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Exact matches: 16
Exact matches1
CD, LP, Vinyl record album cover art
Paul Desmond with Jim HallComplete RCA Victor Recordings (5CD set) ... CD
RCA/Victor, Early/Mid 60s. Used 5 CDs ... $42.99
Genius in one of its purest forms! Paul Desmond's alto sax was honed to perfection by the time of these recordings – worked out through fame in the Dave Brubeck Quartet years of the late 50s and early 60s, but also relaxed in a confidence that makes these sides completely majestic, and utterly fantastic! Desmond's tone and approach are languid – but in a way that's incredibly compelling: notes just floating out of the horn, almost effortlessly, seeming not to come from Desmond himself, but to him, gathered together by his warmth and good wit, honed in further by the spare and gentle guitar work of the great Jim Hall. This package is the finest tribute we could think of to their brilliant work together – a wonderfully-done 5CD set, with a lovely slipcase and book, done in a way that retains the structure of the original albums, yet also adds in bonus tracks. There's a whopping 55 cuts in all – and every single one of them's a gem! CD
(Out of print)

Exact matches2
CD, LP, Vinyl record album cover art
Art Farmer/Jim HallBig Blues ... CD
CTI (Japan), 1978. New Copy ... $16.99
Sweet and subtle genius from two of the most understated players in jazz – a really great little record that makes the best of the CTI sound without tricking up the players too much! Art Farmer and Jim Hall play in a quintet with vibes by Mike Mainieri – in a style that eschews the electric funk of other CTI records, but has a similar sense of space, sound, and rhythm overall – proof that the label's groundbreaking approach didn't always have to be electrified! Tracks are quite long, and the two leaders effortlessly craft notes that magically hang in space with an airily soulful feel. Titles include wonderfully reworked versions of "Whisper Not", "A Child Is Born", and "Pavane For A Dead Princess". CD

Exact matches3
CD, LP, Vinyl record album cover art
Jim HallCommitment ... LP
A&M, 1976. Near Mint- Gatefold ... $6.99
A really beautiful little album from Jim Hall – a mid 70s gem that has him recasting his style with a wonderful sound! The album features Hall in a variety of groupings – some quite spare, and featuring only accompaniment from piano (Don Thompson or Tommy Flanagan), drums (Terry Clarke), or vocals (Jane Hall) – while a few other tracks feature Hall in a nice larger group with Flanagan on piano and Art Farmer on trumpet – playing in a warm, compressed sound that's incredibly beautiful. The tunes are all quite fresh – even on the few familiar numbers on the session – and the album's a work of subtle genius that shows why Hall was one of the greatest jazz talents on the guitar during his day! Titles inlcude "Down The Line", "Walk Soft", "One Morning In May", "Lament For A Fallen Matador", "Bermuda Bye Bye", and "When I Fall In Love". LP, Vinyl record album
(Cover has a promo stamp & an ink stamp.)

Exact matches4
CD, LP, Vinyl record album cover art
Jim HallConcierto ... CD
CTI (Japan), 1975. New Copy ... $16.99
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". CD
Also available Concierto (remastered edition – with bonus tracks) ... CD 6.99

Exact matches5
CD, LP, Vinyl record album cover art
Jim HallConcierto (remastered edition – with bonus tracks) ... CD
CTI, 1975. Used ... $6.99
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". This CTI Records 40th Anniversary edition was remastered using the original analog tapes – and includes bonus alternate takes of "You'd Be So Nice To Come Home To", "The Answer Is Yes" and "Rock Skippin' At The Blue Note". CD
Also available Concierto ... CD 16.99

Exact matches6
CD, LP, Vinyl record album cover art
Jim HallLive At The North Sea Jazz Festival ... CD
Challenge (Holland), 1979. Used ... $9.99
... CD
(Out of print, punch through barcode.)

Exact matches7
CD, LP, Vinyl record album cover art
Jim HallStoryteller (Circles/All Across The City) ... CD
Concord, 1981/1989. Used 2 CDs ... $6.99
... CD

Exact matches8
CD, LP, Vinyl record album cover art
Jim Hall & David MatthewsConcierto De Aranjuez ... CD
Evidence, 1992. Used ... $2.99
... CD

Exact matches9
CD, LP, Vinyl record album cover art
Michel Petrucciani/Jim Hall/Wayne ShorterPower Of Three ... LP
Blue Note, 1986. Near Mint- ... $14.99
A key moment in the career of pianist Michel Petrucciani – and a set that features an amazing collaboration with guitarist Jim Hall, and a fair bit of great tenor and soprano sax from Wayne Shorter too! Hall's guitar is heard on every track on the set – ringing out in those wonderfully spare, openly flowing notes he first started crafting in the 50s – a surprisingly wonderful counterpart to the piano of Petrucciani, which seems to take on an even more sensitive and evocative feel for the date. Shorter comes in on a few of the album's tracks – arcing great lines over the colors of the pair, in a way that's a bit like some of the Jimmy Giuffre experiments with Hall in the 50s – but more tuned towards Shorter's own sense of tone and timing. Titles include "Careful", "Bimini", "Morning Blues", "Limbo", and "Waltz New". LP, Vinyl record album
(Cover has light wear.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond & Jim HallFirst Place Again (with bonus track) ... CD
Warner/Gambit (Spain), 1959. Used ... Temporarily Out Of Stock
The first big Paul Desmond solo album of the 60s – and a standout set that's very much in the tradition of his best work on RCA! This rare side was cut for Warner Brothers during a time when they were taking a brief dip into jazz – and it's a rarely-heard set that features Jim Hall on guitar, Connie Kay on drums, and Percy Heath on bass, all backing up Paul with a spare "after hours" sound that's a marked change from his tightly woven work with Brubeck. Desmond's alto is full of possibilities here – working wonders with familiar tunes like "Greensleeves", "You Go To My Head", "Time After Time", and "East Of The Sun" – as well as with the John Lewis modern number "2 Degrees East, 3 Degrees West". CD also features the bonus track "Susie". CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Bill Evans & Jim HallIntermodulation ... LP
Verve, 1966. Used Gatefold ... Temporarily Out Of Stock
A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars". LP, Vinyl record album
(Original 60s pressing, in a textured sleeve.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Jim HallConcierto ... CD
CTI, 1975. Used ... Temporarily Out Of Stock
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". CD version features 3 bonus tracks – alternate takes of "You'd Be So Nice To Come Home To" and "Rock Skippin", and the track "Unfinished Business". CD
(Out of print.)
Also available
Concierto (remastered edition – with bonus tracks) ... CD 6.99
Concierto ... CD 16.99

