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Exact matches: 16
Exact matches1
CD, LP, Vinyl record album cover art
Paul Desmond with Jim HallComplete RCA Victor Recordings (5CD set) ... CD
RCA/Victor, Early/Mid 60s. Used 5CD ... $49.99
Genius in one of its purest forms! Paul Desmond's alto sax was honed to perfection by the time of these recordings – worked out through fame in the Dave Brubeck Quartet years of the late 50s and early 60s, but also relaxed in a confidence that makes these sides completely majestic, and utterly fantastic! Desmond's tone and approach are languid – but in a way that's incredibly compelling: notes just floating out of the horn, almost effortlessly, seeming not to come from Desmond himself, but to him, gathered together by his warmth and good wit, honed in further by the spare and gentle guitar work of the great Jim Hall. This package is the finest tribute we could think of to their brilliant work together – a wonderfully-done 5CD set, with a lovely slipcase and book, done in a way that retains the structure of the original albums, yet also adds in bonus tracks. There's a whopping 55 cuts in all – and every single one of them's a gem! CD
(Out of print)

Exact matches2
CD, LP, Vinyl record album cover art
Paul Desmond with Jim HallComplete Recordings Of Paul Desmond With Jim Hall ... LP
Mosaic, Early 60s. Near Mint- 6LP Box Set ... $139.99
Ahhh . . . The genius of Paul Desmond and Jim Hall! Desmond was the icy alto tone behind Dave Brubeck's legendary quartet of the late 50s and early 60s – and although we always liked his work with Dave, Paul's even better on his own! Desmond has a lanquid, lyrical tones that's simply beyond compare – and in the right setting, he crafts these snaking, inching, arcing lines that take the alto sax to a whole new level of expression. In these sides with guitarist Jim Hall, he's certainly in the right setting – as modernist Hall, fresh from work with the Jimmy Guiffre 3, really helps set the mode on these recordings, painting colors with a subtle brush, filling in spaces ever so gently as Desmond angles his way around tunes that have an increasingly Latin bent to them. The first album in the set features tracks from Desmond's rare 1959 Warner Brothers album , plus an obscure tune ("Susie") that was only ever issued on a 1959 Playboy compilation. The remaining 5 LPs feature tracks from Desmond's sublime RCA sessions from the early 60s - sparely recorded with only bass and drums behind work by him and Hall. Titles include "All Across The City", "East Of The Sun", "Greensleeves", "Rude Old Man", "Samba Cantina", "Two Degrees East, Three Degrees West", "Samba De Orfeu", and loads more. LP, Vinyl record album
(Includes the booklet! Records are great, and box is great overall - but lid is separated from back, with split corners.)

Exact matches3
CD, LP, Vinyl record album cover art
Paul Desmond with Jim HallEasy Living ... LP
RCA, 1966. Very Good- ... $29.99
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for Desmond's sound – and the backing is also free of piano, so the guitar and alto hang together wonderfully by themselves – suspended in space, dipping and turning around each other beautifully! The pair get some very light rhythmic accompaniment from Connie Kay on drums, and either Percy Heath or Gene Wright on bass – on titles that include "That Old Feeling", "Easy Living", "Blues For Fun", "Polka Dots & Moonbeams", and "When Joanna Loved Me". LP, Vinyl record album
(Black labelmono pressing with deep groove. Cover has some wear and a sticker remnant in the top right corner.)

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ Jim HallCommitment ... LP
A&M, 1976. Near Mint- Gatefold ... $16.99
A really beautiful little album from Jim Hall – a mid 70s gem that has him recasting his style with a wonderful sound! The album features Hall in a variety of groupings – some quite spare, and featuring only accompaniment from piano (Don Thompson or Tommy Flanagan), drums (Terry Clarke), or vocals (Jane Hall) – while a few other tracks feature Hall in a nice larger group with Flanagan on piano and Art Farmer on trumpet – playing in a warm, compressed sound that's incredibly beautiful. The tunes are all quite fresh – even on the few familiar numbers on the session – and the album's a work of subtle genius that shows why Hall was one of the greatest jazz talents on the guitar during his day! Titles inlcude "Down The Line", "Walk Soft", "One Morning In May", "Lament For A Fallen Matador", "Bermuda Bye Bye", and "When I Fall In Love". LP, Vinyl record album

Exact matches5
CD, LP, Vinyl record album cover art
Jim HallConcierto ... CD
CTI, 1975. Used ... $4.99
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". CD version features 3 bonus tracks – alternate takes of "You'd Be So Nice To Come Home To" and "Rock Skippin", and the track "Unfinished Business". CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
Jim HallDialogues ... CD
Telarc, 1995. Used ... $3.99
... CD
(Out of print.)

Exact matches7
CD, LP, Vinyl record album cover art
Jim HallIt's Nice To Be With You – Jim Hall In Berlin ... CD
MPS (Japan), 1969. New Copy ... $14.99
A wonderful album from guitarist Jim Hall – different than some of his other work, and with a slightly harder edge! The unique session has him playing in an MPS 60s mode – more straight-on than some of his more airy moments – with a sound and tone that still recalls his work with Paul Desmond or Art Farmer, but a more direct approach, and an occasional groove as well! The trio's as unique as the record – the great Jimmy Woode on bass and drums from Daniel Humair – and titles include "Blue Joe", "Romaine", "Young One For Debra", "Body & Soul", and a great version of "Up Up & Away", which soars to the sky in a way you'd never expect from Jim! CD
(K2 HD Pro Mastering pressing!)

