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Exact matches: 20
Exact matches1
CD, LP, Vinyl record album cover art
✨✧ Ron Carter & Jim HallTelephone ... LP
Concord, 1984. Near Mint- ... $19.99
Guitarist Jim Hall is a player who's always realized he sounds best in a small, intimate setting – whether in his 50s trio recordings with Jimmy Giuffre, or his 60s classics with Bill Hall, or his 70s experiments with bassist Ron Carter – and this live date for Concord really revives the latter, by bringing together two of the most sensitive string players in jazz for a really wonderful performance! The liveness of the setting – an introductory announcement, and some occasional applause – sometimes reminds us that the pair aren't off in a small room, creating magic on their own – but the overall focus of the material and the players' very careful sound still create this deeply personal sound that really holds us breathless. Some tracks are nice and long – and titles include "Telephone", "Indian Summer", "Chorale & Dance", "Candlelight", and "Two's Blues". LP, Vinyl record album

Exact matches2
CD, LP, Vinyl record album cover art
Bill Evans & Jim HallUndercurrent ... CD
Blue Note, Early 60s. Used ... $3.99
A legendary set from the team of guitarist Jim Hall and pianist Bill Evans – both already wonderful players on their own, but really hitting a magical sort of space here together! The record is a classic in understatement – the inevitable meeting of two players who'd both made a career out of saying more with less – and both Evans and Hall manage to make this special sort of sound when working together in such a space – spare, but never short on ideas – filled with color and tone, but never overdone. The tracks are long and dreamy, and the piano/guitar lines seem to float in the air, suspended on naught but idea and imagination. Titles include a very nice version of "Skating In Central Park", plus "Dream Gypsy", "Romain", and "Darn That Dream". CD includes four previously unissued tracks – "Stairway To The Stars", "I'm Getting Sentimental Over You", and alternate takes of "Romain" and "My Funny Valentine". CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Art Farmer/Jim HallBig Blues ... CD
CTI (Japan), 1979. New Copy ... About November 15, 2017
Sweet and subtle genius from two of the most understated players in jazz – a really great little record that makes the best of the CTI sound without tricking up the players too much! Art Farmer and Jim Hall play in a quintet with vibes by Mike Mainieri – in a style that eschews the electric funk of other CTI records, but has a similar sense of space, sound, and rhythm overall – proof that the label's groundbreaking approach didn't always have to be electrified! Tracks are quite long, and the two leaders effortlessly craft notes that magically hang in space with an airily soulful feel. Titles include wonderfully reworked versions of "Whisper Not", "A Child Is Born", and "Pavane For A Dead Princess". CD

Exact matches4
CD, LP, Vinyl record album cover art
Jim HallCommitment ... LP
A&M, 1976. Near Mint- Gatefold ... $11.99
A really beautiful little album from Jim Hall – a mid 70s gem that has him recasting his style with a wonderful sound! The album features Hall in a variety of groupings – some quite spare, and featuring only accompaniment from piano (Don Thompson or Tommy Flanagan), drums (Terry Clarke), or vocals (Jane Hall) – while a few other tracks feature Hall in a nice larger group with Flanagan on piano and Art Farmer on trumpet – playing in a warm, compressed sound that's incredibly beautiful. The tunes are all quite fresh – even on the few familiar numbers on the session – and the album's a work of subtle genius that shows why Hall was one of the greatest jazz talents on the guitar during his day! Titles inlcude "Down The Line", "Walk Soft", "One Morning In May", "Lament For A Fallen Matador", "Bermuda Bye Bye", and "When I Fall In Love". LP, Vinyl record album
(Cover has a promo stamp & an ink stamp.)

Exact matches5
CD, LP, Vinyl record album cover art
Jim HallConcierto ... CD
CTI (Japan), 1975. New Copy ... About November 15, 2017
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". CD
Also available Concierto ... LP 7.99

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Jim HallConcierto ... LP
CTI, 1975. Near Mint- ... $7.99
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". LP, Vinyl record album
(CTI 8000 series pressing in a yellow cover.)

Exact matches7
CD, LP, Vinyl record album cover art
Jim HallJim Hall Live ... CD
A&M, 1975. Used ... $4.99
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a lot of swing and imagination into such a tiny space! Hall's always had a rhythmic approach to his work, but here, playing with drummer Terry Clarke and bassist Don Thompson, he really opens into a great groove – stretching things past his usual standard, and bringing a lot more soul into the set than you might expect. The tunes are ones you'll recognize – "Angel Eyes", "Round Midnight", and "The Way You Look Tonight" – but the real charm is what Hall and the trio do with them! CD
Also available Jim Hall Live ... LP 5.99

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Jim HallJim Hall Live ... LP
A&M, 1975. Very Good+ Gatefold ... $5.99
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a lot of swing and imagination into such a tiny space! Hall's always had a rhythmic approach to his work, but here, playing with drummer Terry Clarke and bassist Don Thompson, he really opens into a great groove – stretching things past his usual standard, and bringing a lot more soul into the set than you might expect. The tunes are ones you'll recognize – "Angel Eyes", "Round Midnight", and "The Way You Look Tonight" – but the real charm is what Hall and the trio do with them! LP, Vinyl record album
(Cover has light wear and a name in marker.)
Also available Jim Hall Live ... CD 4.99

Exact matches9
CD, LP, Vinyl record album cover art
Jim Hall & David MatthewsConcierto De Aranjuez ... CD
Evidence, 1992. Used ... $4.99
... CD

Exact matches10
CD, LP, Vinyl record album cover art
Jim Hall with Tom HarrellThese Rooms (with bonus tracks) ... CD
Denon/Nippon (Japan), 1988. Used ... $28.99
Jim Hall's working here beautifully with trumpeter Tom Harrell – a player whose spacious tones are a perfect match for Jim's open, airy phrasing on the guitar – all supported beautifully by rhythms from Steve LaSpina on bass and Joey Baron on drums! Harrell plays mostly flugelhorn on the date, using the instrument with a sense of space that reminds us of that point when Art Farmer first started really opening up – but taken to even greater extremes, with very careful placement of notes that says a hell of a lot with a hell of a little! Titles include "All Too Soon", "These Rooms", "Cross Court", "Where Or When", "My Funny Valentine", and "From Now On". CD features 3 bonus tracks – "Where Or When", "My Funny Valentine", and "From Now On". CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
Jim Hall, Hoe Lovano, George Mraz, Lewis NashGrand Slam – Live at The Regattabar ... CD
Telarc, 2000. Used ... $5.99
... CD
(Out of print.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Michel Petrucciani/Jim Hall/Wayne ShorterPower Of Three ... LP
Blue Note, 1986. Near Mint- ... $14.99
A key moment in the career of pianist Michel Petrucciani – and a set that features an amazing collaboration with guitarist Jim Hall, and a fair bit of great tenor and soprano sax from Wayne Shorter too! Hall's guitar is heard on every track on the set – ringing out in those wonderfully spare, openly flowing notes he first started crafting in the 50s – a surprisingly wonderful counterpart to the piano of Petrucciani, which seems to take on an even more sensitive and evocative feel for the date. Shorter comes in on a few of the album's tracks – arcing great lines over the colors of the pair, in a way that's a bit like some of the Jimmy Giuffre experiments with Hall in the 50s – but more tuned towards Shorter's own sense of tone and timing. Titles include "Careful", "Bimini", "Morning Blues", "Limbo", and "Waltz New". LP, Vinyl record album

