Jazz — LPs

A wealth of rare groove bop, hardbop, soul jazz, spiritual jazz, jazz funk, fusion, avant garde, and traditional jazz!




Items/page

About TimeEdit search

 

Sort by
Exact matches: 1
Exact matches1
CD, LP, Vinyl record album cover art
Dusko GoykovichIt's About Blues Time (Music Heritage pressing) ... LP
Ensayo/Musical Heritage Society, 1971. Near Mint- ... $14.99
One of the legendary albums cut by hip European trumpeter Dusko Goykovich! The album was recorded in 1971 in Barcelona, and it's a very soulful quintet session that features fantastic performances from two of our favorite European players – trumpet player Dusko Goykovich and tenor player Ferdinand Povel, along with Spanish pianist Tete Montouliu, and his regular rhythm backing of Joe Nay and Robert Langereis. Goykovich and Povel groove hard in the frontline, bringing a hard edge to the session that you don't always hear on some of Montouliu's sessions from the time. The set grooves like a classic Blue Note, or some of the best straight ahead jazz on MPS – with lines that have their roots in soul jazz, but also show a real preference for modal grooving and lyrical soloing. Goykovich's tone is wonderful, and is a real mix of jazz and non-jazz European influences. Tracks include "Bosnia Calling", "Nameless Tune", and "The End Of Love". LP, Vinyl record album
(Cover has light ringwear and a bit of pen.)
 
Close matches: 1
Close matches2
CD, LP, Vinyl record album cover art
Henry ThreadgillJust The Facts & Pass The Bucket ... LP
About Time, 1983. Near Mint- ... $13.99
Overlooked genius from Henry Threadgill – one of his under-exposed 80s sessions for the About Time label, and work that's every bit as great as his better-known sides for Delmark or Black Saint! The group here has a nice sense of freedom and interplay – almost a quality that hearkens back to Threadgill's roots in the AACM, thanks to strong contributions from Craig Harris on trombone, Olu Dara on trumpet, Fred Hopkins on bass, Deidre Murray on cello, and both Pheeroan Aklaff and John Betsch on percussion. The tracks are nicely arranged, but never too stiffly – and titles include "Cremation", "Black Blues", "Gateway", and "Just The Facts And Pass The Bucket". LP, Vinyl record album
Also available Just The Facts & Pass The Bucket ... CD 8.99
 
Possible matches: 37
Possible matches3
CD, LP, Vinyl record album cover art
Mose Allison TrioBack Country Suite ... LP
Prestige, 1957. Near Mint- ... $11.99
A rare early Mose Allison album – a mostly-instrumental outing that focuses on Allison's wonderful talents on the piano – already honed by this time through participation in a number of key sessions with other leaders! Side one of the album features the beautiful "Back Country Suite" – an extended piece of shorter numbers, composed by Allison with a wonderfully evocative feel. The depth of the work is wonderful, and shows that even at an early point, Allison was forging a unique voice in jazz that went far beyond simple work on piano as an accompanist. Other players on the set include bassist Taylor La Fargue and drummer Frank Isola – and side two features the tunes "Blueberry Hill", "I Thought About You", "In Salah", and "One Room Country Shack". LP, Vinyl record album
(Reissue pressing on Doxy.)

Possible matches4
CD, LP, Vinyl record album cover art
Gustav BromBrom Stream ... LP
Supraphon (Czech Republic), 1966. Near Mint- ... $9.99
Some of the most modern work we've ever heard from groundbreaking Eastern European bandleader Gustav Brom – a set that's filled with sharp edges and experimental moments – but which also shows some of the usual Brom swing we've come to love over the years! There's a Kenton-esque love of tone colors going on here – a great sense of placement for the horns, so that they shift over each other wonderfully to create new sounds and tensions, which are then relaxed as the players break into freer solos. The "stream" in the title might be a reference to third stream jazz, but Brom's approach is a lot less academic here – and his group on the album features trumpet, tenor, alto, vibes, baritone sax, and piano. Titles include "Suite About Water", "Study For A Quarter Tone Trumpet", "Silver Spider", "Black Tears", "Poseidon", "Conflicts", and "Hallelujah Time". LP, Vinyl record album
(Heavy original pressing – in great shape, save for some light wear & a name in pen on the cover.)

