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Close matches: 15
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CD, LP, Vinyl record album cover art
Maria BethaniaMemoria De Pele – Memory Of Skin ... CD
Verve, 1989. Used ... $5.99
One of Maria Bethania's great collaborations with arranger Jaime Alem – an artist we loved as part of the team of Jaime & Nair back in the 70s, and who's really helping Bethania find some deeper space here in the middle years of her career! At a time when Maria had moved into some of the warmer, more electric modes of her contemporaries, Alem helped her regain the sense of power heard in her classic 70s work – but at a level that was quite different than on those records, with a more restrained sensibility overall – making some especially great use of the aging qualities of her voice. Titles include "Junho", "Confesso", "Tenha Calma", "Reconvexo", "Memoria Da Pele", "Salve As Folhas", "Guerra No Mar", and "Vinganca". CD
(Out of print.)

Close matches2
CD, LP, Vinyl record album cover art
Stan Getz & Charlie ByrdJazz Samba ... LP
Verve, 1962. Very Good- Gatefold ... $9.99
One of those records that no home should be without – not only a pivotal album in the growth of bossa nova in the 60s – but a set that also really helped set the career of tenorist Stan Getz on fire! The real credit here might almost go to guitarist Charlie Byrd – as Byrd was a big early proponent of bossa nova rhythms, and had already been experimenting with them on his records of the time – yet also gets a key extra "umph" here in the presence of Stan's tenor – a bold, rich, soulful sound that really helps give the music a lot of direction – in ways that still resonate strongly all these many years later! Getz is completely sublime – a master of tone and timing throughout – and perfectly fit to these tunes. Rhythms are mostly from Byrd's trio, augmented with some extra percussion – and titles include the classic "Desafinado", plus "E Luxo So", "Samba Dees Days", "Samba Triste", "O Pato", "Samba De Uma Nota So", and "Baia". (Jazz, Brazil) LP, Vinyl record album
(Original pressing.)

Close matches3
CD, LP, Vinyl record album cover art
Astrud GilbertoAstrud Gilberto Album (French pressing) ... LP
Verve (France), 1965. Near Mint- ... $19.99
One of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". LP, Vinyl record album
(Early 80s French pressing. Cover has a small cutout notch.)

Close matches4
CD, LP, Vinyl record album cover art
Astrud GilbertoAstrud Gilberto Plus James Last Orchestra ... CD
Verve/Jazzclub (Germany), 1986. New Copy ... $8.99
A rare 80s set from Astrud Gilberto – cut at a time when she was hardly doing any new recording at all! As you'll guess from the title, the album has Gilberto teaming up with German groovemaker James Last – who handles all the orchestrations for the record, and shows a surprising sensitivity towards Astrud's bossa styles in his music. Last can sometimes be a bit over the top, but he's quite subtle here – leaving lots of room for Gilberto's sweetly sensitive vocals, and the music of her core combo, which features Romero Lubambo on guitar and Dudu Da Fonseca on percussion. Paulo Jobim guests on vocals and guitar on a few tracks – and titles include "Aqua De Beber", "Champagne & Caviar", "Samba Do Soho", and "Saci". CD

Close matches5
CD, LP, Vinyl record album cover art
Astrud GilbertoLook To The Rainbow ... LP
Verve, 1965. Very Good+ ... $12.99
One of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". LP, Vinyl record album
(Canadian pressing)

Close matches6
CD, LP, Vinyl record album cover art
✨✧ Joao GilbertoVoz E Violao ... CD
Verve, 2000. Used ... $6.99
A wonderful album by one of the all-time greats! The record is Joao Gilberto's best in years, and it was produced by Caetano Veloso – in a spare, stripped-down style that's very similar to Joao's classic self-titled album from 1973, with an equally moody sound overall! Veloso used some wonderful recording techniques – and Joao's warm vocals and haunting guitar work are handled in a manner that unlocks all of their dark beauty and charm – without any of the sweetness that sometimes holds back some of his other later recordings. Titles include "Voce Vai Ver", "Segredo", "Chega De Saudade", "Eclipse", "Desde Que O Samba E Samba", "Eu Vim Da Bahia", and "Da Cor Do Pecado". CD

