Jazz — All

XA wealth of jazz in many styles -- bop, hardbop, soul jazz, spiritual, rare groove, modal, improvised music, funk, free jazz, fusion, avant garde, and trad!

$



Items/page

BGO Edit search

 
Sort by
Close matches: 14
Close matches1
CD, LP, Vinyl record album cover art
Gary BurtonSomething's Coming/Groovy Sound Of Music/Time Machine ... CD
RCA/BGO (UK), 1964/1965/1966. New Copy 2 CDs ... $14.99
A trio of excellent Gary Burton albums from the 60s – collected together in a single set! Something's Coming is the launch of vibist Gary Burton as a leader – a force in jazz that would continue strongly for decades to come! At the time of the record, Burton had already been making waves as a session player on the Nashville scene – where RCA had some especially strong ears – but he's launched here in a mode that's quite far from those roots, and already filled with those modern, chromatic modes that would have Burton pushing the sound of the vibes forward strongly throughout his career – even on an early record like this! The group is very like-minded, and well-chosen – players who are spacious and modern, but never too much so – a quartet with Jim Hall on guitar, Chuck Israels on bass, and Larry Bunker on drums. Titles include "Melanie", "Careful", "Six Improvisatory Sketches", "Something's Coming", and "Little Girl Blue". Next up is a very cool take on the music of Sound Of Music – handled with some help from arranger Gary McFarland, in a way that really unlocks the modal potentials of the tunes! As you might expect from the revolutionary vibist Gary Burton, the approach here is quite different than the usual jazz album of Broadway material – and instead, both Burton and McFarland do a heck of a lot to open up the coolest potential of the songs – as they bring in other hip players who include Bob Brookmeyer on trombone, Phil Woods on alto, Joe Puma on guitar, and Steve Swallow on bass. Titles include "An Ordinary Couple", "Sixteen Going On Seventeen", "Do Re Mi", "Edelweiss", and a great take on "My Favorite Things". Time Machine is filled with beautiful sounds from Gary Burton – a seminal 60s session that really has the vibist coming into his own, and finding that new path towards musical expression that would flower even more strongly in the 70s! The album has Burton really strengthening up his sense of chrome – matching the boldness of other important 60s vibes players on the rise – like Karel Velebny or Bobby Hutcherson – but also working this really special magic in the way he lets each note resonate in the air – often with a much longer decay on the sound than the actual moment of its creation! Burton also plays a bit of piano on the record, overdubbed with his vibes – but in a way that's quite different than the vibes/piano combo of earlier acts – like the MJQ, or George Shearing Quintet – thanks to work from Steve Swallow on bass and Larry Bunker on percussion. Tracks include "Six Nix Quix Flix", "The Sunset Bell", "Deluge", "Chega De Saudade", and "Falling Grace". CD

Close matches2
CD, LP, Vinyl record album cover art
Maynard FergusonMF Horn 4 & 5 – Live At Jimmys ... CD
Columbia/BGO (UK), 1973. New Copy ... $12.99
A sweet double-length set from Maynard – one that's live and totally cooking, and proof that Ferguson's funky big band style could work equally well in a concert setting! As on other Ferguson classics from the time, the instrumentation includes a good deal of Fender bass and electric piano – electrifying the bottom sound of the rhythm while the acoustic horns really soar over the top – hitting amazing patterns and formations that change rapidly as the set grooves on – usually on longer tracks that offer plenty of room for solos! The group features some great work by European player Ferdinand Povel on tenor and flute – and titles include "The Fox Hunt", "Nice N Juicy", "Blue Birdland", "Two For Otis", "Left Bank Express", "Teonova", and "Stay Loose With Bruce". CD

