Jazz — All

A wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!




Items/page

Blue Note Edit search

 
Sort by
Partial matches: 186
Partial matches601
CD, LP, Vinyl record album cover art
Howard McGheeDusty Blue ... CD
Bethlehem/Solid (Japan), 1961. New Copy ... $13.99
One of the best of the early 60s comeback albums by the legendary bop trumpeter Howard McGhee – and a record that really has the player finding a whole new groove in his music! At this point, Maggie's got a fantastic tone that was missing from his earlier records, filled with pain and raw emotion – but also measured with a maturity that gives his solos an incredible sense of economy that delivers a whole hell of a lot with just a few simple notes – a balance that comes through beautifully here, maybe even more so than on any other record by Howard from the time! He's playing here in a great group that includes Roland Alexander on tenor, Bennie Green on trombone, Tommy Flanagan on piano, and Pepper Adams on baritone – and tracks include "Dusty Blue", "Groovin High", "Cottage For Sale", "Flyin Colors", and "With Malice Towards None". CD

Partial matches602
CD, LP, Vinyl record album cover art
Howard McGheeMaggie – The Savoy Sessions ... LP
Savoy, Late 40s/Early 50s. Very Good+ 2LP Gatefold ... $4.99
Howard McGhee had a bit of a checkered recording career over the years, but the material he cut for Savoy was some of his strongest – and showed the bop trumpter as one of the more innovative players of his generation, willing to experiment with more interesting arrangements and styles than some of his contemporaries. We're not sure if this 2LP set contains all of Maggie's work for Savoy, but it's got a heck of a lot of stuff, with great notes, and even some unissued material. Titles include "Bass C Jam", "Fiesta", "Belle From Bunnycock", "Royal Garden Blues", "Lady Be Good", "Harvest Time", "Short Life", and "Talk Of The Town". LP, Vinyl record album
(Cover has light wear.)

Partial matches603
CD, LP, Vinyl record album cover art
Chris McGregorVery Urgent ... CD
Polydor/Fledgling (UK), 1968. Used ... $13.99
One of the greatest British jazz albums ever to feature the Blue Notes – the legendary South African jazz group who left their country in the mid 60s, and took up an expatriot home in London! The session's led by pianist Chris McGregor, but it features a sextet that includes Blue Note members Louis Moholo on drums, Dudu Pukwana on alto sax, Mongezi Feza on pocket trumpet, and Johnny Dyani on bass – in addition to British tenor player Ronnie Beer. The sound of the work is pretty tremendous – ranging from completely free and outside jazz to slower, more somber tunes that strongly recall the later work of the players in the group. All tunes are originals by McGregor and Pukwana – save for the track "Don't Stir The Beehive", which is a reworking of a traditional African tune. Other titles include "The Sounds Begin Again", "White Lies", "Heart's Vibrations", and "Marie My Dear". CD
(In a nice gatefold mini-LP sleeve!)

Partial matches604
CD, LP, Vinyl record album cover art
Chris McGregor's Brotherhood Of BreathLive At Willisau (LP sleeve edition) ... CD
Ogun (UK), 1974. Used Gatefold ... $11.99
Classic material by McGregor, recorded in the post-Blue Notes years, but featuring old bandmates Dudu Pukwana, Mongezi Feza, and Louis Moholo. The group also includes some great Brit avant players – like Evan Parker, Radu Malfatti, Harry Miller, and Harry Beckett – and the whole performance was recorded live in Switzerland in 1974. The music is a mix of free out playing, yet still has traces of McGregor's roots in the South African jazz scene. Titles include "Tungis' Song", "The Serpents Kindly Eye", "Ismite Is Might", and "Kongi's Theme". CD

Partial matches605
CD, LP, Vinyl record album cover art
Jackie McLeanLong Drink Of The Blues ... LP
New Jazz, 1957. Near Mint- ... $16.99
Long-blowing late 50s work from Jackie McLean – one of his standout sets as a leader from the pre-Blue Note years! The album features McLean in two different settings – really opening up on side one with a sextet that includes Curtis Fuller on trombone, Webster Young on trumpet, Gil Coggins on piano, Paul Chambers on bass, and Louis Hayes on drums – in two long takes of "A Long Drink Of The Blues", which features Jackie on both alto and tenor! Side two is a bit tighter, with Jackie heading up a quartet that includes Mal Waldron on piano, Art Phipps on bass, and Art Taylor on drums – on tunes that include "I Cover The Waterfront", "These Foolish Things", and "Embraceable You". LP, Vinyl record album
(OJC pressing.)

