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Exact matches: 4
Exact matches1
CD, LP, Vinyl record album cover art
Miles DavisESP ... CD
Columbia, 1965. Used ... $5.99
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". CD
(BMG music club pressing.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Miles DavisESP ... LP
Columbia, 1965. Used ... Out Of Stock
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". LP, Vinyl record album
(70s pressing.)
Also available ESP ... CD 5.99

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ VariousESP Disk Story Vol 1 ... LP
ESP/Contempo (Italy), Late 60s. New Copy (reissue)... Out Of Stock
A special series, put together in celebration of the legendary ESP labels – one of the coolest indie imprints of all time – with an amazing legacy of avant jazz, 60s freakout, underground folk, and lots more experimental sounds! The series is a bit light on packaging, but offers up vinyl versions of some hard-to-find tracks from the label – all picked by the widow of the late ESP owner, Bernard Stollman. Volume 1 is filled with late 60s avant jazz gems – titles that include "Ghosts (1st Varation)" by Albert Ayler, "Why Not" by Marion Brown, "Zoo (excerpt)" by Steve Lacy, "Cinematique (excerpt)" by Gato Barbieri, "Cosmos (excerpt)" by Sun Ra, and "Cartoon" by Paul Bley. LP, Vinyl record album

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ VariousESP Disk Story Vol 2 ... LP
ESP/Contempo (Italy), Late 60s. New Copy (reissue)... Out Of Stock
A special series, put together in celebration of the legendary ESP labels – one of the coolest indie imprints of all time – with an amazing legacy of avant jazz, 60s freakout, underground folk, and lots more experimental sounds! The series is a bit light on packaging, but offers up vinyl versions of some hard-to-find tracks from the label – all picked by the widow of the late ESP owner, Bernard Stollman. Volume 2 continues with lots more jazz – including a passage from "His Band From Outer Space Shadow World" by Sun Ra, "The Lady" by Frank Wright, "770" by Alan Sondheim, "Tabla Suite" by Giuseppi Logan, and "Brother Joseph" by Frank Lowe. LP, Vinyl record album
 
Close matches: 25
Close matches5
CD, LP, Vinyl record album cover art
Albert AylerBells/Prophecy ... CD
ESP/ZYX (Germany), 1964/1965. Used ... $8.99
A double-length set that brings together 2 key early live sets by Albert Ayler – both recorded on the New York scene of the mid 60s! Bells was an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! Prophecy is longer – a full album that was recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after Ayler's untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". CD
(Out of print.)

Close matches6
CD, LP, Vinyl record album cover art
Albert AylerLive On The Riviera ... CD
ESP, 1970. Used ... $9.99
A previously unreleased live performance by Albert Ayler – recorded in France in 1970 for the Maeght Foundation, but not the same material that was issued on the better-known Shandar albums! This concert predates those, and is a unique later outing that's strongly in the spirit of some of Ayler's earliest work for ESP – with longer tracks that serve mostly as a vehicle for Albert's own exploratory passages on tenor and soprano sax! The group's a quartet, with Steve Tintweiss on bass, Allen Blairman on drums, and Mary Maria on soprano sax and a bit of voice – but the way the concert's recorded, Ayler's tone is most strongly upfront in the mix, and seems to dominate most numbers. Titles include "Music Is The Healing Force Of The Universe", "Birth Of Mirth", "Masonic Inborn", "Oh Love Of Life", "Heart Love", and "Island Harvest". CD

Close matches7
CD, LP, Vinyl record album cover art
Albert AylerProphecy ... LP
ESP, 1964. New Copy (reissue)... $24.99
Early work by Albert Ayler, recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after his untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". LP, Vinyl record album

Close matches8
CD, LP, Vinyl record album cover art
Albert AylerSpiritual Unity ... CD
ESP/ZYX (Germany), 1964. Used ... Just Sold Out!
A landmark recording – Albert Ayler's first album for the ESP label, and a record that hit the jazz world like a bullet! Spiritual Unity sets the stage for a format that would become huge in the European avant scene of the 70s, 80s, 90s, and even today – the sax-driven power-trio, tenor against bass and drums, working freely with less rhythmic constraints than before, searching for new sounds and new modes of expression, working through changes in a style first proposed by Sonny Rollins, but taken to new intensity by the New York underground of the 60s. That sound is summed up here perfectly by Ayler, Gary Peacock, and Sunny Murray – working together with an edgey brilliance, on classic tracks that include "Ghosts: First Variation", "Ghosts: Second Variation", "The Wizard", and "Spirits". CD
(Out of print original pressing.)

Close matches9
CD, LP, Vinyl record album cover art
Amina BarakaAmina Baraka & The Red Microphone ... CD
ESP, 2017. New Copy ... $12.99
Amina Baraka's holding a megaphone on the cover, but she hardly needs it at all – given the righteous power of her voice on this album – still completely amazing after all these years! The album follows in the best tradition of work started by Amiri Baraka back in the 60s – a mixture of spoken knowledge and avant jazz, with backing by a group that includes Ras Moshe Burnett on tenor and flute, Rocco John Iacavone on curved soprano sax and piano, John Pietaro on drums and percussion, and Laurie Towers on bass. The approach is wonderful – and the record really feels like some lost underground relic of the 70s, the sort that the ESP label might have issued back in the day. Titles include "The Fascist", "Time Step", "The Spirit Of Billy BAng", "For Margaret Walker Alexander", and "Afro American Child". (Vocalists, Jazz) CD

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Paul BleyBarrage ... LP
ESP, 1964. Near Mint- ... $59.99
A blasting barrage of sound from Paul Bley – a fierce session that's right up there with the most dynamic ESP work of the 60s – and quite different from some of Bley's more introspective music! The group here is a quintet – with bold work from Marshall Allen on alto sax and Dewey Johnson on trumpet – both working in the frontline with almost Ayler-like energy. Remaining players include the great Eddie Gomez on bass and Milford Graves on drums – romping together through a set of compelling Carla Bley compositions, including "And Now The Queen", "Walking Woman", "Ictus", "Barrage", and "Batterie". LP, Vinyl record album
(Red label pressing in the red paste-on cover, with a light stain along the spine on back.)

