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Exact matches: 13
Exact matches1
CD, LP, Vinyl record album cover art
Ron Carter & Jim HallLive At Village West ... CD
Concord, 1984. Used ... $9.99
CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
Charlie Haden & Jim HallCharlie Haden/Jim Hall ... CD
Blue Note/Impulse, 1990. New Copy ... $13.99 14.98
Beautiful duets between guitarist Jim Hall and bassist Charlie Haden – recorded here in a previously-unissued live date from 1990 – with sublime sound throughout! Both players really open up when given the right sort of space – and find wonderful harmony together here – ways of brilliantly augmenting the strengths of each other, while also allowing for plenty of individual expression as well. The tracks are all quite long, and the record has this mellifluous quality that makes it a real standout in the catalog of both artists – a great reminder of Haden at his most intimate, and one of a handful of important duo recordings from Hall. Titles include "Down From Antigua", "First Song", "Turnaround", "Bemsha Swing", "In The Moment", "Skylark", and "Big Blues". CD

Exact matches3
CD, LP, Vinyl record album cover art
Jim Hall & Enrico PieranunziDuologues ... CD
CAM (Italy), 2005. Used ... $8.99
CD

Exact matches4
CD, LP, Vinyl record album cover art
George Shearing & Jim HallFirst Edition ... CD
Concord, 1982. Used ... $19.99
CD
(Out of print.)

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Jim HallJim Hall Live ... LP
A&M, 1975. Used Gatefold ... Temporarily Out Of Stock
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a lot of swing and imagination into such a tiny space! Hall's always had a rhythmic approach to his work, but here, playing with drummer Terry Clarke and bassist Don Thompson, he really opens into a great groove – stretching things past his usual standard, and bringing a lot more soul into the set than you might expect. The tunes are ones you'll recognize – "Angel Eyes", "Round Midnight", and "The Way You Look Tonight" – but the real charm is what Hall and the trio do with them! LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Jim HallConcierto ... LP
CTI, 1975. Used Gatefold ... Out Of Stock
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". LP, Vinyl record album
(Cover has a cut corner & some wrinkles in the glossy finish.)

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Jim HallIt's Nice To Be With You – Jim Hall In Berlin ... CD
MPS/Edel (Germany), 1969. New Copy ... Out Of Stock
A wonderful album from guitarist Jim Hall – different than some of his other work, and with a slightly harder edge! The unique session has him playing in an MPS 60s mode – more straight-on than some of his more airy moments – with a sound and tone that still recalls his work with Paul Desmond or Art Farmer, but a more direct approach, and an occasional groove as well! The trio's as unique as the record – the great Jimmy Woode on bass and drums from Daniel Humair – and titles include "Blue Joe", "Romaine", "Young One For Debra", "Body & Soul", and a great version of "Up Up & Away", which soars to the sky in a way you'd never expect from Jim! CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Jim HallWhere Would I Be? ... CD
Milestone/OJC, 1971. Used ... Out Of Stock
One of the hippest albums we've ever heard from guitarist Jim Hall – a set of free-thinking, open-ended tracks that show him really expanding his horizons at the end of the 60s! The album's drenched in Jim's warm, chromatic tones – whether gently played on a few mellow numbers, or falling over themselves like cascading water on the more upbeat tunes. The record's got some great drums and percussion from Airto, plus piano by Benny Aronov, who also plays electric on a few tracks as well. Titles include a great version of "Vera Cruz", plus "Minotaur", "Simple Samba", "Careful", "Where Would I Be", and "Goodbye My Love". CD

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Zoot Sims, Jim Raney, & Jim HallOtra Vez (aka Two Jims & Zoot) ... LP
Mainstream, 1964. Used Gatefold ... Out Of Stock
Nice mid 60's session that stands as one of Raney's strongest from the decade, and a tight quintet performance by a group that includes Jim Hall on second guitar, Zoot Sims on tenor, Steve Swallow on bass, and Osie Johnson on drums. The tracks are fairly standard, but there's a lot of nice Brazilian titles like "A Primera Vez", "Presente De Natal", "Este Seu Olhar", and "Coisa Mais Linda". Raney's tone is nice and deep, as always, with a good heavy sound on the lower strings. LP, Vinyl record album
(Cover has light wear.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Jim HallJazz Guitar ... CD
Pacific Jazz/Universal (Japan), 1957. New Copy ... Out Of Stock
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at Contemporary Records, but which also has that airier style that was Hall's first great calling card on his instrument. Some of the best cuts really have the notes hanging in air with incredible grace and a very subtle sense of swing – and titles include "This Is Always", "Look For The Silver Lining", "Stella By Starlight", "Deep In A Dream", "Seven Come Eleven", and "Thanks For The Memory". CD