Possible matches5
CD, LP, Vinyl record album cover art
Miles DavisIn A Silent Way ... LP
Columbia, 1969. Very Good+ ... $11.99
There's nothing "silent" here – as the album's a bold entry in the electric years of Miles Davis – one that still features contributions from Herbie Hancock, Wayne Shorter, and Tony Williams – but which also expands the lineup considerably – really reaching out towards the sound of Bitches Brew! Herbie's on electric keys here, working alongside Chick Corea and Joe Zawinul, who really help increase the flow of the tunes and enforce the "directions in music" stated on the cover of the set! Shorter's on soprano sax, playing in an even more angular way – and Dave Holland is on bass, replacing the sound of Ron Carter, getting some rhythmic assistance at times from John McLaughlin, whose sound really helps to shape the record! Titles include 2 side-long tracks – "Shhh/Peaceful" and "In A Silent Way/It's About Time" – both long, and both beautiful! LP, Vinyl record album
(Columbia Jazz Masterpiece pressing.)

Possible matches6
CD, LP, Vinyl record album cover art
Bill EvansPeace Piece & Other Pieces ... LP
Riverside/Milestone, 1958/1959/1962. Very Good+ 2LP Gatefold ... $9.99
Nice Milestone 2-fer collected and remastered in 1975, of the Riverside LP Everybody Digs Bill Evans, an unreleased trio side and one outtake from the Interplay sessions. The first set finds Bill in his typical piano trio setting, joined by Sam Jones and Philly Joe Jones, but has several of his moody piano solos, the other format that he really shined in: "Lucky To Be Me", "Peace Piece" and Epilogue". The rest of the set bounces along nicely, with the light feel we dig so much about his trios, as does the later half of the LP, which is with Paul Chamber and Phily Joe. The last piece, "Loose Bloose", is a different take than the one included onteh Interplay 2-fer Milestone issued around this time, with Zoot Sims and Jim Hall in a not-often-heard quintet setting, that works surprisingly well. Also includes "Oleo", "Young & Foolish", "You And The Night And Music" and "Green Dolphin Street". LP, Vinyl record album
(Cover has some light wear.)

Possible matches7
CD, LP, Vinyl record album cover art
Victor FeldmanArrival Of Victor Feldman ... LP
Contemporary, 1958. Very Good+ ... $18.99
The title and cover image are a bit misleading – as Victor had already been in the US for about 4 years by the time of this set – but as far as west coast jazz was concerned, he'd definitely "arrived" through a series of great contributions to classic albums! The outing's a trio date – with Feldman on both vibes and piano – drums by Stan Levey, and bass by a young Scott LaFaro, who really helps keep things interesting throughout! Feldman often changes moods with his change of instruments – and the album's almost an effort to show the full range of his talents in a smallish space – but the overall presentation is never too split-minded. Titles include "Serpent's Tooth", "Waltz", "Chasing Shadows", "Flamingo", "Sposin", "Satin Doll", "Bebop", and "Minor Lament". LP, Vinyl record album
(70s yellow label pressing.)

Possible matches8
CD, LP, Vinyl record album cover art
Red Garland with Ray BarrettoRojo ... LP
Prestige, 1958. Very Good ... $34.99
Red Garland's really cooking on this late 50s set – thanks to some added conga work from Ray Barretto on most of the album's tracks – and that great little groove that Barretto's percussion brought to some other soul jazz cookers like this from the time! Garland still gets plenty of space to spin out in that lyrical style he did better than just about anyone else – and core trio rhythm support is from George Joyner on bass and Charlie Persip on drums, who burn nicely when Barretto sits out – although we're definitely partial to the more complicated grooves featured with Ray. Titles include "Rojo", "Mr. Wonderful", "We Kiss In A Shadow", "Darling Je Vous Aime Beaucoup", and the nice groover "Ralph J Gleason Blues". LP, Vinyl record album
(Yellow and black label NJ pressing, with deep groove and RVG etch – nice and clean overall. Cover has some yellowing tape on two seams, and a small name on the back.)