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Jim Hall, Hoe Lovano, George Mraz, Lewis NashGrand Slam – Live at The Regattabar ... CD
Telarc, 2000. Used ... Temporarily Out Of Stock
... CD
(Out of print.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Bill Evans & Jim HallUndercurrent ... LP
United Artists, Early 60s. Used Gatefold ... Out Of Stock
A legendary set from the team of guitarist Jim Hall and pianist Bill Evans – both already wonderful players on their own, but really hitting a magical sort of space here together! The record is a classic in understatement – the inevitable meeting of two players who'd both made a career out of saying more with less – and both Evans and Hall manage to make this special sort of sound when working together in such a space – spare, but never short on ideas – filled with color and tone, but never overdone. The tracks are long and dreamy, and the piano/guitar lines seem to float in the air, suspended on naught but idea and imagination. Titles include a very nice version of "Skating In Central Park", plus "Dream Gypsy", "Romain", and "Darn That Dream". LP, Vinyl record album
(Mono grey label pressing in a textured cover, with a split top seam and some heavy wear on the spine.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Jim Hall with Tom HarrellThese Rooms (with bonus tracks) ... CD
Denon/Nippon (Japan), 1988. Used ... Out Of Stock
Jim Hall's working here beautifully with trumpeter Tom Harrell – a player whose spacious tones are a perfect match for Jim's open, airy phrasing on the guitar – all supported beautifully by rhythms from Steve LaSpina on bass and Joey Baron on drums! Harrell plays mostly flugelhorn on the date, using the instrument with a sense of space that reminds us of that point when Art Farmer first started really opening up – but taken to even greater extremes, with very careful placement of notes that says a hell of a lot with a hell of a little! Titles include "All Too Soon", "These Rooms", "Cross Court", "Where Or When", "My Funny Valentine", and "From Now On". CD features 3 bonus tracks – "Where Or When", "My Funny Valentine", and "From Now On". CD
(Out of print.)

Exact matches16
CD, LP, Vinyl record album cover art
Sonny RollinsQuartets Featurig Jim Hall ... CD
RCA/Bluebird, 1962. Used ... $3.99
A double album collecting Newk's excellent quartet recordings with Jim Hall for RCA. As such it contains work from The Bridge and What's New?, plus a few numbers that got tacked onto the Standard Sonny Rollins. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowing late 50s sessions might not expect the album to work – but instead, it sets up his playing in a whole new mode that brings out a leaner, more confident, more sophisticated solo mode that shows that his time woodshedding in retirement was well spent. 13 numbers in all, including "John S.", "The Bridge", "You Do Something To Me", "Where Are You", "Without A Song", "If Ever I Would Leave You", "Brownskin Girl", "Don't Swtop The Carnival", "The Night Has A Thousand Eyes", "My Ship", "Love Letters", "Long Ago (An Far Away)" and "God Bless the Child". CD
(Out of print.)
 
Possible matches: 56
Possible matches17
CD, LP, Vinyl record album cover art
Bob BrookmeyerTrombone Jazz Samba ... LP
Verve, 1962. Near Mint- Gatefold ... $12.99
An overlooked gem from Bob Brookmeyer – and a set that fits in strongly with the other Verve Records bossa nova albums of the 60s! Bob's the center star on valve trombone, but the record's awash in work from other great Verve talents too – a tight small group that features Gary McFarland on vibes, Jim Hall and Jimmy Raney on guitars, and Willie Bobo on drums – alongside some added percussion that really helps keep the bossa spirit strong! Tunes have that spare, soulful crackle that you'd find in the Stan Getz bossa sessions for Verve – except that trombone is the lead solo instrument here – and titles include "A Felicidade", "Col Bogey Bossa Nova", "Blues Bossa Nova", "Qual E O Po", "Chara Tu Tristeza", and "Samba De Orfeu". LP, Vinyl record album
(Nice original pressing!)
Also available Trombone Jazz Samba/Samba Para Dos ... CD 11.99

Possible matches18
CD, LP, Vinyl record album cover art
Bob Brookmeyer/Lalo SchifrinTrombone Jazz Samba/Samba Para Dos ... CD
Verve (Germany), 1962. New Copy ... $11.99 18.98
Pure genius throughout – two great albums on a single CD! Trombone Jazz Samba is an overlooked gem from Bob Brookmeyer – and a set that fits in strongly with the other Verve Records bossa nova albums of the 60s! Bob's the center star on valve trombone, but the record's awash in work from other great Verve talents too – a tight small group that features Gary McFarland on vibes, Jim Hall and Jimmy Raney on guitars, and Willie Bobo on drums – alongside some added percussion that really helps keep the bossa spirit strong! Tunes have that spare, soulful crackle that you'd find in the Stan Getz bossa sessions for Verve – except that trombone is the lead solo instrument here – and titles include "A Felicidade", "Col Bogey Bossa Nova", "Blues Bossa Nova", "Qual E O Po", "Chara Tu Tristeza", and "Samba De Orfeu". Samba Para Dos is a great lost groover on Verve – recorded during the heyday of the label's bossa years with Stan Getz! The record features Bob Brookmeyer fronting a large group arranged and conducted by Lalo Schifrin – soloing over the top, while Lalo comes up with sparkling bossa-tinged grooves that are in the spirit of his best soundtrack work of the mid 60s. Brookmeyer's playing is great too – very different than his sparer, modernist work on other records – and very much in the tradition of Brazilian trombone players who were a key force in bossa jazz at the time. The set includes one long original, "Samba Para Dos", plus shorter standards like "My Funny Valentine", "What Kind Of Fool Am I", and "I Get A Kick Out Of You" – all taken in great jazzy bossa versions! CD
Also available Trombone Jazz Samba ... LP 12.99