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Bob Brookmeyer/Jim Hall/Jimmy RaneyBrookmeyer & Guitars (aka Street Swingers) ... LP
World Pacific/Kimberley, 1958. Used ... Temporarily Out Of Stock
A beautiful guitar/trombone session that features Jim Hall, Jimy Raney, and Brookmeyer – with titles that include "Arrowhead", "Street Swingers", "Hot Buttered Noodling", "Musicale Du Jour", and "Jupiter". LP, Vinyl record album
(Blue label stereo pressing with deep groove.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Bill Evans & Jim HallIntermodulation ... CD
Verve, 1966. Used ... Temporarily Out Of Stock
A magnificent follow up to the Undercurrent album from the team of Bill Evans and Jim Hall – and like that one, a set that features amazing interplay between piano and guitar! Hall's guitar has never sounded better – and in the airy company of Evans, it takes on many of the same qualities as on his famous late 50s recordings in the Jimmy Guiffre trio. Bill's work is great too – almost more tonally focused than before, with perfectly chosen notes that resonate beautifully in this very spare space. Titles include "Jazz Samba", "All Across The City", "Angel Face", and "Turn Out The Stars". CD

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Jim HallCommitment ... CD
A&M, 1976. Used ... Temporarily Out Of Stock
A really beautiful little album from Jim Hall – a mid 70s gem that has him recasting his style with a wonderful sound! The album features Hall in a variety of groupings – some quite spare, and featuring only accompaniment from piano (Don Thompson or Tommy Flanagan), drums (Terry Clarke), or vocals (Jane Hall) – while a few other tracks feature Hall in a nice larger group with Flanagan on piano and Art Farmer on trumpet – playing in a warm, compressed sound that's incredibly beautiful. The tunes are all quite fresh – even on the few familiar numbers on the session – and the album's a work of subtle genius that shows why Hall was one of the greatest jazz talents on the guitar during his day! Titles inlcude "Down The Line", "Walk Soft", "One Morning In May", "Lament For A Fallen Matador", "Bermuda Bye Bye", and "When I Fall In Love". CD
Also available Commitment ... LP 11.99

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Ben Webster & Jim HallBen Webster At The Renaissance (with bonus tracks) ... CD
Contemporary/OJC, 1960. Used ... Out Of Stock
A previously unreleased live date from late in the career of Ben Webster – recorded at The Renaissance in Hollywood in 1960, but unissued until nearly 25 years later! The group features Jim Hall on guitar, Jimmy Rowles on piano, Red Mitchell on bass, and Frank Butler on drums – and tracks are all longish, and live-feeling – with that sense of fragility that marked some of Webster's later recordings in this mode, and even further deepened the humanity in his tone. And while the recording quality is definitely "live" at times, Ben's tone comes through loud and clear – different than on some of the tighter Verve recordings of a few years before, but in a way that's really great. Titles include "Georgia On My Mind, "Caravan", "Stardust", and "Ole Miss Blues". CD features 4 more bonus tracks – "Gone With The Wind", "What Is This Thing Called Love", "Mop Mop", and "Renaissance Blues". CD

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Jim HallIt's Nice To Be With You – Jim Hall In Berlin ... CD
MPS (Japan), 1969. New Copy ... Out Of Stock
A wonderful album from guitarist Jim Hall – different than some of his other work, and with a slightly harder edge! The unique session has him playing in an MPS 60s mode – more straight-on than some of his more airy moments – with a sound and tone that still recalls his work with Paul Desmond or Art Farmer, but a more direct approach, and an occasional groove as well! The trio's as unique as the record – the great Jimmy Woode on bass and drums from Daniel Humair – and titles include "Blue Joe", "Romaine", "Young One For Debra", "Body & Soul", and a great version of "Up Up & Away", which soars to the sky in a way you'd never expect from Jim! CD
(K2 HD Pro Mastering pressing!)

Exact matches18
CD, LP, Vinyl record album cover art
Ruby BraffRuby Braff With Hank Jones & Jim Hall – Complete Recordings (Ruby Braff Goes Girl Crazy/You're Getting To Be A Habit With Me/Easy Now) ... CD
Warner/Gambit (Spain), 1958/1961. Used ... $9.99
Laidback and lovely trumpet work from the legendary Ruby Braff – heard here in the company of pianist Hank Jones, and recorded in a very intimate small group setting! The bulk of the CD features material from Ruby's excellent Ruby Braff Goes Girl Crazy album for Warner Brothers – a recasting of the Gershwin score as an instrumental vehicle for Braff, Jones, Al Cohn, and Jim Hall – all played in a mellow and open-handed style that brings a new sense of swing to the tunes! Rhythm is by George Duvivier or Bob Haggart on bass, and Buzzy Drootin on drums – and titles include "Embraceable You", "Treat Me Rough", "But Not For Me", "I Got Rhythm", and "Bidin My Time". 4 more tracks on the CD are pulled from the album You're Getting To Be A Habit With Me – again with Jones on piano, plus Mundell Lowe on guitar – on titles that include "When Your Lover Has Gone", "Let's Do It", and "Taking A Chance On Love". Last up are 5 more tunes from the album Easy Now – with Roy Eldridge also on trumpet, plus Jones and Lowe again – on the tracks "Yesterdays", "Someday You'll Be Sorry", "Give My Regards To Broadway", "Willow Weep For Me", and "This Is My Lucky Day". CD
(Out of print.)

Exact matches19
CD, LP, Vinyl record album cover art
Sonny RollinsQuartets Featurig Jim Hall ... CD
RCA/Bluebird, 1962. Used ... $5.99
A double album collecting Newk's excellent quartet recordings with Jim Hall for RCA. As such it contains work from The Bridge and What's New?, plus a few numbers that got tacked onto the Standard Sonny Rollins. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowing late 50s sessions might not expect the album to work – but instead, it sets up his playing in a whole new mode that brings out a leaner, more confident, more sophisticated solo mode that shows that his time woodshedding in retirement was well spent. 13 numbers in all, including "John S.", "The Bridge", "You Do Something To Me", "Where Are You", "Without A Song", "If Ever I Would Leave You", "Brownskin Girl", "Don't Swtop The Carnival", "The Night Has A Thousand Eyes", "My Ship", "Love Letters", "Long Ago (An Far Away)" and "God Bless the Child". CD
(Out of print.)

Exact matches20
CD, LP, Vinyl record album cover art
Billie & De De Pierce/Jim Robinson's New Orleans BJazz At Preservation Hall 2 ... LP
Atlantic, 1963. Near Mint- ... $2.99
Some of the best-recorded work to ever come from the Preservation Hall scene in New Orleans – one of Atlantic Records' great 60s albums of material from the legendary venue! Side one features a small combo led by trombonist Jim Robinson – a group with a great gutbuckety groove, thanks to banjo, bass, and drums on the rhythms – and graces with some especially nice clarinet by Louis Cottrell in the lead with Jim. Titles include "Gettysburg March", "You Tell Me Your Dream", and "My Bucket's Got A Hole In It". Side two features the classic group of trumpeter Joseph De De Pierce and pianist Billie Pierce – in a lineup that has George Lewis on clarinet and Louis Nelson on trombone. Titles include "Shine", "San", "Ciribiribin", and "Shake It & Break It". LP, Vinyl record album
(White label promo.)
 
