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Exact matches: 15
Exact matches1
CD, LP, Vinyl record album cover art
Jimmy Giuffre, Bob Brookmeyer & Jim HallSwamp People ... CD
Giant Steps/Cherry Red (UK), 1958. Used ... $16.99
CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Charlie Haden & Jim HallCharlie Haden/Jim Hall ... CD
Blue Note/Impulse, 1990. New Copy ... $9.99 14.98
Beautiful duets between guitarist Jim Hall and bassist Charlie Haden – recorded here in a previously-unissued live date from 1990 – with sublime sound throughout! Both players really open up when given the right sort of space – and find wonderful harmony together here – ways of brilliantly augmenting the strengths of each other, while also allowing for plenty of individual expression as well. The tracks are all quite long, and the record has this mellifluous quality that makes it a real standout in the catalog of both artists – a great reminder of Haden at his most intimate, and one of a handful of important duo recordings from Hall. Titles include "Down From Antigua", "First Song", "Turnaround", "Bemsha Swing", "In The Moment", "Skylark", and "Big Blues". CD

Exact matches3
CD, LP, Vinyl record album cover art
Jim HallConcierto ... LP
CTI, 1975. Very Good+ Gatefold ... $13.99
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". LP, Vinyl record album
(Cover has some wear and bubbles in the gloss.)

Exact matches4
CD, LP, Vinyl record album cover art
Jim Hall & Enrico PieranunziDuologues ... CD
CAM (Italy), 2005. Used ... $6.99
CD

Exact matches5
CD, LP, Vinyl record album cover art
George Shearing & Jim HallFirst Edition ... CD
Concord, 1982. Used ... $19.99
CD
(Out of print.)

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallDesmond Blue (First Editions Series) ... CD
RCA/BMG, 1962. Used ... Just Sold Out!
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". CD features 7 bonus tracks – masters and alternates, but tunes not on the album, including "Autumn Leaves", "Imagination", and "Advise & Consent". New notes, and extra photos too! CD

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Ron Carter & Jim HallLive At Village West ... CD
Concord, 1984. Used ... Temporarily Out Of Stock
CD
(Out of print.)

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Jim HallJim Hall Featuring Buddy Collette – The Unreleased Sessions (Swinging Shepherds/Porgy & Bess) ... CD
Lonehill (Spain), 1956/1959. Used ... Temporarily Out Of Stock
Wonderful lost work from the west coast chamber jazz scene of the late 50s – and some great work featuring the reeds of Buddy Collette alongside the guitar of Jim Hall! The first 11 tracks on the set are from the album Swinging Shepherds – originally issued under Collette's name for Mercury in the mid 50s, and featuring a lineup that features Collette, Bud Shank, Paul Horn, and Harry Klee on an assortment of flutes – plus Hall on guitar, Red Mitchell on bass, and Shelly Manne or Earl Palmer on drums. The sound is light and swinging – in the playful mode that some of the players were using with the Chico Hamilton group at the time – on titles that include "The Shrike", "Laura", "Intermezzo", "Ruby", "Invitation", and "Swinging On A Star". The last 8 tracks on the session are from an obscure Porgy & Bess album – originally issued on the Interlude label, and featuring Collette and Hall with the organ of Gerald Wilson, the accordion of Pete Jolly, the bass of Red Mitchell, and the drums of Louis Bellson. This unusual lineup really does a great job of reworking the original Gershwin tunes – using the odd instrumentation and playful arrangements to put a bright new face on tracks that include "Bess You Is My Woman", "Where's My Bess", "Summertime", and "There's A Boat That's Leavin For New York". As a bonus, the CD also features 4 more tracks from a session that has Collette and Hall with Chico Hamilton and trumpeter John Anderson – tracks that include "It's You", "Wagnerous", and "And So Is Love". CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Jim HallJim Hall Live ... LP
A&M, 1975. Used Gatefold ... Temporarily Out Of Stock
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a lot of swing and imagination into such a tiny space! Hall's always had a rhythmic approach to his work, but here, playing with drummer Terry Clarke and bassist Don Thompson, he really opens into a great groove – stretching things past his usual standard, and bringing a lot more soul into the set than you might expect. The tunes are ones you'll recognize – "Angel Eyes", "Round Midnight", and "The Way You Look Tonight" – but the real charm is what Hall and the trio do with them! LP, Vinyl record album