Close matches11
CD, LP, Vinyl record album cover art
Paul BleyCloser ... LP
ESP, 1966. Near Mint- ... $43.99
Possibly the first true moment of genius from Paul Bley – a key indie standout after a few years working for bigger American labels! By the time of this early ESP album, Paul Bley was no stranger to the American scene – having recorded a few records for different labels in the 50s, and making some surprise appearances on other sessions in the early part of the 60s. But by the time of this mid 60s set, Bley was really coming into his own – working in a style that would have a huge influence on the style of jazz piano for the next few decades, and which was one of the first strong statements of modernism from the Canadian scene. Here, he's working with Steve Swallow on bass and Barry Altschul on percussion in a trio format, working through a great batch of tracks by then wife Carla – like "Ida", "Start", "Closer", "Batterie", and "Sideways In Mexico" – as well as versions of Ornette Coleman's "Crossroads", Annette Peacock's "Cartoon", and his own "Figfoot". LP, Vinyl record album
(White inner label, and back cover has photos for titles up to ESP 1028. Cover has a Stereo sticker and a small stain on the bottom seam.)

Close matches12
CD, LP, Vinyl record album cover art
Ornette ColemanTown Hall 1962 ... LP
ESP, 1962. Very Good+ ... $29.99
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was fortunately finally issued by ESP Records a few years after the recording – providing a nice link between Coleman's earlier experiments and the sound of the younger generation usually showcased by the label. The group's a trio, with a sound that's quite different than the more rhythmic modes of Coleman on Atlantic Records – a freer, less structured lineup that features percussion from Charles Moffett and bass from David Izenzon. One track also adds in a string quartet – making the record one of Coleman's first experiments with this format – and titles include a 23 minute recording of "The Ark", plus "Doughnut", "Sadness", and "Dedication To Poets and Writers". LP, Vinyl record album
(Red label pressing, with a Riverside Drive address – and back cover images advertising titles up to ESP 1014.)

Close matches13
CD, LP, Vinyl record album cover art
Ornette ColemanTown Hall 1962 (photo cover) ... LP
ESP, 1962. Near Mint- ... $29.99
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was fortunately finally issued by ESP Records a few years after the recording – providing a nice link between Coleman's earlier experiments and the sound of the younger generation usually showcased by the label. The group's a trio, with a sound that's quite different than the more rhythmic modes of Coleman on Atlantic Records – a freer, less structured lineup that features percussion from Charles Moffett and bass from David Izenzon. One track also adds in a string quartet – making the record one of Coleman's first experiments with this format – and titles include a 23 minute recording of "The Ark", plus "Doughnut", "Sadness", and "Dedication To Poets and Writers". LP, Vinyl record album
(5th Avenue pressing in a cover with Krumville sticker.)

Close matches14
CD, LP, Vinyl record album cover art
Lowell DavidsonLowell Davidson Trio ... CD
ESP/ZYX (Germany), 1965. Used ... $6.99
One of the most obscure 60s jazz sessions on ESP – a really free outing from pianist Lowell Davidson, working here in a trio that includes Gary Peacock on bass and Milford Graves on drums! Davidson's approach to the keys is quite far out, especially for the time – very much in the mode of Cecil Taylor, but possibly even more open-ended than Taylor's work up to this point. He doesn't get lost in the open spaces, though, thanks in no small part to the intuitiveness of his players. Really wonderful stuff that's loose, angular and engrossing all the way! Tracks are all longish originals – and titles include "L", "Ad Hoc", "Strong Tears", "Stately 1", and "Dunce". CD
(Out of print.)

Close matches15
CD, LP, Vinyl record album cover art
✨✧ Free Music QuintetFree Music 1 & 2 ... CD
ESP/ZYX (Germany), 1968. Used ... $7.99
... CD
(Out of print.)

Close matches16
CD, LP, Vinyl record album cover art
Bill HorwitzLies, Lies, Lies ... CD
ESP, 1975. Used ... $9.99
... CD
(Tray card has a cutout notch. Out of print.)

Close matches17
CD, LP, Vinyl record album cover art
Michael Gregory JacksonClarity ... CD
ESP, 1976. Used ... $4.99
An overlooked early session from multi-instrumentalist Michael Gregory Jackson, recording here with a trio of great horn players in a wonderfully sensitive sound! The record's approach is a perfect illustration of the maturity on the New York avant scene in the late 70s – a real change from the more frenetic modes that ESP was recording a decade before, with some thoughtful, almost pensive points that really round out the record beautifully. Jackson plays mostly guitar, but also vocalizes a bit and plays marimba, percussion, wood flute and other instruments – and he's joined by Oliver Lake on flute and saxes, Wadada Leo Smith on trumpets, and David Murray on tenor sax. Some tracks get nice and bold, while others hold back wonderfully – and titles include "Oliver Lake", "Clarity", "A View Of This Life", "Prelueoionti" and "Iomi". CD
(Out of print. Tray card has a cutout notch.)

Close matches18
CD, LP, Vinyl record album cover art
Bob JamesExplosions ... LP
ESP, 1965. Very Good+ ... $43.99
Early work by Bob James – recorded way before he became one of the funky talents of the 70s, when he was a budding young modernist on the New York scene, with clear influences from the work of Paul Bley. This set is a trio recording – and it features James playing with Barre Phillips on bass and Robert Pozar on drums. Phillips' work is especially amazing, as he gets sounds out of the bass that are just incredible – working the whole instrument into wild tones and sounds that far surpass conventional work on the strings. The whole session's amazingly dark – and it makes us love James' funky work even more to know that he started out this way! Titles include "Explosions", "An On", "Wolfman", and "Peasant Boy". LP, Vinyl record album
(Orange label stereo pressing. Cover has small seam splits.)

