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Exact matches: 17
Exact matches1
CD, LP, Vinyl record album cover art
Paul Desmond with Jim HallEasy Living ... LP
RCA, 1966. Very Good ... $39.99
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for Desmond's sound – and the backing is also free of piano, so the guitar and alto hang together wonderfully by themselves – suspended in space, dipping and turning around each other beautifully! The pair get some very light rhythmic accompaniment from Connie Kay on drums, and either Percy Heath or Gene Wright on bass – on titles that include "That Old Feeling", "Easy Living", "Blues For Fun", "Polka Dots & Moonbeams", and "When Joanna Loved Me". LP, Vinyl record album
(Black label stereo pressing with deep groove. Cover has some wear.)

Exact matches2
CD, LP, Vinyl record album cover art
Bill Evans & Jim HallUndercurrent ... CD
Blue Note, Early 60s. Used ... $4.99
A legendary set from the team of guitarist Jim Hall and pianist Bill Evans – both already wonderful players on their own, but really hitting a magical sort of space here together! The record is a classic in understatement – the inevitable meeting of two players who'd both made a career out of saying more with less – and both Evans and Hall manage to make this special sort of sound when working together in such a space – spare, but never short on ideas – filled with color and tone, but never overdone. The tracks are long and dreamy, and the piano/guitar lines seem to float in the air, suspended on naught but idea and imagination. Titles include a very nice version of "Skating In Central Park", plus "Dream Gypsy", "Romain", and "Darn That Dream". CD includes four previously unissued tracks – "Stairway To The Stars", "I'm Getting Sentimental Over You", and alternate takes of "Romain" and "My Funny Valentine". CD
(Out of print.)

Exact matches3
CD, LP, Vinyl record album cover art
Jimmy Giuffre, Bob Brookmeyer & Jim HallSwamp People ... CD
Giant Steps/Cherry Red (UK), 1958. Used ... $13.99
CD
(Out of print.)

Exact matches4
CD, LP, Vinyl record album cover art
Jim HallAll Across The City ... CD
Concord, 1989. Used ... $13.99
CD
(Out of print.)

Exact matches5
CD, LP, Vinyl record album cover art
Jim Hall & Red MitchellJim Hall Guitar/Red Mitchell Bass ... LP
Artists House, 1978. Very Good+ Gatefold ... $9.99
An overlooked gem from the sublime Artists House series of the 70s – a rare chance to hear Jim Hall in a really stripped-down setting! The record features spare duets between Hall's guitar and the acoustic bass of Red Mitchell – both players who worked together on the LA scene of the 50s, but who've matured tremendously here, and really know how to take advantage of a setting like this. Hall's well-pointed notes are always a treat in this sort of format, but Mitchell's also especially nice – playing with warmly-rounded tones that are really great. Titles include "Big Blues", "Waltz New", "Fly Me To The Moon", "Blue Dove", and "Osaka Express". LP, Vinyl record album

Exact matches6
CD, LP, Vinyl record album cover art
George Shearing & Jim HallFirst Edition ... CD
Concord, 1982. Used ... $11.99
CD
(Out of print.)

Exact matches7
CD, LP, Vinyl record album cover art
Paul Desmond with Jim HallEasy Living ... CD
RCA (Japan), 1966. New Copy ... About November 15, 2015
Paul Desmond doesn't get any better than this – blowing his icy cool alto next to warm guitar lines from the mighty Jim Hall – a classic RCA Records pairing in jazz, heard to great effect on this classic album! There's a slight bossa groove to some of the rhythms, which is great for Desmond's sound – and the backing is also free of piano, so the guitar and alto hang together wonderfully by themselves – suspended in space, dipping and turning around each other beautifully! The pair get some very light rhythmic accompaniment from Connie Kay on drums, and either Percy Heath or Gene Wright on bass – on titles that include "That Old Feeling", "Easy Living", "Blues For Fun", "Polka Dots & Moonbeams", and "When Joanna Loved Me". CD
Also available Easy Living ... LP 39.99

Exact matches8
CD, LP, Vinyl record album cover art
Jim HallCircles ... CD
Concord, 1981. Used ... Just Sold Out!
CD
(Out of print.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Jim Hall, Hoe Lovano, George Mraz, Lewis NashGrand Slam – Live at The Regattabar ... CD
Telarc, 2000. Used ... Just Sold Out!
CD
(Promotional stamp on CD.)

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Ron Carter & Jim HallLive At Village West ... CD
Concord, 1984. Used ... Temporarily Out Of Stock
CD
(Out of print.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Ron Carter & Jim HallTelephone ... CD
Concord, 1984. Used ... Temporarily Out Of Stock
Guitarist Jim Hall is a player who's always realized he sounds best in a small, intimate setting – whether in his 50s trio recordings with Jimmy Giuffre, or his 60s classics with Bill Hall, or his 70s experiments with bassist Ron Carter – and this live date for Concord really revives the latter, by bringing together two of the most sensitive string players in jazz for a really wonderful performance! The liveness of the setting – an introductory announcement, and some occasional applause – sometimes reminds us that the pair aren't off in a small room, creating magic on their own – but the overall focus of the material and the players' very careful sound still create this deeply personal sound that really holds us breathless. Some tracks are nice and long – and titles include "Telephone", "Indian Summer", "Chorale & Dance", "Candlelight", and "Two's Blues". CD
(Out of print.)

