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Exact matches: 2
Exact matches1
CD, LP, Vinyl record album cover art
Father Herrera & The Trio ESPJazz Goes To Church ... LP
Enterprise, 1968. Very Good+ ... $2.99
... LP, Vinyl record album
(Cover has a cutout hole & some minor splitting on the top seam.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Miles DavisESP ... LP
Columbia, 1965. Used ... Out Of Stock
An album of dark and subtle beauty – and still one of our favorite Miles Davis albums of all time! The set's not as earth-shattering as some of Davis' other work of the 60s, but that's why we like it so much – because the emerging genius of the group with Wayne Shorter, Herbie Hancock, and Tony Williams is held in a really special place here – one that ruminates quietly on space and soul, while Davis majestically directs tones and colors that he'd never gotten in a small group format before! Titles include the amazing "Iris", one of Miles' most haunting themes – plus "Little One", "RJ", "ESP", "Mood", and "Agitation". LP, Vinyl record album
(360 Sound stereo pressing.)
 
Close matches: 24
Close matches3
CD, LP, Vinyl record album cover art
✨✧ Albert AylerBells (white vinyl pressing – with bonus track) ... LP
ESP, 1965. New Copy (reissue)... $24.99
A seminal live set by a young Albert Ayler – an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! Plus, this version of the album also includes a bonus track – "Vibrations (aka Tune Q)" – done in a 1964 recording that was accidentally put in place of "Spirits" on the very first vinyl pressing of "Spiritual Unity". The track is almost 8 minutes long – and features Ayler on tenor, Gary Peacock on bass, and Sunny Murray on percussion. LP, Vinyl record album
(On white vinyl!)

Close matches4
CD, LP, Vinyl record album cover art
Albert AylerProphecy ... LP
ESP, 1964. New Copy (reissue)... $16.99
Early work by Albert Ayler, recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after his untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". LP, Vinyl record album

Close matches5
CD, LP, Vinyl record album cover art
Amina BarakaAmina Baraka & The Red Microphone ... CD
ESP, 2017. Used ... $7.99
Amina Baraka's holding a megaphone on the cover, but she hardly needs it at all – given the righteous power of her voice on this album – still completely amazing after all these years! The album follows in the best tradition of work started by Amiri Baraka back in the 60s – a mixture of spoken knowledge and avant jazz, with backing by a group that includes Ras Moshe Burnett on tenor and flute, Rocco John Iacavone on curved soprano sax and piano, John Pietaro on drums and percussion, and Laurie Towers on bass. The approach is wonderful – and the record really feels like some lost underground relic of the 70s, the sort that the ESP label might have issued back in the day. Titles include "The Fascist", "Time Step", "The Spirit Of Billy BAng", "For Margaret Walker Alexander", and "Afro American Child". (Vocalists, Jazz) CD
Also available Amina Baraka & The Red Microphone ... CD 12.99

Close matches6
CD, LP, Vinyl record album cover art
Amina BarakaAmina Baraka & The Red Microphone ... CD
ESP, 2017. New Copy ... $12.99
Amina Baraka's holding a megaphone on the cover, but she hardly needs it at all – given the righteous power of her voice on this album – still completely amazing after all these years! The album follows in the best tradition of work started by Amiri Baraka back in the 60s – a mixture of spoken knowledge and avant jazz, with backing by a group that includes Ras Moshe Burnett on tenor and flute, Rocco John Iacavone on curved soprano sax and piano, John Pietaro on drums and percussion, and Laurie Towers on bass. The approach is wonderful – and the record really feels like some lost underground relic of the 70s, the sort that the ESP label might have issued back in the day. Titles include "The Fascist", "Time Step", "The Spirit Of Billy BAng", "For Margaret Walker Alexander", and "Afro American Child". (Vocalists, Jazz) CD
Also available Amina Baraka & The Red Microphone ... CD 7.99

Close matches7
CD, LP, Vinyl record album cover art
Paul BleyCloser ... LP
ESP, 1966. New Copy (reissue)... $24.99
Possibly the first true moment of genius from Paul Bley – a key indie standout after a few years working for bigger American labels! By the time of this early ESP album, Paul Bley was no stranger to the American scene – having recorded a few records for different labels in the 50s, and making some surprise appearances on other sessions in the early part of the 60s. But by the time of this mid 60s set, Bley was really coming into his own – working in a style that would have a huge influence on the style of jazz piano for the next few decades, and which was one of the first strong statements of modernism from the Canadian scene. Here, he's working with Steve Swallow on bass and Barry Altschul on percussion in a trio format, working through a great batch of tracks by then wife Carla – like "Ida", "Start", "Closer", "Batterie", and "Sideways In Mexico" – as well as versions of Ornette Coleman's "Crossroads", Annette Peacock's "Cartoon", and his own "Figfoot". LP, Vinyl record album

Close matches8
CD, LP, Vinyl record album cover art
Ornette ColemanTown Hall 1962 ... LP
ESP, 1962. Very Good+ ... $24.99
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was fortunately finally issued by ESP Records a few years after the recording – providing a nice link between Coleman's earlier experiments and the sound of the younger generation usually showcased by the label. The group's a trio, with a sound that's quite different than the more rhythmic modes of Coleman on Atlantic Records – a freer, less structured lineup that features percussion from Charles Moffett and bass from David Izenzon. One track also adds in a string quartet – making the record one of Coleman's first experiments with this format – and titles include a 23 minute recording of "The Ark", plus "Doughnut", "Sadness", and "Dedication To Poets and Writers". LP, Vinyl record album
(Red label pressing, with a Riverside Drive address – and back cover images advertising titles up to ESP 1014.)

Close matches9
CD, LP, Vinyl record album cover art
Bill HorwitzLies, Lies, Lies ... CD
ESP, 1975. Used ... $4.99
... CD
(Tray card has a cutout notch. Out of print.)

