Jazz — All

A wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!




Items/page

First Choice Edit search Phrase match

 
Sort by
Possible matches: 7
Possible matches1
CD, LP, Vinyl record album cover art
Chubby Jackson/Toots Thielemans/Arnold Ross/GeorgeChoice Cuts ... CD
Esquire/Solid (Japan), Late 40s/Early 50s. New Copy ... $15.99
An album with Chubby Jackson's name in big type, but a set that also features three other groups, in addition to some great small combo sides from Jackson! All material was recorded in Stockholm, in a setting that's clearly welcoming to the new ideas of this postwar generation – and Jackson's featured on the first six tracks – with a very cool small combo that features Conte Candoli on trumpet, Frank Socolow on tenor, Terry Gibbs on vibes, and Lou Levy on piano. The sound is every bit as sharp as on any of Jackson's American sides – and titles include "Crown PIlots", "Lemon Drop", "Crying Sands", "Boomsie", and "Dee Dee's Dance". Next up are two sweet tracks with Toots Thielemans on harmonica, in a quartet with Jimmy Woode on bass – on the titles "I Can't Get Started" and "How High The Moon". Pianist Arnold Ross folows – with a tight combo of British players that includes Jimmy Deuchar on trumpet, Ronnie Scott on tenor, and Derek Humble on alto – on the titles "The Champ", "Once In Awhile", "All the Things You Are", and "These Foolish Things". The set ends with two tracks that feature pianist George Wallington in a Swedish group – with Lars Gullin on baritone, Arne Domnerus on alto, and Ake Persson on trombone – on the titles "Blue Bird" and "Round Midnight". CD

Possible matches2
CD, LP, Vinyl record album cover art
Ruby Braff, George Wein/Bob Brookmeyer & Al CohnJazz At Storyville 1 (Jazz At The Boston Arts Festival/Bob Brookmeyer Featuring Al Cohn) ... LP
Storyville/Trio (Japan), 1954. Near Mint- ... $19.99
A Japanese-only album – one that brings together two rare 10" jazz sessions for the Storyville label in Boston! First up is Jazz At The Boston Arts Festival – a great set of trad jazz grooves from the Boston scene of the 50s – recorded with an easygoing groove that's totally great, and put together by George Wein in the same spirit as some of his better-known live events of the time! Players include Ruby Braff on trumpet, Vic Dickenson and Dick Lefave on trombones, Al Drootin on clarinet, Sam Margolis on tenor, Buzzy Drootin on drums, and Wein himself on piano – and the tunes are open-ended swing-based numbers, with titles that include "High Society", "You Took Advantage Of Me", "Swinging The Blues", "At The Jazz Band Ball", and "After You've Gone". The second half of the album is even better – the great 10" session Bob Brookmeyer Featuring Al Cohn – a great early session from trombonist Bob Brookmeyer – recorded with a light easy swing that's similar to his mid 50s work with Stan Getz, and in a format that's possibly more relaxed overall! This time around, Bob's working with Al Cohn on tenor – a nice choice for the date, and a player who gives the record a different feel than the more famous Getz/Brookmeyer combination of the time. The rest of the group includes John Williams on piano, Frank Isola on bass, and Bill Anthony on drums – and there's some great interplay between Cohn's tenor and Bob's trombone – the latter of which has that trademark compressed sound throughout! Titles include "Jive At Five", "In The Mode", "Skylark", and "Open Country". LP, Vinyl record album
(With obi & insert.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Charles EarlandBoss Organ ... LP
Choice, Late 60s. Very Good+ ... Just Sold Out!
Easily the best of the pre-Prestige albums from Charles Earland – a really smoking trio session, done in the soulful styles that Earland was putting down in the clubs at the time! The group here features a young Jimmy Ponder on guitar – playing in that totally tight, totally amazing way he used on his first few soul jazz sessions for bigger labels – a sound that's a far bit better than most of his mainstream work in years to come. The group really cooks nicely throughout, and the recording quality is great too – way better than some of those dodgy sessions that were issued after Charlie's bigger fame, and handled well by the Choice/Sound Of America label, which mostly did gospel sessions. Titles include the originals "Millology", "Mustang", "Six Twice", and "Wha's Happinin" – plus a wild remake of "Danny Boy"! LP, Vinyl record album
(Cover has some light wear, and a small bit of seam splitting.)

