Jazz — All Formats

A wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!




Items/page

BGOEdit search

 
Sort by
Close matches: 19
Close matches1
CD, LP, Vinyl record album cover art
Larry CarltonStrikes Twice/Sleepwalk/Friends ... CD
Warner/BGO (UK), 1980/1982/1983. New Copy 2 CDs ... $16.99
A trio of guitar classics from Larry Carlton – all brought together in a single package! On Strikes Twice, Larry Carlton looks a little cheesy on the cover, but the album's a classic set of mainstream fusion from the start of the 80s – exactly the kind of record that made Carlton one of the standouts of the time! Larry actually sings a bit on the set, but the main focus is on his guitar work – often as sharp-edged as the lightning lines on the cover image – but with a warmer, soulful undercurrent too – one that bubbles along nicely, thanks to keyboards from Greg Mathieson and Don Freeman, and cool percussion from the great Paulinho Da Costa. The best tunes here have that warmly melodic feel you'd find in some of Pat Metheny's work, although with a bit more soul overall – and titles include "Springville", "Strikes Twice", "Ain't Nothin For A Heartache", "For Love Alone", "Mulberry Street", and "In My Blood". Sleepwalk is a real gem from guitarist Larry Carlton – a set that's very jazzy, but which also shows the strong focus he'd developed on his rock session work in the 70s – including some famous recordings with Steely Dan! There's a sharpness to Carlton's guitar that cuts through some of the sleepier modes of fusion players of the time – a style that's right out front, able to solo with a great sense of voice, but also no cheesier sounds as well – very appealing to fans of 70s guitar fusion, and Carlton's great blend of soulful undercurrents as well. Titles include "Sleepwalk", "Last Night", "Blues Bird", "Upper Kern", "10:00pm", and "You Gotta Get It While You Can". On Friends, Larry Carlton's got plenty of great friends on board for this sweet session – including Michael Brecker on tenor, Joe Sample and Terry Trotter on Fender Rhodes, Paulinho Da Costa on percussion, and even BB King on guitar for one track! Yet the overall vibe is still very much Larry's own – that sharp approach to fusion that Carlton helped spearhead with his work in the 70s, a bit more keyboard-centric than before, but still with plenty of room for the leader to spin out warmly chromatic solos on guitar. Titles include "South Town", "Breaking Ground", "Song In The 5th Grade", "LA NY", and "Friends". CD

Close matches2
CD, LP, Vinyl record album cover art
DeodatoWhirlwinds/Artistry ... CD
MCA/BGO (UK), 1974. New Copy ... $15.99 20.98
Two post-CTI gems from Deodato – back to back on a single CD! Whirlwinds is sweet keyboard soul from Deodato – a set that steps off nicely from the strengths of his big hits on CTI, hitting a similarly flowing groove that's really great! The instrumentation here is a bit more expanded than before, but never in a way that buries the keyboards – and Deodato's right out front on a range of electric keys that get some great support from John Tropea's finely-honed work on guitar! Titles include "Havana Strut", "Whirlwinds", "West 42nd Street", and a nice cover of Steely Dan's "Do It Again". And heck, even the album's version of Glen Miller's "Moonlight Serenade" manages to come off like a funk tune! Artistry is a live set from Deodato – but one that's very much in the mode of his best CTI studio sessions – with soaring, over the top keyboard work that's totally great – backed by some tightly compressed guitar, bass, and drums, with just enough funk in the mix to keep things interesting! As with other Deodato records from the time, there's a mix of moods here that comes together nicely – a range that goes past his easy hits, and shows Deodato to be one of the hippest, most soulful keyboard talents of his generation. Titles include a great version of "Super Strut" that grooves for over 8 minutes, and which has some firey guitar that really competes with Deodato's work on the keys – and other tracks include "Farewell To A Friend", "Pavane For A Dead Princess", "Rio Sangre", and "Jivin". CD

Close matches3
CD, LP, Vinyl record album cover art
Maynard FergusonBallad Style Of Maynard Ferguson/Alive & Well In London ... CD
Columbia/BGO (UK), 1972. New Copy ... $15.99
A pair of Columbia classics from trumpeter Maynard Ferguson – back to back on a single CD! First up is an album titled Ballad Style, but there's no sleepy ballads here – thanks to hip backings from British arranger Keith Mansfield – who also worked with Maynard Ferguson on some of his MF Horn sessions! As with other work of the time, Mansfield manages to keep things moving along nicely, even when mellow – and he mixes his own arrangements with orchestrations conducted by Alan Moorehouse that have some of the groovier touches of late 60s Brit Easy – even a very slight hint of a groove at the bottom of some tunes. The music is definitely in a ballad mode, but never as sleepy as you might think – and titles include "Girl Talk", "Born Free", "You Only Live Twice", "Sound Of Silence", "As Long As He Needs Me", and "The Impossible Dream". Alive & Well is equally groovy – funky big band material at its best – with hard-grooving arrangements from Brit talents who include John Cameron, Kenny Wheeler, and Keith Mansfield – all of whom mix together key elements of sound library funk with enough pure jazz to make Maynard sound great throughout. Tunes include some great groovy covers – "Move Over", "Aquarius", "My Sweet Lord", "Your Song", and "Living In The Past" – plus Mansfield's own "The Serpent". CD

