A wicked set from the great Gary Bartz – one done after his mid 70s association with Larry Mizell – but still very much in a similar groove! The album's a great blend of Gary's soulful alto work with sweet electric backings – often put together with that angular stepping mode he ... read moreCD
A fantastic bit of jazz funk fusion – and one of the landmark 70s albums produced by Larry Mizell! This is Gary Bartz's second (and most amazing) collaboration with Larry Mizell – a studio genius who could focus on the best talent of a jazz artist, then expand it using additional ... read moreCD
One of the last Gary Bartz albums for Prestige – and a really unique session with a different feel than some of his earlier work! Gary's still got plenty of angular funk in his sound here – thanks to some edgey keyboards from Hubert Eaves – but he's also tightened things up a bit ... read moreCD
A landmark set of recordings – both of Gary Bartz's Harlem Bush Music albums, back to back on one CD! After a few years as a modern-tinged soul jazz saxophonist, Bartz broke strongly into the 70s with this pair of sessions – working in a mode that brought together rhythmic percussion, ... read moreCD
One of Basie's biggest albums – but still a work of pure genius! "April In Paris" is one of the darkest jazz standards ever written, and it never sounded better than in this original version, which features that great ending in which Basie and the band stop, then start, then stop ... read moreCD
Nothing basic about this album by Count Basie – as the album has the legend working for the MPS label – whose own big band scene he really helped inspire! The band here is really dynamic – working with great arrangements from Chico O'Farrill, who's inherent sense of groove really ... read moreCD
Stripped-down Count Basie from the start of the 60s – a great little set that has the Count working with some of the best players from his larger group, in a session of even more intimate small combo material! The sounds here echo the Basie groove of the earlier years, but the overall ... read moreCD
A late 60s swinger from The Mills Brothers – with the aging vocal group get some great assistance from the Count Basie Orchestra! By the time of this sessions, The Mills Brothers had been recording for at least 4 decades – and although their early hits had gained the group a great deal ... read moreCD
(Out of print. 20bit K2 HQ CD pressing! Includes obi!)
A compelling blend of jazz styles and gospel roots – one that has Fontella Bass joining forces with spiritual singers Martha Bass and David Peaston – with a bit of AACM backing thrown in for good measure! The vocals really stretch out strongly on the set – sometimes following ... read moreCD
The group here's definitely a powerhouse – a tight quintet led by bassist Mickey Bass, and featuring strong horn work from Antonio Hart on alto and Craig Handy on tenor! The set's got a long-blown, searing quality that burns a lot more brightly than some of Bass' other recordings – and ... read moreCD
17 trad tracks from Sidney – recorded for Blue Note during the years 1951 and 1953, and originally issued on 10" LPs. Players include Sidney De Paris, Pops Foster, Jonah Jones, and Jimmy Archey – and the CD features a number of alternate takes. Titles include "Black & ... read moreCD
(Out of print. CD has a promo stamp. Barcode has a cutout mark.)
An album with a very evocative title – and a very evocative sound to match – just the bass of Jacek Benarek and the flute of Krzystof Zgraja – working together to make some hauntingly beautiful music! The approach might be considered jazz, but the sound is also quite loose and ... read moreCD
Louie Bellson recorded in London – heading up a big band that features Frank Strazzeri on piano, Geurge Duvivier on bass, and a heck of a lot of horn players in the mix! The group's got a bold, upbeat sort of feel – similar to some of the later Buddy Rich groups of the 70s – and ... read moreCD
Greg Bendian's Interzone —
Myriad ... CD Atavistic, 2000. Used ...
Kind of reminds us of some of the New York noise from the early 80s – with Nels Cline proficiently jamming away on guitar, and Bendian playing vibes and "fuzz vibes" in tight choppy modal lines with the group's proggish rhythm. Titles include "Drive", "Sanctuary" ... read moreCD
(Out of print original pressing, punch through barcode.)
Gregg Bendian & Alex Cline —
Espiritu ... CD Truemedia Jazzworks, 1998. Used ...
