Vocalists — LPs

Singers we love -- from vintage torch to vocalese, scat, jazz poetry, standards, and more!


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Possible matches: 1
Possible matches1
CD, LP, Vinyl record album cover art
Lurlean HunterLonesome Gal ... LP
RCA, 1956. Good+ ... $9.99
Moody set of vocals recorded by this obscure Chicago singer. Lurlean got her start at the classy south side Club DeLisa, home to Sun Ra, and a host of other Chicago talents – but by the time of this recording, she'd moved downtown, and had become a classy smoky voiced singer with a good talent for more mature material. This hard to find early session features backing by Al Nevins, and arrangements by Quincy Jones and Marion Evans. Tracks include "Brief Encounter", "On Green Dolphin Street", "Alone Together", and "A Stranger In Town". LP, Vinyl record album
(Black label mono pressing with a deep groove. Cover in nice shape, has a "meet the girls" sticker in one corner.)
Partial matches: 15
Partial matches2
CD, LP, Vinyl record album cover art
Nancy AmesSpiced With Brasil ... LP
Epic, Mid 60s. Near Mint- ... $9.99
Bossa with a great American twist! Nancy Ames was an American pop singer of the 60s – one who did mostly folksy tunes with a light California feel, and who here is coming up with some great bossa nova numbers, set to arrangements by Stu Phillips! The package has all the sunniness of a summer LA afternoon at the beach – with the driving groove of a pop bossa session from Rio. The album's perennial favorite is Nancy's remake of "Mas Que Nada" (done here as "Pow Pow Pow") – but there's loads of other wonderful numbers, and the whole album's great! Titles include "Laia La Daia", "Love's Like Wine", "So Nice", and "A Man & A Woman". As the song says – Pow Pow Pow! Her greatest LP by a mile, too! LP, Vinyl record album
(Cover has a cutout hole and some staple holes in one corner.)

Partial matches3
CD, LP, Vinyl record album cover art
Maki AsakawaMaki Asakawa ... LP
Honest Jons (UK), Late 60s/Early 70s. New Copy 2LP Gatefold ... $23.99
Haunting music from Japanese singer Maki Asakawa – every bit as smoky and soulful as you might guess from her image on the cover! These tracks are mostly sung in Japanese, but draw a very strong inspiration from American torch sounds of the 40s and 50s – a moody, late nite approach that's got a very universal appeal, even if you can't understand the language – and which is filled with an undeniable sense of melancholy right from the first note! The style is partly jazz, but also moves into some groovier modes of the period too – traces of psych at some points, mod European-styled arrangements at others, and even a few funky currents that come off surprisingly well. The package is wonderful – a great introduction to Maki's most classic music, featuring a well-chosen array of tracks, and nice liner notes by Alan Cummings. Titles include "Blue Spirit Blues", "Govinda", "Nemuru No Ga Kowai", "Uramado", "Kamome", "Gogo", "Hikkoshi", "Konna Funi Sugite Iku No Nara", "Yuki Ga Furu", and "Zenkamono Na Christmas". (Rock, Vocalists) LP, Vinyl record album

Partial matches4
CD, LP, Vinyl record album cover art
Chet BakerChet Baker Sings ... LP
Pacific Jazz, 1954. Good+ ... $49.99
Looking for classic Chet Baker vocal tracks? This is the stuff! 14 tracks of haunting vocals by a young Chet, sung with small groups from the LA scene, and featuring trumpet solos next to his vocals. Titles include "That Old Feeling", "Look For The Silver Lining", "There Will Be Another You", and "I Get Along Without You Very Well". Every track is great, and these are the original vocal recordings that put Chet on the map! (Jazz, Vocalists) LP, Vinyl record album
(Deep groove Pacific Jazz pressing. Cover has some wear and splitting seams. Vinyl plays with clicks & crackles.)