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallComplete Recordings Of Paul Desmond With Jim Hall (4CD set) ... CD
Mosaic, Early 60s. Used 4CDs ... Out Of Stock
Ahhh . . . The genius of Paul Desmond and Jim Hall! Desmond was the icy alto tone behind Dave Brubeck's legendary quartet of the late 50s and early 60s – and although we always liked his work with Dave, Paul's even better on his own! Desmond has a lanquid, lyrical tones that's simply beyond compare – and in the right setting, he crafts these snaking, inching, arcing lines that take the alto sax to a whole new level of expression. In these sides with guitarist Jim Hall, he's certainly in the right setting – as modernist Hall, fresh from work with the Jimmy Guiffre 3, really helps set the mode on these recordings, painting colors with a subtle brush, filling in spaces ever so gently as Desmond angles his way around tunes that have an increasingly Latin bent to them. The first album in the set features tracks from Desmond's rare 1959 Warner Brothers album , plus an obscure tune ("Susie") that was only ever issued on a 1959 Playboy compilation. The remaining 5 LPs feature tracks from Desmond's sublime RCA sessions from the early 60s - sparely recorded with only bass and drums behind work by him and Hall. Titles include "All Across The City", "East Of The Sun", "Greensleeves", "Rude Old Man", "Samba Cantina", "Two Degrees East, Three Degrees West", "Samba De Orfeu", and loads more. CD
(Out of print, and in nice shape.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallDesmond Blue (First Editions Series – with bonus tracks) ... CD
RCA/BMG, 1962. New Copy ... Out Of Stock
A cool jazz classic from altoist Paul Desmond and guitarist Jim Hall! The album was recorded under Desmond's name, but Hall's the guitarist throughout, and his playing lends an indescribably wonderful edge to the set, making the album a real team effort! Unlike other RCA sides by Hall and Desmond, this one features the pair with larger string backings by Bob Prince, which create a dreamy pillow for alto and guitar to solo across. Titles include the Desmond originals "Late Lament" and "Desmond Blue" – plus "Ill Wind", "My Funny Valentine", and "Like Someone In Love". CD features 7 bonus tracks – masters and alternates, but tunes not on the album, including "Autumn Leaves", "Imagination", and "Advise & Consent". New notes, and extra photos too! CD

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Jim HallJazz Guitar ... CD
Pacific Jazz, 1957. Used ... Out Of Stock
A rare early trio set from Jim Hall – especially noteworthy because Jim rarely worked in the format as a leader! The album's got Hall working with Carl Perkins on piano and Red Mitchell on bass – in a mode that slightly recalls some of Barney Kessel's mid 50s recordings over at Contemporary Records, but which also has that airier style that was Hall's first great calling card on his instrument. Some of the best cuts really have the notes hanging in air with incredible grace and a very subtle sense of swing – and titles include "This Is Always", "Look For The Silver Lining", "Stella By Starlight", "Deep In A Dream", "Seven Come Eleven", and "Thanks For The Memory". CD
(Out of print.)
 
Possible matches: 41
Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Paul BryantBurnin' ... LP
Pacific Jazz, 1960. Very Good- ... $14.99
One of the hardest to find sessions by this obscure LA organ player, and a set of grooves that well earns the name "burnin". The group's a quartet with Jim Hall on guitar, Jimmy Bond on bass, and Jimmy Miller on drums. Tracks include "Churchin", "Blues At The Summit", "Still Searchin", and "Burnin". LP, Vinyl record album
(Original black & silver label pressing, with deep groove. Cover has some wear and half split top & bottom seams.)

Possible matches15
CD, LP, Vinyl record album cover art
Paul DesmondTake Ten (plus bonus tracks) ... CD
RCA, 1963. New Copy ... $5.99 6.98
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". CD also features alternate takes of "Embarcadero" and "El Prince". CD

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Bill EvansInterplay ... LP
Riverside/OJC, 1962. New Copy (reissue)... $16.99 19.98
A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents. In a way, the record's one of those sessions that Riverside would sometimes do – pairing a key new voice as a leader with others in an all-star group – but in another way, it's also a return to the sound that first brought Evans' to a wider audience in the 1957 and 1958 years – when he was working in non-trio groups with more famous players – adding his unique piano stylings to their (then) better-known solo modes. The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! He's playing a bit muted here, trying to go for that Miles/Evans combination from the late 50s – but that's plenty ok with us, as we love those records a lot. Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". LP, Vinyl record album
Also available Interplay ... LP 79.99

Possible matches17
CD, LP, Vinyl record album cover art
Bill EvansInterplay ... LP
Riverside, 1962. Very Good ... $79.99
A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents. In a way, the record's one of those sessions that Riverside would sometimes do – pairing a key new voice as a leader with others in an all-star group – but in another way, it's also a return to the sound that first brought Evans' to a wider audience in the 1957 and 1958 years – when he was working in non-trio groups with more famous players – adding his unique piano stylings to their (then) better-known solo modes. The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! He's playing a bit muted here, trying to go for that Miles/Evans combination from the late 50s – but that's plenty ok with us, as we love those records a lot. Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". LP, Vinyl record album
(Blue label Bill Grauer pressing with a deep groove. Cover has some wear, with a promo ink stamp, name in marker, and some small tears on the back paste-on.)
Also available Interplay ... LP 16.99