Exact matches8
CD, LP, Vinyl record album cover art
Jim HallSubsequently ... CD
Music Masters/BMG, 1991. Used ... $9.99
... CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Jim Hall/Ron CarterAlone Together ... LP
Milestone, 1972. Very Good- ... $2.99
The title's an apt one, as the session features spare, unaccompanied duets between guitarist Jim Hall and bassist Ron Carter – done at a time when both players were stepping into some of their warmest, most sensitive years. Hall's especially great here – and even though he had already built a career out of working in lighter, less rhythm section-based settings, the early 70s saw him moving into even more unfettered territory – and opening up with incredibly personal, sensitive notes that danced equally well with the space around them. Titles include "St Thomas", "I'll Remember April", "Alone Together", "Softly As In A Morning Sunrise", and "Autumn Leaves". LP, Vinyl record album
(Cover has ring & edge wear.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Ben Webster & Jim HallBen Webster At The Renaissance (with bonus tracks) ... CD
Contemporary/OJC, 1960. Used ... Just Sold Out!
A previously unreleased live date from late in the career of Ben Webster – recorded at The Renaissance in Hollywood in 1960, but unissued until nearly 25 years later! The group features Jim Hall on guitar, Jimmy Rowles on piano, Red Mitchell on bass, and Frank Butler on drums – and tracks are all longish, and live-feeling – with that sense of fragility that marked some of Webster's later recordings in this mode, and even further deepened the humanity in his tone. And while the recording quality is definitely "live" at times, Ben's tone comes through loud and clear – different than on some of the tighter Verve recordings of a few years before, but in a way that's really great. Titles include "Georgia On My Mind, "Caravan", "Stardust", and "Ole Miss Blues". CD features 4 more bonus tracks – "Gone With The Wind", "What Is This Thing Called Love", "Mop Mop", and "Renaissance Blues". CD

Exact matches11
CD, LP, Vinyl record album cover art
Ben Webster & Jim HallCentennial Celebration ... CD
OJC, Mid 50s-Early 60s. Used ... $3.99
... CD

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallDesmond Blue (First Editions Series) ... CD
RCA/BMG, 1962. Used ... Temporarily Out Of Stock
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". CD features 7 bonus tracks – masters and alternates, but tunes not on the album, including "Autumn Leaves", "Imagination", and "Advise & Consent". New notes, and extra photos too! CD
(Out of print, 24 bit/96 khz remastering!)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Jim HallJazz Impressions Of Japan ... 7-inch
King (Japan), 1976. Used ... Temporarily Out Of Stock
Sharp sounds from guitarist Jim Hall – a record that's filled with all the cool, complicated lines the musician could muster on his instrument – yet a record that also manages to swing a bit too! The sound here is a great evolution from the sound of Hall's music in the 50s – even more modern at most moments, with unique phrasing that shows just how much Jim continued to grow over the decades – delivered at a level that's very fresh, and without a debt to any other guitarist on the planet! Part of the album's unique feel comes from the large amount of original Hall compositions – interpreted by Jim with a trio that also features Don Thompson on piano and bass and Terry Clarke on drums – on titles that include "Kyoto Bells", "Echo", "Without Words", "Light", "Something For Now", and "Two Special People". 7-inch, Vinyl record
(Includes insert.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Jim Hall/Ron CarterAlone Together ... CD
Milestone/OJC, 1972. Used ... Temporarily Out Of Stock
The title's an apt one, as the session features spare, unaccompanied duets between guitarist Jim Hall and bassist Ron Carter – done at a time when both players were stepping into some of their warmest, most sensitive years. Hall's especially great here – and even though he had already built a career out of working in lighter, less rhythm section-based settings, the early 70s saw him moving into even more unfettered territory – and opening up with incredibly personal, sensitive notes that danced equally well with the space around them. Titles include "St Thomas", "I'll Remember April", "Alone Together", "Softly As In A Morning Sunrise", and "Autumn Leaves". CD
Also available Alone Together ... LP 2.99

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallEasy Living ... CD
Bluebird/BMG, 1966. Used ... Out Of Stock
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for Desmond's sound – and the backing is also free of piano, so the guitar and alto hang together wonderfully by themselves – suspended in space, dipping and turning around each other beautifully! The pair get some very light rhythmic accompaniment from Connie Kay on drums, and either Percy Heath or Gene Wright on bass – on titles that include "That Old Feeling", "Easy Living", "Blues For Fun", "Polka Dots & Moonbeams", and "When Joanna Loved Me". CD also features 2 bonus tracks – "All Through The Night" and "Rude Old Man". CD
(Out of print.)

Exact matches16
CD, LP, Vinyl record album cover art
Ruby BraffRuby Braff With Hank Jones & Jim Hall – Complete Recordings (Ruby Braff Goes Girl Crazy/You're Getting To Be A Habit With Me/Easy Now) ... CD
Warner/Gambit (Spain), 1958/1961. Used ... $14.99
Laidback and lovely trumpet work from the legendary Ruby Braff – heard here in the company of pianist Hank Jones, and recorded in a very intimate small group setting! The bulk of the CD features material from Ruby's excellent Ruby Braff Goes Girl Crazy album for Warner Brothers – a recasting of the Gershwin score as an instrumental vehicle for Braff, Jones, Al Cohn, and Jim Hall – all played in a mellow and open-handed style that brings a new sense of swing to the tunes! Rhythm is by George Duvivier or Bob Haggart on bass, and Buzzy Drootin on drums – and titles include "Embraceable You", "Treat Me Rough", "But Not For Me", "I Got Rhythm", and "Bidin My Time". 4 more tracks on the CD are pulled from the album You're Getting To Be A Habit With Me – again with Jones on piano, plus Mundell Lowe on guitar – on titles that include "When Your Lover Has Gone", "Let's Do It", and "Taking A Chance On Love". Last up are 5 more tunes from the album Easy Now – with Roy Eldridge also on trumpet, plus Jones and Lowe again – on the tracks "Yesterdays", "Someday You'll Be Sorry", "Give My Regards To Broadway", "Willow Weep For Me", and "This Is My Lucky Day". CD
(Out of print.)
 
Possible matches: 39
Possible matches17
CD, LP, Vinyl record album cover art
Dizzy GillespieCarnegie Hall Concert ... LP
Verve, 1961. Very Good+ ... $4.99
An incredible live set from Dizzy Gillespie – one that has him working in stunning big band mode, but with all the depth and agility of a small combo! The set features variations on a number of classic Gillespie themes – including "Kush", "Manteca", "Ool Ya Koo", and "Tunisian Fantasy (Night In Tunisia)" – recast with that ever-growing Latin influence that Dizzy was picking up in the 60s, supported strongly by the presence of a young Lalo Schifrin, who plays piano on the set. Horn players include Dizzy, Clark Terry, and Nick Travis on trumpets; Gunter Schuller and Jim Buffington on French Horns; Leo Wright on sax and flute; and Don Butterfield on tuba – supported by rhythm from Schifrin on piano, Art Davis on bass, and Charles Lumpkin on drums. Tunes are awash in soulful solos and deeply colored hues – and titles include "Manteca", "This Is The Way", "Kush", "Ool Ya Koo", and "Tunisian Fantasy". LP, Vinyl record album
(Cover has light wear.)

