1966. New Copy 2 CDs ... $16.99
A trio of excellent Gary Burton albums from the 60s – collected together in a single set! Something's Coming is the launch of vibist Gary Burton as a leader – a force in jazz that would continue strongly for decades to come! At the time of the record, Burton had already been making waves as a session player on the Nashville scene – where RCA had some especially strong ears – but he's launched here in a mode that's quite far from those roots, and already filled with those modern, chromatic modes that would have Burton pushing the sound of the vibes forward strongly throughout his career – even on an early record like this! The group is very like-minded, and well-chosen – players who are spacious and modern, but never too much so – a quartet with Jim Hall on guitar, Chuck Israels on bass, and Larry Bunker on drums. Titles include "Melanie", "Careful", "Six Improvisatory Sketches", "Something's Coming", and "Little Girl Blue". Next up is a very cool take on the music of Sound Of Music – handled with some help from arranger Gary McFarland, in a way that really unlocks the modal potentials of the tunes! As you might expect from the revolutionary vibist Gary Burton, the approach here is quite different than the usual jazz album of Broadway material – and instead, both Burton and McFarland do a heck of a lot to open up the coolest potential of the songs – as they bring in other hip players who include Bob Brookmeyer on trombone, Phil Woods on alto, Joe Puma on guitar, and Steve Swallow on bass. Titles include "An Ordinary Couple", "Sixteen Going On Seventeen", "Do Re Mi", "Edelweiss", and a great take on "My Favorite Things". Time Machine is filled with beautiful sounds from Gary Burton – a seminal 60s session that really has the vibist coming into his own, and finding that new path towards musical expression that would flower even more strongly in the 70s! The album has Burton really strengthening up his sense of chrome – matching the boldness of other important 60s vibes players on the rise – like Karel Velebny or Bobby Hutcherson – but also working this really special magic in the way he lets each note resonate in the air – often with a much longer decay on the sound than the actual moment of its creation! Burton also plays a bit of piano on the record, overdubbed with his vibes – but in a way that's quite different than the vibes/piano combo of earlier acts – like the MJQ, or George Shearing Quintet – thanks to work from Steve Swallow on bass and Larry Bunker on percussion. Tracks include "Six Nix Quix Flix", "The Sunset Bell", "Deluge", "Chega De Saudade", and "Falling Grace". CD

Possible matches13
CD, LP, Vinyl record album cover art
Ornette ColemanScience Fiction (180 gram pressing) ... LP
Columbia/ORG, 1972. New Copy (reissue)... $26.99 29.99
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from the late 50s onward, brought into tighter focus for the Columbia setting – given a bit more complexity, although still with plenty of room for freedom – and played both with a smaller combo, and a slightly larger group. The mix of players is as striking as the sounds on the record – and includes Coleman on alto, trumpet, and violin – plus Dewey Redman on tenor, Don Cherry on pocket trumpet, Bobby Bradford on trumpet, Jim Hall on guitar, Cedar Walton on piano, Charlie Haden on bass, and Billy Higgins and Ed Blackwell on drums. Asha Pulthi sings a bit on the larger ensemble tracks – making a rare appearance here before her 70s soul career in Germany – and titles include "What Reason Could I Give", "Street Woman", "The Jungle Is A Skycraper", and "All My Life". LP, Vinyl record album
(Numbered limited edition of 2000!)

