Stunning sound library material from Braen's Machine – one of the coolest, grooviest, and most obscure acts that were part of this underground Italian scene in the 70s! Quarta Pagina follows into even more trippier territory than the group's famous Underground album – a wild blend of psychedelic elements with hip soundtrack styles – the kinds of aspects that Piero Umiliani and Alessandro Alessandroni brought to the group, but with an even weirder feel. Track are all nice and compact – no overindulgent jams, but there's still a wonderful range of sounds in the short tunes – and most numbers are vocals, filled with guitars, keyboards, and loads of odd elements – but there also seems to be an Edda Dell'Orso-like singer in a few spots too. Titles include "Frode", "Addescamento", "Rimorso", "Il Covo", "La Vittima", and "Nel Penitenziario". LP, Vinyl record album
Alessandro Alessandroni, Sandro Brugnolini, Teimar —
Akriliko ... LP Cometa (Italy), Late 70s/Early 80s. New Copy ...
A sweet selection of unreleased material from the vaults of Italy's famous Cometa Records sound library – a package that's pretty heavy on keyboard and electronic bits, with a sound that's right up there with some of the best Italian horror and action scoring of the early 80s! In fact, there's a strong sense of drama throughout – a nice call to action in some of the tunes, as the keyboard lines set up a mood, then send it soaring – and basslines brood along to create these cool darker currents! The whole thing's still pretty tuneful – none of the atonal qualities that show up in other Italian scoring – and the three artists often collaborate throughout, in different groupings – on titles that include "Serpentina Junior", "Turismo Giovane", "Akriliko", "Speed", "Preallarme", "Romantico Junior", "Viaggio Giovanne", and "Riflessione". LP, Vinyl record album
The title only partly gives this one away – as sound library genius Alessandro Alessandroni turns towards the world of baroque and romantic music for inspiration – yet also manages to serve up something that's very much his own in the process! This isn't one of those records in which classical compositions get an easy listening spin – and instead, Alessandroni has a way of evoking ancient ideas while still also using lots of groovy Italian soundtrack modes – a bit like the way the occasional baroque theme or electric harpsichord would turn up in some groovy 60s film scores. Both of those elements appear here, alongside other keyboards, some acoustic guitar, and other instrumentation – used in a way that's as evocative as some of Alessandro's film work. Titles include "Sonata Allegra", "Canzone Romantica", "Largo Barocco, "Minuetto In La Magg", "Giga Per Mandolino", "Mazurka Moderata", and "Variazione Romantiche". LP, Vinyl record album