Possible matches19
CD, LP, Vinyl record album cover art
Gary BurtonSomething's Coming/Groovy Sound Of Music/Time Machine ... CD
RCA/BGO (UK), 1964/1965/1966. New Copy 2 CDs ... Just Sold Out!
A trio of excellent Gary Burton albums from the 60s – collected together in a single set! Something's Coming is the launch of vibist Gary Burton as a leader – a force in jazz that would continue strongly for decades to come! At the time of the record, Burton had already been making waves as a session player on the Nashville scene – where RCA had some especially strong ears – but he's launched here in a mode that's quite far from those roots, and already filled with those modern, chromatic modes that would have Burton pushing the sound of the vibes forward strongly throughout his career – even on an early record like this! The group is very like-minded, and well-chosen – players who are spacious and modern, but never too much so – a quartet with Jim Hall on guitar, Chuck Israels on bass, and Larry Bunker on drums. Titles include "Melanie", "Careful", "Six Improvisatory Sketches", "Something's Coming", and "Little Girl Blue". Next up is a very cool take on the music of Sound Of Music – handled with some help from arranger Gary McFarland, in a way that really unlocks the modal potentials of the tunes! As you might expect from the revolutionary vibist Gary Burton, the approach here is quite different than the usual jazz album of Broadway material – and instead, both Burton and McFarland do a heck of a lot to open up the coolest potential of the songs – as they bring in other hip players who include Bob Brookmeyer on trombone, Phil Woods on alto, Joe Puma on guitar, and Steve Swallow on bass. Titles include "An Ordinary Couple", "Sixteen Going On Seventeen", "Do Re Mi", "Edelweiss", and a great take on "My Favorite Things". Time Machine is filled with beautiful sounds from Gary Burton – a seminal 60s session that really has the vibist coming into his own, and finding that new path towards musical expression that would flower even more strongly in the 70s! The album has Burton really strengthening up his sense of chrome – matching the boldness of other important 60s vibes players on the rise – like Karel Velebny or Bobby Hutcherson – but also working this really special magic in the way he lets each note resonate in the air – often with a much longer decay on the sound than the actual moment of its creation! Burton also plays a bit of piano on the record, overdubbed with his vibes – but in a way that's quite different than the vibes/piano combo of earlier acts – like the MJQ, or George Shearing Quintet – thanks to work from Steve Swallow on bass and Larry Bunker on percussion. Tracks include "Six Nix Quix Flix", "The Sunset Bell", "Deluge", "Chega De Saudade", and "Falling Grace". CD

Possible matches20
CD, LP, Vinyl record album cover art
Clarke Boland Big Band/Jimmy GiuffreHandle With Care/Western Suite ... CD
Atlantic/Collectables, 1958/1962. Used ... $6.99
Two rare jazz classics from the Atlantic catalog! Handle With Care is one of the first recordings by the legendary Clark-Boland Big Band – and although it was a pre-MPS session released by Atlantic, all the core elements of the band's classic sound and style are present. Gigi Campi produced and supervised the session, and the group includes CBBB stalwarts like Benny Bailey, Derek Humble, Jimmy Woode, Shahib Shihab, Idrees Sulieman, and Fats Sadi. Tracks include "Long Note Blues", "Speedy Reeds", "Sonor", and "Om Mani Padme Hum". Western Suite is an incredible record from modernist reedman Jimmy Giuffre – who's playing here in his classic piano-less trio format, in a group with Jim Hall on guitar and Bob Brookmeyer on trombone. The group was perhaps his best, and they achieve a perfect blend of free-flowing improvised lines, while still managing to retain a jazz swing (something that didn't always happen on Giuffre's other records). The centerpiece of the set is the extended "Western Suite" (don't be fooled by the name, because there's no sort of "Country & Western" tinge to it), and the record also includes beautiful long versions of "Blue Monk" and "Topsy". The whole thing is one of the most amazing jazz records ever recorded, and has an insane array of tones, colors, and sound shapes. CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Buddy Collette & Chico HamiltonTanganyika ... CD
Dig/VSOP, 1956. Used ... $4.99
A real lost slice of work from the career of Chico Hamilton – recorded for the short-lived Dig label, owned by R&B artist Johnny Otis in the mid 50s! The group here is slightly different than Hamilton's quintet that recorded for Pacific Jazz – in that it's got a sound that's a bit less arranged, and which often opens up into some more freewheeling jazz styles at times. Buddy Collette and Jim Hall are on the session from Chico's regular group – and Buddy's really the co-leader of the set, and contributed some fantastic original tunes that are perfect for his colorful work on reeds. And the group's also got Curtis Counce on bass and Gerald Wiggins on piano – bringing a decidedly heavier groove to the record than on most 50s Hamilton work – one that's topped off by the trumpet of John Anderson, often muted but still powerful enough to make its presence known on the set. Titles include the Collette originals "It's You", "Green Dream", "Jungle Pogo Stick", "Tanganyika", and "A Walk On The Veldt" – plus other session originals "And So Is Love", "Wagnervous", and "The Blindfold Test". CD

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Paul DesmondFirst Place Again (black cover) ... LP
Warner, 1960. Very Good ... $16.99
The first big Paul Desmond solo album of the 60s – and a standout set that's very much in the tradition of his best work on RCA! This rare side was cut for Warner Brothers during a time when they were taking a brief dip into jazz – and it's a rarely-heard set that features Jim Hall on guitar, Connie Kay on drums, and Percy Heath on bass, all backing up Paul with a spare "after hours" sound that's a marked change from his tightly woven work with Brubeck. Desmond's alto is full of possibilities here – working wonders with familiar tunes like "Greensleeves", "You Go To My Head", "Time After Time", and "East Of The Sun" – as well as with the John Lewis modern number "2 Degrees East, 3 Degrees West". LP, Vinyl record album
(Gold label stereo pressing.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyVintage Dolphy ... CD
Enja (Germany), 1962/1963. Used ... $8.99
Some of the most striking Eric Dolphy work we've ever heard – a set of live performances from the years 1962 and 1963 that feature Dolphy in a free-thinking mode that surpasses even the modernism of his classic studio sides! The recordings feature Dolphy amidst a variety of players – including a number of unlikely suspects like Barry Galbraith, Eddie Costa, and Jim Hall – and although some of the tracks have a moody and introspective third stream quality (3 of the numbers are written by Gunther Schuller), others are quite open, and almost have an ESP-like intensity. One longer title is a jam session take on Charlie Parker's "Donna Lee" – recorded with a lineup that includes Phil Woods, Nick Travis, Benny Golson, Don Ellis, and Lalo Schifrin! Other titles include "Iron Man", "Half Note Triplets", "Densities", and "Night Music". CD