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Jim Hall/Ron CarterAlone Together ... LP
Milestone, 1972. Used ... Temporarily Out Of Stock
The title's an apt one, as the session features spare, unaccompanied duets between guitarist Jim Hall and bassist Ron Carter – done at a time when both players were stepping into some of their warmest, most sensitive years. Hall's especially great here – and even though he had already built a career out of working in lighter, less rhythm section-based settings, the early 70s saw him moving into even more unfettered territory – and opening up with incredibly personal, sensitive notes that danced equally well with the space around them. Titles include "St Thomas", "I'll Remember April", "Alone Together", "Softly As In A Morning Sunrise", and "Autumn Leaves". LP, Vinyl record album
(Cover has light wear.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Sonny RollinsQuartets Featurig Jim Hall ... CD
RCA/Bluebird, 1962. Used ... Temporarily Out Of Stock
A double album collecting Newk's excellent quartet recordings with Jim Hall for RCA. As such it contains work from The Bridge and What's New?, plus a few numbers that got tacked onto the Standard Sonny Rollins. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowing late 50s sessions might not expect the album to work – but instead, it sets up his playing in a whole new mode that brings out a leaner, more confident, more sophisticated solo mode that shows that his time woodshedding in retirement was well spent. 13 numbers in all, including "John S.", "The Bridge", "You Do Something To Me", "Where Are You", "Without A Song", "If Ever I Would Leave You", "Brownskin Girl", "Don't Swtop The Carnival", "The Night Has A Thousand Eyes", "My Ship", "Love Letters", "Long Ago (An Far Away)" and "God Bless the Child". CD

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Jim HallIt's Nice To Be With You – Jim Hall In Berlin ... CD
MPS/Edel (Germany), 1969. New Copy ... Out Of Stock
A wonderful album from guitarist Jim Hall – different than some of his other work, and with a slightly harder edge! The unique session has him playing in an MPS 60s mode – more straight-on than some of his more airy moments – with a sound and tone that still recalls his work with Paul Desmond or Art Farmer, but a more direct approach, and an occasional groove as well! The trio's as unique as the record – the great Jimmy Woode on bass and drums from Daniel Humair – and titles include "Blue Joe", "Romaine", "Young One For Debra", "Body & Soul", and a great version of "Up Up & Away", which soars to the sky in a way you'd never expect from Jim! CD

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Jim Hall & Pat MethenyJim Hall & Pat Metheny ... CD
Nonesuch, 1999. Used ... Out Of Stock
CD

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Jim HallJazz Guitar ... CD
Pacific Jazz/Universal (Japan), 1957. New Copy ... Out Of Stock
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at Contemporary Records, but which also has that airier style that was Hall's first great calling card on his instrument. Some of the best cuts really have the notes hanging in air with incredible grace and a very subtle sense of swing – and titles include "This Is Always", "Look For The Silver Lining", "Stella By Starlight", "Deep In A Dream", "Seven Come Eleven", and "Thanks For The Memory". CD

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallDesmond Blue (First Editions Series – with bonus tracks) ... CD
RCA/BMG, 1962. New Copy ... Out Of Stock
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". CD features 7 bonus tracks – masters and alternates, but tunes not on the album, including "Autumn Leaves", "Imagination", and "Advise & Consent". New notes, and extra photos too! CD
 
Possible matches: 53
Possible matches16
CD, LP, Vinyl record album cover art
Paul BryantBurnin' ... LP
Pacific Jazz, 1960. Very Good- ... $14.99
One of the hardest to find sessions by this obscure LA organ player, and a set of grooves that well earns the name "burnin". The group's a quartet with Jim Hall on guitar, Jimmy Bond on bass, and Jimmy Miller on drums. Tracks include "Churchin", "Blues At The Summit", "Still Searchin", and "Burnin". LP, Vinyl record album
(Original black & silver label pressing, with deep groove. Cover has some wear and half split top & bottom seams.)

Possible matches17
CD, LP, Vinyl record album cover art
Ornette ColemanComplete Science Fiction Sessions (including Broken Shadows – plus bonus tracks) ... CD
Columbia, 1972. Used 2CD ... $9.99
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from the late 50s onward, brought into tighter focus for the Columbia setting – given a bit more complexity, although still with plenty of room for freedom – and played both with a smaller combo, and a slightly larger group. The mix of players is as striking as the sounds on the record – and includes Coleman on alto, trumpet, and violin – plus Dewey Redman on tenor, Don Cherry on pocket trumpet, Bobby Bradford on trumpet, Jim Hall on guitar, Cedar Walton on piano, Charlie Haden on bass, and Billy Higgins and Ed Blackwell on drums. Asha Pulthi sings a bit on the larger ensemble tracks – making a rare appearance here before her 70s soul career in Germany – and titles include "What Reason Could I Give", "Street Woman", "The Jungle Is A Skycraper", and "All My Life". 2CD set also features all the material from the Broken Shadows album as well – plus 3 previously unissued bonus tracks. Other titles include "Happy House", "Elizabeth", "Good Girl Blues", "Broken Shadows", "Rubber Gloves", and "Written Word". CD

