Ahmed Abdul-Malik —
Spellbound ... CD Prestige/Dusty Groove, 1964. New Copy ...
Sublime sounds from the always-amazing Ahmed Abdul-Malik – a jazz bassist at heart, but also a musician with a great ear for Eastern instrumentation as well! Ahmed cut a few key records at the end of the 50s and start of the 60s – and this spellbinding set may well be one of his ... read moreCD
(On the Dusty Groove label.)
Group – Live ... CD No Business (Lithuania), 1986. New Copy ...
Vintage work from this overlooked group from the New York scene of the 80s – an all-star lineup that features Ahmed Abdullah on trumpet, Marion Brown on alto sax, Billy Bang on violin, Sirone and Fred Hopkins on bass, and Andrew Cyrille on drums! The tracks are long, and there's a loose, ... read moreCD
Some of the most meditative, spiritual sounds we've ever heard from the great Josh Abrams – a record that goes way past his more familiar work on bass – even though that's pretty darn great! For this set, Abrams reaches out to a host of different instruments – including the ... read moreCD
Brilliant work from composer/arranger/creator Joshua Abrams – one of the most creative figures to come out of the Chicago scene in the past couple decades – no hyperbole necessary! On Represencing Josh is largely working with the guimbri – the North African traditional string ... read moreCD
George Adams/Don Pullen Quartet —
Life Line ... CD Timeless/Solid (Japan), 1981. New Copy ...
A strong outing from this key post-Mingus collaboration – and a record that really shows both Don Pullen and George Adams really coming into their own! Pullen's piano can have plenty of edges, as can Adams' tenor – but there's also some warmer, lyrical moments that really round things ... read moreCD
A really great setting for Pepper Adams – a rare European live date that has his baritone sax matched with the mighty talents of the George Arvanitas trio! Arvanitas' piano is always great, but we especially love the rhythm work here by bassist Jacky Samson and drummer Charles Saudrais ... read moreCD
Amazing work from one of the greatest jazz musicians working today – vibist Jason Adasiewicz, a player with a sound that's unlike anyone else we can think of! It's been years since we've been this excited about anyone on the vibes – and Adasiewicz not only returns the instrument to the ... read moreCD
Cannonball Adderley —
Big Man ... CD Fantasy/Real Gone, 1975. New Copy ...
One of the last albums ever issued by the great Cannonball Adderley – and one of the most ambitious, too! The set's a concept album – done in close collaboration with David Axelrod, in a similar spirit to some of Cannon's projects on the zodiac or the bible – but this time turned ... read moreCD
Cannonball Adderley —
Black Messiah ... CD Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ...
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much ... read moreCD
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's ... read moreCD
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by ... read moreCD
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling ... read moreCD
Two never-heard jazz performances – both recorded in German at the start of the 60s! Cannonball Adderley really shines on the first half of the set – working at a level that rivals his tremendous Riverside albums of the time – especially the live dates, which really showed his ... read moreCD
The lake effect here is a powerful one – a way of building up songs in these blocks of sound that relies heavily on the piano of David Ake, but also draws a lot from the well-crafted saxophone lines of Peter Epstein! Ake's approach is somewhat in the more contemporary school of jazz piano ... read moreCD
The music here is as evocative as the title – almost a mix of contemporary Blue Note modes with older ECM styles – all served up as a perfect showcase for the ever-growing talents of trumpeter Ambrose Akinmusire! We've really dug the last two records from Ambrose, and this one seems to ... read moreCD
A late 70s live set from space jazz/jazz rock guitar guru Jan Akkerman – rolling from spacious, sparely haunting atmospherics to tighter, sax and keys punctuated fusion jams! This live set was his Atlantic followed up his self titled album, and it grooves in similar territory – not as ... read moreCD
A lost treasure from the great Joe Albany – a well-recorded solo performance from the 70s, and one that really gets at the increasing complexity of Albany's music in his later years! Joe's maybe best-remembered for his contributions to bop, but he's also a player with a sound that really ... read moreCD
A beautifully bold session from trombonist Mats Aleklint – a player we don't know well at all, but who really steps out on this set as a leader for Moserobie Records! The sound is a bit looser than most of the recent work on the label – not entirely free, but nicely without any strong ... read moreCD
A real high point for tenorist Eric Alexander – whose recordings for High Note to date have all been very impressive – and they just keep getting better and better! He's working here with frequent collaborators Harold Mabern on piano, John Webber on bass, and Joe Farnsworth on drums ... read moreCD
Damn powerful work from tenorist JD Allen – working here in a trio format that really puts the reedman out front, and which gives him plenty of propulsion from the team of Gregg August on bass and Rudy Royston on drums! Royston's an especially present force on the record – snapping ... read moreCD
Guitarist Laurindo Almeida returns to a bit of his roots here – but he also shows off a lot of the jazz experience he's picked up along the way! The album features Almeida working solo on acoustic guitar – although possibly overdubbed alongside himself at times – and while the ... read moreCD
The brain trust of soul jazz in the early 60s – led by tenorist Gene Ammons on both albums! Soul Summit Volume one features Ammons and Sonny Stitt on tenor, plus Jack McDuff on Hammond – a definite soul summit for the time – with 3 top-shelf players in the lead, all getting ... read moreCD
A beautiful little record from this overlooked Windham Hill team – pianist Barbara Higbie and violinist Darrol Anger – working here in an open live setting that really lives up to the best spirit of the label! Both instruments are used in very fresh ways – moving through that new ... read moreCD
(Great version – with much better mastering than the previous CD issue!)