Possible matches: 51
Possible matches21
CD, LP, Vinyl record album cover art
Bob BrookmeyerTrombone Jazz Samba ... LP
Verve, 1962. Near Mint- Gatefold ... $11.99
An overlooked gem from Bob Brookmeyer – and a set that fits in strongly with the other Verve Records bossa nova albums of the 60s! Bob's the center star on valve trombone, but the record's awash in work from other great Verve talents too – a tight small group that features Gary McFarland on vibes, Jim Hall and Jimmy Raney on guitars, and Willie Bobo on drums – alongside some added percussion that really helps keep the bossa spirit strong! Tunes have that spare, soulful crackle that you'd find in the Stan Getz bossa sessions for Verve – except that trombone is the lead solo instrument here – and titles include "A Felicidade", "Col Bogey Bossa Nova", "Blues Bossa Nova", "Qual E O Po", "Chara Tu Tristeza", and "Samba De Orfeu". LP, Vinyl record album
(Nice original pressing! Cover has some very light wear and a small sticker on the back.)
Also available Trombone Jazz Samba/Samba Para Dos ... CD 11.99

Possible matches22
CD, LP, Vinyl record album cover art
Bob Brookmeyer/Lalo SchifrinTrombone Jazz Samba/Samba Para Dos ... CD
Verve (Germany), 1962. New Copy ... $11.99 18.98
Pure genius throughout – two great albums on a single CD! Trombone Jazz Samba is an overlooked gem from Bob Brookmeyer – and a set that fits in strongly with the other Verve Records bossa nova albums of the 60s! Bob's the center star on valve trombone, but the record's awash in work from other great Verve talents too – a tight small group that features Gary McFarland on vibes, Jim Hall and Jimmy Raney on guitars, and Willie Bobo on drums – alongside some added percussion that really helps keep the bossa spirit strong! Tunes have that spare, soulful crackle that you'd find in the Stan Getz bossa sessions for Verve – except that trombone is the lead solo instrument here – and titles include "A Felicidade", "Col Bogey Bossa Nova", "Blues Bossa Nova", "Qual E O Po", "Chara Tu Tristeza", and "Samba De Orfeu". Samba Para Dos is a great lost groover on Verve – recorded during the heyday of the label's bossa years with Stan Getz! The record features Bob Brookmeyer fronting a large group arranged and conducted by Lalo Schifrin – soloing over the top, while Lalo comes up with sparkling bossa-tinged grooves that are in the spirit of his best soundtrack work of the mid 60s. Brookmeyer's playing is great too – very different than his sparer, modernist work on other records – and very much in the tradition of Brazilian trombone players who were a key force in bossa jazz at the time. The set includes one long original, "Samba Para Dos", plus shorter standards like "My Funny Valentine", "What Kind Of Fool Am I", and "I Get A Kick Out Of You" – all taken in great jazzy bossa versions! CD
Also available Trombone Jazz Samba ... LP 11.99

Possible matches23
CD, LP, Vinyl record album cover art
Gary BurtonSomething's Coming/Groovy Sound Of Music/Time Machine ... CD
RCA/BGO (UK), 1964/1965/1966. New Copy 2 CDs ... $14.99
A trio of excellent Gary Burton albums from the 60s – collected together in a single set! Something's Coming is the launch of vibist Gary Burton as a leader – a force in jazz that would continue strongly for decades to come! At the time of the record, Burton had already been making waves as a session player on the Nashville scene – where RCA had some especially strong ears – but he's launched here in a mode that's quite far from those roots, and already filled with those modern, chromatic modes that would have Burton pushing the sound of the vibes forward strongly throughout his career – even on an early record like this! The group is very like-minded, and well-chosen – players who are spacious and modern, but never too much so – a quartet with Jim Hall on guitar, Chuck Israels on bass, and Larry Bunker on drums. Titles include "Melanie", "Careful", "Six Improvisatory Sketches", "Something's Coming", and "Little Girl Blue". Next up is a very cool take on the music of Sound Of Music – handled with some help from arranger Gary McFarland, in a way that really unlocks the modal potentials of the tunes! As you might expect from the revolutionary vibist Gary Burton, the approach here is quite different than the usual jazz album of Broadway material – and instead, both Burton and McFarland do a heck of a lot to open up the coolest potential of the songs – as they bring in other hip players who include Bob Brookmeyer on trombone, Phil Woods on alto, Joe Puma on guitar, and Steve Swallow on bass. Titles include "An Ordinary Couple", "Sixteen Going On Seventeen", "Do Re Mi", "Edelweiss", and a great take on "My Favorite Things". Time Machine is filled with beautiful sounds from Gary Burton – a seminal 60s session that really has the vibist coming into his own, and finding that new path towards musical expression that would flower even more strongly in the 70s! The album has Burton really strengthening up his sense of chrome – matching the boldness of other important 60s vibes players on the rise – like Karel Velebny or Bobby Hutcherson – but also working this really special magic in the way he lets each note resonate in the air – often with a much longer decay on the sound than the actual moment of its creation! Burton also plays a bit of piano on the record, overdubbed with his vibes – but in a way that's quite different than the vibes/piano combo of earlier acts – like the MJQ, or George Shearing Quintet – thanks to work from Steve Swallow on bass and Larry Bunker on percussion. Tracks include "Six Nix Quix Flix", "The Sunset Bell", "Deluge", "Chega De Saudade", and "Falling Grace". CD

Possible matches24
CD, LP, Vinyl record album cover art
Teddy CharlesRussia Goes Jazz ... LP
United Artists, 1964. Very Good+ ... $11.99
A great little record – one that keeps up the high standards set by Teddy Charles' earlier work! The set has a bit of a goofy gimmick – in that it takes work by Russian composers (Stravinsky, Korsakoff, Borodin), and makes it swing with a jazzy groove. But because Charles is working here with "the all stars" – a group of players that includes Jimmy Giuffre, Jim Hall, Howard McGhee, Zoot Sims, and Jerome Richardson – he's got more than enough talent to make the whole thing work wonderfully. The album reminds us a lot of some of Richardson's work for United Artists from the 60s – with a slightly goofy edge, but incredible playing throughout, and a good commitment to swinging hard. Titles include "Borodin Bossa Nova", "Lullaby Of The Firebird", "Scherezade Blue", "Dance Arabe", "Etude", and "Love For Three Oranges March". LP, Vinyl record album
(Mono pressing. Cover is stained and flaky on the bottom 3 inches, with a split bottom seam.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Eric DolphyVintage Dolphy ... LP
GM Recordings, 1962/1963. Near Mint- ... $9.99
Some of the most striking Eric Dolphy work we've ever heard – a set of live performances from the years 1962 and 1962 that feature Dolphy in a free-thinking mode that surpasses even the modernism of his classic studio sides! The recordings feature Dolphy amidst a variety of players – including a number of unlikely suspects like Barry Galbraith, Eddie Costa, and Jim Hall – and although some of the tracks have a moody and introspective third stream quality (3 of the numbers are written by Gunther Schuller), others are quite open, and almost have an ESP-like intensity. One longer title is a jam session take on Charlie Parker's "Donna Lee" – recorded with a lineup that includes Phil Woods, Nick Travis, Benny Golson, Don Ellis, and Lalo Schifrin! Other titles include "Iron Man", "Half Note Triplets", "Densities", and "Night Music". LP, Vinyl record album
(80s pressing.)