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Jim HallConcierto ... CD
CTI, 1975. Used ... Temporarily Out Of Stock
One of Jim Hall's most compelling albums from the 70s – a mix of lightly swinging tunes and more complicated numbers, recorded with some of his best partners from earlier years! Chet Baker is on trumpet, Paul Desmond is on alto sax – and the rest of the group includes Ron Carter bass, Roland Hanna piano, and Steve Gadd on drums. Hall's style is as airy and free-floating as ever – and the spacious arrangements on the album by Don Sebesky only support his work even more. The centerpiece of the album is the 19 minute long "Concierto De Aranjuez", and other tracks include "The Answer Is Yes", "Two's Blues", and "You'd Be So Nice To Come Home To". CD version features 3 bonus tracks – alternate takes of "You'd Be So Nice To Come Home To" and "Rock Skippin", and the track "Unfinished Business". CD

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Jim HallIn A Sentimental Mood (aka It's Nice To Be With You) ... LP
MPS/PA USA, 1969. Used ... Temporarily Out Of Stock
A wonderful album from guitarist Jim Hall – different than some of his other work, and with a slightly harder edge! The unique session has him playing in an MPS 60s mode – more straight-on than some of his more airy moments – with a sound and tone that still recalls his work with Paul Desmond or Art Farmer, but a more direct approach, and an occasional groove as well! The trio's as unique as the record – the great Jimmy Woode on bass and drums from Daniel Humair – and titles include "Blue Joe", "Romaine", "Young One For Debra", "Body & Soul", and a great version of "Up Up & Away", which soars to the sky in a way you'd never expect from Jim! LP, Vinyl record album
(Early 80s pressing. Cover has light wear and a promo stamp.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Jim HallJim Hall Live ... LP
A&M, 1975. Used Gatefold ... Temporarily Out Of Stock
A work of understated brilliance from guitarist Jim Hall – and one of our favorite records by him! The setting is simple – Hall plays live with a trio, on a set of familiar standards – but the results are remarkable, as both Hall and the rhythm section manage to bring a hell of a lot of swing and imagination into such a tiny space! Hall's always had a rhythmic approach to his work, but here, playing with drummer Terry Clarke and bassist Don Thompson, he really opens into a great groove – stretching things past his usual standard, and bringing a lot more soul into the set than you might expect. The tunes are ones you'll recognize – "Angel Eyes", "Round Midnight", and "The Way You Look Tonight" – but the real charm is what Hall and the trio do with them! LP, Vinyl record album
(Cover has a cut corner.)

Exact matches15
CD, LP, Vinyl record album cover art
✨✧ Ben Webster & Jim HallAt The Renaissance (180 gram pressing) ... LP
Fantasy/Analogue Productions, 1960. Used ... Temporarily Out Of Stock
A previously unreleased live date from late in the career of Ben Webster – recorded at The Renaissance in Hollywood in 1960, but unissued until nearly 25 years later! The group features Jim Hall on guitar, Jimmy Rowles on piano, Red Mitchell on bass, and Frank Butler on drums – and tracks are all longish, and live-feeling – with that sense of fragility that marked some of Webster's later recordings in this mode, and even further deepened the humanity in his tone. And while the recording quality is definitely "live" at times, Ben's tone comes through loud and clear – different than on some of the tighter Verve recordings of a few years before, but in a way that's really great. Titles include "Georgia On My Mind, "Caravan", "Stardust", "Mop Mop", and "Ole Miss Blues". LP, Vinyl record album

Exact matches16
CD, LP, Vinyl record album cover art
✨✧ Paul Desmond with Jim HallComplete RCA Victor Recordings (5CD set) ... CD
RCA/Victor, Early/Mid 60s. Used 5CD ... Out Of Stock
Genius in one of its purest forms! Paul Desmond's alto sax was honed to perfection by the time of these recordings – worked out through fame in the Dave Brubeck Quartet years of the late 50s and early 60s, but also relaxed in a confidence that makes these sides completely majestic, and utterly fantastic! Desmond's tone and approach are languid – but in a way that's incredibly compelling: notes just floating out of the horn, almost effortlessly, seeming not to come from Desmond himself, but to him, gathered together by his warmth and good wit, honed in further by the spare and gentle guitar work of the great Jim Hall. This package is the finest tribute we could think of to their brilliant work together – a wonderfully-done 5CD set, with a lovely slipcase and book, done in a way that retains the structure of the original albums, yet also adds in bonus tracks. There's a whopping 55 cuts in all – and every single one of them's a gem! CD
(Out of print. Original slipcover package.)