Darol Anger & Barbara Higbie —
Tideline ... CD Windham Hill/Adventure Music, 1982. New Copy ...
Piano and violin come together beautifully here – the former by Barbara Higbie, the latter by Darrol Anger – who also plays mandolin and cello as well! There's an acoustic balance here that's more jazz than some of the other Windham Hill albums of the time – especially in the ... read moreCD
(Great version – with much better mastering than the previous CD issue!)
Nicely angular work from drummer Tony Arco – a trio set that swings along with some really dynamic energy! Tony's got a way of leading a trio that puts his drums on an even par with the piano – played wonderfully in this case by Roberto Tarenzi, a player who almost has as much rhythmic ... read moreCD
A completely charming vocal session from Louis Armstrong – done in the later pop years of his life, but a record that's not nearly as well known as his bigger hits for Kapp! Louis works with arrangements from Dick Jacobs – the Brunswick arranger who first provided the early charts for ... read moreCD
Louis Armstrong hits the Flying Dutchman label – and unlocks a whole new spiritual side of his talents – a mode that's quite different than some of his crossover pop of the 60s! The style here has a bit of righteous elements in the lyrics, and lots of spiritual jazz in the backings ... read moreCD
An incredible package – and one that features three of the most important records ever cut by the Art Ensemble Of Chicago! All three albums were recorded at the Saravah Studios in the summer of 1969 – during a time when the Art Ensemble of Chicago were making big waves on the Parisian ... read moreCD
The title's a great one, as the album may well be the clearest musical vision we've heard from Atomic so far – a wonderful record that has the group at a level that's slightly more tuneful and straightforward, but all without losing any of their previous edge! There's still some key free ... read moreCD
Maybe the most brilliant work so far from Atomic – and definite proof that this Swedish ensemble just keeps getting better and better with each new recording! Every player in the quintet is a star in his own right – Fredrik Ljungkvist on tenor and baritone sax, Magnus Broo on trumpet, ... read moreCD
A killer set of Danish modern jazz – recorded at the start of the 60s with a really searing lineup! The set's go-led by pianist Bent Axen and tenorist Bent Jaedig – two guys with a very hip approach to their music, an a keen ear for the sharper sides of jazz at the time – a blend ... read moreCD
One of the first big moments of Albert Ayler's work in the jazz mainstream – and a record that doesn't dim his greatness at all from the earlier sides recorded for ESP! The album's got a sharply angular sound that more than lives up to its vibrant cover image – a well-honed approach to ... read moreCD
Pre-ESP Records work from the legendary Albert Ayler – and a really special set that definitely shows his strong ties to a previous legacy of African-American music! Ayler always clamed blues and other roots in his sound, but didn't always show them as clearly – given his free-thinking ... read moreCD
One of the last albums that Ayler ever recorded – and one of his most memorable! The record shows Ayler at the crossroads, filled with emotion and meaning, struggling to convey his message to a lager audience. At times, he takes a strange soul/jazz format to do so, and has tracks featuring ... read moreCD
A classic session of Italian modernist jazz – led by bassist Giorgio Azzolini, and featuring searing trumpet work by Enrico Rava! Pianist Franco D'Andrea and drummer Aldo Romano complete the group – and the tracks show a definite influence of the free jazz stylings that were sweeping ... read moreCD
A lost Italian gem from the 60s! Bassist Giorgio Azzolini was one of Italy's best players during the postwar years, and this handsome reissue brings to light one of his rarer sessions from the 60s. The record's a lyrical septet session, with Azzolini's warm round basslines right up front, and ... read moreCD
The rich warm tones of bassist Giorgio Azzolini head this classic Italian jazz session from the 60s, lovingly restored and packaged by the great Rearward label! Pianist Franco D'Andrea and drummer Franco Tonani join Azzolini for the session – and the trio have an approach that's clearly ... read moreCD
Trumpeter Choi Sun Bae really blows us away here – working in this very compressed approach to his instrument that makes for some really marvelous sounds – kind of that inside-out style of the trumpet that Don Cherry unveiled on some of his key 60s recordings as a leader – but ... read moreCD
One of our favorite "lost" albums ever – an amazing small combo jazz session that rivals the best that 60s Blue Note or Prestige had to offer! The group's led by tenor player Hank Bagby – an artist we only know from this record, but who has a rich sense of imagination that ... read moreCD
Benny Bailey —
Mirrors ... CD Freedom/Rearward (Italy), 1971. New Copy ...
