Ahmed Abdul-Malik —
Spellbound ... CD Prestige/Dusty Groove, 1964. New Copy ...
Sublime sounds from the always-amazing Ahmed Abdul-Malik – a jazz bassist at heart, but also a musician with a great ear for Eastern instrumentation as well! Ahmed cut a few key records at the end of the 50s and start of the 60s – and this spellbinding set may well be one of his ... read moreCD
Some of the most meditative, spiritual sounds we've ever heard from the great Josh Abrams – a record that goes way past his more familiar work on bass – even though that's pretty darn great! For this set, Abrams reaches out to a host of different instruments – including the ... read moreCD
Brilliant work from composer/arranger/creator Joshua Abrams – one of the most creative figures to come out of the Chicago scene in the past couple decades – no hyperbole necessary! On Represencing Josh is largely working with the guimbri – the North African traditional string ... read moreCD
Although recorded early in the career of Muhal Richard Abrams, this brilliant LP shows the pianist/composer turning away from the stock jazz and studio work of earlier years – to develop into one of the richest talents to rise from the Chicago avant underground of the 60s! At the time of the ... read moreCD
A tremendous moment for the great George Adams as a leader – a record that won the reedman widespread attention after some key work in the bigger groups of Gil Evans and Charles Mingus! Adams is a searing, soulful player right from the start – stepping out strongly on tenor at the ... read moreCD
Amazing work from one of the greatest jazz musicians working today – vibist Jason Adasiewicz, a player with a sound that's unlike anyone else we can think of! It's been years since we've been this excited about anyone on the vibes – and Adasiewicz not only returns the instrument to the ... read moreCD
Jason Adasiewicz —
Spacer ... CD Delmark, 2011. New Copy ...
One of the most amazing players to ever pick up the vibes – an artist with the sort of boundless creativity that Walt Dickerson and Bobby Hutcherson brought to the instrument in the 60s! Jason Adasiewicz has an amazing ear for both sound and music – and manages to balance the two ... read moreCD
Quite possibly the freshest vibist we've heard in years – a player whose records are always exploding with amazing sounds on his instrument – and the kind of intensity we'd reserve for a rare few on the vibes – maybe Bobby Hutcherson, Walt Dickerson, or Steve Nelson! Jason ... read moreCD
Cannonball Adderley —
Big Man ... CD Fantasy/Real Gone, 1975. New Copy ...
One of the last albums ever issued by the great Cannonball Adderley – and one of the most ambitious, too! The set's a concept album – done in close collaboration with David Axelrod, in a similar spirit to some of Cannon's projects on the zodiac or the bible – but this time turned ... read moreCD
Cannonball Adderley —
Black Messiah ... CD Capitol/Dusty Groove, Early 70s. New Copy 2 CDs ...
A massive live set from Cannonball Adderley – and a record that really shows the growth he'd undergone in just a few short years! The album's done in close collaboration with David Axelrod – who'd handled Cannon's big live dates for Capitol in the 60s – but this record is much ... read moreCD
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... read moreCD
Rock-solid live material from the classic Cannonball Adderley Sextet – a combo who could usually groove even better on a concert date then they could in the studio! The album's one of a number of key live sides from Cannon in the 60s – and although it pre-dates his work on Capitol, it's ... read moreCD
A classic from Cannoball and producer-partner David Axelrod – truly great stuff and maybe even better than the Zodiac set Cannonball did for Capitol! The formula is similar to that one – with David Axelrod producing, electric keyboards by Hal Galper and George Duke, spacey solos by ... read moreCD
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling ... read moreCD
Two never-heard jazz performances – both recorded in German at the start of the 60s! Cannonball Adderley really shines on the first half of the set – working at a level that rivals his tremendous Riverside albums of the time – especially the live dates, which really showed his ... read moreCD
An excellent contemporary combo from Finland – but one who are right at home on the Jazzaggression label, which mostly issues rare gems from years past! The sound here is plenty classic – and recalls that great 70s moment on the European scene when the best groups were aware of 60s ... read moreCD
The music here is as evocative as the title – almost a mix of contemporary Blue Note modes with older ECM styles – all served up as a perfect showcase for the ever-growing talents of trumpeter Ambrose Akinmusire! We've really dug the last two records from Ambrose, and this one seems to ... read moreCD
A late 70s live set from space jazz/jazz rock guitar guru Jan Akkerman – rolling from spacious, sparely haunting atmospherics to tighter, sax and keys punctuated fusion jams! This live set was his Atlantic followed up his self titled album, and it grooves in similar territory – not as ... read moreCD
A lost treasure from the great Joe Albany – a well-recorded solo performance from the 70s, and one that really gets at the increasing complexity of Albany's music in his later years! Joe's maybe best-remembered for his contributions to bop, but he's also a player with a sound that really ... read moreCD
A beautifully bold session from trombonist Mats Aleklint – a player we don't know well at all, but who really steps out on this set as a leader for Moserobie Records! The sound is a bit looser than most of the recent work on the label – not entirely free, but nicely without any strong ... read moreCD
A real high point for tenorist Eric Alexander – whose recordings for High Note to date have all been very impressive – and they just keep getting better and better! He's working here with frequent collaborators Harold Mabern on piano, John Webber on bass, and Joe Farnsworth on drums ... read moreCD
Monty Alexander —
Rass! ... CD MPS/Edel (Germany), 1974. New Copy ...