Close matches7
CD, LP, Vinyl record album cover art
✨✧ Antonio Carlos Jobim & Gal CostaRio Revisited ... CD
Verve, 1987. Used ... Just Sold Out!
An overlooked bit of mid 80s bossa – a live set that features Antonio Carlos Jobim on piano and vocals, plus some great additional help from Gal Costa! The work here is a nice maturation of older bossa modes – slightly darker than before, and with a rich feeling that represents the better sounds of Jobim's later career – inflected with some slightly sunnier moments. There's a group of female chorus singers on the set – working in a style that's somewhere between Quarteto Em Cy and Brasil 66 – and other group members include Danilo Caymmi on flute and Jacques Morelenbaum on cello, working with Jobim in a small combo style with plenty of jazz. Titles include "Agua De Beber", "Dindi", "Two Kites", "Corcovado", "One Note Samba", "Samba Do Sonho", and "Sabia". CD
(Note: CD is missing back artwork in case – and is priced accordingly. Original pressing.)

Close matches8
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Astrud GilbertoGetz Au Go Go ... LP
Verve, Mid 60s. Used Gatefold ... Temporarily Out Of Stock
A beautiful dreamy album that's quite different from the classic Getz/Gilberto collaboration – but which also shares much of that set's lyrical beauty! This album was recorded live, in 1964, when Stan Getz was playing with his quartet that included Gary Burton on vibes – an incredible lineup that made for some wonderfully moody sounds! The vibes/tenor approach was a high point in Getz's career – especially as the young Burton could create these beautiful washes of sound that were a perfect counterpoint to Getz's breathy playing. And although Astrud Gilberto is thrown into the mix here to give the album a bit of bossa appeal – vocals on 6 titles that include "Corovado", "Eu E Voce", "It Might As Well Be Spring", "One Note Samba", "Only Trust Your Heart", and "The Telephone Song" – there's also 4 more tracks that are all instrumental, and which show the Getz/Burton union in all of its glory! These tracks include "6 Nix Pix Flix", "The Singing Song", "Here's That Rainy Day", and "Summertime". And for reference, the rest of the group includes Gene Cherico on bass and Joe Hunt on drums – but on 3 tracks, Chuck Israels plays bass instead of Cherico, and on a few others, Helcio Milito plays drums instead of Hunt, and Kenny Burrell joins in on guitar. (Jazz, Brazil) LP, Vinyl record album

Close matches9
CD, LP, Vinyl record album cover art
✨✧ Hermeto PascoalMusica Livre De Hermeto Pascoal ... CD
Verve/Polygram, 1973. Used ... Temporarily Out Of Stock
Quite possibly the clearest moment of genius ever from the legendary Hermeto Pascoal – a tremendous album that helped reshape instrumental Brazilian music for many years to come! At one level, the record shares a sound with some of the fuller, richer orchestrations going on in the post-bossa years – especially the work of Edu Lobo and Marcos Valle – but at another, it's filled with the kind of inventive instrumental interplay that's always made Hermeto so great, but which has never come off so perfectly as it does here! As you might expect from Pascoal, there's some especially great reed passages – crafted in a flurry of colors and tones – but there's also a warmer, more flowing quality to the whole album – less of the dark notes and pointy edges that show up often in Hermeto's work from later years. Bits of strings help the whole thing glide tremendously – and the record's a genre-busting blend of jazz, Brazilian roots, and complicated arrangements – unlike anything else we've ever heard, and still one of our favorite albums of all time! Titles include "Bebe", "Asa Branca", "Carinhoso", "Plin", "Gaio Da Roseira", and "Sereiarei". CD
(Out of print, punch through barcode. Pages of booklet are stuck together from some light water damage.)