Close matches3
CD, LP, Vinyl record album cover art
Bobby HutchersonHighway One/Conception The Gift Of Love/Un Poco Loco ... CD
Columbia/BGO (UK), 1978/1979/1980. New Copy 2CD ... $14.99
A trio of incredible records from Bobby Hutcherson – two on CD for the first time ever! Highway One is a wicked post-Blue Note session from Bobby Hutcherson – one that's put together in a different way than his previous work, but still completely sublime throughout! The feel is almost to Hutcherson's earlier work what Woody Shaw's Columbia recordings were to his – tighter, with sharper production – yet still wonderfully soulful and with a strong sense of spirit. Key soloists include Freddie Hubbard on trumpet and Hubert Laws on flute – and the record also features George Cables on acoustic and electric piano, Cedar Walton on acoustic piano, and Eddie Marshall on drums. Includes the lovely "Sweet Rita Suite", plus "Circle", "Secrets Of Love", and "Bouquet". Conception is a really beautiful album from Bobby Hutcherson – late in his 70s career, but handled with the soulful depth of his brilliant early 70s work on Blue Note! The group's got George Cables on piano and Eddie Marshall on drums, plus a bit of extra percussion work by Bill Summers – and they're augmented by some larger arrangements on a number of tracks, but in a way that never gets in the way of the core souful playing on the record. Cedar Walton put the whole thing together with a masterful talent – both leading, arranging, and producing – and Bobby's never sounded better carving out his message on vibes. Titles include "Remember To Smile", "No Siree Bob", "Dreamin", "Dark Side Light Side", and "Quiet Fire". Un Poco Loco is a surprisingly great album by Bobby Hutcherson – and like his other albums for Columbia, a record that manages to be smooth, yet still has an edge! The format's bigger and more ambitious than previous years, but it's also an extension of the modal soulful style he forged with Harold Land – a really stretched out approach to the vibes that differs nicely from his 60s work, and which has some really soulful touches throughout. The group features George Cables on electric and acoustic piano, John Abercrombie on guitar, and Peter Erskine on percussion – but the real strength of the set is Bobby, who slides between vibes and marimba with a skittish energy that really cracks a lot of life into the set. Titles include "Un Poco Loco", "Ivory Coast", "The Sailor's Song", "Ebony Moonbeams" and "I Wanna Stand Over There". CD

Close matches4
CD, LP, Vinyl record album cover art
Alphonso JohnsonMoonshadows/Yesterday's Dreams/Spellbound ... CD
Epic/BGO (UK), 1976/1977. New Copy 2 CDs ... $14.99
A great run of records from Alphonso Johnson – the best of his career, wrapped up here in one sweet set! First up is Moonshadows – one of the earliest of bassist Alphonso Johnson's funky fusion albums for Epic! Moonshadows is a nice little set of choppy grooves that recalls the best Herbie Hancock moments of the early 70s, plus some of the side projects of the Headhunters. Warmly funky, but with a nice edge – with a more jazz funk rooted sound than the later, slightly heavier Spellbound! The great group of players includes Patrice Rushen is on keyboards, Benny Maupin on reeds, Lee Ritenour on guitars, Airto Moriera on percussion, Gary Bartz on sax, plus Narada Michael Walden and Ndugu Chancler on drums. Tracks include "Stump", "Cosmoba Place", "Involuntary Bliss", "On The Case", "Amarteifio", "Pandora's Box" and the breezy "Up From The Cellar", which features vocals by Flora Purim! Yesterday's Dreams is a killer all-star session of funky fusion tracks – with a nice tight sound produced by Skip Drinkwater! Yesterday's Dreams differs a little from Alphonso's other strong mid 70s efforts in that it's not as spacey as a whole – but the rubbery, cleanly funky grooves are just as strong – and the record as a whole makes for more of a showcase for his excellent group of players! Bassist Johnson leads the session, but there's a huge amount of guests, such as Grover Washington, Patrice Rushen, Mike Clark, and Sheila Escovedo. Plus, Jon Lucien, Diane Reeves, Flora Purim, and Phillip Bailey all sing on the record! Titles include "One To One", "As Little As You", "Scapegoat", "Show Us The Way", "Tales Of Barcelona", and the future soul classic "Love's The Way I Feel 'Bout Cha". Spellbound is a soulfully spacey fusion set from Alphonso Johnson – with a really catchy sound! The maestro is working in an eclectic mode that's part Earth, Wind, & Fire, part Return To Forever, and part Alphonze Mouzon/Tommy Bolin jamming. The best moments on the record are the more straight ahead ones – which really flirt with chunky rock sounds on the other side of the rubbery fusion funkiness! Mouzon's working on all kinds of electric sounds on this one – a bunch of custom bass effects, steel drums and more – with Clyde Criner working with a long list of keys and synthesizers, Kevin Shireve on guitar and David Igelfeld on drums and percussion. Titles include "Face Blaster", "Summer Solstice", "Bahama Mama", "Nomads", and Moonlight Conversation" "Feelings Are. . .The Hardest Words To Say" and "Earthtales Suite". CD

