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Jazz — All

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Benny Kelly Edit search Phrase match

 
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Possible matches: 8
Possible matches1
CD, LP, Vinyl record album cover art
Curtis FullerCurtis Fuller Jazztet With Benny Golson ... CD
Savoy/Denon, 1959. Used ... $14.99
Stellar stuff – recorded a few years before Benny Golson started to explore his "jazztet" ideas with Art Farmer, but handled in a very similar mode. The sextet on the session's a crack one – with Charlie Persip, Paul Chambers, and Wynton Kelly on rhythm – and searing horn solos from Fuller, Golson, and a very young Lee Morgan. All tracks are long, and the set includes 2 Fuller originals – "Arabia" and "Judy's Dilemma" – plus "Wheatleigh Hall" and "It's All Right With Me". CD
(Out of print Denon pressing from 1991.)

Possible matches2
CD, LP, Vinyl record album cover art
Benny GolsonModern Touch ... CD
Riverside/OJC, 1957. Used ... $5.99
The modern touch indeed! You can't get any more classic Benny Golson than this – a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, yet have a rootsy soulfulness that makes them instantly compelling – and Benny's tone on tenor sax is sharp and angular, yet also has a raspiness that gives it a degree of honesty you wouldn't expect from a budding young modernist. The rest of the players – Max Roach, Paul Chambers, Wynton Kelly, JJ Johnson, and Kenny Dorham – are equally great, too – and amidst Benny's arrangements, they come together as if they'd been playing in this format for years! Titles include "Out Of The Past", "Venetian Breeze", "Reunion", "Hymn To The Orient", and "Blues On Down". CD

Possible matches3
CD, LP, Vinyl record album cover art
✨✧ Wynton KellyKelly Blue ... CD
Riverside/OJC, 1959. Used ... $3.99
A great little session from Wynton Kelly – one that has him breaking out of the lyrical roots of his trio work, and hitting some harder notes as a leader of a larger hardbop group! The album features Kelly working in both trio and sextet format – the latter with players who include Nat Adderley, Bobby Jaspar, and Benny Golson; and the former with Paul Chambers and Jimmy Cobb (who also play with the sextet). The sextet tracks are the ones that we really love here – as they tend to feature 2 long original numbers by Kelly – much more open than usual, and in a mode that was rarely captured as well on Wynton's albums as a leader. The trio sides are still nice too, though – although a bit more like some of his other sides – and the album features 6 tracks in all, titles that include "Kelly Blue", "Softly As In A Morning Sunrise", "Green Dollphin Street", "Keep It Moving", and "Old Clothes". CD

Possible matches4
CD, LP, Vinyl record album cover art
✨✧ Benny GolsonReunion (aka The Modern Touch) ... LP
Jazzland, 1957. Used ... Temporarily Out Of Stock
A Jazzland issue of a top Golson side originally cut for Riverside. You can't get any more classic Benny Golson than this – a sublime late 50s album that features Benny with a sextet, working out amazing versions of the sorts of material that set him apart from every other jazz arranger of the time! The tracks here are complicated, yet have a rootsy soulfulness that makes them instantly compelling – and Benny's tone on tenor sax is sharp and angular, yet also has a raspiness that gives it a degree of honesty you wouldn't expect from a budding young modernist. The rest of the players – Max Roach, Paul Chambers, Wynton Kelly, JJ Johnson, and Kenny Dorham – are equally great, too – and amidst Benny's arrangements, they come together as if they'd been playing in this format for years! Titles include "Out Of The Past", "Venetian Breeze", "Reunion", "Hymn To The Orient", and "Blues On Down". LP, Vinyl record album
(Orange label Bill Grauer pressing with deep groove. Cover has some ring & edge wear and a small split on the bottom seam.)

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Curtis FullerCurtis Fuller Jazztet With Benny Golson (Japanese paper sleeve edition) ... CD
Savoy/Denon (Japan), 1959. Used ... Out Of Stock
Stellar stuff – recorded a few years before Benny Golson started to explore his "jazztet" ideas with Art Farmer, but handled in a very similar mode. The sextet on the session's a crack one – with Charlie Persip, Paul Chambers, and Wynton Kelly on rhythm – and searing horn solos from Fuller, Golson, and a very young Lee Morgan. All tracks are long, and the set includes 2 Fuller originals – "Arabia" and "Judy's Dilemma" – plus "Wheatleigh Hall" and "It's All Right With Me". CD
(Out of print 90s paper sleeve pressing.)
Also available Curtis Fuller Jazztet With Benny Golson ... CD 14.99