Possible matches18
CD, LP, Vinyl record album cover art
Gary BurtonSomething's Coming! ... LP
RCA, 1964. Very Good+ ... $9.99
The excitement on the cover here is very well-placed – and RCA clearly knows they've got something special on their hands – the launch of vibist Gary Burton as a leader – a force in jazz that would continue strongly for decades to come! At the time of the record, Burton had already been making waves as a session player on the Nashville scene – where RCA had some especially strong ears – but he's launched here in a mode that's quite far from those roots, and already filled with those modern, chromatic modes that would have Burton pushing the sound of the vibes forward strongly throughout his career – even on an early record like this! The group is very like-minded, and well-chosen – players who are spacious and modern, but never too much so – a quartet with Jim Hall on guitar, Chuck Israels on bass, and Larry Bunker on drums. Titles include "Melanie", "Careful", "Six Improvisatory Sketches", "Something's Coming", and "Little Girl Blue". LP, Vinyl record album
(Black label stereo Dynagroove pressing. Cover has light wear & a small sticker in one corner.)

Possible matches19
CD, LP, Vinyl record album cover art
Paul DesmondBossa Antigua (with bonus tracks) ... CD
RCA, 1965. New Copy ... $5.99 6.99
The team of Paul Desmond and Jim Hall was one of the best ideas ever forged in American jazz of the 60s – and the icy pair are perfect company together on this album of bossa-inflected tracks with a very cool edge! The album allows Desmond's alto to take on a warmth and flowing quality it never had in the Dave Brubeck group – and Hall's guitar work, while a masterpiece of understatement, brings in just the right amount of ringing tone to echo out the brilliance of Desmond's ideas. Gene Wright and Connie Kay complete the group, and titles include "O Gato", "Samba Cantina", "Girl From East 9th", "Ship Without A Sail", and "Bossa Antigua". Plus, this excellent CD reissue features 2 bonus tracks – the groovy "Samba Cepeda" and an alternate take of "O Gato". CD

Possible matches20
CD, LP, Vinyl record album cover art
Paul DesmondGlad To Be Unhappy (with bonus tracks) ... CD
RCA (UK), 1965. New Copy ... $8.99 11.99
Hard to be unhappy in a setting like this – a classic RCA session from the 60s, and one that matches the sublime icy alto sax of Paul Desmond with the perfectly airy guitar of the great Jim Hall! The pair work simple wonders with familiar tunes on the set – bringing together a love of the understated, mixed with a desire to delight and surprise – a quality that plays out wonderfully throughout the course of the record, and keeps us hanging with a sense of joy and delight. The group's completed by bass and drums – with no piano for rhythm, leaving the guitar and alto suspended in mid-air – and titles include "Any Other Time", "Glad To Be Unhappy", "Poor Butterfly", "Stranger In Town", and "Taste Of Honey". CD also features three bonus tracks – "All Across The City", "All Through The Night", and "By The River Sainte Marie". CD

Possible matches21
CD, LP, Vinyl record album cover art
Paul DesmondTake Ten (plus bonus tracks) ... CD
RCA, 1963. New Copy ... $5.99 6.98
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD also features alternate takes of "Embarcadero" and "El Prince". CD

Possible matches22
CD, LP, Vinyl record album cover art
Bill Evans5 Original Albums (Explorations/Waltz For Debby/Moonbeams/Interplay/At Shelly's Manne Hole) (5CD set) ... CD
Riverside/Universal (Germany), Early 60s. New Copy 5CD ... $23.99
A great package – 5 wonderful albums from Bill Evans, all in tiny LP-styled sleeves! Explorations features the Bill Evans trio with Scott LaFaro on bass and Paul Motian on drums – a near-perfect lineup that forever raise the bar for jazz piano expression! The title here is certainly apt – because even though many of the tunes are shortish, Evans has a sense of exploration in the way he's approaching the keys – one that still retains some of the lyrically rhythmic traces of his first few records – but which also glides forth into territory that was virtually untapped on record for the time. The revolution here is so subtle, it's easy to miss from the perspective of our generation – but give it a few listens, and the record will open up beautifully! Titles include "Israel", "Haunted Heart", "Elsa", "Nardis", and "I Wish I Knew". Waltz For Debby is an incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul Motian on drums – both players who could shake free from conventional rhythmic roles in a piano trio, yet who also support Evans' lyrically modal playing here beautifully! The tracks are a bit longer than Bill's studio sides from the time, allowing for even more magical interplay on the keys – and titles include "My Foolish Heart", "Waltz For Debby", "Detour Ahead", "My Romance", "Some Other Time", and "Milestones". Moonbeams is a very hip set from Bill Evans' second trio – the legendary lineup that featured Chuck Israels on bass and Paul Motian on drums! Both players bring Evans' sound to an even greater level of spaciousness – allowing for lyrical interplay that's completely amazing, and even furthers the promise of genius made by Bill on his first few albums – a bold step forward that really makes this album one of Evans' standout sets of the early 60s! Titles include an early reading of Evans' wonderful tune "Re: Person I Knew", plus "Very Early", "In Love In Vain", "Stairway To The Stars", "I Fall In Love Too Easily", "If You Could See Me Now", "It Might As Well Be Spring", and "Polka Dots & Moonbeams". Interplay is a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents! The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". At Shelly's Manne Hole is a great west coast live date from Bill Evans – one that showed that his magic on the keys was equally at home in LA as it was in New York! The session's especially noteworthy for the presence of drummer Larry Bunker – a great player who worked on countless recordings, both jazz and non-jazz, but who hits a new level here with the Evans Trio – one that almost matches that of Paul Motian for his sensitivity and lyrical interplay with Evans' piano and the bass of Chuck Israels! Titles include "Blues In F", "Our Love Is Here To Stay", "The Boy Next Door", "Swedish Pastry", and "Round Midnight". CD