Close matches5
CD, LP, Vinyl record album cover art
Earl KlughEarl Klugh/Living Inside Your Love/Magic In Your Eyes ... CD
Blue Note/BGO (UK), 1976/1978. Used 2 CDs ... $9.99
A trio of Earl Klugh albums from the mid-to-late 70s – Earl Klugh, Living Inside Your Love and Magic In Your Eyes – in a 2CD set! Earl Klugh is the guitarists debut – a player whose sound went onto dominate late 70s fusion in a big big way! Klugh's clearly stepping here into a space allowed by George Benson at the time – a blend of jazz and R&B that's warmer and mellower than work previously done on Blue Note in the decade (or on CTI and Kudu for that matter) – one that's less focused on rhythm than it is on tone, and the kind of setting that allows Earl to shine wonderfully. There's a lot less of the cheesiness here that would hurt Klugh's later albums, and the overall presentation is nicely retrained – arranged by Dave Grusin at a time when he still knew how to bring a good deal of soul into a session, avoiding cliche and letting the soloist step forth unmarred. Other players include Lee Ritenour, Harvey Mason, and Grusin himself – and Klugh plays both electric and acoustic guitar, on tunes that include "Angelina", "Slippin In The Back Door", "Vonetta", "Waltz For Debby", and "Wind & The Sea". Living Inside Your Love is his second album for Blue Note – and like the first, a nicely stripped-down album that we like a lot better than his later work! Klugh's sound and tone are still very pure here – set up in some nice small group arrangements by Dave Grusin, and recorded in a way that brings out all the sweetness in Earl's approach, without falling into the cheesy qualities that it inspired in so many other, weaker players. If anything, Klugh's style is stronger and more confident than on his first outing – on titles that include "Kiko", "The April Fools", "Captain Caribe", "Felicia", and "Living Inside Your Love". Magic In Your Eyes is another sweet early effort from Klugh, with the title track plus "Alicia", "Julie", "Rose Hips", "Cry A Little While", "Cast Your Fate To The Wind" and more. CD

Close matches6
CD, LP, Vinyl record album cover art
LA ExpressLA Express/Shadow Play ... CD
Epic/BGO (UK), 1976. New Copy ... $13.99
A pair of jazz funk classics from this group who got their start with reedman Tom Scott! First up is the self-titled LA Express – funky fusion with a bit of a studio feel – played by the LA Express, a combo best known for their work with Tom Scott – stepping out here strongly on their own! Even without Scott's sax in the lead, the sound here is still pretty darn sharp – and the lineup features Robben Ford on guitars, Victor Feldman on keyboards, Max Bennett on bass, and John Guerin on drums and percussion – plus saxophones from David Luell, who kind of steps in where Scott left off! There's some nice jamming that's on the tighter side of the CTI sound – with lots of choppy sax lines from Luell over sweet electric rhythms – and titles include "The Shrug", "Stairs", "Cry Of The Jungle", "It's Happening Right Now", "Western Horizon", and "Down The Middle". Shadow Play is proof that the group could stand strongly on their own away from former leader Tom Scott! This time around, the sound is a bit more built-up than before – put together with a slight dose of soul in the mix, which really warms things up from the sharper sound of their debut! The album features vocals on 3 numbers – wonderful wordless scatting from Joni Mitchell on the track "Nordic Winds" – which almost comes across like a rare Euro fusion cut from the time – and straighter soulful singing from Paulette McWilliams on the tunes "Double Your Pleasure" and "Dance The Night Away". Players include Victor Feldman on keyboards and percussion, David Luell on saxes, Peter Maunu on guitar, Max Bennett on bass, and John Guerin on drums – and other titles include "Shadow Play", "Chariot Race", "Velvet Lady", "Mad Drums & Englishman", and "Vortex". CD

Close matches7
CD, LP, Vinyl record album cover art
Joe PassFor Django ... CD
Pacific Jazz/BGO (UK), 1964. Used ... $9.99
An album dedicated to the great Django Reinhardt – but one that also comes across with plenty of west coast touches! The format is somewhat Django-esque – with lead guitar work from Joe Pass, plus rhythm guitar support from John Pisano – creating some of the guitar interplay you'd have in a gypsy swing record – but the groove's also a bit more modern than some of Django's classics, and there's a lighter, breezier approach here that's very much in the mode of other Pass records from the 60s – at least the small group ones! Tracks include "Django", "For Django", "Fluer D'Ennui", "Django's Castle", and "Nuages". CD