Possible matches6
CD, LP, Vinyl record album cover art
Billie HolidayClassic Lady Day (Solitude/Recital/Velvet Mood/Lady Sings The Blues/All Or Nothing At All) (5CD set) ... CD
Verve, 1950s. New Copy 5CD ... $34.99 49.99
5 late albums from Billie Holiday – all collected in one sweet set, in tiny LP-styled sleeves, too! First up is Solitude – classic Billie Holiday for Verve – sad, blue-tinged, and recorded with great small combo backing – in a mode that really updates the sound of her initial recordings while still keeping the best elements intact! Players include Oscar Peterson, Alvin Stoller, Barney Kessell, and Ray Brown on the core group – plus bits of added solo work from Flip Phillips on tenor and Charlie Shavers on trumpet. Titles include "Solitude", "Moonglow", "Tenderly", "Everything I Have Is Yours", "East Of The Sun", "You Turned The Tables On Me", and "Easy To Love". Recital is not really a recital in the "live" sense, in that the album's a studio session – but a great batch of classic Verve sides by Billie Holiday! The care and quality of the record definitely demonstrate that the Verve years are some of Holiday's best – and for the session, Norman Granz has backed up Billie with a great batch of musicians – including Charlie Shavers on trumpet, Flip Philips on tenor, Barney Kessel on guitar, and Oscar Peterson on piano. Tracks include "Remember", "Yesterdays", "He's Funny That Way", "Stormy Weather", "My Man", and "Lover Come Back To Me" – and the cover has a portrait of Billie by David Stone Martin! Velvet Mood is a record with a velvet mood, but one with a bit of an edge – as you might expect from Billie Holiday in the 50s, hardly the stuff of a too-soft vocal date! The album's got Holiday working in wonderful small combo mode – getting some key Verve backup from players who include Sweets Edison on trumept, Benny Carter on alto sax, Barney Kessel on guitar, and Jimmy Rowles on piano – a warmly intimate group who really fit the sad-tinged vocals from Billie. Tracks are longish – maybe a bit more so than usual for a Holiday Verve session – and the set list includes beautiful renditions of "What's New", "I Gotta Right To Sing The Blues", "Prelude To A Kiss", and "When Your Lover Has Gone". Next is Lady Sings The Blues – possibly one of the most essential Billie Holiday albums for Verve – a set that carries the same title as her famous autobiography, and which also features many key numbers from her songbook at the time! The feel here is quite easygoing and relaxed – with small group backing behind Billie's vocals, which themselves are recorded cleanly and clearly throughout. One side features backing by a combo that includes Wynton Kelly on piano, Kenny Burrell on guitar, Charlie Shavers on trumpet, and Paul Quinichette on tenor – and the other features a group that includes Bobby Tucker on piano, Charlie Shavers on trumpet, Barney Kessel on guitar, and the great Willie Smith on alto sax. Titles include plenty of classics – including "God Bless The Child", "Strange Fruit", "Lady Sings The Blues", "No Good Man", "Good Morning Heartache", "I Must Have That Man", and "Trav'lin' Light". All Or Nothing At All is beautiful Billie from the last years of her life. The material was recorded in 1956 and 1957 in Hollywood, featuring Barney Kessel, Ben Wesbster, Harry Edison, and Jimmy Rowles – all grooving nicely in small group formation. The tracks have a wonderfully fragile quality – and although standards, are still some of Billie's nicest work for Verve. Titles include "April In Paris", "All Or Nothing At All", "We'll Be Together Again", and "But Not For Me". Great David Stone Martin cover, too! (Vocalists, Jazz) CD

Possible matches7
CD, LP, Vinyl record album cover art
Lee MorganLee Morgan Vol 3 (RVG remaster edition – with bonus track) ... CD
Blue Note, 1957. Used ... $14.99
One of the hardest to find of the early Lee Morgan albums on Blue Note – and a very lyrical batch of hardbop tracks, played with a slightly exotic flair! Morgan's group on the date features melodic modernists Benny Golson on tenor and Gigi Gryce on alto sax – both of whom push Morgan past his youthful bop approach into more sensitive areas – especially Golson, who wrote and arranged the tunes on the date with a sublime mix of hardbop and deeper musical ideals! Rhythm is from the trio of Wynton Kelly on piano, Paul Chambers on bass, and Charlie Persip on drums – and titles include a great reading of Golson's "I Remember Clifford", plus four other originals by Benny – "Hasaan's Dream", "Domingo", "Mesabi Chant", and "Tip Toeing". CD
(Out of print. BMG club pressing.)

Possible matches8
CD, LP, Vinyl record album cover art
✨✧ Dizzy GillespieFabulous Pleyel Jazz Concert Vol 1 – 1948 (colored vinyl) ... LP
Vogue/Sony (UK), 1948. New Copy (reissue)... Out Of Stock
A beautiful package – the original French Vogue issue of material from the first Dizzy Gillespie concert at the Salle Pleyel in Paris! The tracks here have gone onto become the stuff of legend over the years – as the performance is one in which Dizzy brought over a whole American ensemble to unlease bop on the postwar Paris scene – with results that are amazing in both the strength of the solos and the instrumental complexity of the ensemble! Other players include Benny Bailey and Dave Burns on trumpets, Ted Kelly and Bill Shepherd on trombones, John brown on alto, Big Nick Nicholas on tenor, Cecil Payne on baritone, and Chano Pazo on congas – and Pancho Hagood joins Dizzy on a bit of vocals. Titles include "Algo Bueno", "Ool Ya Koo", "I Can't Get Started", "Afro Cuban Drum Suite", and "Things To Come". LP, Vinyl record album
(Great pressing – on mottled green colored vinyl, with original cover art, and inside notes on the music!)
 
 
 



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