One of the coolest, grooviest albums ever cut by pianist Monty Alexander – a sweet Fender Rhodes session that's unlike most of his other work! There's a soulful, slinky groove to the whole set – a laidback approach to funk that's gotten the album sampled more than a few times over the ... read moreCD
Harry Allen/Jan Lundgren Quartet —
Quietly There ... CD Stunt (Denmark), 2015. New Copy ...
A great laidback set from tenorist Harry Allen – nothing fancy, but a great demonstration of Allen's wonderfully old school approach! The group's got an easygoing groove – led by pianist Jan Lundgren – and Allen blows these soulful, spacious solos over the top – with a bit ... read moreCD
Damn powerful work from tenorist JD Allen – working here in a trio format that really puts the reedman out front, and which gives him plenty of propulsion from the team of Gregg August on bass and Rudy Royston on drums! Royston's an especially present force on the record – snapping ... read moreCD
Guitarist Laurindo Almeida returns to a bit of his roots here – but he also shows off a lot of the jazz experience he's picked up along the way! The album features Almeida working solo on acoustic guitar – although possibly overdubbed alongside himself at times – and while the ... read moreCD
A stone groover from British multi-instrumentalist Johnny Almond – stepping out here on a range of instruments that includes tenor, alto, flute, organ, vibes, and mellotron! Like Almond's other session from the time, the set's got a tightly arranged groove that feels a lot like some of the ... read moreCD
A tremendous trio outing, and a record that really illustrates the newfound strength we've heard from drummer Barry Altschul in recent years – music so great, it's almost as if he's taken a time machine back to the groundbreaking days of his youth! The play on "freedom" in the trio' ... read moreCD
A beautiful little record from this overlooked Windham Hill team – pianist Barbara Higbie and violinist Darrol Anger – working here in an open live setting that really lives up to the best spirit of the label! Both instruments are used in very fresh ways – moving through that new ... read moreCD
(Great version – with much better mastering than the previous CD issue!)
Darol Anger & Barbara Higbie —
Tideline ... CD Windham Hill/Adventure Music, 1982. New Copy ...
Piano and violin come together beautifully here – the former by Barbara Higbie, the latter by Darrol Anger – who also plays mandolin and cello as well! There's an acoustic balance here that's more jazz than some of the other Windham Hill albums of the time – especially in the ... read moreCD
(Great version – with much better mastering than the previous CD issue!)