Partial matches5
CD, LP, Vinyl record album cover art
Terry CallierNew Folk Sound Of Terry Callier ... LP
Prestige, 1964. New Copy (reissue)... $9.99
Terry Callier's first album – recorded in 1964 when he was a wee teen hanging around Chicago's folk scene! As the title indicates, the album's definitely got a folk-styled sound – but also as the "new" implies, it's got a sound all it's own, fresh and free – and that sound is the genius that is Terry Callier! This is very stripped down material, very dark and brooding – a good chance to hear Terry before he hit the Chess studios and they backed him up with a lot of orchestrations (although we love the orchestrations, too.) The material has a soulful spiritual feel, and is sung with a lot of passion over acoustic guitar. Think of Nina Simone's folksier stuff from the same time, if you need a reference. Tracks include "900 Miles", "Cotton Eyed Joe", "It's About Time", "Promenade In Green", and "I'm A Drifter". (Soul, Vocalists) LP, Vinyl record album

Partial matches6
CD, LP, Vinyl record album cover art
Georgie FameWhole World's Shaking – Ground Breaking Albums 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture) (4LP set) ... LP
Fontana/Universal (UK), Early 60s. New Copy 4LP ... $109.99
Four incredible albums from the young Georgie Fame – served up here in one tremendous package – with all oiriginal artwork, nice heavy vinyl, and even new remastering from the original tapes! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". LP, Vinyl record album
(Includes download – which gives an additional 60 tracks that were on the CD version, 18 of which are previously unissued!)

Partial matches7
CD, LP, Vinyl record album cover art
Leo GoodenLeo Sings With Strings ... LP
LG, 1963. Very Good ... $11.99
Very obscure record made by the enigmatic Leo Gooden, a politician and night club owner from East St. Louis who made a few records on his own tiny LG label. Gooden's an interesting guy – probably more interesting than he is musically capable – and we're always amazed at the people he gets to record with him (but he also seems to be some sort of mobster/sharpie, and there's probably more to the sessions than meet the eye.) This record's got Oliver Nelson leading the group and handling all the arrangements, and the band includes Phil Bodner, Jerome Richardson, Milt Hinton, and Osie Johnson. The tone is kind of Billie Holiday-ish, and tracks include "Midnight Sun", "Would You", "Moon River", "It's Magic", and "Mood Tune". LP, Vinyl record album
(Back cover has a name in pen.)

Partial matches8
CD, LP, Vinyl record album cover art
Lee HazlewoodVery Special World Of Lee Hazlewood (with bonus track) ... LP
MGM/Light In The Attic, Mid 60s. New Copy Gatefold (reissue)... $18.99 21.98
Lee Hazlewood's world is always a very special one for us – filled with great songs, amazing production, and those icy vocals that Lee sang unlike anyone else! This album may be one of Hazlewood's greatest from the 60s – at least among his US recordings – and it's a near-perfect session with arrangements from Billy Strange, often with a slight bit of sinister guitar in the mix, but also some sublime strings too – used sparely and carefully to create a sense of deepening darkness! Lee's at his sharpest, wittiest here – singing some of his most sophisticated songs to date, but also throwing in a few nods towards his earlier pop productions. Titles include "Not The Lovin Kind", "For One Moment", "Sand", "Your Sweet Love", "My Autumn's Done Come", "I Move Around", "So Long Babe", "Bugles In The Afternoon", "My Baby Cried All Night Long", and Lee's wonderful parody remake of "These Boots Are Made For Walking". Features a bonus track sung with Suzi Jane Hokum – "Summer Wine". LP, Vinyl record album
Also available Very Special World Of Lee Hazlewood (with bonus track) ... CD 11.99

Partial matches9
CD, LP, Vinyl record album cover art
Bobby HebbSunny (180 gram pressing) ... LP
Philips/Trocadero (Germany), 1966. New Copy (reissue)... $22.99
Sublime pop soul genius from Bobby Hebb – a standout record that really made his career, and a dusty nugget we never tire of hearing! Bobby was really unique at the time – singing a mixture of soul and pop that kept things real while still crossing over big – earning him an equal audience on both sides of the charts. Part of the credit for the album goes to producer Jerry Ross and arranger Joe Renzetti – who work here in a careful, almost gentle approach to pop – one that's never overblown, and which really lets Bobby's vocals step out front on the title hit "Sunny", plus other tunes that include "Crazy Baby", "I Am Your Man", "Where Are You", "Yes Or No Or Maybe Not", and "Love Love Love". (Soul, Vocalists) LP, Vinyl record album
(Heavy vinyl 50th anniversary pressing – with bonus booklet too!)

