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Exact matches: 5
Exact matches1
CD, LP, Vinyl record album cover art
Stephan Wittwer, Martin Schutz & Paul LovensChoice Chase ... CD
Intakt (Switzerland), 1995. Used ... $6.99
... CD
(Out of print.)

Exact matches2
CD, LP, Vinyl record album cover art
✨✧ Chubby Jackson/Toots Thielemans/Arnold Ross/GeorgeChoice Cuts ... CD
Esquire/Solid (Japan), Late 40s/Early 50s. New Copy ... Out Of Stock
An album with Chubby Jackson's name in big type, but a set that also features three other groups, in addition to some great small combo sides from Jackson! All material was recorded in Stockholm, in a setting that's clearly welcoming to the new ideas of this postwar generation – and Jackson's featured on the first six tracks – with a very cool small combo that features Conte Candoli on trumpet, Frank Socolow on tenor, Terry Gibbs on vibes, and Lou Levy on piano. The sound is every bit as sharp as on any of Jackson's American sides – and titles include "Crown PIlots", "Lemon Drop", "Crying Sands", "Boomsie", and "Dee Dee's Dance". Next up are two sweet tracks with Toots Thielemans on harmonica, in a quartet with Jimmy Woode on bass – on the titles "I Can't Get Started" and "How High The Moon". Pianist Arnold Ross folows – with a tight combo of British players that includes Jimmy Deuchar on trumpet, Ronnie Scott on tenor, and Derek Humble on alto – on the titles "The Champ", "Once In Awhile", "All the Things You Are", and "These Foolish Things". The set ends with two tracks that feature pianist George Wallington in a Swedish group – with Lars Gullin on baritone, Arne Domnerus on alto, and Ake Persson on trombone – on the titles "Blue Bird" and "Round Midnight". CD

Exact matches3
CD, LP, Vinyl record album cover art
✨✧ Pepper AdamsCritics' Choice – Pepper Adams ... CD
World Pacific/Mighty Quinn, 1957. Used ... Out Of Stock
A real lost treasure from Pacific Jazz – a rare late 50s west coast session from Pepper Adams, featuring the amazing baritonist in a group with Lee Katzman on trumpet, Jimmy Rowles on piano, Doug Watkins on bass, and Mel Lewis on drums! The sound is incredible – on a par with that rare few of Adams' other magnificent albums as a leader – modern, yet soulful, and with a fluid feel that makes it hard to believe that Pepper's working with a baritone sax. Adams' work is always top-shelf, but this album's an even further cut above – and its proof that Pepper was one of the strongest talents burning in jazz in the late 50s! Tracks are all longish, and feature some nice unusual numbers that include "Minor Mishap", "Blackout Blues", "High Step", "5021", and "Zec". CD also features the bonus track "Four Funky People". CD
(Out of print.)
Also available Critics' Choice – Pepper Adams ... LP 39.99

Exact matches4
CD, LP, Vinyl record album cover art
✨✧ George MassoChoice NYC Bone (with bonus tracks) ... CD
Famous Door/Progressive, 1979. New Copy ... Out Of Stock
A great old school trombone session – one that was recorded in the 70s, but has the laidback vibe of a Verve album from the 50s – maybe somewhere in the territory of some of the Bill Harris recordings of the time! George Masso's got a rich, full sound – but one that's never overstated in this setting – just used with a perfect sense of phrasing and economy, in a quintet that also features Al Klink on tenor, John Bunch on piano, Milt Hinton on bass, and Butch Miles on drums. Titles include "The One I Love Belongs To Somebody Else", "No Blues For Lou", "I'm Beginning To See The Light", "Sometimes I'm Happy", and "Don't Take Your Love From Me". CD features two bonus alternate takes. CD

Exact matches5
CD, LP, Vinyl record album cover art
Pepper AdamsCritics' Choice – Pepper Adams ... LP
World Pacific, 1957. Near Mint- ... $39.99
A real lost treasure from Pacific Jazz – a rare late 50s west coast session from Pepper Adams, featuring the amazing baritonist in a group with Lee Katzman on trumpet, Jimmy Rowles on piano, Doug Watkins on bass, and Mel Lewis on drums! The sound is incredible – on a par with that rare few of Adams' other magnificent albums as a leader – modern, yet soulful, and with a fluid feel that makes it hard to believe that Pepper's working with a baritone sax. Tracks are all longish, and feature some nice unusual numbers that include "Minor Mishap", "Blackout Blues", "High Step", "5021", and "Zec". LP, Vinyl record album
(Beautiful Japanese pressing, with insert.)
 
