Ahmed Abdul-Malik —
Spellbound ... CD Prestige/Dusty Groove, 1964. New Copy ...
Sublime sounds from the always-amazing Ahmed Abdul-Malik – a jazz bassist at heart, but also a musician with a great ear for Eastern instrumentation as well! Ahmed cut a few key records at the end of the 50s and start of the 60s – and this spellbinding set may well be one of his ... read moreCD
A beautiful date from bassist Josh Abrams – a player who's lent his soulful talents to so many great Chicago sessions over the past decade or two – really coming into his own as a leader! Josh has this deeply spiritual approach to his instrument – a style that, back when he first ... read moreCD
A really great setting for Pepper Adams – a rare European live date that has his baritone sax matched with the mighty talents of the George Arvanitas trio! Arvanitas' piano is always great, but we especially love the rhythm work here by bassist Jacky Samson and drummer Charles Saudrais ... read moreCD
Amazing work from one of the greatest jazz musicians working today – vibist Jason Adasiewicz, a player with a sound that's unlike anyone else we can think of! It's been years since we've been this excited about anyone on the vibes – and Adasiewicz not only returns the instrument to the ... read moreCD
Quite possibly the freshest vibist we've heard in years – a player whose records are always exploding with amazing sounds on his instrument – and the kind of intensity we'd reserve for a rare few on the vibes – maybe Bobby Hutcherson, Walt Dickerson, or Steve Nelson! Jason ... read moreCD
Cannonball Adderley —
Black Messiah ... CD Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ...
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much ... read moreCD
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... read moreCD
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by ... read moreCD
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... read moreCD
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record ... read moreCD
Not the Chicago group of AACM fame, but a completely different Japanese combo from the 70s – a very cool outfit who are equally avant in their approach – and work together in a very spiritual blend of acoustic and electric sounds! The album features one long track, improvised in a very ... read moreCD
A really well-titled little record – as the sound here is quite unique, and often has the musicians creating these little bridges between each other's space! David Ake wrote all the tunes, and put them together with this angular, blocky sort of feel – lots of sound shapes at the core, ... read moreCD
The music here is as evocative as the title – almost a mix of contemporary Blue Note modes with older ECM styles – all served up as a perfect showcase for the ever-growing talents of trumpeter Ambrose Akinmusire! We've really dug the last two records from Ambrose, and this one seems to ... read moreCD
A very different album than usual from Jan Akkerman – but in a really nice way! The album's not nearly as guitar-heavy and rock-leaning as some of Jan's other sets from the 70s – and has a bubbling sort of soul-based finish, one that's arranged by Akkerman with some help from Mike ... read moreCD
A late 70s live set from space jazz/jazz rock guitar guru Jan Akkerman – rolling from spacious, sparely haunting atmospherics to tighter, sax and keys punctuated fusion jams! This live set was his Atlantic followed up his self titled album, and it grooves in similar territory – not as ... read moreCD
Guitarist Jan Akkerman bridges many worlds here – deftly stepping between spare acoustic guitar modes and some much more dynamic electric ones – but all with a sense of care and vision that really makes the record come together! The set begins with a few themes from John Dowland, ... read moreCD
Jan Akkerman & Kaz Lux —
Eli ... CD Atlantic (Japan), 1976. New Copy ...
Jan Akkerman did plenty of unusual projects in the 70s, and this album may well be the best of them – an outing with vocalist Kaz Lux, whose unique phrasing really helps give the music a lot of focus! Akkerman's still hanging nicely between rock, funk, and jazz – but the use of vocals ... read moreCD
A lost treasure from the great Joe Albany – a well-recorded solo performance from the 70s, and one that really gets at the increasing complexity of Albany's music in his later years! Joe's maybe best-remembered for his contributions to bop, but he's also a player with a sound that really ... read moreCD
A beautifully bold session from trombonist Mats Aleklint – a player we don't know well at all, but who really steps out on this set as a leader for Moserobie Records! The sound is a bit looser than most of the recent work on the label – not entirely free, but nicely without any strong ... read moreCD
A sublime set from this hip Polish ensemble – a group who got their start in funky fusion, but who really stretch out here in a more sophisticated space too – mixing some of their electric elements with these really beautiful horn passages – arranged at a level that's full of ... read moreCD
A fierce funky combo from 70s Poland – one who play with a fusion groove, but at a level that's a lot more soulful than most of the other groups on the Eastern European scene! Instead of jamming too much in a rockish mode, these guys really focus all the instruments around the rhythms – ... read moreCD
Harry Allen/Jan Lundgren Quartet —
Quietly There ... CD Stunt (Denmark), 2015. New Copy ...