Possible matches18
CD, LP, Vinyl record album cover art
Ornette ColemanScience Fiction ... CD
Columbia (Japan), 1972. Used ... $9.99
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from the late 50s onward, brought into tighter focus for the Columbia setting – given a bit more complexity, although still with plenty of room for freedom – and played both with a smaller combo, and a slightly larger group. The mix of players is as striking as the sounds on the record – and includes Coleman on alto, trumpet, and violin – plus Dewey Redman on tenor, Don Cherry on pocket trumpet, Bobby Bradford on trumpet, Jim Hall on guitar, Cedar Walton on piano, Charlie Haden on bass, and Billy Higgins and Ed Blackwell on drums. Asha Pulthi sings a bit on the larger ensemble tracks – making a rare appearance here before her 70s soul career in Germany – and titles include "What Reason Could I Give", "Street Woman", "The Jungle Is A Skycraper", and "All My Life". CD
(Out of print. Includes obi.)
Also available
Science Fiction ... LP 14.99
Science Fiction (180 gram pressing) ... LP 26.99

Possible matches19
CD, LP, Vinyl record album cover art
Ornette ColemanScience Fiction ... LP
Columbia, 1972. Very Good+ ... $14.99
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from the late 50s onward, brought into tighter focus for the Columbia setting – given a bit more complexity, although still with plenty of room for freedom – and played both with a smaller combo, and a slightly larger group. The mix of players is as striking as the sounds on the record – and includes Coleman on alto, trumpet, and violin – plus Dewey Redman on tenor, Don Cherry on pocket trumpet, Bobby Bradford on trumpet, Jim Hall on guitar, Cedar Walton on piano, Charlie Haden on bass, and Billy Higgins and Ed Blackwell on drums. Asha Pulthi sings a bit on the larger ensemble tracks – making a rare appearance here before her 70s soul career in Germany – and titles include "What Reason Could I Give", "Street Woman", "The Jungle Is A Skycraper", and "All My Life". LP, Vinyl record album
(Dutch pressing.)
Also available
Science Fiction ... CD 9.99
Science Fiction (180 gram pressing) ... LP 26.99

Possible matches20
CD, LP, Vinyl record album cover art
Ornette ColemanScience Fiction (180 gram pressing) ... LP
Columbia/ORG, 1972. New Copy (reissue)... $26.99 29.99
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from the late 50s onward, brought into tighter focus for the Columbia setting – given a bit more complexity, although still with plenty of room for freedom – and played both with a smaller combo, and a slightly larger group. The mix of players is as striking as the sounds on the record – and includes Coleman on alto, trumpet, and violin – plus Dewey Redman on tenor, Don Cherry on pocket trumpet, Bobby Bradford on trumpet, Jim Hall on guitar, Cedar Walton on piano, Charlie Haden on bass, and Billy Higgins and Ed Blackwell on drums. Asha Pulthi sings a bit on the larger ensemble tracks – making a rare appearance here before her 70s soul career in Germany – and titles include "What Reason Could I Give", "Street Woman", "The Jungle Is A Skycraper", and "All My Life". LP, Vinyl record album
(Numbered limited edition of 2000!)
Also available
Science Fiction ... LP 14.99
Science Fiction ... CD 9.99

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Buddy Collette & Chico HamiltonTanganyika ... LP
Dig, 1956. Near Mint- ... $9.99
A real lost slice of work from the career of Chico Hamilton – recorded for the short-lived Dig label, owned by R&B artist Johnny Otis in the mid 50s! The group here is slightly different than Hamilton's quintet that recorded for Pacific Jazz – in that it's got a sound that's a bit less arranged, and which often opens up into some more freewheeling jazz styles at times. Buddy Collette and Jim Hall are on the session from Chico's regular group – and Buddy's really the co-leader of the set, and contributed some fantastic original tunes that are perfect for his colorful work on reeds. And the group's also got Curtis Counce on bass and Gerald Wiggins on piano – bringing a decidedly heavier groove to the record than on most 50s Hamilton work – one that's topped off by the trumpet of John Anderson, often muted but still powerful enough to make its presence known on the set. Titles include the Collette originals "It's You", "Green Dream", "Jungle Pogo Stick", "Tanganyika", and "A Walk On The Veldt" – plus other session originals "And So Is Love", "Wagnervous", and "The Blindfold Test". LP, Vinyl record album
(80s VSOP pressing. Cover has some wear.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Paul DesmondSkylark ... LP
CTI, 1974. Very Good- Gatefold ... $4.99
A stunning 70s set from the great Paul Desmond – one that has the tremendous alto player finding an even fresher groove than before – yet all without losing any of the class and control that made him so great in the 50s and 60s! Don Sebesky arranged the set, but most of the instrumentation is nice and lean – small group modes that allow Paul's alto to soar out in the lead, often alongside some excellent guitar work from Gabor Szabo and Gene Bertoncini – the latter of whom provides accompaniment that takes us back to some of Jim Hall's music with Desmond. Bob James plays a bit of piano on the record, and rhythm is by Ron Carter on bass, Jack DeJohnette on drums, and Ralph MacDonald on percussion – plus a bit of cello from George Ricci, who shades tunes in with a mighty nice sound. But as you'd guess, the main focus is on Desmond's sublime alto sax – on titles that include "Was A Sunny Day", "Take Ten", "Music For A While", and of course, "Skylark". LP, Vinyl record album
(In the heavy gloss cover.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Bill EvansInterplay ... LP
Riverside/OJC, 1962. New Copy (reissue)... $16.99 19.98
A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents. In a way, the record's one of those sessions that Riverside would sometimes do – pairing a key new voice as a leader with others in an all-star group – but in another way, it's also a return to the sound that first brought Evans' to a wider audience in the 1957 and 1958 years – when he was working in non-trio groups with more famous players – adding his unique piano stylings to their (then) better-known solo modes. The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! He's playing a bit muted here, trying to go for that Miles/Evans combination from the late 50s – but that's plenty ok with us, as we love those records a lot. Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". LP, Vinyl record album