Possible matches14
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Buddy Collette & Chico HamiltonTanganyika ... CD
Dig/VSOP, 1956. New Copy ... $10.99 11.99
A real lost slice of work from the career of Chico Hamilton – recorded for the short-lived Dig label, owned by R&B artist Johnny Otis in the mid 50s! The group here is slightly different than Hamilton's quintet that recorded for Pacific Jazz – in that it's got a sound that's a bit less arranged, and which often opens up into some more freewheeling jazz styles at times. Buddy Collette and Jim Hall are on the session from Chico's regular group – and Buddy's really the co-leader of the set, and contributed some fantastic original tunes that are perfect for his colorful work on reeds. And the group's also got Curtis Counce on bass and Gerald Wiggins on piano – bringing a decidedly heavier groove to the record than on most 50s Hamilton work – one that's topped off by the trumpet of John Anderson, often muted but still powerful enough to make its presence known on the set. Titles include the Collette originals "It's You", "Green Dream", "Jungle Pogo Stick", "Tanganyika", and "A Walk On The Veldt" – plus other session originals "And So Is Love", "Wagnervous", and "The Blindfold Test". CD

Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Paul DesmondTake Ten ... LP
RCA, 1963. Very Good ... $14.99
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". LP, Vinyl record album
(Black label mono pressing with deep groove.)

Possible matches16
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✨✧ Eric DolphyVintage Dolphy ... CD
GM, 1962/1963. Used ... $6.99
Some of the most striking Eric Dolphy work we've ever heard – a set of live performances from the years 1962 and 1963 that feature Dolphy in a free-thinking mode that surpasses even the modernism of his classic studio sides! The recordings feature Dolphy amidst a variety of players – including a number of unlikely suspects like Barry Galbraith, Eddie Costa, and Jim Hall – and although some of the tracks have a moody and introspective third stream quality (3 of the numbers are written by Gunther Schuller), others are quite open, and almost have an ESP-like intensity. One longer title is a jam session take on Charlie Parker's "Donna Lee" – recorded with a lineup that includes Phil Woods, Nick Travis, Benny Golson, Don Ellis, and Lalo Schifrin! Other titles include "Iron Man", "Half Note Triplets", "Densities", and "Night Music". CD
(Out of print.)

Possible matches17
CD, LP, Vinyl record album cover art
Herb Ellis & Jimmy GiuffreHerb Ellis Meets Jimmy Giuffre ... CD
Verve, 1959. Used ... $11.99
Forget every bias you have against Herb Ellis – because this is a heck of a great little record – thanks in no small part to saxophonist Jimmy Giuffre! The style here is in a nice space between Giuffre's earlier work at Capitol and some of the gentler sounds of his later trio sides for Verve and Atlantic – and the lineup features the fuller horn lineup of the post-Four Brothers years, but also makes the instruments step out slowly and spaciously, using Ellis' guitar in a way that's not unlike Jim Hall's sound in Giuffre's later trio. Other players include Bud Shank, Art Pepper, Richie Kamuca, and Jim Hall (on rhythm guitar) – and titles include "A Country Boy", "My Old Flame", "Goose Grease", "You Know", "Remember", and "Patricia". CD
(Out of print Verve Master Edition.)