Close matches: 4
Close matches6
CD, LP, Vinyl record album cover art
Joanne Brackeen with Michael BreckerTring A Ling ... CD
Choice (UK), 1977. Used ... $4.99
Pretty strong work from Joanne Brackeen – a great 70s trio set, with either Cecil McBee or Clint Houston on bass, and Billy Hart on drums – plus some guest tenor work by Michael Brecker, who's definitely at the sharper side of his spectrum! Brecker's tone here is raw and adventurous – much more so than on any of his own albums of the time – a perfect fit for Brackeen's strong work on the piano, which is very open and free flowing throughout. Titles include "New True Illusions", "Haiti B", "Echoes", "Fi Fi's Rock", and "Shadowbrook Aire". CD

Close matches7
CD, LP, Vinyl record album cover art
Jimmy GiuffreMusic For People, Birds, Butterflies & Mosquitoes ... LP
Choice, 1973. Very Good+ ... $19.99
Overlooked 70s work from Jimmy Giuffre – a hip trio session that has all the free elements of his earlier recordings, but possibly an even greater focus on tone! Jimmy plays a range of reeds here – tenor, clarinet, and flute – and he works with bass and drum accompaniment, but often in a really gentle way that allows his own solo energy to dictate the tunes – coming out in space that's boldly soulful on the tenor, yet more fragile and intimate on the flute – kind of a cross between more expressive avant work and some of the more spiritual tones of the time. The tenor tunes are especially great – kind of opening a new chapter for Giuffre's career – and titles include "The Bird", "Mosquito Dance", "The Chanting", "The Butterfly", "Dervish", "Phoenix", and "Night Dance". LP, Vinyl record album
(Cover has a split top seam & moderate wear.)

Close matches8
CD, LP, Vinyl record album cover art
Sal MoscaFor You ... LP
Choice, 1979. Near Mint- ... $4.99
Beautiful solo work from pianist Sal Mosca – an under-acknowledged genius for mixing modern and lyrical modes! The set features many originals by Sal – including "For Myself", "The Jewel", "Tumbles", "For LT", "The Gift", and "For Joy Jump". LP, Vinyl record album

Close matches9
CD, LP, Vinyl record album cover art
✨✧ Buddy DeFrancoFree Fall (with bonus tracks) ... CD
Choice (UK), 1974. Used ... Temporarily Out Of Stock
A beautiful Buddy DeFranco album from the 70s – one that really shows a lot of change in his style since his better-known sessions of the 50s! The album's got Buddy using the clarinet in different ways than before – with snakier lines, and more exotic tones that get past the straighter swing of his roots – a cool style that almost seems inspired by new sounds coming from reedmen like Tony Scott at the time. Victor Feldman plays piano on the date, and also uses some electric keys too – and other group members include John Chiodini on guitar, Victor Sproles on bass, and Joe Cocuzzo on drums. Titles include the extended "Threat Of Freedom" suite, plus "Free Fall", "Free Sail", and "Yesterdays". CD also features 2 bonus alternate takes, too! CD
 
Possible matches: 50
Possible matches10
CD, LP, Vinyl record album cover art
✨✧ Bruce Barth TrioLive At Smalls ... CD
Smalls Live, 2010. Used ... $6.99
Bruce Barth is a pianist who always knows how to open up and run – making him an excellent choice for the Smalls Live series – easily some of the best-recorded live jazz CDs in recent years! Barth's touch on the keys is amazing – very fluid, and a mixture of sharp tones and gentler elements – always incredibly well-conceived, and really holding up in the space of the album's extended tunes – which also are almost all original compositions as well! The trio features Vincente Archer on bass and Rudy Royston on drums – and titles include "Yama", "Almost Blues", "Oh Yes I Will", "Afternoon In Lledia", and "Wilsonian Alto". CD

Possible matches11
CD, LP, Vinyl record album cover art
Count BasieFrankly Basie – Count Basie Plays The Hits Of Frank Sinatra (with bonus tracks) ... CD
Verve/Jazz Heritage, 1962. Used ... $4.99
Basie hits the hits of the 50s and early 60s – working here with some tight Billy Byers arrangements that really help transform the tunes! The groove is upbeat, bright, and brilliantly soulful – that punctuated Basie groove first formed when Neal Hefti was with the group, still carried off here wonderfully by a lineup that includes Frank Wess and Frank Foster on saxes, Snooky Young and Al Aarons on trumpets, Benny Powell and Henry Coker on trombones, and Freddie Green on guitar. Titles include "The Second Time Around", "Hey Jealous Lover", "All Of Me", "This Love Of Mine", "Saturday Night", "Come Fly With Me", and "South Of The Border" – almost a Sinatra album in spirit, given the choice of tunes like these! Includes bonus tracks too. CD
(Out of print, BMG music club pressing.)

Possible matches12
CD, LP, Vinyl record album cover art
Jerry BergonziLineage ... CD
Red (Italy), 1989. New Copy ... $15.99 18.98
Low-burning tenor from Jerry Bergonzi – a player we grow to appreciate more and more as the years go by! Jerry starts this set off with a great reading of Joe Henderson's "Inner Urge" – which is a very apt choice, as Bergonzi's tenor has all the deep soul and modern edges we loved in Henderson's early Blue Note work – a real breath of fresh air when Jerry first came on the scene, and still holding up beautifully over the years! Mulgrew Miller's piano provides some great support here, too – supporting Bergonzi's vibe beautifully with lots of dark, thoughtful lines – even on the ballad numbers – and the rest of the group features Adam Nussbaum on drums and Dave Santoro on bass. In addition to "Inner Urge", other titles include "Jones", "Red's Blues", "On The Brink", and "Everything Happens To Me". CD