Close matches19
CD, LP, Vinyl record album cover art
✨✧ Giuseppi LoganGiuseppi Logan Quartet ... LP
ESP, 1964. Very Good ... Just Sold Out!
Freely improvised work from a very unusual group – one that features multi-instrumentalist Giuseppi Logan on a host of reeds, Milford Graves on drums and tabla, Don Pullen on piano, and Eddie Gomez on bass – stepping out here in a rare avant session! The album's a real standout in the ESP catalog – not only because it marks the recording debut of both Logan and Pullen, and the rare appearance of Gomez on such a session – but also because it's got a freewheeling quality that's even more outside and open-ended than some of the other work on the label! Logan plays alto, tenor, Pakistani oboe, bass clarinet, and flute – all with sounds that often veer towards the East, and which show a bit of an Indian music influence in the way the tunes are put together. Titles include "Dance of Satan", "Tabla Suite", "Dialogue", "Bleecker Partita", and "Taneous". LP, Vinyl record album
(Heavy original mono pressing – with paste-on cover! Cover has some wear, aging & marker.)

Close matches20
CD, LP, Vinyl record album cover art
Frank Wright TrioFrank Wright Trio ... CD
ESP (Germany), 1965. Used ... $6.99
A freewheeling workout in the classic ESP mode – tenor saxophonist Frank Wright's first album as a leader, and a majestic little session that easily stands alongside the best from Albert Ayler and Archie Shepp at the time! The format here is a bit like that of Ayler's ESP work – as Wright's hard tenor is set against the bass of Henry Grimes and the drums of Tom Price – but the difference here is that Wright's sharply-bitten, angular lines on tenor are at the forefront of the record – leaping ahead from the rest of the group and almost standing on their own as if Frank were recording solo! Titles include "The Moon", "Jerry", and "The Earth". CD
(Out of print.)

Close matches21
CD, LP, Vinyl record album cover art
✨✧ Albert AylerBells/Prophecy ... CD
ESP, 1964/1965. Used ... Temporarily Out Of Stock
A double-length set that brings together 2 key early live sets by Albert Ayler – both recorded on the New York scene of the mid 60s! Bells was an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! Prophecy is longer – a full album that was recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after Ayler's untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". CD
(Out of print.)

Close matches22
CD, LP, Vinyl record album cover art
✨✧ Albert AylerSpirits Rejoice ... CD
ESP/Calibre (Netherlands), 1965. Used ... Temporarily Out Of Stock
A seminal Albert Ayler session from the 60s – recorded at the legendary Judson Hall with an incredible sound! There's a bold, righteous feel to this record that possibly even tops other Ayler classics for ESP – and the spacious setting makes the notes echo, rebound, and come back together with searing intensity throughout. The group features Ayler on tenor, brother Don on trumpet, Charles Tyler on alto, Sunny Murray on drums, and both Henry Grimes and Gary Peacock on basses – using a unique two-bass approach that only further emphasizes the unique qualities of the record. Call Cobbs plays a bit of harpsichord too – and tracks include "Sprits Rejoice", "Holy Family", "Angels", and "Prophet". CD
(Includes slipcase.)

Close matches23
CD, LP, Vinyl record album cover art
✨✧ Free Music QuintetFree Music One & Two ... CD
ESP, 1968. Used ... Temporarily Out Of Stock
An unusual Dutch jazz release on ESP – with a lineup that includes Ferdy Rikkers on bass, Pierre Courbois on drums, Erwin Somer on vibes, Boy Raaymakers on trumpet, and Peter Van Der Locht on saxes. CD
(Out of print. Cover image differs slightly. Includes slipcase.)

Close matches24
CD, LP, Vinyl record album cover art
✨✧ Pharoah SandersPharoah Sanders Quintet (aka Pharoah's First) (white cover) ... LP
ESP, 1965. Used ... Temporarily Out Of Stock
If you think that Pharaoh Sanders' genius as a leader first blossomed during his post-Coltrane years on Impulse, you owe it to yourself to check out this early album for ESP – a startlingly great session that offers a whole new side of his talents! The album features 2 side-long tracks – each of them great in their own ways, both in ways that are far different from the later Sanders sound on Impulse! Pharoah's tone here isn't nearly as raspy as on his more famous sides – it's more straightforward, almost Coltrane-esque – and as the long tracks unfold, there's almost a Sonny Rollins-like sense of spontaneous invention, especially on "Bethera", which takes up all of side two. And while we love the spiritual sensibilities of Sanders' classic albums, we also really like the pointedness of this one – not just because it shows a young Pharoah already possessed of greatness not infused by Coltrane, but also because the album's a mostly-inside session that's a real standout in the ESP catalog! The group's unusual too – and features Stan Foster on trumpet, Jane Getz on piano, William Bennett on bass, and Marvin Patillo on percussion. Tracks include "Bethera" and "Seven by Seven". LP, Vinyl record album
(Japanese pressing. Cover has some light aging, but vinyl is great!)
 
Possible matches: 37
Possible matches30
CD, LP, Vinyl record album cover art
Albert AylerLorrach/Paris 1966 ... CD
Hat Hut (Switzerland), 1966. Used ... $19.99
A crucial European performance by Albert Ayler in the mid 60s – one that wasn't issued until many years after the recording, but which has become one of the sharpest pictures of his genius at the time! The vibe here is different than the Ayler albums for ESP – still very much in the same territory, but with this approach that's really reaching out with a deeply spiritual consciousness – an energy to embrace the whole history of jazz, both very old and very new – and re-form its entire ideology into a richly personal expression. Ayler's tremendous on tenor, but Don Ayler is often equally great on trumpet – and the unusual group features Michel Samson on violin, William Fowell on bass, and Beaver Harris on drums. Titles include really unique readings of "Bells", "Prophet", "Our Prayer/Spirits Rejoice", "Ghosts", "Truth Is Marching In", and "Spiritual Rebirth/Light In Darkness/Infinite Spirit". CD
(Out of print late 80s CD pressing.)

Possible matches31
CD, LP, Vinyl record album cover art
Albert AylerLove Cry ... CD
Impulse, 1968. Used ... $4.99
Brilliant late work from Ayler – one of his last truly great albums! The session has none of the jazz-meets-other music feel of some of the other Impulse albums – and is more in the straight expressive style of the ESP recordings. Tracks are more reined in here – with some short themes that are almost a distillation of the freedom Ayler had been expressing for a few years, summed up beautifully in tunes that have a plaintive cry, filled with as much soul and love as Ayler could muster into his horn! Players include Don Ayler, Cal Cobbs, Alan Silva, and Milford Graves – and titles include "Zion Hill", "Love Flower", "Love Cry", "Ghosts", "Omega", and "Dancing Flowers". CD also includes some extra bonus material! CD
(Out of print.)