Possible matches23
CD, LP, Vinyl record album cover art
Bill EvansGreen Dolphin Street ... CD
Milestone, 1959/1962. Used ... $7.99
Lost Bill Evans material from his tremendous early run on Riverside Records – sessions recorded in 1959, but unreleased to the public for many years! The core of the record features Evans working with Paul Chambers on bass and Philly Joe Jones both rhythm players that Bill interacted with while working in the Miles Davis group, and a strongly-voiced team to echo the sense of space and timing that was the particular Evans touch in the early days. Why these tracks never came out is a real mystery to us – because Bill's still very much at the top of his game, despite having not liked the material at the time of recording – and the Chambers/Jones rhythm section give the tunes a very solid focus throughout. Titles include "You & The Night & The Music", "My Heart Stood Still", "On Green Dolphin Street", "How Am I To Know", and 2 takes of "Woody N You". Added to that number is a really surprising bonus – a 1962 recording of "Loose Bloose", done with Jim Hall on guitar and Zoot Soms on alto – making for one of those rare non-trio dates by Evans! CD

Possible matches24
CD, LP, Vinyl record album cover art
Art FarmerInteraction (with bonus track) ... CD
Atlantic (Japan), 1963. New Copy ... $14.99
A magnificent set from the team of Art Farmer and Jim Hall – one of those rare pairings in jazz that somehow comes off sounding even way better than the sum of its parts – and that's saying a lot, given that the parts here are already pretty darn great! Farmer's flugelhorn and Hall's guitar create these wonderful shapes in sound – softly coming together with a vibe that's very modern, yet also soulful – gently swinging while still experimenting – with a combination that's completely wonderful! Think of Bob Brookmeyer and Clark Terry, or Bill Evans and Jim Hall – and you'll be somewhere in the territory of these magically unique sounds – augmented with some gentle rhythm work by Steve Swallow on bass and Walter Perkins on drums. Titles include "By Myself", "Days Of Wine & Roses", "Sometime Ago", and "My Kinda Love". CD features a bonus track too! CD
(SHM-CD pressing!)

Possible matches25
CD, LP, Vinyl record album cover art
Art FarmerLive At The Half Note ... CD
Atlantic (Japan), 1963. New Copy ... $14.99
Beautiful work from the legendary Art Farmer – sounds from a time when the trumpeter was really coming into his own, and finding a way to carve out a special space for himself in modern jazz! The sounds here are fresh, but never overstated – blown with that compact mode that makes Farmer's phrasing so distinct, and set up here with a perfect quartet that features Jim Hall on guitar, Steve Swallow on bass, and Walter Perkins on drums. All players are masters of understatement – and the band is sort of a perfect extension of some of Jimmy Guiffre's earlier work on Atlantic with Hall – as they've perfected a simple style that leaves the instrumental solos floating in air, interacting with each other in subtle complex ways that never cease to amaze. Tracks are longer than on some of the studio albums by the group – and titles include "Swing Spring", "I Want To Be Happy", and "What's New". CD
(SHM-CD pressing!)

Possible matches26
CD, LP, Vinyl record album cover art
Art Farmer QuartetTo Sweden With Love/Live At The Half Note ... CD
Atlantic/Collectables, 1964. Used ... $9.99
2 of Art Farmer's best 60s albums – back to back on one CD! Both albums feature the flugelhorn work of Farmer alongside mellow guitar work from Jim Hall, bass by Steve Swallow, and drums by either Walter Perkins or Pete La Roca. There's a spare brilliance to both albums – a sense of space, sound, and timing that is simply magical – modern, but never abrasive, and done in a spirit that's clearly influenced by the late 50s experiments of Jimmy Guiffre, but which also has more of a swinging center. The work of Hall is incredible in a setting like this, and Swallow's round, circular work on the bass seems to even further widen the center of the sound – letting both Jim and Art stretch out magically. To Sweden With Love features newly arranged versions of older Swedish tunes – including "Visa Vid Midsommartid", "Va Da Du", "De Salde Sina Hemman", and "Och Hor Du Unga Dora" – and Live At The Half Note includes the tunes "Swing Spring", "What's New", "I Want To Be Happy", "Stompin At The Savoy", and "I'm Getting Sentimental Over You". CD

Possible matches27
CD, LP, Vinyl record album cover art
Jimmy GiuffreJimmy Giuffre 3/Music Man ... CD
Collectables, 1957/1958. Used ... $7.99
Another nice 2-in-1 from Collectables that brings to light some fantastic jazz from the Atlantic catalog! The album Jimmy Giuffre 3 is beautiful trio material by Jimmy Giuffre, featuring his group with Ralph Pena on bass and Jim Hall on guitar. The sound is out of this world, and the notes just hang lightly in air, interacting with each other in a way that's freed from the rhythmic constraints of the typical piano/drum pulse. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". The Music Man is a bit more standard, and features Giuffre leading a large group (with Al Cohn, Joe Wilder, Art Farmer, and others) through tracks from the Music Man score – like "It's You", "Wells Fargo", "Gary, Indiana", and "Till There Was You". It's goofy, but with some nice solo moments. 20 tracks in all, and full reproductions of the original cover art. CD

Possible matches28
CD, LP, Vinyl record album cover art
Jimmy GiuffreTrav'lin' Light ... CD
Atlantic (Japan), 1958. New Copy ... $14.99
One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe – and titles include "Swamp People", "Lonely Time", "Green Country", and "Travelin Light". CD
(SHM-CD pressing!)

Possible matches29
CD, LP, Vinyl record album cover art
Jimmy GiuffreWestern Suite ... CD
Atlantic (Japan), 1958. New Copy ... $14.99
One of the best-ever Jimmy Giuffre albums! Jimmy's playing here in his classic piano-less trio format, in a group with Jim Hall on guitar and Bob Brookmeyer on trombone. The group was perhaps his best, and they achieve a perfect blend of free-flowing improvised lines, while still managing to retain a jazz swing (something that didn't always happen on Giuffre's other records). The centerpiece of the set is the extended "Western Suite" (don't be fooled by the name, because there's no sort of "Country & Western" tinge to it), and the record also includes beautiful long versions of "Blue Monk" and "Topsy". The whole thing is one of the most amazing jazz records ever recorded, and has an insane array of tones, colors, and sound shapes. CD
(SHM-CD pressing!)