Possible matches13
CD, LP, Vinyl record album cover art
Sonny CrissJazz USA (Japanese pressing) ... CD
Imperial/EMI (Japan), 1956. Used ... $16.99
One of Sonny Criss' classic albums for Imperial – a brilliant batch of LA bop from the 50s, with an impeccable sound throughout! Criss had a tone like nobody else on the alto – and here, he's at the height of his early powers – neither blowing too hard, nor going for boppish tricks – and instead settling into an amazing groove with a sense of power, confidence, and extreme "rightness" as to his choice of notes! The album's right on the money throughout – exactly the kind of set that lives up to our lifetime devotion to Sonny's music – and the whole thing's great, with tracks that include "West Coast Blues", "Criss Cross", "Ham's Blues", and "Blue Friday". CD
(Out of print.)

Possible matches14
CD, LP, Vinyl record album cover art
✨✧ Bill Evans5 Original Albums (Trio 64/Simple Matter Of Conviction/Further Conversations/At Montreux Jazz Festival/What's New) (5CD set) ... CD
Verve (Germany), Mid 60s. New Copy 5 CDs ... $22.99
Five classic Bill Evans albums on Verve – all in tiny LP-styled sleeves! On Trio 64, Bill Evans is working with a really wonderful trio – one that features Gary Peacock on bass and Paul Motian on drums – both budding young modernists who help Evans reach some new sounds on the set! The record starts out with a groove that's perhaps more inside than you'd expect – but it then quickly moves into the sort of sensitively-played numbers that really made Evans a key force in jazz during the early 60s – supported by equally personal work from Peacock and Motian, who both clearly feel free to move beyond common piano trio cliches. Tracks include "Dancing In The Dark", "Always", "Little Lulu", "Santa Claus Is Coming To Town", "Everything Happens To Me", and "For Heaven's Sake". On Simple Matter Of Conviction, Bill Evans is working with bassist Eddie Gomez, a hugely talented bassist that would be one of Bill's best partners during this period, and a player who added a nice dose of soul to the proceedings. The drummer is Shelly Manne, who's pretty nice, too – and really shows off some of his more sophisticated shadings here in the presence of Evans and Gomez – similar to his work on the great Empathy album. Tracks are shortish, but filled with imagination – and titles include "Unless It's You", "These Things Called Changes", "Stella By Starlight", and "A Simple Matter Of Conviction". Further is a follow up to the similarly-titled Conversations With Myself album recorded several years before – and like that one, a record that has Bill Evans playing "with" himself, via the technology of overdubs! The album's less a solo album, than a duet one – given that most of the numbers feature Evans working between melody and rhythm on overlapping piano lines – creating a mini chorus of pianos that sounds totally great, and wonderfully unique! Titles include "Emily", "Yesterdays", "Santa Claus Is Coming To Town", "Funny Man", "The Shadow Of Your Smile", "Little Lulu" and "Quiet Now". Next is Bill Evans' first famous appearance at the Montreux Jazz Festival – a great 60s trio session, with Eddie Gomez on bass and Jack DeJohnette on drums! The tunes are mostly relatively familiar ones, but the ensemble on the set gives them a freer and more lyrical feel than you might expect – especially with DeJohnette on drums, who is a somewhat more powerful choice than some of Bill's other drummers of the 60s. Eddie Gomez is great, as always – with that round bass sound that we totally love – and titles include "Nardis", "Sleepin Bee", "Embraceable You", "Someday My Prince Will Come", "Mother Of Earl", "One For Helen", and "Walkin Up". And last, but not least, is What's New – one of Bill Evans' most beautiful albums from the time – and one that features the fantastic team of Jeremy Steig and Eddie Gomez, who were cutting some beautiful records for other labels at the time. Steig's flute later got very silly, but at this point, he's got a raw stripped-down sound that works perfectly with Gomez's warm, slightly funky basslines – making for a slightly soulful approach that really transforms the session. Evans is no slouch either – and the youthful company makes him play some of his best bits in years – on titles that include "Time Out For Chris", "So What", "Spartacus Love Theme", and "Autumn Leaves". CD

Possible matches15
CD, LP, Vinyl record album cover art
Bill EvansBill Evans Album (with bonus tracks) ... CD
Columbia (France), 1971. New Copy ... $8.99 11.99
A pretty sublime album from Bill Evans – one that has him playing both Fender Rhodes and Steinway, overdubbed together, for an effect that's laidback and completely wonderful! The Fender Rhodes was a natural choice for Evans – given his fluid lyrical style, and on this set (and on his equally great record for MGM) Bill opens up with an approach that really suits him well. Each track features him shifting back and forth between electric and acoustic modes, dancing from one to the other in a way that makes the instruments come together beautifully – supported by some incredibly soulful bass work by Eddie Gomez, and drums by Marty Morrell. Titles include "Sugar Plum", "Funkallero", "Waltz for Debby", "TTT", "Re: Person I Knew", and "Comrade Conrad". CD features 3 bonus alternate tracks, too! CD