Partial matches606
CD, LP, Vinyl record album cover art
Jackie McLean & John JenkinsAlto Madness ... LP
Prestige, 1957. Very Good+ ... $7.99
A rough little killer from Jackie McLean – less well-formed than some of his Blue Note sides, but in a way that really gives him a great soulful edge! There's an open-blowing quality to the record, one that's almost a blowing session, but a bit tighter overall – a hint of the energy that McLean would bring to later dates, but a bit less polished overall. The group's a quintet – with John Jenkins on alto, blowing next to Jackie, plus Wade Legge piano, Doug Watkins on bass, and Art Taylor drums – and titles include "Alto Madness", "Windy City", "Easy Living", and "Pondering". LP, Vinyl record album
(Green label pressing.)

Partial matches607
CD, LP, Vinyl record album cover art
Jackie McLean Quintet With Donald Byrd & Elmo HopeLights Out! ... LP
Prestige, 1956. Near Mint- ... $14.99
Early genius from Jackie McLean – arguably his best pre-Blue Note album, and a sinister batch of hardbop tracks recorded with a great group that includes Donald Byrd on trumpet and Elmo Hope on piano! The tracks are long, with a bit of the "blowing session" feel of other Prestige albums from the time – but they're also a lot tighter, and McLean really steps to the forefront on his solos, blowing with a sharp-edged sound that's really amazing – and which hints strongly at the even more adventurous turns he'd take later in the 60s. Tracks include "Up", "Lorraine", "Inding", and "Kerplunk". Great stuff all the way through! LP, Vinyl record album
(OJC pressing.)

Partial matches608
CD, LP, Vinyl record album cover art
Jerzy MilianJerzy Milian 80 – 1956 to 2004 ... CD
GAD (Poland), Late 50s/1960s/Early 70s. New Copy ... $16.99
One of the coolest Polish jazz musicians ever – the great vibist Jerzy Milian – honored here in a beautiful tribute to his 80 years on this planet! As the title implies, the music is from a large span of Milian's career – but most cuts are from his crucial stretch from the late 50s through the early 70s – when he was using his bold, chromatic approach on vibes in both small modern combos, and to grace some of the hipper large ensembles of the time – groups that sometimes had an MPS-like big band approach, sometimes an even groovier sound! This package brings together key tracks from Milian's career – a good number of which you won't find on CD elsewhere – along wit notes on the man and his music in both English and Polish. Titles include "Memory Of Bach", "I'll Remember Olga", "Blues For Praha", "Tempus Jazz 67 Ballada", "Szcuply Slim", "Ballet For Saxes (part 3)", "Pieces For Friend (part 1)", "Jolly Joker", "Sketches From China – Sunny Children", and "My Favourite Band". CD

Partial matches609
CD, LP, Vinyl record album cover art
Charles MingusJazz Workshop Concerts 1964/1965 (7CD set) ... CD
Mosaic, 1964/1965. New Copy 7 CDs ... $118.99 119.00
Key moments in the career of Charles Mingus – all recorded during the crucial years of 1964 and 1965, and featuring the first-time release of a fair bit of live material too! The set represents the first full presentation of recordings that have appeared piecemeal on a handful of obscure releases – self-released records from Mingus himself – Town Hall, My Favorite Quintet, and Music Written For Monterey – all really expanded here with the full recordings of the tracks, and unreleased titles provided from the original tapes! Mingus was really on fire during these years – severed from most of his bigger label associations, and freely working on some of his most inventive ideas with various smaller groups of players – all fresh young talents who were key interpreters of Charles' ideas – including Johnny Coles and Lonnie Hillyer on trumpet, Jimmy Owens on trumpet and flugelhorn, Charles McPherson on alto sax, Clifford Jordan on tenor, Jaki Byard on piano, Eric Dolphy on alto, flute, and bass clarinet. The stalwart Dannie Richmond is on drums, and the sides represent some of Dolphy's last, and most important recordings on the planet – recordings done at Town Hall and in Amsterdam in April of 1964 – in addition to live material at Monterey in 1964 and 1965, in Minneapolis in May of 1965. Tracks are all quite long – some pushing the half-hour timing – and as with the best live Mingus, there's variations here that go way past any studio readings – really incredible solo flights that are still beautifully integrated with the ideas of the main group. Titles include "So Long Eric", "Orange Was The Color Of Her Dress Then Blue Silk", "Mingus Piano Solo", "Bird Preamble", "Themeless Blues", "Copa City Titty", "A Lonely Day In Selma", "Cocktails For Two", "Praying With Eric", "Parkeriana", "ATFW", "Meditations On A Pair Of Wire Cutters", and "Meditations On Integration". 7CDs, limited edition, and with a great book of notes too! CD

