Global Grooves — CDs

XUnusual grooves from around the globe -- Afro Funk, Bollywood soundtracks, Turkish rock, gamelan, ethnographic/field recordings, sitar sounds, and more!

$



Items/page

Leo Edit search

 
Sort by
Partial matches: 3
Partial matches1
CD, LP, Vinyl record album cover art
Lord EchoHarmonies ... CD
Soundway (UK), 2017. New Copy ... $10.99 11.98
The third album from Lord Echo – and the set in which this sound may well be finally hitting its stride! As before, there's lots of strands of different scenes going on here – bits of Jamaican, African, and American funk and soul – but there's also a unified vision that really brings the whole thing together in a very fresh way – not some clunky world music mixup, and instead this warmly soulful style that almost echoes some of the best 70s Motown moments from Marvin Gaye or Leon Ware – particularly the collaborations of both of them together! There's also maybe some of the soaring jazz funk of Fantasy Records from the same time, but filtered through some West African and Caribbean currents – and the whole thing really comes together especially well on the cuts that have Mara TK as the lead vocalist. Titles include "Life On Earth", "Woah There's No Limit", "Low To The Street", "Makossa No 3", "I Love Music", "Note From Home", and "Just Do You". (New Grooves, Global Grooves) CD

Partial matches2
CD, LP, Vinyl record album cover art
VariousOte Maloya – The Birth Of Electric Maloya On Reunion Island – 1975 to 1986 ... CD
Strut (UK), Late 70s/Early 80s. New Copy ... Just Sold Out!
Amazing sounds from Reunion Island – a relatively tiny spot, but one that's always had a very compelling cultural legacy! The nation was completely deserted four hundred years ago, and has been populated by waves of colonization from Europe, Africa, and Asia – which has made for a very unique hybrid of cultures and sounds over the years! These tracks are from a key point in the island's musical development – a time when older ideals were electrified slightly – in ways that almost remind us of some of the compelling Caribbean grooves of the period, or some of the post-colonial material from Paris – but with a much funkier sound overall. In true Strut Records spirit, the music here is instantly appealing, right from the start – even if you don't know any history behind the scene – but also in the label's best tradition, the package is stuffed with detailed notes, images of older records, and lots more too – which will give you plenty to learn while you enjoy the grooves. Titles include "Commandeur" by Pierrot Vidot, "Mi Bord A Toe" by Vivi, "C'Est Le Meme Cadence" by Gaby Et Les Soul Men, "Se Pi Bodie" by Ti Vock, "Reveil Creole" by Groupe Dago, "Serre Serre Pas" by Gilberte, "La Rosee Si Feuilles Songes" by Cameleon, "Maloya Ton Tisane" by Michou, "Defoule 3e Age" by Daniel Sandie, "Moin Las Pas Fait Tout Sel" by Jean Claude Viadere, "P'Tit Femme Mon Gate" by Cormoran Group, "Sega Le Sport" by Marie Helen Et Ses Creol's, and "Tantine Zaza" by Francoise Guimbert. CD

Partial matches3
CD, LP, Vinyl record album cover art
✨✧ Shabaka & The AncestorsWisdom Of Elders ... CD
Brownswood (UK), 2016. New Copy ... Temporarily Out Of Stock
A fantastic jazz group from the contemporary South African scene – one who've got a very righteous vibe, and a sound that's maybe even more far-reaching than any jazz we've heard from that scene back in the 60s or 70s! The group's led by Shabaka Hutchings on tenor, but is a very collaborative ensemble – with these tremendous upfront vocals from Siyabonga Mthembu, a singer with a very unique approach, and a spiritual current that we'd rank right up there with work by Leon Thomas, Dwight Trible, or Joe Lee Wilson, even though Mthembu's very much his own man. The group's also got two other great horn players – Mthunzi Mvubu on alto and Mandla Mlangeni on trumpet – plus Fender Rhodes and piano from Nduduzo Makhathini, and a wonderfully early array of bass, percussion, and drums – which lay down a fantastic groundwork for each tune. The music starts somewhere in the spiritual territory of the post-Coltrane scene – but really takes off immediately with its own individual spirit – ala Kamasai Washington – and the performance is live and unadorned, without some of the studio efforts that show up on other Brownswood label releases. Beautiful work throughout – an instant classic that we'd rank right up there with the best material by folks like Nat Birchall or Matthew Hallsall, but very different too. Titles include "Nguni", "Mzwandile", "Joyous", "The Sea", "The Observer", and "Give Thanks". (Jazz, Global Grooves) CD
 
 
 



⇑ Top