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Art FarmerOut Of The Past ... CD
GRP/Argo, 1960/1961. Used ... $4.99
A great CD that combines most of the material on Art's two albums for Argo – Art (1960) and Perception (1961). Art is a beautiful album of understated brilliance – one of Farmer's early shifts into the sublime, an easily blown batch of trumpet tracks played with trio backing by Tommy Flanagan, Tommy Williams, and Albert Heath. The tracks are all in the four to five minute range, with Art crafting lyrically soulful lines over the top. Titles include "Who Cares", "Out Of The Past", "Younger Than Springtime", "That Ole Devil Called Love", and "Goodbye Old Girl". Perception is similar, an amazingly beautiful set of tracks from Art – playing with superb accompaniment from a young Harold Mabern, in a laidback quartet format that really lets Art open up! Art's playing is fresh and creative throughout – never over the top, with that subtle genius that he was bringing to his work in the 60s – and the choice of material includes Tom McIntosh's great composition "The Day After", plus Art's "Punsu" and "Kayin". One track from each album has been omitted to fit the material on one CD (which is BS, by the way, as the CD is only 64 minutes long!) – but if you can stand having the incomplete versions of the albums, this is a great deal for some rare material! CD
(Out of print, punch through barcode & clear promotional sticker on booklet cover.)

Possible matches17
CD, LP, Vinyl record album cover art
Marquis HillWay We Play ... CD
Concord, 2016. New Copy ... $9.99 15.99
Perhaps the best to date from trumpeter Marquis Hill – still a young player, but he plays with a depth of Chicago soul jazz history in his musical DNA, even as he brings in profoundly modern touches! Marquis was splitting his time between Chicago and NYC by the time The Way We Play was recorded, but he's really showing a deep love for Chicago here, from the cover art to the choice of material, in which he's invigorating classic numbers with fresh, youthful urgency. Core players include Makaya McCraven on drums, Christian McBride on alto, Justin "Justefan" Thomas on vibes and Joshua Ramos on bass – with guest vocalists Christie Dashiell and Meagan McNeal, poet Harold Green III, percussionist Jan Pastor and trombonist Vincent Gardner. Includes "The Way We Play/Minority", "Moon Rays", "Polka Dots And Moonbeams", a truly fresh, slowed down and moodier take on the Herbie Hancock classic "Maiden Voyage" with some emotive wordless vocals, "Fly Little Bird Fly", "Beep Durple", "Straight, No Chaser", "My Foolish Heart" and "Smile". CD

Possible matches18
CD, LP, Vinyl record album cover art
Jazzmeia HornSocial Call ... CD
Prestige, 2017. New Copy ... $14.99 15.99
The album's titled after a famous song by Betty Carter, and the sound of the set might well match her legacy too – as Jazzmeia Horn is clearly a singer we'll be hearing plenty from in years to come! Horn's got an incredible range – the first female jazz singer we've heard in years to really open up in the instrument-inspired style of the famous vocalists of years back – but she's also an artist who's not just copping old school jazz modes, as the presentation and choice of material is very strongly her own, and really blows us away! For everyone who's dug the music of top-shelf jazz singers like Betty Carter, Shirley Horn, and Dee Dee Bridgewater – Jazzmeia Horn may well be the next step forward. Players on the album include Victor Gould on piano, Ben Williams on bass, and Jerome Jennings on drums – and the set also features contributions from Josh Evans on trumpet, Frank Lacy on trombone, and Stacy Dillard on tenor. Titles include "Tight", "Up Above My Head", "Social Call", "People Make The World Go Round", "The Peacocks", "I Remember You", and "Afro Blue/Eye See You/Wade In The Water". (Vocalists, Jazz) CD

Possible matches19
CD, LP, Vinyl record album cover art
Fumio KarashimaMy Favorite Things ... CD
Pit Inn (Japan), 2017. New Copy ... $28.99
One of the most spiritual albums we've heard in years from pianist Fumio Karashima – a set that has the Japanese jazz legend working with a host of different guests, including some horn players who really give his music some depth! The choice of material is great – and Karashima eschews most of his own compositions for work by Herbie Hancock, Duke Pearson, Jimmy Heath, Bobby Hutcherson, and others – given lively readings by an ensemble who really know how to burst out at the front, then soar with these very strong solos. The album features a great reading of "My Favorite Things", with a unique use of two bassists; a spare duet with trumpeter Terumasa Hino on "Black Orpheus"; guest work from guitarist Kazumi Watanabe on "Chan's Song"; and nice takes on "So Near So Far", "Gingerbread Boy", "Subtle Neptune", and "Jeannine". CD

Possible matches20
CD, LP, Vinyl record album cover art
Ramsey LewisCountry Meets The Blues ... LP
Argo, 1962. Very Good+ ... $9.99
No blues, and only a little bit of country – mostly in the song choice for the set, and in the way the whole thing is put together! The core stylings here are still the Ramsey Lewis Trio at their early 60s best – but the record does feature a slight country-meets-soul sort of style in the production – a vibe that's similar to some of Ray Charles' ABC work of the time, although taken to an instrumental jazz sound here! Arrangements are by Oliver Nelson and Lew Douglas – the latter of whom uses more strings and a bit of voice, the former who keeps things more in a soul jazz mode overall. Titles include "St Louis Blues", "High Noon", "I Need You So", "I Just Want To Make Love To You", "Tangleweed Round My Heart", "My Bucket's Got A Hole In It", and "Your Cheatin Heart". LP, Vinyl record album
(Gray label Argo pressing. Cover has some staining.)