Possible matches18
CD, LP, Vinyl record album cover art
Ella Fitzgerald5 Original Albums (Swings Lightly/Sweet Songs For Swingers/Ella In Berlin/Hello Dolly/Whisper Not) (5CD set) ... CD
Verve (Germany), Late 50s/Early 60s. New Copy 5 CDs ... $22.99
Ella Fitzgerald way past the Songbooks – in a set of five different albums that display all the groovy talents she brought to her years at Verve Records! First up is Ella Swings Lightly – a record that has Ella getting some great jazzy backings from Marty Paich – on titles that include "Little White Lies", "You Hit The Spot", "Little Jazz", "720 In the Books", "Knock Me A Kiss", and "My Kinda Love". Sweet Songs For Swingers has Ella singing to light arrangements by Frank DeVol – nothing fancy, but a good set of tunes that are perfect for the lovely style that Ella was hitting back in the 50s. Tracks are short, uncomplicated, and very nicely swinging – even in the gentler moments – with titles that include "Let's Fall In Love", "Sweet & Lovely", "Moonlight Serenade", "I Remember You", and "East Of The Sun". Ella In Berlin is quite a popular live album from Fitzgerald – recorded in Berlin at the height of the cold war years – featuring a famous recording of "Mack The Knife" that almost blew away Bobby Darin's hit with the cut! The album's nicely free of some of the stodginess of some of Ella's Songbook albums from the same time – with light and jazzy backing by a group that includes Jim Hall, Paul Smith, Wilfred Middlebrooks, and Gus Johnson. Titles include "Mack The Knife", "How High The Moon", "Too Darn Hot", "Gone With The Wind", "Misty", and "Summertime". Hello Dolly is a definite shot at the pop market by Ella Fitzgerald – quite possibly recorded as a follow-up to the 60s success of former singing partner Louis Armstrong, who's referenced nicely in Ella's rendition of the title hit! The first 4 tracks on the set were done in the UK, under the leadership of arranger Johnny Spence – and the remaining 8 were done back on Ella's home turf, with familiar backings by Frank DeVol, and an overall sound that's a bit more lush than those on the British numbers. Includes a hit reading of "Can't Buy Me Love", plus "Hello Dolly", "The Sweetest Sounds", "My Man", "Volare", "The Thrill Is Gone", "How High The Moon", and "Lullaby Of The Leaves". Whisper Not is a groovier batch of tunes than usual for Ella – especially compared to most of her Verve recordings! Ella's getting backed here by Marty Paich and orchestra – in a mid 60s swinging mode that has a nice degree of kick to it, and which shows that Ella's able to groove like some of the other singers of the decade. And sure, the whole thing gets a bit cheesy at times – but in a good way that has Ella breaking from the staidness of her "songbook" sessions. Titles include "Old MacDonald", "Matchmaker", "Wives & Lovers", "Lover Man", "I've Got Your Number", and "Whisper Not". (Vocalists, Jazz) CD

Possible matches19
CD, LP, Vinyl record album cover art
Staffan HardeStaffan Harde ... CD
SJR/Corbett vs. Dempsey, 1971. New Copy Gatefold ... $12.99
One of the only recorded documents of the talents of Swedish guitarist Staffan Harde – a player who departed from the scene after the lack of critical response to this tremendous album! We're not sure why the record failed to make waves at the time – but it could well be because the whole thing is years ahead of its time – so bold in conception, and unique in ideas that Harde could never be easily pigeonholed in terms of sound or style! At one level, Harde's got a very chromatic approach to his instrument – often playing in ways that start with Jim Hall and move past Terje Rypdal – but often with phrasing that's very different than either – not as avant as Derek Bailey, with some of the vision of Ray Russell – but again, still very much his own man too. If we're throwing around big names, it's because we feel that Harde can stand with any of these inventive jazz giants – but in a space that's very much his own – working here ins hifting settings with Berngt Berger on drums, Lars Urban Helje on bass, and Lars Sjosten on piano. Titles include "Substance 1", "Bigaroon", "Incitement", "Electrification", and "Cordial L". CD

Possible matches20
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John LewisJohn Lewis Piano ... CD
Atlantic (Japan), 1957. New Copy ... $14.99
One of the strongest sessions recorded by pianist John Lewis in the 50s – a date that shows depths of his talents that run even greater than his work with the Modern Jazz Quartet, quite possibly because is work on piano is at the forefront of the record throughout! There's a sense of darkness here that really fits the image on the cover – a style that's stated clearly on piano lines that are often as spacious as they are gentle, but which also have a moodier undercurrent below, thanks to Lewis' careful choice of keys and notes. The backing is often quite spare – Lewis sometimes plays just with Connie Kay's drums, or the guitar of either Jim Hall or Barry Galbraith – and at its fullest, the record features 2 trio numbers with the bass of Percy Heath and drums of Connie Kay. Tracks are lyrically and thoughtfully composed – and titles include "Two Lyric Pieces", "Harlequin", "D&E", "Little Girl Blue", and "Warmeland". CD
(SHM-CD pressing!)

