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A wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!




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Possible matches: 3
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CD, LP, Vinyl record album cover art
✨✧ Barry HarrisBarry Harris Trio Plays Tadd Dameron & Thelonious Monk ... CD
Xanadu/Jazzlips (Spain), 1975. Used ... Temporarily Out Of Stock
2 overlooked 70s gems from Barry Harris – both of them trio dates based around famous jazz composers! First up are 8 tracks in which Barry Harris stretches out wonderfully in a set of compositions by Tadd Dameron – most of them familiar jazz standards from a few decades before, transformed magically by Harris in a hip 70s piano trio mode! The group here features Gene Taylor on bass and Leroy Williams on drums – both of whom work nicely with Barry's newly discovered sweetness at the time – an approach that's sometimes a bit warmer than his work in the 60s, and which helps make these tunes stand out in newly sensitive readings. Titles include "The Tadd Walk", "Lady Bird", "Casbah", "Our Delight", "Soultrane", "The Chase", and "Hot House". Next up are 5 more tracks penned by Thelonious Monk, and played by Harris with a trio that includes Bill Lee on bass and Leroy Williams on drums! Harris hits the right angular modes to make Monk's music come alive, but also warms them up with a bit more sensitivity too – slight colorings in his choice of tone, and an almost more personal feel on some of the numbers, even when taken at a fast clip. Titles include "Epistrophy", "In Walked Bud", "52nd Street Theme", and "Light Blue". CD also features a solo version of "Pannonica" from 1984, and a reading of "All God's Chillun Got Rhythm" from 1978 – recorded live in Montreux with Sam Jones on bass and Leroy Williams on drums. CD
(Out of print.)

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CD, LP, Vinyl record album cover art
✨✧ Jerry BergonziLineage ... CD
Red (Italy), 1989. Used ... Out Of Stock
Low-burning tenor from Jerry Bergonzi – a player we grow to appreciate more and more as the years go by! Jerry starts this set off with a great reading of Joe Henderson's "Inner Urge" – which is a very apt choice, as Bergonzi's tenor has all the deep soul and modern edges we loved in Henderson's early Blue Note work – a real breath of fresh air when Jerry first came on the scene, and still holding up beautifully over the years! Mulgrew Miller's piano provides some great support here, too – supporting Bergonzi's vibe beautifully with lots of dark, thoughtful lines – even on the ballad numbers – and the rest of the group features Adam Nussbaum on drums and Dave Santoro on bass. In addition to "Inner Urge", other titles include "Jones", "Red's Blues", "On The Brink", and "Everything Happens To Me". CD
(Out of print 90s pressing.)

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Bill Evans5 Original Albums (Trio 64/Simple Matter Of Conviction/Further Conversations/At Montreux Jazz Festival/What's New) (5CD set) ... CD
Verve (Germany), Mid 60s. New Copy 5 CDs ... Out Of Stock
Five classic Bill Evans albums on Verve – all in tiny LP-styled sleeves! On Trio 64, Bill Evans is working with a really wonderful trio – one that features Gary Peacock on bass and Paul Motian on drums – both budding young modernists who help Evans reach some new sounds on the set! The record starts out with a groove that's perhaps more inside than you'd expect – but it then quickly moves into the sort of sensitively-played numbers that really made Evans a key force in jazz during the early 60s – supported by equally personal work from Peacock and Motian, who both clearly feel free to move beyond common piano trio cliches. Tracks include "Dancing In The Dark", "Always", "Little Lulu", "Santa Claus Is Coming To Town", "Everything Happens To Me", and "For Heaven's Sake". On Simple Matter Of Conviction, Bill Evans is working with bassist Eddie Gomez, a hugely talented bassist that would be one of Bill's best partners during this period, and a player who added a nice dose of soul to the proceedings. The drummer is Shelly Manne, who's pretty nice, too – and really shows off some of his more sophisticated shadings here in the presence of Evans and Gomez – similar to his work on the great Empathy album. Tracks are shortish, but filled with imagination – and titles include "Unless It's You", "These Things Called Changes", "Stella By Starlight", and "A Simple Matter Of Conviction". Further is a follow up to the similarly-titled Conversations With Myself album recorded several years before – and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one – given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines – creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now". Next is Bill Evans' first famous appearance at the Montreux Jazz Festival – a great 60s trio session, with Eddie Gomez on bass and Jack DeJohnette on drums! The tunes are mostly relatively familiar ones, but the ensemble on the set gives them a freer and more lyrical feel than you might expect – especially with DeJohnette on drums, who is a somewhat more powerful choice than some of Bill's other drummers of the 60s. Eddie Gomez is great, as always – with that round bass sound that we totally love – and titles include "Nardis", "Sleepin Bee", "Embraceable You", "Someday My Prince Will Come", "Mother Of Earl", "One For Helen", and "Walkin Up". And last, but not least, is What's New – one of Bill Evans' most beautiful albums from the time – and one that features the fantastic team of Jeremy Steig and Eddie Gomez, who were cutting some beautiful records for other labels at the time. Steig's flute later got very silly, but at this point, he's got a raw stripped-down sound that works perfectly with Gomez's warm, slightly funky basslines – making for a slightly soulful approach that really transforms the session. Evans is no slouch either – and the youthful company makes him play some of his best bits in years – on titles that include "Time Out For Chris", "So What", "Spartacus Love Theme", and "Autumn Leaves". CD
 
Partial matches: 1
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CD, LP, Vinyl record album cover art
Kidd Jordan/Peter Kowald/Alvin FielderTrio & Duo In New Orleans ... CD
No Business (Lithuania), 2013. New Copy 2 CDs ... $19.99
A wonderful showcase for the soulful tenor talents of Kidd Jordan – a player with a style that takes us back to some of the richest, most expressive musicians of the loft jazz scene of the 70s! Jordan's got a way of spinning out a long, personal statement on his horn – one that's powerful and bold, and never resorts to cliche or any easy tricks – often just built strongly out of these very individualistic choices that almost have a poetic quality – although certainly of the proud and righteous mode! The first half of the set features a live performance with some wonderful bass work from Peter Kowald – a player whose low tones resonate in this very unusual way, and bring further depth to the record. Alvin Fielder plays both drums and percussion – and sparks off some strong energy at some points – even more so on the second half of the package, which just features duo tracks between Fielder and Jordan recorded in the studio. Live trio titles include six trio passages and both a solo drum and bass number – and duo titles include "Nameless Sound Duo", "Tempest Nola 2005", "Liftoff", and "Duo Flight". CD
Also available Live In New Orleans ... LP 29.99
 
 
 



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