Exact matches17
CD, LP, Vinyl record album cover art
✨✧ Charlie Haden & Jim HallCharlie Haden/Jim Hall ... CD
Blue Note/Impulse, 1990. New Copy ... Out Of Stock
Beautiful duets between guitarist Jim Hall and bassist Charlie Haden – recorded here in a previously-unissued live date from 1990 – with sublime sound throughout! Both players really open up when given the right sort of space – and find wonderful harmony together here – ways of brilliantly augmenting the strengths of each other, while also allowing for plenty of individual expression as well. The tracks are all quite long, and the record has this mellifluous quality that makes it a real standout in the catalog of both artists – a great reminder of Haden at his most intimate, and one of a handful of important duo recordings from Hall. Titles include "Down From Antigua", "First Song", "Turnaround", "Bemsha Swing", "In The Moment", "Skylark", and "Big Blues". CD
 
Possible matches: 44
Possible matches18
CD, LP, Vinyl record album cover art
Bob BrookmeyerKansas City Revisited ... LP
United Artists, Late 50s. Very Good ... $23.99
A very unusual session – especially considering Bob Brookmeyer's more modernist modes of the 50s! This album has Bob going back to roots you might not guess that he had – picking up bits of a Kansas City sound that (as he tells in the liner notes) clearly inspired him in the early days, and which is presented here surprisingly well by a septet that includes Bob on valve trombone, Al Cohn and Paul Quinichette on tenor, Nat Pierce on piano, Jim Hall on guitar, Addison Farmer on bass, and Osie Johnson on drums – all playing long and lean on some real Basie-styled numbers. Quinichette's presence really sets the tone for the record, and seems to pull out earthy qualities in the other players that we didn't even know they had – and on 2 numbers, Big Miller delivers some bluesy vocals as well. Titles include "Jumping At The Woodside", "A Blues", "Blue & Sentimental", and "Moten Swing". LP, Vinyl record album
(Original white label promo – with deep groove. Cover is nice.)

Possible matches19
CD, LP, Vinyl record album cover art
Bob Brookmeyer QuintetTraditionalism Revisited ... LP
World Pacific, 1957. Near Mint- ... $18.99
Beautifully modernist material from the great Brookmeyer – performing here with a well-suited group that features Jimmy Giuffre and Jim Hall, plus the great Dave Bailey on drums. The album features older tracks done in a surprisingly fresh style, and the trio of lead players dance around each other in a wonderful way. Titles include "Truckin", "Some Sweet Day", "Jada", and "Louisiana". LP, Vinyl record album
(Nice Japanese pressing – great vinyl and cover!)

Possible matches20
CD, LP, Vinyl record album cover art
Paul DesmondSkylark ... LP
CTI, 1974. Very Good+ Gatefold ... $5.99
A stunning 70s set from the great Paul Desmond – one that has the tremendous alto player finding an even fresher groove than before – yet all without losing any of the class and control that made him so great in the 50s and 60s! Don Sebesky arranged the set, but most of the instrumentation is nice and lean – small group modes that allow Paul's alto to soar out in the lead, often alongside some excellent guitar work from Gabor Szabo and Gene Bertoncini – the latter of whom provides accompaniment that takes us back to some of Jim Hall's music with Desmond. Bob James plays a bit of piano on the record, and rhythm is by Ron Carter on bass, Jack DeJohnette on drums, and Ralph MacDonald on percussion – plus a bit of cello from George Ricci, who shades tunes in with a mighty nice sound. But as you'd guess, the main focus is on Desmond's sublime alto sax – on titles that include "Was A Sunny Day", "Take Ten", "Music For A While", and of course, "Skylark". LP, Vinyl record album
(In the heavy gloss cover, which has some light wear.)

Possible matches21
CD, LP, Vinyl record album cover art
Paul DesmondTake Ten ... LP
RCA/Speakers Corner, 1963. Near Mint- (reissue)... $24.99
That's "Take Ten", not "Take Five" – a great title cut that echoes Paul Desmond's previous work with Dave Brubeck – but which then gives way quickly to some sweet bossa-styled grooves done with guitar from Jim Hall! The album's one of the strongest of the Hall/Desmond collaborations for RCA – A sublime showcase not just for Paul's impeccable alto, but also for the amazing tones and chromes that fly freely from the strings of Jim's guitar! Both players are set up with just a bit of gentle backing – light percussion from Connie Kay, and a bit of bass from Gene Cherico or Gene Wright. The whole thing's a well-conceived study in economy, as the two players craft sly and subtle lines around spare drum and bass backings – slowly hanging sound in space to weave a rich web of sound that's as compelling as it seems to be effortless! Titles include "Take Ten", "El Prince", "Embarcadero", "Samba De Orfeu", "Theme From Black Orpheus", and "Alone Together". LP, Vinyl record album
(Speakers Corner pressing, still in the shrink.)

Possible matches22
CD, LP, Vinyl record album cover art
Bill EvansGreen Dolphin Street (Japanese pressing) ... CD
Riverside (Japan), 1959/1962. Used ... $14.99
Lost Bill Evans material from his tremendous early run on Riverside Records – sessions recorded in 1959, but unreleased to the public for many years! The core of the record features Evans working with Paul Chambers on bass and Philly Joe Jones both rhythm players that Bill interacted with while working in the Miles Davis group, and a strongly-voiced team to echo the sense of space and timing that was the particular Evans touch in the early days. Why these tracks never came out is a real mystery to us – because Bill's still very much at the top of his game, despite having not liked the material at the time of recording – and the Chambers/Jones rhythm section give the tunes a very solid focus throughout. Titles include "You & The Night & The Music", "My Heart Stood Still", "On Green Dolphin Street", "How Am I To Know", and 2 takes of "Woody N You". Added to that number is a really surprising bonus – a 1962 recording of "Loose Bloose", done with Jim Hall on guitar and Zoot Soms on alto – making for one of those rare non-trio dates by Evans! CD
(Out of print. XRCD2 pressing.)