Partial matches10
CD, LP, Vinyl record album cover art
Jon HendricksFast Livin' Blues ... LP
Columbia, 1962. New Copy (reissue)... $7.99
One of the rare few albums that Jon Hendricks cut on his own during the early 60s, and a very tasty batch of jazz vocal tracks recorded with backing by Pony Poindexter, Gildo Mahones, Ike Isaacs, and other unsung early 60s soul jazz greats. Hendricks is hitting a style here that adds some 50s R&B roots into his usual bop vocalese approach – dipping back to his roots as a songwriter in the early 50s, but still sticking in the swingingly hip mode of his best 60s work. Titles include "I'll Die Happy", "Do You Call That A Buddy", "Stop & Go Blues", "I Never Get Enough Of You", "What Would You Do?", and "Fast Livin Blues". LP, Vinyl record album

Partial matches11
CD, LP, Vinyl record album cover art
Al HibblerMonday Every Day – Al Hibbler Sings The Blues ... LP
Reprise, 1961. Very Good ... $11.99
Vocalist Al Hibbler gets some of the coolest backings of his career – some great arrangements from the young Gerald Wilson, who makes the music swing in ways that Al never got back in the 50s! The tune's got a sharp, soulful sparkle that really comes from Wilson's great charts – inventive use of instrumentation and timings that work perfectly with that amazing Hibbler voice – easily one of the most impressive male jazz modes of the postwar years, but not always given a setting this great! Hibbler's sense of personality and phrasing comes through wonderfully – and there's a mature sophistication to the record that's really marvelous – a vibe that's more late 60s than you'd expect from the date. Titles include "Don't Take Your Love From Me", "When The Sun Comes Out", "You Of All People", "Dinner For One Please James", and "Laughing On The Outside". LP, Vinyl record album
(White label promo. Cover has light wear and a promo stamp.)

Partial matches12
CD, LP, Vinyl record album cover art
Lurlean HunterNight Life ... LP
Vik, 1956. Very Good- ... $14.99
An RCA classic from Lurlean Hunter – a singer who's sadly overlooked these days, but who was a real up-and-comer from the Chicago scene in the 50s! Lurlean's got a style that's surprisingly smooth at times – much richer and more jazz-based than the sometimes-bluesy cover images she was given – a quality that sounds especially great here amidst fuller backings from Manny Albam, an arranger who really helps Hunter cross over strongly for the set. The record's beautifully done – poised, but still filled with soul and feeling – and players on the date include Joe Newman on trumpet, Al Cohn on tenor, and Barry Galbraith on guitar. Titles include some lesser-known numbers like "Moondrift" and "Night Life" – plus "Gentleman Friend", "What A Difference A Day Makes", "Have You Met Miss Jones", "Sunday", and "This Time The Dream's On Me". LP, Vinyl record album
(Cover has a split top seam and a name in marker on the back.)