Close matches10
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Joao GilbertoGetz/Gilberto #2 ... LP
Verve, 1964. Used Gatefold ... Out Of Stock
A very different record than the first collaboration between Stan Getz & Joao Gilberto – but that's also one of the things that makes it great! The album's more of a split LP than a shared one – as side one features a live performance from the great mid 60s Stan Getz quartet that featured Gary Burton on vibes – a wonderfully cool combo that was very under-documented on record, and which makes a key appearance here. The combination of Burton's vibes and Stan's tenor is pure genius – a sound that's got all the subtle hues and cool colors of the Getz bossa recordings, but which is quite different overall. Stan's tone is amazing on these tunes – and titles include "Here's That Rainy Day", "Tonight I Shall Sleep With A Smile On My Face", "Grandfather's Waltz", and "Stan's Blues". Side two features Joao Gilberto without Stan – playing in a very groovy trio that's more straight bossa than most of his other US recordings – cool small combo grooving that's totally great! The lineup features Gilberto on guitar and vocals, Keeter Betts on bass, and Helcio Milito on drums – all working in a sweetly grooving mode on titles that include "Samba De Minha Terra", "Meditation", "Bim Bom", "Rosa Moreno", and "O Pato". (Jazz, Brazil) LP, Vinyl record album
(Stereo pressing with deep groove.)

Close matches11
CD, LP, Vinyl record album cover art
✨✧ Astrud Gilberto5 Original Albums (Astrud Gilberto Album/Look To The Rainbow/Certain Smile Certain Sadness/Windy/I Haven't Got Anything Better) (5CD set) ... CD
Verve (Germany), Late 60s. New Copy 5 CDs ... Out Of Stock
A quintet of wonderful records from the legendary Astrud Gilberto! First up is the Astrud Gilberto Album – pne of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". Look To The Rainbow is one of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". For Certain Smile Certain Sadness, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Windy is one of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" I Haven't Got Anything Better To Do is one of the darkest albums ever recorded by Astrud Gilberto – her 60s last session for Verve Records, and a batch of beautifully moody tunes throughout! Arrangements are by Albert Gorgoni, who'd handled Gilberto's previous September 69 album – but the style here is a bit mellower, a bit sadder – touched with more adult themes of love, life, and loss – and very much in keeping with Astrud's tear-stained image on the cover! There's a sound here that almost mixes Gilberto's earlier bossa with the more baroque modes of Scott Walker at the end of the 60s – and as with Scott Walker's classic solo sets, the album shows a side of Astrud's talents that we never would have expected a few years earlier! Titles include "Wailing Of The Willow", "Where's The Love", "Wee Small Hours", "If", "Without Him", "Trains & Boats & Planes", "The Sea Is My Soil", and "Didn't We?". CD

Close matches12
CD, LP, Vinyl record album cover art
✨✧ Antonio Carlos JobimAntonio Carlos Jobim (aka Composer Of Desafinado Plays) ... CD
Verve, 1963. Used ... Out Of Stock
Antonio Carlos Jobim's classic Verve session from 1963 – a tremendous record, done with a wonderful airy sound that became the trademark for bossa production in America – and which also had a great inspiration on the sound of mid 60s bossa in Brazil! Claus Ogerman arranged and conducts the orchestra, and Jobim plays guitar and piano – with a core group that also features Jimmy Cleveland on trombone and Leo Wright on flute, both American jazz players who help add some further complexities to the sound. Tracks include "Jazz Samba", "Favela", "O Morro", "Aqua De Beber", "Girl From Ipanema", and "Chega De Saudade". Packaged here in a beautiful two-tone Elenco cover – with a really classic look, and a different appearance than the Verve cover! CD
(Verve Master edition in a tri-fold digipack.)

Close matches13
CD, LP, Vinyl record album cover art
✨✧ Astrud Gilberto & Walter WanderleyCertain Smile, Certain Sadness (UK pressing) ... CD
Verve/Rev-Ola (UK), 1966. New Copy ... Out Of Stock
Kind of a dream combination in one little album – especially if you dig breezy bossa from the 60s! Back in 1966, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Plus, this groovy reissue also includes two previously unissued cuts – "Who Needs Forever" and "The Sadness of After"! CD

Close matches14
CD, LP, Vinyl record album cover art
✨✧ Bebel GilbertoAll In One ... CD
Verve, 2009. Used ... Out Of Stock
Lovely work from Bebel Gilberto – her debut for Verve – which in a way, brings her home, given that Verve released so many great records in the 60s from Brazilian artists with boundary skirting appeal! Bebel's work has never lacked warmth, but she's bringing even more of it to this set, with less clubby textures, and more of a timeless blend of voice, strings and percussion. Even the tunes produced or co-produced by John King of the Dust Brothers and Mark Ronson are steeped in a real love of classic bossa soul, just done with a nice modern groove, with some subtle programming. Carlinhos Brown's percussion is kind of the secret sauce here, but there's no overshadowing Bebel's lovely, wonderful vocals – and the covers are very well chosen. A little less than half the songs are sung in English, and titles include "Cancao De Amor", Bob Marley's "Sun Is Shining", Stevie Wonder's "The Real Thing", "Ela", "Far From The Sea", "All In One" and more. CD
(Punch through barcode.)

