Folk/Country — All

A huge range -- from pre-war string bands, to hillbilly music, Bakersfield country, bluegrass, Nashville hits, jug bands, Folkways records, and work from the acoustic underground!




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Possible matches: 2
Possible matches1
CD, LP, Vinyl record album cover art
✨✧ Flying Burrito BrothersGilded Palace Of Sin (Japanese paper sleeve edition) ... CD
A&M/Universal (Japan), 1969. New Copy ... About November 23, 2016
One of the best rock albums of the late 60s, and probably THE best record Gram Parsons ever played on. Parsons spearheaded the sound earlier with the International Submarine Band and the Byrds, but this first Burritos album is where the epiphanies are found. Traditionally structured weepers that bust all boundaries – electric and steel guitar, and wonderful harmonies that shoot straight for the stratosphere rather than dig their heels in rural cliches, and a soulful spirit that suggests the influence of Curtis Mayfield and the Impressions almost as much as the Bakersfield boys. Unprecedented, amazing, beautiful country-rock – two words that worked great together before the Eagles showed up. Tracks include "Christine's Tune", "Sin City", "Do Right Woman", "Dark End Of The Street", "My Uncle", "Wheels", "Juanita", "Hot Burrito No. 1", "Hot Burrito No. 2", "Do You Know How It Feels", and "Hippy Boy". (Rock, Folk/Country) CD

Possible matches2
CD, LP, Vinyl record album cover art
✨✧ Flying Burrito BrothersGilded Palace Of Sin ... LP
A&M, 1969. Used ... Out Of Stock
One of the best rock albums of the late 60s, and probably THE best record Gram Parsons ever played on. Parsons spearheaded the sound earlier with the International Submarine Band and the Byrds, but this first Burritos album is where the epiphanies are found. Traditionally structured weepers that bust all boundaries – electric and steel guitar, and wonderful harmonies that shoot straight for the stratosphere rather than dig their heels in rural cliches, and a soulful spirit that suggests the influence of Curtis Mayfield and the Impressions almost as much as the Bakersfield boys. Unprecedented, amazing, beautiful country-rock – two words that worked great together before the Eagles showed up. Tracks include "Christine's Tune", "Sin City", "Do Right Woman", "Dark End Of The Street", "My Uncle", "Wheels", "Juanita", "Hot Burrito No. 1", "Hot Burrito No. 2", "Do You Know How It Feels", and "Hippy Boy". (Rock, Folk/Country) LP, Vinyl record album
(Brown label pressing.)
 
Partial matches: 10
Partial matches3
CD, LP, Vinyl record album cover art
Johnny CashMan In Black – Live In Denmark 1971 ... CD
Columbia, 1971. New Copy ... $9.99 14.98
A stellar concert from The Man In Black – and a set we'd rank right up there with the prison-based live that Johnny Cash recorded in the 60s! The material here is handled wonderfully – and recorded equally well, too – and in addition to a number of very strong performances by Johnny alone, the set also features some guest appearances that include solo numbers by Carl Perkins, The Carter Family, and The Statler Brothers – as well as Cash performances with most of them, and a few duets with June Carter Cash! Titles include Johnny on versions of "Sunday Mornin Comin Down", "I Walk The Line", "Guess Things Happen That Way", "Man In Black", and "Me & Bobby McGee"; duets with June on "Help Me Make It Through The Night", "Darlin Companion", and "If I Were A Carpenter"; "Matchbox" and "Blue Suede Shoes" by Carl Perkins; "Flowers On The Wall" and "Bed Of Roses" by The Statler Brothers; "Song To Mama" by The Carter Family; and variations of Johnny with other acts on "Rock Of Ages", "No Need To Worry", and "Children Go Where I Send Thee". CD

Partial matches4
CD, LP, Vinyl record album cover art
✨✧ Michael ChapmanWindow (with bonus tracks) ... CD
Harvest/Light In The Attic, 1970. New Copy ... $11.99 16.98
Maybe our favorite album ever from Michael Chapman – a bit more stripped-down and rootsy than his other Harvest Records classics, but in a really great way! There's a fluid spirit to the music right from the start – a great focus on Michael's vocals and guitar, but support from wonderful bass and drums too – which almost creates a folk funk vibe on some of the album's best tracks – this undercurrent of a gentle groove underneath the acoustic elements, unaugmented by any other orchestrations or strings – with really wonderful vocals from Chapman that rival if not beat most of the US singer-songwriters of the time. There's some nice jazzy elements in his guitar chord changes – almost Nick Drake at points, but rougher – and the whole thing's got a subtle sophistication without ever overstating itself. Titles include "Last Lady Song", "First Lady Song", "Among The Trees", "She Came In Like The 6:15 & Made A Hole In The Wall", and "Landships". CD features two bonus tracks – "The Hobo's Lamentation" and "Never In My Life". (Rock, Folk/Country) CD