Close matches8
CD, LP, Vinyl record album cover art
Janne SchafferKatharsis/Earmeal/Presens ... CD
Columbia/BGO (UK), Late 70s. New Copy 2CD ... $14.99
A trio of albums from Swedish guitarist Janne Schaffer – brought together in a single set! First up is Katharsis – a record that catapulted the artist from his home in the Swedish scene to big international fame – hot on the heels of a number of key guitar solos that Schaffer added to Abba records in the 70s! The album's all instrumental, and mostly a fusion workout overall – with loads of heavyweight guitar work from Janne, at a level that really makes the instrument talk more than most of his American contemporaries – echoing some of the phrasing that you might find from players like Adrian Belew or Robert Fripp. Titles include "The Blue Gate", "Atlantia Inn 2419", "Stocking Suite", "Ramsa", "Wintergreen", and "Bromma Struttin". Earmeal is a definite meal for the ears from guitarist Janne Schaffer – a musician who first rose to fame in Sweden, then captivated a global audience with records like this! The set has Schaffer maybe fitting in a bit more with his Columbia Records fusion contemporaries than before – using that amazing voice of his on guitar to work amidst modes that are sometimes soulful, sometimes a bit more brightly rocking – with help from Bjorn Jason Lindh on keyboards and flute, and Jeff Porcaro on some nice tight drums. Titles include "Bromma Express", "Hot Days & Summer Nights", "To A Beautiful Painter", "Happy Feet", "Shrimp A La Carte", and "Oriental Sign". Presens is maybe the tightest of all the Columbia Records albums cut by guitarist Janne Schaffer – a record that has some short, focused tracks that fall into the rock-influenced fusion style of the time – one with vocals from Janne, but the rest using only his guitar as the main "voice" in the lead! All tracks feature work from the great Bjorn Jason Lindh – who we love on his own records, and who plays keyboards, piano, and flute – on titles that include "Mr Allansson Pickles", "Open Eyes", "Desire", "Neonmoisture", "Fata Morgana", and "March From Refresher Course". CD

Close matches9
CD, LP, Vinyl record album cover art
✨✧ Arthur BlytheLenox Avenue Breakdown/In The Tradition/Illusions/Blythe Spirit ... CD
Columbia/BGO (UK), Late 70s/Early 80s. New Copy 2 CDs ... Temporarily Out Of Stock
Four great albums from reedman Arthur Blythe – all together in one collection! First up is Lenox Avenue Breakdown – a stunning Columbia Records debut from Blythe! At the time of the date, Blythe had already spent years working in the jazz undergrounds on both coasts – developing a searing sound on alto sax that's perfect for the focused structure of this album – almost a tone poem of sorts, offering up a portrait of the Harlem scene that was a key part of Arthur's life at the time. The sounds are sharp, but also have a sense of energy that really holds them together – guiding the players through long readings of well-penned tunes by Blythe that are filled with loads of energy and life! Players include James Newton on flute, James Blood Ulmer on guitar, Bob Stewart on tuba, Cecil McBee on bass, Jack DeJohnette on drums, and Guillermo Franco on percussion – and titles include "Odessa", "Slidin Through", "Down San Diego Way", and "Lenox Avenue Breakdown". In The Tradition is a gem – as the set represents the modern musician taking on a host of older jazz currents, while carving things out with his own special sort of soul! Half the tunes are familiar favorites, the other half originals – and Blythe moves far past his avant roots, to showcase his deep understanding of so many different shades of jazz – blowing alto beautifully throughout, in a very hip quartet that features Stanley Cowell on piano, Fred Hopkins on bass, and Steve McCall on drums! Titles include great takes on "Naima", "Jitterbug Waltz", "Caravan", and "In A Sentimental Mood" – plus the originals "Break Tune" and "Hip Dipper". Illusions is maybe the boldest of Arthur Blythe's albums for Columbia Records – as the set bristles with newly creative energy right from the start, and provides a great showcase for some of the criss-crossings of styles and rhythms that were taking place on the New York scene at the time! The lineup alone announces something special – a cool combination of James Blood Ulmer on guitar, John Hicks on piano, Fred Hopkins on bass, Abdul Wadud on cello, Bob Stewart on tuba, and Steve McCall on drums – working together in some slight variations at times, often with these angular edges that are perfectly sharpened by Arthur's amazing work on alto sax. The music's never too free, but quite outside for a major label at the time – balanced out so that it's never overindulgent at all. Titles include "Bush Baby", "Miss Nancy", "My Son Ra", and "Carespin With Mamie". Blythe Spirit is a set that showcases the never-ending growth and imagination of reedman Arthur Blythe during this fruitful period of his career – and his ability to effortlessly blend together different elements in his music – especially sides of the New York loft jazz scene, and the Chicago-based AACM! The tunes are beautiful – mostly originals, and showing a richer spirituality than even a year before – while still working in that compellingly rhythmic mode that Arthur was hitting during these years – in a lineup that features Blythe on alto, Abdul Wadud on cello, Kelvyn Bell on guitar, Steve McCall and Bobby Battle on drums, John Hicks on piano, Amina Claudine Myers on organ, and Fred Hopkins on bass. The mix of electric and acoustic elements is fantastic – very fresh, even all these many years later – and titles include "Misty", "Spirits In The Field", "Just A Closer Walk With Thee", "Reverence", and "Contemplation". CD