Close matches15
CD, LP, Vinyl record album cover art
✨✧ JoyceMusic Inside ... CD
Verve (Japan), 1990. New Copy ... Out Of Stock
One of the few Joyce albums ever issued in the US – a breezy outing from the end of the 80s, recorded with a bit more jazz than usual, and a number of English-language lyrics that were clearly intended to help break her into a wider market! Joyce is still very much in a comfortable setting on the record – dominating with her work on acoustic guitar and vocals – but she's also getting a bit more instrumental help than usual from a range of guests that include Kenny Werner, Ray Drummond, Ralp Moore, and Marvin Smitty Smith. The English alone is worth the price of the record – as we're usually relying on just our love of her voice to appreciate Joyce's usual Portuguese lyrics – and titles include "Bird Of Brazil", "Bird Of Japan", "Stonewashed", "Belafonte", "Essential", "Mysteries", and a nice cover of The Beatles' "Help". CD
 
Possible matches: 18
Possible matches16
CD, LP, Vinyl record album cover art
Charlie ByrdBrazilian Byrd ... LP
Columbia, 1964. Near Mint- ... $7.99
Charlie Byrd gets some top-shelf treatment here – in a wonderful album of tunes by Antonio Carlos Jobim, all recorded with full backing arrangements, and sound quality that's a lot better than some of Byrd's previous albums! The setting has Charlie's acoustic guitar right up front in the mix – mic'ed so close you can really hear his work on the strings – while light brass, woodwind, and string backings dance nicely, and more quietly, behind him. There's a very Verve-like approach to the whole record – obviously a market that Columbia were trying to reach with this one – and the album's easily one of Charlie's strongest for the label from the 60s. Arrangements are both by Byrd and Tom Newsom – and titles include "Dindi", "Jazz N Samba", "The Girl From Ipanema", "Corcovado", "Amor E Paz", "Samba Do Aviao" and "Amor E Paz". (Jazz, Brazil) LP, Vinyl record album
(70s pressing, still in the shrink with Nice Price sticker.)

Possible matches17
CD, LP, Vinyl record album cover art
Eumir Deodato, Tom Jobim, & OthersBossa Nova – Original Soundtrack ... CD
Polygram (Brazil), 2000. Used ... $6.99
Kind of a painful movie, but a pretty sweet soundtrack! The set features a number of new works produced by Deodato, very much in the spirit of his Inutil Paisagem 60s bossa recordings – with wonderfully complex airy melodies, and a touch so light you can't believe there's actually a conscious act behind the music. The new titles feature vocals by Barbara Mendes and Carol Rogers – and include "Samba De Uma Nota So", "Mary Ann's Theme", "Suddenly", "Soul Mates", "Amor Em Paz", and "Juan's Theme". Most of the rest of the CD features older work from Jobim's years at Verve and CTI – including the tracks "Wave", "Aguas De Marco", "Chega De Saudade", and "Inutil Paisagem". Also features a semi-painful duet between Jobim and Sting – ouch! CD
(Out of print.)

Possible matches18
CD, LP, Vinyl record album cover art
Stan Getz & Joao GilbertoGetz/Gilberto '76 ... CD
Resonance, 1976. New Copy ... $16.99 18.99
Genius material from the team of tenorist Stan Getz and Brazilian bossa legend Joao Gilberto – reunited here in a brief mid 70s period, after their famous Verve recordings of the early 60s – and in a way that shows all the changes both artists had gone through over the years! Stan and Joao would go onto produce the sublime Best Of Two Worlds studio record during this same stretch – but this never-issued live date is arguably even deeper and darker than that record – as Stan blows with the stronger current of melancholy he seemed to unlock in period of his Sweet Rain record and onward – and Joao himself does all the singing here, without help from any female vocalist – with that bluer, more personal vibe he hit on his incredible record from 1973. The maturity and emotion of both musicians comes through right away – and support is from the trio of Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums – all wonderful musicians who also know just the right moment to step back and let the two giants dominate when needed. Titles include "Eu Vim Da Bahia", "E Preciso Perdoar", "Doralice", "Morena Boca De Ouro", "Joao Marcelo", "Aguas De Marco", "Samba De Minha Terra", and "Retrato Em Branco E Preto". (Jazz, Brazil) CD
Also available Getz/Gilberto '76 (180 gram pressing) ... LP 22.99