A great laidback set from tenorist Harry Allen – nothing fancy, but a great demonstration of Allen's wonderfully old school approach! The group's got an easygoing groove – led by pianist Jan Lundgren – and Allen blows these soulful, spacious solos over the top – with a bit ... read moreCD
The title definitely gets it right – as the quintet's an all-star lineup that features Marshall Allen on alto sax, Kidd Jordan on tenor, Hamid Drake on drums, and both Alan Silva and William Parker on bass! The twin basses are really wonderful – and have this deep texture that really ... read moreCD
A really lovely record from pianist Misha Alperin – a set that might initially seem to be one of the ECM New Series albums, but which has more of the sensitive feel of older work on the label! Misha plays piano with this gently lyrical feel, mixed with these earthy lines on French horn and ... read moreCD
The title definitely lives up to the sound of the record – a really loose, free session from a quartet that includes strong work from both trumpeter Peter Evans and tenorist Rodrigo Amado – the latter of whom leads the group! All tracks are long, and build with a nice degree of energy ... read moreCD
A hell of a trumpeter, with a hell of a group – heard here live at the Blue Note in New York, with a very open, freewheeling vibe! Franco Ambrosetti is a player who can sometimes be very much involved with the concept of a project – so much so that we sometimes forget that at the core, ... read moreCD
A pair of funky killers from tenorist Gene Ammons! Black Cat is one of the great funky albums that Gene Ammons cut for Prestige at the start of the 70s – quite different than his earlier work for the label, and a very different showcase for his tenor genius! The whole lineup here is amazing ... read moreCD
Fred Anderson, Hamid Drake, K Jordan & W Parker —
2 Days In April ... CD Eremite, 1994. New Copy 2 CDs ...
Two great days in April – each featuring some very free improvisation from a group that includes Fred Anderson and Kidd Jordan on tenors, William Parker on bass, and Hamid Drake on drums – a quartet with boundless energy, and a really rich sense of each other's place within the sound! ... read moreCD
A sweet session of 70s electric jazz – recorded as a unique live all-star outing by a group of Arista's best jazz players at the time! The group's an octet, but plays together in differing formations throughout the record – with Warren Bernhardt on keyboards, Michael Brecker on saxes, ... read moreCD
Louis Armstrong hits the Flying Dutchman label – and unlocks a whole new spiritual side of his talents – a mode that's quite different than some of his crossover pop of the 60s! The style here has a bit of righteous elements in the lyrics, and lots of spiritual jazz in the backings ... read moreCD
An incredible package – and one that features three of the most important records ever cut by the Art Ensemble Of Chicago! All three albums were recorded at the Saravah Studios in the summer of 1969 – during a time when the Art Ensemble of Chicago were making big waves on the Parisian ... read moreCD
A rare treasure from the Art Ensemble Of Chicago – recorded as a supposed third album for Atlantic records in 1974, but unissued for years until the group released it on their own! The session is a live one, recorded at the Montreux Jazz Festival – and features the unique addition of ... read moreCD
One of the grooviest records ever – a sublime blend of African percussion, soulful orchestrations, and Dorothy Ashby's amazing electric harp! By the time of this landmark album, Dorothy had been knocking around the jazz world for a number of years, but it wasn't until she hooked up with ... read moreCD
An excellent solo date from tenorist Harold Ashby – a musician who first rose to fame in the Duke Ellington Orchestra of the 60s, but who also had a rich history of previous work in both jazz and blues as well! Ashby's got a wonderfully deep tone – very much in the Lester Young school, ... read moreCD
Quite possibly the greatest album to date from Atomic – a set that steps out with a bold, rich sound right from the start – giving the whole thing the feel of some lost classic slice of avant jazz, but with a freshness that definitely marks the set with plenty of Atomic energy too! The ... read moreCD
Maybe the most brilliant work so far from Atomic – and definite proof that this Swedish ensemble just keeps getting better and better with each new recording! Every player in the quintet is a star in his own right – Fredrik Ljungkvist on tenor and baritone sax, Magnus Broo on trumpet, ... read moreCD
A pivotal moment in the development of Australian jazz – as a quintet featuring Don Burrows, the country's greatest reed player of the 60s and 70s, got this rare chance to cut a record for a US label during an American tour! Even at a young age, Burrows is fantastic on a range of horns ... read moreCD
Soaring spiritual sounds from bassis Omer Avital – a musician we love more and more with each new record, and one who only seems to be honing his vision even more strongly over recent years! The material is all original by Avital – performed by a core quintet that features sparkling ... read moreCD