Rare Tony Bennett material from a really unique source – a series of recordings that originally appeared on the Let's Go To Town radio show – a program sponsored by the National Guard, and never issued on any sort of commercial recordings! Bennett is at a wonderful point in his career ... (Vocalists, Jazz)read moreCD
A great second pairing of this hip team – further proof that Tony Bennett was a hell of a jazz singer when he wanted to be! Titles include "You're Nearer", "Lonely Girl", "You Must Believe In Spring", "Two Lonely People", and "The Bad & The ... (Vocalists, Jazz)read moreCD
A really beautiful tribute to the music of Herbie Nichols – played in an extremely loving way by a group led by drummer Jimmy Bennington, and featuring David Haney on piano! Haney's tones here are arguably even more modern than Nichols on his famous recordings of the 50s – but there's ... read moreCD
(Packaged in a thin cardboard sleeve.)
Han Bennink & Dave Douglas —
Serpentine ... CD Songlines (Canada), 1996. Used ...
Pretty mellow stuff from George Benson, but with some nice moments! Don Sebesky handled the arrangements for this set of larger backings – but Benson's guitar is right out front, hitting some super-dope lines at the best moments, stretching out from the warm Fender Rhodes or horn heavy ... read moreCD
A sweet funky classic from guitar genius George Benson – and a record that features some surprising soul arrangements from Pee Wee Ellis – also known for his classic work with the James Brown Band of the late 60s! Pee Wee's got a tighter groove here than on some of George's earlier CTI ... read moreCD
Very groovy work from guitarist George Benson – and a set that really helped him make the transition from small group soul jazz to some of his more ambitious work to come! The album's still quite soulful and a bit funky at times – but it also features larger arrangements from the great ... read moreCD
Yipes! This one made everyone a bucket of money – especially Quincy Jones, whose new Qwest imprint the record was one of the first to grace. George has come a long way from his roots with Jack McDuff here – but in a way that kind of has us impressed, as he's grooving away slickly on ... read moreCD
George Benson —
Goodies ... CD Verve (Japan), 1968. New Copy ...
A sweet set of goodies from the young George Benson – one of the early albums from a time when George was really taking off as a solo artist – and setting the world on fire with his new approach to jazz guitar! Arrangements are from the mighty Horace Ott – who also handled a lot ... read moreCD
George Benson's first LP for Columbia – a hard, heavy, soul jazz slammer that bears no resemblance to his overproduced work of the 70s! The album's a real cooker – recorded hot on the heels of Benson's classic work on Prestige with the Jack McDuff group, and sounding a lot like McDuff's ... read moreCD
Bob Berg's always been a heck of a great tenor player, but he sounds especially great on this early album as a leader – a tight and soulful session cut with Cedar Walton on keyboards, Al Foster on drums, and Tom Harrell on trumpet! The groove here is freewheeling but straightforward – ... read moreCD
Low-burning tenor from Jerry Bergonzi – a player we grow to appreciate more and more as the years go by! Jerry starts this set off with a great reading of Joe Henderson's "Inner Urge" – which is a very apt choice, as Bergonzi's tenor has all the deep soul and modern edges we ... read moreCD
A mighty impressive set from guitarist Will Bernard – our hands down favorite of his work as a leader to to date – and an all originals session with a remarkable stylistic range! Our ears perked up from the opening seconds, thanks to the elegant take on jazz funk of the opener "Happ ... read moreCD
Keyboardist Warren Bernhardt was always a key part of the fusion scene in the late 70s – but he was also a musician who was maybe a bit apart from it, too – as he would allow himself some more introspective moments than some of his contemporaries – even while turning out some ... read moreCD
(Note: CD is missing back artwork in case – and is priced accordingly.)
Peter Bernstein —
Let Loose ... CD Smoke Sessions, 2016. New Copy ...
Guitarist Peter Bernstein lets loose wonderfully here – opening up those ringing tones we love so much in his playing – chromatic hues that illuminate the record right from the start, given soulful underscoring from the trio of Gerald Clayton on piano, Doug Weiss on bass, and Bill ... read moreCD
Ignacio Berroa —
Codes ... CD Blue Note, 2006. Used ...
Bill Berry & His Ellington All Stars —
For Duke ... CD Real Time/Drive, 1978. Used ...