Partial matches610
CD, LP, Vinyl record album cover art
Charles MingusThree Or Four Shades Of Blues ... LP
Atlantic, 1977. Very Good+ ... $9.99
The three or four shades of the blues here are all pretty darn deep – as Charles Mingus is returning to the soulful gospel-influenced mode he swung big in the early 60s! The record's something of a later predecessor of the classics Blues & Roots for Atlantic and Mingus (x5) for Impulse – and the style is slightly less dramatic, but still quite steeped in soulful explorations that feature plenty of notes from the bluer side of the spectrum! Players include George Coleman and Ricky Ford on tenor, Jack Walrath on trumpet, and Larry Coryell on guitar – and titles include new takes on "Better Git Hit In Your Soul" and "Goodbye Porkpie Hat" – plus"Nobody Knows", "Noddin Ya Head Blues", and "Three Or Four Shades Of Blues". LP, Vinyl record album

Partial matches611
CD, LP, Vinyl record album cover art
Blue MitchellBlue Mitchell ... CD
Mainstream/Boplicity (UK), Early 70s. New Copy ... $11.99
A key 70s album from Blue Mitchell – and a set that's perfectly balanced between the lyricism of his mid 60s sides for Blue Note, and the electric funk of later years! The tracks are long, and have a really great vibe – plenty of room for Mitchell's sweet trumpet in the lead, with longer solos than on his last funk albums for Blue Note – and given a nice sense of bounce, a groove that's almost modal at times, by a group that features Walter Bishop on piano, Larry gales on bass, and Doug Sides on drums. Bishop's clearly playing some Fender Rhodes at times – ala his Black Jazz albums – and the group also features some of the most righteous tenor work we've ever heard from Jimmy Forrest, an artist we really know best for sides from a decade before. Titles include a killer reading of "Soul Village" – later recorded famously by Bishop – plus "Blues For Thelma", "Queen Bey", "Mi Hermano", and "Are You Real". CD

Partial matches612
CD, LP, Vinyl record album cover art
Blue MitchellBrasses & Strings (aka Smooth As The Wind) (record plays from the INSIDE OUT) ... LP
Fortissimo/Riverside, 1961. Very Good Gatefold ... $69.99
A rare one from Blue Mitchell – issued on the Riverside offshoot label Fortissimo – and a record that plays from the INSIDE OUT – starting at the inner label and playing through to the outer groove – backwards from conventional albums! The re-titled set features music from Blue's Riverside date Smooth As The Wind – a slightly different record than usual for Blue – not as down-n-dirty and funky, but more "smooth as the wind" – with Blue blowing solos over larger arrangements by Tadd Dameron and Benny Golson, a small string group mixed with jazz and horn backings. Given the hipness of the arrangers, the session's still got a nice edge – and the choice of material takes it past the realm of stringy standards, into a more complex mode that shows a very different side of Blue. Titles include "Strollin", "A Blue Time", "For Heaven's Sake", "Peace", and "Smooth As The Wind". As noted above, this record plays opposite from most of the records you own – from the INSIDE OUT. To start play you must drop the needle on what would normally be the runout groove! LP, Vinyl record album
(Clear red vinyl pressing. PLEASE NOTE: THIS RECORD PLAYS FROM THE INSIDE OUT! Cover has a partially split top seam.)