Possible matches9
CD, LP, Vinyl record album cover art
Benny GolsonTake A Number From 1 to 10 ... LP
Argo, 1961. Near Mint- ... $19.99
A record with a gimmick – but one that's totally great, and really unique for the time! The "1 to 10" in the title is the way that the album spins out – as track 1 features Golson blowing solo tenor, track 2 features him in duet, track 3 a trio – and so on, until track 10, which features a ten-piece group! One of the best things about the record is the way it really lets you focus on Golson's tone and phrasing – as even some of the bigger group tunes have a nicely laidback feel that's really dominated by Benny's solo work – and in a way, the record's a nice bridge between the more tightly arranged Golson sessions of the late 50s, and some of his looser sides of later years. Players include Cedar Walton, Curtis Fuller, Freddy Hubbard, and Albert Heath – among ohters – and titles include the Golson originals "Little Karin", "Swing It", "The Touch", "Impromptune", and "Time", plus versions of "You're My Thrill", "Out Of This World", and "I Fall In Love Too Easily". LP, Vinyl record album
(Japanese pressing – very nice vinyl!)

Possible matches10
CD, LP, Vinyl record album cover art
Lars GullinLars Gullin With The Moretone Singers ... LP
EmArcy, Mid 50s. Very Good ... $9.99
One of the more enigmatic of Lars Gullin's mid 50s American albums – a session that features the master baritonist blowing alongside the Moretone Singers – a vocal ensemble who sings in cascading tones that kind of shade and color the background. The approach is different than other jazz vocal group records – in that the singers don't really handle solos or songs – they mostly just come in chorus formation to support the group, in the manner of a string ensemble. The sound's dark and moody, and actually makes a surprisingly wonderful backdrop for Gullin's majestic horn – really setting him free from the rest of the group, not having to worry about swing, just exploring space and sound in a way that's rare for his albums of the time! Titles include "Late Date", "Lover Man", "Merlin", "Late Summer", and "For FJ Fans Only". LP, Vinyl record album
(Drummer logo pressing with deep groove – nice and clean. Cover has fading of the image under the laminate – common for this one.)

Possible matches11
CD, LP, Vinyl record album cover art
Chico HamiltonPeregrinations ... LP
Blue Note, 1975. Very Good- ... $2.99
One more amazing chapter in the mighty development of drummer Chico Hamilton – a killer 70s session for Blue Note – and a record that goes way beyond his earlier experiments of the 50s, modal grooves of the 60s, and funk work for the Flying Dutchman label! The style here is fusion, but way fresher than the usual type – neither jamming rock-styled, nor mellow and smooth – and instead always tickled by Hamilton's sense of a unique rhythm, and his continued great ear for inventive use of reeds – in this case handled by Arthur Blythe on alto and Arnie Lawrence on soprano and tenor sax. The set's also got Steve Turre on bass and trombone, and both Barry Finnerty and Joe Beck on electric guitars – but the real genius is Chico himself, who handled arrangements and wrote most of the album's great tracks. Titles include the exotic number "Abdullah & Abraham" – plus "Andy's Walk", "Peregrinations", "It's About That Time", "Sweet Dreams", "On & Off", "Little Lisa", and "Space For Stacy". LP, Vinyl record album
(Cover has masking tape on the seams, a card pocket on front, and some pen on back.)