Close matches4
CD, LP, Vinyl record album cover art
Maynard FergusonChameleon/Conquistador/Hot ... CD
Columbia/BGO (UK), 1974/1977/1979. New Copy 2 CDs ... $16.99
A trio of Maynard Ferguson 70s gems – wrapped up together in a single package! First up is Chameleon – funky Maynard Ferguson – and one of his sweetest albums of the 70s! The set features a wonderful remake of Herbie Hancock's "Chameleon" – done here as a big band version that countless other groups would copy during the 70s – in a way that almost showed that Maynard had a more farther-reaching influence at the time than Herbie! Other tracks are equally great – and mix in funky rhythms with some mellower moments – all topped by great solo work from players who include trombonist Randy Purcell, baritone saxophonist Bruce Johnstone, and keyboardist Alan Zavod. Apart from "Chameleon", other titles include great covers of Wings' "Jet" and Stevie Wonders' "Livin For the City" – plus "La Fiesta", "Superbone Meets The Bad Man", and "Gospel John". Conquistador is a jazz funk masterpiece, and it's proof that Maynard Ferguson always had a good head on his shoulders, and were waiting for a record like this to really come into his own! The arrangements shine with a smooth electric sparkle that reminds us of the best albums on Kudu or CTI – and even his normally "too hot" solos fit in perfectly with the band's smooth funky grooving. Our favorite tune is the spacey sample cut "Mister Mellow", but the whole album's pretty darn nice, including "Soar Like An Eagle", "The Fly", "Conquistador". Heck, we even like the funky version of "Theme From Star Trek"! Hot is full on disco grooving from Maynard – a fact that's apparent from the album's first cut – "Rocky II Disco"! The track takes off from Bill Conti's original Rocky theme with a nice kind of funky soundtrack approach – leaving room for a tenor sax solo, and featuring some great spoken bits and punching bag work from Sly Stallone himself! Other tracks are equally slick, but mix it up nicely – and highlights include the Indian-styled "Om Sai Ram", a take on "Naima", and the cuts "Topa Topa Woman", "Dayride", and "Theme From Star Trek". And heck, Maynard even plays a bit of the "superbone" – a combination valve and slide trombone, invented by himself! CD
Also available Chameleon/Conquistador/Hot ... CD 12.99

Close matches5
CD, LP, Vinyl record album cover art
Maynard FergusonChameleon/Conquistador/Hot ... CD
Columbia/BGO (UK), 1974/1977/1979. Used 2CD ... $12.99
A trio of Maynard Ferguson 70s gems – wrapped up together in a single package! First up is Chameleon – funky Maynard Ferguson – and one of his sweetest albums of the 70s! The set features a wonderful remake of Herbie Hancock's "Chameleon" – done here as a big band version that countless other groups would copy during the 70s – in a way that almost showed that Maynard had a more farther-reaching influence at the time than Herbie! Other tracks are equally great – and mix in funky rhythms with some mellower moments – all topped by great solo work from players who include trombonist Randy Purcell, baritone saxophonist Bruce Johnstone, and keyboardist Alan Zavod. Apart from "Chameleon", other titles include great covers of Wings' "Jet" and Stevie Wonders' "Livin For the City" – plus "La Fiesta", "Superbone Meets The Bad Man", and "Gospel John". Conquistador is a jazz funk masterpiece, and it's proof that Maynard Ferguson always had a good head on his shoulders, and were waiting for a record like this to really come into his own! The arrangements shine with a smooth electric sparkle that reminds us of the best albums on Kudu or CTI – and even his normally "too hot" solos fit in perfectly with the band's smooth funky grooving. Our favorite tune is the spacey sample cut "Mister Mellow", but the whole album's pretty darn nice, including "Soar Like An Eagle", "The Fly", "Conquistador". Heck, we even like the funky version of "Theme From Star Trek"! Hot is full on disco grooving from Maynard – a fact that's apparent from the album's first cut – "Rocky II Disco"! The track takes off from Bill Conti's original Rocky theme with a nice kind of funky soundtrack approach – leaving room for a tenor sax solo, and featuring some great spoken bits and punching bag work from Sly Stallone himself! Other tracks are equally slick, but mix it up nicely – and highlights include the Indian-styled "Om Sai Ram", a take on "Naima", and the cuts "Topa Topa Woman", "Dayride", and "Theme From Star Trek". And heck, Maynard even plays a bit of the "superbone" – a combination valve and slide trombone, invented by himself! CD
(Includes original slipcase.)
Also available Chameleon/Conquistador/Hot ... CD 16.99

