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Partial matches: 160
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CD, LP, Vinyl record album cover art
Kyoto Jazz Sextet (Kyoto Jazz Massive)Mission ... LP
Blue Note (Japan), 2015. New Copy ... About February 1, 2016 (delayed)
Kyoto Jazz Massive is on a soulful mission this time around – stepping out on Blue Note with a wonderful tribute to the rich legacy of the label! The music is directed by Shuya Okino, and played by a super-sharp quintet who really recall the genius of Blue Note in the 60s – especially that time when the label was perfectly balanced between modern and hardbop modes, as evidenced by the selection of compositions here by Lee Morgan, Hank Mobley, Wayne Shorter, Herbie Hancock, and Joe Henderson! None of the tracks are straight remakes, and there's definitely a fresh, acoustic spin on the rhythms – played by a lineup that includes trumpet, tenor, piano, bass, and drums – plus some guest instrumentation as well. Tracks include the group's own "Eclipse" – plus "Search For The New Land", "Succotash", "The Melting Pot", "Mr Jin", "Jinrikisha", "Up A Step", and "Speak No Evil". LP, Vinyl record album
Also available Mission ... CD 28.99

Partial matches602
CD, LP, Vinyl record album cover art
✨✧ Charles Lloyd & The MarvelsI Long To See You ... LP
Blue Note, 2016. New Copy ... On March 25, 2016
A Blue Note debut from legendary reedman Charles Lloyd – who definitely wants to bring something new to his work on the label! The set features his Marvels combo – a quintet that features very prominent work from guitarist Bill Frisell, whose edgey tones here make for a very different sound than the use of guitar on some of Lloyd's recent records – especially as the group also features steel guitar from Greg Leisz, who shades things in with some washes of sound that really echo Frisell's tones too! The rest of the lineup features Reuben Rodgers on bass and Eric Harland on drums – and Lloyd plays both tenor and alto flute, with a warmth that really offsets some of the starker sounds of Frisell. The record features guest vocal work from Norah Jones and Willie Nelson – who sing on a song apiece – but the core appeal here is the interplay between Lloyd and guitar, but in a way that's very different than his 60s work with Gabor Szabo. Titles include "Of Course Of Course", "La Llorna", "Abide With Me", "Barche Lamsel", "All My Trials", and "Sombrero Sam". LP, Vinyl record album

Partial matches603
CD, LP, Vinyl record album cover art
Chris McGregor & The Castle Lager Big BandJazz – The African Sound ... CD
Jazzman (UK), 1963. New Copy ... On January 15, 2016 (delayed)
A seminal set from the South African jazz scene of the early 60s – recorded by pianist Chris McGregor before he and the Blue Notes emigrated to the UK – and a stunning example of the new sounds that were coming forth at the time! Chris leads the band, in music that definitely has some of the snakey, rhythmic elements that you'll hear in his later Brotherhood Of Breath recordings – but there's also an amazing sense of color and tone taking place, too – modern qualities that seem borrowed a bit from Gil Evans, but then wrapped around McGregor's own unique groove – and given tremendous expression from players who include Dudu Pukwana on alto, Kippie Moeketsi on alto and clarinet, Ronnie Beer and Nick Moyake on tenors, Bob Tizzard on trombone, and Dennis Mpale and Mongezi Feza on trumpets! The mix of later ex-pats and lesser-known South African players is wonderful – but even without the historical importance, the music speaks volumes on its own – a really tremendous record that's very much at the forefront of modern jazz happening on the American and European scenes at the time. Titles include "I Remember Billy", "Now", "Kippie", "Eclipse At Dawn", and "Switch". CD

Partial matches604
CD, LP, Vinyl record album cover art
Ornette ColemanScience Fiction ... LP
Columbia, 1972. Very Good+ ... Just Sold Out!
One of Ornette Coleman's best recordings from the 70s – and like his other album for Columbia, quite a change from the freewheeling sounds he was blowing over at Blue Note! The style here is a bit more high concept, but in a good way – with all the edges that Coleman had developed from the late 50s onward, brought into tighter focus for the Columbia setting – given a bit more complexity, although still with plenty of room for freedom – and played both with a smaller combo, and a slightly larger group. The mix of players is as striking as the sounds on the record – and includes Coleman on alto, trumpet, and violin – plus Dewey Redman on tenor, Don Cherry on pocket trumpet, Bobby Bradford on trumpet, Jim Hall on guitar, Cedar Walton on piano, Charlie Haden on bass, and Billy Higgins and Ed Blackwell on drums. Asha Pulthi sings a bit on the larger ensemble tracks – making a rare appearance here before her 70s soul career in Germany – and titles include "What Reason Could I Give", "Street Woman", "The Jungle Is A Skycraper", and "All My Life". LP, Vinyl record album
(Cover has light wear.)
Also available Science Fiction (180 gram pressing) ... LP 26.99

Partial matches605
CD, LP, Vinyl record album cover art
✨✧ Chick CoreaSong Of Singing ... CD
Capitol/Jazz Heritage, 1970. Used ... Just Sold Out!
A key album in Chick Corea's shift from Latin jazz to arch-modern – recorded with Circle bandmates Dave Holland on bass and Barry Altschul on drums, and done with a free sound that's quite unusual for Blue Note at the time! Chick's out on this one – way out – in that free mode of his first great rise to fame, without any of the silly Scientology of later years – and Holland and Altschul are in some of their greatest form ever, working with Chick to craft a starkly compelling album of tunes that showed that jazz piano still had a lot of room to grow at the start of the 70s! Titles include "Toy Room", "Ballad I", "Flesh", "Rhymes", and "Nefertitti". CD
(Out of print.)

