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Possible matches: 7
Possible matches1
CD, LP, Vinyl record album cover art
Jerry FullerDouble Life – The Challenge Recordings 1959 to 1966 ... CD
Challenge/Ace (UK), 1960s. New Copy ... $11.99 18.99
The underappreciated 60s vocal sides of ace songwriter Jerry Fuller – groovy 60s recordings that range from large scale uptempo gems to more of a rollicking smaller scale pop mode – and grandly groovy in both realms! Jerry wrote songs for Rick Nelson and others starting in the late 50s, but his own recordings didn't get over as big, but it's not for a lack of quality. Jerry wrote a number of the tunes in this collection of his work for the Challenge label, but even more of great tunes that made the rounds at the time by others. Great stuff all around, with titles including "What Happened To The Music", "Double Life", "Tennessee Waltz", "Guilty Of Loving You", "The Place Where I Cry", "Don't Let Go", "Anna From Louisiana", "I Only Came Here To Dance With You", "Hollywood Star" and more. (Rock, Vocalists) CD

Possible matches2
CD, LP, Vinyl record album cover art
Shirley BasseyShirley Bassey Is Really Something ... LP
United Artists, Late 60s. Very Good ... Just Sold Out!
Funky Shirley Bassey! This is a great set of Shirley's groove-happy work cut in the late 60s – hip tunes arranged by UK easy maestro Johnny Harris, best known for his fantastic work on the Stepping Stones record under his own name, forever a beathead classic! Features the great, funky big band version of "Light My Fire" – one of Shirley's best tunes ever, and a cut that's been sampled and remixed often in recent years! Also includes the breakbeat version of "Spinning Wheel", and the cuts "My Way", "Sea & Sand", "What About Today?", "You & I", "Easy To Be Hard", "Life Goes On" and "Yesterday I Heard The Rain". LP, Vinyl record album
(Cover has light wear.)

Possible matches3
CD, LP, Vinyl record album cover art
Bobby DarinWild, Cool, & Swingin – The Artist Collection Vol 2 ... CD
Capitol/Ultra Lounge, Mid 60s. Used ... $5.99
Although Bobby Darin cut most of his big early hits on Atlantic, his move over to Capitiol in the early 60s yeilded a nice share of groovy tracks that rightly pull on his strength as a jazz-inflected vocalist. This very nicely selected set of 20 tracks will give you some of the most swingin' Darin material you'll ever hear – lots of which is way better than some of the stuff that always seems to turn up again and again on the usual ol' greatest hits comps. It's even got a few nice unreleased tracks, and a lot more than you'll only find on Darin's rare Capitol albums – including the cuts "More", "I Wanna Be Around", "Gyp, The Cat", "Charade", "The Good Life", and "Look At Me". And sure, most of them were big hits for other singers – but Bobby's fantastic here, and his interpretations of the material is always sparkling! CD

Possible matches4
CD, LP, Vinyl record album cover art
Jackie ParisSings The Lyrics Of Ira Gershwin (with bonus tracks) ... CD
Time/Solid (Japan), 1960. New Copy ... $16.99
Great stuff from Jackie Paris – one of the hipper male vocalists of the 50s, a singer that we'd rank in an elite small group with Mark Murphy or Matt Dennis for cool small combo singing! The album's one of Jackie's best – based around Gershwin tunes, but done with a hip jazzy feel – great small combo backing from players who include Phil Bodner on flute and sax, Joe Wilder on trumpet, Barry Galbraith on guitar, Eddie Costa on vibes, and Roy Haynes on drums – all musicians who keep things cool throughout. Titles include "Girl Of The Moment", "Let's Take A Walk Around The Block", "Sure Thing", "My Ship", "One Life To Live", and "For The Life of Me". CD features a whopping big 7 bonus tracks – all alternate takes from the session! CD

Possible matches5
CD, LP, Vinyl record album cover art
✨✧ Sarah VaughanDuke Ellington Songbook Vol 1 ... LP
Pablo, 1979. Used ... Out Of Stock
Sarah Vaughan takes on the work of Duke Ellington – almost presented here in a style that's similar to some of the Songbook albums on Verve from the 50s! Billy Byers handles most of the arrangements here – especially on the larger group numbers – but some tracks are also in a small combo mode, and are often the most interesting, because Sarah opens up with a looser feel than on some of the more "respectful" big group tracks. Titles on this first volume include "In A Sentimental Mood", "I Let A Song Go Out Of My Heart", "I'm Just A Lucky So & So", "Solitude", "Day Dream", "Lush Life", "All Too Soon", and "In A Mellow Tone". LP, Vinyl record album