Close matches10
CD, LP, Vinyl record album cover art
Ellis MarsalisRuminations In New York ... CD
ESP, 2004. Used ... $12.99
Wonderful solo work from Ellis Marsalis – best known as the father of Wynton and Bradford, but a heck of a great pianist with a sound that's far deeper and more complex than you might guess from his New Orleans roots! This is the kind of record that might have been cut more in the 50s than in recent years – a subtly-done sound portrait of New York, played by Marsalis with a tone that's rich in color, and which paints these expressively vivid images without ever going too far. We're really surprised at the beauty of this one – and the record's got a fullness that goes far beyond simple solo piano – a lyricality that we'd never known in Marsalis' work at all. Titles include "Orchid Blue", "Things That You Never Were", "A Moment Alone", "Haven's Paradise", "After", "Tell Me", and "Zee Blues". CD
(Out of print, punch through barcode.)

Close matches11
CD, LP, Vinyl record album cover art
Sunny MurraySunny Murray (with bonus interview) ... CD
ESP, 1966. Used ... $6.99
One of the greatest albums on ESP – and a darkly-tinged document that points strongly towards the future of jazz at the end of the 60s! The album's one of the most focused of the early ESP years – and it features drummer Sunny Murray stepping out strongly as a leader – working with players who include Jacques Coursil on trumpet, Byard Lancaster and Jack Graham on alto saxes, and Alan Silva on bass – all with an intensity that prefaces some of the players' later freedoms on the French scene at the end of the decade, and modes to come during the loft jazz years of the 70s! The horns are never too free, and they come together in a flurry of sharp edges that reminds us a bit of sound structures in Archie Shepp's work at the time – but almost more organic and open overall. Titles include "Phase 1234", "Hilariously", "Angels & Devils", and "Giblet". Plus, the CD also features over 30 minutes of bonus interview material! CD

Close matches12
CD, LP, Vinyl record album cover art
Charlie ParkerComprehensive Charlie Parker Live Performances Vol 1 ... LP
ESP, 1947/1948. Very Good+ ... $9.99
... LP, Vinyl record album
(Yellow label pressing. Cover has some notes in pen on back.)

Close matches13
CD, LP, Vinyl record album cover art
Pharoah SandersPharoah Sanders Quintet (aka Pharoah's First) ... LP
ESP, 1964. New Copy (reissue)... $24.99
Early work from Pharoah Sanders – an important debut as a leader, cut before he rose to greater fame in the group of John Coltrane! If you think that Pharaoh Sanders' genius as a leader first blossomed during his post-Coltrane years on Impulse, you owe it to yourself to check out this early album for ESP – a startlingly great session that offers a whole new side of his talents! The album features 2 side-long tracks – each of them great in their own ways, both in ways that are far different from the later Sanders sound on Impulse! Pharoah's tone here isn't nearly as raspy as on his more famous sides – it's more straightforward, almost Coltrane-esque – and as the long tracks unfold, there's almost a Sonny Rollins-like sense of spontaneous invention, especially on "Bethera", which takes up all of side two. And while we love the spiritual sensibilities of Sanders' classic albums, we also really like the pointedness of this one – not just because it shows a young Pharoah already possessed of greatness not infused by Coltrane, but also because the album's a mostly-inside session that's a real standout in the ESP catalog! The group's unusual too – and features Stan Foster on trumpet, Jane Getz on piano, William Bennett on bass, and Marvin Patillo on percussion. Tracks include "Bethera" and "Seven by Seven". LP, Vinyl record album

Close matches14
CD, LP, Vinyl record album cover art
Karel VelebnySHQ ... LP
ESP, 1968. Very Good ... $29.99
One of the only American releases from Eastern European jazzman Karel Valebny – the force behind some great albums on MPS and other overseas labels, sounding equally great here on a late 60s set for ESP! The music is as bizarre as the cover – modern jazz overall, but done with a great deal of sensitivity – a very poetic approach to the performance that's quite different than the usual ESP bag, and which really shows some of the best steps forward the European scene was taking at the time. There's echoes here of mid 60s "new thing" jazz – especially in the way Velebny's vibes come into play – and instrumentation on the record include vibes, tenor, and bass clarinet from Karel, plus alto and flute from Jiri Stivin, piano from Ludek Svabensky, bass from Karel Vejvoda, and drums from Josef Vejvoda. Titles include "The Uhu Sleeps Only During The Day", "Andulko Safarova", "Beetles On The Head", and "Joachim Is Our Friend". LP, Vinyl record album
(Original pressing!)

Close matches15
CD, LP, Vinyl record album cover art
✨✧ Albert AylerBells/Prophecy ... CD
ESP/ZYX (Germany), 1964/1965. Used ... Temporarily Out Of Stock
A double-length set that brings together 2 key early live sets by Albert Ayler – both recorded on the New York scene of the mid 60s! Bells was an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! Prophecy is longer – a full album that was recorded live in 1964 at the Cellar Cafe in New York, but not issued by ESP until years later, after Ayler's untimely early death. The performance is a trio outing – with Ayler's tenor alongside the bass of Gary Peacock and drums of Sunny Murray – all freely skirting around each other's space on the date, in a way that allows Ayler to take the bold lead with his sharp-toned solos, but which also allows for free interplay between the bass and percussion. Ayler's tone and wide swaths of sound are simply amazing – and titles include two variations on "Ghosts", plus "Spirits", "Prophecy", and "Wizard". CD
(Out of print.)

Close matches16
CD, LP, Vinyl record album cover art
✨✧ Paul BleyCloser ... LP
ESP, 1966. Used ... Temporarily Out Of Stock
Possibly the first true moment of genius from Paul Bley – a key indie standout after a few years working for bigger American labels! By the time of this early ESP album, Paul Bley was no stranger to the American scene – having recorded a few records for different labels in the 50s, and making some surprise appearances on other sessions in the early part of the 60s. But by the time of this mid 60s set, Bley was really coming into his own – working in a style that would have a huge influence on the style of jazz piano for the next few decades, and which was one of the first strong statements of modernism from the Canadian scene. Here, he's working with Steve Swallow on bass and Barry Altschul on percussion in a trio format, working through a great batch of tracks by then wife Carla – like "Ida", "Start", "Closer", "Batterie", and "Sideways In Mexico" – as well as versions of Ornette Coleman's "Crossroads", Annette Peacock's "Cartoon", and his own "Figfoot". LP, Vinyl record album
(White inner label, and back cover has photos for titles up to ESP 1028. Cover has a Stereo sticker and a small stain on the bottom seam.)
Also available Closer ... LP 24.99