Possible matches12
CD, LP, Vinyl record album cover art
✨✧ Herbie HancockMagic Windows ... LP
Columbia, 1981. Very Good ... $7.99
A great little soul album from Herbie Hancock – but one that's often lost in the valleys between his bigger hits of the time! The record was cut in the space right before Herbie's big "Rockit" success – and it's a sweet bit of funky fusion that has a good dose of R&B in the mix – similar to other records from Hancock's Columbia label keyboardist contemporaries – like Rodney Franklin, Webster Lewis, or Charles Earland! All orchestrations are performed by Herbie on a host of keyboards and synthesizers, and just about every cut has vocals – from singers who include Sylvester, Gavin Christopher, and The Waters. But even with this soul component, Herbie still keeps things jazzy – using a good bit of keyboards to open up the tunes in the middle, and hitting hard on all numbers with that classic Hancock approach to funk! Titles include "Magic Number", "Tonight's The Night", "Everybody's Broke", "Help Yourself", and "Satisfied With Love". LP, Vinyl record album

Possible matches13
CD, LP, Vinyl record album cover art
Andrew HillShades ... LP
Soul Note (Italy), 1987. Near Mint- ... $11.99
Andrew Hill works mostly in a trio here – a great group with Rufus Reid on bass and Ben Riley on drums – but also gets some help from Clifford Jordan's tenor on a few tracks, which really makes the album stand out from other Hill dates of the time! The core group is already great – and Reid and Riley bring a slightly straighter vibe to the date, and a sound that's filled with plenty of soul – and when Jordan joins in, there's almost a classic hardbop approach going on – quite a change from usual for Andrew, and proof that he can handle just about anything that comes his way. Hill still throws out plenty of creative piano lines throughout – those deft, modern moments that are always illuminating, even amidst a straighter swing – with a tension that's not unlike his Grass Roots album. Titles include "Ball Square", "Domani", "La Verne", "Monk's Glimpse", and "Tripping". LP, Vinyl record album
Also available Shades ... CD 6.99

Possible matches14
CD, LP, Vinyl record album cover art
Richard Groove HolmesThat Healin' Feelin' ... LP
Prestige, 1968. Very Good+ ... $9.99
Great stuff from Groove – a tight, no-nonsense set of hard grooves featuring a quartet that includes Rusty Bryant, Billy Butler, and Herbie Lovelle. There's a strong bottom sound to the session – picking up from the Misty days, when Groove learned that he could take just about any track, and make it groove like a mofo! Because of this, the album's selections – "That Healin Feelin", "Irene Court", "Castle Rock", and "On a Clear Day" – all sound night and tight, as Groove would have delivered the tunes playing before one of his many well-attended audiences at the time! LP, Vinyl record album
(Blue label pressing. Cover has some ring & edge wear, a Preview Copy stamp, and some pen on back.)

Possible matches15
CD, LP, Vinyl record album cover art
John LewisJazz Abstractions ... LP
Atlantic, 1960. Very Good- ... $7.99
Way more than just "abstractions" – as the set's a very focused batch of some of the larger ideas that John Lewis had about jazz – explored beautifully here away from the Modern Jazz Quartet! The album has Lewis working with frequent partner – and fellow third stream conceptualist – Gunther Schuller – and also features great guest work from Ornette Coleman on alto, Joe Wilder on trumpet, Jim Hall on guitar, and Scott LaFaro on bass – all very different talents at the forefront of jazz at the time, helping bring a wider range of voices than you might normally get on a John Lewis project. Titles include "Abstraction", "Variants On A Theme of Thelonious Monk", and "Piece For Guitar & Strings". LP, Vinyl record album
(Red & purple label pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
Les McCannTalk To The People ... LP
Atlantic, 1972. Very Good ... $8.99
One of the best of Les McCann's 70s Atlantic recordings, and one that captures him with a lot of fire and funkiness – and none of the looser modes of other recordings from the time! Les sings on about half the cuts – but the focus is still quite strongly on his funky jazz, which makes even the vocal numbers work well here – giving them a punch that puts the lyrics in very nice formation. Includes a nice long version of "What's Going On", with backing vocals by The Persuasions; a funky instrumental called "Shamading" that has some excellent clavinet work; and a few other vocal tracks with backup vocals by Eugene McDaniels, like "Let It Lay", "Talk To The People", and Stevie Wonder's "Seems So Long". Also features the funky instrumental "North Carolina" – one of Les' best funky tracks from the 70s, with a really messed up keyboard sound! LP, Vinyl record album