Possible matches21
CD, LP, Vinyl record album cover art
Russell MaloneAll About The Melody ... CD
High Note, 2016. New Copy ... $14.99 16.98
A mighty nice record from Russell Malone – a guitarist with a warm, deep, hollow-body sound that's stayed strong over all his many years in music! The set's a nicely understated one that presents Malone right up front in a quartet – crafting the kind of solid, soulful lines that continue to make Russell one of the strongest heirs to a 60s style of jazz guitar – one that's adapted here to some slight contemporary flourishes, but in a way that's never commercial or overdone. The rest of the group features Rick Germanson on piano, Luke Sellick on bass, and Willie Jones III on drums – and titles include "Biskit", "On The Real Side", "Message To Jim Hall", "Sound For Sore Ears", "Jive Hoot", and "He's Gone Away". CD

Possible matches22
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Yoshiaki Masuo111 Sullivan Street ... CD
East Wind (Japan), 1975. New Copy ... $13.99
One of the only albums we've ever seen from Japanese guitarist Yoshiaki Masuo – and an unusual record that features very small, spare groupings – either solo, or with some slight accompaniment from a set of musicians that includes Bob Mover on alto, Bob Cranshaw on bass, and David Lee on drums! The approach is almost like Jim Hall at his mellow best – although Masuo's got a different style on the instrument, but one that's open and expressive, even when laidback – so that there's plenty of color and life throughout, even at the gentler moments. The pairing of Mover's alto with guitar is especially nice – and titles include "Swing 42", "Reminiscence", "West Side Highway", and "Washington Square Blues". CD

Possible matches23
CD, LP, Vinyl record album cover art
Gary McFarlandGary McFarland Orchestra – Featuring Special Guest Bill Evans ... LP
Verve, 1963. Very Good Gatefold ... $9.99
Great early work from Gary McFarland – much more serious than some of his whimsical bossa sides, but also a stunning example of the depths of his talents! The group on the session isn't really an "orchestra" – just a combo with Gary on vibes, Bill Evans on piano, Jim Hall on guitar, Phil Woods and Spencer Sinatra on reeds – plus some added strings. The tracks have the fragility of some of the collaborations between Bill Evans and Jim Hall – but also a bit more swing and space at times, and a wonderfully chromatic edge from McFarland's vibes! The feel's a bit like some of the work done by Gary over at Impulse – and titles include "Reflections In The Park", "Night Images", "Peachtree", "Tree Patterns", and "A Moment Alone". LP, Vinyl record album

Possible matches24
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Zoot SimsChoice ... LP
Pacific Jazz, 1954/1959. Very Good ... $19.99
A few great slices of work by Zoot Sims – material recorded over a variety of sessions for Pacific Jazz – but all of it pretty darn great! Sims wasn't as much of a west coast hornman as some of the other leaders on Pacific Jazz – so the array of tracks makes for some surprising moments, both in Zoot's career, and for the label. Side one of the album has Zoot playing with a Gerry Mulligan ensemble on titles that include "I'll Remember April", "Red Door", and "Flamingo". Side two features Zoot playing instrumentals that were cut at the same time as an Annie Ross vocal session – with a group that includes Russ Freeman on piano, Jim Hall on guitar, and Mel Lewis on drums. Titles on that one are "You're Driving Me Crazy", "Brushes", and "Choice Blues". LP, Vinyl record album
(Black label pressing. Cover has taped seams, with some notes and light stains on back.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Stan GetzCool Velvet/Voices ... CD
Verve, 1960/1966. Used ... Temporarily Out Of Stock
Very groovy CD that brings together 2 different albums that Stan Getz cut with larger groups and more baroque orchestrations than usual. The Cool Velvet set is from 1960, and has Stan's breathy alto blowing with arrangements by Russ Garcia. The material has Garcia's usual off-kilter sense, and although the sound is a bit 50's, Getz cuts through the tracks nicely. The real treat, though, is the incredible Voices album, which has stunning arrangements by Claus Ogerman, and beautiful jazz playing by Herbie Hancock, Jim Hall, Ron Carter, and Artie Butler. We love this album to death, and it's filled with some of Getz's best playing of the 60s. Titles include "Zigeuner Song", "Infinidad", "Darling Joe", "Once", and "Nica's Dream". The whole CD's packaged beautifully, and it's got a total of 21 lovely lovely tracks! CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Jimmy Giuffre1961 (Fusion/Thesis) ... CD
ECM (Germany), 1961. Used 2CD ... Temporarily Out Of Stock
2 amazing albums from the 2nd version of the Jimmy Giuffre 3! After working with his first combo of Bob Brookmeyer and Jim Hall during the late 50s, Giuffre hooked up with a pair of younger modernists – Paul Bley and Steve Swallow – reintroducing the piano and bass to his trio format, instruments that had been previously missing because Giuffre wanted to explore the possibilities of melodic composition freed from rhythmic constraints. With this trio, Giuffre was still working in that mode – as you'll hear on Bley and Swallow's incredibly free playing. The group's performances are not free jazz by any means, but they're a key link in that tradition – as Giuffre and crew do an excellent job of creating unconventional compositions, most of which feel like little sculptures in sound. There's a total of 20 tracks on 2CDs – and titles include "Cry, Want", "Trudgin", "Jesus Maria", "Ictus", "Sonic", "Whirrrrr", "The Gamut", "Herb & Ictus", and "Flight". Both records originally available on Verve, now repackaged by ECM. CD
(Out of print.)