Possible matches21
CD, LP, Vinyl record album cover art
Blue MitchellBrasses & Strings (aka Smooth As The Wind) (record plays from the INSIDE OUT) ... LP
Fortissimo/Riverside, 1961. Very Good Gatefold ... $49.99
A rare one from Blue Mitchell – issued on the Riverside offshoot label Fortissimo – and a record that plays from the INSIDE OUT – starting at the inner label and playing through to the outer groove – backwards from conventional albums! The re-titled set features music from Blue's Riverside date Smooth As The Wind – a slightly different record than usual for Blue – not as down-n-dirty and funky, but more "smooth as the wind" – with Blue blowing solos over larger arrangements by Tadd Dameron and Benny Golson, a small string group mixed with jazz and horn backings. Given the hipness of the arrangers, the session's still got a nice edge – and the choice of material takes it past the realm of stringy standards, into a more complex mode that shows a very different side of Blue. Titles include "Strollin", "A Blue Time", "For Heaven's Sake", "Peace", and "Smooth As The Wind". As noted above, this record plays opposite from most of the records you own – from the INSIDE OUT. To start play you must drop the needle on what would normally be the runout groove! LP, Vinyl record album
(Clear red vinyl pressing. PLEASE NOTE: THIS RECORD PLAYS FROM THE INSIDE OUT! Cover has a split top seam.)

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Oliver NelsonMore Blues & The Abstract Truth ... LP
Impulse, 1963. Very Good Gatefold ... $7.99
Oliver Nelson's follow-up to his classic Blues & The Abstract Truth session for Impulse – and like that one, a tremendous little album – filled with deep tones and wonderful colors in sound! The group here's a bit larger than before – an ensemble that includes Phil Woods on alto, Ben Webster on tenor, Thad Jones on trumpet, Pepper Adams on baritone, Roger Kellaway on piano, Richard Davis on bass, and Grady Tate on drums. The album includes some superb original compositions by Nelson – just the kind of overlooked jazz numbers that make the set great – and as with most of his arrangements from the time, there's a perfect balance between group force and intimate solo space! Titles include "The Critic's Choice", "Blues & The Abstract Truth", "One For Bob", and 2 versions of Dave Brubeck's "Theme From Mr. Broadway". LP, Vinyl record album
(80s MCA/Impulse pressing.)

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Horace ParlanHappy Frame Of Mind ... CD
Blue Note, 1963. Used ... Just Sold Out!
Wicked work by pianist Horace Parlan – and one of his most stunning Blue Note sessions ever! The album was first recorded in 1963, but then kept on the shelf for years – seeing only brief release as part of a Booker Ervin package in the late 70s, and finally coming out with the proper cover and lineup at some point in the 80s! Why Blue Note waited so long is a mystery, because the album's a gem throughout – almost more important, and more starkly modern than any of Parlan's other work for the label. Booker Ervin leads the frontline on tenor, alongside Johnny Coles on trumpet, Grant Green on guitar, and the rhythm section of Butch Warren and Billy Higgins. Parlan's choice of material is fantastic – with a number of Africanist tracks that feature unique rhythmic patterns that really push the soloists! Titles include "A Tune For Richard", "Dexi", "Home Is Africa", "Kucheza Blues", and "Back From The Gig". CD
(Out of print original CD pressing, not a CDr.)

Possible matches24
CD, LP, Vinyl record album cover art
Hannibal Marvin PetersonOne With The Wind ... CD
Muse, 1993. New Copy ... $4.99
Hannibal made some mighty wonderful music in the 70s – and he really carries that tradition strongly forward on this overlooked gem from the early 90s! The album's not as boldly righteous as some of Peterson's dates for MPS, but it's still got a hell of a lot of soul – a well-blown trumpet line right out in front, and a soaring, spiritual undercurrent that makes even familiar tunes sparkle with a subtle sense of power. As always with Hannibal's records, the choice of players is great – Joe Ford on alto and tenor, Michael Cochrane on piano, Lonnie Plaxico on bass, Cecil Brooks III on drums, and Jeff Haynes on percussion – players that fit the Muse Records setting of the date, but seem to rise to new levels in Peterson's company. Titles include "Echoes", "Revelation", "Nile's Song", "One With The Wind", "Change Is Going To Come", and "Glow". CD

Possible matches25
CD, LP, Vinyl record album cover art
Bud Powell62 (aka Live At The Blue Note Cafe Paris 1961) ... LP
CY (France), 1961. Very Good ... $13.99
Rare sides recorded during Bud Powell's lost years in Paris! The set features Powell's piano in that famous Paris trio with Kenny Clarke on drums and Pierre Michelot on bass – working in a batch of tracks that features a fair bit of compositions by Thelonious Monk – a somewhat surprising choice, but one that Powell handles beautifully – with plenty of angular edges and sharp tones that show that he's still very much on top of his game at this point! Other numbers are a bit more in the bop standard mode, but still pretty great – and titles include "Night In Tunisia", "Thelonious", "Monk's Mood", "Round Midnight", "Shaw Nuff", and "Lover Man". LP, Vinyl record album
(70s pressing.)

