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Exact matches: 14
Exact matches1
CD, LP, Vinyl record album cover art
Joao GilbertoJoao ... CD
Verve, 1991. Used ... Just Sold Out!
A later album by bossa legend Joao Gilberto – but with all the fragile brilliance of his best early work! The album features arrangements by Clare Fischer – the wonderful talent behind some of the best Brazilian-tinged jazz sessions of the 60s and 70s, a perfect accompanist to Joao's vocals and guitar for the set. Fischer's orchestrations never get in the way – and Joao is out front in a warm and intimate style, showing a rich expressive power even in his later years. Titles include "I Really Samba", "Sampa", "Smiled At Me", "A Woman", and "My Heart & I". CD

Exact matches2
CD, LP, Vinyl record album cover art
Joao GilbertoLive In Montreux ... LP
Elektra, 1987. Very Good ... $11.99
A later album by Joao – but a really lovely live performance that sparkles with the warmth and intimacy of his earlier studio albums! The album's got a total of 11 tracks, all recorded at the Montreux jazz festival in 1985 – with no backing for Joao's voice other than his light lively acoustic guitar, which holds up extremely well over the performance. Titles include "Estate", "Menino Do Rio", "Adeus America", "Preconceito", "Sandalia De Prata", and "Sem Compromiso". LP, Vinyl record album
(Missing insert.)

Exact matches3
CD, LP, Vinyl record album cover art
Joao GilbertoPrado Pereira De Oliveira (with bonus tracks) ... CD
WEA (Japan), 1980. New Copy ... $14.99
A great live recording done for Brazilian TV – and a set that's also one of the most intimate recordings that the great Joao Gilberto made during the 90s! There's a very spare, stripped-down vibe to the album – very much in the spirit of Gilberto's classic material, with an undeniable charm, and an amazing ability to do a hell of a lot with just a little – then make the whole thing seem completely effortless! Gilberto's one of the few of his generation who just seemed to get better as the years go on – as you'll hear from his beautiful work on guitar, and his always wonderful vocals. Rita Lee joins in on the track "Jou Jo Balangandas", Bebel Gilberto duets on "Chega De Saudade", and the other tracks include "Menino Do Rio", "Cuarare", "O Pato", "Canta Brasil" – and CD-only bonus tracks "Estate", "Tim Tim Por Tim Tim", "Bahia Com H", and "Aquarela Do Brasil". CD

Exact matches4
CD, LP, Vinyl record album cover art
Joao GilbertoVoz E Violao ... CD
Verve, 2000. Used ... Just Sold Out!
A wonderful album by one of the all-time greats! The record is Joao Gilberto's best in years, and it was produced by Caetano Veloso – in a spare, stripped-down style that's very similar to Joao's classic self-titled album from 1973, with an equally moody sound overall! Veloso used some wonderful recording techniques – and Joao's warm vocals and haunting guitar work are handled in a manner that unlocks all of their dark beauty and charm – without any of the sweetness that sometimes holds back some of his other later recordings. Titles include "Voce Vai Ver", "Segredo", "Chega De Saudade", "Eclipse", "Desde Que O Samba E Samba", "Eu Vim Da Bahia", and "Da Cor Do Pecado". CD

Exact matches5
CD, LP, Vinyl record album cover art
✨✧ Joao Gilberto & OthersJoao Gilberto & The Stylists Of The Bossa Sing Antonio Carlos Jobim ... CD
El (UK), New Copy ... About August 15, 2017
... CD