Close matches6
CD, LP, Vinyl record album cover art
Maynard FergusonIt's My Time/Hollywood ... CD
Columbia/BGO (UK), 1980/1982. New Copy 2 CDs ... $16.99
Two later Columbia sessions from Maynard Ferguson – back to back in a single set! On It's My Time, Maynard kicks off the 80s with another in his run of successful albums for Columbia – blending together funky fusion and disco in a very sweet groove! He's actually got some soulful help on the session – working with Tom Tom 84 on some of the record's best tracks, which come across with a bit less schmaltz than you'd expect – and Nick Lane also brings some nice moments to a few of the album's mellower tracks too. Titles include "An Offering Of Love (part 1)", "It's My Time", "Dance To Your Heart", "Everybody Loves The Blues", "Red Creek", and "You Can Have Me Anytime". For Hollywood, Maynard's got some great help on the session – stripping things down and working with a group of west coast fusion players led by Stanley Clarke! The date's a bit later than some of Maynard's classic funk, but the groove's back on track – thanks to Stan's production and arrangements – and players that include Lee Ritenour, George Duke, Ndugu Chancler, and Tod Cochrane. The vibe is surprisingly soulful on most numbers – and titles include "Deja Vu", "Portuguese Love", "Here Today", "Touch & Go", "For Your Eyes Only", "Don't Stop Til You Get Enough", and "Hollywood". CD

Close matches7
CD, LP, Vinyl record album cover art
Freddie HubbardBundle Of Joy/Super Blue/Love Connection ... CD
Columbia/BGO (UK), 1977/1978/1979. New Copy 2 CDs ... $16.99
A triple-header from Freddie Hubbard – three late 70s albums together in a single set! Bundle Of Joy is a bundle of soul from Freddie Hubbard – one that has him blowing beautifully over full arrangements from Bert DeCoteux – the 70s super-soul maestro who really brings a new sound to Hubbard's music! The style's a bit smoother than other Freddie albums of the time, but still really great – a wonderful plenty of his well-timed, well-punctuated work on trumpet with warm grooves supplied by Bert – filled with instrumentation that includes David T Walker on guitar, Ernie Watts on sax and flute, Azar Lawrence on tenor, David Garfield on keyboards, and even Dorothy Ashby on flute. Titles include "Portrait Of Jenny", "Rainy Day Song", "Bundle Of Joy", "From Now On", "From Behind", and "Rahsaan". Super Blue is a sweet late 70s set from Freddie Hubbard – a slight move away from some of his highly-electric sides of the CTI years, yet one that still has some of the most soulful qualities of that work! Freddie's trumpet has a nicely spacious quality throughout – one that's flowing, and almost glowing at time – cascading along with qualities you might be more likely to hear from Art Farmer on some of the gentler numbers, yet really bursting out with that old Hubbard dynamism on the rest. Other players include Joe Henderson on tenor, Hubert Laws on flute, Kenny Barron on piano and keyboards, Ron Carter on bass, and Jack DeJohnette on drums – and George Benson also guests on guitar on one number too. A good number of the titles are originals, and tracks include "Super Blue", "To Her Ladyship", "Take It To The Ozone", "The Gospel Truth", and "Theme For Kareem". Love Connection has Freddie Hubbard working with arranger Claus Ogerman on some expansive tracks that go beyond his earlier work in the decade – sometimes blowing mellow notes over larger orchestrations, other times working in a surprisingly lean groove that has some really soulful touches! The approach shifts from track to track, but all titles are long, and the overall effect is really great. Al Jarreau guests on a sweet vocal version of "Little Sunflower", and other players on the set include Joe Farrell and Tom Scott on reeds, and Chick Corea, who plays most of the keys on the set. Titles include "Lazy Afternoon", "This Dream", "Brigitte", and "The Love Connection". CD
Also available Bundle Of Joy/Super Blue/Love Connection ... CD 9.99