Close matches17
CD, LP, Vinyl record album cover art
✨✧ Marion BrownWhy Not? ... CD
ESP, 1968. Used ... Temporarily Out Of Stock
Brilliant early work by Marion Brown – both soulful and adventurous, less "out" than some of the other ESP albums from the time – and more in the post-Coltrane spirit of work by Pharoah Sanders and some of the Strata East crowd. The group on the album is a quartet – with Norris Jones on bass, Stanley Cowell on piano, and Rashied Ali on drums – and Brown's alto sax glides over the top in a tone that's infused with all the freedoms of the late 60s, yet also steeped in a soulful tradition of expressiveness. The album features 4 long tracks – "La Sorrella", "Fortunato", "Why Not", "Homecoming". CD

Close matches18
CD, LP, Vinyl record album cover art
✨✧ Don CherryLive At Cafe Montmartre 1966 Vol 2 ... CD
ESP, 1966. Used ... Temporarily Out Of Stock
Incredible work from Don Cherry – a previously unreleased live date from the 60s, but every bit as great as any of his better-known records from the decade! The sound here is really amazing – a hip blend of Cherry's trumpet with tenor from Gato Barbieri and vibes from Karl Berger – working here in a piano-less setting that has all three players snaking together beautifully as the tunes unfold – freed up a bit to explore some really bold new territory, yet always held together with the same sense of inherent rhythm you'd find on Cherry's Blue Note albums from the late 60s. Rhythm is by Bo Stief on bass and Aldo Romano on drums – both players who really help the tunes take on some great structures – especially during the group's extended take on "Orfeu Negro", a number taken in very similar ways to Archie Shepp's Fire Music version of "Girl From Ipanema"! Other numbers are great too – and include "Remembrance", "Spring Is Here", "Suite For Albert Ayler", and "Complete Communion", done in a 22 minute take. CD

Close matches19
CD, LP, Vinyl record album cover art
✨✧ Ornette ColemanTown Hall 1962 ... CD
ESP, 1962. Used ... Temporarily Out Of Stock
A really unique chapter in the career of Ornette Coleman – an album that he produced by himself in 1962, away from any other label – as an effort to showcase the newly freer sounds of his music! The recording's the first in a really groundbreaking stretch for the 60s – and it was fortunately finally issued by ESP Records a few years after the recording – providing a nice link between Coleman's earlier experiments and the sound of the younger generation usually showcased by the label. The group's a trio, with a sound that's quite different than the more rhythmic modes of Coleman on Atlantic Records – a freer, less structured lineup that features percussion from Charles Moffett and bass from David Izenzon. One track also adds in a string quartet – making the record one of Coleman's first experiments with this format – and titles include a 23 minute recording of "The Ark", plus "Doughnut", "Sadness", and "Dedication To Poets and Writers". CD
(Out of print.)

Close matches20
CD, LP, Vinyl record album cover art
✨✧ Frank LoweBlack Beings ... CD
ESP (Italy), 1973. Used ... Temporarily Out Of Stock
One of our favorite records ever from ESP – a set that's got even more soul and spirit than we usually hear from the label! The album's one of the first (and few) from saxophonist Frank Lowe as a leader – and it's a unique date that also features alto and soprano sax from Joseph Jarman, who's really blowing beautifully here away from the Art Ensemble of Chicago! The set's got a vibe that's almost like the shift towards the loft jazz years the New York scene took after the initial avant wave documented by ESP in the 60s – informed with some of the spiritualism of the post-Coltrane generation on Impulse Records. Other players include a young William Parker on bass, Joseph Jarman on soprano and alto, and The Wizard (aka Raymond Lee Cheng) on violin, and Rashid Sinan on drums. Side one's got a beautiful long track called "In Trane's Name", and side two has "Brother Joseph" and "Thulani". CD
(Out of print.)

Close matches21
CD, LP, Vinyl record album cover art
✨✧ Frank LoweBlack Beings ... LP
ESP, 1973. Used ... Temporarily Out Of Stock
One of our favorite records ever from ESP – a set that's got even more soul and spirit than we usually hear from the label! The album's one of the first (and few) from saxophonist Frank Lowe as a leader – and it's a unique date that also features alto and soprano sax from Joseph Jarman, who's really blowing beautifully here away from the Art Ensemble of Chicago! The set's got a vibe that's almost like the shift towards the loft jazz years the New York scene took after the initial avant wave documented by ESP in the 60s – informed with some of the spiritualism of the post-Coltrane generation on Impulse Records. Other players include a young William Parker on bass, Joseph Jarman on soprano and alto, and The Wizard (aka Raymond Lee Cheng) on violin, and Rashid Sinan on drums. Side one's got a beautiful long track called "In Trane's Name", and side two has "Brother Joseph" and "Thulani". LP, Vinyl record album
(Original pressing. Cover has some edge wear, a lighlty bent corner, and small split on the bottom seam.)

Close matches22
CD, LP, Vinyl record album cover art
✨✧ Sonny SimmonsStaying On The Watch ... CD
ESP/Abraxas (Italy), 1966. Used ... Temporarily Out Of Stock
Brilliant work – and one of the rare few albums to feature the genius alto of Sonny Simmons from the 60s! The session has the fierceness of other ESP sessions from the time, but it's also tempered with a bit of spiritualism, too – somewhat more introspective in the heavy moments than other albums on the label, due in part to Simmons' personal style of playing, and the presence of John Hicks on piano and Barbara Donald on trumpet – put together in a way that's almost a bridge between the ESP and Impulse Records scenes of the 60s, with perhaps a nod towards the direction the jazz underground would take in the 70s! Other players include Teddy Smith on bass and Marvin Pattillo on drums – and tracks include "City of David", "Metamorphosis", and "Interplanetary Travelers". CD
 
Possible matches: 37
Possible matches27
CD, LP, Vinyl record album cover art
Albert AylerAlbert Ayler In Greenwich Village ... LP
Impulse, 1966. Very Good+ Gatefold ... $19.99
One of the first big moments of Albert Ayler's work in the jazz mainstream – and a record that doesn't dim his greatness at all from the earlier sides recorded for ESP! The album's got a sharply angular sound that more than lives up to its vibrant cover image – a well-honed approach to improvisation, showcased by Ayler in a set of recordings done upon his return from work on the European scene. The material was recorded on two different dates – featuring two different groups: one with Alan Silva, Beaver Harris, and Joel Friedman; the other with Donald Ayler, Henry Grimes, and Michel Sampson. Titles are long, with the searing emotional sound that Ayler was peaking at during this time – and titles include "For John Coltrane", "Change Has Come", and "Truth is Marching On". LP, Vinyl record album
(2015 Back On Black reissue pressing.)