Possible matches24
CD, LP, Vinyl record album cover art
Eric DolphyVintage Dolphy ... LP
GM Recordings, 1962/1963. Near Mint- ... $9.99
Some of the most striking Eric Dolphy work we've ever heard – a set of live performances from the years 1962 and 1962 that feature Dolphy in a free-thinking mode that surpasses even the modernism of his classic studio sides! The recordings feature Dolphy amidst a variety of players – including a number of unlikely suspects like Barry Galbraith, Eddie Costa, and Jim Hall – and although some of the tracks have a moody and introspective third stream quality (3 of the numbers are written by Gunther Schuller), others are quite open, and almost have an ESP-like intensity. One longer title is a jam session take on Charlie Parker's "Donna Lee" – recorded with a lineup that includes Phil Woods, Nick Travis, Benny Golson, Don Ellis, and Lalo Schifrin! Other titles include "Iron Man", "Half Note Triplets", "Densities", and "Night Music". LP, Vinyl record album
(80s pressing.)

Possible matches25
CD, LP, Vinyl record album cover art
Bill Evans5 Original Albums (Explorations/Waltz For Debby/Moonbeams/Interplay/At Shelly's Manne Hole) (5CD set) ... CD
Riverside/Universal (Germany), Early 60s. New Copy 5CD ... $19.99
A great package – 5 wonderful albums from Bill Evans, all in tiny LP-styled sleeves! Explorations features the Bill Evans trio with Scott LaFaro on bass and Paul Motian on drums – a near-perfect lineup that forever raise the bar for jazz piano expression! The title here is certainly apt – because even though many of the tunes are shortish, Evans has a sense of exploration in the way he's approaching the keys – one that still retains some of the lyrically rhythmic traces of his first few records – but which also glides forth into territory that was virtually untapped on record for the time. The revolution here is so subtle, it's easy to miss from the perspective of our generation – but give it a few listens, and the record will open up beautifully! Titles include "Israel", "Haunted Heart", "Elsa", "Nardis", and "I Wish I Knew". Waltz For Debby is an incredible album from Bill Evans – and maybe THE record you need in your collection if you're trying to understand his contribution to jazz! The album's one of Evan's first sides from the Village Vanguard – and features the legendary trio that included Scott LaFaro on bass and Paul Motian on drums – both players who could shake free from conventional rhythmic roles in a piano trio, yet who also support Evans' lyrically modal playing here beautifully! The tracks are a bit longer than Bill's studio sides from the time, allowing for even more magical interplay on the keys – and titles include "My Foolish Heart", "Waltz For Debby", "Detour Ahead", "My Romance", "Some Other Time", and "Milestones". Moonbeams is a very hip set from Bill Evans' second trio – the legendary lineup that featured Chuck Israels on bass and Paul Motian on drums! Both players bring Evans' sound to an even greater level of spaciousness – allowing for lyrical interplay that's completely amazing, and even furthers the promise of genius made by Bill on his first few albums – a bold step forward that really makes this album one of Evans' standout sets of the early 60s! Titles include an early reading of Evans' wonderful tune "Re: Person I Knew", plus "Very Early", "In Love In Vain", "Stairway To The Stars", "I Fall In Love Too Easily", "If You Could See Me Now", "It Might As Well Be Spring", and "Polka Dots & Moonbeams". Interplay is a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents! The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". At Shelly's Manne Hole is a great west coast live date from Bill Evans – one that showed that his magic on the keys was equally at home in LA as it was in New York! The session's especially noteworthy for the presence of drummer Larry Bunker – a great player who worked on countless recordings, both jazz and non-jazz, but who hits a new level here with the Evans Trio – one that almost matches that of Paul Motian for his sensitivity and lyrical interplay with Evans' piano and the bass of Chuck Israels! Titles include "Blues In F", "Our Love Is Here To Stay", "The Boy Next Door", "Swedish Pastry", and "Round Midnight". CD

Possible matches26
CD, LP, Vinyl record album cover art
Bill EvansInterplay ... LP
Riverside, 1962. Near Mint- ... $14.99
A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents. In a way, the record's one of those sessions that Riverside would sometimes do – pairing a key new voice as a leader with others in an all-star group – but in another way, it's also a return to the sound that first brought Evans' to a wider audience in the 1957 and 1958 years – when he was working in non-trio groups with more famous players – adding his unique piano stylings to their (then) better-known solo modes. The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! He's playing a bit muted here, trying to go for that Miles/Evans combination from the late 50s – but that's plenty ok with us, as we love those records a lot. Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". LP, Vinyl record album
(180 gram pressing on Wax Time.)

Possible matches27
CD, LP, Vinyl record album cover art
Art FarmerInteraction ... CD
Atlantic (Japan), 1963. Used ... $3.99
A magnificent set from the team of Art Farmer and Jim Hall – one of those rare pairings in jazz that somehow comes off sounding even way better than the sum of its parts – and that's saying a lot, given that the parts here are already pretty darn great! Farmer's flugelhorn and Hall's guitar create these wonderful shapes in sound – softly coming together with a vibe that's very modern, yet also soulful – gently swinging while still experimenting – with a combination that's completely wonderful! Think of Bob Brookmeyer and Clark Terry, or Bill Evans and Jim Hall – and you'll be somewhere in the territory of these magically unique sounds – augmented with some gentle rhythm work by Steve Swallow on bass and Walter Perkins on drums. Titles include "By Myself", "Days Of Wine & Roses", "Sometime Ago", and "My Kinda Love". CD