Possible matches17
CD, LP, Vinyl record album cover art
Charles MingusPithecanthropus Erectus ... LP
Atlantic, 1957. Very Good ... $149.99
An amazing record – quite possibly one of the greatest jazz albums of all time, and a session that has Charles Mingus stepping boldly forward in a whole new direction! The album shakes loose the sometimes too-academic modern tones of Mingus albums from the previous year or two – and unleashes the bold, raw emotion that would drive him firmly into the 60s – a new sense of freedom in music, filled with poetry, anger, joy, and life! The tracks are all quite long – and played by a sharp quintet with Mingus on bass, Jackie McLean on alto sax, JR Monterose on tenor, Mal Waldron on piano, and Willie Jones on drums. Titles include "Pithecantrhopus Erectus", "A Foggy Day", "Love Chant", and "Profile of Jackie". The whole thing bubbles over with an anger and intensity that you hardly find in other Mingus albums, and if you've ever heard a weak Mingus album, and wondered what all the fuss was about, you owe it to yourself to own this one! We promise that it will never ever let you down. LP, Vinyl record album
(Original black label pressing with deep groove – nice and clean overall, save for a short click in one spot. Cover is nice, too – a bit of aging on back, but no splits and strong overall.)

Possible matches18
CD, LP, Vinyl record album cover art
Wes MontgomeryGroove Brothers ... LP
Fantasy, Late 50s. Very Good 2LP Gatefold ... $5.99
A 70s set that brings together some nice sides from Wes and his brothers. Side one is taken from the Montgomery Brothers set, the first session to feature the group with Wes on the west coast – caught in the studio at a time when Buddy and Monk had left The Mastersounds, and recorded here with a sound that's quite similar to that group – but with a bit of a harder edge, thanks to the guitar. Side two continues in the same vein, capturing the group on a live set in Vancouver, grooving in a similar style that's a bit like some of Wes' early small group albums from the same time. The final two sides are pulled from the Groove Yard LP, another lively set that has a lot more swing than usual, and which grooves nicely on just about every cut. The drummers on the sides are Lawrence Marable, Paul Humphries and Bobby Thomas, all fitting nicely into the pocket with the Montgomerys. 15 tracks in all, including "Jeanine", "Green Dolphin Street", "Beaux Arts", "Snowfall", "Lover Man", "June In January", "Monterey Blues", "Delirium", "Back To Back", "Doujie", "Just For Now", and "Groove Yard" LP, Vinyl record album
(Cover has moderate wear & some pen.)

Possible matches19
CD, LP, Vinyl record album cover art
Lee RitenourRit/2 ... LP
Atlantic, 1982. Very Good+ ... $3.99
A nice mix of 80s groove and jazzy fusion – served up by one of the few players who could make such a set come off so well! Lee Ritenour's fusion work of the 70s always had a fair dose of R&B in the mix – but by the time of this set, he had moved even more strongly into a modern soul-based mode of jazz – one that he clearly helped to influence with his initial work, and which he still rode over strongly with the well-selling Rit series of albums for Elektra. Players on the set include Harvey Mason and Tom Scott – and about 2/3 of the album's tracks feature vocals by Eric Tagg. Titles include "Malibu", "Cross My Heart", "Promises Promises", "Dreamwalkin", "Keep It Alive", "A Fantasy", and "Tied Up". LP, Vinyl record album

Possible matches20
CD, LP, Vinyl record album cover art
Howard RobertsOut Of Sight (But In Sound) ... LP
Capitol, Late 60s. Very Good+ ... $8.99
One of the rarest of Howard's excellent sides for Capitol in the 60s – and one of the grooviest too! The format here is a bit different than the others – in that some larger arrangements are added to the core group in the set – making for some added horn flourishes that dip in nicely amongst the riffing on organ and guitar that you normally get on Roberts albums. Titles include "Shifty", "Music To Think By", "Wave", "Make Me Rainbows", "Spooky", and "It's About Time". LP, Vinyl record album