Possible matches32
CD, LP, Vinyl record album cover art
Albert AylerMy Name Is Albert Ayler ... CD
Freedom/Tokuma (Japan), 1963. Used ... $29.99
A key early album by Albert Ayler – a mindblowing record even all these many years later, and a key introduction of Ayler's music to the rest of the world! The set begins with a compelling spoken introduction from Albert – really taking the time to introduce himself and his new approach to jazz – then rolls into searing sounds on tenor and soprano sax, played with accompaniment from a European trio that has Niels-Henning Orsted Pedersen on bass, Niels Bronsted on piano, and Ronnie Gardier on drums. A number of the tunes are standards – used by Ayler here in ways that are similar to some of Cecil Taylor's initial recordings – as a way of marking his own different in jazz, before setting out on his own compositions in years to come. Given the quartet setting, there's less of the locked horns and rhythms of some of Ayler's ESP recordings to come – but the difference in format also makes the album a real standout in his catalog, too. Titles include "Bye Bye Blackbird", "Summertime", "On Green Dolphin Street", and "CT". CD
(Out of print.)

Possible matches33
CD, LP, Vinyl record album cover art
Albert AylerWitches & Devils ... CD
Freedom (Germany), 1964. Used ... $16.99
Classic early material by Albert Ayler, recorded in New York in 1964, but originally issued only in Europe! The session features Ayler with the obscure trumpeter Norman Howard, plus Henry Grimes on bass and Sonny Murray on drums – and has all the crackle and imagination of Ayler's ESP recordings. In fact, the album stands as a key record that's as essential as Spiritual Unity or Spirits Rejoice – and has a very similar feel to both of those sets. Titles include "Spirits", "Witches & Devils", "Holy, Holy", and "Saints". CD
(Out of print.)

Possible matches34
CD, LP, Vinyl record album cover art
David BoykinLive At The Dorchester Projects (with download) ... LP
Sonic Healing Ministries, 2013. New Copy ... $16.99
One of the greatest albums so far from mighty Chicago reedman David Boykin – and easily a set that lives up to the rich legacy of avant jazz in the Windy City! There's a depth to the record that comes through right from the very first note – a sense of history and feeling that shows just how much Boykin's developed as a player over the past decade or so – a tenorist with a done that's right up there with Archie Shepp or David Murray at their creative best – really stretching out on some wonderful solos that never fail to dim in imagination or new ideas. The group's a trio – with Alex Wing on bass and James Woodley on drums – which gives the recording an almost ESP Records sort of vibe – and Boykin's the shining star throughout, really knocking us over with his solos on the well-recorded set! Titles include "Blast Off For Love", "Walk Turn Bat Shimmy", "Try Harder", "Blue Lotus", "Star Book", and "Late Night With The David Boykin Trio Theme". LP, Vinyl record album
(Includes download card.)

Possible matches35
CD, LP, Vinyl record album cover art
Miles DavisComplete Studio Recordings Of The Miles Davis Quintet – 1965 to June 1968 (10LP set) ... LP
Columbia/Mosaic, Mid 60s. Near Mint- 10LPs ... $359.99
One of the most formative periods of Miles Davis' career, with lots of new ideas taking shape – including Fender Rhodes from Herbie Hancock, guitar from George Benson and Joe Beck, and plenty of greta tenor from Wayne Shorter, bass from Ron Carter, and drums from Tony Williams! Includes material that appeared on the albums Miles Smiles, ESP, Sorcerer, Nefertiti, Water Babies, Miles IN The Sky, and Filles De Killimanjaro – as well as unreleased tracks, alternates, and material that showed up on Directions and Circle In The Round. LP, Vinyl record album
(In great shape – box and book too! Box lid has one small separation spot, but is still connected overall – and the whole thing looks great.)

Possible matches36
CD, LP, Vinyl record album cover art
Miles DavisMiles Davis' Greatest Hits (Columbia) ... LP
Columbia, Early 60s. Very Good+ ... $7.99
A good collection of work from Miles' early days at Columbia working with Coltrane, up through the pre-Bitches Brew years with the classic Herbie Hancock, Wayne Shorter, Ron Carter, and Tony Williams lineup. Titles include "Walkin (live)", "All Blues (live)", "Someday My Prince Will Come", "So What (live)", "ESP", "Round Midnight", and "Seven Steps To Heaven". LP, Vinyl record album
(70s pressing. Cover has some ringwear and a split bottom seam.)

Possible matches37
CD, LP, Vinyl record album cover art
✨✧ Miles DavisMiles Davis Live In Europe 1967 – The Bootleg Series Vol 1 (3CDs/DVD) ... CD
Columbia, 1967. Used 3CDs/DVD ... $22.99
Amazing live documents of Miles Davis and his incredible mid-to-late 60s quintet – Wayne Shorter on tenor, Herbie Hancock on piano, Ron Carter on bass, and Tony Williams on drums – complete concert recordings from Antwerp, Copenhagen and Paris on 3CDs seeing release for the first time ever, plus a DVD featuring the only known video footage of this group from the period! CD 1 features material from 10/28/68 in Antwerp, CD 2 on 11/2/67 in Copenhagen and 11/6/67 in Paris, with the latter concert continued on CD 3. This is landmark stuff here – a surprisingly rare opportunity to hear first rate live recordings of legendary material from the ESP, Miles Smiles, Sorcerer and Nefertiti albums – as well as brilliant revisits of vital earlier material. Includes live takes on "Agitation", "Foot Prints", "No Blues", "Gingerbread Boy", "On Green Dolphin Street", "The Theme", "Footprints", "Masqualero", "I Fall In Love Too Easily", "Walkin'" and more. The DVD starts with five numbers recorded on 11/7/67 in Karlzruhe, Germany: "Agitation", "Footprints", "I Fall In Love Too Easily", "Gingerbread Boy" and "The Theme". It concludes with material in Stockholm on 10/31/67: "Agitation", "Footprints", "'Round Midnight", "Gingerbread Boy" and "The Theme". CD