Possible matches23
CD, LP, Vinyl record album cover art
Bill EvansInterplay ... LP
Riverside, 1962. Good+ ... $48.99
A real standout in the Bill Evans catalog for Riverside – and that's saying a lot, given how important all of his Riverside albums are! The session's a rare quintet outing for Evans – one that breaks the mode of the usual trio format by adding in Freddie Hubbard on trumpet and Jim Hall on guitar – alongside rhythm players Percy Heath on bass and Philly Joe Jones on drums – already a unique enough match for Evans' talents. In a way, the record's one of those sessions that Riverside would sometimes do – pairing a key new voice as a leader with others in an all-star group – but in another way, it's also a return to the sound that first brought Evans' to a wider audience in the 1957 and 1958 years – when he was working in non-trio groups with more famous players – adding his unique piano stylings to their (then) better-known solo modes. The pairing of Evans and Hall has been beautifully documented on other records – and sounds equally great here – but the real treat is Freddie Hubbard's horn, which often lays back on most of the tracks, then bursts in with a brashness that really ignites some of the tunes! He's playing a bit muted here, trying to go for that Miles/Evans combination from the late 50s – but that's plenty ok with us, as we love those records a lot. Titles include "When You Wish Upon A Star", "You & The Night & The Music", "I'll Never Smile again", "You Go To My Head" and the Evans original, "Interplay". LP, Vinyl record album
(Blue label Bill Grauer pressing with a deep groove. Cover has a small tear at the bottom corner. Vinyl has some marks but plays great!)

Possible matches24
CD, LP, Vinyl record album cover art
Stan GetzCool Velvet/Voices ... CD
Verve, 1960/1966. Used ... $6.99
Very groovy CD that brings together 2 different albums that Stan Getz cut with larger groups and more baroque orchestrations than usual. The Cool Velvet set is from 1960, and has Stan's breathy alto blowing with arrangements by Russ Garcia. The material has Garcia's usual off-kilter sense, and although the sound is a bit 50's, Getz cuts through the tracks nicely. The real treat, though, is the incredible Voices album, which has stunning arrangements by Claus Ogerman, and beautiful jazz playing by Herbie Hancock, Jim Hall, Ron Carter, and Artie Butler. We love this album to death, and it's filled with some of Getz's best playing of the 60s. Titles include "Zigeuner Song", "Infinidad", "Darling Joe", "Once", and "Nica's Dream". The whole CD's packaged beautifully, and it's got a total of 21 lovely lovely tracks! CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
Jimmy Giuffre1961 (Fusion/Thesis) (180 gram pressing) ... LP
ECM (Germany), 1961. New Copy 2LP Gatefold (reissue)... $31.99 35.99
2 amazing albums from the 2nd version of the Jimmy Giuffre 3! After working with his first combo of Bob Brookmeyer and Jim Hall during the late 50s, Giuffre hooked up with a pair of younger modernists – Paul Bley and Steve Swallow – reintroducing the piano and bass to his trio format, instruments that had been previously missing because Giuffre wanted to explore the possibilities of melodic composition freed from rhythmic constraints. With this trio, Giuffre was still working in that mode – as you'll hear on Bley and Swallow's incredibly free playing. The group's performances are not free jazz by any means, but they're a key link in that tradition – as Giuffre and crew do an excellent job of creating unconventional compositions, most of which feel like little sculptures in sound. There's a total of 20 tracks on 2LPs – and titles include "Cry, Want", "Trudgin", "Jesus Maria", "Ictus", "Sonic", "Whirrrrr", "The Gamut", "Herb & Ictus", and "Flight". Both records originally available on Verve, now repackaged by ECM. LP, Vinyl record album

Possible matches26
CD, LP, Vinyl record album cover art
Jimmy GiuffreJimmy Giuffre 3 ... LP
Atlantic, 1957. Very Good ... $24.99
Groundbreaking trio work from the great Jimmy Giuffre – an album that cut loose both the piano and the drums – in a way that took Gerry Mulligan's earlier rhythm-less experiments with jazz, and pushed them one degree further! The group on the session features Giuffre on clarinet, tenor, and baritone sax – alongside the guitar of Jim Hall and bass of Ralph Pena – all working together with no other accompaniment, but in a way that's as swinging as it is airy – an amazing exercise in tone, color, and control! The sound is out of this world, and the notes just hang lightly in air – beautifully dancing around one another. Titles include "Voodoo", "Train & The River", "My All", "Crawdad Suite", and "Two Kinds Of Blues". LP, Vinyl record album
(Original black label pressing with deep groove. Cover has light wear in one corner, but is nice overall.)