It's great to see that David Axelrod's finally getting his due – and this reissue of material from Fantasy is one of the first reissues of his work in the US! Most cuts here are much more jazz-based than Axelrod's higher-concept material under his own name for Capitol in the late 60s – ... read moreCD
A key early album by Albert Ayler – a mindblowing record even all these many years later, and a key introduction of Ayler's music to the rest of the world! The set begins with a compelling spoken introduction from Albert – really taking the time to introduce himself and his new ... read moreCD
That's Band X, not Brand X – and they're a damn funky jazz combo from the 70s – one whose work is filled with plenty of sharp changes and wonderfully chromatic moments! Rhythms are at the core of the set – lots of choppy drum parts that are mighty nice, bumped along by sweet ... read moreCD
One of the hippest albums Gato Barbieri ever cut – and a key link between his late 60s avant work with Don Cherry, and his Latin-tinged albums of the 70s! The album features Barbieri working with a New York group of avant players – including Beaver Harris on drums, Roswell Rudd on ... read moreCD
Kenny Barron —
Quickstep ... CD Enja/Ultra Vybe (Japan), 1991. New Copy ...
One of those great Kenny Barron records from a time when it seemed like the pianist could do no wrong – effortlessly turning out great sessions like this, with such prolific energy that it's sometimes hard to remember them all! Yet even so, Quickstep is a real standout – a record that ... read moreCD
Bruce Barth is a pianist who always knows how to open up and run – making him an excellent choice for the Smalls Live series – easily some of the best-recorded live jazz CDs in recent years! Barth's touch on the keys is amazing – very fluid, and a mixture of sharp tones and ... read moreCD
Nothing basic about this album by Count Basie – as the album has the legend working for the MPS label – whose own big band scene he really helped inspire! The band here is really dynamic – working with great arrangements from Chico O'Farrill, who's inherent sense of groove really ... read moreCD
Wonderful work from one of the greatest Italian jazz groups of the 60s – heard here in two of their rarest recordings! The set brings together material from two sessions that were only issued on the Fonit sound library label – but both are every bit as sharp and soulful as the best ... read moreCD
Some of the best modern jazz Italy had to offer in the postwar years – and a record that's gone onto be the blueprint for countless recent work from groups on labels like Schema and Deja Vu! Tracks are short, but very groove-centered – often mixing modal jazz rhythms with hardbop solo ... read moreCD
A really landmark album in European jazz – one of those records that always tops the lists of collectors, and for good reason too! The sextet of trumpeter Oscar Valdambrini and tenorist Gianni Basso was easily one of the greatest things going in jazz on that side of the Atlantic in the early ... read moreCD
Matt Bauder & Day In Pictures —
Nightshades ... CD Clean Feed (Portugal), 2014. New Copy Gatefold ...
Maybe the best work we've ever heard from tenorist Matt Bauder – a tremendously well-conceived set, and one that's got the solid punch of some of the real giants on his instrument! The group is all young and open-minded, but they work together here with a soulful swing that's really ... read moreCD
A super huge hit for George – the record that took him from being a funky jazz guitarist into an R&B superstar! The album features George playing and singing over arrangements by Claus Ogerman – some of Ogerman's best of the 70s, ones that mix together his trademark pillow of sound ... read moreCD
Beautiful piano work from Karl Berger – an artist we first came to love for his groundbreaking work on vibes, but who also sounds really wonderful on the acoustic piano too! Maybe it's his experience with vibes, but Berger has a way of hitting the keys so that the notes ring out in this ... read moreCD
A trio of modern talents, working beautifully together on a set of extended live tracks! The group features guitar from Peter Bernstein, Hammond from Larry Goldings, and drums from Bill Stewart – coming together in ways that remind us of the hipper side of 60s organ combos – those ... read moreCD
A dream of a record from the LA spiritual underground of the 70s – and one of the only records we've ever seen from reedman Gary Bias! The date's got a soulful depth that makes it one of the most compelling albums on the legendary Nimbus label – a rhythmic pulse that's often modal, and ... read moreCD
Great work from a group who definitely earn their name – as the quartet was one of the biggest and best groups in the Japanese jazz scene at the time! The lineup features brilliant tenor from Hidehiko Matsumoto – a player who's young here, starting a decades-long run in jazz, but ... read moreCD
Walter Bishop Jr —
Old Folks ... CD East Wind/Universal (Japan), 1976. New Copy ...