Possible matches28
CD, LP, Vinyl record album cover art
Albert AylerMy Name Is Albert Ayler ... LP
Debut/Jeanne Dielman (Italy), 1965. New Copy (reissue)... $22.99
A key early album by Albert Ayler – a mindblowing record even all these many years later, and a key introduction of Ayler's music to the rest of the world! The set begins with a compelling spoken introduction from Albert – really taking the time to introduce himself and his new approach to jazz – then rolls into searing sounds on tenor and soprano sax, played with accompaniment from a European trio that has Niels-Henning Orsted Pedersen on bass, Niels Bronsted on piano, and Ronnie Gardier on drums. A number of the tunes are standards – used by Ayler here in ways that are similar to some of Cecil Taylor's initial recordings – as a way of marking his own different in jazz, before setting out on his own compositions in years to come. Given the quartet setting, there's less of the locked horns and rhythms of some of Ayler's ESP recordings to come – but the difference in format also makes the album a real standout in his catalog, too. Titles include "Bye Bye Blackbird", "Summertime", "On Green Dolphin Street", and "CT". LP, Vinyl record album

Possible matches29
CD, LP, Vinyl record album cover art
Albert AylerVibrations (aka Ghosts) ... LP
Arista Freedom, 1964/1975. Sealed ... $19.99
Classic early Ayler material, recorded in Copenhagen in 1964, at the same time as his earliest recordings issued on the Debut label! The album stands as one of Ayler's most powerful, and with performances that hint strongly at the ESP recordings that would follow shortly, and have become more well known. Ayler's vision is fully in place here as he blows with unrestrained energy. The group here features Don Cherry, Gary Peacock and Sonny Murray. Amazing! Titles include "Ghosts", "Children", "Holy Spirit", "Vibrations" and "Mothers". LP, Vinyl record album
(Cover has a cut corner.)

Possible matches30
CD, LP, Vinyl record album cover art
Albert AylerWitches & Devils ... CD
Freedom (Germany), 1964. Used ... $14.99
Classic early material by Albert Ayler, recorded in New York in 1964, but originally issued only in Europe! The session features Ayler with the obscure trumpeter Norman Howard, plus Henry Grimes on bass and Sonny Murray on drums – and has all the crackle and imagination of Ayler's ESP recordings. In fact, the album stands as a key record that's as essential as Spiritual Unity or Spirits Rejoice – and has a very similar feel to both of those sets. Titles include "Spirits", "Witches & Devils", "Holy, Holy", and "Saints". CD
(Out of print.)

Possible matches31
CD, LP, Vinyl record album cover art
Anthony BraxtonFor Alto ... LP
Delmark, 1969. Near Mint- 2LP Gatefold ... $49.99
One of the first solo saxophone recordings of the 60s – recorded as one of the first few sessions by a young Anthony Braxton! As the title implies, the whole album features alto sax – played freely by Braxton with a depth of creativity and sense of humanity to rival any of the previous greatness of his generation from bigger names on labels like Impulse or ESP. There's a great sense of restraint here too – not one that has Braxton on the inside of the jazz spectrum, but which keeps him focused, and never to overly-indulgent in this new sort of setting. The sounds from his alto are clearly revolutionary – even from the perspective of many decades later – and we honestly think this record still beats most of the albums of this type that have come out in the years since it was first recorded! Tunes are all dedicated to Braxton's friends and heroes, in sort of a who's-who of the avant garde – and ttles include "To Composer John Cage", "To Leroy Jenkins", "To Murray De Pillars", and "To Pianist Cecil Taylor". LP, Vinyl record album
(Lincoln Ave pressing, with slightly different label designs on each LP. Cover has light ear.)

Possible matches32
CD, LP, Vinyl record album cover art
Don CherryWhere Is Brooklyn? ... CD
Blue Note (Japan), 1966. New Copy ... About December 6, 2017
Easily one of the most powerful albums ever cut by Don Cherry – a searing set of tracks done for Blue Note in the late 60s – and featuring some tremendous tenor work by Pharoah Sanders! There's a tightness and level of energy here that surpasses even Cherry's other excellent Blue Note sessions – a rawness that recalls the style forged often on key ESP albums of the 60s, but honed here into a slightly tighter mode. Sanders' horn is especially well-placed in the set – and pushes Cherry past the spacier notes of other recordings, in a way that unlocks fire from the years with Ornette – but which opens up into a much freer groove. The rest of the group includes Henry Grimes on bass and Ed Blackwell on drums – both a perfect match for the quartet – and titles include the 17 minute "Unite", plus "There Is A Bomb", "Awake Nu", "Taste Maker", and "The Thing". CD

Possible matches33
CD, LP, Vinyl record album cover art
Eric DolphyVintage Dolphy ... LP
GM Recordings, 1962/1963. Near Mint- ... $9.99
Some of the most striking Eric Dolphy work we've ever heard – a set of live performances from the years 1962 and 1962 that feature Dolphy in a free-thinking mode that surpasses even the modernism of his classic studio sides! The recordings feature Dolphy amidst a variety of players – including a number of unlikely suspects like Barry Galbraith, Eddie Costa, and Jim Hall – and although some of the tracks have a moody and introspective third stream quality (3 of the numbers are written by Gunther Schuller), others are quite open, and almost have an ESP-like intensity. One longer title is a jam session take on Charlie Parker's "Donna Lee" – recorded with a lineup that includes Phil Woods, Nick Travis, Benny Golson, Don Ellis, and Lalo Schifrin! Other titles include "Iron Man", "Half Note Triplets", "Densities", and "Night Music". LP, Vinyl record album
(80s pressing.)