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Art FarmerLive At The Half Note ... CD
Atlantic, 1964. Used ... $6.99
Beautiful work from the legendary Art Farmer – sounds from a time when the trumpeter was really coming into his own, and finding a way to carve out a special space for himself in modern jazz! The sounds here are fresh, but never overstated – blown with that compact mode that makes Farmer's phrasing so distinct, and set up here with a perfect quartet that features Jim Hall on guitar, Steve Swallow on bass, and Walter Perkins on drums. All players are masters of understatement – and the band is sort of a perfect extension of some of Jimmy Guiffre's earlier work on Atlantic with Hall – as they've perfected a simple style that leaves the instrumental solos floating in air, interacting with each other in subtle complex ways that never cease to amaze. Tracks are longer than on some of the studio albums by the group – and titles include "Swing Spring", "I Want To Be Happy", and "What's New". CD

Possible matches29
CD, LP, Vinyl record album cover art
Stan GetzWhat The World Needs Now – Stan Getz Plays Bacharach & David ... LP
Verve, 1966. Very Good+ Gatefold ... $7.99
Stan Getz meets Burt Bacharach – a heavenly combination that brings together two of our most favorite musical talents of the 60s! And while we're at it, we'd also like to mention a third – Chicago soul arranger Richard Evans, who handles all the backdrops for this set – bringing in a groove that you might not expect for tunes by Burt Bacharach – not exactly Charles Stepney at Cadet, but not far, either – a perfect setting for the sparkling, lyrical tone that Getz was hitting at this point in his career. The tunes are familiar, but the blend of talents really keeps things fresh – and with extra contributions from Herbie Hancock on piano and Jim Hall on guitar, you can bet there's plenty going on here. Titles include "Wives & Lovers", "Windows Of The World", "House Is Not A Home", "Walk On By", and "Trains & Boats & Planes". LP, Vinyl record album
(In the textured cover, with a name in pen & some light wear.)

Possible matches30
CD, LP, Vinyl record album cover art
Jimmy Giuffre7 Pieces ... LP
Verve, 1959. Very Good- ... $19.99
A hard to find Jimmy Giuffre album from the late 50's, one of his best recorded during his key non-piano, non-drums period. Jim Hall's on guitar and Red Mitchell's on bass, and the two of them provide perfect accompaniment to Jimmy's wandering reaching solos on tenor, baritone, and his trademark clarinet. The album's a beautiful mix of tracks that manage to have a modernist sensibility, but which also never stop swinging – even if that swing is buried somewhere deep in Giuffre's mind as he works his way through his adventurous solos. Tracks include "The Story", "Time Machine", "Happy Man", and "Song Of The Wind". LP, Vinyl record album
(Verve Inc pressing with trumpeter logo & deep groove. Cover has light wear & a split top seam.)

Possible matches31
CD, LP, Vinyl record album cover art
Jimmy GiuffreHollywood & Newport 1957 & 1958 ... CD
Fresh Sound (Spain), 1957/1958. Used ... $8.99
Wonderful work from the Jimmy Guiffre trio – and two sessions that stand nicely next to his classic late 50s sides for Atlantic and Verve! The first 5 tracks on the set were recorded for the Stars Of Jazz TV show in Hollywood in 1957 and 1958 – and feature Jimmy first with Jim Hall on guitar and Ralph Pena on bass, then with Hall on guitar and Bob Brookmeyer on trombone. That lineup is continued on the last 5 tracks on the set – live material recorded at Newport in July of 1958. Together, the tracks are wonderfully recorded – with the lively, light feel that Guiffre was pioneering in his drum-less trios of the time. Titles include "Pony Express", "The Lonely Time", "That's The Way It Is", "Waltz", "The Train & The River", and "Gotta Dance". CD

Possible matches32
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Jimmy GiuffreJimmy Giuffre 3/Music Man ... CD
Collectables, 1957/1958. Used ... $2.99
Another nice 2-in-1 from Collectables that brings to light some fantastic jazz from the Atlantic catalog! The album Jimmy Giuffre 3 is beautiful trio material by Jimmy Giuffre, featuring his group with Ralph Pena on bass and Jim Hall on guitar. The sound is out of this world, and the notes just hang lightly in air, interacting with each other in a way that's freed from the rhythmic constraints of the typical piano/drum pulse. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". The Music Man is a bit more standard, and features Giuffre leading a large group (with Al Cohn, Joe Wilder, Art Farmer, and others) through tracks from the Music Man score – like "It's You", "Wells Fargo", "Gary, Indiana", and "Till There Was You". It's goofy, but with some nice solo moments. 20 tracks in all, and full reproductions of the original cover art. CD

Possible matches33
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Jimmy GiuffreLive In 1960 (In Person – plus bonus tracks) ... CD
Verve/Jazz Beat (Spain), 1960. Used ... $10.99
Pivotal work from the great Jimmy Giuffre – a live performance that's wonderfully poised between the spare, subtle sound of his late 50s trio, and some of his freer work to come in the 60s! The group here features frequent partner Jim Hall on guitar, as well as the great Buell Niedlinger on bass and Billy Osborne on drums – the latter of whom gives the record a slightly different sound than usual, considering that Giuffre often didn't work with a drummer! The drums bring in a bold sense of rhythm at times – creating a pulse that's taken up strongly by Giuffre on either tenor sax or clarinet – and followed by some of those wonderfully round basslines that Niedlinger was known for at the time. Other moments have the drums dropping out almost altogether – letting Hall's guitar guide the rhythm most strongly in that naturally swinging unison he developed with Jimmy on the pair's previous trio dates. Tracks are all longish, and quite exploratory – but never as free as Giuffre would sound a year later – and tunes include "The Crab", "We See", "Two For Timbuctu", "The Quiet Time", and "What's New". Added to these are 3 more long tracks, all great too – trio sides recorded with Hall and bassist Milford Middlebrooks in Paris in 1960. Titles include "Mack The Knife", "My Funny Valentine", and "Two For Timbuctu". CD
(Out of print.)

Possible matches34
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Jimmy GiuffreTrav'lin' Light ... LP
Atlantic, 1958. Very Good ... $24.99
One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe – and titles include "Swamp People", "Lonely Time", "Green Country", and "Travelin Light". LP, Vinyl record album
(Danish pressing with black label in a flip-back cover.)