Possible matches19
CD, LP, Vinyl record album cover art
Stan Getz & Joao GilbertoGetz/Gilberto '76 (180 gram pressing) ... LP
Resonance, 1976. Near Mint- Gatefold ... $22.99
Genius material from the team of tenorist Stan Getz and Brazilian bossa legend Joao Gilberto – reunited here in a brief mid 70s period, after their famous Verve recordings of the early 60s – and in a way that shows all the changes both artists had gone through over the years! Stan and Joao would go onto produce the sublime Best Of Two Worlds studio record during this same stretch – but this never-issued live date is arguably even deeper and darker than that record – as Stan blows with the stronger current of melancholy he seemed to unlock in period of his Sweet Rain record and onward – and Joao himself does all the singing here, without help from any female vocalist – with that bluer, more personal vibe he hit on his incredible record from 1973. The maturity and emotion of both musicians comes through right away – and support is from the trio of Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums – all wonderful musicians who also know just the right moment to step back and let the two giants dominate when needed. Titles include "Eu Vim Da Bahia", "E Preciso Perdoar", "Doralice", "Morena Boca De Ouro", "Joao Marcelo", "Aguas De Marco", "Samba De Minha Terra", and "Retrato Em Branco E Preto". (Jazz, Brazil) LP, Vinyl record album
(Promo.)
Also available Getz/Gilberto '76 ... CD 16.99

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Stan Getz with Joao GilbertoBest Of Two Worlds (with bonus tracks) ... CD
Sony (Japan), 1976. New Copy ... $14.99
A wonderful return to the sounds of Brazil for Stan Getz – a 70s album that reunites him with Joao Gilberto, but in a style that's somewhat different than the pair's older Verve recordings! The sound here is looser, freer – more in that breezy Brazilian mode that evolved out of the initial bossa years – and Stan's tenor sounds great in the setting, with those loose yet heartfelt lines we love so much from this period! Joao's great too – somehow even more "present" on the record than before, with that amazing ability to do so much with so little – as on some of his own great 70s recordings. Miucha contributes some English language vocals to the record alongside Joao's Portuguese ones, and Oscar Castro Neves handled the arrangements with a nicely stripped-down style that has plenty of focus on the percussion and rhythms. Titles include a sublime English language version of "Aqua De Marco (Waters Of March)", plus the tracks "Double Rainbow", "Falsa Bahiana", "Ligia", "Izaura", "Eu Vim Da Bahia", and "E Preciso Perdoar". (Jazz, Brazil) CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Astrud GilbertoAstrud Gilberto Now ... LP
Perception, 1972. New Copy (reissue)... $9.99
Killer work by Astrud Gilberto – very different than her Verve sides of the 60s! The album was produced by Astrud, arranged by Deodato – and has that wonderful warm full jazz feel of her classic album on CTI, but also a bit more like some of the funky work of Jorge Ben at the time – choppy at the bottom, with a sound that's a bit samba, and a bit funky at times. Mike Longo and Deodato play keyboards on the session, giving it an electric groove that works perfectly with Astrud's soaring vocals – and the whole album really holds together wonderfully! There's a nice bit of funk on the cut "Take it Easy My Brother Charlie" – and other tracks include "Zigy Zigy Za", "Baiao", "Gingele", "Bridges", and "Where Have You Been?". LP, Vinyl record album