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Jimmy GiuffreWestern Suite ... LP
Atlantic, 1957. Very Good- ... $11.99
One of the best-ever Jimmy Giuffre albums! Jimmy's playing here in his classic piano-less trio format, in a group with Jim Hall on guitar and Bob Brookmeyer on trombone. The group was perhaps his best, and they achieve a perfect blend of free-flowing improvised lines, while still managing to retain a jazz swing (something that didn't always happen on Giuffre's other records). The centerpiece of the set is the extended "Western Suite" (don't be fooled by the name, because there's no sort of "Country & Western" tinge to it), and the record also includes beautiful long versions of "Blue Monk" and "Topsy". The whole thing is one of the most amazing jazz records ever recorded, and has an insane array of tones, colors, and sound shapes. LP, Vinyl record album
(Original black label pressing. Cover has a cutout hole.)

Possible matches28
CD, LP, Vinyl record album cover art
Sonny GreenwichEvol-ution, Love's Reverse ... LP
PM, 1979. New Copy ... $11.99
One of the few albums ever cut by the great Canadian guitarist Sonny Greenwich – a player who might be best known to American ears for his one recording with Hank Mobley, but who went onto make some great music of his own during the 70s! Greenwich has a style that's loose and sprightly – very uniquely his own, and shown here better than on any other record – a quality that has the single-note punch of Grant Green, but the airier vibe of Jim Hall at times – a surprising balance that comes off very well throughout. The album has Sonny in the company of PM Records labelmates Gene Perla on bass and Don Thompson on piano – plus Claude Ranger on drums – and titles include "A Day Is night To Some", "Time-Space", "Prelune", and "Nica's Dream". LP, Vinyl record album

Possible matches29
CD, LP, Vinyl record album cover art
Chico HamiltonChico Hamilton Quintet In Hi Fi ... LP
Pacific Jazz, 1956. Very Good- ... $5.99
One of Chico's earliest albums for Pacific Jazz – a set of tightly arranged tracks with a cool chamber feel to them – featuring a lineup that includes Buddy Collette on reeds, Fred Katz on cello, Jim Hall on guitar, and Carson Smith on bass. Collette, Katz, and Hall are at the height of their powers here – a bit restricted, perhaps, but in the way that Hamilton was using to craft some of the more creative sounds of the 50s LA jazz scene – perfectly shaped and formed throughout! Just about every band member contributed a song and an arrangement to the album – and titles include "The Ghost", "Chrissie", "Jonalah", "Sleepy Slept Here", "Drums West", "The Squimp", and "Sleep". LP, Vinyl record album
(Black label pressing with deep groove. Cover has clear tape along the top & bottom seams.)

Possible matches30
CD, LP, Vinyl record album cover art
Chico HamiltonEllington Suite ... LP
Pacific Jazz, 1958. Very Good+ ... $18.99
Forget the Ellington in the title, because this is more a moody album of west coast chamber jazz, in the best tradition of the Chico Hamilton group! This album features the version of Chico's group with Paul Horn on flute and alto sax – plus Jim Hall guitar, Fred Katz cello, and Buddy Collette on tenor and alto sax. The sound differs a bit from the version you may know from the CD reissue – as that one features Dolphy in the group – but it's still great, with titles that include "Azure", "In A Mellotone", "Day Dream", "I'm Beginning To See The Light", and "I'm Just A Lucky So & So". LP, Vinyl record album
(Black label World Pacific pressing with deep groove. Cover is in nice shape, with a bit of pen on the back.)

Possible matches31
CD, LP, Vinyl record album cover art
Lee KonitzLee Konitz Duets ... LP
Milestone, 1967. Very Good Gatefold ... $5.99
An interesting concept record, with Konitz approaching a variety of material, much of it written by his collaborators, in wide open duet settings. Players include Jim Hall, Joe Henderson, Elvin Jones and Richie Kamuca, and on each piece, both Konitz and his companion have loads of room to extrapolate on the base composition. Perhaps the highlight of the record is to be able to listen to Konitz wrap his warm tone around each piece, and then dance lightly around the melody. 8 numbers, including "Erb" with Jim Hall, "Checkerboard" with Dick Katz, and "You Don't Know What Love Is" with Joe Henderson. LP, Vinyl record album
(Green label pressing in glossy cover!)
Also available Lee Konitz Duets (Japanese pressing) ... CD 4.99

Possible matches32
CD, LP, Vinyl record album cover art
Lee KonitzLee Konitz Duets (Japanese pressing) ... CD
Milestone (Japan), 1967. Used ... $4.99
An interesting concept record, with Konitz approaching a variety of material, much of it written by his collaborators, in wide open duet settings. Players include Jim Hall, Joe Henderson, Elvin Jones and Richie Kamuca, and on each piece, both Konitz and his companion have loads of room to extrapolate on the base composition. Perhaps the highlight of the record is to be able to listen to Konitz wrap his warm tone around each piece, and then dance lightly around the melody. 8 numbers, including "Erb" with Jim Hall, "Checkerboard" with Dick Katz, and "You Don't Know What Love Is" with Joe Henderson. CD
(Out of print. CD case has a cutout notch.)
Also available Lee Konitz Duets ... LP 5.99