Possible matches30
CD, LP, Vinyl record album cover art
Paul JeffreyWatershed ... CD
Mainstream/Solid (Japan), 1973. New Copy ... $13.99
An unusual sort of setting for tenor saxophonist Paul Jeffrey – an overlooked player from the east coast scene of the early 70s, and one who only cut a handful of records at the time! The date features Jack Wilkins on guitar, playing with these bright chromatic hues next to Jeffrey's sharper horn – a pairing that makes for an unusual sound, despite a familiar quartet setting – one that's even different from other matches of this nature, such as the work between Sonny Rollins and Jim Hall! Jeffrey's clearly got some bop roots here, but also opens up in other directions too – and the group features Thelonious Monk Jr on drums and Richard Davis on bass – on titles that include "Brand X", "Moon Madness", "Brand New Day", and "Minor Scene". CD

Possible matches31
CD, LP, Vinyl record album cover art
Lambert, Hendricks & RossSwingers! ... LP
World Pacific, 1958. Very Good+ ... Just Sold Out!
One of the rarest albums ever recorded by the hiply swinging vocal trio of Jon Hendricks, Dave Lambert, and Annie Ross – a live session from 1958, with backing by a group that includes Zoot Sims, Russ Freeman, and Jim Hall. The feel here is really wonderful – a lot less hokey than on some of the group's Basie-oriented sides, with a style that's perhaps closest to their superb work on the album High Flying for Columbia. Tracks are angular, dynamic, and very swinging – with great lyrics by Hendricks, and titles that include "Four", "Airegin", "Little Niles", "Babe's Blues", "Now's The Time", and "Jackie". (Vocalists, Jazz) LP, Vinyl record album
(Black label pressing with deep groove – in nice shape! Cover has some light wear.)

Possible matches32
CD, LP, Vinyl record album cover art
Orchestra USA/John LewisDebut ... CD
Colpix/Warner (Japan), 1963. New Copy ... $14.99
The first recordings ever from Orchestra USA – the landmark third stream jazz group co-led by John Lewis and Gunther Schuller! The group sprang out of Schuller and Lewis' preoccupations with bringing jazz to a more serious environment – merging traits of 20th century classical with jazz-based improvisation – in a format that included standout solo players, as well as larger backings from strings and woodwinds. And while some of that group's recordings were a bit dull, this one's totally great – not nearly as stiff and academic as you'd think – with some really strong solo work on saxes, and a soulful approach that gets past any formalism that could mar the proceedings. Players include Eric Dolphy, Phil Woods, Leo Wright, Nick Travis, and Jim Hall – and titles include "Three Little Feelings (parts 1, 2, & 3)", "Milesign", "Milano", "Natural Affection", and "Donnie's Theme". CD
(SHM-CD pressing!)

Possible matches33
CD, LP, Vinyl record album cover art
Joe PassIntercontinental ... CD
MPS (Japan), 1970. New Copy ... $14.99
One of the grooviest records we've ever heard from guitarist Joe Pass – a sweet European session for MPS, and one with a very different feel than some of his US recordings! The setting's a trio, with a feel that's more open than some of Joe's pop-jazz sets from the 60s – and the rhythms are warmly fluid, in ways that allow Pass to play some great open-handed solos that spin out wonderfully – hanging softly in air, almost with Jim Hall-like qualities, although a bit more inside overall. The rest of the group features Eberhard Weber on bass and Kenny Clare on drums – and titles include a great version of "Ode To Billy Joe", plus "Chloe", "I Love You", "Joe's Blues", "Watch What Happens", and "El Gento". CD
(K2 HD Pro Mastering pressing!)

Possible matches34
CD, LP, Vinyl record album cover art
Sonny RollinsPure Gold Jazz (aka What's New?) ... LP
RCA, 1962. Near Mint- ... $7.99
A 70s budget reissue of What'[s New?, a very unique album from Sonny Rollins – one that features him blowing tenor over some Latin-based rhythms that have a tight uptempo feel. The core group on the album features Jim Hall on guitar, Bob Cranshaw on bass, and Ben Riley on drums – but they're augmented by larger arrangements that mix together bossa nova and calypso rhythms, which forge a surprisingly great background for Rollins' gutsy tenor. Although it's easy to dismiss the record as a throwaway cash-in affair on the Latin boom of the early 60s – Rollins actually handles himself wonderfully, and the longer-than-usual tracks on the album show a whole new side of his talents that were later reprised on Latin sessions during the 70s. Titles include "Bluesongo", "Jungoso", "The Night Has A Thousand Eyes", and "Brownskin Girl". LP, Vinyl record album

Possible matches35
CD, LP, Vinyl record album cover art
Zoot SimsNew Beat Bossa Nova Vol 1 ... CD
Colpix/Warner (Japan), 1962. New Copy ... $14.99
A great chapter in 60s bossa jazz – Zoot Sims "answer" to Stan Getz's bossa work on Verve – recorded in a similar jazz-meets-bossa style, with some great guitar work by Jim Hall! Zoot's solos are a bit tighter and not as laidback as Stan's – giving a more jazz-based sound to the work that makes for a nice change – and most of the tunes feature larger backings from Manny Albam and Al Cohn – never too over-arranged, but with enough of a full swinging sound to set things right. Hall's guitar works surprisingly well in the setting – and titles include "Barquinho De Papel", "Ciume", "Recado Bossa Nova (parts 1 & 2)", and "Cano Canoe". CD
(SHM-CD pressing!)

Possible matches36
CD, LP, Vinyl record album cover art
Zoot SimsNew Beat Bossa Nova Vol 2 ... CD
Colpix/Warner (Japan), 1962. New Copy ... $14.99
An overlooked chapter in American bossa jazz of the 60s – recordings that weren't nearly as well-circulated as the Stan Getz bossa nova albums on Verve, but which have an equally special sort of sparkle! The arrangements here are by Manny Albam and Al Cohn – who both bring an earlier sense of large jazz charts into play with the tighter rhythms of the bossa – at a level that makes things explode nicely with a sense of color, while still keeping the groove light overall! Zoot Sims sounds great in the setting – which opens up with that great mouthy sound he brought to tenor – a voice that's nicely earthy at times, but which still has the right lyricism to match the music. Other players include a quartet of flutes, with Phil Bodner – plus Jim Hall and Barry Galbraith on guitars, and Milt Hinton on bass. Titles include "Cancion De Bernardito", "Poquito Cantando", "Pies Danzantes", and "Samba Instantanea". CD
(SHM-CD pressing!)
 