Close matches8
CD, LP, Vinyl record album cover art
Freddie HubbardBundle Of Joy/Super Blue/Love Connection ... CD
Columbia/BGO (UK), 1977/1978/1979. Used 2 CDs ... $9.99
A triple-header from Freddie Hubbard – three late 70s albums together in a single set! Bundle Of Joy is a bundle of soul from Freddie Hubbard – one that has him blowing beautifully over full arrangements from Bert DeCoteux – the 70s super-soul maestro who really brings a new sound to Hubbard's music! The style's a bit smoother than other Freddie albums of the time, but still really great – a wonderful plenty of his well-timed, well-punctuated work on trumpet with warm grooves supplied by Bert – filled with instrumentation that includes David T Walker on guitar, Ernie Watts on sax and flute, Azar Lawrence on tenor, David Garfield on keyboards, and even Dorothy Ashby on flute. Titles include "Portrait Of Jenny", "Rainy Day Song", "Bundle Of Joy", "From Now On", "From Behind", and "Rahsaan". Super Blue is a sweet late 70s set from Freddie Hubbard – a slight move away from some of his highly-electric sides of the CTI years, yet one that still has some of the most soulful qualities of that work! Freddie's trumpet has a nicely spacious quality throughout – one that's flowing, and almost glowing at time – cascading along with qualities you might be more likely to hear from Art Farmer on some of the gentler numbers, yet really bursting out with that old Hubbard dynamism on the rest. Other players include Joe Henderson on tenor, Hubert Laws on flute, Kenny Barron on piano and keyboards, Ron Carter on bass, and Jack DeJohnette on drums – and George Benson also guests on guitar on one number too. A good number of the titles are originals, and tracks include "Super Blue", "To Her Ladyship", "Take It To The Ozone", "The Gospel Truth", and "Theme For Kareem". Love Connection has Freddie Hubbard working with arranger Claus Ogerman on some expansive tracks that go beyond his earlier work in the decade – sometimes blowing mellow notes over larger orchestrations, other times working in a surprisingly lean groove that has some really soulful touches! The approach shifts from track to track, but all titles are long, and the overall effect is really great. Al Jarreau guests on a sweet vocal version of "Little Sunflower", and other players on the set include Joe Farrell and Tom Scott on reeds, and Chick Corea, who plays most of the keys on the set. Titles include "Lazy Afternoon", "This Dream", "Brigitte", and "The Love Connection". CD
Also available Bundle Of Joy/Super Blue/Love Connection ... CD 16.99

Close matches9
CD, LP, Vinyl record album cover art
Alphonso JohnsonMoonshadows/Yesterday's Dreams/Spellbound ... CD
Epic/BGO (UK), 1976/1977. New Copy 2 CDs ... $16.99
A great run of records from Alphonso Johnson – the best of his career, wrapped up here in one sweet set! First up is Moonshadows – one of the earliest of bassist Alphonso Johnson's funky fusion albums for Epic! Moonshadows is a nice little set of choppy grooves that recalls the best Herbie Hancock moments of the early 70s, plus some of the side projects of the Headhunters. Warmly funky, but with a nice edge – with a more jazz funk rooted sound than the later, slightly heavier Spellbound! The great group of players includes Patrice Rushen is on keyboards, Benny Maupin on reeds, Lee Ritenour on guitars, Airto Moriera on percussion, Gary Bartz on sax, plus Narada Michael Walden and Ndugu Chancler on drums. Tracks include "Stump", "Cosmoba Place", "Involuntary Bliss", "On The Case", "Amarteifio", "Pandora's Box" and the breezy "Up From The Cellar", which features vocals by Flora Purim! Yesterday's Dreams is a killer all-star session of funky fusion tracks – with a nice tight sound produced by Skip Drinkwater! Yesterday's Dreams differs a little from Alphonso's other strong mid 70s efforts in that it's not as spacey as a whole – but the rubbery, cleanly funky grooves are just as strong – and the record as a whole makes for more of a showcase for his excellent group of players! Bassist Johnson leads the session, but there's a huge amount of guests, such as Grover Washington, Patrice Rushen, Mike Clark, and Sheila Escovedo. Plus, Jon Lucien, Diane Reeves, Flora Purim, and Phillip Bailey all sing on the record! Titles include "One To One", "As Little As You", "Scapegoat", "Show Us The Way", "Tales Of Barcelona", and the future soul classic "Love's The Way I Feel 'Bout Cha". Spellbound is a soulfully spacey fusion set from Alphonso Johnson – with a really catchy sound! The maestro is working in an eclectic mode that's part Earth, Wind, & Fire, part Return To Forever, and part Alphonze Mouzon/Tommy Bolin jamming. The best moments on the record are the more straight ahead ones – which really flirt with chunky rock sounds on the other side of the rubbery fusion funkiness! Mouzon's working on all kinds of electric sounds on this one – a bunch of custom bass effects, steel drums and more – with Clyde Criner working with a long list of keys and synthesizers, Kevin Shireve on guitar and David Igelfeld on drums and percussion. Titles include "Face Blaster", "Summer Solstice", "Bahama Mama", "Nomads", and Moonlight Conversation" "Feelings Are. . .The Hardest Words To Say" and "Earthtales Suite". CD