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Stan GetzCool Velvet/Voices ... CD
Verve, 1960/1966. Used ... $9.99
Very groovy CD that brings together 2 different albums that Stan Getz cut with larger groups and more baroque orchestrations than usual. The Cool Velvet set is from 1960, and has Stan's breathy alto blowing with arrangements by Russ Garcia. The material has Garcia's usual off-kilter sense, and although the sound is a bit 50's, Getz cuts through the tracks nicely. The real treat, though, is the incredible Voices album, which has stunning arrangements by Claus Ogerman, and beautiful jazz playing by Herbie Hancock, Jim Hall, Ron Carter, and Artie Butler. We love this album to death, and it's filled with some of Getz's best playing of the 60s. Titles include "Zigeuner Song", "Infinidad", "Darling Joe", "Once", and "Nica's Dream". The whole CD's packaged beautifully, and it's got a total of 21 lovely lovely tracks! CD
(Out of print.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Stan GetzWhat The World Needs Now – Stan Getz Plays Bacharach & David ... CD
Verve, 1966. Used ... $6.99
Stan Getz meets Burt Bacharach – a heavenly combination that brings together two of our most favorite musical talents of the 60s! And while we're at it, we'd also like to mention a third – Chicago soul arranger Richard Evans, who handles all the backdrops for this set – bringing in a groove that you might not expect for tunes by Burt Bacharach – not exactly Charles Stepney at Cadet, but not far, either – a perfect setting for the sparkling, lyrical tone that Getz was hitting at this point in his career. The tunes are familiar, but the blend of talents really keeps things fresh – and with extra contributions from Herbie Hancock on piano and Jim Hall on guitar, you can bet there's plenty going on here. Titles include "Wives & Lovers", "Windows Of The World", "House Is Not A Home", "Walk On By", and "Trains & Boats & Planes". CD
(Out of print.)

Possible matches20
CD, LP, Vinyl record album cover art
Sonny GreenwichEvol-ution, Love's Reverse ... LP
PM, 1979. New Copy ... $11.99
One of the few albums ever cut by the great Canadian guitarist Sonny Greenwich – a player who might be best known to American ears for his one recording with Hank Mobley, but who went onto make some great music of his own during the 70s! Greenwich has a style that's loose and sprightly – very uniquely his own, and shown here better than on any other record – a quality that has the single-note punch of Grant Green, but the airier vibe of Jim Hall at times – a surprising balance that comes off very well throughout. The album has Sonny in the company of PM Records labelmates Gene Perla on bass and Don Thompson on piano – plus Claude Ranger on drums – and titles include "A Day Is night To Some", "Time-Space", "Prelune", and "Nica's Dream". LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
Chico HamiltonSpectacular (aka Chico Hamilton Quintet Featuring Buddy Collette) ... LP
World Pacific, 1955/Mid 60s. Near Mint- Gatefold ... $4.99
A 60s repackaging of classic early stuff by Chico Hamilton, featuring a set of the kind of west coast chamber jazz arrangements that made him a huge hit with the crowds in LA. The group features Buddy Collette, Jim Hall, and Fred Katz – and titles include "The Sage", "A Nice Day", "Buddy Boo", and "Spectacular". Also includes "Free Form", which is totally improvised – although in a way that's very different from any 60's track that would have the same sort of name! LP, Vinyl record album
(Cover has light wear.)

Possible matches22
CD, LP, Vinyl record album cover art
John LewisJohn Lewis Piano ... LP
Atlantic, 1957. Very Good- ... $14.99
One of the strongest sessions recorded by pianist John Lewis in the 50s – a date that shows depths of his talents that run even greater than his work with the Modern Jazz Quartet, quite possibly because is work on piano is at the forefront of the record throughout! There's a sense of darkness here that really fits the image on the cover – a style that's stated clearly on piano lines that are often as spacious as they are gentle, but which also have a moodier undercurrent below, thanks to Lewis' careful choice of keys and notes. The backing is often quite spare – Lewis sometimes plays just with Connie Kay's drums, or the guitar of either Jim Hall or Barry Galbraith – and at its fullest, the record features 2 trio numbers with the bass of Percy Heath and drums of Connie Kay. Tracks are lyrically and thoughtfully composed – and titles include "Two Lyric Pieces", "Harlequin", "D&E", "Little Girl Blue", and "Warmeland". LP, Vinyl record album
(Black label pressing with the "Long Playing Unbreakable" logo and deep groove. Cover has light wear and light peeling on the spine and some marking in pen and marker on the back.)

