Folk/Country — All Formats


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Possible matches: 1
Possible matches1
CD, LP, Vinyl record album cover art
VariousWayfaring Strangers – Guitar Soli ... LP
Numero, Mid 60s/1970s/Early 80s. New Copy 2LP ... $14.99 21.98
A wonderful collection of obscure solo acoustic guitar tunes from the mid 60s up to the dawn of the 80s – beautiful work from a slew of players we've never heard of – but we'd put right up there with Fahey and Basho in the way they reach from the back porch to the cosmos with just their fingers and some strings! One thing we love about this set, and the Numero Group releases to date, is how deep they dig and what beauty they unearth, somehow with impeccable sound quality. Some tunes are starkly beautiful, some chime on fairly intently, some do both those things and more – and it's very heartening and instantly appealing stuff – wordless tunes that carry a lot of sensitivity and emotion! The LP comes in beautiful gate fold, heavy cardboard packaging with notes on the tracks and artists printed on, plus an introduction by Numero's Rob Sevier and essays by Dan Lambert and Jim Ohlschmidt. Titles include "Beginning" by Dana Westover", "Raga In D" by Ted Lucas, "Sailor's Dream" by Scotte Witte, "Flight" by George Cromarty, "Diagonal" by Richard Crandell, "Baha Dream Songs" by Daniel Hecht, "Delta Freeze" by Jim Ohlschmidt, "No More School" by Stephen Cohen, "Strawberry Man" by Mark Lang, "Warm River" by Bread Chequer, "One Forty Eight" by Swayne Canna and more. LP, Vinyl record album
Partial matches: 4
Partial matches2
CD, LP, Vinyl record album cover art
Joan BaezBlessed Are ... LP
Vanguard, 1971. Very Good+ 2LP Gatefold ... $7.99
A important record from Joan Baez – one that has the singer expanding her sound, but in all the right possible ways – bringing in some Nashville elements to her folksy roots! The record features some larger backings arranged by producer Norbert Putnam – with bits of strings, The Memphis Horns, and some backup vocals – but most of a focus around the core combo of the album, which includes Charlie McCoy on harmonica, and Pete Wade and Norman Blake on guitars. Titles include "The Night They Drove Old Dixie Down", "Three Horses", "Last Lonely & Wretched", "Lincoln Freed Me Today", "Gabriel & Me", and "Fifteen Months". LP, Vinyl record album
(Cover has some moderate wear & a cutout hole.)

Partial matches3
CD, LP, Vinyl record album cover art
John FaheyOf Rivers & Religion/After The Ball ... CD
Reprise/BGO (UK), 1972/1973. New Copy ... $15.99
A pair of wonderful albums from the great John Fahey – back to back on a single CD! First up is Rivers & Religion – a really unique album by John Fahey – issued during a short stretch of initial mainstream approval, and a brief time of recording for Warner Brothers! Some of the album's quite different than the spare, solo Fahey you might know – and mixes his legendary guitar work with more elaborate elements than usual – additional instrumentation that includes bass, banjo, clarinet, piano, trombone, and fiddle – but all used at a level that really supports John's presence, not occludes it. Other tracks return to spare acoustic steel string guitar – creating an evocative balance that's mighty nice. Titles include "Funeral Song For Mississippi John Hurt", "Texas & Pacific Blues", "Dixie Pig Bar B Q Blues", "Lord Have Mercy Song", and "Deep River". After The Ball is a set with a disco ball on the cover, but a record that fits right in with the best early 20th century aesthetic in the work of John Fahey – particularly his way of reiimagining older musical traditions! There's a bit of added instrumentation on the record – two tracks that have some slight trad jazz flourishes – but overall, the album's mostly a solo effort with loads of wonderful guitar work from John – still as creative and as complicated as in his best recordings for Takoma! Other added instrumentation sometimes expands the sound with mandolin or banjo, but again in very sensitive ways – and titles include "Bucktown Stomp", "Om Shanthi Norris", "Beverly", and "Horses". CD

Partial matches4
CD, LP, Vinyl record album cover art
Don GibsonThat Gibson Boy ... LP
RCA, 1959. Very Good ... $4.99
Probably the greatest album ever by the great Don Gibson. Not a flaw here to pick if we tried. The selection of staples is top notch including "Foggy River", "Almost", "I Wish It Had Been A Dream" and the great "Won't 'Cha Come Back To Me". Chet Atkins production is rough and smooth in all the right places, and Don, as always, is in fine voice. Classic! Other tracks include "As Much", "It's my Way", and "Didn't Work Out, Did It?". LP, Vinyl record album
(Black label mono pressing with deep groove.)

Partial matches5
CD, LP, Vinyl record album cover art
George JonesGrand Ole Opry's Newest Star (with download) ... LP
Starday/Reserve, 1957. New Copy (reissue)... $13.99 19.98
A really early record by a young, fresh-faced George Jones – his full length debut, actually – released in 1957 by Starday, not too long after his debut appearance at the Grand Ole Opry! George had been recording some artistically promising, if underselling singles for a couple years prior, including the now legendary rockabilly sides (on which he was billed as "Thumper" Jones), but this was his first full length showcase as a rising country singer. The title is pure showbiz, as George wouldn't be a big star for a couple more years. He was ready, though! The songs are great, and he wrote or co-wrote most of 'em – and oh man, that VOICE – this is where the legend begins, people! Includes the early classic "Why, Baby, Why", and a whole bunch of great tunes, including "You Gotta Be My Baby", "Ragged But Right", "It's OK", "Still Hurtin'", "Boat Of Life", "Let Him Know", "Play It Cool" and more. LP, Vinyl record album
(Includes code for digital download.)

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