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Bill EvansInterplay Sessions ... LP
Riverside/Milestone, 1962/1982. Near Mint- 2LP Gatefold ... $11.99
A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The core session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents. In a way, the record's one of those sessions that Riverside would sometimes do – pairing a key new voice as a leader with others in an all-star group – but in another way, it's also a return to the sound that first brought Evans' to a wider audience in the 1957 and 1958 years – when he was working in non-trio groups with more famous players – adding his unique piano stylings to their (then) better-known solo modes. The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! He's playing a bit muted here, trying to go for that Miles/Evans combination from the late 50s – but that's plenty ok with us, as we love those records a lot. Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". This double-length set also expands the original Interplay album with even more material from another group session in 1962 – a set recorded also with Philly Joe Jones on drums and Jim Hall on guitar – plus Ron Carter on bass and Zoot Sims on tenor. Titles include "Time Remembered", "Loose Bloose", "Fun Ride", "There Came You", "Fudgesickle Built For Four", and "My Bells". LP, Vinyl record album
(Cover has a small spot of residue.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Art FarmerTo Sweden With Love ... LP
Atlantic, 1964. Very Good+ ... $16.99
A really unique little album that features jazz versions of themes from Swedish folk music – all served up by a sublime quartet that features Art Farmer on flugelhorn and Jim Hall on guitar! The exploration of folk roots in jazz is not a new one – and a number of the postwar Swedish modernists were especially strong in their love of folk music for inspiration. But the genre's never been handled this well before, and Farmer's warmly lyrical sensibilities really transform the tunes – opening up a timeless sense of expression in their melodies, yet still keeping things strongly in a modern jazz vein with his timing and phrasing. The other members of the piano-less quartet certainly help in this respect – Steve Swallow on bass and Pete LaRoca on drums – and Jim Hall's guitar is always a treat in a stripped-down session like this. The sound of the record is both warm and eerie at the same time – and titles include "Va Da Du?", "De Salde Sina Hemman", "Kristallen Den Fina", and "Visa Vid Midsommartid". LP, Vinyl record album
(Red & purple label pressing. Cover has some tears, pen, and a sticker on the back paste-on.)

Possible matches26
CD, LP, Vinyl record album cover art
Stan GetzCool Velvet/Voices ... CD
Verve, 1960/1966. Used ... $9.99
Very groovy CD that brings together 2 different albums that Stan Getz cut with larger groups and more baroque orchestrations than usual. The Cool Velvet set is from 1960, and has Stan's breathy alto blowing with arrangements by Russ Garcia. The material has Garcia's usual off-kilter sense, and although the sound is a bit 50's, Getz cuts through the tracks nicely. The real treat, though, is the incredible Voices album, which has stunning arrangements by Claus Ogerman, and beautiful jazz playing by Herbie Hancock, Jim Hall, Ron Carter, and Artie Butler. We love this album to death, and it's filled with some of Getz's best playing of the 60s. Titles include "Zigeuner Song", "Infinidad", "Darling Joe", "Once", and "Nica's Dream". The whole CD's packaged beautifully, and it's got a total of 21 lovely lovely tracks! CD
(Out of print.)

Possible matches27
CD, LP, Vinyl record album cover art
Jimmy Giuffre1961 (Fusion/Thesis) (180 gram pressing) ... LP
ECM (Germany), 1961. New Copy 2LP Gatefold (reissue)... $31.99 35.99
2 amazing albums from the 2nd version of the Jimmy Giuffre 3! After working with his first combo of Bob Brookmeyer and Jim Hall during the late 50s, Giuffre hooked up with a pair of younger modernists – Paul Bley and Steve Swallow – reintroducing the piano and bass to his trio format, instruments that had been previously missing because Giuffre wanted to explore the possibilities of melodic composition freed from rhythmic constraints. With this trio, Giuffre was still working in that mode – as you'll hear on Bley and Swallow's incredibly free playing. The group's performances are not free jazz by any means, but they're a key link in that tradition – as Giuffre and crew do an excellent job of creating unconventional compositions, most of which feel like little sculptures in sound. There's a total of 20 tracks on 2LPs – and titles include "Cry, Want", "Trudgin", "Jesus Maria", "Ictus", "Sonic", "Whirrrrr", "The Gamut", "Herb & Ictus", and "Flight". Both records originally available on Verve, now repackaged by ECM. LP, Vinyl record album

Possible matches28
CD, LP, Vinyl record album cover art
Jimmy GiuffreJimmy Giuffre 3 ... LP
Atlantic, 1957. Very Good ... $29.99
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". LP, Vinyl record album
(Original black label pressing with deep groove. Cover has light wear in one corner, but is nice overall.)