Close matches10
CD, LP, Vinyl record album cover art
Steve KhanEyewitness/Modern Times/Casa Loco ... CD
Antilles/BGO (UK), 1981/1982/1983. New Copy 2 CDs ... $16.99
A trio of early 80s albums from fusion giant Steve Khan – all lined up in a single collection! First up is Eyewitness – an early 80s effort from guitarist Steve Khan – a set recorded after some big records for Columbia, and one that follows very strongly in their legacy! Khan's super-deft here, but also able to create these washes of sound as much as some bold lines on his instrument – moving between the modes freely in the company of a tight quartet – with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussion – all much more in the loose, open style of fusion from the mid 70s than you might guess from the date of the record. Titles include "Where's Mumphrey", "Dr Slump", "Guy Lafleur", and "Auxilary Police". Modern Times has Steve Khan stretching out even more htan before – working on a set of three long tracks that really expand his ideas strongly – almost pushing his guitar sense of tone and color into some of the territory Pat Metheny was exploring at the time! The group is Khan's great quartet with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussoin – and titles include "Blades", "The Blue Shadow", "Modern Times", and "Penguin Village". Casa Loco is a record that's maybe a bit more electric on the rhythms than some of Steve Khan's previous sets – thanks to use of Simmons drums by drummer Steve Jordan – but a record that's still got Steve himself playing very strongly in the lead! Khan's as deft as ever here, working out these swirling chords that brew together in waves of sound – that special place a few fusion artists found themselves after the rock-jamming years of the 70s. The album features a bit of vocals from percussionist Manolo Badrena – which come across surprisingly well – and titles include "The Suitcase", "Uncle Roy", "Some Sharks", "Breakaway", and "Casa Loco". CD

Close matches11
CD, LP, Vinyl record album cover art
Steve KhanTightrope/Blue Man/Arrows ... CD
Columbia/BGO (UK), Late 70s. New Copy 2CD ... $16.99
A trio of classics from Steve Khan – all brought together in a single package! First up is Tightrope – beautiful fusion from guitarist Steve Khan – one of those great 70s players who could play things tight, yet still keep an edge! The album's got a well-produced groove – the same sort of soulful undercurrent you'd get in other Columbia fusion sets of the period – yet Khan's guitar has a bit more rasp than most, less of the sanded-down, clean-toned notes that you'd get from some of his contemporaries. Bob James produced, and you can certainly hear his ear on some of the keyboard parts – especially the sweet Fender Rhodes, handled by both James and Don Grolnick. Titles include "Some Punk Funk", "Darlin Darlin Baby", "The Big Ones", "Star Chamber", "Tightrope", and "Soft Summer Breeze". Next up is Blue Man – a sweet 70s fusion set from guitarist Steve Khan! The set's got that best Columbia Records groove from the time – a sound that could easily cross over to fusion fans on both sides of the tracks – those who dig soulful undercurrents, thanks to the album's keyboards from Don Grolnick – and those who might like a bit more rockish-lines, thanks to Khan's raspy edge on his guitar. Things never get too jamming, and there's a nice sense of space that definitely helps keep the soul of the record intact – on tracks that include "Some Downtime", "Daily Bulls", "Daily Valley", and "The Little Ones". Arrows is the last in a classic trilogy of late 70s fusion albums that Steve Khan cut for Columbia records – and a set that really has him bringing his sound together in a wonderful way! Khan was working with Steely Dan on the Gaucho album at the time of the recordings – testified by Donald Fagan's notes to the record – and he really seems to have picked up their large overall musical vision, that way of making things perfect, but never in a slick style – working here with other fusion giants who include Don Grolnick on Fender Rhodes, Michael Brecker on tenor and soprano sax, and Randy Brecker on trumpet – plus lots of great drums from Steve Gadd. Titles include the extended "City Suite", plus "Candles", "Daily Village", "Calling", and "Some Arrows". CD