Possible matches33
CD, LP, Vinyl record album cover art
John Lewis, Bill Perkins & OthersGrand Encounter – 2 Degrees East/3 Degrees West ... LP
Pacific Jazz, 1956. Very Good- ... $14.99
A classic meeting of east and west coast artists of the third stream jazz sphere of the late 50s – one that features the team of John Lewis and Percy Heath of the Modern Jazz Quartet working alongside the west coast tenor of Bill Perkins, plus the guitar of Jim Hall and drums of Chico Hamilton! The whole album's got quite a unique feel – one that's as airy as that of the MJQ work of the time, but not nearly as academic or sleepy – thanks to a nice biting tone from Perkins' tenor, which really seems to stretch out in the space provided by Lewis. There's almost a similarly sublime quality here as on Lewis' album with Sacha Distel – Afternoon In Paris – which featured a similar use of space for great tenor sound (in that case, the tenor of Barney Wilen.) Titles include "2 Degrees East 3 Degrees West", "Easy Living", "Skylark", and "I Can't Get Started". LP, Vinyl record album
(Black label World Pacific pressing with deep groove. Label has a Free Bonus Record stamp. Cover has split seams, with a piece of masking tape on the bottom, a center split on the spine, and Free Bonus Record stampon back.)

Possible matches34
CD, LP, Vinyl record album cover art
Yoshiaki Masuo111 Sullivan Street ... CD
East Wind (Japan), 1975. New Copy ... $13.99
One of the only albums we've ever seen from Japanese guitarist Yoshiaki Masuo – and an unusual record that features very small, spare groupings – either solo, or with some slight accompaniment from a set of musicians that includes Bob Mover on alto, Bob Cranshaw on bass, and David Lee on drums! The approach is almost like Jim Hall at his mellow best – although Masuo's got a different style on the instrument, but one that's open and expressive, even when laidback – so that there's plenty of color and life throughout, even at the gentler moments. The pairing of Mover's alto with guitar is especially nice – and titles include "Swing 42", "Reminiscence", "West Side Highway", and "Washington Square Blues". CD

Possible matches35
CD, LP, Vinyl record album cover art
Gary McFarlandGary McFarland Orchestra – Featuring Special Guest Bill Evans ... LP
Verve, 1963. Very Good+ Gatefold ... $12.99
Great early work from Gary McFarland – much more serious than some of his whimsical bossa sides, but also a stunning example of the depths of his talents! The group on the session isn't really an "orchestra" – just a combo with Gary on vibes, Bill Evans on piano, Jim Hall on guitar, Phil Woods and Spencer Sinatra on reeds – plus some added strings. The tracks have the fragility of some of the collaborations between Bill Evans and Jim Hall – but also a bit more swing and space at times, and a wonderfully chromatic edge from McFarland's vibes! The feel's a bit like some of the work done by Gary over at Impulse – and titles include "Reflections In The Park", "Night Images", "Peachtree", "Tree Patterns", and "A Moment Alone". LP, Vinyl record album
(MGM pressing.)

Possible matches36
CD, LP, Vinyl record album cover art
Red MitchellRejoice! (LP sleeve reissue) ... CD
Pacific Jazz/LP Time (Spain), 1961. Used ... $14.99
Brilliant work from one of the most important forces on the LA scene of the 50s – and one of the few early albums Red Mitchell cut under his own name! The album's a live set that has Red playing jazz cello – mostly plucking the instrument like a bass, with the great Jimmy Bond handling the real bass work on the set in the rhythm section! Given Bond's usual ability to make a session groove, the sound here is plenty darn nice throughout – a romping, vamping sort of style that's got a much deeper feel than you might expect from an album of jazz cello. The rest of the group includes Frank Strazzeri on piano, Frank Butler on drums, and Jim Hall on guitar – the last of whom matches notes nicely with Mitchell, almost in a grittier take on west coast jazz counterpoint. Titles include "Jim's Blues", "Rejoice", "Black Eyed Peas", and "Night In Tunisia". CD
(Out of print. Includes Spanish obi.)

Possible matches37
CD, LP, Vinyl record album cover art
Modern Jazz QuartetThird Stream Music ... LP
Atlantic, 1957. Very Good ... $2.99
A seminal album that defined the fresh sound of a whole new generation in jazz – that "third stream" movement that was different from the cool jazz of the west coast, and the fire of New York! The style here follows that same mix of jazz and higher-concept elements you'd hear on other Modern Jazz Quartet albums for Atlantic – but the music is expanded here with some great help from outside parties too. The Jimmy Giuffre trio join the quartet on most of side one – adding in Jimmy's snakey clarinet and Jim Hall's fluid guitar lines for a really fresh take on the MJQ groove. The remainder of the album brings in the Beaux Arts String Quartet – who shade in the mix of vibes and piano with these dark strains that are really beautiful – and bring even more drama than usual to the music. Titles include "Da Capo", "Fine", "Exposure", "Sketch", and "Conversation". LP, Vinyl record album
(French pressing, with all French titles. Cover has some wear.)
 
Partial matches: 16
Partial matches62
CD, LP, Vinyl record album cover art
Donald ByrdFancy Free ... CD
Blue Note (Japan), 1969. New Copy ... $18.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". CD
(SHMCD.)