Possible matches35
CD, LP, Vinyl record album cover art
Chico Hamilton6th Avenue Romp (LP style sleeve) ... CD
Joyous Shout, 2006. Used ... $6.99
A unusual sort of record for Chico Hamilton – one that pays tribute to soul and blues hits from years back – but in a way that recasts most of the numbers in a jazz mode! There's relatively strong guitar on the set – not in the breezy style used by Jim Hall or Gabor Szabo on Hamilton classics from the 50s and 60s, but in a rougher-edge style with plenty of bluesy overtones – clearly underscoring the soul component of the tunes. The overall groove is still nice and fluid, in keeping with Chico's other recent work – and he even sings a bit on the set, although not much. Titles include "Cleo's Mood", "You've Really Got A Hold On Me", "Ain't No Sunshine", "Elevation", "Chicken Pox", "Strollin With Bone", "Thunderwalk", and "Gotta Make Things Right". CD

Possible matches36
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✨✧ Chico HamiltonChico Hamilton Quintet Featuring Buddy Collette ... CD
Pacific Jazz (Japan), 1955. Used ... $9.99
An archetypal record from the west coast scene of the 50s – a sublime batch of lightly grooving numbers from Chico Hamilton's famous early Quintet! The power here really comes from a triad of three players – reedman Buddy Collette, mentioned in the title and playing flute, alto, tenor, and clarinet; guitarist Jim Hall, whose spacious use of his instrument set new standards with this record; and cellist Fred Katz, often an unsung hero whose gentle sound shapes really helped bring a sense of tone and color to the group. Also featured is bassist Carson Smith, giving the same great sensitive accompaniment here he did in Gerry Mulligan's early quartet – and Chico himself is on drums, of course, but often playing with unusual timings and touches that really make for a lot more than conventional rhythm! Titles include "Blue Sands", "The Sage", "A Nice Day", "Buddy Boo", and "Spectacular" – as well as "Free Form", which is totally improvised – although in a way that's very different from any 60's track that would have the same sort of name! CD
(Out of print. Includes obi.)
 
Partial matches: 20
Partial matches73
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Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... CD
Columbia, 1961. Used 2 CDs ... $6.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 2CD set features the full concert in one package – including material issued on the More From Carnegie Hall record – 11 tracks in all. CD

Partial matches74
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✨✧ Edmond HallPetite Fleur ... CD
United Artists/Mighty Quinn, 1959. Used ... Temporarily Out Of Stock
A compelling comeback set for clarinetist Edmond Hall – cut in 1959 when Chris Barber was enjoying a hit with a remake of Sidney Bechet's "Petite Fleur", which provided for a nice opportunity to get Hall back in the studio for a date under the same name! The record's got a lot more freedom than some of Hall's earlier work – with a few key longer tracks that expand upon the trad styles of earlier records, and some exceptional production that brings out the best strengths in all players. Hall's working here with Vic Dickenson, Ellis Larkins, Emmett Berry, Milt Hinton, and Jimmie Crawford – and titles include a great 9 minute "Ellington Medley", an 8 minute original titled "Off The Road", and the tunes "Don't Give Me Sympathy", "Adam & Evie", "Clarinet Marmalade", "Edmond Hall Blues", and "Petite Fleur". CD

Partial matches75
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Marian BruceHalfway To Dawn ... LP
Riverside, 1958. Very Good ... Just Sold Out!
One of the more obscure vocal albums ever recorded by Riverside – with a great small group that features Joe Wilder on trumpet, Jimmy Jones on piano, Everett Barksdale on guitar, and Al Hall on bass. No drums – which should give you an idea of the mood of the set! (Vocalists, Jazz) LP, Vinyl record album
(Small blue label Bill Grauer pressing, with microphone logo & deep groove. Cover is in great shape. Vinyl has a very short click on one track.)

Partial matches76
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Kenny Burrell5 Original Albums (Introducing/Kenny Burrell/Blue Lights Vols 1 & 2/Five Spot Cafe) (5CD set) ... CD
Blue Note (Germany), Late 50s. New Copy 5CD ... $16.99
An amazing early run of music from guitarist Kenny Burrell – five albums in a single package, each with LP-style covers! First up is his Blue Note debut – Introducing Kenny Burrell – arguably one of the greatest Kenny Burrell albums ever! Unlike some of Kenny's other sessions, which hide his guitar in arrangements that are a bit too complicated – this one's a nicely stripped-down album that sets his hollow electric in a group with Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on conga. The tracks are nicely laidback, and Kenny hits some nice deep grooves on cuts like "Fugue N Blues", "Takeela", and "Delilah". Plus, the album also includes a totally cool percussion-only track – "Rhythmorama", which is a duet between Kenny Clarke and Candido! Next is the self-titled Kenny Burrell – Blue Note 1543 – early genius from Kenny – a set that features the guitarist sounding beautiful in a variety of settings, all of them great! The format really mixes things up nicely – almost showing a more diverse Kenny than in later years – as one track is solo, and the others feature quartet, quintet, and sextet lineups – with players who include JR Monterose or Frank Foster on tenor, Tommy Flanagan or Bobby Timons on piano, Oscar Pettiford or Sam Jones on bass, Kenny Dorham on trumpet, and Kenny Clarke or Shadow Wilson on drums. The solo track is a great version of "But Not For Me" – and other titles include "Mexico City", "Cheeta", "Phinupi", and "Now See How You Are". Next are the two records that make up Blue Lights Vols 1 & 2 – material that catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles include "Yes Baby", "Scotch Blues", "Rock Salt", "Chuckin", "Phinupi", and "Caravan". Last up is On View At The Five Spot Cafe – a smoking live session, and one that's got a bit more of an edge than some of his other records from the time! Kenny's guitar still has that impeccable tone throughout – but it's also matched by some wonderful tenor from the great Tina Brooks – making one of his few key Blue Note appearances here – in a massively cooking group that also features some piano from Bobby Timmons on three of the album's five tracks (Roland Hanna plays on the two others) – plus drums from Art Blakey, and bass from Ben Tucker – a pair wo work together wonderfully to create some really great grooves. Kenny himself seems to pick up great energy in the setting – and titles include "Lady Be Good", "Birk's Works", "36-23-36", and "Hallelujah". CD