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreJimmy Giuffre 3 ... LP
Atlantic, 1957. Used ... Temporarily Out Of Stock
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". LP, Vinyl record album
(Black label Long Playing Unbreakable pressing with deep groove.)

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Staffan HardeStaffan Harde ... LP
SJR (Sweden), 1971. Used ... Temporarily Out Of Stock
One of the only recorded documents of the talents of Swedish guitarist Staffan Harde – a player who departed from the scene after the lack of critical response to this tremendous album! We're not sure why the record failed to make waves at the time – but it could well be because the whole thing is years ahead of its time – so bold in conception, and unique in ideas that Harde could never be easily pigeonholed in terms of sound or style! At one level, Harde's got a very chromatic approach to his instrument – often playing in ways that start with Jim Hall and move past Terje Rypdal – but often with phrasing that's very different than either – not as avant as Derek Bailey, with some of the vision of Ray Russell – but again, still very much his own man too. If we're throwing around big names, it's because we feel that Harde can stand with any of these inventive jazz giants – but in a space that's very much his own – working here ins hifting settings with Berngt Berger on drums, Lars Urban Helje on bass, and Lars Sjosten on piano. Titles include "Substance 1", "Bigaroon", "Incitement", "Electrification", and "Cordial L". LP, Vinyl record album
Also available Staffan Harde ... CD 12.99

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Keith JarrettTribute ... CD
ECM, 1989. Used 2CD ... Temporarily Out Of Stock
A great early trio moment from Keith Jarrett – a set that steps off some of his previous Standards albums for ECM, but which also has more of a personal flavor as well! The group here is that great combo with Gary Peacock on bass and Jack DeJohnette on drums – both really open, fluid players who make the music really sparkle alongside Jarrett's piano – offering up tunes that are mostly standards, but in really unique variations! The album's a tribute to key musical heroes – Lee Konitz, Jim Hall, Bill Evans, John Coltrane, and others – but the overall sound is pure Jarrett all the way through, on titles that include "Lover Man", "Solar", "Sun Prayer", "Little Girl Blue", "U Dance", "Ballad Of The Sad Young Men", and "All The Things You Are". CD
Partial matches: 9
Partial matches51
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Miles DavisManchester Concert – Complete 1960 Live At The Free Trade Hall (with bonus tracks) ... CD
Lonehill (Spain), 1960/1963. Used 2 CDs ... $18.99
Quite an interesting slice of Miles Davis – live material from the brief time when Sonny Stitt was working with the Davis group in 1960! The pairing of Miles & Sonny has been heard a bit more famously (although still relatively obscurely) on a similar live set from Sweden, recorded around the same time – but this batch of tracks is from an even rarer date in Manchester – cut at the Free Trade Hall, on September 27, 1960. Stitt's working here with the group that included Paul Chambers, Wynton Kelly, and Jimmy Cobb on rhythm – and the tracks are mostly longish, with a few shorter numbers that are often focused most strongly on Miles' presence as lead soloist. Titles include "All Blues", "All Of You", "Walkin", "Autumn Leaves", "So What", "Stardust", and 2 takes of "Four". Added to these numbers are 3 more bonus tracks from a 1963 St Louis date that features George Coleman on tenor, with the Davis quintet that included Herbie Hancock, Ron Carter, and Tony Williams. These tracks are all quite long, and include "I Thought About You", "All Blues", and "Seven Steps To Heaven". CD
(Out of print.)

