The 1969 debut studio album from Karen Dalton – one of the most unique voices of the 60s folk scene, and one of the most emotionally rich, blue & soulful – a heroine to many artists to come, and one of the (sadly) very few pieces of music she made in a professional studio she made in her life
time! The album was made with producer Nikolas Venet, who worked with Fred Neil at the time, and the record shares some of that atmosphere, but Karen's voice is in its own realm. There's a bit of grit in her tone that makes her voice all the more beautiful if you ask us, and her vibrato really preys on the raw emotion. Her choice of material is great, too, with some Leadbelly and Jelly Roll Morton on the blusier side, but those songs come off in a raw, folksy vibe, too. Karen is finally getting her just respect for her voice all these years later, but it needs to be known that she was an excellent 12-string acoustic guitar player, too, and she could also handle the banjo – with additional guitar on the record by Dan Hankin, electric guitar by Kim King, electric bass by Harvey Brooks and percussion by Gary Chester. Titles include "In The Evening (It's So Hard To Tell Who's Going To Love You The Best)", Fred Neil's "Little Bit Of Rain" and "Blues On The Ceiling", "Sweet Substitute", "Ribbon Bow", "I Love You More Thank Words Can Say", "Down On The Street (Don't You Follow Me Down)" and more.