Possible matches23
CD, LP, Vinyl record album cover art
Yoshiaki Masuo111 Sullivan Street ... CD
East Wind (Japan), 1975. New Copy ... $13.99
One of the only albums we've ever seen from Japanese guitarist Yoshiaki Masuo – and an unusual record that features very small, spare groupings – either solo, or with some slight accompaniment from a set of musicians that includes Bob Mover on alto, Bob Cranshaw on bass, and David Lee on drums! The approach is almost like Jim Hall at his mellow best – although Masuo's got a different style on the instrument, but one that's open and expressive, even when laidback – so that there's plenty of color and life throughout, even at the gentler moments. The pairing of Mover's alto with guitar is especially nice – and titles include "Swing 42", "Reminiscence", "West Side Highway", and "Washington Square Blues". CD

Possible matches24
CD, LP, Vinyl record album cover art
Red MitchellRejoice! (LP sleeve reissue) ... CD
Pacific Jazz/LP Time (Spain), 1961. Used ... $21.99
Brilliant work from one of the most important forces on the LA scene of the 50s – and one of the few early albums Red Mitchell cut under his own name! The album's a live set that has Red playing jazz cello – mostly plucking the instrument like a bass, with the great Jimmy Bond handling the real bass work on the set in the rhythm section! Given Bond's usual ability to make a session groove, the sound here is plenty darn nice throughout – a romping, vamping sort of style that's got a much deeper feel than you might expect from an album of jazz cello. The rest of the group includes Frank Strazzeri on piano, Frank Butler on drums, and Jim Hall on guitar – the last of whom matches notes nicely with Mitchell, almost in a grittier take on west coast jazz counterpoint. Titles include "Jim's Blues", "Rejoice", "Black Eyed Peas", and "Night In Tunisia". CD
(Out of print. Includes Spanish obi.)

Possible matches25
CD, LP, Vinyl record album cover art
Modern Jazz QuartetThird Stream Music ... LP
Atlantic, 1957. Very Good ... $9.99
A seminal album that defined the fresh sound of a whole new generation in jazz – that "third stream" movement that was different from the cool jazz of the west coast, and the fire of New York! The style here follows that same mix of jazz and higher-concept elements you'd hear on other Modern Jazz Quartet albums for Atlantic – but the music is expanded here with some great help from outside parties too. The Jimmy Giuffre trio join the quartet on most of side one – adding in Jimmy's snakey clarinet and Jim Hall's fluid guitar lines for a really fresh take on the MJQ groove. The remainder of the album brings in the Beaux Arts String Quartet – who shade in the mix of vibes and piano with these dark strains that are really beautiful – and bring even more drama than usual to the music. Titles include "Da Capo", "Fine", "Exposure", "Sketch", and "Conversation". LP, Vinyl record album
(French pressing, with all French titles. Cover has some wear.)

Possible matches26
CD, LP, Vinyl record album cover art
Jack MontroseBlues & Vanilla ... LP
RCA, 1956. Very Good+ ... $11.99
A standout session from Jack Montrose – one of the most overlooked players on the west coast scene of the 50s! Montrose's tenor work is always a treat, but here, he's playing in an unusual setting that includes Red Norvo on vibes, Joe Maini on alto sax, and Jim Hall on guitar – all working with Jack on a set of tunes that have the tight arrangements of his work on Atlantic and Pacific Jazz – yet which also open up with some interesting instrumental twists that break the mold a bit! Side one of the set features the 18 minute tune "Concertino Do Camera" – a nicely extended track that offers plenty of room for solo work – and the other shorter tracks still offer up strong solos too – on titles that include "Bernie's Tune", "A Dandy Line", "Bockhanal", and "For The Fairest". LP, Vinyl record album
(Original copy – in great shape!)

Possible matches27
CD, LP, Vinyl record album cover art
Gerry MulliganButterfly With Hiccups ... LP
Limelight, 1962. Good+ Gatefold ... $5.99
Strange title, but a nice little record from Gerry Mulligan – one that has him working with a small group that often features a piano, and which has a light airy feel that's a bit bossa in the nicest parts! The record is one of a few gems that Mulligan cut in the 60s – with a playful feel that moves past the academicism of some of the 50s work, and which manages to pick up a bit of soul on the way. The group includes Art Farmer, Bob Brookmeyer, Jim Hall, and Dave Bailey – and tracks include "The Ant Hill", "Crazy Day", "Butterfly With Hiccups", and the haunting "Theme For Jobim". LP, Vinyl record album
(Deep groove pressing in a cool gatefold cover with fold-out booklet (part of which has separated). Cover has wear, aging, a small name in marker, and split top & bottom seams.)