Partial matches5
CD, LP, Vinyl record album cover art
John FaheyOf Rivers & Religion/After The Ball ... CD
Reprise/BGO (UK), 1972/1973. New Copy ... $15.99
A pair of wonderful albums from the great John Fahey – back to back on a single CD! First up is Rivers & Religion – a really unique album by John Fahey – issued during a short stretch of initial mainstream approval, and a brief time of recording for Warner Brothers! Some of the album's quite different than the spare, solo Fahey you might know – and mixes his legendary guitar work with more elaborate elements than usual – additional instrumentation that includes bass, banjo, clarinet, piano, trombone, and fiddle – but all used at a level that really supports John's presence, not occludes it. Other tracks return to spare acoustic steel string guitar – creating an evocative balance that's mighty nice. Titles include "Funeral Song For Mississippi John Hurt", "Texas & Pacific Blues", "Dixie Pig Bar B Q Blues", "Lord Have Mercy Song", and "Deep River". After The Ball is a set with a disco ball on the cover, but a record that fits right in with the best early 20th century aesthetic in the work of John Fahey – particularly his way of reiimagining older musical traditions! There's a bit of added instrumentation on the record – two tracks that have some slight trad jazz flourishes – but overall, the album's mostly a solo effort with loads of wonderful guitar work from John – still as creative and as complicated as in his best recordings for Takoma! Other added instrumentation sometimes expands the sound with mandolin or banjo, but again in very sensitive ways – and titles include "Bucktown Stomp", "Om Shanthi Norris", "Beverly", and "Horses". CD

Partial matches6
CD, LP, Vinyl record album cover art
✨✧ John FaheyVoice Of The Turtle ... CD
Takoma, 1968. New Copy ... $11.99 18.99
A tremendous early statement from the great guitarist John Fahey – and a record that has all his best ideas coming into really sharp focus! Fahey was a very collaborative person right from the start – even as a record collector, before his own recordings – and that spirit is felt here on some of the duet tracks, in which John and associates perform these acoustic instrumental tunes that plumb the past of underground America, but turn it out again into something completely new and fresh – not folk revial, but more a reworked fantasy of the nation, almost as a refuge for the changes of the late 60s. The sound is beautiful – with a flute accompaniment here, a bit of fiddle there, and even Fahey duetting with himself on guitar – thanks to the magic of overdub. As usual with these early Takoma records, the style is very fluid – sometimes very tied to the 78rpm generation, but other points much more towards the freewheeling guitar introspection of some of Fahey's underground contemporaries. The overall sound is amazing, too – as Fahey almost uses the studio as an additional instrument, but in very subtle ways. Titles include "Bottleneck Blues", "Bill Cheatum", "Lewisdale Blues", "Bean Vine Blues", "A Raga Called Pat (part 3)", "A Raga Called Pat Part IV", "Train", "Je Ne Me Suis Reveillais Matin Pas En May", "The Story Of Dorothy Gooch (part 1)", "Nine Pound Hammer", and "Lonesome Valley". CD

Partial matches7
CD, LP, Vinyl record album cover art
Lefty FrizzellTime Out For The Blues ... CD
Southern Routes, 1950s. New Copy ... $12.99 13.99
A superb collection of early Columbia Records material from Lefty Frizzell – all pulled from that time when Lefty was helping revolutionize country music with his unique vocal approach! Frizzell was one of the first to really bend and inflect his vocals – in the way that so many other country singers of the 60s and 70s would later borrow from his influence, but never handle with the kind of clarity of vision you can find in these recordings. While later artists might get lost in their twists and turns, Frizzell was always a visionary singer – and able to put just the right sort of bend to a tune to underscore the subtle, but powerful emotion in the lyrics – a quality that comes through very well on this classic collection of singles and lesser-known gems. Titles include "Don't Let Her See Me Cry", "Time Out For The Blues", "A Few Steps Away", "Looking For You", "Silence", "The Darkest Moment", "Forbidden Lovers", "Cigarette & Coffee Blues", "I Feel Sorry For Me", "So What Let It Rain", and "No One To Talk To But The Blues". CD
Also available Time Out For The Blues ... LP 15.99