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Miroslav VitousBass (aka Mountain In The Clouds) ... CD
Vortex/BGO (UK), 1972. New Copy ... Temporarily Out Of Stock
One of the greatest moments ever from bassist Miroslav Vitous – a very cool album recorded for the trippy Vortex label! The lineup here has Miroslav working with key help from the American underground – piano from Herbie Hancock, tenor from Joe Henderson, and drums from Jack DeJohnette – plus added guitar from John McLaughlin, who seems to have the same spacey sensibilities as Vitous! Henderson really opens up too – in that fluid style of his post-Blue Note work on Milestone – and obviously Herbie's a great one for a set like this too – hitting some of the spiritual modes of his Warner work. Some tracks are nice and long – and titles include "Freedom Jazz Dance", "Infinite Search", "I Will Tell Him On You", "Mountain In the Cloudes", and "Epilogue". Originally issued as the album Infinite Search on Embryo, but expanded here with the additional track "Cerecka". CD

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Mike WestbrookMetropolis ... CD
RCA/BGO (UK), 1971. Used ... Temporarily Out Of Stock
A seminal bit of work from Mike Westbrook – recorded back in the early years of his career, when he still had a pretty sharp edge! Like Westbrook's first few albums on Decca, this set features the British avant jazz maestro playing piano with a large ensemble of some of England's finest jazzmen – including Ray Warleigh, Alan Skidmore, Harry Beckett, Kenny Wheeler, Paul Rutehrford, and Harry Miller. Norma Winstone sings on a few tracks, bringing in her lovely voice in the way that she does on Westbrook's best albums – but overall, the set's a bit more out there and more avant than some of his earlier work, but still has the majestic cohesiveness that makes his work of the time so great. The work is one long piece, split into 9 segments. CD

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Arthur BlytheElaborations/Light Blue/Put Sunshine In It ... CD
Columbia/BGO (UK), Early 80s. New Copy 2CD ... Out Of Stock
A trio of 80s albums from saxophonist Arthur Blythe – brought together in a 2CD set! First up is Elaborations – a beautiful moment in which the loft jazz generation really got a chance to shine in the mainstream – and mostly without any sense of overdone attempts at commercialization! The album's a great summation of all the ideas that reedman Arthur Blythe was cooking up in the 70s underground – performed here with a hip group that includes Blythe on alto, Kelvyn Bell on guitar, Abdul Wadud on cello, Bobby Battle on drums, Bob Stewart on tuba, Wilbur Morris on bass, and Mohammad Abdullah on congas – some of them players who you might never have expected to be recording for Columbia Records! And yet the setting of the record doesn't interfere with their creativity at all – and instead, really seems to give Blythe and the group the sort of focus that only makes their ideas even better – on titles that include "Elaborations", "Metamorphosis", "Sister Daisy", "Shadows", and "The Lower Nile". Light Blue is a wonderful record from saxophonist Arthur Blythe – a set that features his group working through a number of tunes by Thelonious Monk – but with very different arrangements and instrumentation that change things up completely! The set came at a time when Monk was receiving a lot of new attention in the world of jazz, and at a time when Arthur's star had risen too – and the meeting of forces is wonderful – as Blythe brings all sorts of new rhythms and tonal combinations to play with familiar tunes that really transform in the process. The group is a familiar one for Blythe – and features Abdul Wadud on cello, Kelvyn Bell on guitar, Bob Stewart on tuba, and Bobby Battle on drums! And while you might scratch your head at the tuba, the instrument is often used in ways that might follow older bassline styles – but with a quality that bridges the alto and cello in a great way. Titles include "Nutty", "Coming On The Hudson", "Light Blue", "Epistrophy", and "We See". Put Sunshine In It is a record that really seems to live up to its title – as the sound here is maybe a little bit sunnier than on some of Arthur Blythe's previous albums! The record features heavy contributions from Todd Cochran – aka Bayete – who plays keyboards on most numbers, and introduces more of an electric vibe to the album than previous Blythe outings. The style isn't entirely fusion, but it's definitely warm and sunny – and Arthur responds as such with his solo work – a tight tighter and less edgey, but still nicely soulful. The album features a nice remake of the tune "Sentimental Walk" – from the movie Diva – plus the tracks "Uptown Strut", "Silhouette", "Put Sunshine In It", and "Tumalalumah". CD