Possible matches38
CD, LP, Vinyl record album cover art
Ze Eduardo UnitA Jazzar – Live In Capuchos ... CD
Clean Feed (Portugal), 2009. Used Gatefold ... $5.99
Ze Eduardo's bass is at the helm of a trio that also features tenor from Jesus Santandreu and drums from Bruno Pedroso – both players we don't know at all, but who manage to follow Eduardo's shifting energy beautifully in the set! Some numbers are quite bold and free – power trio playing with an ESP-via-Sweden sort of approach – while other numbers have a much more tentative style, with some subtle sonic textures that we really like the best from this group – especially Santandreu. Titles include "Dartacao", "Grandolo", "Noddy", "Balada Da Rita", and a very odd take on "The Simpsons" theme. CD
(Out of print. Barcode has a cutout hole.)

Possible matches39
CD, LP, Vinyl record album cover art
Chris McGregorUp To Earth (180 gram pressing) ... LP
Stamford Audio (UK), 1969. New Copy Gatefold (reissue)... About March 1, 2017 (delayed)
A previously-unissued gem from pianist Chris McGregor – recorded at the tail end of the 60s, when McGregor and some of his South African compatriots were really helping to change the sound of the British jazz scene! The album is one of McGregor's strongest ever – an incredibly bold statement in jazz, and one that burns with a brilliance that possibly even surpasses most of the officially-released dates from his scene at the time – a mixture of ESP-like fire from all solo players, touched with some of Chris' more dynamic rhythms – let loose with a really exploratory feeling on a set of longer tracks. The group's a septet – with McGregor on piano, John Surman on bass clarinet and baritone sax, Evan Parker on tenor, Dudu Pukwana on alto, Mongezi Feza on trumpet, Louis Moholo on drums, and either Barre Phillips or Danny Thompson on bass. Joe Boyd produced the original session, and also offers up some great reflections on the music in the liner notes – and titles include "Up To Earth", "Years Ago Now", "Moonlight Aloe", and "Yickytickee/Union Special". LP, Vinyl record album

Possible matches40
CD, LP, Vinyl record album cover art
Roscoe Mitchell SextetSound (French pressing) ... LP
Goody (France), 1966. Near Mint- ... $14.99
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-breaking, freely-creative approach to jazz that builds strongly off the changes already wrought by Cecil Taylor, Ornette Coleman, and Archie Shepp! The format is somewhat like the Art Ensemble Of Chicago at times – with measured horn work from Mitchell on alto, clarinet, and recorder, Maurice McIntyre on tenor, Lester Bowie on trumpet and flugelhorn, and Lester Lashley on trombone (as well as a bit of cello). Some tracks – like the brilliant "Sound" – offer a slow-building exploration of tones and textures – while others, like the blues-joke "Little Suite", or the harmelodic "Ornette", show a wry sense of humor that would become a Chicago avant hallmark as the years went on! LP, Vinyl record album
(Early 70s pressing.)

Possible matches41
CD, LP, Vinyl record album cover art
Charles MoffettGift ... LP
Savoy, Late 60s. Near Mint- ... $44.99
A fantastic bit of messed up avant garde jazz – and the first record ever from drummer Charles Moffett! The session was one of the rare few cut during Savoy's avant garde period – and it features Wilbur Ware on bass, Paul Jeffrey on tenor, and Dennis O'Toole on trumpet. The tracks have a very strange approach – with kind of a New York ESP sound, but also mixed with more of a soul jazz sensibility, and some slight bits of hippy dippy nuttiness. The record makes up for any weakness in the technical deparment with lots energy and a strong sense of effort – and it includes strange tracks like "Avant Garde Got Soul Too", "The Gift", and "Adnerb". LP, Vinyl record album
(Japanese pressing – with obi!)

Possible matches42
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Sonny MurraySonny's Time Now ... CD
DIW (Japan), 1965. Used ... $32.99
An album that was years ahead of its time – and which still stands as one of the boldest statements from the New York jazz underground of the 60s! The revolutionary styles of the scene were documented by bigger labels like Impulse and Blue Note – but this obscure indie set goes even deeper, and opens up to a special side of the generation that would have lasting influence for years to come – players who work here with a formative free jazz mode, one that begins with the energy of the ESP scene, but also hits some of the more open styles of the loft jazz and European recordings to come! The lineup is legendary – drummer Sonny Murray at the head – with Albert Ayler on tenor, Don Cherry on trumpet, and both Henry Grimes and Louis Worrell on drums – working with unbridled imagination and righteous power. LeRoi Jones performs a recitation on "Black Art" – and other titles include "Virtue" and "Justice". CD also features the bonus track "The Lie". CD
(Out of print.)

Possible matches43
CD, LP, Vinyl record album cover art
Sunny MurraySunshine (180 gram pressing) ... LP
BYG/Actuel, 1969. New Copy Gatefold (reissue)... $9.99
One of the most ambitious albums that Sunny Murray ever recorded – a set of large ideas and long explorations – performed here by a group of all-star avant players from the time! Murray's vision is wonderful here – even bolder and more expressive than on his work for ESP – and realized by a mighty lineup of players that includes Lester Bowie on trumpet, Arthur Jones and Roscoe Mitchell on alto saxes, Archie Shepp and Kenneth Terrode on tenors, Dave Burrell on piano, and Alan Silva and Malachi Favors on bass! The strong influence of the AACM can definitely be felt on the set – but Murray's presence really changes things up – taking the mood in a different direction than heard on the BYG albums that Mitchell, Bowie, and Favors recorded with the Art Ensemble. Side one features the extended "Flower Trane", and side two contains "Real" and "Red Cross". LP, Vinyl record album

Possible matches44
CD, LP, Vinyl record album cover art
New York Contemporary FiveConsequences (180 gram pressing) ... LP
Fontana/Modern Silence, 1963. New Copy (reissue)... $25.99
Searing work from the budding New York avant scene of the 60s – material that was some of the first to explode out of the city's new world of jazz – even though it only saw initial release overseas! The 1963 recording even predates the wave of groundbreaking ESP albums – and features a fantastic quintet with Archie Shepp on tenor, Don Cherry on trumpet, John Tchicai on alto, Don Moore on bass, and JC Moses on drums! The vibe is a bit like Shepp's initial work for Impulse – but also a bit more open and improvised, too – with a vibe that shows that even before the ESP label showed up to document the scene, masters like Shepp and company were already making amazing things happen. Titles include "Consequences", "Trio", "Rufus", "Sound Barrier", and "Wo Wo". LP, Vinyl record album
(Limited, numbered pressing!)