Partial matches613
CD, LP, Vinyl record album cover art
Blue MitchellLast Tango = Blues ... LP
Mainstream, 1973. Very Good- Gatefold ... $8.99
No tango here – just a great batch of hard, funky, trumpet-heavy groovers – all in the best early 70s Blue Mitchell mode! The album's easily one of Blue's best from the time – and although the tracks are a bit short, they're put together in a way that dovetails nicely with his earlier grooves on Blue Note at the end of the 60s – arranged by Richard Fritz with some fuller reeds behind the trumpet, in a mode that's partly between funky soundtracks and Kudu Records styles of the period. Players include David T Walker on guitar, Chuck Rainey on bass, Charles Kynard on organ, and Paul Humphrey on percussion – and titles include a great version of Walter Bishop Jr.'s "Soul Turn Around", a funky cover of Cymande's "The Message" – plus "One For Russ", "Peace", "PT Blues", "Killing Me Softly", and "Steal The Feel". LP, Vinyl record album
(Original pressing. Cover has half split seams.)

Partial matches614
CD, LP, Vinyl record album cover art
✨✧ Roscoe Mitchell & Note FactoryThis Dance Is For Steve McCall ... CD
Black Saint (Italy), 1993. Used ... $6.99
There's something about the memory of Steve McCall that seems to bring out the best in any AACM player – and this early 90s session from Roscoe Mitchell is great proof of that fact! The album's one that has Mitchell returning a bit to the sound textures of his early roots – even though he's working with a strong-voiced sextet that includes Matthew Shipp on piano, William Parker on bass, and Vincent Davis on drums. The tunes have some of the qualities of Mitchell's Sound Ensemble work, but also often drop into much sparer territory – touched with quiet exploration of space and sound that reminds us of earlier Art Ensemble recordings. Titles include "Ah", "Uptown Strut", "Ericka", "Variations For String Bass & Piano", "This Dance Is For Steve McCall", and "The Far East Blues". CD
(Out of print.)

Partial matches615
CD, LP, Vinyl record album cover art
Hank MobleyAnother Monday Night At Birdland ... LP
Roulette, 1958. Near Mint- ... $24.99
A rare non-Blue Note late 50s session that features Hank Mobley and Lee Morgan – and a stone cooker that feels like some of the best Jazz Messengers dates of the time! There's a chance that the session was possibly cut "under duress", like a number of other jazz albums on Roulette during the period – but that doesn't stop it from being a full-on, open-fire groover – lots of long tracks done in perfect hardbop formation! In addition to Mobley's tenor and Morgan's trumpet, the combo also features Curtis Fuller on trombone, Billy Root on additional tenor, Ray Bryant on piano, Tommy Bryant on bass, and Specs Wright on drums. The album features four long blowing tunes – "Jamph", "Nutville", "Wee", and "It's You Or No One". LP, Vinyl record album
(80s pressing on Fresh Sounds.)

Partial matches616
CD, LP, Vinyl record album cover art
Hank MobleyJazz Message of Hank Mobley Volume 1 ... CD
Savoy/Nippon (Japan), 1956. Used ... $7.99
The jazz message of Hank Mobley here is loud, proud, and plenty soulful – a key early illustration of his massive talents on the tenor sax, recorded in the relaxed company of top-shelf players of his generation! The format's a bit less structured than Mobley on Blue Note – more in a Prestige mode, although not as loose as a blowing session, given the length of the tunes. Two groups work with Hank on the set – one that includes John LaPorta on alto, Donald Byrd on trumpet, and Horace Silver on piano – another with Byrd on trumpet and Ronnie Ball on piano. La Porta's alto is an especially nice treat – quite an unusual modern pairing with Mobley – and rhythm is from either Doug Watkins or Wendell Marshall on bass, and Kenny Clarke on drums. Titles include "Cattin", "Madeline", "When I Fall In Love", "Budo", "I Married An Angel", and "The Jazz Message". CD

Partial matches617
CD, LP, Vinyl record album cover art
Hank MobleyJazz Message of Hank Mobley Volume 2 ... CD
Savoy, 1956. Used ... $9.99
Excellent early hardbop material from Hank Mobley – recorded in a slightly looser style than his Blue Note work, but essential 50s work nonetheless! The album's got a relaxed, open feel – almost the blowing session mode used with Mobley on Savoy, and a great illustration of Hank's warmly collaborative talents in the company of some of the best players of his generation. The album features 2 groups – with either Lee Morgan or Donald Byrd on trumpet, Hank Jones or Barry Harris on piano, Doug Watkins on bass, and Art Taylor on drums – working together wonderfully on tunes that include "Thad's Blues", "Doug's Minor B'ok", and "Space Flight". CD
(Out of print.)