Possible matches29
CD, LP, Vinyl record album cover art
Jimmy Giuffre 3Easy Way ... CD
Verve, 1959. Used ... $5.99
The Easy Way? Jimmy Giuffre never did anything the easy way – and his classic albums from the late 50s, some of the strongest modern jazz sides of the time, are a great testament to that fact! This album's one of the most obscure – and features Jimmy in his groundbreaking percussion-less trio mode – blowing tenor, clarinet, and baritone in a group with Jim Hall on guitar and Ray Brown on bass. The notes hang magically in air – still quite rhythmic, despite the freedom of the setting, but also stretching forth in an unfettered style that set the stage for countless jazz experiments to come. Titles include "Montage", "Time Enough", "Off Center", "A Dream", "Ray's Time", and "Careful". CD
(Out of print.)

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Sonny GreenwichEvol-ution, Love's Reverse ... LP
PM, 1979. New Copy ... $11.99
One of the few albums ever cut by the great Canadian guitarist Sonny Greenwich – a player who might be best known to American ears for his one recording with Hank Mobley, but who went onto make some great music of his own during the 70s! Greenwich has a style that's loose and sprightly – very uniquely his own, and shown here better than on any other record – a quality that has the single-note punch of Grant Green, but the airier vibe of Jim Hall at times – a surprising balance that comes off very well throughout. The album has Sonny in the company of PM Records labelmates Gene Perla on bass and Don Thompson on piano – plus Claude Ranger on drums – and titles include "A Day Is night To Some", "Time-Space", "Prelune", and "Nica's Dream". LP, Vinyl record album

Possible matches31
CD, LP, Vinyl record album cover art
Chico Hamilton6th Avenue Romp (LP sleeve edition) ... CD
Joyous Shout, 2006. Used ... $6.99
A unusual sort of record for Chico Hamilton – one that pays tribute to soul and blues hits from years back – but in a way that recasts most of the numbers in a jazz mode! There's relatively strong guitar on the set – not in the breezy style used by Jim Hall or Gabor Szabo on Hamilton classics from the 50s and 60s, but in a rougher-edge style with plenty of bluesy overtones – clearly underscoring the soul component of the tunes. The overall groove is still nice and fluid, in keeping with Chico's other recent work – and he even sings a bit on the set, although not much. Titles include "Cleo's Mood", "You've Really Got A Hold On Me", "Ain't No Sunshine", "Elevation", "Chicken Pox", "Strollin With Bone", "Thunderwalk", and "Gotta Make Things Right". CD

Possible matches32
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet In Hi Fi ... LP
Pacific Jazz, 1956. Near Mint- ... $18.99
One of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height of their powers here – a bit restricted, perhaps, but in the way that Hamilton was using to craft some of the more creative sounds of the 50s LA jazz scene – perfectly shaped and formed throughout! Just about every band member contributed a song and an arrangement to the album – and titles include "The Ghost", "Chrissie", "Jonalah", "Sleepy Slept Here", "Drums West", "The Squimp", and "Sleep". LP, Vinyl record album
(Nice Japanese pressing, in excellent shape!)

Possible matches33
CD, LP, Vinyl record album cover art
Chico HamiltonStar Studded Cast (aka Tanganyika) ... LP
Tampa, 1956. Very Good- ... $7.99
A real lost slice of work from the career of Chico Hamilton – recorded for the short-lived Dig label, owned by R&B artist Johnny Otis in the mid 50s! The group here is slightly different than Hamilton's quintet that recorded for Pacific Jazz – in that it's got a sound that's a bit less arranged, and which often opens up into some more freewheeling jazz styles at times. Buddy Collette and Jim Hall are on the session from Chico's regular group – and Buddy's really the co-leader of the set, and contributed some fantastic original tunes that are perfect for his colorful work on reeds. And the group's also got Curtis Counce on bass and Gerald Wiggins on piano – bringing a decidedly heavier groove to the record than on most 50s Hamilton work – one that's topped off by the trumpet of John Anderson, often muted but still powerful enough to make its presence known on the set. Titles include the Collette originals "It's You", "Green Dream", "Jungle Pogo Stick", "Tanganyika", and "A Walk On The Veldt" – plus other session originals "And So Is Love", "Wagnervous", and "The Blindfold Test". LP, Vinyl record album
(Heavy pink label Tampa pressing with deep groove. Cover has a half split top seam with a piece of clear tape at the end, and a split bottom seam with clear tape at the center.)