An excellent early 70s set from Benny Bailey – originally issued on Freedom, but recorded by Gigi Campi, with arrangements by Francy Boland – and very much in the mode of work at the time on MPS. The session features Bailey as the lead soloist amidst bandmates from the Clarke-Boland ... read moreCD
(It's hard to tell from the image, but Rearward packaged it all in a really nice case with a glossy silver metalic finish)
The title certainly gets it right – as the great keyboardist Bob Baldwin turns over some sweet mellow takes on the classic music of Stevie Wonder! Bob's the mainman at the helm for most of the record – working on Fender Rhodes, piano, and other keyboards – and even vocalizing ... read moreCD
The Ballister trio is hardly worse for the wear this time around – and instead, the group seem to have a new sort of fire, and one that has them sounding even bolder than ever! Dave Rempis is searing on alto, tenor, and baritone sax – playing at times with a style that makes us wonder ... read moreCD
The debut as a leader from bassist Harrison Bankhead – long an important figure on the Chicago jazz scene as a sideman, really stepping forth here with a bold new vision of his own! The album's got a very free, open sort of vibe – definitely in the spirit of the AACM, but with some 70s ... read moreCD
Some of the last recordings ever made by the late tenor great Bill Barron – and some of the best as well! The CD presents previously unheard live recordings from Cobi's nightclub – a late 80s New York club where Barron played often upon his return from the European scene in the years ... read moreCD
Way more than just a part 2 to the first set of material from Bill Barron at Cobi's in New York – because although this set, like that one, is previously unreleased – it was recorded three years before the first volume, and also features a completely different lineup, a quartet with ... read moreCD
Some of the best moments from Kenny Barron's early 90s run on Candid Records – a stretch that really set the stage for the pianist's big return to the limelight in the latter part of the decade – but still retained all the relaxed, easygoing charm of his less-recorded 80s years. Barron' ... read moreCD
A great title for this sublime set of duo material – work that features Kenny Barron on piano and Dave Holland on bass – with no other instrumentation at all! Barron's a player who's always expansive, no matter what the setting – but hearing him in spare formation like this, we ... read moreCD
Kenny Barron & Mark Sherman —
Interplay ... CD Chesky, 2015. New Copy ...
A great meeting between jazz piano legend Kenny Barron and the younger, brillant vibes player Mark Sherman – Barron being a veteran of top notch duo settings, and Sherman newer to it – but Sherman succeeds here mightily! Interplay couldn't be a more fitting title, as the pair are ... read moreCD
Gary Bartz —
Shadows ... CD Timeless/Solid (Japan), 1991. New Copy ...