Exact matches6
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Joao GilbertoGetz/Gilberto #2 (with bonus tracks) ... CD
Verve, 1964. Used ... Temporarily Out Of Stock
A very different record than the first collaboration between Stan Getz & Joao Gilberto – but that's also one of the things that makes it great! The album's more of a split LP than a shared one – as side one features a live performance from the great mid 60s Stan Getz quartet that featured Gary Burton on vibes – a wonderfully cool combo that was very under-documented on record, and which makes a key appearance here. The combination of Burton's vibes and Stan's tenor is pure genius – a sound that's got all the subtle hues and cool colors of the Getz bossa recordings, but which is quite different overall. Stan's tone is amazing on these tunes – and titles include "Here's That Rainy Day", "Tonight I Shall Sleep With A Smile On My Face", "Grandfather's Waltz", and "Stan's Blues". Side two features Joao Gilberto without Stan – playing in a very groovy trio that's more straight bossa than most of his other US recordings – cool small combo grooving that's totally great! The lineup features Gilberto on guitar and vocals, Keeter Betts on bass, and Helcio Milito on drums – all working in a sweetly grooving mode on titles that include "Samba De Minha Terra", "Meditation", "Bim Bom", "Rosa Moreno", and "O Pato". CD also features 5 bonus tracks with vocals from Astrud Gilberto – "It Might As Well Be Spring", "Only Trust Your Heart", "Corcovado", "Garota De Ipanema", and "Eu E Voce" – all from the Getz Au Go Go album. (Jazz, Brazil) CD

Exact matches7
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Joao GilbertoGetz/Gilberto '76 ... CD
Resonance, 1976. Used ... Temporarily Out Of Stock
Genius material from the team of tenorist Stan Getz and Brazilian bossa legend Joao Gilberto – reunited here in a brief mid 70s period, after their famous Verve recordings of the early 60s – and in a way that shows all the changes both artists had gone through over the years! Stan and Joao would go onto produce the sublime Best Of Two Worlds studio record during this same stretch – but this never-issued live date is arguably even deeper and darker than that record – as Stan blows with the stronger current of melancholy he seemed to unlock in period of his Sweet Rain record and onward – and Joao himself does all the singing here, without help from any female vocalist – with that bluer, more personal vibe he hit on his incredible record from 1973. The maturity and emotion of both musicians comes through right away – and support is from the trio of Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums – all wonderful musicians who also know just the right moment to step back and let the two giants dominate when needed. Titles include "Eu Vim Da Bahia", "E Preciso Perdoar", "Doralice", "Morena Boca De Ouro", "Joao Marcelo", "Aguas De Marco", "Samba De Minha Terra", and "Retrato Em Branco E Preto". (Jazz, Brazil) CD

Exact matches8
CD, LP, Vinyl record album cover art
✨✧ Joao GilbertoAmoroso ... LP
Warner, 1977. Used ... Temporarily Out Of Stock
A warmly intimate album from Joao Gilberto – one that has the singer and guitarist in the same special space as his wonderful albums from the early 70s - a bit more sophisticated than the bossa years, but equally personal throughout! The set was co-produced by Helen Keane – who was bringing real magic to the records of pianist Bill Evans at the time – and music is by a core combo that includes American jazz musicians Ralph Grierson on keyboards and Grady Tate on drums – with some additional larger arrangements from Claus Ogerman, but used in a way that never clutters up the sound at all. Instead, Joao sounds beautiful right up front in the mix – with those sublime raspy vocals, and perfectly-placed lines on acoustic guitar – on titles that include a fabulous reading of "Estate", plus Jobim's "Wave" and "Zingaro", and the tracks "Caminha Cruzados", "Tin Tin Por Tin Tin", and "Besame Mucho". LP, Vinyl record album
(Cover has light wear.)

Exact matches9
CD, LP, Vinyl record album cover art
✨✧ Joao GilbertoBoss Of The Bossa Nova – The Complete 1958 to 1961 Recordings ... CD
Malanga, Late 50s/Early 60s. Used ... Temporarily Out Of Stock
... CD

Exact matches10
CD, LP, Vinyl record album cover art
✨✧ Joao GilbertoChega De Saudade ... LP
Odeon (Brazil), Late 50s. Used ... Temporarily Out Of Stock
Pure bossa magic – and a wonderful illustration of why the early music of Joao Gilberto was so tremendous! (Actually, all of his music is tremendous, but that seems to be especially the case here!) The tracks are all fantastic – breezy, breathy, and almost effortlessly sung throughout – songs that drift in air almost of their own accord, yet also manage a gently rhythmic groove that's probably the best definition of the style of bossa that you could ever hope to find! Most numbers feature acoustic guitar upfront in the mix alongside the vocals, plus a bit of light percussion – and even when there's fuller orchestrations on the record, they're used spaciously and gently – often with some nice jazzy inflections. Titles include "Briga Nunca Mais", "Ho Ba La La", "Rosa Morena", "Bim Bom", "Lobo Bobo", "E Luxo So", "Aos Pes Da Cruz", "Saudade Fez Um Samba", and "Desafinado". LP, Vinyl record album
(70s pressing.)