Possible matches26
CD, LP, Vinyl record album cover art
Joe PumaJoe Puma – Quartet & Trio – Jazz ... CD
Jubilee/Warner (Japan), 1957. New Copy ... $13.99
Mellow modernism from Joe Puma – one of those guitarists who appeared on countless 50s sessions, then really seemed to disappear from records as the 60s wore on. This album's one of Puma's best – an easily swinging session that flows with warm group interplay, and which never seems to get bogged down in the traps that sometimes plagued sessions of this nature. Side one features a trio with Puma on guitar, Eddie Costa on vibes, and Oscar Pettiford on bass – a very good choice to accompany the other two – and side two features Puma and Pettiford, plus Bill Evans on piano and Paul Motian on drums. Titles include "Mother Of Earl", "Stablemates", "Ubas", and "Blues For Midge". CD
(SHM-CD pressing!)

Possible matches27
CD, LP, Vinyl record album cover art
Bernard Purdie (Pretty Purdie)Soul Drums (expanded edition with bonus material) ... CD
Date/Greenstreets, 1967. New Copy ... $5.99 17.98
Massive work from one of the funkiest drummers of all time – the legendary Bernard Pretty Purdie, stepping out here in a batch of instrumentals that may well be his greatest album ever! Bernard's drums are right up front in the mix – leading off all tunes with a full, funky, echoey sort of approach that's unlike anything else we can think of – and certainly different from any other late 60s albums of this type! The production is totally great – and has a way of pulling out some of the weirdest aspects of the music – which itself features guitar from Billy Butler and Eric Gale, bass from Bob Bushnell, tenor and flute from Seldon Powell, and organ and piano from Richard Tee – who also handled all the arrangements on the set! The centerpiece is the hit single "Funky Donkey", but just about every track's a groover in its own way – and titles include "Soul Drums", "Bill's Groove", "Jimmy's Back", "Testifyin", "Modern Jive", "Blow Your Lid", "Bee N Tee", and "Soul Bossa Nova". This new edition includes 8 bonus tracks, with a couple rare 45 tracks and more that have never been released – all soulful & funk – well paired with the Soul Drums album! Bonus tracks are in stereo, and include "Alexander's Rag Time Band", "Genuine John", "Soul Clappin", "If You Never Cried", "Stop" and "Time Is Tight". Also comes with a nice booklet with new liner notes, and choice quotes from Purdie's peers and those he influenced, from Galt MacDermot to Large Professor. CD
(Please not that there is a small cutout hole through the case.)

Possible matches28
CD, LP, Vinyl record album cover art
Buddy RichSwingin' New Big Band ... LP
Pacific Jazz, 1966. Near Mint- Gatefold ... $6.99
A hard and heavy side from Buddy, and true to his reputation and the title of the LP, he comes out swinging! The set features a top notch mid 60s group, and from the sound of the numbers on this set, ol' Buddy did need to hand out any of his famous lectures on the bus afterwards, with some crisp soloing and great ensemble playing. 8 tracks in all, including "Basically Blues", "The Critics Choice", "My Man's Gone Now", "Uptight (Everything's Alright)" and "Sister Sadie". LP, Vinyl record album
(Stereo pressing.)

Possible matches29
CD, LP, Vinyl record album cover art
Spike RobinsonGuv'Nor ... CD
Esquire/Solid (Japan), 1951. New Copy ... $9.99
That's a later photo of Spike Robinson on the cover, but the set features very early work by the British saxophonist – some great sessions that were originally done for 78rpm releases on the Esquire label! Spike's got a hell of a tone on the alto – never forced, and especially strong on the mellower material – where he's got the raspy fluidity of a young Stan Getz, and a sense of tone that almost seems influenced by the tenor of Lester Young! The first 8 tracks feature a group with Victor Feldman on vibes and Tommy Pollard on piano – the last 8 feature Feldman on drums with Ronnie Ball on piano. Each title features at least two takes – with nicely varied solos from Spike – and tunes include "East Of The Sun", "Just Friends", "The Way You Look Tonight", "Spike's Delight", "The Guv'Nor", "Spike's Choice", and "Lover Come Back To Me". CD
 
Partial matches: 11
Partial matches60
CD, LP, Vinyl record album cover art
✨✧ Frank Lowe & The SaxempleInappropriate Choices ... CD
ITM, 1991. Used ... $9.99
... CD
(Out of print.)