Close matches13
CD, LP, Vinyl record album cover art
✨✧ HiroshimaThird Generation/Another Place/Go ... CD
Epic/BGO (UK), Mid 80s. New Copy 2CD ... Out Of Stock
A trio of albums from Hiroshima – collected together in one 2CD set! First up is Third Generation – a real breakout album for Hiroshima – and a set that seems to show up in just about every collection of vintage fusion albums we look at! The set's the group's third, as you might guess from the title – and it's got the Hiroshima quintet sliding together in a perfect groove – soulful fusion that's maybe got a strong Cali vibe, but which occasionally has a few exotic touches on the instrumentation – all handled in a style that's kind of an 80s update of the Japanese soul fusion mode of the late 70s. Rhythms are electric at a few points, but their offset by some koto, shamisen, and nice use of flutes and saxes by leader Dan Kuramoto – on titles that include "Heavenly Angel", "We Are", "Ren", "From The Heart", "Sukoshi Bit", "Long Walks", and "Distant Thoughts". Another Place is a record that definitely has Hiroshima taking their origins seriously – as although the album's still got the same fusion vibe as before, it almost seems to step up even more Japanese elements too! The rhythms are maybe a bit more programmed than in the past, but the album also makes use of wood flutes, koto, taiko, shamisen, and other Japanese instrumentation – and features some occasional vocals from June Kuramoto too – all in a slinky fusion style with a slight eastern current. Titles include "One Wish", "Save Yourself For Me", "I Do Remember", "The Game", "Undercover", and "What's It To Ya". On Go, Hiroshima are maybe moving a bit far from the fusion of their roots – but the overall sound here is still sweetly electric, and served up in a nice mix of eastern and western styles! If anything, the group seem even more focused on melody – not in a commercial way, but using more stripped-down instrumentation at times to focus on the special sweetness created in the compositions of leader/reedman Dan Kuramoto – who also plays keyboards and even a bit of shakuhachi on the album. There's vocals on the set – sung lead and soulfully by Barbara Long – but the main focus is instrumental, and titles include "Go", "I've Been Here Before", "311", "Obon", "No 9", "Why Can't I Love You", and "Hawaiian Electric". CD