Nicely angular work from drummer Tony Arco – a trio set that swings along with some really dynamic energy! Tony's got a way of leading a trio that puts his drums on an even par with the piano – played wonderfully in this case by Roberto Tarenzi, a player who almost has as much rhythmic ... read moreCD
A completely charming vocal session from Louis Armstrong – done in the later pop years of his life, but a record that's not nearly as well known as his bigger hits for Kapp! Louis works with arrangements from Dick Jacobs – the Brunswick arranger who first provided the early charts for ... read moreCD
Louis Armstrong hits the Flying Dutchman label – and unlocks a whole new spiritual side of his talents – a mode that's quite different than some of his crossover pop of the 60s! The style here has a bit of righteous elements in the lyrics, and lots of spiritual jazz in the backings ... read moreCD
One of the grooviest Dorothy Ashby albums of the 60s – a set that has her already-great jazz work on harp backed by Chicago soul arrangements from Richard Evans – all in a blend that's somewhere in the territory of the Soulful Strings, but even groovier! And as an added bonus, Odell ... read moreCD
The title's a great one, as the album may well be the clearest musical vision we've heard from Atomic so far – a wonderful record that has the group at a level that's slightly more tuneful and straightforward, but all without losing any of their previous edge! There's still some key free ... read moreCD
Maybe the most brilliant work so far from Atomic – and definite proof that this Swedish ensemble just keeps getting better and better with each new recording! Every player in the quintet is a star in his own right – Fredrik Ljungkvist on tenor and baritone sax, Magnus Broo on trumpet, ... read moreCD
A genius collection of work from legendary keyboardist Brian Auger – and a set that's way way more than just a typical "greatest hits" package! Instead, the double-length set is filled with loads of rare gems that trace all of Auger's strengths – from his early years in the ... read moreCD
A killer set of Danish modern jazz – recorded at the start of the 60s with a really searing lineup! The set's go-led by pianist Bent Axen and tenorist Bent Jaedig – two guys with a very hip approach to their music, an a keen ear for the sharper sides of jazz at the time – a blend ... read moreCD
Pre-ESP Records work from the legendary Albert Ayler – and a really special set that definitely shows his strong ties to a previous legacy of African-American music! Ayler always clamed blues and other roots in his sound, but didn't always show them as clearly – given his free-thinking ... read moreCD
One of the last albums that Ayler ever recorded – and one of his most memorable! The record shows Ayler at the crossroads, filled with emotion and meaning, struggling to convey his message to a lager audience. At times, he takes a strange soul/jazz format to do so, and has tracks featuring ... read moreCD
Trumpeter Choi Sun Bae really blows us away here – working in this very compressed approach to his instrument that makes for some really marvelous sounds – kind of that inside-out style of the trumpet that Don Cherry unveiled on some of his key 60s recordings as a leader – but ... read moreCD
One of our favorite "lost" albums ever – an amazing small combo jazz session that rivals the best that 60s Blue Note or Prestige had to offer! The group's led by tenor player Hank Bagby – an artist we only know from this record, but who has a rich sense of imagination that ... read moreCD
The title certainly gets it right – as the great keyboardist Bob Baldwin turns over some sweet mellow takes on the classic music of Stevie Wonder! Bob's the mainman at the helm for most of the record – working on Fender Rhodes, piano, and other keyboards – and even vocalizing ... read moreCD
The Ballister trio is hardly worse for the wear this time around – and instead, the group seem to have a new sort of fire, and one that has them sounding even bolder than ever! Dave Rempis is searing on alto, tenor, and baritone sax – playing at times with a style that makes us wonder ... read moreCD
The debut as a leader from bassist Harrison Bankhead – long an important figure on the Chicago jazz scene as a sideman, really stepping forth here with a bold new vision of his own! The album's got a very free, open sort of vibe – definitely in the spirit of the AACM, but with some 70s ... read moreCD
A great title for this sublime set of duo material – work that features Kenny Barron on piano and Dave Holland on bass – with no other instrumentation at all! Barron's a player who's always expansive, no matter what the setting – but hearing him in spare formation like this, we ... read moreCD
Kenny Barron & Mark Sherman —
Interplay ... CD Chesky, 2015. New Copy ...
Just Sold Out!
A great meeting between jazz piano legend Kenny Barron and the younger, brillant vibes player Mark Sherman – Barron being a veteran of top notch duo settings, and Sherman newer to it – but Sherman succeeds here mightily! Interplay couldn't be a more fitting title, as the pair are ... read moreCD
Gary Bartz —
Shadows ... CD Timeless/Solid (Japan), 1991. New Copy ...