Close matches12
CD, LP, Vinyl record album cover art
Earl KlughSoda Fountain Shuffle/Life Stories/Solo Guitar ... CD
Warner/BGO (UK), Late 80s. New Copy 2CD ... $16.99
Three albums from the late 80s – all of which show Earl Klugh still going strong, and very much at the top of his game! Soda Fountain Shuffle is a set that's got plenty of electric elements in the rhythms, mixed with lots of acoustic interplay from Earl over the top! Klugh's touch on the strings has only gotten better over the years, and he dances magically amidst some light rhythms and keyboard lines – warming things up a lot more than on similar fusion albums by some of his contemporaries, with that classic Klugh touch that's made him a lasting favorite over the decades! Titles include "Baby Cakes", "Incognito", "One Night", "April Love", "Close To Your Heart"," Just Pretend", and "Rainbow Man". Life Stories is a huge one from the mighty Earl Klugh – and the kind of record that reminded the world that he was still one of the most unique fusion talents around! Earl's got this perfect way of blending acoustic and electric elements with effortless ease – his own soft string solos and warmer R&B charts – all laid out with this sound that's beyond compare, and which may even work better here than on some of Klugh's records from a few years before. Most tracks are originals – although the album does include a great cover of the Isleys' "For The Love Of You" – alongside titles that include "Return Of The Rainmaker", "The Traveler", "Just For Your Love", "Second Chances", "Debra Anne", and "Santiago Sunset". Solo Guitar is beautiful work from the great Earl Klugh, and a set that's exactly what's promised in the title – a solo guitar outing that shows an entirely new side of Earl's many talents! Klugh's acoustic playing on other albums was always great – but here, it really comes to the forefront, with a sound that's rich enough to sum up so many different modes of guitar expression at once – from gypsy swing phrasing, to Spanish flourishes, to some straighter jazz swing – but always with that warmth that's made Earl way more than just another fusion artist on his instrument. Most tracks are standards, done in nicely personal versions – and titles include "Emily", "Once Upon A Summertime", "It's Only A Paper Moon", "So Many Stars", "Love Is Here To Stay", and "The Way You Look Tonight". CD

Close matches13
CD, LP, Vinyl record album cover art
Tom ScottApple Juice ... CD
Columbia/BGO (UK), 1981. New Copy ... $14.99
Tom Scott gets his apple juiced in this sweet live set – a concert performance from the early 80s, and a record that's got a sharper edge than some of Scott's studio work of the time! The group's nice and tight, with funky energy that really brings out the most soulful tones of Tom's sax solos – those qualities that always made him a great session player and sideman on 70s soul sessions – and which still ring out with that very familiar tone here! Other players include Eric Gale and Hugh McCracken on guitars, Richard Tee on keyboards, and Marcus Miller on bass – a great lineup that really helps keep things moving throughout. Titles include "Instant Relief", "So White & So Funky", "Apple Juice", "Gonna Do It Right", and "In My Dreams". CD

Close matches14
CD, LP, Vinyl record album cover art
Tom ScottDesire/Target ... CD
Columbia/BGO (UK), 1982/1983. New Copy ... $15.99
Sweet sax from the great Tom Scott – two early 80s Columbia albums in a single package! Desire is proof that Scott could still make an electric jazz album sound more soulful than most of his mainstream contemporaries! There's a really great sense of balance here – production that's certainly polished, but instrumentation that's never sleepy at all – those always-sharp reeds we love from Tom, especially on alto and soprano sax – plus some great keyboard work from Victor Feldman, who has a similar sense of space and timing ot match Scott's groove! The set's got a feel that's a bit like some of the few really great albums from Dave Grusin – and some cuts have vocals, although mostly of the backup type. Titles include "Desire", "Sure Enough", "The Only One", "Stride", "Chunk O Funk", and "Meet Somebody". Target features a wide range of styles from saxophonist Tom Scott – some tracks that are in the funkier fusion he scored with in the 70s, but others that have some soul and pop touches as well! Scott's horn is still nice and sharp when he gets to step out in the solo spotlight – more so on the instrumental tracks, but a bit less so on the vocal ones – which feature singers who include Maria Muldaur, Kenny James, and Lee Ving. Other players include Harvey Mason on drums, Ernie Watts on tenor and alto, Victor Feldman on keyboards, and Paul Jackson on guitar – and titles include "Burundi Bump", "The Biggest Part Of Me", "He's Too Young", "Aerobia", "Target", and "Come Back To Me". CD

Close matches15
CD, LP, Vinyl record album cover art
John Stevens AwayJohn Stevens Away/Somewhere In Between/Mazin Ennit (with bonus tracks) ... CD
Vertigo/BGO (UK), 1976/1977. New Copy 2CD ... $16.99
A trio of albums from John Stevens' Away – all packaged together in a single CD set! First up is the initial outing from the group – a surprising little set from drummer John Stevens – quite different work than his more outside, freewheeling material in the Spontaneous Music Ensemble! This group hits that second chapter of British jazz rock that the Vertigo label did so well – a style that's much more mature than most American variants of the mode – neither stock rock fusion, nor smooth soul – and instead this approach that's still quite complicated and challenging at times, even though the music can have a nicely tight focus! The group features some excellent alto from Trevor Watts – who brings in lots of sharp edges – and the set also features Peter Cowling on bass and Steve Hayton on guitar. Titles include "Tumble", "It Will Never Be The Same", and "Anni". On Somewhere In Between, drummer John Stevens hits a lot of bases on a great second album with his Away group – almost funky at points, almost outside at others, and always working with the group in a searing, searching mode that's a cut above the usual fusion of the time! There's a bit more electricity on the set this time – electric bass from Nick Stephens and guitar from David Cole – but the energy of the set is still very spontaneous, and driven by Stevens' creative work on drums – and given plenty of bite from the soprano and tenor sax of Robert Calvert. The set's got a plenty fresh vibe – very much like labelmates Nucleus at this point, with lots of sharp edges and complicated patterns – but a sound that's still very down to earth. Titles include "Spirit Of Peace", "Chick Boom", "Can't Explain", and "Now". Mazin Ennit is definitely as amazing as the title proclaims – a bit leaner than before, with this wonderful use of two basses alongside the drums of John Stevens – all in a groove that refines older Brit jazz rock modes, but without losing any sort of edge! There's a complexity here that still lives up to Stevens' rich legacy in music – and the group features lots of sweet reedwork from Robert Calvert, who blows both soprano and tenor. Titles include "Away", "Sunshine Sunshine", "Whoops A Daisy", "Light Relief", and "Temple Music". CD features bonus tracks – "Anni (parts 1 & 2)" featuring John Martyn, and "Can't Explain (parts 1 & 2)" featuringt Terri Quaye. CD