The 90s were a really wonderful decade for reedman Gary Bartz – a time when he seemed to go back to basics, and find a way to open up whole new corners in his music! This album's a key illustration of that moment – as Bartz blows with a sense of darkly brooding power that we never ... read moreCD
Hardly the hits promised in the title – and instead a whole host of wonderful tunes from the Count Basie band – including a fair number of original compositions by Frank Wess, Frank Foster, Thad Jones, and other members of the group! The sound here is that perfect Basie sound on ... read moreCD
Count Basie's definitely in the bag on this one – not so much as strong of a jazz bag as in classic years, but instead this very cool blend of soul and funk styles with his Kansas City roots! The record should be thought of more as a hip instrumental album – kind of in the jaunty 60s ... read moreCD
A great little set – despite our initial fears about the package – and a really wonderful pairing of the talents of Count Basie and Benny Carter! We'll admit that we're the first ones to shy away from anything that says "Kansas City" in the title – as we expect a lot of ... read moreCD
One of the great Count Basie albums recorded during his short late life stay on Dot Records – a label who really helped him focus his energy and keep up that classic Basie "punch" in his grooves – but all without sacrificing the growth the group had gone through over the years! ... read moreCD
One of the coolest, grooviest Tony Bennett albums you could ever hope to buy – a really wonderful album that features backings by the Count Basie band, in the best swinging mode of their Roulette Records years! Tony always had a lot of jazz in his sound, but this album's a really special one ... read moreCD
Stunning duets between Giuseppi Bassi on bass and Domenico Sanna on piano – played at a level that really seems to put equal focus on both instruments throughout – as the musicians effortlessly shift between melody and rhythm, and create some amazing sounds in the process! Bassi's ... read moreCD
European jazz sweetness from Gianni Basso and his excellent quartet of Italian scene players – a masterful early 80s set with real warmth, and a timeless elegance! Basso's ear for classic small combo jazz serves him incredible well on these recordings, with an easy going, but no less ... read moreCD
A really landmark album in European jazz – one of those records that always tops the lists of collectors, and for good reason too! The sextet of trumpeter Oscar Valdambrini and tenorist Gianni Basso was easily one of the greatest things going in jazz on that side of the Atlantic in the early ... read moreCD
Richard Beirach —
Eon ... CD ECM (Japan), 1974. New Copy ...
One of our favorite 70s albums from pianist Richie Beirach – a set that has this wonderfully flowing energy – almost a more forceful take on the ECM sound of the 70s, yet still a bit warmer than some of Beirach's other work too! The group's a trio – with Frank Tusa on bass and ... read moreCD
A pair of percussionists, working here together wonderfully – in a set that has both musicians using the drum kit and other percussion – and Han Bennink picking up a bit of piano as well! We've always loved Bennink's highly melodic approach – a style that seems to get notes out ... read moreCD
Tenorist Jerry Bergonzi has a pensive look on the cover here – and that's a really good illustration of the quality of the music – sounds that are maybe more thoughtful and introspective than some of Jerry's other recent albums! The sound builds here in these blocks of longer lines ... read moreCD
Walter Bishop Jr —
Coral Keys ... CD Black Jazz/Snow Dog (Japan), 1971. New Copy ...
The keys are coral, and the sound is sublime – one of the greatest albums ever from pianist Walter Bishop Jr, and proof that he can really stretch out, given the right setting! The piano here is all acoustic, but there's an almost-electric vibe to the date – long, open tracks that sway ... read moreCD
(Remastered with updated artwork and new liner notes.)
Walter Bishop Jr —
Old Folks ... CD East Wind/Universal (Japan), 1976. New Copy ...
A lost little session from pianist Walter Bishop – one that has the pianist working at an all acoustic level, and in a trio format that's a bit different than his other 70s sessions – but still totally great! The group features wonderful work from Sam Jones on bass and Billy Higgins on ... read moreCD
One of a rare few electric albums from the great Walter Bishop Jr – a pianist who started during the bop years, but really grew into new modes in the 70s! The set's an album on Muse, but one with the same hip grooves as Walter Bishop's pair of excellent albums for the Black Jazz label – ... read moreCD
Keyboardist Wil Blades always gets our attention – but here he somehow sounds even better than before – working in a sweet funky trio with a deeply soulful feel, and maybe some of the funkiest guitar we've ever heard from the great Jeff Parker! Parker's probably best known for some of ... read moreCD