Partial matches52
CD, LP, Vinyl record album cover art
✨✧ Charles MingusMingus Ah Um (180 gram pressing) ... LP
Columbia, 1959. New Copy (reissue)... $16.99
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album

Partial matches53
CD, LP, Vinyl record album cover art
Pee Wee RussellAsk Me Now! ... LP
Impulse, 1965. Near Mint- Gatefold ... $11.99
A record that will blow your mind – way different than you might expect from the cover! Sure, Pee Wee was a bit of a traditionalist on his instrument – the clarinet – but he's working here in a starkly modern way that almost recalls some of the best 50s work of Jimmy Guiffre, or some of the earlier sides by Steve Lacy. There's still a swing-based approach to the tunes, but they're handled in a spare style that features equal interplay between Russell, trombonist Marshall Brown, bassist Russell George, and drummer Ronnie Bedford – a great player who really makes the album sparkle! The tracks include a couple of Thelonious Monk titles – "Ask Me Now!" and "Hackensack" as well as a couple of Marshall Brown originals – "Licorice Stick" and "Calypso Walk". Other titles are Ornette Coleman's "Turnaround", Coltrane's "Some Other Blues" and Ellington's "Prelude To A Kiss". LP, Vinyl record album
(Rainbow label pressing. Cover has a small cutout hole.)

Partial matches54
CD, LP, Vinyl record album cover art
Clark TerryClark Terry ... CD
Universal/EmArcy, Mid 50s. Used ... $12.99
A stunner – and one of Clark Terry's finest moments ever! The record has a rawness and groove that you'd hardly expect from his later albums – no surprise, though, considering that it was cut during that really hip time at Emarcy, when the label was working in a mode that was darker and more challenging than many of the smaller labels at the time. Credit is also due to arranger Quincy Jones – who pulls together a group that includes Horace Silver, Jimmy Cleveland, Cecil Payne, and Art Blakey, all into a fiercely grooving sound that recalls some of his most adventurous work of the 50s. The album kicks off with the stunning "Swahili", a tune that will instantly make you happy you bought the record – and other tracks include "Coop", "Chuckles", "Tuma", "Kitten", and "The Countess". CD
(Out of print 1997 Polygram pressing in a beautiful fold-out package. Includes original slipcase.)

Partial matches55
CD, LP, Vinyl record album cover art
Clark TerrySwahili (aka Clark Terry) ... LP
EmArcy/Trip, Mid 50s. Very Good+ ... $9.99
A stunner – and one of Clark Terry's finest moments ever! The record has a rawness and groove that you'd hardly expect from his later albums – no surprise, though, considering that it was cut during that really hip time at Emarcy, when the label was working in a mode that was darker and more challenging than many of the smaller labels at the time. Credit is also due to arranger Quincy Jones – who pulls together a group that includes Horace Silver, Jimmy Cleveland, Cecil Payne, and Art Blakey, all into a fiercely grooving sound that recalls some of his most adventurous work of the 50s. The album kicks off with the stunning "Swahili", a tune that will instantly make you happy you bought the record – and other tracks include "Coop", "Chuckles", "Tuma", "Kitten", and "The Countess". LP, Vinyl record album
(Early 70s pressing. Cover has a cut corner and promo sticker.)