Possible matches45
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Gilles Peterson & Stuart BakerFreedom, Rhythm, & Sound – Revolutionary Jazz Cover Art 1960 to 1978 (softcover) ... Book
Soul Jazz (UK), 2009. New Copy ... About August 22, 2017
An incredible collection of revolutionary jazz album cover art from the 60s & 70s – bold, vivid and unforgettable art for bold, vivid and unforgettable jazz – compiled and edited by Gilles Peterson and Stuart Baker! It's a snapshot of an era in jazz music when cultural and stylistic boundaries were besting wide open – and many of the ones documented are the holy grails of the era – pressed in small quantities and firing up the rare crate diggers since! Iconic art for labels such asa BYG/Actuel, Strata East, Nimbus, ESP and many more, and artists including Sun Ra, Phil Cohran, Pharoah Sanders, Prince Lasha, Hannibal Marvin Peterson, and Marcus Belgrave to name just a few. Gilles Peterson, Stuart Baker and Soul Jazz have done an exceptionally great job with the notes and text, too – much better than other books of its kind! Heavy duty, large format hardcover, to give you true-to-life-size cover art – as it was meant to be seen! 179 pages. (Books, Jazz) Book

Possible matches46
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Pharoah SandersPharoah Sanders Quintet (aka Pharoah's First) ... LP
ESP, 1965. New Copy (reissue)... About August 10, 2017
If you think that Pharaoh Sanders' genius as a leader first blossomed during his post-Coltrane years on Impulse, you owe it to yourself to check out this early album for ESP – a startlingly great session that offers a whole new side of his talents! The album features 2 side-long tracks – each of them great in their own ways, both in ways that are far different from the later Sanders sound on Impulse! Pharoah's tone here isn't nearly as raspy as on his more famous sides – it's more straightforward, almost Coltrane-esque – and as the long tracks unfold, there's almost a Sonny Rollins-like sense of spontaneous invention, especially on "Bethera", which takes up all of side two. And while we love the spiritual sensibilities of Sanders' classic albums, we also really like the pointedness of this one – not just because it shows a young Pharoah already possessed of greatness not infused by Coltrane, but also because the album's a mostly-inside session that's a real standout in the ESP catalog! The group's unusual too – and features Stan Foster on trumpet, Jane Getz on piano, William Bennett on bass, and Marvin Patillo on percussion. Tracks include "Bethera" and "Seven by Seven". LP, Vinyl record album

Possible matches47
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Edward Vesala TrioNana ... LP
Blue Master/Svart (Finland), 1970. New Copy Gatefold (reissue)... $19.99
Free jazz from the Finnish scene of the early 70s – an exploratory trio that features Edward Vesala on drums, Arild Andersen on bass, and Juhani Aaltonen on on tenor and soprano sax! As with many Scandinavian free trio sides from the time, there's a clear inspiration here from the ESP scene in the US – as tracks are out, but never too far enough to have a sense of their own presence – not nearly as hard-blown as the Brotzmann generation, but nicely searching, especially on Aaltonen's soprano work. Titles include "Alhambra Mood", "Nana", "Joiku", "Fill In", "Gamma", "Albatros" and "My B". LP, Vinyl record album
(Gatefold includes new notes & interviews!)

Possible matches48
CD, LP, Vinyl record album cover art
Lyman Woodard OrganizationLive At Last – 1974 to 1993 ... CD
Uuquipleu, 1970s/1980s/Early 90s. New Copy ... $9.99
Killer live work from the Lyman Woodard Trio – and a split set that shows much much the group kept grooving on the Detroit scene, even after their initial early 70s fame! The first half of the CD features material from 1974 – recorded at JJ's Lounge in the Shelby Hotel in the Motor City – very jazz-based, with soaring organ from Lyman himself, guitar from Ron English, and drums from Leonard King. The whole thing's nicely recorded, with a strong focus on that sweet and super-dope tone that's always made Woodard so great – as you'll hear on the cuts "Even Today", "Jumpin The Blues", "If You Could See Me Now", and "ESP". The second half of the set is from 20 years later – recorded in 1993 at Sully's Roadhouse – with the same trio, equally tight and funky! In fact, the 1993 set's almost funkier, as it's got some originals by Woodard that are mighty nice – the titles "Lyman's Montuno" and "Belle Isle Daze" – next to the cuts "I Got A Woman", "Drown In My Own Tears", and "A Fine Romance". CD

Possible matches49
CD, LP, Vinyl record album cover art
✨✧ Jym YoungPuzzle Box (Japanese pressing) ... LP
Freedom/Trio (Japan), 1966. Near Mint- ... $48.99
An amazing record – and sometimes sadly overlooked – one of the few avant jazz sessions from the 60s San Francisco scene, and a hell of an album throughout! Pianist Jym Young plays with a brilliant style that's almost a bridge between earlier modern eras and the changes on the New York scene in the mid 60s – not "new thing", not ESP – but this balance of some modal elements and some free impulses – served up in a group that also features Bennett Friedman on tenor, Harley White on bass, and Jim Messinger on drums and "Indian snake charmer"! Young also plays a bit of kalimba, and tracks are quite long – with titles that include "Lament", "Puzzle Box", and "Skippin In The Rain". LP, Vinyl record album
(Japanese pressing. Cover has some light age spots on the front.)
 