Partial matches618
CD, LP, Vinyl record album cover art
Hank MobleyMonday Night At Birdland ... CD
Roulette/EMI (Japan), 1958. Used ... $9.99
A rare non-Blue Note late 50s session that features Hank Mobley and Lee Morgan – and a stone cooker that feels like some of the best Jazz Messengers dates of the time! There's a chance that the session was possibly cut "under duress", like a number of other jazz albums on Roulette during the period – but that doesn't stop it from being a full-on, open-fire groover – lots of long tracks done in perfect hardbop formation! In addition to Mobley's tenor and Morgan's trumpet, the combo also features Curtis Fuller on trombone, Billy Root on additional tenor, Ray Bryant on piano, Tommy Bryant on bass, and Specs Wright on drums. The album features four long blowing tunes – "Walkin", "All The Things You Are", "Bag's Groove", and "There Will Never Be Another You". CD
(Out of print, includes obi.)

Partial matches619
CD, LP, Vinyl record album cover art
Brew MooreBrew Moore Live In Europe 1961 ... LP
Sonorama (Germany), 1961. New Copy ... $14.99
One of the all-too-few recordings of the great Brew Moore on tenor as a leader – a rare date recorded during the year of Moore's first appearance on the European scene – the start of a great 60s run that really had the saxophonist taking off overseas! Brew was already great on his handful of 50s releases in the US, but when he hit the European scene he seemed to change into an even more amazing player, almost overnight – one with a boundless sense of imagination that comes through in well-crafted, extended solos – and a sense of depth and soul that should have gotten Moore much greater recognition on these shores at the time! This set features really striking material from a few different settings – maybe the best of which is material recorded in Stockholm with a Swedish trio – on long tracks that include "Five Planets In Leo", "Buzzy", and "Apple Core". The set also features some tighter Parisian recordings – done at the Blue Note with a sweet quartet that features Lou Bennett on organ, Jimmy Gourley on guitar, and Kenny Clarke on drums – on the titles "Zonky", "Broadway", and "Satin Doll". Last up is one more track recorded for Danish TV with Paul Godske on piano, Niels Henning Orsted Pedersen on bass, and Alex Riel on drums – a nice reading of Brew's own tune "Ergo". LP, Vinyl record album

Partial matches620
CD, LP, Vinyl record album cover art
Idris MuhammadBlack Rhythm Revolution/Peace & Rhythm ... CD
Prestige/BGP (UK), 1971. New Copy ... $11.99 18.99
2 classics from the legendary Idris Muhammad! Black Rhythm Revolution is one of the first records ever as a leader from funky drummer Idris Muhammad – a set that was cut right at the same time Idris was burning up the kit on his classic jazz funk sessions with other Prestige label players! The groove here is tight, funky, and very much in the mode that Muhammad laid down for other bigger soloists – a solid, socking sound that was the early 70s inheritance of the "Popcorn" funk groove of the late 60s. Players here are all great – and include Melvin Sparks on guitar, Harold Mabern on electric piano, and Virgil Jones on trumpet – and tracks include great covers of "Express Yourself" and "Super Bad", plus "Wander" and "Soulful Drums". Peace & Rhythms is a wonderful departure from Muhammad – and proof that he could do a lot more than just provide heavy breaks for Lou Donaldson and Melvin Sparks! This set is surprisingly spiritual and righteous at points – with a groove that's almost more like Strata East than some of Muhammad's previous work as a sideman on Blue Note and Prestige. Side one features the extended "Peace and Rhythm Suite" – a beautiful cut that's filled with searching, soaring energy – and side two includes two vocal cuts "Brother You Know You're Doing Wrong" and "I'm a Believer", both sung by Sakinah Muhammad – plus "Don't Knock My Love". Players are all great – and a nicely different lineup than the usual Prestige jazz funk gang. CD
 
 
 



⇑ Top