A lost little session from pianist Walter Bishop – one that has the pianist working at an all acoustic level, and in a trio format that's a bit different than his other 70s sessions – but still totally great! The group features wonderful work from Sam Jones on bass and Billy Higgins on ... read moreCD
Cindy Blackman's one of those players who always surprises us with her music – coming across with a lot more to offer than just her unique role as a girl drummer in jazz – sounds so bold, we instantly forget her gender and pretty image on the cover, and always just let ourselves get ... read moreCD
A great run of work from legendary drummer Ed Blackwell – pulled together from his creative projects for the Black Saint/Soul Note label! The set features two albums from the Old & New Dreams group – Old & New Dreams and Tribute To Blackwell – both of them great! Like ... read moreCD
Don't worry about the title, because drummer Jonathan Blake is very much with us – stepping out strongly in his Criss Cross debut as a leader! The set's got a unique approach – a quartet with no piano, just drums and bass – plus tenor and flute from Chris Potter, and tenor and ... read moreCD
Searing tenor from Michael Blake, and some sublime songs as well – a whole set of original material from the reedman, and a record that has us rediscovering his talents all over again! Blake's got this raspy tone to his horn that's mighty nice – not a loose or overdone sound – ... read moreCD
A really unique little album from pianist Ran Blake – and that's saying a lot, given that all of his music is pretty darn unique! The album features Blake at his warmest – serving up a tribute to the vocalist Chris Connor, but at a level that's mostly instrumental – as a good ... read moreCD
A well-titled set from Art Blakey – considering the hard-driving sound of the group! The album's one of the best from that unusual year of 1957 – almost a "lost" year for Art, when he was working away from Blue Note with a very different lineup of the Jazz Messengers than on ... read moreCD
A killer pounding session from Blakey! The record was recorded during Blakey's bright flash of genius in 1964, when the Jazz Messengers were briefly revisited by Lee Morgan and Wayne Shorter, with the added horn of Curtis Fuller to add new colors to the group. Cedar Walton's on piano, and his ... read moreCD
An explosive session from an expanded edition of the Jazz Messengers – recorded at a key point when Art Blakey moved the group up to six members instead of five! Although bigger than the group on most Jazz Messenger Blue Notes, the sextet have an energy that's almost tighter – a sense ... read moreCD
A fantastic live set from Art Blakey – recorded in Paris in 1960, with a version of the Jazz Messengers that includes Lee Morgan on trumpet, Wayne Shorter on tenor, Walter Davis Jr on piano, and Jymie Merritt on bass! Best of all, though, is that the group is joined by two Paris jazz giants ... read moreCD
One of our favorite albums ever from Art Blakey and the Jazz Messengers – but a set that was unreleased by Blue Note for quite a few years! The set's one of two gems the group recorded in 1961, but which were held back until the end of the 60s – and it features a stellar version of the ... read moreCD
A really great groover, and a set that's way more than just another retro funk outing – given that these guys have plenty of tight jazz skills too! The group works here with a few key differences than other organ combos of late – the first of which is the strong use of flute by lead ... read moreCD
A long-overdue look at one of the most important groups to grace the British jazz scene of the 60s and 70s – the legendary Blue Notes, a group of South African expatriates with an undeniably huge influence on the music of their new homeland! The ensemble featured key players who went onto do ... read moreCD
Richard Bonnet —
Warrior ... CD Marge (France), 2013. New Copy ...
Post-musical tones from a very powerful lineup – a quartet who make some really amazing sounds from very familiar instruments – all used at levels that are quite different than you'd hear in standard jazz, or even most avant work as well! The group features Richard Bonnet on guitar, ... read moreCD
Richard Bonnet & Tony Malaby —
Haptein ... CD Marge (France), 2012. New Copy ...