Possible matches22
CD, LP, Vinyl record album cover art
✨✧ Edison MachadoEdison Machado e Samba Novo ... CD
Columbia/Sony (Japan), 1964. New Copy ... $14.99
One of Brazil's best jazz sessions of the 60s – and one of those records that shows that although Verve and other US labels could record their own version of bossa nova, the style still always sounded best when coming from Brazil! Drummer Edison Machado really nocks it out of the park here – working with a collection of Brazilian jazz luminaries who include Tenorio Jr on piano, Raulzinho and Ed Maciel on trombones, and Moacir Santos, JT Meirelles, and Paulo Moura on reeds – all soaring out in a fabulous take on the bossa jazz sound of the time – with fantastic rhythms at the core, incredible colors from the instruments, and breakout solo moments that really keep things interesting. The whole thing's wonderful – a classic through and through – and titles include "Nana", "Miragem", "Solo", "Voce", "Quintessencia", "Aboio", and "Menino Travesso". CD

Possible matches23
CD, LP, Vinyl record album cover art
✨✧ Wanda de SahSoftly ... CD
Capitol/Universal (Japan), 1965. New Copy ... $13.99
A lost bossa classic from Wanda De Sah – aka Wanda Sa, the wife of Edu Lobo, and a singer who worked with Sergio Mendes in his pre-Brasil 66 days! The album's got a wonderfully laidback feel – languid, yet jazzy, with the feel of some of Astrud Gilberto's best work on Verve, yet with vocals that are possibly better – thanks to Wanda's pedigree in Brazilian pop. Recordings were done in California, not Rio – and arrangements are handled by the great Jack Marshall – who's got a strong ear for keeping things interesting with a mix of strings, Latin rhythms, and Capitol pop shadings. Titles include "Aqua De Beber", "Ho Ba La La", "Sweet Happy Life", "The Dreamer", and a great version of "Aruanda". CD

Possible matches24
CD, LP, Vinyl record album cover art
Walter WanderleySamba No Esquema ... CD
EMI/Odeon (UK), 1963. Used ... $6.99
Fab work from one of our favorite organ players of all time – the mighty Walter Wanderley, king of the bossa keyboard, sounding totally great in this early session from 1963! The album predates Wanderley's famous work for Verve – and has a sound that's slightly expanded from that era, but which still retains Wanderley's key sound on Hammond – a stripped-down approach to the organ the went onto influence countless players. The grooves are all in a lively samba mode, with guitar, trumpet, and a bit of tenor sax in the group alongside the organ – and titles include "Samba Do Aviao", "Melancolia", "Samba Novo", "Garota De Ipanema", "Batida Diferente", and "Pra Que Chorar". CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
VariousAmazing Bossa Nova – Journey To Rio De Janeiro ... CD
Universal (Japan), 1960s. New Copy 2CD ... $29.99
The title certainly gets things right – as the 2CD collection is filled with amazing bossa nova tunes – mostly from the classic 60s years of the genre, with a few sweet bits from later years too! The set's got 36 tracks split into two different "themed" discs – one titled On The Beach, with tunes that are perfect for a sunny summer afternoon in the sand – the other titled On The Hill, showing some of the more sophisticated currents of the bossa world as it began to mature! A good deal of the work is from the Universal catalog – on labels that include Verve, Philips, and Elenco – and the set also brings in a few choice bits from other sources too – even a few original mono mixes from the 60s. Titles include "Moca Flor" by Tamba Trio, "Agua De Beber" by Astrud Gilberto, "Espere Um Pouco" by Quarteto Em Cy, "Estamos Ai" by Leny Adrade, "We & The Sea" by Tamba 4, "Coisas Do Brasil" by Leila Pinheiro, "Desafinado" by Laurindo Almeida, "Aguas De Marco" by Elis Regina & Antonio Carlos Jobim, "Coracao Vagabundo" by Caetano Veloso and Gal Costa, "Batucada" by Marcos Valle, "Quiet Nights" by Wanda De Sah, "Garota De Minha Cidade" by Johnny Alf, "Sonho De Um Carnaval" by Milton Banana Trio, "Retrato Em Branco E Preto" by Nara Leao, "Carta Ao Tom 74" by Vinicius De Moraes & Toquinho, "Reza" by Edu Lobo, and "Lamento Do Morro" by Doris Monteiro. CD