Possible matches21
CD, LP, Vinyl record album cover art
Henry ThreadgillEasily Slip Into Another World ... LP
Novus/BMG, 1988. Near Mint- ... $9.99
A nice little set from Henry Threadgill – one of the albums that gave him greatest exposure to a bigger audience, and a set that pushes the sound of his work nicely! The record's got some of those touches from a time when the AACM was reaching out with its sound from earlier years – a mode that's not exactly more inside, but certainly more overtly expressive about its intentions, and sometimes a bit more melodically focused than freely improvisatory. There's echoes here of work the Art Ensemble and Amina Claudine Myers were doing during the same stretch – and the lack of commercial success of the record shouldn't indicate any aesthetic failure at all. Asha Pulthi makes a surprising vocal appearance on the track "My Rock", and other players include Frank Lacy, Diedre Murray, Fred Hopkins, Pheeroan Aklaff, and Reggie Nicholson. Titles include "Award The Squadtett", "Hall", "Spotted Duck Is Pudding", and "I Can't Wait Till I Get Home". LP, Vinyl record album

Possible matches22
CD, LP, Vinyl record album cover art
Cal TjaderCal Tjader Sounds Out Burt Bacharach ... LP
Skye, 1968. Very Good Gatefold ... $19.99
Fantastic – and about as great as you'd imagine! The cool Latiny vibes of Cal Tjader meet the great compositions of Burt Bacharach, and the result is a shimmering set of tracks that forever defines the sound of groovy 60s! Cal's the perfect choice for music like this – as his sense of space, time, and rhythm jibe perfectly with Burt's magical tunes – making for incredible instrumental readings of tracks that include "My Little Red Book", "Moneypenny Goes For Broke", "Don't Make Me Over", and "I Say A Little Prayer". Instrumentation includes organ and guitar next to the vibes – and production is by Gary McFarland, with the same gentle groove as his own best work! LP, Vinyl record album
 
Partial matches: 11
Partial matches40
CD, LP, Vinyl record album cover art
George BensonOther Side Of Abbey Road ... LP
CTI/A&M, 1969. Very Good Gatefold ... $9.99
A wonderfully wicked album – one that sold so many copies that it's sometimes hard to remember how great it is! George takes on all of Abbey Road – or just about all of it – as he runs through some of the most beautiful tracks The Beatles ever wrote, like "Golden Slumbers", "I Want You (She's So Heavy)", "The End", "Because", and "You Never Give Me Your Money". The whole thing's set to some great baroque jazzy arrangements by Don Sebesky, and George digs the whole thing so much that he even sings a bit – vocalizing in a cool chromatic way that really works well with his guitar playing, and which would soon transform into a very popular style on his records of the 70s. Keyboards are by Bob James and Herbie Hancock – and there's plenty of other great jazz players in the mix! LP, Vinyl record album
(White label promo. Cover has light wear.)

Partial matches41
CD, LP, Vinyl record album cover art
✨✧ Joanne BrackeenPrism ... LP
Choice, 1979. Very Good+ ... $6.99
Joanne Brackeen's at the top of her game here – working in a unique set of duets with bassist Eddie Gomez – at a level that matches the fire and fury of any of her work with a larger group! Brackeen's got this tremendous command of the keyboard right from the start – a wide sweep that has the notes cascading wonderfully – in rich melodies with a very deep sound, but still lots of sharp edges, and this sense of freedom that makes you think she's always just about to go outside – before pulling it back a bit. Gomez is sublime, as always – and his bass work adapts perfectly to each individual moment – stating itself strongly, but never in a way that's gimmicky at all – and always balanced between a sense of melody and timekeeping too. Titles include "Lost Or Found", "International Festival", "Evanescent", "If You Dare", and "Prism". LP, Vinyl record album
(Cover has light wear.)