Possible matches34
CD, LP, Vinyl record album cover art
Duke EllingtonIn The Uncommon Market ... LP
Pablo, Early 60s. Near Mint- Gatefold ... $9.99
A fantastic testament of the live genius of Duke Ellington – material recorded from a few different 60s shows recorded in Europe – woven together to make an album that's every bit as magical as some of the Duke's famous studio sides from the 40s and the 50s! The choice of tunes is great – some less-familiar Ellington compositions, highlighted by that fantastic blend of modernism and swing that the group was developing strongly from the mid 50s onwards – even more so than in previous years, with a maturation in both the leader and group members that made whole new heights of colorful expression possible! Players include Johnny Hodges, Paul Gonsalves, and Harry Carney on saxes – and Cat Anderson, Ray Nance, and Cootie Williams on trumpets – on titles that include "Bula", "Silk Lace", "Star Crossed Lovers", "ESP", "Guitar Amour", "Kinda Dukish", and two takes on "The Shepherd", which was done for a film about Jean Miro! LP, Vinyl record album
(Cover has a cutout notch.)

Possible matches35
CD, LP, Vinyl record album cover art
Jimmy GiuffreNew York Concerts – The Jimmy Giuffre 3 & 4 ... CD
Elemental, 1965. Used 2CD ... $11.99
Amazing music from Jimmy Giuffre – and a much-needed document of this under-recorded time in his career! The 2CD set brings together two different live performances – each done two years after his groundbreaking Free Fall album for Columbia, and with a sound that's even more far-reaching than that classic set! The Giuffre heard here is extremely free on his reeds – especially clarinet, which is blown at a level that prefaces countless European free jazz work to come – with an incredible range of sounds, colors, and tones. Giuffre also plays tenor – with more bite and soul than ever before – almost at an ESP sort of level – and the accompaniment on both sessions is very loose and free, too – with Joe Chambers on drums on both concerts – working with Richard Davis on bass on a trio set, and with a quartet that includes Don Friedman on piano and Barre Phillips on bass. The whole thing is mindblowing – a chapter of this amazing musician's career that demands to be heard – and stands as even more of a revelation than other Giuffre releases in recent years. Titles include "Cry Want", "Syncopate", "Drive", "Angles", "Quadrangle", "Crossroads", and "Three Bars In One". CD

Possible matches36
CD, LP, Vinyl record album cover art
Steve Lacy QuintetEsteem – Live In Paris 1975 ... CD
Unheard Music Series, 1975. Used ... $10.99
A previously unreleased live date from Steve Lacy – pulled from his huge archive of private recordings, and featuring his famous Paris quintet of the 70s! As on other albums of this time, the group here features Lacy on soprano sax, Steve Potts on alto and soprano, Irene Aebi on cello and violin, and Kent Carter on bass – as well as Kenneth Tyler on percussion – all working at a style that's nicely a bit looser and freer than on some of their better-known 70s records. The titles here are all originals by Lacy, and they're taken in a way that brings strongest focus on the horn interplay between him and Steve Potts – sometimes with an intensity that reminds us of mid 60s ESP recordings, which is possibly in part because of the nature of the way the show was recorded – not roughly, but very starkly, in a way that further emphasizes the power of the music. Titles include "The Crust", "The Uh Uh Uh", "The Rush", "Esteem", "Flakes", and "The Duck". CD

Possible matches37
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Chris McGregorUp To Earth (180 gram pressing) ... LP
Stamford Audio (UK), 1969. New Copy Gatefold (reissue)... About March 1, 2017 (delayed)
A previously-unissued gem from pianist Chris McGregor – recorded at the tail end of the 60s, when McGregor and some of his South African compatriots were really helping to change the sound of the British jazz scene! The album is one of McGregor's strongest ever – an incredibly bold statement in jazz, and one that burns with a brilliance that possibly even surpasses most of the officially-released dates from his scene at the time – a mixture of ESP-like fire from all solo players, touched with some of Chris' more dynamic rhythms – let loose with a really exploratory feeling on a set of longer tracks. The group's a septet – with McGregor on piano, John Surman on bass clarinet and baritone sax, Evan Parker on tenor, Dudu Pukwana on alto, Mongezi Feza on trumpet, Louis Moholo on drums, and either Barre Phillips or Danny Thompson on bass. Joe Boyd produced the original session, and also offers up some great reflections on the music in the liner notes – and titles include "Up To Earth", "Years Ago Now", "Moonlight Aloe", and "Yickytickee/Union Special". LP, Vinyl record album

Possible matches38
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Roscoe Mitchell SextetSound ... LP
Delmark, 1966. New Copy (reissue)... $12.99 15.98
One of the first bold statements to come from Chicago's AACM underground of the 60s – a tremendous debut effort from the young Roscoe Mitchell! The album's got a "sense of the new" feel that's as gripping as anything recorded by ESP or Impulse around the same time – a rule-breaking, freely-creative approach to jazz that builds strongly off the changes already wrought by Cecil Taylor, Ornette Coleman, and Archie Shepp! The format is somewhat like the Art Ensemble Of Chicago at times – with measured horn work from Mitchell on alto, clarinet, and recorder, Maurice McIntyre on tenor, Lester Bowie on trumpet and flugelhorn, and Lester Lashley on trombone (as well as a bit of cello). Some tracks – like the brilliant "Sound" – offer a slow-building exploration of tones and textures – while others, like the blues-joke "Little Suite", or the harmelodic "Ornette", show a wry sense of humor that would become a Chicago avant hallmark as the years went on! LP, Vinyl record album

Possible matches39
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Sonny MurraySonny's Time Now ... CD
DIW (Japan), 1965. Used ... $24.99
An album that was years ahead of its time – and which still stands as one of the boldest statements from the New York jazz underground of the 60s! The revolutionary styles of the scene were documented by bigger labels like Impulse and Blue Note – but this obscure indie set goes even deeper, and opens up to a special side of the generation that would have lasting influence for years to come – players who work here with a formative free jazz mode, one that begins with the energy of the ESP scene, but also hits some of the more open styles of the loft jazz and European recordings to come! The lineup is legendary – drummer Sonny Murray at the head – with Albert Ayler on tenor, Don Cherry on trumpet, and both Henry Grimes and Louis Worrell on drums – working with unbridled imagination and righteous power. LeRoi Jones performs a recitation on "Black Art" – and other titles include "Virtue" and "Justice". CD also features the bonus track "The Lie". CD
(Out of print.)