Partial matches61
CD, LP, Vinyl record album cover art
✨✧ Lorez AlexandriaFor Swingers Only ... LP
Argo, 1963. Very Good ... $39.99
One of the greatest albums ever from Lorez Alexandria – an ultra-hip singer who recorded for Impulse and King, but who sounds especially wonderful on this rare date for Chess Records! The album's got a groove that definitely lives up to its title – a jazzy, bouncy sort of rhythm that's definitely "for swingers only", and which is a nice contrast to overdone torch or standard jazz vocal modes. Alexandria's singing is completely sublime – quite fluid, yet with a soulful depth that's really amazing – and her backing combo is equally hip – a group led by John Young on piano, and also featuring George Eskirdge on guitar, Jimmy Garrison on bass, Phil Thomas on drums, and Ronald Wilson on flute and tenor – an obscure player whose reed work really makes the album sparkle! The song choices are great too – a mix of some under-recorded gems and a few blue-toned classics – all redone amazingly by Lorez with a sound that's quite unique. Titles include her classic Argo reading of "Baltimore Oriole", which begins with an amazing drum/bass passage that's worth the price of the album alone – and other tracks include "The End Of A Love Affair", "Baltimore Oriole", "All Or Nothing At All", "Mother Earth", "Love Look Away", and "Traveling Down A Lonely Road". (Vocalists, Jazz) LP, Vinyl record album
(Original gray label Argo pressing with deep groove. Cover has a sticker spot & some edge wear.)

Partial matches62
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David FriesenStar Dance ... LP
Inner City, 1976. Very Good+ ... $1.99
One of the more compelling sessions from the left side of the Inner City jazz label of the 70s – work that's partly fusion, but with plenty of aspects that push it far from the mainstream! Leader David Friesen plays acoustic bass on the set, but he's in a group with John Stowell on electric guitar, and the mighty Steve Gadd on drums – whose propulsive approach really drives the sound of the record strongly on some of the group numbers. Reedman Paul McCandless plays oboe and English horn, both unusual choices, but instruments that work well here – with an angularity that matches soprano sax usage in fusion during the 70s, although a bit warmer at times. Tracks are somewhat short, and include some really compelling solo numbers – recorded with a wonderfully round, soulful sound. Titles include "Winter's Fall", "Duet & Dialogue", "Mountain Streams", "A Little Child's Poem", "1 Rue Brey", "Star Dance", and "Children Of The Kingdom". LP, Vinyl record album
(Cover has light wear and a cut corner.)

Partial matches63
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Herbie HarperHerbie Harper ... CD
Bethlehem/Solid (Japan), 1955. New Copy ... $8.99
One of the most inventive albums we've ever heard from trombonist Herbie Harper – and that's saying a lot, given some of his other records! The group's an unusual one – with some key members that are likely – Jimmy Giuffre on tenor and baritone, Charlie Mariano on alto, and Jimmy Rowles on piano – mixed with other more compelling choices, such as Corky Hale on harp and Paul Sarmento on tuba – both instruments that really expand the sonic range of the session, in ways you might not expect to work this well! Harper was one of the more inventive leaders of the west coast scene at the time, and really does a great job of putting the whole thing together – managing both the unique group, and to find plenty of space for his own well-crafted solos too. Titles include "Topsy", "Angus", "Now You Know", "I'll Take Romance", and "Anything Goes". Nice goofy cover, with a picture of a dog, and the words "Please, no more shaggy dog stories! I'd rather listen to Herbie Harper!" CD

Partial matches64
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Etta JonesEtta Jones Sings (Roulette) ... CD
Roulette/Warner (Japan), 1965. New Copy ... $14.99
An overlooked gem from jazz singer Etta Jones – an effort cut around the same time as her better-known records for Prestige, but one that's maybe done with an even hipper sound overall! Etta's nicely laidback, and hits that soulful, singing mood that makes her so great right from the start – a bit offbeat, but in the best way possible – as Jones brings older bluesy inflections into play with more contemporary ideas – all set to wonderful instrumentation from a cool group that features Junior Mance on piano, Kenny Burrell on guitar, Joe Newman on trumpet, Frank Wess on tenor, and Mike Manieri on vibes. The song choices are great – and the balance between steppers and mellow cuts is perfect – on titles that include "Swinging Shepherd Blues", "All Right OK You Win", "Moon Man", "Did I Remember", "Lonely Crowd", and "I Was Telling Him About You". (Vocalists, Jazz) CD
(SHM-CD pressing!)

Partial matches65
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Kidd Jordan/Peter Kowald/Alvin FielderLive In New Orleans ... LP
No Business (Lithuania), 2013. New Copy 2LP Gatefold ... $28.99
A wonderful showcase for the soulful tenor talents of Kidd Jordan – a player with a style that takes us back to some of the richest, most expressive musicians of the loft jazz scene of the 70s! Jordan's got a way of spinning out a long, personal statement on his horn – one that's powerful and bold, and never resorts to cliche or any easy tricks – often just built strongly out of these very individualistic choices that almost have a poetic quality – although certainly of the proud and righteous mode! The set features a live performance with some wonderful bass work from Peter Kowald – a player whose low tones resonate in this very unusual way, and bring further depth to the record. Alvin Fielder plays both drums and percussion – titles include six trio passages and both a solo drum and bass number. LP, Vinyl record album
(Limited edition of 300 copies.)