Searing tenor from Michael Blake, and some sublime songs as well – a whole set of original material from the reedman, and a record that has us rediscovering his talents all over again! Blake's got this raspy tone to his horn that's mighty nice – not a loose or overdone sound – ... read moreCD
One of the greatest Art Blakey Blue Note sessions of all time – and perhaps one of the greatest to realize the genius of the Jazz Messengers lineup that included Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The trio of young talents are at the height of their ... read moreCD
A beautiful big band set from the great Art Blakey – but one that's got all the sharp focus of his small group sides by the Jazz Messengers! The lineup here is a great one – that very vibrant early 80s version of Blakey's group with Bobby Watson on alto sax, Bill Pierce on tenor, and ... read moreCD
An explosive session from an expanded edition of the Jazz Messengers – recorded at a key point when Art Blakey moved the group up to six members instead of five! Although bigger than the group on most Jazz Messenger Blue Notes, the sextet have an energy that's almost tighter – a sense ... read moreCD
A casual title, but a hell of a cooker from the legendary Art Blakey – one of those great albums from his overlooked run during the 80s – a time when he still had plenty of fire, and the same continuing dedication to the best young players around as he did during the Blue Note years of ... read moreCD
Art Blakey with a very hip group – and an under-recorded one as well – a version of the Jazz Messengers with the great Woody Shaw on trumpet, plus Carlos Garnett on tenor, George Cables on piano, and Scotty Holt on bass! The performance is a well-recorded date, done for FM radio at the ... read moreCD
A great Art Blakey lineup here, as usual – filled with fire from younger musicians who are really finding their voice in the Jazz Messengers – a group that includes Terence Blanchard on trumpet, Donald Harrison on alto, Jean Toussaint on tenor, and Mulgrew Miller on piano! Miller's ... read moreCD
Terence Blanchard in all his many moods – some funky, some somber, and some quite serious! The album begins with a remake of "Compared To What" – done with vocals from PJ Morton, and fueled by rhythm samples from the original Les McCann and Eddie Harris version – but ... read moreCD
Carla Bley at the height of her powers – working in the late 70s to really reinvent the large ensemble after years of experience in the underground – with a style that easily slides between inside and out, searching and swinging – all delivered by just the right sort of lineup! ... read moreCD
Carla Bley —
Live! ... CD Watt (Japan), 1981. New Copy ...
Great sounds from the Carla Bley band of the 80s – and a record that still has all the modern elements of Bley's initial years in jazz, but also brings in some warmer elements too! If anything, these years unlocked a playfulness that we might not have expected from Carla years before – ... read moreCD
Early ECM work from Paul Bley – a great example of the way that label helped Bley find a new voice in his music during the 70s! Although issued in 1971, the session was actually recorded a few years before – in 1967 – and done with a very spare, very open approach to the piano ... read moreCD
A really great groover, and a set that's way more than just another retro funk outing – given that these guys have plenty of tight jazz skills too! The group works here with a few key differences than other organ combos of late – the first of which is the strong use of flute by lead ... read moreCD
A groovy little kid – and he plays a mean guitar! Boulou's the kind of artist you think you should hate when you see his smirking face on the cover, but he's actually pretty darn great – and the album's got a surprising amount of charm! A real part of the album's strength is the way ... read moreCD
Tenorist Ralph Bowen blows some strong magic here – the kind of tone and timing that really transforms the more familiar numbers chosen for the set – so that older standards are turned inside out and opened up as new vehicles for expression – yet all while still managing to swing! ... read moreCD
Two different slices of Lester Bowie – both of them great, and very unique in their own way! CD1 features a live performance from 1982 – done around the same time as Bowie's sublime Great Pretender album, and with a similar large group that has a nice mix of avant, spiritual, and older ... read moreCD
Joanne Brackeen —
AFT ... CD Timeless/Solid (Japan), 1977. New Copy ...
Really great work from pianist Joanne Brackeen – a player who's always got plenty to offer, but who really seems to find a special space here – working in a unique trio that features Clint Houston on bass and Ryo Kawasaki on guitar! Houston's bass is wonderful – full, rich, and ... read moreCD
A sweet live set from one of the most soulful trombonists working today – an artist we've loved for the smooth groove of some of his studio sessions for the Hidden Beach label, but who also shines equally well in a concert setting! Bradshaw's richness and generosity really hold strong ... read moreCD
George Braith —
Musart ... CD Prestige/Dusty Groove, 1967. New Copy ...