Partial matches13
CD, LP, Vinyl record album cover art
Eddie JeffersonLetter From Home ... LP
Riverside, 1962. Very Good+ ... $6.99
The beginning of a whole new chapter of greatness for singer Eddie Jefferson – a record that took his older style of putting words to jazz solos, and updated it nicely for a new generation in the 60s! Eddie's got a rootsy look on the cover, but the sound here is snappingly hip and sophisticated throughout – a cool soul jazz take on vocalese that's right up there with the best solo work by Jon Hendricks, and sung in a similarly raspy style. The group shifts a bit from track to track – between small combo and larger ensemble arranged by Ernie Wilkins – and players include Clark Terry and Joe Newman on trumpets, Johnny Griffin on tenor, James Moody on alto and flute, Junior Mance and Joe Zawinul on piano, and Barry Galbraith on guitar. Titles include some great original lyrics by Jefferson on the tunes "Soft & Furry", "Keep Walkin", "Things Are Getting Better", and "Back In Town" – and equally great vocals on versions of "Letter From Home", "Billie's Bounce", and "Night In Tunisia". LP, Vinyl record album
(Blue label Bill Grauer pressing with microphone logo. Back cover has a DJ stamp & a name in pen.)

Partial matches14
CD, LP, Vinyl record album cover art
Anita KerrSlightly Baroque ... LP
Warner, 1966. Very Good+ ... $0.99
Anita Kerr and her singers take on the baroque pop sound of the late 60s – working here in a way that mixes their smoother vocals with more complicated arrangements and some nice use of electric harpsichord! The approach isn't as over the top baroque as other albums like this – thanks to a key core of Kerr vocals from the quartet – but the harpsichord's used on nearly every track, and it really helps to bring a nice new flavor to the record – a sound that's quite different than the bag Kerr was hitting a few years before! Plus, there's some great jazzy moments from conductor Dick Marx – never too over the top, but nicely sunny at all the best points. Tracks are pretty hip too – and include "Love At Last You Found Me", "Love Lies", "It's Not Unusual", "One Note Samba", "How Insensitive", "Cast Your Fate To the Wind", and "My Love". LP, Vinyl record album

Partial matches15
CD, LP, Vinyl record album cover art
Lee HazlewoodCowboy In Sweden ... LP
Light In The Attic, 1970. New Copy ... On November 25, 2016
There was never anyone like Lee Hazlewood – and this album is a true testament to his genius! He's the kind of guy you think you've got figured out when you first look at him – but the more you listen to his music, the more you want to raise him above all of the other hip singer/songwriters he seems to be like (Gram Parsons, Leonard Cohen, etc). At heart, Lee was a Cowboy – much more so than any of those fake LA "desperadoes" of the Sunset rock years – and this album, recorded as part of the enigmatic film A Cowboy In Sweden, is true testament to Lee's incredible ability to be both totally serious about his image, yet still maintain a sense of wit and distance that makes him incredibly hard to pin down, genre-wise. He's the country singer Scott Walker always wanted to be, and he's got a pop genius that Leonard Cohen painfully tried to reach in his later years. Brilliant! Filled with beautiful titles like "Forget Marie", "Pray Them Bars Away", "Easy & Me", "No Train To Stockholm", and "The Night Before" – one that you won't forget for a long time! LP, Vinyl record album

Partial matches16
CD, LP, Vinyl record album cover art
✨✧ Greetje KauffeldYoung Girl Sunday Jazz ... LP
Sonorama (Germany), 1960s. Sealed ... Just Sold Out!
A range of wonderful work from this excellent European singer – mostly pulled from obscure archives belonging to jazz musicians and frequent musical partners in the 60s – brought together here to make a full length that's every bit as great as her other albums! Almost all the cuts have tight, sharp-edged small combo backing – with players who include Tony Vos on alto, Rolf Kuhn on clarinet, Wolfgang Schluter on vibes, Ingfried Hoffman on Hammond, and Jan Huydts on piano – all top-shelf European players of the time, who really hit the hip, surprisingly soulful vocal sound that Greetje's going for on these tracks! Many tunes are familiar, but the arrangements are mighty fresh – in the best sort of 60s-styled way – and titles include "Who Knows Why", "You & I", "My Kinda World", "Deed I Do", "Orange Coloured Sky", "Saturday Night", "Fever", "Almost Like Being In Love", and a great version of the Dusko Goykovich tune "Handful Of Soul". LP, Vinyl record album

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