Partial matches: 206
Partial matches67
CD, LP, Vinyl record album cover art
Count Basie/Dizzy Gillespie/Ray Brown/Mickey RokerGifted Ones ... LP
Pablo, 1979. Very Good Gatefold ... $5.99
... LP, Vinyl record album
(Cover has a cut corner.)

Partial matches68
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Jayne Cortez & The FirespittersThere It Is ... LP
Bola, 1982. Near Mint- ... Just Sold Out!
Jayne speaks over music by Bern Nix on guitar, Charles Moffett Jr on tenor,flute and shenai, and Jamaaladeen Tacuma on bass. (Vocalists, Jazz) LP, Vinyl record album

Partial matches69
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Roy Eldridge, Dizzy Gillespie, & Harry EdisonTour De Force – The Trumpets Of Roy Eldridge, Dizzy Gillespie, & Harry Edison ... CD
Moon (Italy), 1969. Used ... $6.99
... CD
(Out of print.)

Partial matches70
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John EspositoBook Of Five Rings ... CD
Sunjump, 2008. Used ... $4.99
... CD
(Out of print.)

Partial matches71
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✨✧ Toni EspositoLa Banda Del Sole ... LP
Philips/Radici (Italy), 1978. Near Mint- (reissue)... $9.99
A wonderful blend of Italian jazz and Brazilian inspiration – served up by percussionist Toni Esposito with a warmly electric vibe! The album's an Italian one, but it's got a groove that reminds us of our favorite Brazilian fusion from the period – a criss-crossing of cultural modes that's a bit like the German gems explored on the Glucklich series, but with sweeter elements that really bring the whole thing back to Brazil! Lots of the vocals are wordless, scatting along with the percussion and basslines in a really nice way – and the album has a few interesting elements on mandolin and melodica too. The record's got a wonderful remake of Pharoah Sanders' "Hum Allah" – worth the price of the record alone – and other tracks include "Ballo In 7", "La Banda Del Sole", "Mugurru", "Quartetto", and "Il Lungo Viaggio". (Brazil, Jazz) LP, Vinyl record album
(Hand numbered, limited edition of 300 copies – on clear vinyl!)

Partial matches72
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✨✧ FourplayEsprit De Four ... CD
Heads Up, 2012. Used ... $8.99
... CD

Partial matches73
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Dizzy Gillespie, Sonny Stitt, Max Roach & OthersBop Session ... CD
Sonet/Universal, 1975. Used ... $6.99
A mid 70s reunion of some of the key figures in the early New York bop scene – all recorded here in great fidelity, and on tracks that run a lot longer than their initial 78rpm recordings! The lineup includes Dizzy on trumpet, Sonny Stitt on tenor, John Lewis and Hank Jones on piano, Percy Heath on bass, and Max Roach on drums – making a rare 70s appearance in a straight set like this. Tracks are all bop standards, played in versions that allow for plenty of solo space – and titles include "Confirmation", "Groovin High", "Lover Man", "All The Things You Are", and "Lady Bird". CD
(Out of print.)

Partial matches74
CD, LP, Vinyl record album cover art
Dizzy GillespieAn Electrifying Evening With The Dizzy Gillespie Quintet ... LP
Verve, 1961. Very Good ... $4.99
While actually not as electrifying as some of Dizzy's other albums from the time, this one's still pretty darn great, and features his great group with Leo Wright on alto and Lalo Schfrin on piano. The band grooves with a subtly Latinish vibe, and the tracks are nice and long long long. Titles include "Kush", one of Dizzy's best Latin numbers, plus "The Mooch" and "Night In Tunisia". LP, Vinyl record album
(MGM pressing with deep groove. Cover has a bit of flaking at the bottom.)

Partial matches75
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Dizzy GillespieBirk's Works – Verve Big Band Sessions ... CD
Verve, 1956/1957. Used 2 CDs ... $11.99
Seminal work from Dizzy – showing that he was a genius in any form of jazz! In the mid 50s, Diz had one of the hippest big bands going – filled with great young players that included Lee Morgan, Joe Gordon, Melba Liston, Benny Golson, Billy Mitchell, and Walter Davis Jr. The work he crafted here was partly an extension of his earlier bop sides, but also a demonstration of his desire to express himself in more expansive forms – kind of a hint of the direction he'd take in the 60s, with his work in Latin, soundtrack, and funk styles. The set combines tracks from 3 different Verve albums – and it also packages the material with a number of previously unissued tracks, and some great liner notes that do a wonderful job of summing up the spirit of the work. Arrangements are by AK Salim, Quincy Jones, Tadd Dameron, and Dizzy himself – and tracks include "Jordu", "Tin Tin Deo", "Groovin For Nat", "Dizzy's Business", "Jessica's Day", "Doodlin", "Yo No Quiero Bailar", "Birk's Works", "Tangorine", "Umbrella Man", and "Mayflower Rock". 42 tracks in all! CD
(Out of print.)

Partial matches76
CD, LP, Vinyl record album cover art
Dizzy GillespieConcert Of The Century ... CD
Justin Time, 1980. New Copy ... $11.99 12.99
"Concert Of The Century" is a hell of a claim to make – but this is also a hell of a concert, too – one that features Dizzy Gillespie blowing with an all-star small group lineup – in really stretched-out takes on the tunes, at a level that rivals his best 70s material on the Pablo label! In addition to Gillespie on trumpet, players also include Milt Jackson on vibes, James Moody on tenor and flute, Hank Jones on piano, Ray Brown on bass, and Philly Joe Jones on drums – all working together as seamlessly as you'd expect! Titles include "Darben The Redd Foxx", "The Shadow Of Your Smile", "Get Happy", "Blues N Boogie", "If I Should Lose You", and "Bass Solo/Manha De Carnaval/Work Song". CD

Partial matches77
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Dizzy GillespieCopenhagen Concert ... CD
Steeplechase (Denmark), 1959. Used ... $5.99
... CD

Partial matches78
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Dizzy GillespieCornucopia ... LP
Solid State, 1969. Very Good Gatefold ... $2.99
A pretty groovy record – very different than lots of Dizzy's other work! The set has Dizzy as the main soloist in front of large arrangements by Don Sebesky – sweeping and soulful, in a real CTI style, especially when the label was coming out through A&M. Tunes are mostly a selection of pop tracks, but they're completely transformed by Sebesky – and played with some occasional funky touches that really make the album sound great. Dizzy's got a mute on for most of the solos, and is blowing in a lightly playful mode that almost creates an MPS easy feel. Titles include "Both Sides Now", "The Windmills Of Your Mind", "Lorraine", "Yesterday's Dream", "Ann Wonderful One", and "Tango-Rine". LP, Vinyl record album
(Cover has a cut corner.)