Possible matches34
CD, LP, Vinyl record album cover art
Lee KonitzLee Konitz Duets (Japanese pressing) ... CD
Milestone (Japan), 1967. Used ... $6.99
An interesting concept record, with Konitz approaching a variety of material, much of it written by his collaborators, in wide open duet settings. Players include Jim Hall, Joe Henderson, Elvin Jones and Richie Kamuca, and on each piece, both Konitz and his companion have loads of room to extrapolate on the base composition. Perhaps the highlight of the record is to be able to listen to Konitz wrap his warm tone around each piece, and then dance lightly around the melody. 8 numbers, including "Erb" with Jim Hall, "Checkerboard" with Dick Katz, and "You Don't Know What Love Is" with Joe Henderson. CD
(Out of print. CD case has a cutout notch.)

Possible matches35
CD, LP, Vinyl record album cover art
John Lewis/Dick Katz/Rene Urtreger/Derek SmithJohn Lewis Piano/Jazz Piano International ... CD
Collectables/Atlantic, 1958/1959. Used ... $4.99
2 lost piano jazz classics from Atlantic! The John Lewis Piano album features Lewis in small group settings, with a sound that's even more intimate than that of the MJQ. Some tracks feature Lewis' piano in duets with either Barry Galbraith or Jim Hall on guitar – and titles include "Two Lyric Pieces", "Warmeland", "Harlequin", and "D & E". The second album features Lewis presenting three modern piano players that he feels are due for larger discovery. Dick Katz was perhaps the most well-known at the time, and went onto do some other sessions for Atlantic. Rene Urtreger was a fantastic French bop player with a strong Bud Powell influence, and he's finally getting some international credit today. Derek Smith was a British player who had a nice lyrical style. All three play in small trios, and tracks include "Monsieur De..", "Fontaineblow", "36 Days", "Jeff & Jamie", and "Chelsea Bridge". CD
 
Partial matches: 20
Partial matches69
CD, LP, Vinyl record album cover art
Teddy CharlesWord From Bird ... CD
Atlantic/Collectables, 1956. Used ... $6.99
A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors – often as textural as it is jazz-based – with a level of sophistication that goes beyond even Charles key modernist work from the early 50s. Teddy's on vibes, alongside Art Farmer on trumpet, Eddie Bert on trombone, Hal Stein on alto, Don Butterfield on tuba, George Barrow on baritone, Hall Overton on piano, and Jimmy Raney on guitar – and while some tracks feature a tentet, 4 of the album's numbers feature a smaller quartet with Charles Mingus on bass! Titles include the 10 minute composition "Word From Bird" – plus "Blue Greens", "Laura", "Showtime", and "Just One Of Those Things". CD

Partial matches70
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD
Columbia (Japan), 1961. Used ... $16.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 8 tracks in all. CD
(90s Japanese pressing.)

Partial matches71
CD, LP, Vinyl record album cover art
Curtis FullerAll Star Sextets ... LP
Savoy, 1959. Near Mint- 2LP Gatefold ... $16.99
Outstanding early work from Curtis Fuller, leading a smoking small group through bop and hard bop numbers in a modernist mode like some of the best Jazztet sides Art Farmer and Benny Golson would go on to cut a few years later. Golson's featured here alongside Fuller in the front line, with either Lee Morgan or Thad Jones on trumpet, and the group filled out with a batch of top notch sidemen in the rhythm section as the title implies: Wynton Kelly, Paul Chambers, Charlie Persip, Mcoy Tyner, Jimmy Garrison and Dave Bailey. Some of the best bop sides issued on Savoy, and among the hardest to find, too! Includes "It's All Right With Me", "Arabia", "I'll Walk Alone", "Judy's Dilemma", "Wheatleigh Hall", "Kachin", "Bang Bang", "Imagination", "Blues De Funk" and "Lido Road". LP, Vinyl record album
(Cover has a promo sticker, a cut corner, a small peeled spot from price sticker removal, and some light wear.)

Partial matches72
CD, LP, Vinyl record album cover art
Bennie GreenHornful Of Soul ... CD
Bethlehem/Solid (Japan), 1960. New Copy ... $9.99
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD
Also available Hornful Of Soul (Japanese pressing) ... CD 19.99

Partial matches73
CD, LP, Vinyl record album cover art
Bennie GreenHornful Of Soul (Japanese pressing) ... CD
Bethlehem (Japan), 1960. Used ... $19.99
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD
(Out of print. Includes obi.)
Also available Hornful Of Soul ... CD 9.99

Partial matches74
CD, LP, Vinyl record album cover art
Jimmy HamiltonIt's About Time ... LP
Swingville, 1961. Very Good ... $19.99
Great straight work from Duke's clarinetist Jimmy Hamilton – a set that features Jimmy in a slightly different setting than usual – without as much Ellington inflection, and a bit more small combo groove! Players here include frequent partner Clark Terry on trumpet, plus Tommy Flanagan on piano, Wendell Marshall on bass, and Mel Lewis on drums – and tracks are nicely open, in that best Swingville way. Titles include "Nits & Wits", "Stupid But Not Crazy", "Gone With The Blues", "Two For One", and "Mr Good Blues". LP, Vinyl record album
(Heavy red label pressing with deep groove! Cover is nice too.)