Possible matches40
CD, LP, Vinyl record album cover art
Sunny MurraySunshine (180 gram pressing) ... LP
BYG/Actuel, 1969. New Copy Gatefold (reissue)... $9.99
One of the most ambitious albums that Sunny Murray ever recorded – a set of large ideas and long explorations – performed here by a group of all-star avant players from the time! Murray's vision is wonderful here – even bolder and more expressive than on his work for ESP – and realized by a mighty lineup of players that includes Lester Bowie on trumpet, Arthur Jones and Roscoe Mitchell on alto saxes, Archie Shepp and Kenneth Terrode on tenors, Dave Burrell on piano, and Alan Silva and Malachi Favors on bass! The strong influence of the AACM can definitely be felt on the set – but Murray's presence really changes things up – taking the mood in a different direction than heard on the BYG albums that Mitchell, Bowie, and Favors recorded with the Art Ensemble. Side one features the extended "Flower Trane", and side two contains "Real" and "Red Cross". LP, Vinyl record album

Possible matches41
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New York Contemporary FiveConsequences (180 gram pressing) ... LP
Fontana/Modern Silence, 1963. New Copy (reissue)... $25.99
Searing work from the budding New York avant scene of the 60s – material that was some of the first to explode out of the city's new world of jazz – even though it only saw initial release overseas! The 1963 recording even predates the wave of groundbreaking ESP albums – and features a fantastic quintet with Archie Shepp on tenor, Don Cherry on trumpet, John Tchicai on alto, Don Moore on bass, and JC Moses on drums! The vibe is a bit like Shepp's initial work for Impulse – but also a bit more open and improvised, too – with a vibe that shows that even before the ESP label showed up to document the scene, masters like Shepp and company were already making amazing things happen. Titles include "Consequences", "Trio", "Rufus", "Sound Barrier", and "Wo Wo". LP, Vinyl record album
(Limited, numbered pressing!)

Possible matches42
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Gilles Peterson & Stuart BakerFreedom, Rhythm, & Sound – Revolutionary Jazz Cover Art 1960 to 1978 (softcover) ... Book
Soul Jazz (UK), 2009. New Copy ... About August 22, 2017 (delayed)
An incredible collection of revolutionary jazz album cover art from the 60s & 70s – bold, vivid and unforgettable art for bold, vivid and unforgettable jazz – compiled and edited by Gilles Peterson and Stuart Baker! It's a snapshot of an era in jazz music when cultural and stylistic boundaries were besting wide open – and many of the ones documented are the holy grails of the era – pressed in small quantities and firing up the rare crate diggers since! Iconic art for labels such asa BYG/Actuel, Strata East, Nimbus, ESP and many more, and artists including Sun Ra, Phil Cohran, Pharoah Sanders, Prince Lasha, Hannibal Marvin Peterson, and Marcus Belgrave to name just a few. Gilles Peterson, Stuart Baker and Soul Jazz have done an exceptionally great job with the notes and text, too – much better than other books of its kind! Heavy duty, large format hardcover, to give you true-to-life-size cover art – as it was meant to be seen! 179 pages. (Books, Jazz) Book

Possible matches43
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Potter & Tillman with Carmen LundySpace Rapture ... LP
High Jazz (Switzerland), 1981. New Copy (reissue)... $29.99
A wonderful bit of spacey fusion from the team of David Tillman and Andrew Potter – the kind of record we'd rank up there with classic work by Bobby Lyle or Lonnie Liston Smith! The set was recorded in the early 80s, and issued in a very small pressing at the time – but it's got a full-on sound that's created through swirling keyboards, funky drums, and a really spacious approach to the groove that's filled with spirit and soul. About half the tracks are instrumentals, take in a really freewheeling keyboard-driven style – and the other half feature vocals, cast out in a really warm and spiritual sort of way. Carmen Lundy makes a stunning appearance on an early version of her track "Time Is Love" – done here as a stripped-down piano/vocal jam that's even better than the more famous version! Other tracks include "It Must Be ESP", "Out West", "Love Is How", "Space Rapture", and "Sing A Simple Song Of Praise". LP, Vinyl record album

Possible matches44
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Huey Simmons (aka Sonny Simmons)Burning Spirits ... LP
Contemporary, 1970. Very Good+ 2LP Gatefold ... $49.99
A classic bit of avant garde work from the west coast scene of the late 60s – one of a small number of important "out" records from that part of the country at the time, standing in bold contrast to work from the more-vocal New York scene! The set was put together by Huey "Sonny" Simmons – and has a loosely collective feel that's almost spiritual, but which has a lot more edges than the usual soul jazz session of its type. Simmons is clearly inspired by the free work of the ESP crowd, but he also takes that sound in a whole new direction – working with a group that includes his frequent collaborator, trumpeter Barbara Donald, plus Cecil McBee, Lonnie Liston Smith, Clifford Jarvis, and Richard Davis. All titles are long, and tracks include "New Newk", "E=MC2", "Healing Rays", "Burning Spirits", and "Things & Beings". LP, Vinyl record album
(Cover has split top seam.)

Possible matches45
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Edward Vesala TrioNana ... LP
Blue Master/Svart (Finland), 1970. New Copy Gatefold (reissue)... $19.99
Free jazz from the Finnish scene of the early 70s – an exploratory trio that features Edward Vesala on drums, Arild Andersen on bass, and Juhani Aaltonen on on tenor and soprano sax! As with many Scandinavian free trio sides from the time, there's a clear inspiration here from the ESP scene in the US – as tracks are out, but never too far enough to have a sense of their own presence – not nearly as hard-blown as the Brotzmann generation, but nicely searching, especially on Aaltonen's soprano work. Titles include "Alhambra Mood", "Nana", "Joiku", "Fill In", "Gamma", "Albatros" and "My B". LP, Vinyl record album
(Gatefold includes new notes & interviews!)