Close matches14
CD, LP, Vinyl record album cover art
✨✧ Steve KhanEyewitness/Modern Times/Casa Loco ... CD
Antilles/BGO (UK), 1981/1982/1983. New Copy 2 CDs ... Out Of Stock
A trio of early 80s albums from fusion giant Steve Khan – all lined up in a single collection! First up is Eyewitness – an early 80s effort from guitarist Steve Khan – a set recorded after some big records for Columbia, and one that follows very strongly in their legacy! Khan's super-deft here, but also able to create these washes of sound as much as some bold lines on his instrument – moving between the modes freely in the company of a tight quartet – with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussion – all much more in the loose, open style of fusion from the mid 70s than you might guess from the date of the record. Titles include "Where's Mumphrey", "Dr Slump", "Guy Lafleur", and "Auxilary Police". Modern Times has Steve Khan stretching out even more htan before – working on a set of three long tracks that really expand his ideas strongly – almost pushing his guitar sense of tone and color into some of the territory Pat Metheny was exploring at the time! The group is Khan's great quartet with Anthony Jackson on bass, Steve Jordan on drums, and Manolo Badrena on percussoin – and titles include "Blades", "The Blue Shadow", "Modern Times", and "Penguin Village". Casa Loco is a record that's maybe a bit more electric on the rhythms than some of Steve Khan's previous sets – thanks to use of Simmons drums by drummer Steve Jordan – but a record that's still got Steve himself playing very strongly in the lead! Khan's as deft as ever here, working out these swirling chords that brew together in waves of sound – that special place a few fusion artists found themselves after the rock-jamming years of the 70s. The album features a bit of vocals from percussionist Manolo Badrena – which come across surprisingly well – and titles include "The Suitcase", "Uncle Roy", "Some Sharks", "Breakaway", and "Casa Loco". CD
 
Possible matches: 1
Possible matches15
CD, LP, Vinyl record album cover art
✨✧ Michael WeissPresenting Michael Weiss ... CD
Criss Cross (Holland), 1986. Used ... Temporarily Out Of Stock
With Tom Kirkpatrick on trumpet, Ralph Lalama on tenor, Ray Drummond on bass, and Kenny Washington on drums. Titles include "Apres Vous", "Enigma", "Riverbed", and "BGO". CD
(Out of print.)
 
Partial matches: 3
Partial matches16
CD, LP, Vinyl record album cover art
Laurence HobgoodWhen The Heart Dances ... CD
Naim (UK), 2008. Used ... $6.99
... CD
(Out of print, penmark through barcode.)

Partial matches17
CD, LP, Vinyl record album cover art
Mostly Other People Do The KillingLoafer's Hollow ... CD
Hot Cup, 2017. New Copy ... $11.99
Fantastic work from a group who never fail to blow our minds – and who also seem to try out something different with each new record, yet never falter at all in their progress forward! Mostly Other People Do The Killing may have one of the longest names in jazz, but they've also got a brash approach that really lives up to the cockiness of their name – a confident step in whatever direction they want, which always leads them down the best path. This time around, they're mixing both modern and trad jazz expressions with literary inspiration from writers who include Thomas Pynchon, Kurt Vonnegut, James Joyce, Cormac McCarthy, and David Foster Wallace – each of whom are listed as reference points for certain songs – which are based around snippets of their text, then transformed into a musical mode. The instrumentation is a very offbeat take on trad – with Jon Irabgon on tenor and sopranino sax, Steven Bernstein on trumpet and slide trumpet, Dave Taylor on bass trombone, Brandon Seabrook on banjo and electronics, Kevin Shea on drums, Ron Stabinsky on piano, and leader Moppa Elliott on bass. Titles include "Kilgore", "Hi Nella", "Honey Hole", "Bloomsberg", "Glen Riddle", "Mason & Dixon", and "Five". CD

Partial matches18
CD, LP, Vinyl record album cover art
✨✧ Mostly Other People Do The KillingLoafer's Hollow ... CD
Hot Cup, 2017. Used ... Temporarily Out Of Stock
Fantastic work from a group who never fail to blow our minds – and who also seem to try out something different with each new record, yet never falter at all in their progress forward! Mostly Other People Do The Killing may have one of the longest names in jazz, but they've also got a brash approach that really lives up to the cockiness of their name – a confident step in whatever direction they want, which always leads them down the best path. This time around, they're mixing both modern and trad jazz expressions with literary inspiration from writers who include Thomas Pynchon, Kurt Vonnegut, James Joyce, Cormac McCarthy, and David Foster Wallace – each of whom are listed as reference points for certain songs – which are based around snippets of their text, then transformed into a musical mode. The instrumentation is a very offbeat take on trad – with Jon Irabgon on tenor and sopranino sax, Steven Bernstein on trumpet and slide trumpet, Dave Taylor on bass trombone, Brandon Seabrook on banjo and electronics, Kevin Shea on drums, Ron Stabinsky on piano, and leader Moppa Elliott on bass. Titles include "Kilgore", "Hi Nella", "Honey Hole", "Bloomsberg", "Glen Riddle", "Mason & Dixon", and "Five". CD
Also available Loafer's Hollow ... CD 11.99
 
 
 



⇑ Top