The 90s were a really wonderful decade for reedman Gary Bartz – a time when he seemed to go back to basics, and find a way to open up whole new corners in his music! This album's a key illustration of that moment – as Bartz blows with a sense of darkly brooding power that we never ... read moreCD
Hardly the hits promised in the title – and instead a whole host of wonderful tunes from the Count Basie band – including a fair number of original compositions by Frank Wess, Frank Foster, Thad Jones, and other members of the group! The sound here is that perfect Basie sound on ... read moreCD
A killer set from Count Basie – recorded during the height of his years at Roulette! The back cover of the record proclaims that "Basie Is Back Home" – clearly a bit by Birdland to lay claim to being the Count's home address, which is a bit of a challenge to his KC roots! ... read moreCD
One of the most hard-hitting Count Basie albums from the Roulette Records years – and that's saying a lot, given the power of Basie at the time! The set was recorded in Sweden, with a kind of triple-time energy that really has the whole thing burning right from the start – as the group' ... read moreCD
The genius of Basie meets the genius of Quincy Jones – a 60s pairing that's every bit as great as the 50s pairing of Basie and Neal Hefti! Jones and Basie worked together in a number of settings during the 60s – including a very successful album for Frank Sinatra on Reprise – but ... read moreCD
Tremendous work from one of the greatest pairings in 50s jazz – the crack later group of Count Basie and the amazing arranging talents of the great Neal Hefti! Hefti later went onto greater fame as a 60s soundtrack composer, but back in the day him and Basie were an incredible team together ... read moreCD
Way before Sinatra first grabbed the "Chairman Of The Board" title for his own musical persona, Basie laid great claim to the tag with this tight little album for Roulette! The album's got the 50s Basie band working at the height of their powers – with original compositions written ... read moreCD
Count Basie rewrites history – updating his older work for the Roulette Records years, in this hip collection that features lots of new arrangements from Frank Foster – and rich performances from his great group at the time! The recordings are all new, as are the conceptions of the ... read moreCD
One of the lesser-remembered Basie sessions for Roulette – but one of the best ones too! The album follows nicely in the "dance" style of Basie's earlier albums for Clef – by offering a set of work that was typical of that the group might have performed on one of their more ... read moreCD
Frank Foster is one of our favorite talents in jazz – an excellent tenorist who spent some of his key years in the Count Basie orchestra, but a player who also had a very rich career on his own as well! This album features Frank's talents really coming to the forefront of the Basie group ... read moreCD
A great little set – despite our initial fears about the package – and a really wonderful pairing of the talents of Count Basie and Benny Carter! We'll admit that we're the first ones to shy away from anything that says "Kansas City" in the title – as we expect a lot of ... read moreCD
Benny Carter was really on fire in the 60s – a saxophonist who was not only re-asserting his role as a soloist, but also a growing new talent in the field of arranging, as well – on records like this killer outing with the Count Basie group, and a host of other excellent albums to come! ... read moreCD
A sublime blending of modes – the sound of the excellent Count Basie band during their Roulette Records years, mixed with a bit of strings for a very moody sound! Don't worry about any too-commercial or pop modes going on here – as the arrangements are all super hip, and handled by ... read moreCD
Billy Eckstine gets a new lease on life – working here with great backings from the Count Basie band, in a mode that's a bit like some of Billy's own large ensemble recordings of the mid 40s! The sound is a bit more Basie-inflected than before, but that also unlocks some great swinging, ... read moreCD
A great title for this classic Count Basie album – as it really gets at the tight, focused direction that makes Basie so great at this point in his career – his way of singling out each and every instrumentalist, and perfectly timing their performances! The sense of rhythm is what ... read moreCD
Count Basie & Joe Williams —
Just The Blues ... CD Roulette/Warner (Japan), 1960. New Copy ...
Just Sold Out!
Count Basie's always had plenty of blues roots in his music – but this sweet vocal session with Joe Williams pushes that quality even further – by featuring a selection of tunes from Big Bill Broonzy, Leroy Carr, Ivory Joe Hunter, and other legendary blues talents! The sound is maybe a ... read moreCD
Breakfast Dance & Barbecue? Our stomachs are growling already! The album's a great little live set from Basie – recorded at the Americana Hotel in Miami at 2 in the morning – and is one of the totally great, totally smoking live sessions that Basie recorded for Roulette – ... read moreCD
One of Joe Williams' standout classics from the 50s – just the sort of record that put him on top of his game at the time! The album's one of Joe's classic outings with Count Basie – one recorded for Roulette with a slightly looser, slightly rawer feel than their work together on Verve. ... read moreCD
Sarah Vaughan gets some backing from Count Basie – making for a record that's one of her jazziest and swinging of the time! As with other Basie-related vocal sessions from the early 60s, this one has a soulful edge and a nice little bounce – one that makes for a more solid approach ... read moreCD
One of the coolest, grooviest Tony Bennett albums you could ever hope to buy – a really wonderful album that features backings by the Count Basie band, in the best swinging mode of their Roulette Records years! Tony always had a lot of jazz in his sound, but this album's a really special one ... read moreCD
Stunning duets between Giuseppi Bassi on bass and Domenico Sanna on piano – played at a level that really seems to put equal focus on both instruments throughout – as the musicians effortlessly shift between melody and rhythm, and create some amazing sounds in the process! Bassi's ... read moreCD
A pair of percussionists, working here together wonderfully – in a set that has both musicians using the drum kit and other percussion – and Han Bennink picking up a bit of piano as well! We've always loved Bennink's highly melodic approach – a style that seems to get notes out ... read moreCD
Karl Berger & Kirk Knuffke —
Moon ... CD No Business (Lithuania), 2015. New Copy 2 CDs ...