Close matches16
CD, LP, Vinyl record album cover art
✨✧ Mike WestbrookCitadel/Room 315 ... CD
RCA/BGO (UK), 1975. Used ... Just Sold Out!
One of the last really compelling records ever done by Mike Westbrook – a large group session that shifts effortlessly between funky moments and some more adventurous playing! The album's a suite of tracks that run through a bit more moods than we're used to hearing on some of Westbrook's earlier records – and the overall approach is varied, but in a way that's really enjoyable, and doesn't get bogged down in some of the repetitive themes that Westbrook could sometimes fall in love with. The real star of the record is John Surman, who solos often on baritone, soprano, and bass clarinet – and titles include "Sleepwalker Awaking In Sunlight", "Outgoing Song", "Tender Love", "Construction", "View From The Drawbridge", and "Pistache". CD
(Note: CD is missing back artwork in case – and is priced accordingly.)

Close matches17
CD, LP, Vinyl record album cover art
✨✧ Graham CollierDeep Dark Blue Centre/Portraits/Alternate Mosaics ... CD
Fontana/BGO (UK), 1967/1970/1973. Used 2CD ... Temporarily Out Of Stock
A triple header of genius from Brit jazz legend Graham Collier! First up is Deep Dark Blue Centre, presented in stereo on CD for the first time ever – a seminal set from the UK jazz scene of the 60s, and a key indication that they had as many changes going on as we did! Collier's leadership and vision for the music are impeccable – a very well-balanced blend of modernism and more personal moments – carried off beautifully by a group that includes either Harry Beckett or Kenny Wheeler on trumpet, Mike Gibbs on trombone, Karl Jenkins on baritone sax, Dave Aaron on alto and flute, and Philip Lee on guitar. Collier brings an elegantly Blue Note-esque manner of scoring to the set, but also manages to delve into deeper complexities too – almost a bit of MPS exoticism at times! Titles include "Crumblin Cookie", "El Miklos", "Blue Walls", and "Conversations". Next up is Portraits – one of the most progressive sessions from Collier, and one that shows hints of the changes that were beginning to emerge in the British jazz scene at the time – but also one that resists those influences nicely, and which still stays relatively committed to Collier's regular modal jazz approach. The difference with Collier's other albums of the time is the prominent placement of a guitarist – Ed Speight, who plays long complicated solos which stretch out from the rest of the group. The other instrumentation is more traditional, with warm passages of alto, piano, and fluegelhorn next to the guitar. The track "And Now For Something Completely Different" takes up most of the album, and the album is completed by "Portraits 1". Last up is Alternate Mosaics – an alternate take of the material on the Mosaics album – recorded the same night as the version that was officially released. Like that one, Alternate Mosaics comprises one long piece – Collier's "Mosaics" – performed live by a group that includes Alan Wakeman on tenor and soprano, Harry Beckett on trumpet, and Geoff Castle on piano. "Mosaics" has that amazing mid 60s Coltrane quality of going out in a spiritual kind of way – yet always returning to the groove, never getting too free, and always remaining firmly focused on the direction ahead. All players are great, and the record crackles with the intensity of a classic session on Impulse! CD
(Includes original slipcase.)