Exact matches11
CD, LP, Vinyl record album cover art
✨✧ Joao GilbertoChega De Saudade (plus bonus tracks) ... CD
Odeon/El (UK), Late 50s. Used ... Temporarily Out Of Stock
Pure bossa magic – and a wonderful illustration of why the early music of Joao Gilberto was so tremendous! (Actually, all of his music is tremendous, but that seems to be especially the case here!) The tracks are all fantastic – breezy, breathy, and almost effortlessly sung throughout – songs that drift in air almost of their own accord, yet also manage a gently rhythmic groove that's probably the best definition of the style of bossa that you could ever hope to find! Most numbers feature acoustic guitar upfront in the mix alongside the vocals, plus a bit of light percussion – and even when there's fuller orchestrations on the record, they're used spaciously and gently – often with some nice jazzy inflections. Titles include "Briga Nunca Mais", "Ho Ba La La", "Rosa Morena", "Bim Bom", "Lobo Bobo", "E Luxo So", "Aos Pes Da Cruz", "Saudade Fez Um Samba", and "Desafinado". This CD edition includes 3 bonus tracks, from Cantando As Musicas Do Film Orfeo De Carnaval – "A Felicidade", "Manha De Carnival" and "O Nosso Amor". CD

Exact matches12
CD, LP, Vinyl record album cover art
✨✧ Joao GilbertoLive At The 19th Montreux Jazz Festival (Brazilian 2LP version) ... LP
Warner (Brazil), 1985. Used 2LP Gatefold ... Temporarily Out Of Stock
A later album by Joao Gilberto – but a really lovely live performance that sparkles with the warmth and intimacy of his earlier studio albums! The album's got a total of 15 tracks, all recorded at the Montreux jazz festival in 1985 – with no backing for Joao's voice other than his light, lively acoustic guitar – which holds up extremely well over the nearly 70-minute long performance. And although the date is somewhat late in Joao's career, he hasn't faltered a bit – and the record is easily one of the best demonstrations of his mature talents you could ever hope to find! Titles include "Estate", "Menino Do Rio", "Adeus America", "Rosa Morena", "Sandalia De Prata", and "Sem Compromiso". This is the Brazilian pressing, issued as a double LP, with more tracks than the American version, and a different cover. LP, Vinyl record album
(In nice shape!)

Exact matches13
CD, LP, Vinyl record album cover art
✨✧ Joao GilbertoLive In Montreux ... CD
Elektra (Brazil), 1987. Used ... Temporarily Out Of Stock
A later album by Joao – but a really lovely live performance that sparkles with the warmth and intimacy of his earlier studio albums! The album's got a total of 13 tracks, all recorded at the Montreux jazz festival in 1985 – with no backing for Joao's voice other than his light lively acoustic guitar, which holds up extremely well over the nearly 70-minute long performance. Titles include "Estate", "Menino Do Rio", "Adeus America", "Rosa Morena", "Sandalia De Prata", and "Sem Compromiso". CD
(Out of print.)

Exact matches14
CD, LP, Vinyl record album cover art
✨✧ Joao Gilberto/Caetano Veloso/Gilberto Gil/Maria BBrasil ... LP
Warner, 1981. Used ... Temporarily Out Of Stock
The best of Brazil, old and new – as Joao Gilberto meets up with a younger generation of Brazilian vocalists – Caetano Veloso, Gilberto Gil, and Maria Bethania – all for a wonderful session of stripped-down bossa! The work is very much in Joao's best style of the early 70s – a back to basics return, handled with even more intimacy than before – with production by Gilberto, and some beautifully understated arrangements from Johnny Mandel! Tracks are all nice and long, and allow for lots of vocal interplay between the four singers on the set. Titles include "Cordeiro De Nana", "Aquarela Do Brasil", "Milagre", and "Bahia Com H". LP, Vinyl record album
(Cover has a promo stamp.)
 