Beautiful duets – wonderfully warm, open, and very personal – thanks to well-placed work from the great Karl Berger on vibes and piano, and these well-blown, openly-flowing lines from Kirk Knuffke on cornet! The duets are never too outside – and instead, Berger and Knuffke find ... read moreCD
Tenorist Jerry Bergonzi has a pensive look on the cover here – and that's a really good illustration of the quality of the music – sounds that are maybe more thoughtful and introspective than some of Jerry's other recent albums! The sound builds here in these blocks of longer lines ... read moreCD
A sweet little set from Candian guitarist Ed Bickert – a record that's filled with amazing tones and colors, and which sparkles brightly from the very first note! The date's a trio outing – with Don Thompson on bass and Terry Clarke on drums – but Bickert's playing gives the ... read moreCD
Walter Bishop Jr —
Speak Low ... CD Jazztime/Muzak (Japan), 1961. New Copy ...
A rare early date as a leader from pianist Walter Bishop Jr – cut for a tiny east coast label that folded almost as soon as the record was issued – but a date that's gone onto great fame over the years, thanks to circulation in a few different formats! Bishop's got a really maturing ... read moreCD
One of a rare few electric albums from the great Walter Bishop Jr – a pianist who started during the bop years, but really grew into new modes in the 70s! The set's an album on Muse, but one with the same hip grooves as Walter Bishop's pair of excellent albums for the Black Jazz label – ... read moreCD
Keyboardist Wil Blades always gets our attention – but here he somehow sounds even better than before – working in a sweet funky trio with a deeply soulful feel, and maybe some of the funkiest guitar we've ever heard from the great Jeff Parker! Parker's probably best known for some of ... read moreCD
Searing tenor from Michael Blake, and some sublime songs as well – a whole set of original material from the reedman, and a record that has us rediscovering his talents all over again! Blake's got this raspy tone to his horn that's mighty nice – not a loose or overdone sound – ... read moreCD
Ran Blake —
Film Noir ... CD Novus/International Phonograph, 1980. New Copy Gatefold ...
One of the most evocative albums we've ever heard from pianist Ran Blake – a set that's got all the sharp edges of some of his most adventurous solo work, but one that also has Ran working in a few different settings, often with a very poetic feel! The set's not a hokey retro-crime record ... read moreCD
One of the greatest Art Blakey Blue Note sessions of all time – and perhaps one of the greatest to realize the genius of the Jazz Messengers lineup that included Lee Morgan on trumpet, Wayne Shorter on tenor, and Bobby Timmons on piano! The trio of young talents are at the height of their ... read moreCD
A killer pounding session from Blakey! The record was recorded during Blakey's bright flash of genius in 1964, when the Jazz Messengers were briefly revisited by Lee Morgan and Wayne Shorter, with the added horn of Curtis Fuller to add new colors to the group. Cedar Walton's on piano, and his ... read moreCD
A beautiful big band set from the great Art Blakey – but one that's got all the sharp focus of his small group sides by the Jazz Messengers! The lineup here is a great one – that very vibrant early 80s version of Blakey's group with Bobby Watson on alto sax, Bill Pierce on tenor, and ... read moreCD
An explosive session from an expanded edition of the Jazz Messengers – recorded at a key point when Art Blakey moved the group up to six members instead of five! Although bigger than the group on most Jazz Messenger Blue Notes, the sextet have an energy that's almost tighter – a sense ... read moreCD
A casual title, but a hell of a cooker from the legendary Art Blakey – one of those great albums from his overlooked run during the 80s – a time when he still had plenty of fire, and the same continuing dedication to the best young players around as he did during the Blue Note years of ... read moreCD
Art Blakey with a very hip group – and an under-recorded one as well – a version of the Jazz Messengers with the great Woody Shaw on trumpet, plus Carlos Garnett on tenor, George Cables on piano, and Scotty Holt on bass! The performance is a well-recorded date, done for FM radio at the ... read moreCD
Terence Blanchard in all his many moods – some funky, some somber, and some quite serious! The album begins with a remake of "Compared To What" – done with vocals from PJ Morton, and fueled by rhythm samples from the original Les McCann and Eddie Harris version – but ... read moreCD
Carla Bley —
Live! ... CD Watt (Japan), 1981. New Copy ...