Possible matches28
CD, LP, Vinyl record album cover art
Joe PassIntercontinental ... CD
MPS/Polydor (Japan), 1970. Used ... $19.99
One of the grooviest records we've ever heard from guitarist Joe Pass – a sweet European session for MPS, and one with a very different feel than some of his US recordings! The setting's a trio, with a feel that's more open than some of Joe's pop-jazz sets from the 60s – and the rhythms are warmly fluid, in ways that allow Pass to play some great open-handed solos that spin out wonderfully – hanging softly in air, almost with Jim Hall-like qualities, although a bit more inside overall. The rest of the group features Eberhard Weber on bass and Kenny Clare on drums – and titles include a great version of "Ode To Billy Joe", plus "Chloe", "I Love You", "Joe's Blues", "Watch What Happens", and "El Gento". CD
(Out of print, includes obi.)

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Jimmy RaneyTwo Jims & Zoot (LP sleeve pressing) ... CD
Mainstream/LP Time (Spain), 1964. Used ... $18.99
Wonderful work from guitarist Jimmy Raney – easily one of his standout sets of the 60s, and a record that features some great second guitar from Jim Hall! The pairing of guitars makes for a really unique sort of sound – one that's more languidly flowing than some of Raney's previous work, in ways that opens up with some tremendous tones and colors throughout – almost a guitar-based version of the sort of groove that Clark Terry and Bob Brookmeyer got with their horns while recording for Mainstream at the time. The presence of Zoot Sims on tenor is also a great factor of the record – and there's almost a gentle bossa nova influence going on here, but one that's touched with more modern elements too – in ways that really transform the sound of Sims' horn. Other players in the group include Steve Swallow on bass and Osie Johnson on drums – and titles include"A Primera Vez", "Presente De Natal", "Este Seu Olhar", "Betaminus", "Move It", "All Across The City", and "Coisa Mais Linda". CD
(Out of print. Includes Spanish obi.)

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Sonny RollinsBridge (2nd pressing) ... LP
RCA, 1962. Near Mint- ... $9.99
A landmark album from Sonny Rollins – one that marked his comeback in the early 60s, after a brief period of retirement, and which also initiated a string of incredible recordings with guitarist Jim Hall. Given Hall's gentleness and spare modernity on the guitar, a fan of Rollins' hard-blowing late 50s sessions might not expect the album to work – but instead, it sets up his playing in a whole new mode that brings out a leaner, more confident, more sophisticated solo mode that shows that his time woodshedding in retirement was well spent. Rollins playing is impeccable, with a maturity not heard in his late 50's work, and the whole album is a beautiful study in measured, thoughtful soloing. Tracks include "John S.", "The Bridge", and "God Bless the Child". LP, Vinyl record album
(Tan label pressing.)

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Sonny RollinsComplete RCA Victor Recordings (6CD set) ... CD
RCA, Early 60s. Used 6CD ... $28.99
Some of the finest work Sonny Rollins ever recorded – done in a number of different styles, but always the height of brilliance! The albums that make up the set features Rollins working through a range of styles after his semi-retirement period of the late 50s: some tracks have Latin rhythms, others are spare and fragile, with guitar by Jim Hall, and still others are ferociously free, played with a group that includes Don Cherry and Henry Grimes. Together, the tracks on the set's 6CDs show Rollins at his best – always a master of the tenor, no matter what the setting, capable of turning out solos both long and short, a well full of imagination and creativity. There's a heck of a lot of bonus tracks on the package – which features a total of 53 tracks in a well-done slipcase. Great stuff – as all the individual albums are fantastic, and the whole thing takes the work to the next level! CD
(Out of print.)

Possible matches32
CD, LP, Vinyl record album cover art
Zoot SimsNew Beat Bossa Nova Vol 1 ... LP
Colpix, Early 60s. Very Good+ ... $19.99
A great chapter in 60s bossa jazz – Zoot Sims "answer" to Stan Getz's bossa work on Verve – recorded in a similar jazz-meets-bossa style, with some great guitar work by Jim Hall! Zoot's solos are a bit tighter and not as laidback as Stan's – giving a more jazz-based sound to the work that makes for a nice change – and most of the tunes feature larger backings from Manny Albam and Al Cohn – never too over-arranged, but with enough of a full swinging sound to set things right. Hall's guitar works surprisingly well in the setting – and titles include "Barquinho De Papel", "Ciume", "Recado Bossa Nova (parts 1 & 2)", and "Cano Canoe". LP, Vinyl record album
(Gold label pressing, with deep groove. Cover has some wear, a piece of taped on paper, and a name in pen.)