A double-drone spectacular – the guitars of Richard Bonnet and saxes of Tony Malaby – both wrapped together in extended sonic explorations! The tones of the two instruments intertwine nicely – with lots of long, low notes that are often pretty darn noisy – Malaby on tenor ... read moreCD
Fabrizio Bosso & Marco Moreggia —
Magic Susi ... CD Verve (Italy), 2014. New Copy ...
One of the more electronic projects we've heard from trumpeter Fabrizio Bosso – a set of work done with electronic musician Marco Moreggia, who creates a very different sound for Fabrizio's horn! The music is a blend of sound sources, keyboards, and other elements – sometimes augmented ... read moreCD
Four friends in Bari, making really beautiful music together – a lineup that features sparkling trumpet from the great Fabrizio Bosso, plus guitar from Guido Di Leone, bass from Giuseppi Bassi, and drums from Mimmo Capanale! The set's got all the subtle charm of Bosso's best work in recent ... read moreCD
Smoking tenor and organ work here from the team of Ralph Bowen and Jared Gold – two players who find a wonderful space together right from the start! Bowen's tenor has just the sort of sharp tone to match the energy of Gold's Hammond – able to take off right away, yet also stop on a ... read moreCD
Spare improvisations from Chicago saxophonist David Boykin – recorded as a duet with butoh artist Nicole Legette, who also seems to be vocalizing a bit on the record! The album's easily one of the most challenging that Boykin's ever given us – quite open, and very expressive – ... read moreCD
George Braith —
Musart ... CD Prestige/Dusty Groove, 1967. New Copy ...
One of our favorite-ever albums on Prestige Records from the 60s – and a set that's a fair bit different than most of the other work on the label! The set's an unusual outing for saxophonist George Braith – cut after his famous albums for Blue Note, and in a mode that's quite different ... read moreCD
Dollar Brand playing solo – but with a vibrancy that hardly makes you miss the other instruments at all! Most of the record features solo piano, but there's also a bit of bamboo flute as well – leading off the set and establishing this great organic vibe to the whole thing, which is ... read moreCD
Beautiful solo work from Anthony Braxton – recorded live in Paris at the start of the 70s, and a fair bit more sensitive than some of his earlier work on that scene! Side one features a beautiful take on Duke Ellington's "Come Sunday" – one that runs for 25 minutes, and which ... read moreCD
Bassist Peter Brendler is at the helm of the set, but we're especially enamored of the trumpet work here – played by Peter Evans on both standard and piccolo trumpet – the latter of which has this wonderfully personal sound! Almost all tunes are originals from Brendler, who turns out ... read moreCD
A beautiful setting for trumpeter Till Bronner – a set that has the German musician stepping out on a host of famous film themes, with backing from a larger orchestra that creates a wonderful backdrop for his solos! The style's very different than some of Bronner's more groove-oriented sets, ... read moreCD
Seminal work from the Detroit underground of the 80s – 4 sets of duets recorded by drummer Roy Brooks, each with a different hip player! The material was recorded over the course of 4 different performances in 4 different years – but the album has a really unified feel in the way that ... read moreCD
Amazing sounds from the righteous Roy Brooks – a drummer who worked strongly in the soul jazz mainstream of the 60s, then stepped out into even headier territory here in the 70s! The album's a spiritual masterpiece all the way through – an album on par with early 70s Impulse sides from ... read moreCD
A wonderful set by contemporary jazz guitar great Bobby Broom and his excellent trio – who put a timeless spin on standards that Broom holds in high esteem as sturdy mementos of their time – without even a whiff of nostalgia! His enthusiasm for the material shines brightly throughout, ... read moreCD
A legendary team, heard here at the height of their powers – at a time when both Peter Brotzmann and Sonny Sharrock were finding a bold musical space alongside each other! The pair had worked in Last Exit with a bit more of a frenetic rock jazz vibe – but here, the style is much more ... read moreCD
Peter Brotzmann Chicago Tentet —
Walk Love Sleep ... CD Smalltown Supersound (Sweden), 2012. New Copy 2 CDs ...