Possible matches26
CD, LP, Vinyl record album cover art
VariousBossa – Bossa Nova, Balanco, Bossamba, Sambalanco, Sambossa – 10 Original Bossa Nova Albums From The 60s (5CD box set) ... CD
Discobertas (Brazil), 1960s. New Copy 5CD ... $59.99
An amazing little box set – filled with 10 rare bossa nova albums from the Brazilian underground of the 60s – almost all of which we'd never heard before! The records here were mostly issued on small labels at the time – the kind of sets that never circulated widely outside of Brazil, and which often have unusual and striking sounds that are quite different from mainstream bossa work on labels like Verve or Elenco! There's a fair bit of jazz on most albums, and the instrumentation varies nicely throughout – sometimes more sax up front, sometimes more acoustic guitar, or offbeat horn arrangements, odd percussion, and lots of other sweet touches! Each CD features two full albums, completely with cover art and other details of the records – and the set features the albums Balanco E Bossa Nova by Ritmistas Da Bossa, Sambalanco by Orquesta Moderna De Samba, Isso E Bossa Nova Mesmo by Conjunto Sambossa, Saxsambando by Os Saxsambistas Brasileiros, O Balanco E A Bossa by Conjunto Masterplay, Samba Do Bom by Conjunto Samba De Balanco, Samba Pra Frente by Samba Trio, A Musica Maravilhosa De Antonio Carlos Jobim by Bossa Brass, and the self-titled 1964 album by Os Azes De Bossa. CD

Possible matches27
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Joao GilbertoGetz/Gilberto '76 ... CD
Resonance, 1976. Used ... Temporarily Out Of Stock
Genius material from the team of tenorist Stan Getz and Brazilian bossa legend Joao Gilberto – reunited here in a brief mid 70s period, after their famous Verve recordings of the early 60s – and in a way that shows all the changes both artists had gone through over the years! Stan and Joao would go onto produce the sublime Best Of Two Worlds studio record during this same stretch – but this never-issued live date is arguably even deeper and darker than that record – as Stan blows with the stronger current of melancholy he seemed to unlock in period of his Sweet Rain record and onward – and Joao himself does all the singing here, without help from any female vocalist – with that bluer, more personal vibe he hit on his incredible record from 1973. The maturity and emotion of both musicians comes through right away – and support is from the trio of Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums – all wonderful musicians who also know just the right moment to step back and let the two giants dominate when needed. Titles include "Eu Vim Da Bahia", "E Preciso Perdoar", "Doralice", "Morena Boca De Ouro", "Joao Marcelo", "Aguas De Marco", "Samba De Minha Terra", and "Retrato Em Branco E Preto". (Jazz, Brazil) CD
Also available
Getz/Gilberto '76 ... CD 16.99
Getz/Gilberto '76 (180 gram pressing) ... LP 22.99

Possible matches28
CD, LP, Vinyl record album cover art
✨✧ Astrud GilbertoAstrud Gilberto Now ... LP
Perception, 1972. Used ... Temporarily Out Of Stock
Killer work by Astrud Gilberto – very different than her Verve sides of the 60s! The album was produced by Astrud, arranged by Deodato – and has that wonderful warm full jazz feel of her classic album on CTI, but also a bit more like some of the funky work of Jorge Ben at the time – choppy at the bottom, with a sound that's a bit samba, and a bit funky at times. Mike Longo and Deodato play keyboards on the session, giving it an electric groove that works perfectly with Astrud's soaring vocals – and the whole album really holds together wonderfully! There's a nice bit of funk on the cut "Take it Easy My Brother Charlie" – and other tracks include "Zigy Zigy Za", "Baiao", "Gingele", "Bridges", and "Where Have You Been?". LP, Vinyl record album
(Cover has some wear and pen on Astrud's teeth.)
Also available Astrud Gilberto Now ... LP 9.99

Possible matches29
CD, LP, Vinyl record album cover art
✨✧ Walter WanderleyBrazilian Blend ... LP
Philips, Mid 60s. Used ... Temporarily Out Of Stock
Groovy pop organ tunes from Brazil's famous organist! Walter plays in the light peppy style he used on his Verve albums, with plenty of nice organ riffing all the way through! Most tracks are bossa numbers, and titles include "Go Go Theme", "Counting Stars", "White Ball", "The World", "Forget Domani", and "The Lonely One". LP, Vinyl record album
(Stereo pressing. Cover has a bit of marker.)