Partial matches42
CD, LP, Vinyl record album cover art
Roy BurnsDrum Set Artistry ... LP
Alfred Music, Early 70s. Very Good- ... $11.99
Drummer Roy Burns leads a funky big band that includes Fender Rhodes, electric bass, and electric guitar – in addition to the usual brace of horns and woodwinds. The tracks are all quite hip – bouncing along in a mode that might have made the folks at MPS proud, or which reminds us of the funkier side of Stan Kenton or Woody Herman during the 70s. Titles include "Funky Shuffle", "Meet A Cheetah", "All About The Blues", "Timetable", "Big Orange", and "Look Out". LP, Vinyl record album
(Cover has a partially split bottom seam – missing booklet.)

Partial matches43
CD, LP, Vinyl record album cover art
Herb EllisThank You, Charlie Christian ... LP
Verve, 1960. Near Mint- ... $9.99
Herb Ellis pays homage to one of the first great jazz guitarists – the legendary Charlie Christian, certainly one of the first true soulful talents to emerge on the instrument! The set's one of Ellis' nicer ones for Verve – and although it mentions Christian in the title, there's nothing outdated or old-timey about the sound of the record! Herb's lean lines on the guitar come through nice and clear – in a group that features Frank Strazzari on piano, Chuck Berghofer on bass, and Kenny Hume on drums – as well as Harry Babasin on cello, playing some nicely plucked notes that sound beautiful alongside the guitar! Tracks are relatively short, and titles include "Everything's Pat", "Workin' With The Truth", "Cherry Kijafa", and "Karin". LP, Vinyl record album
(MGM pressing. Cover has a cutout hole in one corner and a very light mark from an old sticker – but this is a great copy overall!)

Partial matches44
CD, LP, Vinyl record album cover art
Al Haig & Jimmy RaneyStrings Attached ... LP
Choice, 1975. Very Good+ ... $6.99
A brilliant mid 70s set headlined by pianist Al Haig & guitarist Jimmy Raney – essentially a reunion of bandmates from the early 50s Stan Getz Quintet – beautifully done and in a timelessly appealing mode! What's great about this is that doesn't feel in the least a hokey revisit the old days kinda thing, as if we should have expected something so crass from such wonderful players. They play some evergreen jazz standards some numbers that made waves in the 60s and later, the group includes Jamil Nasser on bass, Frank Gand on drums, plus guitar by Doug Raney on "You Came To Me From Out Of Nowhere". Other numbers including the Eddie Harris penned title track, Herbie Hancock's "Dolphin Dance", "Round Midnight", "Invitation", and "Enigma". LP, Vinyl record album
(Library copy, with taped seams, a sticker, and card pocket attached to the front.)

Partial matches45
CD, LP, Vinyl record album cover art
Herbie Mann with Rufus HarleyWailing Dervishes ... LP
Atlantic, Mid 60s. Very Good ... $5.99
One of the coolest albums ever from Herbie Mann – and a set that's definitely got the vibrant sound you'd expect from its title and cover! The set's a live one, and pretty open at times – and the great Rufus Harley joins Mann's group for one track – in a really mad mix of sounds that also includes lots of other exotic instrumentation too! Roy Ayers plays vibes on about half the set – and other instrumentation includes oud, dumbek, and zither – set over modal rhythms that have a very strong Eastern vibe! Titles include "Wailing Dervishes", "Flute Bag", "In the Medina", and "Armenian Lullaby". LP, Vinyl record album
(Blue & green label pressing. Cover has some wear & a few spots of clear tape.)