Partial matches75
CD, LP, Vinyl record album cover art
Milt JacksonOpus De Funk (Milt Jackson Quartet aka Soul Pioneers/Milt Jackson Quintet/Invitation) ... LP
Prestige, 1954/1955/1962. Near Mint- 2LP Gatefold ... $5.99
A 70s double LP issue of a variety of sides Milt cut as a leader for Prestige and Riverside. The first batch of numbers were originally released as a couple of 10"s, then repackaged under various guises in LP format, and feature a slightly different take on the Modern Jazz Quartet sound of the early years – as the album features Milt Jackson's vibes in the company of MJQ bandmates Percy Heath and Connie Kay, but also includes Horace Silver on piano – in the spot normally reserved for John Lewis! The presence of Silver on piano gives a bit of a harder edge to the set, one that almost recalls some of Jackson's work on Blue Note in the early 50s, yet which is rounded out here by a few lighter and more lyrical touches on rhythm. The set includes a great reading of "Moonray", the Jackson original "Stonewall", and the tracks "Wonder Why", "I Should Care", and "My Funny Valentine". There's also 4 numbers with the same group adding Henry Boozier on trumpet, performing "Soma", "Buhaina", "Opus De Funk" and "I've Lost Your Love". The second LP is from almost a decade on, a very nice little Milt Jackson album – cut in the mode of some of his excellent soul jazz group sides from the mid 60s. This set pushes Milt past the format of much of his other work – especially that of the MJQ – as it features him in a very soulful sextet, working with Tommy Flanagan on piano, Kenny Dorham on trumpet, Jimmy Heath on tenor, Ron Carter on bass, and Connie Kay on drums. The presence of Dorham and Heath give the album a light lyrical swing that really opens things up – and there's a fair bit of modally-oriented tunes on the set that hint at the more soulful playing of most of the players in the 70s. Tracks include a great version of "Invitation", plus "The Sealer", "Poom A Loom", "Ruby", and "None Shall Wander". LP, Vinyl record album
(Cover has some light wear.)

Partial matches76
CD, LP, Vinyl record album cover art
Jimmy McPartland & Wild Bill DavisonDixieland At Carnegie Hall ... LP
Roulette, Late 50s. Very Good ... $5.99
LP, Vinyl record album
(Cover has light wear, aging and a few small spots of clear tape.)

Partial matches77
CD, LP, Vinyl record album cover art
Jack TeagardenJack Teagarden – Jazz Great ... LP
Bethlehem, 1954. Very Good ... $2.99
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". LP, Vinyl record album
(Deep groove red label pressing. Cover has white tape along the seams & opening.)

Partial matches78
CD, LP, Vinyl record album cover art
VariousBasement Bop ... CD
Hallmark (UK), 1950s. Used 2CD ... $4.99
Includes tracks by Ronnie Scott, Johnny Dankworth, Cleo Laine, Jimmy Deucher, Victor Feldman, and others. CD
(Out of print.)

Partial matches79
CD, LP, Vinyl record album cover art
Edmond HallPetite Fleur ... CD
United Artists/Mighty Quinn, 1959. Used ... Just Sold Out!
A compelling comeback set for clarinetist Edmond Hall – cut in 1959 when Chris Barber was enjoying a hit with a remake of Sidney Bechet's "Petite Fleur", which provided for a nice opportunity to get Hall back in the studio for a date under the same name! The record's got a lot more freedom than some of Hall's earlier work – with a few key longer tracks that expand upon the trad styles of earlier records, and some exceptional production that brings out the best strengths in all players. Hall's working here with Vic Dickenson, Ellis Larkins, Emmett Berry, Milt Hinton, and Jimmie Crawford – and titles include a great 9 minute "Ellington Medley", an 8 minute original titled "Off The Road", and the tunes "Don't Give Me Sympathy", "Adam & Evie", "Clarinet Marmalade", "Edmond Hall Blues", and "Petite Fleur". CD

Partial matches80
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... Temporarily Out Of Stock
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHMCD.)

Partial matches81
CD, LP, Vinyl record album cover art
✨✧ Charles MingusMingus Ah Um ... LP
Columbia, 1959. Used ... Temporarily Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album
(6 eye mono pressing with deep groove. Cover has a Demonstration stamp on back and some corner wear.)