Partial matches77
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Stan Getz5 Original Albums (West Coast Jazz/In Stockholm/Steamer/Cool Sounds/Stan Meets Chet) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... $19.99
Five classic Stan Getz albums for Verve – all in a special package, in little LP-styled covers! First up is West Coast Jazz – a classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Tracks are all a bit longish, and the group features Lou Levy on piano, Leroy Vinnegar on bass, and Shelly Manne on drums – plus Conte Candoli on trumpet, somewhat in the frontline, but never in a way that overshadows Stan's tenor. The album's got a great David Stone Martin cover – and titles include "East Of The Sun (West Of The Moon)," "Four," "Night In Tunisia," and "Summertime." Stan Getz In Stockholm allows Stan to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Next is Steamer – not a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". Cool Sounds features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Lou Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years! Last up is Stan Meets Chet – Stan Getz meets Chet Baker – A classic meeting of these two talents – recorded in Chicago with a Chicago rhythm section of Jodie Christian, Victor Sproles, and Marshall Thompson. The album's an odd one, and is recorded with less of the impeccability of some of Verve's other sessions (which is probaby how the Chicago team got in the action) – but given Baker's harder-edged proclivities at the time, the set's a very interesting one to hear, and the relaxed nature of the tracks brings out some important solo moments from both players. 4 long tracks – including "I'll Remember April", "Jordu", and "Half-Breed Apache". CD

Partial matches78
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Terry GibbsHootenanny My Way ... CD
Time/Solid (Japan), 1963. New Copy ... $11.99
A hip hootenanny from vibist Terry Gibbs – hardly the folksy set you might guess from the title, and instead a lively batch of small combo tunes that grooves better than most of Gibbs' work from the 60s! Most tracks are of traditional origin – folk tunes, if you will – but the jazz inflections of the group quickly takes them bast their roots, using the core melodies mostly as a framework for improvisation – featuring great vibes from Gibbs, plus tenor and flute from Al Epstein, guitar from Jimmy Raney, and piano from Alicir McLeod. Terry's vibes are nice and bold, and titles include "Michael", "Joshua", "John Henry", "Greensleeves", "Tom Dooley", and "Sam Hall". CD

Partial matches79
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Sonny Rollins/Thad JonesSonny Rollins & Thad Jones ... LP
Period/Up Front, 1957/1958. Near Mint- ... $7.99
A legendary split album from the hardbop underground of the 50s – two different sides by two different artists – both of them great! Side one features stunning work from Sonny Rollins – blowing at a level that matches his early gems for Blue Note, with that razor-sharp tone and sense of timing – and a style that's already beginning to move away from some of the more familiar conventions of bop. Sonny's tracks only include three numbers – but all are worth the price of admission – and feature Rollins on tenor with Jimmy Cleveland on trombone, Gil Coggins on piano, Wendell Marshall on bass, and Kenny Dennis on drums – on the titles "Like Someone In Love", "Sonnymoon For Two", and "Theme From Pathetique Symphony". Thad Jones really shines on side two – an early demonstration of his conception for a larger group, but done at a level that's looser than some of his big band recordings with Mel Lewis. The group features tremendous tenor from Frank Foster on two tracks that also have piano by Jimmy Jones – and titles include "Lust For Life" and "I Got It Thad & That Ain't Bad". LP, Vinyl record album

Partial matches80
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✨✧ Jason SteinLucille ... CD
Delmark, 2017. New Copy ... Temporarily Out Of Stock
Brilliant modernism from Chicago reedman Jason Stein – a set that draws strong energy from the work of Lennie Tristano, but also instantly grabs us with a bold statement of Stein's own genius as well! The group features Stein on bass clarinet, and Keefe Jackson on contrabass clarinet and tenor – horns that are often presented in counterpoint, tangling around each other beautifully – but always in a way that inspires further flights of sound – ala Jimmy Giuffre on the thinner reeds. There's no piano in the group – just deft drums by Tom Rainey and bass by Josh Abrams – and the intersection of Stein and Jackson is breathtaking throughout! Titles include Tristano-era gems "Marshmallow", "April", and "Wow" – plus versions of "Dexterity" and "Little Rootie Tootie" – and Stein's own "I Know You Were", "Ryder's Uncle Dragon", and "Halls & Rooms". CD

Partial matches81
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✨✧ Jason SteinLucille ... LP
Delmark, 2017. New Copy ... Temporarily Out Of Stock
Brilliant modernism from Chicago reedman Jason Stein – a set that draws strong energy from the work of Lennie Tristano, but also instantly grabs us with a bold statement of Stein's own genius as well! The group features Stein on bass clarinet, and Keefe Jackson on contrabass clarinet and tenor – horns that are often presented in counterpoint, tangling around each other beautifully – but always in a way that inspires further flights of sound – ala Jimmy Giuffre on the thinner reeds. There's no piano in the group – just deft drums by Tom Rainey and bass by Josh Abrams – and the intersection of Stein and Jackson is breathtaking throughout! Titles include Tristano-era gems "Marshmallow", "April", and "Wow" – plus versions of "Dexterity" and "Little Rootie Tootie" – and Stein's own "I Know You Were", and "Halls & Rooms". LP, Vinyl record album

Partial matches82
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✨✧ Jack TeagardenJack Teagarden – Jazz Great ... CD
Bethlehem/Avenue, 1954. Used ... Out Of Stock
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". CD
(Out of print, punch through barcode.)