Partial matches46
CD, LP, Vinyl record album cover art
✨✧ Thelonious MonkThelonious In Action ... LP
Riverside, 1958. Very Good- ... $29.99
A classic cooker from Thelonious Monk – recorded during his legendary run at the Five Spot in the late 50s, and featuring some especially great work on tenor from a young Johnny Griffin! Griffin's filling a role here that would be cemented a bit more firmly in the 60s by Charlie Rouse – but what we like about his playing here is that it's not as clearly codified "Monkish" as some of Rouse's work (even though that's all pretty darn great) – sometimes a bit more open, although still filled with angular tones and changes on this set of all-original compositions by Monk. Rhythm is by Ahmed Abdul-Malik on bass and Roy Haynes on drums – and titles include "Evidence", "Epistrophy", "Blue Monk", "Rhythm-a-ning", "Light Blue", and "Coming on the Hudson". LP, Vinyl record album
(Small label deep groove pressing – blue with silver text and microphone logo! Cover has some discoloration from age and clear tape on the seams.)

Partial matches47
CD, LP, Vinyl record album cover art
Archie SheppI Know About The Life ... LP
Sackville (Canada), 1981. Near Mint- ... $16.99
One of our favorite records from Archie Shepp's "new traditionalism" years – a set of understated brilliance and beauty, and proof that Shepp's tenor could sound every bit as great on the inside of jazz as it did on the out! The group here is a quartet – with Ken Werner on piano, Santie Debriano on bass, and John Betsch on drums – but the real star of the scene is Archie, blowing with a rough-edged tone that's dripping with soul and humanity – definitely "knowing about the life" in the title, and coming through with a timeless quality that makes him stand beautifully alongside older players like Coleman Hawkins, Ben Webster, or Sonny Stitt! Titles include "Well You Needn't", "I Know About The Life", "Giant Steps", and "Round Midnight". LP, Vinyl record album

Partial matches48
CD, LP, Vinyl record album cover art
✨✧ Larry CoryellCoryell ... LP
Vanguard, 1969. Used ... Temporarily Out Of Stock
Probably the funkiest record Larry Coryell ever cut, and a very tasty session with Bernard Purdie on drums, Jim Pepper on flute, and Mike Mandel on organ. There's 3 different bassists on one side, Chuck Rainey of about half, and the great Ron Carter or the under-recorded Al Stinson on the rest. There's a long funk groove called "The Jam with Albert", plus the tracks "Sex" and "Ah Wuv Ooh". A bit too hippy dippy at times, but the funky tracks are definitely worth it! And oh what a cover – with Larry and family standing nude together! (The kids must have hated him for that one!) LP, Vinyl record album
(Cover has light wear.)

Partial matches49
CD, LP, Vinyl record album cover art
✨✧ Don EllisConnection ... LP
Columbia, 1972. Used ... Temporarily Out Of Stock
Funky funky Don Ellis – a great set of electric groovers released at the same time that Don scored big with his soundtrack for The French Connection! As you'd guess from the title, the feel here is quite similar – funky electric big band jazz, with a very hip 70s action soundtrack feel – one that mixes acoustic sax and trumpet passages with some groovier keyboards and electronic bits – all wrapped up in production that's tight, but never too slick to be funky! The album features a great take on Don's excellent "Theme From The French Connection" – plus great electric jazz covers of "Alone Again Naturally", "Superstar", "I Feel The Earth Move", "Roundabout", and "Lean On Me" – as well as album originals "Chain Reaction" and "Train To Get There". LP, Vinyl record album
(Original pressing.)

Partial matches50
CD, LP, Vinyl record album cover art
✨✧ Sonny StittNow! ... LP
Impulse, 1963. Used Gatefold ... Temporarily Out Of Stock
A tight swinger from Sonny Stitt – one of the standout 60s dates he recorded for the Impulse label, a place where he seemed to get even more care and focus in the studio! The record's got all the soulful swing of Stitt's classics for Roost, but also hits a slightly more lyrical groove at times too – and backing is by a trio that features Hank Jones on piano, Al Lucas on bass, and Osie Johnson on drums. Stitt himself plays a bit of alto alongside his tenor – and titles include "Lester Leaps In", "Please Don't Talk About Me When I'm Gone", "Estralita", "My Mother's Eyes", "Never Sh!", "Touchy", and "Surfin". LP, Vinyl record album
(Rainbow label pressing.)
 
 
 



⇑ Top