Great sounds from the Carla Bley band of the 80s – and a record that still has all the modern elements of Bley's initial years in jazz, but also brings in some warmer elements too! If anything, these years unlocked a playfulness that we might not have expected from Carla years before – ... read moreCD
Early ECM work from Paul Bley – a great example of the way that label helped Bley find a new voice in his music during the 70s! Although issued in 1971, the session was actually recorded a few years before – in 1967 – and done with a very spare, very open approach to the piano ... read moreCD
A really great groover, and a set that's way more than just another retro funk outing – given that these guys have plenty of tight jazz skills too! The group works here with a few key differences than other organ combos of late – the first of which is the strong use of flute by lead ... read moreCD
A groovy little kid – and he plays a mean guitar! Boulou's the kind of artist you think you should hate when you see his smirking face on the cover, but he's actually pretty darn great – and the album's got a surprising amount of charm! A real part of the album's strength is the way ... read moreCD
Tenorist Ralph Bowen blows some strong magic here – the kind of tone and timing that really transforms the more familiar numbers chosen for the set – so that older standards are turned inside out and opened up as new vehicles for expression – yet all while still managing to swing! ... read moreCD
A sweet live set from one of the most soulful trombonists working today – an artist we've loved for the smooth groove of some of his studio sessions for the Hidden Beach label, but who also shines equally well in a concert setting! Bradshaw's richness and generosity really hold strong ... read moreCD
George Braith —
Musart ... CD Prestige/Dusty Groove, 1967. New Copy ...
One of our favorite-ever albums on Prestige Records from the 60s – and a set that's a fair bit different than most of the other work on the label! The set's an unusual outing for saxophonist George Braith – cut after his famous albums for Blue Note, and in a mode that's quite different ... read moreCD
Wonderful live work from the legendary Brecker Brothers – cut at a time when the duo were still totally hard and funky – maybe even more so here than on their studio albums of the time! The live setting really brings out a crackle in the group – lots of funky rhythms at the ... read moreCD
A beautiful setting for trumpeter Till Bronner – a set that has the German musician stepping out on a host of famous film themes, with backing from a larger orchestra that creates a wonderful backdrop for his solos! The style's very different than some of Bronner's more groove-oriented sets, ... read moreCD
A compelling album of twin-piano lines – one in which Bill Evans and Bob Brookmeyer play head-to-head, in a spiraling modernist style that brings out the best in each player! Although Brookmeyer's best known as a trombonist, he's pretty great here on piano – and the album's a real ... read moreCD
A great illustration of the international power of the Chicago jazz scene in recent years – its ability to bring together players like Peter Brotzmann and Joe McPhee, and allow them to record together in such sympathetic company! At the time of the session, McPhee and Brotzmann had worked ... read moreCD
Nothing lost here – as Peter Brotzmann's a master of solo improvisation – making each note and each moment matter, as he runs through an incredible series of long explorations on alto, tenor, b flat clarinet, and tarogato! The performance is a live one, recorded at Nickelsdorf in 2006 ... read moreCD
A legendary team, heard here at the height of their powers – at a time when both Peter Brotzmann and Sonny Sharrock were finding a bold musical space alongside each other! The pair had worked in Last Exit with a bit more of a frenetic rock jazz vibe – but here, the style is much more ... read moreCD
Some of the earliest work ever recorded by Peter Brotzmann – a rare live performance from 1966! Broztmann plays both alto and baritone sax here – already blowing with the intensity of his Machine Gun years, but working in a more stripped down setting – a trio with Peter Kowald on ... read moreCD
An unbelievable recording! As Archie Shepp made his first album for Impulse a tribute to Coltrane, Marion Brown made his a tribute to Shepp – a wonderful lineage of avant talent in the 60s, stated boldly here, given Brown's amazing talent on the record! The album's filled with hard, soulful ... read moreCD
Marion Brown —
Vista ... CD Impulse (Japan), 1975. New Copy ...
A strangely wonderful album from Marion Brown – quite different from his other work on Impulse, with a mellow electric edge that gives it a warm and laidback feel! The approach here is much more soulful than before – with finely crafted tunes that weave Brown's work on alto with ... read moreCD
Bruce & Vlady (Bruce Powell & Wladyslaw Jagiello) —
Reality ... CD Svensk American/Vampi Soul (Spain), 1970. New Copy ...
An American Hammond player and a Polish drummer – both recording together in Sweden at the start of the 70s, and without any other instrumentation at all! The blend of organ and drums is wonderful – very spacious, but still pretty groovy too – thanks to these cyclical currents ... read moreCD