Partial matches83
CD, LP, Vinyl record album cover art
✨✧ VariousColor Line – African American Artists & Segregation 1916 to 1962 (3CD set) ... CD
Fremeaux & Associates (France), 1910s/1920s/1930s/1940s/1950s/Early 60s. New Copy 3 CDs ... Out Of Stock
An incredible document of racial inequality in mid-Century America – a 3CD set that brings together blues, jazz, soul, and music in other styles – all to illustrate the lack of opportunity and freedom for African-Americans in the US! You've no doubt heard some of these songs before – classic blues numbers, or important jazz vocal tracks – but together, they deliver a hell of a lot more power than on their own – a total of 60 songs that underscore the long, hard journey towards Civil Rights – a path that's still not finished even all these many years later, which makes the theme of these songs still so important. The work spans the teens through the sixties – and titles include "Jim Crow" by The Union Boys, "Parchman Farm Blues" by Bukka White, "Minstrel & The Queen" by The Impressions, "We Shall Overcome" by Guy Carawan, "Working Man" by Bo Diddley, "Better Git It In Your Soul" by Charles Mingus, "The Alabama Bus (parts 1 & 2)" by Brother Will Hairston, "Jim Crow Train" by Johs White, "Brown Skin Girl" by Lloyd Prince Thomas, "Hard Road Blues" by Floyd Dixon, "High Society" by Monk Hazel, "The American Woman & The West Indian Man" by Sam Manning, "Ethiopia Shall Stretch Forth Her Hands Onto God" by Marcus Garvey, "Low Society" by Ray Charles, "Kiyakiya" by Babatunde Olatunji, "Ancient Aethiopia" by Sun Ra, "Tarzan Of Harlem" by Cab Calloway, "Old Alabama" by BBE, and "Chicago High Life" by Earl Hines. CD

Partial matches84
CD, LP, Vinyl record album cover art
✨✧ Miles DavisManchester Concert – Complete 1960 Live At The Free Trade Hall (with bonus tracks) ... CD
Lonehill (Spain), 1960/1963. Used 2 CDs ... Temporarily Out Of Stock
Quite an interesting slice of Miles Davis – live material from the brief time when Sonny Stitt was working with the Davis group in 1960! The pairing of Miles & Sonny has been heard a bit more famously (although still relatively obscurely) on a similar live set from Sweden, recorded around the same time – but this batch of tracks is from an even rarer date in Manchester – cut at the Free Trade Hall, on September 27, 1960. Stitt's working here with the group that included Paul Chambers, Wynton Kelly, and Jimmy Cobb on rhythm – and the tracks are mostly longish, with a few shorter numbers that are often focused most strongly on Miles' presence as lead soloist. Titles include "All Blues", "All Of You", "Walkin", "Autumn Leaves", "So What", "Stardust", and 2 takes of "Four". Added to these numbers are 3 more bonus tracks from a 1963 St Louis date that features George Coleman on tenor, with the Davis quintet that included Herbie Hancock, Ron Carter, and Tony Williams. These tracks are all quite long, and include "I Thought About You", "All Blues", and "Seven Steps To Heaven". CD
(Out of print.)

Partial matches85
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP
Columbia, 1961. Used ... Out Of Stock
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! LP, Vinyl record album
(360 Sound stereo pressing.)
Also available Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... CD 6.99

Partial matches86
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHM-CD pressing!)

Partial matches87
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Teddy CharlesWord From Bird ... LP
Atlantic, 1956. Good ... $11.99
A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors – often as textural as it is jazz-based – with a level of sophistication that goes beyond even Charles key modernist work from the early 50s. Teddy's on vibes, alongside Art Farmer on trumpet, Eddie Bert on trombone, Hal Stein on alto, Don Butterfield on tuba, George Barrow on baritone, Hall Overton on piano, and Jimmy Raney on guitar – and while some tracks feature a tentet, 4 of the album's numbers feature a smaller quartet with Charles Mingus on bass! Titles include the 10 minute composition "Word From Bird" – plus "Blue Greens", "Laura", "Showtime", and "Just One Of Those Things". LP, Vinyl record album
(Black label pressing with deep groove. Cover has some wear & marker. Vinyl plays with clicks & crackles.)

Partial matches88
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✨✧ Charles MingusMingus Ah Um ... LP
Columbia, 1959. Used ... Temporarily Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album
(70s pressing.)

Partial matches89
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✨✧ Charles MingusMingus Ah Um (180 gram pressing) ... LP
Columbia, 1959. New Copy (reissue)... Temporarily Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album

Partial matches90
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✨✧ Donald ByrdFancy Free ... LP
Blue Note, 1969. Used ... Out Of Stock
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". LP, Vinyl record album
(Original Liberty pressing with a Van Gelder stamp. Cover has a half split top seam, some wear, and a name in marker on back.)

Partial matches91
CD, LP, Vinyl record album cover art
✨✧ Clark TerryClark Terry ... CD
Universal/EmArcy, Mid 50s. Used ... Out Of Stock
A stunner – and one of Clark Terry's finest moments ever! The record has a rawness and groove that you'd hardly expect from his later albums – no surprise, though, considering that it was cut during that really hip time at Emarcy, when the label was working in a mode that was darker and more challenging than many of the smaller labels at the time. Credit is also due to arranger Quincy Jones – who pulls together a group that includes Horace Silver, Jimmy Cleveland, Cecil Payne, and Art Blakey, all into a fiercely grooving sound that recalls some of his most adventurous work of the 50s. The album kicks off with the stunning "Swahili", a tune that will instantly make you happy you bought the record – and other tracks include "Coop", "Chuckles", "Tuma", "Kitten", and "The Countess". CD
(Out of print 1997 Polygram pressing in a beautiful fold-out package.)

Partial matches92
CD, LP, Vinyl record album cover art
✨✧ Quincy Jones with Clifford Brown & Art FarmerScuse These Bloos ... CD
Esquire/Solid (Japan), 1953. New Copy ... Out Of Stock
Quincy Jones was already making quite a name for himself overseas, even very early in his career – as you'll hear on these two different Swedish sessions recorded in 1953! Both of them feature the young arranger at the height of his early powers – really creating magic between all the players – letting the rhythm groove, and the soloists step out – but also making the whole thing gel together wonderfully with a soulful sense of color and tone. The first batch of tracks feature both Art Farmer and Clifford brown on trumpets – with Swedish players Ake Persson on trombone, Lars Gullin on baritone, and Bent Hallberg on piano – on "Stockholm Sweetnin", "Falling In Love With You", and two takes each of "Scuse These Bloos" and "Lover Come Back To Me". The last four tracks are with a similar group – but just with Farmer on trumpet, and Jimmy Cleveland with Ake Persson on trombone – on the titles "Pogo Stick", "Liza", "Jones' Bones", and "Sometimes I'm Happy". CD
 
 
 



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