Partial matches8
CD, LP, Vinyl record album cover art
Lefty FrizzellTime Out For The Blues ... LP
Southern Routes, 1950s. New Copy ... $15.99 18.99
A superb collection of early Columbia Records material from Lefty Frizzell – all pulled from that time when Lefty was helping revolutionize country music with his unique vocal approach! Frizzell was one of the first to really bend and inflect his vocals – in the way that so many other country singers of the 60s and 70s would later borrow from his influence, but never handle with the kind of clarity of vision you can find in these recordings. While later artists might get lost in their twists and turns, Frizzell was always a visionary singer – and able to put just the right sort of bend to a tune to underscore the subtle, but powerful emotion in the lyrics – a quality that comes through very well on this classic collection of singles and lesser-known gems. Titles include "Don't Let Her See Me Cry", "Time Out For The Blues", "A Few Steps Away", "Looking For You", "Silence", "The Darkest Moment", "Forbidden Lovers", "Cigarette & Coffee Blues", "I Feel Sorry For Me", "So What Let It Rain", and "No One To Talk To But The Blues". LP, Vinyl record album
Also available Time Out For The Blues ... CD 12.99

Partial matches9
CD, LP, Vinyl record album cover art
Don GibsonLook Who's Blue/Oh, Lonesome Me ... CD
Righteous (UK), 1958/1960. Used ... $3.99
CD

Partial matches10
CD, LP, Vinyl record album cover art
Davy Graham & HollyGodington Boundry ... LP
President/Acme (UK), 1970. New Copy (reissue)... $18.99
One of the holy grails of British folk at the end of the 60s – and one of those records that really shows why the UK scene was so different than the US at the time! Davy Graham belongs right up there with John Renbourn or Bert Jansch for his skills on the guitar – maybe jazzier than either at some points, but also able to open up in ways that are both ancient and modern at the same time – maybe especially freewheeling here, in the setting of a smaller indie label like President Records, than he might have been if a bigger label was pushing its agenda. Graham sings a bit – and so does the enigmatic Holly – but the real star is his guitar, both acoustic and electric – as it moves through blues, ragas, jazz, folk, and more – in a set that includes "Nadu Silma", "Forty Ton Parachute", "Dallas Rag", "On Green Dolphin Street", "Afta", "The Preacher", "I'm A Freeborn Man", and "Joe Joe The Cannibal Kid". LP, Vinyl record album
(Limited edition of 500 copies.)

Partial matches11
CD, LP, Vinyl record album cover art
Bert JanschBirthday Blues ... CD
Transatlantic (UK), 1968. New Copy ... $19.99
One of the greatest albums ever from UK genius Bert Jansch – cut as a solo set at a time when his fame was rising with the group Pentangle, and somewhat overlooked at the time! Yet all these many years later, we'd rank this one right up alongside important records of the period by Nick Drake – even though Jansch has a style that's completely his own – a bit ancient at times, somewhat bluesy on his guitar inflections, and set to this amazing voice that makes even the simplest lyric come across with a spooky sort of edge. Instrumentation is relatively spare – mostly Bert on guitar, joined by occasional players who include jazzman Ray Warleigh on alto and flute, and Duffy Power on harmonica – shaded in by producer Shel Talmy in ways that remind us of the lighter folksy numbers on the Donovan productions by Mickie Most. Titles include "The Bright New Year", "Tree Song", "Poison", "Wishing Well", "Blues", "I Am Lonely", and "Come Sing Me A Happy Song To Prove We Can All Get Along The Lumpy Bumpy Long & Dusty Road". CD

Partial matches12
CD, LP, Vinyl record album cover art
✨✧ VariousTruckers, Kickers, Cowboy Angels – The Blissed-Out Birth Of Country Rock Vol 3 – 1970 ... CD
Bear Family (Germany), 1970. New Copy 2CD ... Out Of Stock
1970 was a crucial year for country-tinged rock in the US – a time when the style really came into its own, and both found strong support in the mainstream, and an approach that was hardly just a straight rehasing of its roots! This third volume may well be the best so far in this excellent series – as it showcases a range of key artists who drew strongly on the sounds of Nashville and Bakersfield, but really found ways to make those influences their own – expressing a country aesthetic in the younger voice of the time, at a level that would then go back and influence mainstream country in years to come! As with the other volumes, the package is beautiful – a nice heavy book, filled with thoughtful notes on the tracks – and a total of 38 cuts that include "Tell Me A Song" by Morning, "Silver Moon" by Mike Nesmith & The First National Band, "Hurry Up" by Poco, "Delta Mama Blues" by Townes Van Zant, "He Darked The Sun" by Linda Ronstadt, "God's Own Singer" by Flying Burrito Brothers, "Big Bayou" by Swampwater, "Tobacco Road" by David Allan Coe, "Be Real" by Doug Sahm, "Livin In The Country" by Country, "Just A Country Dream" by Eric Anderson, "California" by Rick Nelson, "Right Before My Eyes" by Moby Grape, and "Biloxi" by Jesse Winchester. (Rock, Folk/Country) CD
 
 
 



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