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Bob Brookmeyer/Lalo SchifrinTrombone Jazz Samba/Samba Para Dos ... CD
Verve (Germany), 1962. New Copy ... Temporarily Out Of Stock
Pure genius throughout – two great albums on a single CD! Trombone Jazz Samba is an overlooked gem from Bob Brookmeyer – and a set that fits in strongly with the other Verve Records bossa nova albums of the 60s! Bob's the center star on valve trombone, but the record's awash in work from other great Verve talents too – a tight small group that features Gary McFarland on vibes, Jim Hall and Jimmy Raney on guitars, and Willie Bobo on drums – alongside some added percussion that really helps keep the bossa spirit strong! Tunes have that spare, soulful crackle that you'd find in the Stan Getz bossa sessions for Verve – except that trombone is the lead solo instrument here – and titles include "A Felicidade", "Col Bogey Bossa Nova", "Blues Bossa Nova", "Qual E O Po", "Chara Tu Tristeza", and "Samba De Orfeu". Samba Para Dos is a great lost groover on Verve – recorded during the heyday of the label's bossa years with Stan Getz! The record features Bob Brookmeyer fronting a large group arranged and conducted by Lalo Schifrin – soloing over the top, while Lalo comes up with sparkling bossa-tinged grooves that are in the spirit of his best soundtrack work of the mid 60s. Brookmeyer's playing is great too – very different than his sparer, modernist work on other records – and very much in the tradition of Brazilian trombone players who were a key force in bossa jazz at the time. The set includes one long original, "Samba Para Dos", plus shorter standards like "My Funny Valentine", "What Kind Of Fool Am I", and "I Get A Kick Out Of You" – all taken in great jazzy bossa versions! CD
 
Partial matches: 25
Partial matches55
CD, LP, Vinyl record album cover art
✨✧ Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHMCD.)

Partial matches56
CD, LP, Vinyl record album cover art
✨✧ Teddy CharlesWord From Bird ... CD
Atlantic/Collectables, 1956. Used ... $6.99
A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors – often as textural as it is jazz-based – with a level of sophistication that goes beyond even Charles key modernist work from the early 50s. Teddy's on vibes, alongside Art Farmer on trumpet, Eddie Bert on trombone, Hal Stein on alto, Don Butterfield on tuba, George Barrow on baritone, Hall Overton on piano, and Jimmy Raney on guitar – and while some tracks feature a tentet, 4 of the album's numbers feature a smaller quartet with Charles Mingus on bass! Titles include the 10 minute composition "Word From Bird" – plus "Blue Greens", "Laura", "Showtime", and "Just One Of Those Things". CD

Partial matches57
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD
Columbia (Japan), 1961. Used ... $16.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 8 tracks in all. CD
(90s Japanese pressing.)

Partial matches58
CD, LP, Vinyl record album cover art
Curtis FullerAll Star Sextets ... LP
Savoy, 1959. Near Mint- 2LP Gatefold ... $16.99
Outstanding early work from Curtis Fuller, leading a smoking small group through bop and hard bop numbers in a modernist mode like some of the best Jazztet sides Art Farmer and Benny Golson would go on to cut a few years later. Golson's featured here alongside Fuller in the front line, with either Lee Morgan or Thad Jones on trumpet, and the group filled out with a batch of top notch sidemen in the rhythm section as the title implies: Wynton Kelly, Paul Chambers, Charlie Persip, Mcoy Tyner, Jimmy Garrison and Dave Bailey. Some of the best bop sides issued on Savoy, and among the hardest to find, too! Includes "It's All Right With Me", "Arabia", "I'll Walk Alone", "Judy's Dilemma", "Wheatleigh Hall", "Kachin", "Bang Bang", "Imagination", "Blues De Funk" and "Lido Road". LP, Vinyl record album
(Cover has a promo sticker, a cut corner, a small peeled spot from price sticker removal, and some light wear.)

Partial matches59
CD, LP, Vinyl record album cover art
Bennie GreenHornful Of Soul ... CD
Bethlehem/Solid (Japan), 1960. New Copy ... $13.99
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD

Partial matches60
CD, LP, Vinyl record album cover art
Edmond HallPetite Fleur ... CD
United Artists/Mighty Quinn, 1959. Used ... $2.99
A compelling comeback set for clarinetist Edmond Hall – cut in 1959 when Chris Barber was enjoying a hit with a remake of Sidney Bechet's "Petite Fleur", which provided for a nice opportunity to get Hall back in the studio for a date under the same name! The record's got a lot more freedom than some of Hall's earlier work – with a few key longer tracks that expand upon the trad styles of earlier records, and some exceptional production that brings out the best strengths in all players. Hall's working here with Vic Dickenson, Ellis Larkins, Emmett Berry, Milt Hinton, and Jimmie Crawford – and titles include a great 9 minute "Ellington Medley", an 8 minute original titled "Off The Road", and the tunes "Don't Give Me Sympathy", "Adam & Evie", "Clarinet Marmalade", "Edmond Hall Blues", and "Petite Fleur". CD

Partial matches61
CD, LP, Vinyl record album cover art
Jimmy HamiltonIt's About Time ... LP
Swingville, 1961. Very Good ... $24.99
Great straight work from Duke's clarinetist Jimmy Hamilton – a set that features Jimmy in a slightly different setting than usual – without as much Ellington inflection, and a bit more small combo groove! Players here include frequent partner Clark Terry on trumpet, plus Tommy Flanagan on piano, Wendell Marshall on bass, and Mel Lewis on drums – and tracks are nicely open, in that best Swingville way. Titles include "Nits & Wits", "Stupid But Not Crazy", "Gone With The Blues", "Two For One", and "Mr Good Blues". LP, Vinyl record album
(Heavy red label pressing with deep groove! Cover is nice too.)