Possible matches46
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Andrew WhiteAndrew Nathaniel White III ... LP
Andrew's Music, 1971. Very Good ... $6.99
An album of solo reed work from the enigmatic Andrew White – a brilliant talent who was part of the DC jazz scene in the 60s and 70s – but who chose to remain out of the limelight, releasing intimate albums like this on his own record label! The album's got a very unique sound – as White blows a variety of reed instruments (tenor, alto, oboe), sometimes in overdubbed modes, which makes for a very cool approach – one that's as haunting as it is spiritual, and a tremendous demonstration of White's unique vision. The titles are mostly White originals – like "Eugly's Tune", "Theme", "Sacred Blues", and "Rim Shot" – and there's also a nice version of Wayne Shorter's "ESP". LP, Vinyl record album
 
Partial matches: 199
Partial matches64
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Art Blakey/Stan Getz/Dizzy GillespieDes Femmes Disparaissent/Les Tricheurs ... CD
Universal (France), 1958. Used ... $19.99
Excellent jazz from French soundtracks of the late 50s! The bulk of the set is taken up with Art Blakey's wornderful score to the film Des Femmes Disparaissent – which features work by Jazz Messengers Lee Morgan, Bobby Timmons, and Benny Golson, recorded in Paris in 1958, with a hip swinging hardbop sound. These tracks make up 17 titles on the CD – with songs that include "Mambo Dans La Voiture", "Merlin", "Tom", "Nasol", and "Blues Pour Vava", plus a few solo drum tracks that are really great! 4 more tracks are from the rare ep-only soundtrack to Les Tricheurs – played by a Jazz At The Philharmonic group that includes Stan Getz, Oscar Peterson, Coleman Hawkins, and Roy Eldridge. Tracks on those numbers include "Les Tricheurs", "Phil's Tune", and "Mic's Jump". CD
(Out of print.)

Partial matches65
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Matthew Davis & Rosa MunozMute Correspondence ... CD
Field (UK), 2002. Used ... $6.99
... CD
(Out of print, CDr release packaged in a slim case.)

Partial matches66
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FourplayEsprit De Four ... CD
Heads Up, 2012. Used ... $4.99
... CD

Partial matches67
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Dizzy GillespieAn Electrifying Evening With The Dizzy Gillespie Quintet ... LP
Verve, 1961. Near Mint- ... $6.99
While actually not as electrifying as some of Dizzy's other albums from the time, this one's still pretty darn great, and features his great group with Leo Wright on alto and Lalo Schfrin on piano. The band grooves with a subtly Latinish vibe, and the tracks are nice and long long long. Titles include "Kush", one of Dizzy's best Latin numbers, plus "The Mooch" and "Night In Tunisia". LP, Vinyl record album
(MGM pressing with deep groove.)

Partial matches68
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Dizzy GillespieBirk's Works – Verve Big Band Sessions ... CD
Verve, 1956/1957. Used 2 CDs ... $9.99
Seminal work from Dizzy – showing that he was a genius in any form of jazz! In the mid 50s, Diz had one of the hippest big bands going – filled with great young players that included Lee Morgan, Joe Gordon, Melba Liston, Benny Golson, Billy Mitchell, and Walter Davis Jr. The work he crafted here was partly an extension of his earlier bop sides, but also a demonstration of his desire to express himself in more expansive forms – kind of a hint of the direction he'd take in the 60s, with his work in Latin, soundtrack, and funk styles. The set combines tracks from 3 different Verve albums – and it also packages the material with a number of previously unissued tracks, and some great liner notes that do a wonderful job of summing up the spirit of the work. Arrangements are by AK Salim, Quincy Jones, Tadd Dameron, and Dizzy himself – and tracks include "Jordu", "Tin Tin Deo", "Groovin For Nat", "Dizzy's Business", "Jessica's Day", "Doodlin", "Yo No Quiero Bailar", "Birk's Works", "Tangorine", "Umbrella Man", and "Mayflower Rock". 42 tracks in all! CD
(Out of print.)

Partial matches69
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Dizzy GillespieCareer – 1937 to 1992 ... CD
Shout Factory, Late 30s/1940s/1950s/1960s/1970s/1980s/Early 90s. Used 2CD ... $3.99
... CD
(Includes slipcase and booklet.)

Partial matches70
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Dizzy GillespieChamp (MFP) ... LP
MFP (UK), Mid 50s. Very Good+ ... $9.99
... LP, Vinyl record album

Partial matches71
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✨✧ Dizzy GillespieComplete RCA Victor Recordings ... CD
Bluebird/RCA, Late 30s/1940s. Used 2 CDs ... Just Sold Out!
... CD
(Out of print.)

Partial matches72
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Dizzy GillespieConcert Of The Century ... CD
Justin Time, 1980. New Copy ... $11.99 12.99
"Concert Of The Century" is a hell of a claim to make – but this is also a hell of a concert, too – one that features Dizzy Gillespie blowing with an all-star small group lineup – in really stretched-out takes on the tunes, at a level that rivals his best 70s material on the Pablo label! In addition to Gillespie on trumpet, players also include Milt Jackson on vibes, James Moody on tenor and flute, Hank Jones on piano, Ray Brown on bass, and Philly Joe Jones on drums – all working together as seamlessly as you'd expect! Titles include "Darben The Redd Foxx", "The Shadow Of Your Smile", "Get Happy", "Blues N Boogie", "If I Should Lose You", and "Bass Solo/Manha De Carnaval/Work Song". CD

Partial matches73
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Dizzy GillespieDizz Atmosphere – Rare Sessions ... CD
Drive, 1945/1946. Used ... $2.99
... CD
(Out of print.)