Possible matches6
CD, LP, Vinyl record album cover art
✨✧ Georgie FameWhole World's Shaking – Complete Recordings 1963 to 1966 (Rhythm & Blues At/At Last/Sweet Things/Sound Venture/Rarities/bonus) (5CD set) ... CD
Universal (UK), 1960s. New Copy 5 CDs ... Out Of Stock
Four incredible albums from the young Georgie Fame – plus a bonus CD of rare material, bonus tracks on all CDs, and 18 previously unreleased tracks – all in a box set with a 48 page book, 5 postcards, and a poster too! First up is Rhythm & Blues At The Flamingo – blistering early work from a young Georgie Fame – a set that definitely lives up to the Rhythm & Blues in the title! The set was recorded live at London's hip Flamingo club – and Georgie and The Blue Flames are very much in command of the crowd – burning with the intensity of a American small organ combo, especially the early 60s variety that often played equal parts soul jazz and R&B! Georgie's on the Hammond, and also sings with a rough-edged style that's plenty soulful, and incredibly appealing – a mode that oozes charisma, but never sounds fake or forced. Titles include "Do The Dog", "Eso Beso", "Work Song", "Baby Please Don't Go", "Shop Around", "Humpty Dumpty", and "You Can't Sit Down". Fame At Last is a brilliant mix of jazz, soul, and R&B – all filtered through a mod sort of London freshness, as early proof that the city could always take some great things from our own musical roots, and feed it back to us with a whole new flavor! Georgie's no copycat here, though – and the sound is instantly Fame-like – a style that's really not the sort that any Americans were doing at the time, and certainly never this well. Hard-burning Hammond colors most of the tunes here – played with a tightly vamping quality – but it's Georgie's charmingly crackling vocals that really win us over! Titles include "Gimme That Wine", "Pink Champagne", "Monkeying Around", "Green Onions", "Let The Sunshine In", "Get On The Right Track Baby", "I'm In The Mood For Love", and "I Love The Life I Live". Sweet Things is a definite sweet thing from Georgie Fame – a record that has him filling in his sound even more than before, with tremendously soulful results! The backings here are bigger than before – a bit tooled in an American soul mode, but still with that beautifully raspy Georgie Fame touch – lots of jazzy inflections on the vocals, and a way of handling a tune, even a familiar one, and really working it on his own level. Hammond still fills in most of the tunes, but other instrumentation includes some nice African percussion from Speedy Acquaye, saxes from Pete Coe, and some nice bold drums from John Mitchell. These come out to the forefront on the classic funky tune "Music Talk" – and still sound great on other numbers that include "The World Is Round", "Last Night", "Dr Kitch", "My Girl", "Ride Your Pony", and "Sweet Thing". Sound Venture is one of the jazziest early albums from Georgie Fame – a set that has him singing with the big band of Harry South, at a level that's a lot more complicated than some of his other work with The Blue Flames! The style here still has that mod 60s London feel, but it also has some deeper inflections as well – modes borrowed a bit from Jon Hendricks or Mose Allison, yet served up with even greater complexity – at a level that really points towards the tremendous growth Fame would unleash over the next few years. Members of the group include Tubby Hayes, Ronnie Scott, Tony Coe, Dick Morrisey, Kenny Wheeler, and many other key Brit jazz figures of the time – and titles include "Three Blind Mice", "Dawn Yawn", "Feed Me", "Lovey Dovey", "Lil Darlin", "Lil Pony", "I Am Missing You", and "Many Happy Returns". CD5 is Bend A Little – a package with 20 unusual titles – demos, rare tracks, and outtakes – including unreleased tracks, IBC recordings, and even two German tracks too! Plus, each individual CD comes with bonus tracks – 40 bonus tracks, in addition to the 20 more titles on the Bend A Little set – a huge amount of material! CD
(Includes a hardcover book, 5 postcards & a poster.)