Possible matches30
CD, LP, Vinyl record album cover art
✨✧ Wanda de SahSoftly ... LP
Capitol, 1965. New Copy (reissue)... Out Of Stock
A lost bossa classic from Wanda De Sah – aka Wanda Sa, the wife of Edu Lobo, and a singer who worked with Sergio Mendes in his pre-Brasil 66 days! The album's got a wonderfully laidback feel – languid, yet jazzy, with the feel of some of Astrud Gilberto's best work on Verve, yet with vocals that are possibly better – thanks to Wanda's pedigree in Brazilian pop. Recordings were done in California, not Rio – and arrangements are handled by the great Jack Marshall – who's got a strong ear for keeping things interesting with a mix of strings, Latin rhythms, and Capitol pop shadings. Titles include "Aqua De Beber", "Ho Ba La La", "Sweet Happy Life", "The Dreamer", and a great version of "Aruanda". LP, Vinyl record album
Also available Softly ... CD 13.99

Possible matches31
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Joao GilbertoGetz/Gilberto '76 (180 gram pressing) ... LP
Resonance, 1976. New Copy Gatefold ... Out Of Stock
Genius material from the team of tenorist Stan Getz and Brazilian bossa legend Joao Gilberto – reunited here in a brief mid 70s period, after their famous Verve recordings of the early 60s – and in a way that shows all the changes both artists had gone through over the years! Stan and Joao would go onto produce the sublime Best Of Two Worlds studio record during this same stretch – but this never-issued live date is arguably even deeper and darker than that record – as Stan blows with the stronger current of melancholy he seemed to unlock in period of his Sweet Rain record and onward – and Joao himself does all the singing here, without help from any female vocalist – with that bluer, more personal vibe he hit on his incredible record from 1973. The maturity and emotion of both musicians comes through right away – and support is from the trio of Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums – all wonderful musicians who also know just the right moment to step back and let the two giants dominate when needed. Titles include "Eu Vim Da Bahia", "E Preciso Perdoar", "Doralice", "Morena Boca De Ouro", "Joao Marcelo", "Aguas De Marco", "Samba De Minha Terra", and "Retrato Em Branco E Preto". (Jazz, Brazil) LP, Vinyl record album
(Hand numbered, limited edition of 2000!)
Also available
Getz/Gilberto '76 ... CD 16.99
Getz/Gilberto '76 (180 gram pressing) ... LP 22.99

Possible matches32
CD, LP, Vinyl record album cover art
✨✧ Sergio MendesBrasil '65 – Introducing The Voice Of Wanda De Sah ... LP
Capitol, 1965. New Copy (reissue)... Out Of Stock
That's Brasil 65, not Brasil 66 – a distinction that marks a key early stage for the great Sergio Mendes – heard here on one of his first albums to mix together bossa jazz and vocals! The approach here is a bit more like vintage bossa dates from Brazil – or a bit like some of the Verve bossa records too – as Sergio's core trio is at the heart of every tune, playing with a great jazzy approach – then augmented in different ways by alto and flute from Bud Shank, guitar from Rosinha De Valenca, and vocals from the lovely Wanda De Sah! Production is perfect – really in a classic Elenco Records mode – and titles include "Let Me", "Consolacao", "Tristeza Em Mim", "Muito A Vontade", "Reza", "Berimbau", and "Aquarius". LP, Vinyl record album

Possible matches33
CD, LP, Vinyl record album cover art
✨✧ Walter WanderleyBatucada ... CD
Polydor (Japan), 1967. Used ... Out Of Stock
One of our favorite Walter Wanderley albums ever – and a record that moves past the more familiar bossa trio style used on his hits for Verve, into groovier new territory with added players who include Dom Um Romao on drums and Marcos Valle on guitar! And not only is the lineup expanded, but the styles are too – as Wanderley moves away from the straighter bossa and samba jazz of his roots, into the world of more unusual, more complicated rhythms that were showing up in the Brazilian scene at the end of the 60s. Marcos Valle's contribution is felt strongly here – as the album includes a fantastic instrumental take on his classic "Crickets Sing For Anamaria" (aka "Os Grilos") – plus other Valle compositions that include "Ainda Mais Lindo", "Batucada", and "E Preciso Cantar". Other tracks include "Wave", "So What's New", and "O Barquinho". CD
(Out of print.)
 
 
 



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