Partial matches: 19
Partial matches56
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... CD
Columbia, 1961. Used 2 CDs ... Out Of Stock
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 2CD set features the full concert in one package – including material issued on the More From Carnegie Hall record – 11 tracks in all. CD
(CD case has a cutout hole.)

Partial matches57
CD, LP, Vinyl record album cover art
Marian BruceHalfway To Dawn ... LP
Riverside, 1958. Very Good ... $29.99
One of the more obscure vocal albums ever recorded by Riverside – with a great small group that features Joe Wilder on trumpet, Jimmy Jones on piano, Everett Barksdale on guitar, and Al Hall on bass. No drums – which should give you an idea of the mood of the set! (Vocalists, Jazz) LP, Vinyl record album
(Small blue label Bill Grauer pressing, with microphone logo & deep groove. Cover is in great shape. Vinyl has a very short click on one track.)

Partial matches58
CD, LP, Vinyl record album cover art
Kenny Burrell5 Original Albums (Introducing/Kenny Burrell/Blue Lights Vols 1 & 2/Five Spot Cafe) (5CD set) ... CD
Blue Note (Germany), Late 50s. New Copy 5CD ... $21.99
An amazing early run of music from guitarist Kenny Burrell – five albums in a single package, each with LP-style covers! First up is his Blue Note debut – Introducing Kenny Burrell – arguably one of the greatest Kenny Burrell albums ever! Unlike some of Kenny's other sessions, which hide his guitar in arrangements that are a bit too complicated – this one's a nicely stripped-down album that sets his hollow electric in a group with Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on conga. The tracks are nicely laidback, and Kenny hits some nice deep grooves on cuts like "Fugue N Blues", "Takeela", and "Delilah". Plus, the album also includes a totally cool percussion-only track – "Rhythmorama", which is a duet between Kenny Clarke and Candido! Next is the self-titled Kenny Burrell – Blue Note 1543 – early genius from Kenny – a set that features the guitarist sounding beautiful in a variety of settings, all of them great! The format really mixes things up nicely – almost showing a more diverse Kenny than in later years – as one track is solo, and the others feature quartet, quintet, and sextet lineups – with players who include JR Monterose or Frank Foster on tenor, Tommy Flanagan or Bobby Timons on piano, Oscar Pettiford or Sam Jones on bass, Kenny Dorham on trumpet, and Kenny Clarke or Shadow Wilson on drums. The solo track is a great version of "But Not For Me" – and other titles include "Mexico City", "Cheeta", "Phinupi", and "Now See How You Are". Next are the two records that make up Blue Lights Vols 1 & 2 – material that catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles include "Yes Baby", "Scotch Blues", "Rock Salt", "Chuckin", "Phinupi", and "Caravan". Last up is On View At The Five Spot Cafe – a smoking live session, and one that's got a bit more of an edge than some of his other records from the time! Kenny's guitar still has that impeccable tone throughout – but it's also matched by some wonderful tenor from the great Tina Brooks – making one of his few key Blue Note appearances here – in a massively cooking group that also features some piano from Bobby Timmons on three of the album's five tracks (Roland Hanna plays on the two others) – plus drums from Art Blakey, and bass from Ben Tucker – a pair wo work together wonderfully to create some really great grooves. Kenny himself seems to pick up great energy in the setting – and titles include "Lady Be Good", "Birk's Works", "36-23-36", and "Hallelujah". CD

Partial matches59
CD, LP, Vinyl record album cover art
John Carter & Bobby BradfordTandem 2 ... CD
Emanem (UK), 1979/1982. Used ... $11.99
Previously unreleased material from the duo of Bobby Bradford and John Carter – two players who created ferocious energy together in their famous LA quartet of the late 60s and early 70s, but who here get at a completely different sound of their talents! In a way, the record really represents the growth that Carter had as a musician by this time – his wonderfully lyrical, evocative work on clarinet – which carries some echoes of Jimmy Giuffre's freeness on the instrument, but a more deeply personal quality as well – quite earthy and organic at times, with these really beautiful tones! Bradford's cornet really seems to follow suit strongly – beautifully blown, but at a level that's more intimate than we've heard from Bobby before – really wonderful phrasing that's free, but still always quite tuneful too. The set features a few tracks with solo clarinet, and one solo cornet – and titles on this second volume include "Woman", "Woodman's Hall Blues", "Sweet Sunset", "Swiss Account", "Les Masses Jigaboo", and "And She Speaks". CD
(Out of print.)

Partial matches60
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Curtis FullerAll Star Sextets ... LP
Savoy, 1959. Near Mint- 2LP Gatefold ... $9.99
Outstanding early work from Curtis Fuller, leading a smoking small group through bop and hard bop numbers in a modernist mode like some of the best Jazztet sides Art Farmer and Benny Golson would go on to cut a few years later. Golson's featured here alongside Fuller in the front line, with either Lee Morgan or Thad Jones on trumpet, and the group filled out with a batch of top notch sidemen in the rhythm section as the title implies: Wynton Kelly, Paul Chambers, Charlie Persip, Mcoy Tyner, Jimmy Garrison and Dave Bailey. Some of the best bop sides issued on Savoy, and among the hardest to find, too! Includes "It's All Right With Me", "Arabia", "I'll Walk Alone", "Judy's Dilemma", "Wheatleigh Hall", "Kachin", "Bang Bang", "Imagination", "Blues De Funk" and "Lido Road". LP, Vinyl record album
(Cover has a cut corner.)