One of our favorite-ever albums on Prestige Records from the 60s – and a set that's a fair bit different than most of the other work on the label! The set's an unusual outing for saxophonist George Braith – cut after his famous albums for Blue Note, and in a mode that's quite different ... read moreCD
Beautiful solo work from Anthony Braxton – recorded live in Paris at the start of the 70s, and a fair bit more sensitive than some of his earlier work on that scene! Side one features a beautiful take on Duke Ellington's "Come Sunday" – one that runs for 25 minutes, and which ... read moreCD
A live trio date from guitarist Lenny Breau – and a set that's maybe got a bit more of an edge than some of his studio albums of the time! Lenny introduces the set, which helps enforce the concert feel of the proceedings – then works through a set of nicely varied material that really ... read moreCD
Wonderful live work from the legendary Brecker Brothers – cut at a time when the duo were still totally hard and funky – maybe even more so here than on their studio albums of the time! The live setting really brings out a crackle in the group – lots of funky rhythms at the ... read moreCD
A beautiful setting for trumpeter Till Bronner – a set that has the German musician stepping out on a host of famous film themes, with backing from a larger orchestra that creates a wonderful backdrop for his solos! The style's very different than some of Bronner's more groove-oriented sets, ... read moreCD
A great illustration of the international power of the Chicago jazz scene in recent years – its ability to bring together players like Peter Brotzmann and Joe McPhee, and allow them to record together in such sympathetic company! At the time of the session, McPhee and Brotzmann had worked ... read moreCD
Just when we've thought we've heard everything Peter Brotzmann has to offer – out comes a record like this, and blows us away all over again! As you'd guess from the title, Brotzmann's working here in a Chinese setting – mixing with younger players we'd never heard before – ... read moreCD
Nothing lost here – as Peter Brotzmann's a master of solo improvisation – making each note and each moment matter, as he runs through an incredible series of long explorations on alto, tenor, b flat clarinet, and tarogato! The performance is a live one, recorded at Nickelsdorf in 2006 ... read moreCD
A legendary team, heard here at the height of their powers – at a time when both Peter Brotzmann and Sonny Sharrock were finding a bold musical space alongside each other! The pair had worked in Last Exit with a bit more of a frenetic rock jazz vibe – but here, the style is much more ... read moreCD
Some of the earliest work ever recorded by Peter Brotzmann – a rare live performance from 1966! Broztmann plays both alto and baritone sax here – already blowing with the intensity of his Machine Gun years, but working in a more stripped down setting – a trio with Peter Kowald on ... read moreCD
Very rare, very obscure material from this important free jazz trio of the German scene in the 70s – a set that features one long performance originally issued on the JG label, despite the FMP-like image on the cover – plus two more tracks from the same year that appear here for the ... read moreCD
(Beautiful package – with a heavy Japanese-style paper sleeve!)
Peter Brotzmann/John Edwards/Steve Noble —
Soulfood Available ... CD Clean Feed (Portugal), 2014. New Copy Gatefold ...
The title's a very apt one – as saxophonist Peter Brotzmann somehow sounds even more soulful than ever – almost at a level that evokes John Coltrane and Albert Ayler with his searing, searching tones on the album's very long title track! "Soulful Available" is worth the price ... read moreCD
An unbelievable recording! As Archie Shepp made his first album for Impulse a tribute to Coltrane, Marion Brown made his a tribute to Shepp – a wonderful lineage of avant talent in the 60s, stated boldly here, given Brown's amazing talent on the record! The album's filled with hard, soulful ... read moreCD
One of the coolest albums ever from organist Milt Buckner – a set that not only features his own great work on Hammond, but also some excellent vibes from Gene Redd! This isn't the Redd that was a member of Kool & The Gang, but his pops – and Gene works with Buckner here on ... read moreCD
One of the greatest recordings we've heard from pianist Dave Burrell in recent years – a series of stunning duets with trombonist Steve Swell! Like some of Burrell's wonderful work from decades back, the style is loose and somewhat free, but also has a sense of rhythm and forward-moving ... read moreCD
Some of Kenny Burrell's best early work! The album catches Kenny in the perfect Blue Note jam session mode of the late 50s – one used also with Jimmy Smith, and which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke ... read moreCD
Some of Kenny Burrell's best early work! The album catches Kenny in the perfect Blue Note jam session mode of the late 50s – which features a number of the label's star players hitting hard with the main soloist. Players on the two volume set include Duke Jordan or Bobby Timmons piano, ... read moreCD
Kenny Burrell —
KB Blues ... CD Blue Note (Japan), 1957. New Copy ...
A real hard-burner from Kenny Burrell – a set that was recorded for Blue Note in the guitarist's early career, but not issued by the label until the 70s – and even then only in Japan! Kenny's got the sharp edge and strong sense of leadership you'll hear on his classic Midnight Blue ... read moreCD
An amazing little record – not just for the music itself, which is inherently great – but also for its straight jazz presentation of players you might know in more of a reggae-based setting! The album's a smoking set of hardbop numbers, played with plenty of soul – by a combo ... read moreCD