A great testament to the continued relationship between German reedman Peter Brotzmann and the Chicago underground jazz scene – summed up perfectly in this surprisingly long-running Chicago Tentet – a group that not only features Brotzmann and key Windy City musicians, but also some ... read moreCD
Some of the earliest work ever recorded by Peter Brotzmann – a rare live performance from 1966! Broztmann plays both alto and baritone sax here – already blowing with the intensity of his Machine Gun years, but working in a more stripped down setting – a trio with Peter Kowald on ... read moreCD
Peter Brotzmann blows beautifully here – in a set that's dedicated to bassist Peter Kowald, and which features some especially great work from William Parker in the group! Brotzmann's got some soulful tones right at the start – almost an exotic quality in his reeds that spins out ... read moreCD
Seminal work from one of the greatest trumpeters of the 20th Century – and a musician who helped his instrument find a whole new voice in jazz during his short time on this planet! The set brings together all of Clifford Brown's classic work for Blue Note, but in their original format – ... read moreCD
A compelling conception from drummer Jaimeo Brown – a set that mixes the jazz performance of his trio with inspiration from older gospel music – in particular the famous work of the Gee's Bend Singers, who are sampled here on a number of tracks! About half the record draws vocals from ... read moreCD
A stunning debut from drummer Otis Brown III – a player you may know from his work with Esperanza Spaulding, Somi, Joe Lovano, and others – stepping forth here with a rich musical vision of his own! The set was co-produced with Derrick Hodge, of Robert Glasper's group – and ... read moreCD
Dave and the quartet pay tribute to the songwriting genius of Cole Porter – working with familiar older tunes, but nicely unlocking them with a strong sense of Brubeck modernism! Things start out slow, but get extremely playful as the set goes on – with fresh timings and phrasings that ... read moreCD
Dave Brubeck with Gerry Mulligan —
Blues Roots ... CD Columbia (Japan), 1968. New Copy ...
An overlooked Dave Brubeck from the 60s – and one of his most striking sessions at the time! The album steps a bit into the Blues Roots promised in the title – but overall, it's more of a unique meeting between Brubeck's piano and the baritone sax of Gerry Mulligan – coming ... read moreCD
Bassist Paul Brusger heads up this quartet, but the group's got strong contributions on all its four corners – tremendous baritone work from Gary Smulyan, who's becoming one of our favorite contemporary players on the instrument – plus soulful piano from Mike Ledonne, and just the right ... read moreCD
One of the coolest albums ever from organist Milt Buckner – a set that not only features his own great work on Hammond, but also some excellent vibes from Gene Redd! This isn't the Redd that was a member of Kool & The Gang, but his pops – and Gene works with Buckner here on ... read moreCD
An 80s classic from guitarist Hiram Bullock – a fusion set with a lot more smooth edges than the gritty surface of Hiram's well-played guitar on the cover! The set's quite polished, but still pretty great – never too overdone, and still based mostly around instrumentation by a core ... read moreCD
Kenny Burrell —
KB Blues ... CD Blue Note (Japan), 1957. New Copy ...
A real hard-burner from Kenny Burrell – a set that was recorded for Blue Note in the guitarist's early career, but not issued by the label until the 70s – and even then only in Japan! Kenny's got the sharp edge and strong sense of leadership you'll hear on his classic Midnight Blue ... read moreCD
Straight, strong, and soulful sounds from guitarist Kenny Burrell – quite possibly one of his best albums of the 60s, thanks to a really well-focused sound throughout! The groove here is nice and tight – a cooking little rhythm section that features Richard Wyands on piano, Martin ... read moreCD
A tremendous set from Jamaican trumpeter Roy Burrowes – a musician who's never been as recorded as often as he should, which is what makes this lost live set so special! The set was recorded live in Paris at the start of the 80s – with Burrowes on trumpeter, in a group that also ... read moreCD
Gary Burton —
Duster ... CD RCA (Japan), 1967. New Copy ...
A really incredible record from the great Gary Burton – a key 60s set that definitely has him finding a musical voice that's all his own – a way of using the vibes that nobody else had ever attempted before! The instrument is a flurry of chromatic beauty – tones and light ... read moreCD
Classic work from the great Gary Burton – two sessions that forever established his place at the forefront of jazz! Duster is a really incredible record from the great Gary Burton – a key 60s set that definitely has him finding a musical voice that's all his own – a way of using ... read moreCD
One of the most ambitious projects ever from vibist Gary Burton – an extended piece written by Carla Bley – and billed as "A Dark Opera Without Words"! The work has a feel that's much more fluid than opera, though – and is a great instrumental outing that not only ... read moreCD
Quite an unusual session from Gary Burton – recorded in Nashville, with a mix of jazz and country session players – coming together in an open-ended sound that's got lots of complicated touches. Gary's jazz side is represented by Roy Haynes on drums, Steve Swallow on bass, and Steve ... read moreCD