Possible matches26
CD, LP, Vinyl record album cover art
Bill EvansComplete Bill Evans On Verve (18CD set) ... CD
Verve (Italy), 1960s. New Copy 18CD ... $56.99
A real treasure trove of music from the legendary Bill Evans – the complete recordings the pianist made for Verve Records in the 60s, including trio sessions, solo material, and interesting larger projects as well – plus alternate takes, unissued material, and lots more gems! Evans hit Verve at the height of his powers – already coming off important early records for the Riverside label, and working with Verve with superb recording quality, and great care for Evans as an artist – which allowed Bill to further flower in his familiar trio setting, and also try out solo recordings, and work with other co-leaders who include arranger Gary McFarland, tenorist Stan Getz, guitarist Jim Hall, and singer Monica Zetterlund – all of whom work closely with Evans on a session. The box features remastering for all sides, and includes over 250 tracks in a really overstuffed package! CD

Possible matches27
CD, LP, Vinyl record album cover art
Bill EvansGreen Dolphin Street ... CD
Milestone, 1959/1962. Used ... $6.99
Lost Bill Evans material from his tremendous early run on Riverside Records – sessions recorded in 1959, but unreleased to the public for many years! The core of the record features Evans working with Paul Chambers on bass and Philly Joe Jones both rhythm players that Bill interacted with while working in the Miles Davis group, and a strongly-voiced team to echo the sense of space and timing that was the particular Evans touch in the early days. Why these tracks never came out is a real mystery to us – because Bill's still very much at the top of his game, despite having not liked the material at the time of recording – and the Chambers/Jones rhythm section give the tunes a very solid focus throughout. Titles include "You & The Night & The Music", "My Heart Stood Still", "On Green Dolphin Street", "How Am I To Know", and 2 takes of "Woody N You". Added to that number is a really surprising bonus – a 1962 recording of "Loose Bloose", done with Jim Hall on guitar and Zoot Soms on alto – making for one of those rare non-trio dates by Evans! CD

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Bill Evans & Lee KonitzBill Evans & Lee Konitz Play The Arrangements Of Jimmy Giuffre (Lee Konitz Meets Jimmy Giuffre/You & Lee) ... CD
Verve/Lonehill (Spain), 1959. Used ... $4.99
An amazing convergence of talents – one that took place in 1959, for Verve Records, and which featured work by some of the greatest modernists of the late 50s! The CD features work from 2 different Verve albums – Lee Konitz Meets Jimmy Giuffre and You & Lee – both of which features arrangements from Giuffre, then making big waves with his pianoless trio format for the label (and Atlantic) – but who's working here in a larger setting that still showcases his marvelously fluid conception of sound. The first set features twin altos by Konitz and Hal McKusic, alongside tenors by Warne Marsh and Ted Brown, with baritone sax by Jimmy, and incredibly subtle piano work by Bill Evans. The next session features Giuffre taking an even stronger hand in arrangements, but letting Konitz step out even more as the lead soloist – working within a larger horn group that features work by Billy Byers, Eddie Bert, and Ernie Royal. Bill Evans only plays on 4 of these tunes, with Jim Hall sliding in on guitar for the remainder – but that shift is ok with us, as it only further displays the Giuffre magic at the time! 17 tracks in all – with titles that include "Palo Alto", "Cork N Bib", "Uncharted", "Sompn Outa Nothin", "Darn That Dream", "I Didn't Know About You", "I'm Getting Sentimental Over You", and "You Are Too Beautiful". CD

Possible matches29
CD, LP, Vinyl record album cover art
Art FarmerInteraction ... CD
Atlantic (Japan), 1963. Used ... $7.99
A magnificent set from the team of Art Farmer and Jim Hall – one of those rare pairings in jazz that somehow comes off sounding even way better than the sum of its parts – and that's saying a lot, given that the parts here are already pretty darn great! Farmer's flugelhorn and Hall's guitar create these wonderful shapes in sound – softly coming together with a vibe that's very modern, yet also soulful – gently swinging while still experimenting – with a combination that's completely wonderful! Think of Bob Brookmeyer and Clark Terry, or Bill Evans and Jim Hall – and you'll be somewhere in the territory of these magically unique sounds – augmented with some gentle rhythm work by Steve Swallow on bass and Walter Perkins on drums. Titles include "By Myself", "Days Of Wine & Roses", "Sometime Ago", and "My Kinda Love". CD

Possible matches30
CD, LP, Vinyl record album cover art
Art FarmerInteraction ... LP
Atlantic, 1963. Near Mint- ... $23.99
A magnificent set from the team of Art Farmer and Jim Hall – one of those rare pairings in jazz that somehow comes off sounding even way better than the sum of its parts – and that's saying a lot, given that the parts here are already pretty darn great! Farmer's flugelhorn and Hall's guitar create these wonderful shapes in sound – softly coming together with a vibe that's very modern, yet also soulful – gently swinging while still experimenting – with a combination that's completely wonderful! Think of Bob Brookmeyer and Clark Terry, or Bill Evans and Jim Hall – and you'll be somewhere in the territory of these magically unique sounds – augmented with some gentle rhythm work by Steve Swallow on bass and Walter Perkins on drums. Titles include "By Myself", "Days Of Wine & Roses", "Sometime Ago", and "My Kinda Love". LP, Vinyl record album
(High quality Japanese pressing – with insert!)

Possible matches31
CD, LP, Vinyl record album cover art
Art FarmerLive At The Half Note ... CD
Atlantic (Japan), 1963. New Copy ... $9.99
Beautiful work from the legendary Art Farmer – sounds from a time when the trumpeter was really coming into his own, and finding a way to carve out a special space for himself in modern jazz! The sounds here are fresh, but never overstated – blown with that compact mode that makes Farmer's phrasing so distinct, and set up here with a perfect quartet that features Jim Hall on guitar, Steve Swallow on bass, and Walter Perkins on drums. All players are masters of understatement – and the band is sort of a perfect extension of some of Jimmy Guiffre's earlier work on Atlantic with Hall – as they've perfected a simple style that leaves the instrumental solos floating in air, interacting with each other in subtle complex ways that never cease to amaze. Tracks are longer than on some of the studio albums by the group – and titles include "Swing Spring", "I Want To Be Happy", and "What's New". CD
(SHM-CD pressing!)

Possible matches32
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreJimmy Giuffre 3 (Jazzlore) ... LP
Atlantic, 1957. Near Mint- ... $14.99
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". LP, Vinyl record album
(80s Jazzlore pressing.)