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Count BasieFrankly Basie – Count Basie Plays The Hits Of Frank Sinatra (with bonus tracks) ... CD
Verve/Jazz Heritage, 1962. Used ... Temporarily Out Of Stock
Basie hits the hits of the 50s and early 60s – working here with some tight Billy Byers arrangements that really help transform the tunes! The groove is upbeat, bright, and brilliantly soulful – that punctuated Basie groove first formed when Neal Hefti was with the group, still carried off here wonderfully by a lineup that includes Frank Wess and Frank Foster on saxes, Snooky Young and Al Aarons on trumpets, Benny Powell and Henry Coker on trombones, and Freddie Green on guitar. Titles include "The Second Time Around", "Hey Jealous Lover", "All Of Me", "This Love Of Mine", "Saturday Night", "Come Fly With Me", and "South Of The Border" – almost a Sinatra album in spirit, given the choice of tunes like these! Includes bonus tracks too. CD
(Out of print, BMG music club pressing.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Jerry BergonziLineage ... CD
Red (Italy), 1989. New Copy ... Temporarily Out Of Stock
Low-burning tenor from Jerry Bergonzi – a player we grow to appreciate more and more as the years go by! Jerry starts this set off with a great reading of Joe Henderson's "Inner Urge" – which is a very apt choice, as Bergonzi's tenor has all the deep soul and modern edges we loved in Henderson's early Blue Note work – a real breath of fresh air when Jerry first came on the scene, and still holding up beautifully over the years! Mulgrew Miller's piano provides some great support here, too – supporting Bergonzi's vibe beautifully with lots of dark, thoughtful lines – even on the ballad numbers – and the rest of the group features Adam Nussbaum on drums and Dave Santoro on bass. In addition to "Inner Urge", other titles include "Jones", "Red's Blues", "On The Brink", and "Everything Happens To Me". CD

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Bill Evans5 Original Albums (Trio 64/Simple Matter Of Conviction/Further Conversations/At Montreux Jazz Festival/What's New) (5CD set) ... CD
Verve (Germany), Mid 60s. New Copy 5 CDs ... Out Of Stock
Five classic Bill Evans albums on Verve – all in tiny LP-styled sleeves! On Trio 64, Bill Evans is working with a really wonderful trio – one that features Gary Peacock on bass and Paul Motian on drums – both budding young modernists who help Evans reach some new sounds on the set! The record starts out with a groove that's perhaps more inside than you'd expect – but it then quickly moves into the sort of sensitively-played numbers that really made Evans a key force in jazz during the early 60s – supported by equally personal work from Peacock and Motian, who both clearly feel free to move beyond common piano trio cliches. Tracks include "Dancing In The Dark", "Always", "Little Lulu", "Santa Claus Is Coming To Town", "Everything Happens To Me", and "For Heaven's Sake". On Simple Matter Of Conviction, Bill Evans is working with bassist Eddie Gomez, a hugely talented bassist that would be one of Bill's best partners during this period, and a player who added a nice dose of soul to the proceedings. The drummer is Shelly Manne, who's pretty nice, too – and really shows off some of his more sophisticated shadings here in the presence of Evans and Gomez – similar to his work on the great Empathy album. Tracks are shortish, but filled with imagination – and titles include "Unless It's You", "These Things Called Changes", "Stella By Starlight", and "A Simple Matter Of Conviction". Further is a follow up to the similarly-titled Conversations With Myself album recorded several years before – and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one – given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines – creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now". Next is Bill Evans' first famous appearance at the Montreux Jazz Festival – a great 60s trio session, with Eddie Gomez on bass and Jack DeJohnette on drums! The tunes are mostly relatively familiar ones, but the ensemble on the set gives them a freer and more lyrical feel than you might expect – especially with DeJohnette on drums, who is a somewhat more powerful choice than some of Bill's other drummers of the 60s. Eddie Gomez is great, as always – with that round bass sound that we totally love – and titles include "Nardis", "Sleepin Bee", "Embraceable You", "Someday My Prince Will Come", "Mother Of Earl", "One For Helen", and "Walkin Up". And last, but not least, is What's New – one of Bill Evans' most beautiful albums from the time – and one that features the fantastic team of Jeremy Steig and Eddie Gomez, who were cutting some beautiful records for other labels at the time. Steig's flute later got very silly, but at this point, he's got a raw stripped-down sound that works perfectly with Gomez's warm, slightly funky basslines – making for a slightly soulful approach that really transforms the session. Evans is no slouch either – and the youthful company makes him play some of his best bits in years – on titles that include "Time Out For Chris", "So What", "Spartacus Love Theme", and "Autumn Leaves". CD

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Spike RobinsonGuv'Nor ... CD
Esquire/Solid (Japan), 1951. New Copy ... Out Of Stock
That's a later photo of Spike Robinson on the cover, but the set features very early work by the British saxophonist – some great sessions that were originally done for 78rpm releases on the Esquire label! Spike's got a hell of a tone on the alto – never forced, and especially strong on the mellower material – where he's got the raspy fluidity of a young Stan Getz, and a sense of tone that almost seems influenced by the tenor of Lester Young! The first 8 tracks feature a group with Victor Feldman on vibes and Tommy Pollard on piano – the last 8 feature Feldman on drums with Ronnie Ball on piano. Each title features at least two takes – with nicely varied solos from Spike – and tunes include "East Of The Sun", "Just Friends", "The Way You Look Tonight", "Spike's Delight", "The Guv'Nor", "Spike's Choice", and "Lover Come Back To Me". CD
 
 
 



⇑ Top