Partial matches74
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Dizzy GillespieDizzy Gillespie & His Quintet – Olympia 24 November 1965 ... CD
Malaco, 1965. Used ... $4.99
Outstanding Dizzy Gillespie material – from one of his most overlooked periods! The time is the mid 60s, and after a few years of working with Lalo Schifrin in his group, Dizzy's changed his Latin bag from hard-edged Cubop to mellower more complicated Bossa and modal jazz. The result is some of the most sophisticated playing in Dizzy's career – hitched to a groove that's still filled with soul and fire, and which rolls on in a compelling way that always hooks us hard! The group features Kenny Barron on piano, and reed work by James Moody, one of the other great secrets of the mid 60s! Tracks are all long – and titles include "One Note Samba", "Con Alma", "Umh, Umh", and "Chega De Saudade". CD

Partial matches75
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Dizzy GillespieDizzy Gillespie & The Double Six Of Paris ... LP
Philips, 1963. Near Mint- ... $6.99
A rare 60s meeting of groovy talents from both sides of the Atlantic – and a record that matches the trumpet of Dizzy Gillespie with the hiply swinging vocals of The Double Six Of Paris! The group were a wonderfully groovy precursor to the Swingle Singers – and sung in a scatting approach to jazz vocals that was very much in the tradition of Lambert, Hendricks, & Ross – but also drew inspiration from the earlier work of Eddie Jefferson, King Pleasure, and others. Their sound is great – much more 60s groovy than some other vocal groups – and pairing them with Dizzy gives this record an added punch that some of their other sessions are missing! Backing is small combo throughout – with either Bud Powell or Kenny Barron on piano, Kenny Clarke on drums, and James Moody on tenor – and with the presence of Diz, most of the material here is of bop orientation – taken at a fast and lively clip! Lalo Schifrin arranged the whole session too – and titles include "One Bass Hit", "Blue N Boogie", "Emanon", "Groovin High", "Ow", "The Champ", "Tin Tin Deo", "Hot House", and "Con Alma". LP, Vinyl record album
(80s French pressing.)

Partial matches76
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Dizzy GillespieDizzy Gillespie & The Mitchell Ruff Duo ... CD
Mainstream, 1971. Used ... $4.99
Wild – but pretty darn wonderful stuff! Dizzy's recording here in one of his sparest settings ever – blowing trumpet with accompaniment from the duo of Willie Ruff, bass and French horn, and Dwike Mitchell, piano – working in a mode that's really cool, really stripped down, and which has an amazingly understated tone! Given that the album has two horns, bass, and piano – and none of those all at the same time, with no other drums or instrumentation – the format is really amazing. Add to that the fact that the tracks are often quite long, and you get a sweet and introspective side of Diz (and the Mitchell Ruff Duo) that you might not have otherwise heard! Titles include "Con Alma", "Blues People", "Bella Bella", and "Dartmouth Duet". CD
(Out of print.)

Partial matches77
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Dizzy GillespieDizzy Gillespie At Newport ... LP
Verve, 1957. Very Good ... $16.99
One of the best albums ever in Verve's classic set of recordings from the 1957 Newport Jazz Festival – a set that captures the Dizzy Gillespie group of the decade in top live formation! The ensemble here is plenty hip – with a young Lee Morgan joining Dizzy on trumpet, and a host of other great players who include Melba Liston and Al Grey on trombones, Benny Golson and Billy Mitchell on saxes, and rhythm from the trio of Wynton Kelly on piano, Paul West on bass, and Charlie Persip on drums! Although big, the band often had the sharper groove of a small combo – and even when hitting some older moments from Gillespie's earlier years, they still kept a modern edge in their approach – thanks to arrangements by AK Salim, Tadd Dameron, Benny Golson, Quincy Jones, and Dizzy himself. Titles include "School Days", "I Remember Clifford", "Manteca", "Dizzy's Blues", "Cool Breeze", and "Doodlin". LP, Vinyl record album
(UK pressing on Columbia. Cover has light wear.)

Partial matches78
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy Gillespie Jam – Montreux 1977 ... LP
Pablo/OJC, 1977. Near Mint- ... $4.99
... LP, Vinyl record album
(Late 80s OJC pressing, still in the shrink.)

Partial matches79
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Dizzy GillespieDizzy Gillespie Plays (Allegro) (10 inch) ... LP
Allegro, Early 50s. Good+ ... $9.99
Obscure work from Dizzy Gillespie – a session presented with no dates or players, but pretty nice stuff overall! Dizzy's trumpet is right out front, and most numbers feature a slightly larger group – not really a full orchestra, but most likely an octet or tentet. Titles include "Emanon", "Groovin High", "Blue & Boogie", "Dizzy Atmosphere", "He Beeped When He Shoulda Bopped", and "One Bass Hit". LP, Vinyl record album
(Cover has some wear. Vinyl plays with clicks & crackles.)

Partial matches80
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Dizzy GillespieDizzy Gillespie With Strings (7 inch EP) ... 7-inch
Clef, 1952. Very Good- (pic cover)... $11.99
Dizzy and strings – a surprisingly great combination! Although it was Charlie Parker who first made famous the modernist "jazz with strings" approach, Dizzy does wonderfully here in the format – working in similar fashion with edgey backing from the "Operatic String Orchestra" in sessions recorded in Paris in the early 50s! The material was originally only issued as a number of separate 78rpm singles, but is packaged here as a 10" LP for the US market. Titles include "My Old Flame", "The Man I Love", and "Night & Day". (Funky 45's, Jazz) 7-inch, Vinyl record
(Cover has some wear & splitting.)

Partial matches81
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Dizzy GillespieDizzy Great ... LP
Passport (Italy), 1952. Near Mint- ... $6.99
... LP, Vinyl record album
(80s pressing.)

Partial matches82
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Dizzy GillespieDizzy In South America – Official US State Department Tour 1956 Vol 1 ... CD
Consolidated Artists Productions, 1956. Used ... $5.99
... CD
(Out of print.)

Partial matches83
CD, LP, Vinyl record album cover art
Dizzy GillespieDizzy In South America – Official US State Department Tour 1956 Vol 2 ... CD
Consolidated Artists Productions, 1956. Used ... $4.99
... CD
(Out of print.)
 
 
 



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