Close matches18
CD, LP, Vinyl record album cover art
✨✧ Jan AkkermanTabernakel/Eli ... CD
Atco/BGO (UK), 1973/1976. New Copy ... Out Of Stock
Compelling work from this European guitar talent – two albums on a single CD! On Tabernakel, guitarist Jan Akkerman bridges many worlds – deftly stepping between spare acoustic guitar modes and some much more dynamic electric ones – but all with a sense of care and vision that really makes the record come together! The set begins with a few themes from John Dowland, updated by Akkerman, but still played with an ancient sort of vibe – one that leads into some very cool fusion moments that mix centuries-old aesthetics with the modern – creating a sense of anachronism that really keeps things interesting. Gene Orloff handled some of the larger arrangements, but the focus is always on Akkerman's deft work on the guitar – and titles include "Britannia", "House Of The King", "Javeh", "Lammy", and "A Fantasy". Eli is a real standout! Jan Akkerman did plenty of unusual projects in the 70s, and this album may well be the best of them – an outing with vocalist Kaz Lux, whose unique phrasing really helps give the music a lot of focus! Akkerman's still hanging nicely between rock, funk, and jazz – but the use of vocals means that some of his guitar lines are a bit more spacious in ways that we really love, especially when they mix in these cool cosmic passages with the MPS-like keyboards of Jasper Van't Hof. The album's hardly a straight fusion album, but it's also not really a rock one either – more like a fusion set with vocals in all the right places – on titles that include "Guardian Angel", "Tranquilizer", "Can't Fake A Good Time", "Naked Actress", "Wings Of Strings", and "Strindberg". CD

Close matches19
CD, LP, Vinyl record album cover art
✨✧ Lee RitenourCaptain's Journey/Feel The Night/Rio ... CD
Columbia/BGO (UK), 1978/1979. New Copy 2 CDs ... Out Of Stock
Sweet fusion from the great Lee Ritenour – three classic albums on two CDs! First up is Captain's Journey – a masterful fusion set from guitarist Lee Ritenour – one that expands his sound a bit more than usual by adding in vocals on a number of tracks – but in a way that really gets at the mainstream soul influences that bubble through his jazz work! The set features key vocal appearances from Patti Austin, Tom Baylor, and Bill Champlin – all singers who really know how to respect the instrumental side of a tune, too – which is great, given that the record also features keyboards from Dave Grusin and Patrice Rushen too. Titles include "That's Enough For Me", "Sugarloaf Express", "What Do You Want", "Matchmakers", "Morning Glory", and "The Storm". Feel The Night is a key album from a time when Lee was still very much at the top of his game! Although tight overall, the album's never too commercial to be cloying – and Lee's approach here is a great example of the way that mainstream 70s fusion managed to balance all its best elements nicely – from soulful rhythms on the bottom, to sharp-edged solos on the top, to some of the smoother studio glue that holds the whole thing together in the middle! Ritenour plays a range of different guitars – and other players include Don and Dave Grusin on keyboards, plus keys from David Foster as well – plus saxes from Ernie Watts, piano from Joe Sample, and drums from Steve Gadd. Patti Austin sings a bit on the set, but the album's a mostly-instrumental affair overall – and titles include "Feel The Night", "Market Place", "Wicked Wine", "French Roast", and "Midnight Lady". Rio is smooth jazzy fusion from Lee Ritenour – a classic set that was originally only released in Japan, part of the underground Japanese Fusion movement of the late 70s, famous for groove hounds for that added level of soul that often wasn't showing up in American releases at the time! The album was recorded in both Rio and LA – with work by a mixture of Brazilian and American fusion players, including Chico Batera, Oscar Castro Neves, Alex Acuna, Don Grusin, Dave Grusin, Steve Forman, and Marcus Miller. Includes the smooth funk classic "A Little Bit Of This & A Little Bit Of That", plus the cuts "Simplicidad", "Rainbow", "Rio Funk", "San Juan Sunset", and "Ipanema Sol". CD
 
Possible matches: 1
Possible matches20
CD, LP, Vinyl record album cover art
Michael WeissPresenting Michael Weiss ... LP
Criss Cross (Holland), 1986. Near Mint- ... $13.99
With Tom Kirkpatrick on trumpet, Ralph Lalama on tenor, Ray Drummond on bass, and Kenny Washington on drums. Titles include "Apres Vous", "Enigma", "Riverbed", and "BGO". LP, Vinyl record album
 
Partial matches: 1
Partial matches21
CD, LP, Vinyl record album cover art
✨✧ Dave DouglasBrazen Heart ... CD
Greenleaf, 2015. New Copy ... Out Of Stock
A wonderful title for this killer from trumpeter Dave Douglas – as the record's one of the boldest, most on-target sets he's had in years – a record that takes us back to his roots, as Douglas works with a quintet of well-chosen younger players. The lineup features Jon Irabgon on tenor, Linda Oh on bass, Rudy Royston on drums, and Matt Mitchell on piano – players who move soulfully with Dave's trumpet in an almost effortless way – embracing his sense of soundshaping and rhythmic progressions, but also finding plenty of space for their own individual contributions too. Most tunes are Douglas originals, and brilliantly written – and titles include "Brazen Heart", "Hawaiian Punch", "Inure Phase", "Lone Wolf", "Ocean Spray", and "Pyrrhic Apology". CD
 
 
 



⇑ Top