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Charles LloydDream Weaver ... LP
Atlantic, 1966. Near Mint- ... $7.99
A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than those used by other creators of the time – like Eric Dolphy or John Coltrane. Even though leading the group on tenor and flute, Lloyd's got a real sense of rhythm to his playing – echoes of the Hamilton group – but set loose with a stellar quartet of younger players – including Keith Jarrett on piano, Cecil McBee on bass, and Jack DeJohnette on drums – all perfect choices for inventive music like this! The standout cut is the amazing "Sombrero Sam", a tight little groover that we never tire of – and one that has Jarrett sounding much more in the pocket than you'd ever imagine – and other tracks include "Dream Weaver", "Autumn Sequence", and "Bird Flight". LP, Vinyl record album
(Red & green Rockefeller label pressing.)

Partial matches67
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✨✧ Hank MobleyThird Season ... CD
Blue Note, 1967. Used ... Temporarily Out Of Stock
One of those rare treasures that was recorded by Blue Note in the 60s, but not issued at the time – a great late Hank Mobley set from 1967 that only saw the light of day in 1980! The album's got Hank really opening things up – using some of those more inventive rhythms and articulate phrasing that really graced his late years at Blue Note – a bold step forward, given his already-great run of material for the label! The core group is a quintet – with Lee Morgan on trumpet and Cedar Walton on piano – both of whom add to the lyrical edge of the playing – and most tracks feature additional work from James Spaulding on alto and flute, and the wonderful Sonny Greenwich on guitar – a player whose unique phrasing really helps shape the record's sound! Rhythms are from Walter Booker on bass and Billy Higgins on drums – again both great choices for the sometimes-modal qualities of the record – and titles include "Don't Cry Just Sigh", "Steppin Stone", "Third Season", "Boss Bossa", and "An Apertif". CD
(Out of print.)

Partial matches68
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✨✧ Mel TormeTorme – A New Album ... CD
Gryphon/King (Japan), 1977. New Copy ... Out Of Stock
A wonderful mid-career set from Mel Torme – a real sophisticated standout recorded in the years before his later comeback albums on Cocord – with a hip vibe that's relatively unique! The album's one of the late efforts from the Skye Records imprint – recorded in London with full backings from Chris Gunning, who gives Mel some of the same mature charts that Skye brought to the vocals of Grady Tate at the start of the 70s – and like those albums, a balance between larger charts and jazzier moments – punctuated points in the instrumentation that sparkle from contributions by Phil Woods on alto, Barry Miles and Gordon Beck on piano, Vic Juris on guitar, and Kenny Wheeler on trumpet. Mel's wonderful in the setting – a bit free of the cliche of his later years, and wrapped up in a perfect mode that fits his velvet fog sound like a glove – on titles that include some great 70s choices, and even a few Torme originals. Annie Ross provides a bit of guest vocals at one point – and tracks include "It's Too Late", "Never Look Back", "Charade", "Send In The Clowns", "What's This", "Like A Lover", "Ordinary Fool", "New York State Of Mind", and "All In Love Is Fair". (Vocalists, Jazz) CD

Partial matches69
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✨✧ Nels ClineLovers ... CD
Blue Note, 2016. New Copy 2 CDs ... Out Of Stock
The Blue Note debut of Wilco guitarist Nels Cline – a player who's quite a talent in his own right, and who seems to reach a new sort of height on this album! The record's an ambitious one – and features sublime larger arrangements by Michael Leonhart – who provides a very different setting for some of Cline's moody work on the strings of the guitar – as woodwinds and strings support his sounds in a few different modes – sometimes acoustic, sometimes electric, with a bit of pedal steel and other effects too. Leonhart's work brings a warmth and humanity to the record that Cline doesn't always have – but at a level that doesn't take away Nels' presence, either – and the set mixes classic standards with a range of unique song choices, in a double-length batch of music that includes "Invitation", "Hairpin & Hatbox", "Beautiful Love", "Lady Gabor", "Why Was I Born", "Snare Girl", "The Bond", "The Search For Cat", "Secret Love", "You Noticed", and "I Have Dreamed". CD

Partial matches70
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✨✧ Nels ClineLovers (180 gram pressing) ... LP
Blue Note, 2016. New Copy 2LP Gatefold ... Out Of Stock
The Blue Note debut of Wilco guitarist Nels Cline – a player who's quite a talent in his own right, and who seems to reach a new sort of height on this album! The record's an ambitious one – and features sublime larger arrangements by Michael Leonhart – who provides a very different setting for some of Cline's moody work on the strings of the guitar – as woodwinds and strings support his sounds in a few different modes – sometimes acoustic, sometimes electric, with a bit of pedal steel and other effects too. Leonhart's work brings a warmth and humanity to the record that Cline doesn't always have – but at a level that doesn't take away Nels' presence, either – and the set mixes classic standards with a range of unique song choices, in a double-length batch of music that includes "Invitation", "Hairpin & Hatbox", "Beautiful Love", "Lady Gabor", "Why Was I Born", "Snare Girl", "The Bond", "The Search For Cat", "Secret Love", "You Noticed", and "I Have Dreamed". LP, Vinyl record album
 
 
 



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