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Partial matches: 6
Partial matches1
CD, LP, Vinyl record album cover art
Cannonball Adderley/Benny CarterLive In Cologne 1961 ... CD
Delta (Germany), 1961. New Copy ... $15.99 16.99
Two never-heard jazz performances – both recorded in German at the start of the 60s! Cannonball Adderley really shines on the first half of the set – working at a level that rivals his tremendous Riverside albums of the time – especially the live dates, which really showed his combo at their best! These tracks follow strongly in very much the same way – impeccable recording quality, long drawn-out performances, and brilliant sounds from Cannonball on alto, Nat Adderley on cornet, Victor Feldman on piano, Sam Jones on bass, and Louis Hayes on drums – on titles that include "New Delhi", "This Here", and "Lisa". Alto giant Benny Carter follows on three more tracks – working with a European group that includes the mighty Carl Drewo on tenor, plus Raymond Droz on trombone and Francis Coppierters on piano – on titles that include "Laura", "It's Wonderful", and "Rose Room". CD

Partial matches2
CD, LP, Vinyl record album cover art
George BraithMusart ... CD
Prestige/Dusty Groove, 1967. New Copy ... $8.99 12.98
One of our favorite-ever albums on Prestige Records from the 60s – and a set that's a fair bit different than most of the other work on the label! The set's an unusual outing for saxophonist George Braith – cut after his famous albums for Blue Note, and in a mode that's quite different – very far-reaching, and almost spiritual at points – with the blend of jazz and other modes that you might find on the Cadet/Concept sessions in late 60s Chicago! Braith plays a wide assortment of saxes – c-melody, alto and soprano – but his playing here is a bit different than the Roland Kirk-like vibe of before – sometimes more stretched-out and exploratory, in a Nathan Davis sort of vibe – sometimes wrapped up in some larger explorations from the whole group. There's moments of raw percussion with echoey production, others with wordless vocals floating alongside the lead soloist, and still others that have that catchy blend of soul jazz and exoticism you'd find in the music of Eddie Harris or Yusef Lateef – even though Braith here is completely his own artist too! The set features Jane Getz on piano, Jay Carter and Eddie Diehl on guitar, and Ben Dixon on drums – but there's also a lot of percussion, both Latin and otherwise, from a shifting lineup of players. The whole thing's wonderful – and titles include "Del's Theme", "Musart", "Evelyn Anita", "Our Blessing", "Laura", and "Splashes Of Love". CD
(On the Dusty Groove label.)

Partial matches3
CD, LP, Vinyl record album cover art
Jutta HippJutta Hipp Quintet With Joki Freund (Japanese paper sleeve edition) ... CD
L+R Records/Jazzhus Disk (Japan), 1954. New Copy ... $13.99
Incredible postwar bop recordings by one of the hippest groups in Germany! During the 50s, pianist Jutta Hipp cut a number of straighter sides for Blue Note that were recorded in the US – but this CD features earlier German recordings, some later issued by Blue Note – all done with a killer quintet that features a young Joki Freund on tenor sax and Emil Mangelsdorff on alto! Jutta's core trio features Hans Kresse on bass and Karl Sanner on drums – but the real charm of the records is the horn players – working with amazing interplay that really makes the record shine – working in unison on many of the intros to the songs, cutting back and forth like a double-edged sword, then breaking out into wonderfully compact solos that easily rival the best of the west coast at the time! Titles include "Cleopatra", "Mon Petit", "Yogi", "Variations", "Laura", "Simone", "Two Oranges", and "Cool Dogs". CD

Partial matches4
CD, LP, Vinyl record album cover art
Michael NauraCall ... CD
MPS/Edel (Germany), 1970. New Copy ... $14.99
A stunner of a Fender Rhodes album – one of a few rare sides cut by pianist Michael Naura – and a lost MPS session that's one of the label's best from the 70s! The group's a quartet, with a very open, fluid sound – and it mixes Naura's Rhodes with the vibes of Wolfgang Schluter – another relatively obscure player, but one who really resonates with the sound of the keyboard strongly – as both players spin out these warm, soulful sounds that are almost like the best Roy Ayers instrumental moments of the late 60s and early 70s. There's a few moments that get slightly funky, but even the laidback passages are great – and the rest of the group includes Eberhard Weber on bass and Joe Nay on drums. Titles include "Take Us Down To The River", "Soledad De Murcia", "MOC", "Why Is Mary So Nervous?", "Don't Stop", and "The Call". Great stuff – and pure MPS! CD

Partial matches5
CD, LP, Vinyl record album cover art
Lew SoloffMy Romance ... CD
Electric Bird/King (Japan), 1988. New Copy ... $8.99
Not just the set of standards you might guess from the title – although trumpeter Lew Soloff does take on a few jazz classics – and instead a nicely spacious batch of fusion work that features keyboards from Gil Goldstein and Peter Levin, percussion from Airto, bass from Mark Egan, and drums from Danny Gotlieb – all in a way that echoes all the best work of the time from those musicians! The arrangements are sharp, and always a bit spacious – possibly a result of the album's dedication to Gil Evans – and Janis Siegel sings on a few tracks, with this sparkling quality that reminds us how great she can be in just the right setting. Titles include the Brazilian-styled "Samba Dee's Days" – plus "Orgone", "Time Shifter", "Laura & Lena", "Face In The Mirror", and "Cavatina". CD

Partial matches6
CD, LP, Vinyl record album cover art
Larry YoungLarry Young's Fuel ... CD
Arista/Get On Down, 1975. New Copy ... $9.99 14.98
Quite possibly the greatest Larry Young album of the post-Blue Note years – and a massive bit of funk that totally redefines his sound! Larry's working here with his hip group Fuel – an ensemble that features Laura Logan on lead vocals, giving the tunes a real focus through her lyrics – and letting them pack a bit more punch too, since her voice sounds a lot like Betty Davis at the time! Larry's keyboards are forceful, but never too over the top – and he's notched things down a bit to focus on the overall groove of the set – still keeping things adventurous on the keys, but also working in a mode that's much more heavily jazz funk! The album's one of THE essential electric jazz sets of the 70s – and features the classic break cut "Turn Out the Lights" – plus other great tracks that include "Floating", "Fuel for the Fire", "I Ching", "H+J=B (Hustle + Jam = Bread)" and "New York Electric Street Music". CD
Also available Larry Young's Fuel ... LP 9.99
 
 
 



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