Partial matches61
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Terry GibbsHootenanny My Way ... CD
Time/Solid (Japan), 1963. New Copy ... $16.99
A hip hootenanny from vibist Terry Gibbs – hardly the folksy set you might guess from the title, and instead a lively batch of small combo tunes that grooves better than most of Gibbs' work from the 60s! Most tracks are of traditional origin – folk tunes, if you will – but the jazz inflections of the group quickly takes them bast their roots, using the core melodies mostly as a framework for improvisation – featuring great vibes from Gibbs, plus tenor and flute from Al Epstein, guitar from Jimmy Raney, and piano from Alicir McLeod. Terry's vibes are nice and bold, and titles include "Michael", "Joshua", "John Henry", "Greensleeves", "Tom Dooley", and "Sam Hall". CD

Partial matches62
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✨✧ Quincy JonesSwedish-American All Stars (10 inch LP) ... LP
Prestige, 1953. Very Good ... $39.99
A crucial postwar meeting of jazz talents from both sides of the Atlantic – sides done by Quincy Jones while in tour in Europen, featuring American soloists Art Farmer and Jimmy Cleveland alongside Swedish up-and-comers Lars Gullin, Arne Domnerus, Bengt Hallberg, and Ake Persson. Titles have a crackling modern feel, and the solos really get plenty of space to state their case – on 4 tracks that include "Pogo Stick", "Liza", "Jones Bones", and "Sometimes I'm Happy". LP, Vinyl record album
(The second side is very slightly off-center, but played fine for us. Cover has some light wear and aging.)

Partial matches63
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✨✧ Barney KesselSome Like It Hot ... LP
Contemporary, 1959. Very Good+ ... $11.99
A pretty nice jazz tribute to the Billy Wilder film of the same name – and one that reprises a number of tunes from the film, especially popular songs of the 20s – but brings them back in a way that's still got plenty of hip 50s jazz touches! The record's nicely without the hoke that came with a lot of the music in the movie – thanks to a lineup that includes Art Pepper (on tenor, alto, and clarinet!), Joe Gordon, Jimmy Rowles, and Jack Marshall – playing a bit of rhythm guitar in addition to Barney Kessel's main solo one! And if there ever was a record to illustrate the old jazz adage "it ain't the song, it's the singer", this record may be it – because Barney and crew really work some magic with old chestnuts like "I Wanna Be Loved By You", "Sugar Blues", "Sweet Georgia Brown", "Runnin Wild", "By The Beautiful Sea", and "I'm Through With Love". CD features 2 bonus tracks! LP, Vinyl record album
(OJC pressing.)

Partial matches64
CD, LP, Vinyl record album cover art
Melody Maker All-StarsWaxing The Winners – 1951/1952/1953 ... CD
Esquire/Solid (Japan), Early 50s. New Copy ... $9.99
All-star work from the British jazz scene of the post-war years – featuring musicians who'd one that year's poll in Melody Maker magazine, coming together in special large groups for the recordings – similar to American sides inspired by Downbeat and Esquire magazines! The players here criss-cross a bit over the space of three years – to be expected, given both the small size of the London scene, and the strength of these great musicians – and talents include John Dankworth on alto, Ronnie Scott on tenor, Victor Feldman on vibes, Ralph Sharon on piano, Jack Parnell on drums, Ronnie Chamberlin on soprano sax, Kenny Baker and Jimmy Deuchar on trumpets, and Ivor Mairants on guitar. Leaders of the groups are either Dankworth or Parnell – and titles include "Brand's Essence", "Marshall's Plan", "Coronation Jump", "Ballot Box", "Up The Poll", "Leap Year", and "MM Special". The overall vibe is more swing than bop, and a great showcase for all musicians involved! CD

Partial matches65
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Jack TeagardenJack Teagarden – Jazz Great ... CD
Bethlehem, 1954. Used ... Just Sold Out!
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". CD
(Out of print.)

Partial matches66
CD, LP, Vinyl record album cover art
Larry YoungYoung Blues ... LP
New Jazz, Early 60s. Near Mint- ... $14.99
An early classic from organist Larry Young – cut before his groundbreaking Blue Note work, in a style that's more straightforward soul jazz, but still pretty darn great! Larry's working in a group that features Jimmy Smith's frequent partner, Thornel Schwartz, on guitar – plus bass by Wendell Marshall, and drums by Jimmy Smith (a different musician than the organist!) Although there's less of the modal grooving of Larry's later years, the tracks still have a nicely off-center feel – with some great angular playing, and a great way of constructing the solos that pushes Larry away from other heavier organists of the time. Tracks include "African Blues", "Nica's Dream", "Minor Dream", and "Midnight Angel". Nice stuff! LP, Vinyl record album
(Recent reissue.)

Partial matches67
CD, LP, Vinyl record album cover art
VariousColor Line – African American Artists & Segregation 1916 to 1962 (3CD set) ... CD
Fremeaux & Associates (France), 1910s/1920s/1930s/1940s/1950s/Early 60s. New Copy 3 CDs ... $18.99 29.99
An incredible document of racial inequality in mid-Century America – a 3CD set that brings together blues, jazz, soul, and music in other styles – all to illustrate the lack of opportunity and freedom for African-Americans in the US! You've no doubt heard some of these songs before – classic blues numbers, or important jazz vocal tracks – but together, they deliver a hell of a lot more power than on their own – a total of 60 songs that underscore the long, hard journey towards Civil Rights – a path that's still not finished even all these many years later, which makes the theme of these songs still so important. The work spans the teens through the sixties – and titles include "Jim Crow" by The Union Boys, "Parchman Farm Blues" by Bukka White, "Minstrel & The Queen" by The Impressions, "We Shall Overcome" by Guy Carawan, "Working Man" by Bo Diddley, "Better Git It In Your Soul" by Charles Mingus, "The Alabama Bus (parts 1 & 2)" by Brother Will Hairston, "Jim Crow Train" by Johs White, "Brown Skin Girl" by Lloyd Prince Thomas, "Hard Road Blues" by Floyd Dixon, "High Society" by Monk Hazel, "The American Woman & The West Indian Man" by Sam Manning, "Ethiopia Shall Stretch Forth Her Hands Onto God" by Marcus Garvey, "Low Society" by Ray Charles, "Kiyakiya" by Babatunde Olatunji, "Ancient Aethiopia" by Sun Ra, "Tarzan Of Harlem" by Cab Calloway, "Old Alabama" by BBE, and "Chicago High Life" by Earl Hines. CD