Possible matches33
CD, LP, Vinyl record album cover art
Jimmy GiuffreJimmy Giuffre 3/Music Man ... CD
Collectables, 1957/1958. Used ... $3.99
Another nice 2-in-1 from Collectables that brings to light some fantastic jazz from the Atlantic catalog! The album Jimmy Giuffre 3 is beautiful trio material by Jimmy Giuffre, featuring his group with Ralph Pena on bass and Jim Hall on guitar. The sound is out of this world, and the notes just hang lightly in air, interacting with each other in a way that's freed from the rhythmic constraints of the typical piano/drum pulse. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". The Music Man is a bit more standard, and features Giuffre leading a large group (with Al Cohn, Joe Wilder, Art Farmer, and others) through tracks from the Music Man score – like "It's You", "Wells Fargo", "Gary, Indiana", and "Till There Was You". It's goofy, but with some nice solo moments. 20 tracks in all, and full reproductions of the original cover art. CD

Possible matches34
CD, LP, Vinyl record album cover art
Jimmy GiuffreJimmy Giuffre Quartet In Person ... LP
Verve, 1960. Very Good- ... $18.99
Pivotal work from the great Jimmy Giuffre – a live performance that's wonderfully poised between the spare, subtle sound of his late 50s trio, and some of his freer work to come in the 60s! The group here features frequent partner Jim Hall on guitar, as well as the great Buell Niedlinger on bass and Billy Osborne on drums – the latter of whom gives the record a slightly different sound than usual, considering that Giuffre often didn't work with a drummer! The drums bring in a bold sense of rhythm at times – creating a pulse that's taken up strongly by Giuffre on either tenor sax or clarinet – and followed by some of those wonderfully round basslines that Niedlinger was known for at the time. Other moments have the drums dropping out almost altogether – letting Hall's guitar guide the rhythm most strongly in that naturally swinging unison he developed with Jimmy on the pair's previous trio dates. Tracks are all longish, and quite exploratory – but never as free as Giuffre would sound a year later – and tunes include "The Crab", "We See", "Two For Timbuctu", "The Quiet Time", and "What's New". LP, Vinyl record album
(Verve Inc pressing, with trumpeter logo and deep groove. Cover has split seams lined with clear tape.)

Possible matches35
CD, LP, Vinyl record album cover art
Jimmy GiuffreWestern Suite ... CD
Atlantic (Japan), 1958. New Copy ... $9.99
One of the best-ever Jimmy Giuffre albums! Jimmy's playing here in his classic piano-less trio format, in a group with Jim Hall on guitar and Bob Brookmeyer on trombone. The group was perhaps his best, and they achieve a perfect blend of free-flowing improvised lines, while still managing to retain a jazz swing (something that didn't always happen on Giuffre's other records). The centerpiece of the set is the extended "Western Suite" (don't be fooled by the name, because there's no sort of "Country & Western" tinge to it), and the record also includes beautiful long versions of "Blue Monk" and "Topsy". The whole thing is one of the most amazing jazz records ever recorded, and has an insane array of tones, colors, and sound shapes. CD
(SHM-CD pressing!)

Possible matches36
CD, LP, Vinyl record album cover art
Jimmy Giuffre 3Easy Way ... CD
Verve, 1959. Used ... $6.99
The Easy Way? Jimmy Giuffre never did anything the easy way – and his classic albums from the late 50s, some of the strongest modern jazz sides of the time, are a great testament to that fact! This album's one of the most obscure – and features Jimmy in his groundbreaking percussion-less trio mode – blowing tenor, clarinet, and baritone in a group with Jim Hall on guitar and Ray Brown on bass. The notes hang magically in air – still quite rhythmic, despite the freedom of the setting, but also stretching forth in an unfettered style that set the stage for countless jazz experiments to come. Titles include "Montage", "Time Enough", "Off Center", "A Dream", "Ray's Time", and "Careful". CD
(Out of print. No booklet.)

Possible matches37
CD, LP, Vinyl record album cover art
✨✧ Chico Hamilton6th Avenue Romp (LP style sleeve) ... CD
Joyous Shout, 2006. Used ... $6.99
A unusual sort of record for Chico Hamilton – one that pays tribute to soul and blues hits from years back – but in a way that recasts most of the numbers in a jazz mode! There's relatively strong guitar on the set – not in the breezy style used by Jim Hall or Gabor Szabo on Hamilton classics from the 50s and 60s, but in a rougher-edge style with plenty of bluesy overtones – clearly underscoring the soul component of the tunes. The overall groove is still nice and fluid, in keeping with Chico's other recent work – and he even sings a bit on the set, although not much. Titles include "Cleo's Mood", "You've Really Got A Hold On Me", "Ain't No Sunshine", "Elevation", "Chicken Pox", "Strollin With Bone", "Thunderwalk", and "Gotta Make Things Right". CD

Possible matches38
CD, LP, Vinyl record album cover art
Ken Hanna & His OrchestraJazz For Dancers ... LP
Capitol, 1955. Very Good ... $3.99
A lesser-known gem from the Stan Kenton Presents series for Capitol in the 50s – not as all-out modern as some of Stan's other productions, and with a sweetly swinging sound that's mighty nice! Ken Hanna's orchestra definitely has an ear for the west coast way of putting together the horns – nicely complex at points, with some definite contemporary ideas – yet Hanna's also always interested in the groove, too, and really keeps things in the "for dancers" spirit of the title! Musicians include Hanna and Art Depew on trumpets, Roy Main and Stan Malley on trombones, Jay Cooper and Dick Houlgate on alto, Bob Hardaway on tenor, and Bart Caldarell on soprano sax and tenor – plus a bit of guitar from Jim Hall, piano from Joe Felix, bass from Ralph Pena, and drums from Mel Lewis. Sherli Sonders sings on "Lullaby Of The Leaves" and "I Can't Believe That You're In Love With Me" – and other instrumental tracks include "Trumpicale", "Patent Pending", "Shake Down", "Bogota", and "Smoky Joe". LP, Vinyl record album

Possible matches39
CD, LP, Vinyl record album cover art
✨✧ Hampton HawesAll Night Session Vol 2 ... LP
Contemporary, 1956. Near Mint- ... Just Sold Out!
A noteworthy session from pianist Hampton Hawes – a rare quartet session from the 50s (at a time when Hawes was mostly working in trios) – and also a three volume set of releases, all recorded in the space of a single night! The album is truly an All Night Session – as the material here was recorded during the night of November 12 and early morning hours of November 13, 1956 – with an unusual group that features Hawes on piano, Red Mitchell on bass, Bruz Freeman on drums, and Jim Hall on guitar! Hall's ringing tones are a perfect partner for Hawes' light approach to the keys – and the relaxed, extended nature of the recording has both players really opening up on some of the album's longish tracks. Titles on this volume include "I'll Remember April", "I Should Care", "Woody'N You", "Two Bass Hit", "Will You Still Be Mine", "April In Paris" and "Blue 'N Boogie". LP, Vinyl record album
(Yellow label 70s pressing.)

Possible matches40
CD, LP, Vinyl record album cover art
Paul JeffreyWatershed ... CD
Mainstream/Solid (Japan), 1973. Used ... $9.99
An unusual sort of setting for tenor saxophonist Paul Jeffrey – an overlooked player from the east coast scene of the early 70s, and one who only cut a handful of records at the time! The date features Jack Wilkins on guitar, playing with these bright chromatic hues next to Jeffrey's sharper horn – a pairing that makes for an unusual sound, despite a familiar quartet setting – one that's even different from other matches of this nature, such as the work between Sonny Rollins and Jim Hall! Jeffrey's clearly got some bop roots here, but also opens up in other directions too – and the group features Thelonious Monk Jr on drums and Richard Davis on bass – on titles that include "Brand X", "Moon Madness", "Brand New Day", and "Minor Scene". CD
(Includes obi.)
Also available Watershed ... CD 13.99
 
Partial matches: 27
Partial matches72
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreMusic Man ... LP
Atlantic, Late 50s. Used ... Out Of Stock
The Music Man, made different – thanks to very fresh arrangements from Jimmy Giuffre – heard here in one of his few large group sessions for Atlantic Records! The music is all from the score of the famous show, but Giuffre really reworks things with some sharp modern jazz edges – inventive rhythms from bassist Wendell Marshall and drummer Ed Shaugnessy – and no use of piano at all, which allows for plenty of free play in the horn section – which features Giuffre on tenor, clarinet, and baritone – plus Al Cohn and Eddie Wasserman on tenor, Joe Wilder and Phil Sunkel on trumpets, and Sol Schlinger on baritone sax. Without any vocals, and with Jimmy's unique structures, these tunes take on some very fresh styles – and titles include "Marian The Librarian", "The Wells Fargo Wagon", "Iowa Stubborn", "Gary Indiana", and "It's You". LP, Vinyl record album
(Original black label pressing with deep groove.)