Partial matches606
CD, LP, Vinyl record album cover art
Miles DavisBlue Haze ... LP
Prestige, 1954. Very Good ... Just Sold Out!
An early full-length album issued under Miles Davis' name – one that brings together some earlier 10" and single recordings for Prestige! The feel here is quite similar to Davis' work of the time for Blue Note – done with tracks that are short and tight, and very boppish – less of the glistening Davis style of later years, but still quite strongly voiced nonetheless. Players include Horace Silver on piano on most tracks, plus a bit of keys from John Lewis – and one track even features Charles Mingus on piano! Other players on the sessions include Art Blakey, Max Roach, or Kenny Clarke on drums – plus Percy Heath on bass, and a bit of alto from Davey Schildkraut. Titles include "I'll Remember April", "Old Devil Moon", "Tune Up", "Miles Ahead", "Four", and "Smooch". LP, Vinyl record album
(NYC 50th street pressing with deep groove and RVG etch!)

Partial matches607
CD, LP, Vinyl record album cover art
✨✧ Johnny Griffin & Big Band LausanneBig Band Lausanne – A Monk's Dream ... CD
Fremeaux & Associates (France), 1990. New Copy ... Just Sold Out!
Tenor legend Johnny Griffin steps in as one of the key soloists here – working within the larger Big Band Lausanne, at a level that takes us back to his classic 60s European performances in the Clark Boland Big Band! This group isn't as groove-heavy as that one, but still has an equally nice sound – one that's heavy on tonal colors, directed by reedman Christian Gavillet – who plays both alto and baritone on the record, and solos a bit himself. Other soloists include Vincent Lachat on trombone, Thierry Lang on piano, William Holden on trumpet, Yvan Ischer on alto, and Antoine Ogay on bass – all great musicians who really step out nicely from the bigger ensemble. Griffin has solos on three of the album's eight tracks, and appears to be part of the larger lineup throughout – and titles include "Fifty Six", "The Jamfs Are Coming", "Rock Skippin At The Blue Note", "Isfahan", and "A Monk's Dream". CD

Partial matches608
CD, LP, Vinyl record album cover art
Hampton HawesAll Night Session Vols 1, 2, & 3 ... CD
Contemporary/Victor (Japan), 1956. Used 2CD ... Just Sold Out!
A noteworthy session from pianist Hampton Hawes – a rare quartet session from the 50s (at a time when Hawes was mostly working in trios) – and also a three volume set of releases, all recorded in the space of a single night! The album is truly an All Night Session – as the material here was recorded during the night of November 12 and early morning hours of November 13, 1956 – with an unusual group that features Hawes on piano, Red Mitchell on bass, Bruz Freeman on drums, and Jim Hall on guitar! Hall's ringing tones are a perfect partner for Hawes' light approach to the keys – and the relaxed, extended nature of the recording has both players really opening up on some of the album's longish tracks. 2CD set features all 3 volumes of the recording – a total of 16 tracks that includes "Jordu", "Groovin High", "Takin Care", "Hampton's Pulpit", "I'll Remember April", "I Should Care", "Woody'N You", "Two Bass Hit", "Will You Still Be Mine", "April In Paris", "Blue 'N Boogie", "Blues #4", "Blues #3", and "Do Nothin Till You Hear From Me". CD

Partial matches609
CD, LP, Vinyl record album cover art
Milt JacksonBags' Opus ... LP
United Artists, 1959. Very Good- ... Just Sold Out!
One of the greatest Milt Jackson albums ever – thanks to an incredible lineup that features Art Farmer on trumpet and Benny Golson on tenor – both of whom give the record a lot more edge than usual for Jackson! The set's almost a maturation of the earliest modern grooves that Milt forged in his earlier sessions for Blue Note and Prestige – a sound that comes across here with a lot more confidence and focus than some of his 50s Savoy sides – with a sharper, edgier quality that comes from Golson's great arrangements for the record. Milt's vibes have a really chromatic feel here, and a sound that's almost louder than usual – and the rest of the group features Tommy Flanagan on piano, Paul Chambers on bass, and Connie Kay on drums. Titles include "Blues For Diahann", "I Remember Clifford", "Thinking Of You", and "Whisper Not". LP, Vinyl record album
(Light blue label UA pressing with deep groove.)

Partial matches610
CD, LP, Vinyl record album cover art
Wynton KellyPiano Interpretations By Wynton Kelly (2LP expanded version) ... LP
Vee Jay (Japan), 1951. Near Mint- 2LP Gatefold ... Just Sold Out!
A rare early session by Wynton Kelly – who's working here in a trio format with Oscar Pettiford on bass and Lee Abrams on drums! The tracks are intimate and introspective, with Kelly holding back his bop chops a bit to break out in other moods on the keyboard – definitely the "new sounds" promised by the cover, as the set's sharp enough to be considered with the best Blue Note piano work from the time. The cover is an excellent Gil Melle abstract design – and titles include "Moonlight In Vermont", "Good Bye", "Born To Be Blue", and "Blue Moon". Plus, this Japanese-only 12" LP version features a greatly expanded track list – with a number of tunes from another 10" LP, plus a few unissued cuts! 19 tracks in all. LP, Vinyl record album
(Includes the original insert. Cover has a light stain on one corner, with a bit of stuck-on paper on back.)
 
 
 



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