Partial matches56
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✨✧ Gene Ammons & James MoodyChicago Concert ... CD
Fantasy/OJC, 1971. Used ... Temporarily Out Of Stock
Late great work from Ammons – an album done at the time of his funk sides for Prestige, but recorded in the style of his earlier years in Chicago! The session's a laidback set of soulful solo-heavy work – recorded as part of a hip series of shows at the North Park Hotel, with a local rhythm trio that includes Jodie Christian on piano, Cleveland Eaton on bass, and Marshall Thompson on drums. James Moody joins Ammons in the frontline, and the set's got the best electric feel that you'd hear if you were lucky enough to catch either player in a small club date in the early 60s. Loads of very imaginative solo work in the best Chicago tenor tradition – with titles that include "Work Song", "Jim Jam Jug", "Have You Met Miss Jones", and "C Jam Blues". Plus, CD features a special bonus track – a 14 minute version of "Yardbird Suite". CD
(Out of print.)

Partial matches57
CD, LP, Vinyl record album cover art
✨✧ Stan Getz5 Original Albums (West Coast Jazz/In Stockholm/Steamer/Cool Sounds/Stan Meets Chet) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... Temporarily Out Of Stock
Five classic Stan Getz albums for Verve – all in a special package, in little LP-styled covers! First up is West Coast Jazz – a classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Tracks are all a bit longish, and the group features Lou Levy on piano, Leroy Vinnegar on bass, and Shelly Manne on drums – plus Conte Candoli on trumpet, somewhat in the frontline, but never in a way that overshadows Stan's tenor. The album's got a great David Stone Martin cover – and titles include "East Of The Sun (West Of The Moon)," "Four," "Night In Tunisia," and "Summertime." Stan Getz In Stockholm allows Stan to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Next is Steamer – not a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". Cool Sounds features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Lou Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years! Last up is Stan Meets Chet – Stan Getz meets Chet Baker – A classic meeting of these two talents – recorded in Chicago with a Chicago rhythm section of Jodie Christian, Victor Sproles, and Marshall Thompson. The album's an odd one, and is recorded with less of the impeccability of some of Verve's other sessions (which is probaby how the Chicago team got in the action) – but given Baker's harder-edged proclivities at the time, the set's a very interesting one to hear, and the relaxed nature of the tracks brings out some important solo moments from both players. 4 long tracks – including "I'll Remember April", "Jordu", and "Half-Breed Apache". CD

Partial matches58
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdFancy Free ... LP
Blue Note, 1969. Used ... Out Of Stock
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". LP, Vinyl record album
(Original Liberty pressing with a Van Gelder stamp. Cover has some wear.)

Partial matches59
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✨✧ Eddie HigginsEddie Higgins ... LP
Vee Jay, 1961. Used ... Out Of Stock
Early genius from Eddie Higgins – a pianist who was a big thing on the Chicago scene of the 60s, but is probably best known to most folks for his revival records of the past decade or two! The younger Higgins has more of an edge than the later one – and this self-titled debut is a cooker of a hardbop album – thanks not only to work from Eddie's core trio, but also some great horn interplay from Frank Foster on tenor and Paul Seranno on trumpet! Eddie wrote some of the best cuts on the record – some really fresh numbers – and he gets rhythmic help from either Richard Evans or Jim Atlas on bass, and Marshall Thompson on drums. Higgins titles include "Foot's Bag", "Zarac The Evil One", and "AB's Blues" – and the album also features versions of "Blues For Big Scotia" and "Falling In Love With Love". LP, Vinyl record album
(Rainbow label pressing with deep groove. Cover has some corner wear.)

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