Partial matches62
CD, LP, Vinyl record album cover art
Milt JacksonOpus De Funk (Milt Jackson Quartet aka Soul Pioneers/Milt Jackson Quintet/Invitation) ... LP
Prestige, 1954/1955/1962. Near Mint- 2LP Gatefold ... $5.99
A 70s double LP issue of a variety of sides Milt cut as a leader for Prestige and Riverside. The first batch of numbers were originally released as a couple of 10"s, then repackaged under various guises in LP format, and feature a slightly different take on the Modern Jazz Quartet sound of the early years – as the album features Milt Jackson's vibes in the company of MJQ bandmates Percy Heath and Connie Kay, but also includes Horace Silver on piano – in the spot normally reserved for John Lewis! The presence of Silver on piano gives a bit of a harder edge to the set, one that almost recalls some of Jackson's work on Blue Note in the early 50s, yet which is rounded out here by a few lighter and more lyrical touches on rhythm. The set includes a great reading of "Moonray", the Jackson original "Stonewall", and the tracks "Wonder Why", "I Should Care", and "My Funny Valentine". There's also 4 numbers with the same group adding Henry Boozier on trumpet, performing "Soma", "Buhaina", "Opus De Funk" and "I've Lost Your Love". The second LP is from almost a decade on, a very nice little Milt Jackson album – cut in the mode of some of his excellent soul jazz group sides from the mid 60s. This set pushes Milt past the format of much of his other work – especially that of the MJQ – as it features him in a very soulful sextet, working with Tommy Flanagan on piano, Kenny Dorham on trumpet, Jimmy Heath on tenor, Ron Carter on bass, and Connie Kay on drums. The presence of Dorham and Heath give the album a light lyrical swing that really opens things up – and there's a fair bit of modally-oriented tunes on the set that hint at the more soulful playing of most of the players in the 70s. Tracks include a great version of "Invitation", plus "The Sealer", "Poom A Loom", "Ruby", and "None Shall Wander". LP, Vinyl record album
(Cover has some light wear.)

Partial matches63
CD, LP, Vinyl record album cover art
Orchestra USA/John LewisSonorities ... LP
Columbia, Early 60s. Very Good+ ... $3.99
A serious piece of jazz orchestral work – directed by John Lewis, conducted by Harold Farberman, and featuring solos by Jerome Richardson, Joe Newman, Dick Katz, and Richard Davis. The work's perhaps Lewis' most seriously avant garde on record – taking off even further from previous experiments, and featuring compositions written by Jimmy Giuffre, Hall Overton, and Teo Macero. Titles include "Sonorities For Orchestra", "Pressure", "Hex", and "The Spiritual". LP, Vinyl record album
(360 Sound stereo pressing. Cover has clear tape on the top seam, light wear, and notes in pen and pencil on back.)

Partial matches64
CD, LP, Vinyl record album cover art
Odean PopeUniversal Sounds ... CD
Porter, 2011. Used ... $4.99
Incredibly rich work from reedman Odean Pope – a player who's really come back into the limelight of late, thanks to the efforts of the Porter Records label – playing with fire and focus we haven't heard in years! The group's as strong as any that Pope ever lead in years back – a killer combo with Marshall Allan on alto sax and electronic wind instrument, Warren Smith on percussion and drums, Lee Smith on bass, and both Craig McIver and Jim Hamilton on more drums, too! The album's not as percussive-heavy as you'd guess from that lineup – because both Pope and Allen get plenty of space to do their thing, with very open, free solos – but there is a nice sense of pulse and power that comes from the drum work, too – and titles include "The Binder", "She Smiled Again", "Go Figure", "Mwalimu", and "Custody Of The American Spirit". CD

Partial matches65
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Jack TeagardenJack Teagarden – Jazz Great ... LP
Bethlehem, 1954. Very Good ... $4.99
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". LP, Vinyl record album
(Deep groove red label pressing. Cover has white tape along the seams & opening.)

Partial matches66
CD, LP, Vinyl record album cover art
VariousBasement Bop ... CD
Hallmark (UK), 1950s. Used 2CD ... $6.99
Includes tracks by Ronnie Scott, Johnny Dankworth, Cleo Laine, Jimmy Deucher, Victor Feldman, and others. CD
(Out of print.)