Partial matches73
CD, LP, Vinyl record album cover art
Marian BruceHalfway To Dawn ... LP
Riverside, 1958. Very Good ... $19.99
One of the more obscure vocal albums ever recorded by Riverside – with a great small group that features Joe Wilder on trumpet, Jimmy Jones on piano, Everett Barksdale on guitar, and Al Hall on bass. No drums – which should give you an idea of the mood of the set! (Vocalists, Jazz) LP, Vinyl record album
(Small blue label Bill Grauer pressing, with microphone logo & deep groove. Cover is in great shape. Vinyl has a very short click on one track.)

Partial matches74
CD, LP, Vinyl record album cover art
Kenny Burrell5 Original Albums (Introducing/Kenny Burrell/Blue Lights Vols 1 & 2/Five Spot Cafe) (5CD set) ... CD
Blue Note (Germany), Late 50s. New Copy 5CD ... $16.99
An amazing early run of music from guitarist Kenny Burrell – five albums in a single package, each with LP-style covers! First up is his Blue Note debut – Introducing Kenny Burrell – arguably one of the greatest Kenny Burrell albums ever! Unlike some of Kenny's other sessions, which hide his guitar in arrangements that are a bit too complicated – this one's a nicely stripped-down album that sets his hollow electric in a group with Tommy Flanagan on piano, Paul Chambers on bass, Kenny Clarke on drums, and Candido on conga. The tracks are nicely laidback, and Kenny hits some nice deep grooves on cuts like "Fugue N Blues", "Takeela", and "Delilah". Plus, the album also includes a totally cool percussion-only track – "Rhythmorama", which is a duet between Kenny Clarke and Candido! Next is the self-titled Kenny Burrell – Blue Note 1543 – early genius from Kenny – a set that features the guitarist sounding beautiful in a variety of settings, all of them great! The format really mixes things up nicely – almost showing a more diverse Kenny than in later years – as one track is solo, and the others feature quartet, quintet, and sextet lineups – with players who include JR Monterose or Frank Foster on tenor, Tommy Flanagan or Bobby Timons on piano, Oscar Pettiford or Sam Jones on bass, Kenny Dorham on trumpet, and Kenny Clarke or Shadow Wilson on drums. The solo track is a great version of "But Not For Me" – and other titles include "Mexico City", "Cheeta", "Phinupi", and "Now See How You Are". Next are the two records that make up Blue Lights Vols 1 & 2 – material that catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, Junior Cook and Tina Brooks tenor, Louis Smith trumpet, and Art Blakey on Drums. The cuts have a very open-ended blowing session feel, and Kenny comes through surprisingly well, really picking up steam on a way you don't always hear in more restrained recordings. Titles include "Yes Baby", "Scotch Blues", "Rock Salt", "Chuckin", "Phinupi", and "Caravan". Last up is On View At The Five Spot Cafe – a smoking live session, and one that's got a bit more of an edge than some of his other records from the time! Kenny's guitar still has that impeccable tone throughout – but it's also matched by some wonderful tenor from the great Tina Brooks – making one of his few key Blue Note appearances here – in a massively cooking group that also features some piano from Bobby Timmons on three of the album's five tracks (Roland Hanna plays on the two others) – plus drums from Art Blakey, and bass from Ben Tucker – a pair wo work together wonderfully to create some really great grooves. Kenny himself seems to pick up great energy in the setting – and titles include "Lady Be Good", "Birk's Works", "36-23-36", and "Hallelujah". CD

Partial matches75
CD, LP, Vinyl record album cover art
Terry GibbsHootenanny My Way ... CD
Time/Solid (Japan), 1963. New Copy ... $11.99
A hip hootenanny from vibist Terry Gibbs – hardly the folksy set you might guess from the title, and instead a lively batch of small combo tunes that grooves better than most of Gibbs' work from the 60s! Most tracks are of traditional origin – folk tunes, if you will – but the jazz inflections of the group quickly takes them bast their roots, using the core melodies mostly as a framework for improvisation – featuring great vibes from Gibbs, plus tenor and flute from Al Epstein, guitar from Jimmy Raney, and piano from Alicir McLeod. Terry's vibes are nice and bold, and titles include "Michael", "Joshua", "John Henry", "Greensleeves", "Tom Dooley", and "Sam Hall". CD

Partial matches76
CD, LP, Vinyl record album cover art
Milt JacksonInvitation ... LP
Riverside, 1962. Very Good+ ... $6.99
A very nice little Milt Jackson album – cut in the mode of some of his excellent soul jazz group sides from the mid 60s. This set pushes Milt past the format of much of his other work – especially that of the MJQ – as it features him in a very soulful sextet, working with Tommy Flanagan on piano, Kenny Dorham on trumpet, Jimmy Heath on tenor, Ron Carter on bass, and Connie Kay on drums. The presence of Dorham and Heath give the album a light lyrical swing that really opens things up – and there's a fair bit of modally-oriented tunes on the set that hint at the more soulful playing of most of the players in the 70s. Tracks include a great version of "Invitation", plus "The Sealer", "Poom A Loom", "Ruby", and "None Shall Wander". LP, Vinyl record album
(OJC pressing. Cover has light wear & a name in marker.)

Partial matches77
CD, LP, Vinyl record album cover art
✨✧ Jason SteinLucille ... CD
Delmark, 2017. New Copy ... Just Sold Out!
Brilliant modernism from Chicago reedman Jason Stein – a set that draws strong energy from the work of Lennie Tristano, but also instantly grabs us with a bold statement of Stein's own genius as well! The group features Stein on bass clarinet, and Keefe Jackson on contrabass clarinet and tenor – horns that are often presented in counterpoint, tangling around each other beautifully – but always in a way that inspires further flights of sound – ala Jimmy Giuffre on the thinner reeds. There's no piano in the group – just deft drums by Tom Rainey and bass by Josh Abrams – and the intersection of Stein and Jackson is breathtaking throughout! Titles include Tristano-era gems "Marshmallow", "April", and "Wow" – plus versions of "Dexterity" and "Little Rootie Tootie" – and Stein's own "I Know You Were", "Ryder's Uncle Dragon", and "Halls & Rooms". CD
Also available Lucille ... LP 12.99