Partial matches63
CD, LP, Vinyl record album cover art
Donald ByrdFancy Free ... LP
Blue Note, 1969. Very Good ... $29.99
One of the coolest, grooviest 60s albums from trumpeter Donald Byrd – one that has him really reaching out for a hip new sound, but in ways that are different than most of his other material at the time! Key on the date is the placement of electric piano from Duke Pearson – played in this open, flowing style that has all the best hallmarks of Pearson's own work on the instrument for his sessions – yet balanced nicely with the bolder punch of Byrd's trumpet as well. Donald's quite far from any Miles Davis cliches on this one – no too-dark electric modes at all – and instead, the album's got this sense of lyrical soulfulness that we've maybe never heard this strongly again on any of Byrd's other albums. Other players include Frank Foster on tenor, Jerry Dodgion and Lew Tabackin on flute, Julian Priester on trombone, Jimmy Ponder on guitar, and either Idris Muhammad or Joe Chambers on drums. All tracks are nice and long, and very fresh – and include "Weasil", "I Love the Girl", "Fancy Free", and "The Uptowner". LP, Vinyl record album
(Liberty pressing with Van Gelder stamp.)

Partial matches64
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... CD
Columbia, 1961. Used 2 CDs ... $4.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 2CD set features the full concert in one package – including material issued on the More From Carnegie Hall record – 11 tracks in all. CD
Also available Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD 11.99

Partial matches65
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD
Columbia (Japan), 1961. Used ... $11.99
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! 8 tracks in all. CD
(90s Japanese pressing. Obi is included, but it has a tear and some tape.)
Also available Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... CD 4.99

Partial matches66
CD, LP, Vinyl record album cover art
✨✧ Curtis FullerAll Star Sextets ... LP
Savoy, 1959. Very Good+ 2LP Gatefold ... $8.99
Outstanding early work from Curtis Fuller, leading a smoking small group through bop and hard bop numbers in a modernist mode like some of the best Jazztet sides Art Farmer and Benny Golson would go on to cut a few years later. Golson's featured here alongside Fuller in the front line, with either Lee Morgan or Thad Jones on trumpet, and the group filled out with a batch of top notch sidemen in the rhythm section as the title implies: Wynton Kelly, Paul Chambers, Charlie Persip, Mcoy Tyner, Jimmy Garrison and Dave Bailey. Some of the best bop sides issued on Savoy, and among the hardest to find, too! Includes "It's All Right With Me", "Arabia", "I'll Walk Alone", "Judy's Dilemma", "Wheatleigh Hall", "Kachin", "Bang Bang", "Imagination", "Blues De Funk" and "Lido Road". LP, Vinyl record album
(Cover has reinforced tape on the top seam and spine, and a peeled patch on front on the opening.)

Partial matches67
CD, LP, Vinyl record album cover art
Jimmy GiuffreMusic Man ... LP
Atlantic, Late 50s. Very Good ... $9.99
The Music Man, made different – thanks to very fresh arrangements from Jimmy Giuffre – heard here in one of his few large group sessions for Atlantic Records! The music is all from the score of the famous show, but Giuffre really reworks things with some sharp modern jazz edges – inventive rhythms from bassist Wendell Marshall and drummer Ed Shaugnessy – and no use of piano at all, which allows for plenty of free play in the horn section – which features Giuffre on tenor, clarinet, and baritone – plus Al Cohn and Eddie Wasserman on tenor, Joe Wilder and Phil Sunkel on trumpets, and Sol Schlinger on baritone sax. Without any vocals, and with Jimmy's unique structures, these tunes take on some very fresh styles – and titles include "Marian The Librarian", "The Wells Fargo Wagon", "Iowa Stubborn", "Gary Indiana", and "It's You". LP, Vinyl record album
(Original black label pressing with deep groove.)

Partial matches68
CD, LP, Vinyl record album cover art
Bennie GreenHornful Of Soul (Japanese pressing) ... CD
Bethlehem (Japan), 1960. Used ... $14.99
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD
(Out of print. Includes obi.)

Partial matches69
CD, LP, Vinyl record album cover art
✨✧ Milt JacksonInvitation ... LP
Riverside, 1962. Very Good+ ... $14.99
A very nice little Milt Jackson album – cut in the mode of some of his excellent soul jazz group sides from the mid 60s. This set pushes Milt past the format of much of his other work – especially that of the MJQ – as it features him in a very soulful sextet, working with Tommy Flanagan on piano, Kenny Dorham on trumpet, Jimmy Heath on tenor, Ron Carter on bass, and Connie Kay on drums. The presence of Dorham and Heath give the album a light lyrical swing that really opens things up – and there's a fair bit of modally-oriented tunes on the set that hint at the more soulful playing of most of the players in the 70s. Tracks include a great version of "Invitation", plus "The Sealer", "Poom A Loom", "Ruby", and "None Shall Wander". LP, Vinyl record album
(Black label Bill Grauer Productions pressing.)

Partial matches70
CD, LP, Vinyl record album cover art
Jimmy McPartland & Wild Bill DavisonDixieland At Carnegie Hall ... LP
Roulette, Late 50s. Very Good ... $3.99
LP, Vinyl record album
(Cover has light wear, aging and a few small spots of clear tape.)