Partial matches82
CD, LP, Vinyl record album cover art
✨✧ Charles MingusMingus Ah Um (180 gram pressing) ... LP
Columbia/Legacy, 1959. Used (reissue)... Temporarily Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album

Partial matches83
CD, LP, Vinyl record album cover art
✨✧ Sonny Rollins/Thad JonesSonny Rollins Plays/Thad Jones & His Ensemble ... CD
Fresh Sound, Early 50s. Used ... Temporarily Out Of Stock
A legendary split album from the hardbop underground of the 50s – two different sides by two different artists – both of them great! Side one features stunning work from Sonny Rollins – blowing at a level that matches his early gems for Blue Note, with that razor-sharp tone and sense of timing – and a style that's already beginning to move away from some of the more familiar conventions of bop. Sonny's tracks only include three numbers – but all are worth the price of admission – and feature Rollins on tenor with Jimmy Cleveland on trombone, Gil Coggins on piano, Wendell Marshall on bass, and Kenny Dennis on drums – on the titles "Like Someone In Love", "Sonnymoon For Two", and "Theme From Pathetique Symphony". Thad Jones really shines on side two – an early demonstration of his conception for a larger group, but done at a level that's looser than some of his big band recordings with Mel Lewis. The group features tremendous tenor from Frank Foster on two tracks that also have piano by Jimmy Jones – and one longer number features Frank Wess instead on tenor, with Henry Coker on trombone and Tommy Flanagan on piano. This lineup performs a longer "Ballad Medley" – while Foster blows on "Lust For Life" and "I Got It Thad & That Ain't Bad". CD
(Out of print.)

Partial matches84
CD, LP, Vinyl record album cover art
✨✧ Charles MingusMingus Ah Um (180 gram pressing) ... LP
Columbia, 1959. New Copy (reissue)... Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album

Partial matches85
CD, LP, Vinyl record album cover art
✨✧ Jack TeagardenJack Teagarden – Jazz Great ... CD
Bethlehem/Solid (Japan), 1954. Used ... Out Of Stock
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". CD
(Out of print. Includes obi.)
Also available Jack Teagarden – Jazz Great ... LP 2.99

Partial matches86
CD, LP, Vinyl record album cover art
✨✧ Sonny Rollins/Thad JonesSonny Rollins Plays/Thad Jones & His Ensemble (Japanese paper sleeve edition) ... CD
Period/SSJ (Japan), Mid 50s. New Copy ... Out Of Stock
A legendary split album from the hardbop underground of the 50s – two different sides by two different artists – both of them great! Side one features stunning work from Sonny Rollins – blowing at a level that matches his early gems for Blue Note, with that razor-sharp tone and sense of timing – and a style that's already beginning to move away from some of the more familiar conventions of bop. Sonny's tracks only include three numbers – but all are worth the price of admission – and feature Rollins on tenor with Jimmy Cleveland on trombone, Gil Coggins on piano, Wendell Marshall on bass, and Kenny Dennis on drums – on the titles "Like Someone In Love", "Sonnymoon For Two", and "Theme From Pathetique Symphony". Thad Jones really shines on side two – an early demonstration of his conception for a larger group, but done at a level that's looser than some of his big band recordings with Mel Lewis. The group features tremendous tenor from Frank Foster on two tracks that also have piano by Jimmy Jones – and one longer number features Frank Wess instead on tenor, with Henry Coker on trombone and Tommy Flanagan on piano. This lineup performs a longer "Ballad Medley" – while Foster blows on "Lust For Life" and "I Got It Thad & That Ain't Bad". CD

Partial matches87
CD, LP, Vinyl record album cover art
✨✧ Orchestra USA/John LewisSonorities ... LP
Columbia, Early 60s. Used ... Out Of Stock
A serious piece of jazz orchestral work – directed by John Lewis, conducted by Harold Farberman, and featuring solos by Jerome Richardson, Joe Newman, Dick Katz, and Richard Davis. The work's perhaps Lewis' most seriously avant garde on record – taking off even further from previous experiments, and featuring compositions written by Jimmy Giuffre, Hall Overton, and Teo Macero. Titles include "Sonorities For Orchestra", "Pressure", "Hex", and "The Spiritual". LP, Vinyl record album
(360 Sound stereo pressing. Cover has clear tape on the top seam, light wear, and notes in pen and pencil on back.)

Partial matches88
CD, LP, Vinyl record album cover art
✨✧ Odean PopeUniversal Sounds ... CD
Porter, 2011. Used ... Out Of Stock
Incredibly rich work from reedman Odean Pope – a player who's really come back into the limelight of late, thanks to the efforts of the Porter Records label – playing with fire and focus we haven't heard in years! The group's as strong as any that Pope ever lead in years back – a killer combo with Marshall Allan on alto sax and electronic wind instrument, Warren Smith on percussion and drums, Lee Smith on bass, and both Craig McIver and Jim Hamilton on more drums, too! The album's not as percussive-heavy as you'd guess from that lineup – because both Pope and Allen get plenty of space to do their thing, with very open, free solos – but there is a nice sense of pulse and power that comes from the drum work, too – and titles include "The Binder", "She Smiled Again", "Go Figure", "Mwalimu", and "Custody Of The American Spirit". CD
 
 
 



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