Partial matches78
CD, LP, Vinyl record album cover art
✨✧ Jason SteinLucille ... LP
Delmark, 2017. New Copy ... $12.99 15.99
Brilliant modernism from Chicago reedman Jason Stein – a set that draws strong energy from the work of Lennie Tristano, but also instantly grabs us with a bold statement of Stein's own genius as well! The group features Stein on bass clarinet, and Keefe Jackson on contrabass clarinet and tenor – horns that are often presented in counterpoint, tangling around each other beautifully – but always in a way that inspires further flights of sound – ala Jimmy Giuffre on the thinner reeds. There's no piano in the group – just deft drums by Tom Rainey and bass by Josh Abrams – and the intersection of Stein and Jackson is breathtaking throughout! Titles include Tristano-era gems "Marshmallow", "April", and "Wow" – plus versions of "Dexterity" and "Little Rootie Tootie" – and Stein's own "I Know You Were", and "Halls & Rooms". LP, Vinyl record album

Partial matches79
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✨✧ Wayne ShorterShorter Moments ... LP
Trip/Vee Jay, 1959. Used 2LP ... Temporarily Out Of Stock
A nice little 2 LP set – one that combines tracks from Shorter's albums for the Vee Jay label – firey little soulbop sets that were cut at the end of the 50s, in the years before his work on Blue Note, when he was cutting it hard with Art Blakey's group! The feel fo the music here is quite similar to that of Blakey at the time – and one group features Lee Morgan, Wynton Kelly, Paul Chambers, and Jimmy Cobb; while the other includes Freddie Hubbard, Eddie Higgins, Jymie Merritt, and Marshall Thompson. Tracks include many originals – with titles that include "Dead End", "Devil's Island", "Pug Nose", "Black Diamond", "Wayning Moments", "Powder Keg", and "Harry's Last Stand". LP, Vinyl record album
(Cover has light wear.)

Partial matches80
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✨✧ Larry YoungYoung Blues ... CD
New Jazz/OJC, 1960. Used ... Temporarily Out Of Stock
An early classic from organist Larry Young – cut before his groundbreaking Blue Note work, in a style that's more straightforward soul jazz, but still pretty darn great! Larry's working in a group that features Jimmy Smith's frequent partner, Thornel Schwartz, on guitar – plus bass by Wendell Marshall, and drums by Jimmy Smith (a different musician than the organist!) Although there's less of the modal grooving of Larry's later years, the tracks still have a nicely off-center feel – with some great angular playing, and a great way of constructing the solos that pushes Larry away from other heavier organists of the time. Tracks include "African Blues", "Nica's Dream", "Minor Dream", and "Midnight Angel". Nice stuff! CD

Partial matches81
CD, LP, Vinyl record album cover art
✨✧ Pee Wee Russell QuartetAsk Me Now! ... CD
Impulse, 1965. Used ... Out Of Stock
A record that will blow your mind – way different than you might expect from the cover! Sure, Pee Wee was a bit of a traditionalist on his instrument – the clarinet – but he's working here in a starkly modern way that almost recalls some of the best 50s work of Jimmy Guiffre, or some of the earlier sides by Steve Lacy. There's still a swing-based approach to the tunes, but they're handled in a spare style that features equal interplay between Russell, trombonist Marshall Brown, bassist Russell George, and drummer Ronnie Bedford – a great player who really makes the album sparkle! The tracks include a couple of Thelonious Monk titles – "Ask Me Now!" and "Hackensack" as well as a couple of Marshall Brown originals – "Licorice Stick" and "Calypso Walk". Other titles are Ornette Coleman's "Turnaround", Coltrane's "Some Other Blues" and Ellington's "Prelude To A Kiss". CD
(Out of print.)

Partial matches82
CD, LP, Vinyl record album cover art
✨✧ Stan Getz5 Original Albums (West Coast Jazz/In Stockholm/Steamer/Cool Sounds/Stan Meets Chet) (5CD set) ... CD
Verve (Germany), Late 50s. New Copy 5 CDs ... Out Of Stock
Five classic Stan Getz albums for Verve – all in a special package, in little LP-styled covers! First up is West Coast Jazz – a classic pairing of the tenor of Stan Getz and the gentle rhythms of the LA scene of the 50s – and a record that stands up beautifully over the years! Tracks are all a bit longish, and the group features Lou Levy on piano, Leroy Vinnegar on bass, and Shelly Manne on drums – plus Conte Candoli on trumpet, somewhat in the frontline, but never in a way that overshadows Stan's tenor. The album's got a great David Stone Martin cover – and titles include "East Of The Sun (West Of The Moon)," "Four," "Night In Tunisia," and "Summertime." Stan Getz In Stockholm allows Stan to showcase his affection for a jazz scene that had been growing strongly in the postwar years – often in directions that were similar to Stan's own sound at the time! The session is one of the first to pair Stan's tenor with a Swedish group – in this case the bass of Gunnar Johnson, drums of Anders Burman, and piano of Bengt Hallberg – the last of which brings sharper, more angular style to the music than some of Stan's accompanists on earlier American dates – pointing the way towards new experiments to come in his music! Next is Steamer – not a word that we'd necessarily think to use with the gently flowing tenor tone of Stan Getz – but that doesn't stop the album from being a great one, and perhaps in Getz-like terms, it might well have a bit more steam than usual! The album features Getz in a quartet with a nicely flowing groove – nicely vamping piano from Lou Levy in the background on most numbers, and a definite edge in the lead tenor solos – still blown with the warmth of earlier Getz recordings, but perhaps showing some of the modern flourishes to come. Bass is by Leroy Vinnegar and drums are by Stan Levey – and titles include "Blues For Mary Jane", "There'll Never Be Another You", and "You're Blase". Cool Sounds features a range of unusual material recorded over a three year period with a variety of different players! Some of the dates here definitely fit the "cool sounds" title of the record – in that they feature Getz with the west coast lineup of Lou Levy on piano, Shelly Manne on drums, and Leroy Vinnegar on bass – heard more famously on Stan's West Coast album of the same time. But other sides feature a different grouping – with Jimmy Rowles on piano, Bobby Whitlock on bass, and Max Roach on drums – offering up a different side of the west coast altogether. And still others take things back to more of an east coast modern style – by featuring either Tony Fruscella on trumpet or Bob Brookmeyer on trombone, in groups with John Williams on piano. The mix of material makes for a nicely-rounded portrait of Getz's talents in the mid 50s years! Last up is Stan Meets Chet – Stan Getz meets Chet Baker – A classic meeting of these two talents – recorded in Chicago with a Chicago rhythm section of Jodie Christian, Victor Sproles, and Marshall Thompson. The album's an odd one, and is recorded with less of the impeccability of some of Verve's other sessions (which is probaby how the Chicago team got in the action) – but given Baker's harder-edged proclivities at the time, the set's a very interesting one to hear, and the relaxed nature of the tracks brings out some important solo moments from both players. 4 long tracks – including "I'll Remember April", "Jordu", and "Half-Breed Apache". CD

Partial matches83
CD, LP, Vinyl record album cover art
✨✧ Quincy JonesSwedish-American All Stars (10 inch LP) ... LP
Prestige, 1953. Used ... Out Of Stock
A crucial postwar meeting of jazz talents from both sides of the Atlantic – sides done by Quincy Jones while in tour in Europen, featuring American soloists Art Farmer and Jimmy Cleveland alongside Swedish up-and-comers Lars Gullin, Arne Domnerus, Bengt Hallberg, and Ake Persson. Titles have a crackling modern feel, and the solos really get plenty of space to state their case – on 4 tracks that include "Pogo Stick", "Liza", "Jones Bones", and "Sometimes I'm Happy". LP, Vinyl record album
(The second side is very slightly off-center, but played fine for us. Cover has some light wear and aging.)