Partial matches67
CD, LP, Vinyl record album cover art
✨✧ Miles DavisLive Miles – More Music From The Legendary Carnegie Hall Concert ... CD
Columbia, 1961. Used ... Temporarily Out Of Stock
Extra material from the 1961 date at Carnegie Hall, an astounding live set that featured Miles in a transitional quintet with Hank Mobley, Wynton Kelly, Paul Chambers and Jimmy Cobb, and also with the Gil Evans Orchestra. The performance is rendered with a subtle grace, an excellent portrait of Miles at a pivotal point in his career, moving on from his early command of bop and explorations of the cool, but not yet exploding his sound altogether with the modal approach that he would soon adopt. Side one features "Concierto De Anranjuez", and side two features "Teo", 'Walkin" and "I Thought About You". CD
(Out of print.)

Partial matches68
CD, LP, Vinyl record album cover art
✨✧ Eddie HigginsEddie Higgins ... LP
Vee Jay, 1961. Used ... Temporarily Out Of Stock
Early genius from Eddie Higgins – a pianist who was a big thing on the Chicago scene of the 60s, but is probably best known to most folks for his revival records of the past decade or two! The younger Higgins has more of an edge than the later one – and this self-titled debut is a cooker of a hardbop album – thanks not only to work from Eddie's core trio, but also some great horn interplay from Frank Foster on tenor and Paul Seranno on trumpet! Eddie wrote some of the best cuts on the record – some really fresh numbers – and he gets rhythmic help from either Richard Evans or Jim Atlas on bass, and Marshall Thompson on drums. Higgins titles include "Foot's Bag", "Zarac The Evil One", and "AB's Blues" – and the album also features versions of "Blues For Big Scotia" and "Falling In Love With Love". LP, Vinyl record album
(Rainbow label pressing with deep groove.)

Partial matches69
CD, LP, Vinyl record album cover art
✨✧ Jimmie LuncefordLunceford Special ... LP
Columbia, 1930s. Used ... Temporarily Out Of Stock
Features work from Willie Smith on alto, Trummy Young on trombone, and Joe Thomas on tenor! LP, Vinyl record album
(Hall Of Fame series.)

Partial matches70
CD, LP, Vinyl record album cover art
✨✧ Charles MingusMingus Ah Um ... CD
Columbia, 1959. Used ... Temporarily Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". CD
(Columbia Jazz Masters pressing.)

Partial matches71
CD, LP, Vinyl record album cover art
✨✧ Charles MingusMingus Ah Um ... LP
Columbia, 1959. Used ... Temporarily Out Of Stock
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". LP, Vinyl record album
(70s pressing.)

Partial matches72
CD, LP, Vinyl record album cover art
✨✧ Jack TeagardenDixie At Its Best – Jack Teagarden – Jazz Great ... LP
Bethlehem, 1954. Used ... Temporarily Out Of Stock
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". LP, Vinyl record album
(70s pressing. Cover has a bit of tape on the bottom seam.)

Partial matches73
CD, LP, Vinyl record album cover art
✨✧ Teddy CharlesWord From Bird ... CD
Atlantic/Koch, 1956. Used ... Out Of Stock
A richly complex album from vibist Teddy Charles – easily one of his greatest albums ever, and certainly one with the boldest sound! The groups here are filled with hip players – all working under Charles' direction in a set of tracks that shimmers with dark sounds and moody colors – often as textural as it is jazz-based – with a level of sophistication that goes beyond even Charles key modernist work from the early 50s. Teddy's on vibes, alongside Art Farmer on trumpet, Eddie Bert on trombone, Hal Stein on alto, Don Butterfield on tuba, George Barrow on baritone, Hall Overton on piano, and Jimmy Raney on guitar – and while some tracks feature a tentet, 4 of the album's numbers feature a smaller quartet with Charles Mingus on bass! Titles include the 10 minute composition "Word From Bird" – plus "Blue Greens", "Laura", "Showtime", and "Just One Of Those Things". CD
(Out of print.)
Also available Word From Bird ... CD 6.99

Partial matches74
CD, LP, Vinyl record album cover art
✨✧ Duke EllingtonFlying Home ... CD
Candid, 1952. Used ... Out Of Stock
The Duke is on the air – Flying Home here with some early 50s appearances at Chicago's Blue Note – originally broadcast by NBC! Prime early 50s Duke Ellington and his Orchestra – performing popular material from the time as well as some great versions of lesser remembered compositions. This 1953 formation of the group features Clark Terry, Ray Nace and more trumpets, Quentin Jackson, Britt Woodman and Juan Tizol on trombones, the great Paul Gonsalves, Jimmy Hamilton and more saxes, Wendell Marshall on bass and Louie Bellson on drums. Titles include "Take The 'A' Train", "Bensonality", "VIP's Boogie", "Just Sittin' And A Rockin'", "Sophisticated Lady", "Ting-A-Ling", "Mood Indigo", "Flying Home", "Jam With Sam", "Do Nothing Till You Hear From Me" and more. 18 in all. CD
 
 
 



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