Possible matches7
CD, LP, Vinyl record album cover art
✨✧ Astrud Gilberto5 Original Albums (Astrud Gilberto Album/Look To The Rainbow/Certain Smile Certain Sadness/Windy/I Haven't Got Anything Better) (5CD set) ... CD
Verve (Germany), Late 60s. New Copy 5 CDs ... Out Of Stock
A quintet of wonderful records from the legendary Astrud Gilberto! First up is the Astrud Gilberto Album – pne of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". Look To The Rainbow is one of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". For Certain Smile Certain Sadness, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Windy is one of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" I Haven't Got Anything Better To Do is one of the darkest albums ever recorded by Astrud Gilberto – her 60s last session for Verve Records, and a batch of beautifully moody tunes throughout! Arrangements are by Albert Gorgoni, who'd handled Gilberto's previous September 69 album – but the style here is a bit mellower, a bit sadder – touched with more adult themes of love, life, and loss – and very much in keeping with Astrud's tear-stained image on the cover! There's a sound here that almost mixes Gilberto's earlier bossa with the more baroque modes of Scott Walker at the end of the 60s – and as with Scott Walker's classic solo sets, the album shows a side of Astrud's talents that we never would have expected a few years earlier! Titles include "Wailing Of The Willow", "Where's The Love", "Wee Small Hours", "If", "Without Him", "Trains & Boats & Planes", "The Sea Is My Soil", and "Didn't We?". (Brazil, Vocalists) CD
Partial matches: 3
Partial matches8
CD, LP, Vinyl record album cover art
✨✧ Johnny MathisYou Light Up My Life ... CD
Columbia, 1978. Used ... Temporarily Out Of Stock
Mellow magic from Johnny Mathis – a late 70s set that updates his older style for a crossover audience in adult contemporary! The style is smooth and polished, but never so much so that Johnny's amazing voice can't shine through – thanks to soulful arrangements from Gene Page, who'd done plenty of work with hipper soul artists in the 70s – and Deniece Williams makes a great guest appearance on a number of tracks – really bringing Mathis into that duet style that would hit even bigger for the singer in the 80s. Titles include "If You Believe", "To Much Too Little Too Late", "How Deep Is Your Love", "It Was Almost Like A Song", and "Till Love Touches Your Life". CD
(Out of print.)

Partial matches9
CD, LP, Vinyl record album cover art
Johnny AprilIf You Are Not Plucked You Die (Japanese paper sleeve edition) ... CD
Apollo/SSJ (Japan), 1959. New Copy ... $24.99
We're not sure how many "roses" Johnny April plucked back in the day – but with patter like that, he sure must have gotten plenty of play in the dating scene! Yet cheesy lines aside, Johnny's a hell of a hipster – an obscure jazz singer, and one who also plays a mean piano – and works with a sense of wit that puts him right up there with Bobby Troup or Matt Dennis at the time! April doesn't compose his own songs, like those two – but he does work here strongly with songwriter Bix Reichner, who adds his own lyrics to songs by a host of hip 50s jazz composers – including Al Cohn, John Benson Brooks, and Elliot Lawrence – which makes for some really great unusual material on the record! The unique songs, matched with Johnny's cool presentation, really makes for a fresh sort of record – more in the nightclub mode of a singer like Bobby Cole than in the overstated territory of some of the bigger male singers of the period. Tunes include "Left In The Corner", "She Serves A Nice Cup Of Tea", "Cupcake", "Snapped Cap", "The Greatest Litle Girl In My Life", and "Got You Right Where I Want You". CD

Partial matches10
CD, LP, Vinyl record album cover art
✨✧ Keely SmithLittle Girl Blue/Little Girl New ... LP
Reprise, Early 60s. Used ... Out Of Stock
A beautiful solo moment from the lovely Keely Smith – the singer who first rose to fame in a famous 50s partnership with the lively Louis Prima – but who always had a lot more to offer right under the surface! On her earlier Capitol Records albums with Prima, Keely would occasionally get the chance to step out solo and do a more sophisticated song or two – yet here, working for Reprise, she's out in the spotlight, singing to incredible Nelson Riddle arrangements, and really knocking it out of the park! Smith has a vocal range that should have made her huge – certainly in the company of the bigger, more mature female singers of the 60s – and side one of the album features mellow tracks, with some more upbeat material on side two. Titles include "Once In A Lifetime", "Little Girl Blue", "I'll Never Be The Same", "Willow Weep For Me", "New Sun In The Skies", "A Lot Of Livin To Do", and "It's Good To Be Alive". LP, Vinyl record album
(Mono tri-color pressing with deep groove.)

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