Partial matches84
CD, LP, Vinyl record album cover art
✨✧ VariousColor Line – African American Artists & Segregation 1916 to 1962 (3CD set) ... CD
Fremeaux & Associates (France), 1910s/1920s/1930s/1940s/1950s/Early 60s. New Copy 3 CDs ... Out Of Stock
An incredible document of racial inequality in mid-Century America – a 3CD set that brings together blues, jazz, soul, and music in other styles – all to illustrate the lack of opportunity and freedom for African-Americans in the US! You've no doubt heard some of these songs before – classic blues numbers, or important jazz vocal tracks – but together, they deliver a hell of a lot more power than on their own – a total of 60 songs that underscore the long, hard journey towards Civil Rights – a path that's still not finished even all these many years later, which makes the theme of these songs still so important. The work spans the teens through the sixties – and titles include "Jim Crow" by The Union Boys, "Parchman Farm Blues" by Bukka White, "Minstrel & The Queen" by The Impressions, "We Shall Overcome" by Guy Carawan, "Working Man" by Bo Diddley, "Better Git It In Your Soul" by Charles Mingus, "The Alabama Bus (parts 1 & 2)" by Brother Will Hairston, "Jim Crow Train" by Johs White, "Brown Skin Girl" by Lloyd Prince Thomas, "Hard Road Blues" by Floyd Dixon, "High Society" by Monk Hazel, "The American Woman & The West Indian Man" by Sam Manning, "Ethiopia Shall Stretch Forth Her Hands Onto God" by Marcus Garvey, "Low Society" by Ray Charles, "Kiyakiya" by Babatunde Olatunji, "Ancient Aethiopia" by Sun Ra, "Tarzan Of Harlem" by Cab Calloway, "Old Alabama" by BBE, and "Chicago High Life" by Earl Hines. CD

Partial matches85
CD, LP, Vinyl record album cover art
Miles DavisManchester Concert – Complete 1960 Live At The Free Trade Hall (with bonus tracks) ... CD
Lonehill (Spain), 1960/1963. Used 2 CDs ... $11.99
Quite an interesting slice of Miles Davis – live material from the brief time when Sonny Stitt was working with the Davis group in 1960! The pairing of Miles & Sonny has been heard a bit more famously (although still relatively obscurely) on a similar live set from Sweden, recorded around the same time – but this batch of tracks is from an even rarer date in Manchester – cut at the Free Trade Hall, on September 27, 1960. Stitt's working here with the group that included Paul Chambers, Wynton Kelly, and Jimmy Cobb on rhythm – and the tracks are mostly longish, with a few shorter numbers that are often focused most strongly on Miles' presence as lead soloist. Titles include "All Blues", "All Of You", "Walkin", "Autumn Leaves", "So What", "Stardust", and 2 takes of "Four". Added to these numbers are 3 more bonus tracks from a 1963 St Louis date that features George Coleman on tenor, with the Davis quintet that included Herbie Hancock, Ron Carter, and Tony Williams. These tracks are all quite long, and include "I Thought About You", "All Blues", and "Seven Steps To Heaven". CD
(Out of print.)

Partial matches86
CD, LP, Vinyl record album cover art
✨✧ John Marshall with Grant StewartWaltz For Worms ... CD
Organic (Germany), 2009. New Copy ... Out Of Stock
Tenorist Grant Stewart joins trumpeter John Marshall on this mighty nice session – a record that really lives up to Marshall's other strong dates for the Organic Records label, and which really makes the best of Stewart's talents too! John's got a sense of soulful vision that's sometimes like Lee Morgan on Blue Note during the second half of the 60s – a soaring sensibility in his solos, and a rhythmic way of making the whole group move – a style that really seems to bring out the best in Stewart's tone, as the pair move through a set of tracks penned by Clifford Jordan, Tom McIntosh, Jimmy Heath, and others. Titles include "Bearcat", "The Highest Mountain", "With Malice Towards None", "Waltz For Worms", "Bye Ya", "Out Of The Blue", and "Bro Slim". CD

Partial matches87
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✨✧ Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... About December 6, 2017
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD

Partial matches88
CD, LP, Vinyl record album cover art
Donald ByrdFancy Free ... LP
Blue Note, 1969. Very Good- ... $19.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". LP, Vinyl record album
(Original Liberty pressing with a Van Gelder stamp. Cover has some wear & staining.)

Partial matches89
CD, LP, Vinyl record album cover art
Charlie ChalmersSax & The Single Girl ... LP
Chess, 1967. Very Good- ... $14.99
An obscure record with a silly title – but a seminal batch of southern soul instrumentals, recorded at the height of the Muscle Shoals scene! The record's a really odd one in the Chess catalog – because it's got the feel of a record that should have come out on Atlantic or Capitol, or more appropriately Fame – as Rick Hall arranged and produced the record, and it features instrumentation by all his best Fame Studios session players, including Charlie Chalmers and Andrew Love on tenor, Gene Miller and Wayne Jackson on trumpet, Jimmy Johnson guitar, Spooner Oldham on piano, Carl Banks on organ, and Roger Hawkins on drums. Chalmers handles the main solo lines on tenor – cutting nice King Curtis-y lines over some well crafted southern soul grooves with a strong funky 45 feel. There's some particularly great cuts on the album – and titles include "Night Rumble", "Velvet Soul", "Groovin", "Soulin", "Two In The Morning", and "Poppin". (Soul, Jazz) LP, Vinyl record album
(Blue label mono pressing. Cover has ring & edge wear.)

Partial matches90
CD, LP, Vinyl record album cover art
Teddy CharlesWord From Bird ... CD
Atlantic/Koch, 1956. Used ... $5.99
A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors – often as textural as it is jazz-based – with a level of sophistication that goes beyond even Charles key modernist work from the early 50s. Teddy's on vibes, alongside Art Farmer on trumpet, Eddie Bert on trombone, Hal Stein on alto, Don Butterfield on tuba, George Barrow on baritone, Hall Overton on piano, and Jimmy Raney on guitar – and while some tracks feature a tentet, 4 of the album's numbers feature a smaller quartet with Charles Mingus on bass! Titles include the 10 minute composition "Word From Bird" – plus "Blue Greens", "Laura", "Showtime", and "Just One Of Those Things". CD
(Out of print. Barcode has a cutout hole.)
Also available Word From Bird ... LP 19.99

Partial matches91
CD, LP, Vinyl record album cover art
Teddy CharlesWord From Bird ... LP
Atlantic, 1956. Good ... $19.99
A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors – often as textural as it is jazz-based – with a level of sophistication that goes beyond even Charles key modernist work from the early 50s. Teddy's on vibes, alongside Art Farmer on trumpet, Eddie Bert on trombone, Hal Stein on alto, Don Butterfield on tuba, George Barrow on baritone, Hall Overton on piano, and Jimmy Raney on guitar – and while some tracks feature a tentet, 4 of the album's numbers feature a smaller quartet with Charles Mingus on bass! Titles include the 10 minute composition "Word From Bird" – plus "Blue Greens", "Laura", "Showtime", and "Just One Of Those Things". LP, Vinyl record album
(Black label pressing with deep groove. Cover has some wear & marker. Vinyl plays with clicks & crackles.)
Also available Word From Bird ... CD 5.99
 
 
 



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