Partial matches68
CD, LP, Vinyl record album cover art
✨✧ Stan Getz5 Original Albums (West Coast Jazz/In Stockholm/Steamer/Cool Sounds/Stan Meets Chet) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... Out Of Stock
Five classic Stan Getz albums for Verve – all in a special package, in little LP-styled covers! First up is West Coast Jazz – a classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Tracks are all a bit longish, and the group features Lou Levy on piano, Leroy Vinnegar on bass, and Shelly Manne on drums – plus Conte Candoli on trumpet, somewhat in the frontline, but never in a way that overshadows Stan's tenor. The album's got a great David Stone Martin cover – and titles include "East Of The Sun (West Of The Moon)," "Four," "Night In Tunisia," and "Summertime." Stan Getz In Stockholm allows Stan to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Next is Steamer – not a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". Cool Sounds features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Lou Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years! Last up is Stan Meets Chet – Stan Getz meets Chet Baker – A classic meeting of these two talents – recorded in Chicago with a Chicago rhythm section of Jodie Christian, Victor Sproles, and Marshall Thompson. The album's an odd one, and is recorded with less of the impeccability of some of Verve's other sessions (which is probaby how the Chicago team got in the action) – but given Baker's harder-edged proclivities at the time, the set's a very interesting one to hear, and the relaxed nature of the tracks brings out some important solo moments from both players. 4 long tracks – including "I'll Remember April", "Jordu", and "Half-Breed Apache". CD

Partial matches69
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John Marshall with Grant StewartWaltz For Worms ... CD
Organic (Germany), 2009. New Copy ... $14.99
Tenorist Grant Stewart joins trumpeter John Marshall on this mighty nice session – a record that really lives up to Marshall's other strong dates for the Organic Records label, and which really makes the best of Stewart's talents too! John's got a sense of soulful vision that's sometimes like Lee Morgan on Blue Note during the second half of the 60s – a soaring sensibility in his solos, and a rhythmic way of making the whole group move – a style that really seems to bring out the best in Stewart's tone, as the pair move through a set of tracks penned by Clifford Jordan, Tom McIntosh, Jimmy Heath, and others. Titles include "Bearcat", "The Highest Mountain", "With Malice Towards None", "Waltz For Worms", "Bye Ya", "Out Of The Blue", and "Bro Slim". CD

Partial matches70
CD, LP, Vinyl record album cover art
✨✧ Miles DavisLive Miles – More Music From The Legendary Carnegie Hall Concert ... CD
Columbia, 1961. Used ... Out Of Stock
Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You". CD
(Out of print.)

Partial matches71
CD, LP, Vinyl record album cover art
Quincy Jones with Clifford Brown & Art FarmerScuse These Bloos ... CD
Esquire/Solid (Japan), 1953. New Copy ... $16.99
Quincy Jones was already making quite a name for himself overseas, even very early in his career – as you'll hear on these two different Swedish sessions recorded in 1953! Both of them feature the young arranger at the height of his early powers – really creating magic between all the players – letting the rhythm groove, and the soloists step out – but also making the whole thing gel together wonderfully with a soulful sense of color and tone. The first batch of tracks feature both Art Farmer and Clifford brown on trumpets – with Swedish players Ake Persson on trombone, Lars Gullin on baritone, and Bent Hallberg on piano – on "Stockholm Sweetnin", "Falling In Love With You", and two takes each of "Scuse These Bloos" and "Lover Come Back To Me". The last four tracks are with a similar group – but just with Farmer on trumpet, and Jimmy Cleveland with Ake Persson on trombone – on the titles "Pogo Stick", "Liza", "Jones' Bones", and "Sometimes I'm Happy". CD

Partial matches72
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Joe NewmanSimilar Souls (Locking Horns/Joe Newman With Woodwinds) ... LP
Roulette/Pye (UK), Late 50s. Near Mint- 2LP ... $9.99
Two wonderful sessions from Roulette, both quite hard to find on vinyl, but compiled here in the 70s as a nice 2-fer! Locking Horns defies the title a bit, as it's a sweet, laid back set with Newman and Sims acting as co-leaders, playing with a trio that includes Oscar Pettiford, Adrian Acea, and Osie Johson, all coming together nicely with the feel of a late 50s session for Prestige. Newman's horn has an especially gutbuckety quality to it, and Sims follows suit with some deeply soulful work on his solos. Titles include "Corky", "Mambo For Joe", "Midnite Fantasy", "Tater Pie", "Oh Joe", "Wolafunt's Laent", "Bassing Around" and "Oh Shaye". Next is the album Joe Newman With Woodwinds – not as sleepy as it may sound, as Joe does a nice job of blowing in a large group filled with reed players that include Marshall Royal, Frank Wess, Romeo Penque, and others. Rhythm is by Jimmie Jones, Freddie Green, Eddie Jones, and Charlie Persip – and Ernie Wilkins handled the arrangements. Tracks include "Star Eyes", "Time", "Travlin Light", "That Old Devil Moon", "I'll Get By", and "Nancy". LP, Vinyl record album
(70s UK pressing.)

Partial matches73
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✨✧ Charles MingusMingus Ah Um (180 gram pressing) ... LP
Columbia, 1959. New Copy (reissue)... Temporarily Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album

Partial matches74
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✨✧ Clark TerryClark Terry ... LP
EmArcy, Mid 50s. Used ... Temporarily Out Of Stock
A stunner – and one of Clark Terry's finest moments ever! The record has a rawness and groove that you'd hardly expect from his later albums – no surprise, though, considering that it was cut during that really hip time at Emarcy, when the label was working in a mode that was darker and more challenging than many of the smaller labels at the time. Credit is also due to arranger Quincy Jones – who pulls together a group that includes Horace Silver, Jimmy Cleveland, Cecil Payne, and Art Blakey, all into a fiercely grooving sound that recalls some of his most adventurous work of the 50s. The album kicks off with the stunning "Swahili", a tune that will instantly make you happy you bought the record – and other tracks include "Coop", "Chuckles", "Tuma", "Kitten", and "The Countess". LP, Vinyl record album
(Blue label drummer logo pressing, with deep groove! Side two has some light oxidation, and plays with some very light surface noise – but ok overall. Cover is nice – but top seam is split.)
 
 
 



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