Partial matches71
CD, LP, Vinyl record album cover art
Jimmy RaneyJimmy Raney Plays (10 inch LP) ... LP
Prestige, Early 50s. Sealed ... $19.99
A beautiful early cooker from guitarist Raney – cut with that hard, almost raspy tone that we love so much in his work at the time! The session's a quartet outing with Hall Overton on piano, Red Mitchell on bass, Frank Isola on drums and the mysterious "Sven Coolson" (Stan Getz?) on tenor – all working nicely with Raney in the same open-ended, laidback swinging style of the work that he cut with Stan Getz as a leader during the same time. Titles include "Signal", "Motion", " Lee", and "Round Midnight". LP, Vinyl record album
(Very nice 10" LP reissue!)

Partial matches72
CD, LP, Vinyl record album cover art
Jack TeagardenJack Teagarden – Jazz Great ... LP
Bethlehem, 1954. Near Mint- ... $19.99
The album definitely lives up to the title, and features the mighty Jack Teagarden in a number of small group settings – all with a straight ahead punch that gets away from some of the gimmicks of his other 50s sessions! Teagarden's trombone is still one of the sharpest instruments of his generation of jazz – and Jack works here with a mix of players that includes Jimmy McPartland on trumpet, Edmond Hall on clarinet, Dick Cary on piano, Walter Page on bass, and Jo Jones on drums. Most arrangements are by Cary – and Jack sings just a bit, in that wonderfully raspy style of his. Titles include "Misery & The Blues", "Bad Acting Woman", "Meet Me Where They Play The Blues", "Music To Love By", and "High Society". LP, Vinyl record album
(Red label pressing with deep groove.)

Partial matches73
CD, LP, Vinyl record album cover art
Charles MingusMingus Ah Um ... CD
Columbia, 1959. Used ... Just Sold Out!
One of Charles Mingus' true classics – and an essential album in any jazz collection! This 1959 gem was recorded by Mingus at a key point in his career – when he was rising from the jazz underground into the ranks of America's elite jazzmen, penning some of the most challenging work of his career, and working with incredible younger players that interpreted his work with a great deal of fire! The tracks are a bit more tightly arranged than work on some of Mingus' previous work for labels like Atlantic and Bethlehem, but that also gives them a razor-sharp emotional edge that's carried off perfectly by players who include John Handy and Shafi Hadi on alto saxes, Booker Ervin on tenor, Willie Dennis and Jimmy Knepper on trombones, Horace Parlan on piano, and Dannie Richmond on drums. The album is filled with key Mingus classics – like "Better Git It In Your Soul", "Boogie Stop Shuffle", "Goodbye Pork Pie Hat", and "Fables of Faubus" – plus "Self Portrait In Three Colors", "Open Letter To Duke", and "Bird Call". CD
(Columbia Jazz Masters pressing.)

Partial matches74
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... LP
Columbia, 1961. Used ... Temporarily Out Of Stock
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! LP, Vinyl record album
(360 stereo pressing.)
Also available
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD 11.99
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... CD 4.99

Partial matches75
CD, LP, Vinyl record album cover art
✨✧ Bennie GreenCatwalk (aka Hornful Of Soul) ... LP
Bethlehem, 1960. Used ... Temporarily Out Of Stock
A killer of an album from one of the best hardbop trombonists of the 50s! This original's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". LP, Vinyl record album
(70s pressing. Cover has a sticker spot, a promo stamp & sticker, and some light wear.)

Partial matches76
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese paper sleeve edition) ... CD
Columbia (Japan), 1961. Used ... Out Of Stock
Sparkling live work from Miles Davis – and a set that captures both sides of his talents on Columbia at the time! Half the material features a smoking quintet – with Hank Mobley on tenor, Wynton Kelly on piano, Paul Chambers on bass, and Jimmy Cobb on drums – and the other half of the date features a larger orchestra led by Gil Evans – in the modern mode that make the Miles/Evans collaborations sound so great on some of the pair's studio records! Together, the material offers up a beautiful live portrait of Davis' early 60s genius – allowed a bit more space to roam in the live setting, on titles that include "So What", "New Rhumba", "Lament", and "No Blues" – all taken at a bit of a faster clip than in the studio, as Miles was wont to do in a live performance! CD
(Out of print. Includes obi!)
Also available
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 (Japanese pressing) ... CD 11.99
Miles Davis At Carnegie Hall – The Legendary Performance Of May 19, 1961 ... CD 4.99

Partial matches77
CD, LP, Vinyl record album cover art
✨✧ Bennie GreenHornful Of Soul ... CD
Bethlehem/Solid (Japan), 1960. New Copy ... Out Of Stock
A killer of an album from one of the best hardbop trombonists of the 50s! This side's always been wickedly hard to find, and it comes from that later period when the Bethlehem label was cutting records that had a lot more of a soulful groove than earlier years. Bennie's playing with a hip group of underground players that includes Jimmy Forrest on tenor, Lem Davis on alto, and Skip Hall on organ – and although the tracks are short, they've got a fire that gets the job done in double-time, and which makes you think you're hearing some session on Prestige. Titles include "Catwalk", "Dee Dee", "Dibblin & Dabblin", and "Groove One". CD
Also available Hornful Of Soul (Japanese pressing) ... CD 14.99
 
 
 



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