Partial matches79
CD, LP, Vinyl record album cover art
✨✧ Dizzy GillespieDizzy – The Dizzy Gillespie Big 7 Live At Montreux 1975 ... LP
Pablo, 1975. Very Good ... $3.99
With Milt Jackson on vibes, Eddie Lockjaw Davis and Johnny Griffin on tenors, Tommy Flanagan on piano, and Mickey Roker on drums – on titles that include "Lover Come Back To Me", "What's New", and "Cherokee". LP, Vinyl record album
(Cover has a cutout hole, a name in marker, and tape along the top seam.)

Partial matches80
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy At Home & Abroad ... LP
Atlantic, Early 50s. Very Good+ ... $19.99
A really obscure album for Diz – making a rare appearance here on Atlantic Records! The LP compiles tracks that had previously appeared on 2 10" LPs for Atlantic – and one set of tracks was recorded in New York ("at home"), while the others were cut in Paris ("abroad"). Tracks are short, and in a very playful boppish mode – typical of the populist Diz of the early 50s, of whom we have no complaints! Titles include "Just Blues", "Groovin The Nursery Rhymes", "Blues Chante", "Cognac Blues", "Lullaby In Rhythm", and "Mrs Diz". LP, Vinyl record album
(Original black label, deep groove pressing! Cover has some light wear.)

Partial matches81
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie & His Orchestra Vol 1 (10 inch LP) ... LP
Atlantic, Early 50s. Good ... $14.99
A really obscure album for Diz – making a rare appearance here on Atlantic Records! The LP features short tracks in a very playful boppish mode – typical of the populist Diz of the early 50s, of whom we have no complaints! Titles include "Just Blues", "Moon Nocturne", "Blues Chante", "Just One More Chance", and "Sa Blu E Be Blues". LP, Vinyl record album
(Yellow label Atlantic pressing. Cover has moderate wear, with aged clear tape along all seams. Vinyl plays with some clicks & crackles.)

Partial matches82
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie & His Quintet – Olympia 24 November 1965 ... CD
Malaco, 1965. Used ... $6.99
Outstanding Dizzy Gillespie material – from one of his most overlooked periods! The time is the mid 60s, and after a few years of working with Lalo Schifrin in his group, Dizzy's changed his Latin bag from hard-edged Cubop to mellower more complicated Bossa and modal jazz. The result is some of the most sophisticated playing in Dizzy's career – hitched to a groove that's still filled with soul and fire, and which rolls on in a compelling way that always hooks us hard! The group features Kenny Barron on piano, and reed work by James Moody, one of the other great secrets of the mid 60s! Tracks are all long – and titles include "One Note Samba", "Con Alma", "Umh, Umh", and "Chega De Saudade". CD
(Small cutout notch through spine.)

Partial matches83
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie & The Mitchell Ruff Duo ... CD
Mainstream/Solid (Japan), 1972. New Copy ... $13.99
Wild – but pretty darn wonderful stuff! Dizzy's recording here in one of his sparest settings ever – blowing trumpet with accompaniment from the duo of Willie Ruff, bass and French horn, and Dwike Mitchell, piano – working in a mode that's really cool, really stripped down, and which has an amazingly understated tone! Given that the album has two horns, bass, and piano – and none of those all at the same time, with no other drums or instrumentation – the format is really amazing. Add to that the fact that the tracks are often quite long, and you get a sweet and introspective side of Diz (and the Mitchell Ruff Duo) that you might not have otherwise heard! Titles include "Con Alma", "Blues People", "Bella Bella", and "Dartmouth Duet". CD

Partial matches84
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie At Newport ... CD
Verve, 1957. Used ... $2.99
An excellent live set – featuring great work by some of Dizzy's best sidemen of the late 50's! The ensemble is razor sharp, in that hip post-bop way that Dizzy was developing in the 50s, before moving into his Latin groove years of the early 60s. Benny Golson, Billy Mitchell, and Wynton Kelly all get a chance to solo nicely, and the tracks include renditions of "Manteca", "Dizzy's Blues", "Cool Breeze", and "Doodlin". CD
(Out of print.)

Partial matches85
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie Live – Sweet Soul ... LP
Gateway, Early 70s. Very Good+ ... $19.99
A fantastic bit of late 60's funk, and a surprisingly slammin' record from Dizzy! The album was clearly recorded at the same time as Dizzy's classic Soul & Salvation session – as it's got the same funky feel as that record, one that stands as one of our all time favorite albums by Diz. The tracks are short with a choppy groove that's totally heavy duty – electric bass at the bottom, stepping out the sound of the cuts, while Diz and a reed player (James Moody) solo over the top in a sweetly soulful way. The record is wonderful all the way through – with a mad mad full-on funk sound that will make your jaw drop! Titles include "Slew Foot", "Soul Mama", "Azure Blue", "Dirty Dude", "Party Man", "Get To That", "Soul Time", and "Getting Down". (Please note that this material has been issued under a number of different titles.) LP, Vinyl record album

Partial matches86
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Dizzy GillespieDizzy Gillespie Plays (Allegro) (10 inch) ... LP
Allegro, Early 50s. Good+ ... $14.99
Obscure work from Dizzy Gillespie – a session presented with no dates or players, but pretty nice stuff overall! Dizzy's trumpet is right out front, and most numbers feature a slightly larger group – not really a full orchestra, but most likely an octet or tentet. Titles include "Emanon", "Groovin High", "Blue & Boogie", "Dizzy Atmosphere", "He Beeped When He Shoulda Bopped", and "One Bass Hit". LP, Vinyl record album
(Cover has some wear. Vinyl plays with clicks & crackles.)
 
 
 



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