Possible matches: 13
Possible matches15
CD, LP, Vinyl record album cover art
Astrud GilbertoShadow Of Your Smile ... LP
Verve, 1965. Very Good ... $11.99
One of Astrud Gilberto's greatest albums – and quite possibly our personal favorite! The record features beautifully understated arrangements by Joao Donato, Don Sebesky, and Claus Ogerman – and the instrumentation is a haunting mix of bossa rhythms with darker orchestrations that bring out an emotional side of Astrud that you don't always get on other LPs. The track list is excellent, and includes some of her best tracks for Verve, like "Non Stop To Brazil", "Fly Me To The Moon", "O Ganso", and "Aruanda". Not to be passed up, and one that we never tire of listening to! LP, Vinyl record album
(MGM pressing.)

Possible matches16
CD, LP, Vinyl record album cover art
✨✧ Gilberto GilGilberto's Samba ... CD
Sony (Brazil), 2014. Used ... Temporarily Out Of Stock
One of the best records we've heard from Gilberto Gil in many, many years – a stripped-down session that focuses on his voice and guitar work – in a style that takes us back to Gil's earliest days in music! The album feels like some lost session that Gilberto might have recorded in the 60s – before his Louvacao debut – done with mostly just a bit of light percussion from the enigmatic Domenico, plus some help from Moreno Veloso – who also co-produced the record as well, with that great sense of space he always brings to his own music too. A few cuts feature extra touches – a bit of accordion, or some flute from Danilo Caymmi – but the main focus is on Gil, who hasn't sounded this great in years – still able to capture our imagination when he works in a straightforward style like this. Titles include "Milagre", "Um Abraco No Joao", "Tim Tim Por Tim Tim", "Eu Sambo Mesmo", "Aos Pes Da Cruz", and "Desde Que O Samba E Samba". CD

Possible matches17
CD, LP, Vinyl record album cover art
✨✧ Astrud Gilberto5 Original Albums (Astrud Gilberto Album/Look To The Rainbow/Certain Smile Certain Sadness/Windy/I Haven't Got Anything Better) (5CD set) ... CD
Verve (Germany), Late 60s. Used 5CD ... Temporarily Out Of Stock
A quintet of wonderful records from the legendary Astrud Gilberto! First up is the Astrud Gilberto Album – pne of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". Look To The Rainbow is one of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". For Certain Smile Certain Sadness, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Windy is one of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" I Haven't Got Anything Better To Do is one of the darkest albums ever recorded by Astrud Gilberto – her 60s last session for Verve Records, and a batch of beautifully moody tunes throughout! Arrangements are by Albert Gorgoni, who'd handled Gilberto's previous September 69 album – but the style here is a bit mellower, a bit sadder – touched with more adult themes of love, life, and loss – and very much in keeping with Astrud's tear-stained image on the cover! There's a sound here that almost mixes Gilberto's earlier bossa with the more baroque modes of Scott Walker at the end of the 60s – and as with Scott Walker's classic solo sets, the album shows a side of Astrud's talents that we never would have expected a few years earlier! Titles include "Wailing Of The Willow", "Where's The Love", "Wee Small Hours", "If", "Without Him", "Trains & Boats & Planes", "The Sea Is My Soil", and "Didn't We?". CD

Possible matches18
CD, LP, Vinyl record album cover art
✨✧ Astrud GilbertoAstrud Gilberto Album ... LP
Verve, 1965. Used ... Temporarily Out Of Stock
One of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". LP, Vinyl record album
(MGM pressing with with Van Gelder stamp. Cover has a cutout hole.)

Possible matches19
CD, LP, Vinyl record album cover art
✨✧ Astrud Gilberto5 Original Albums (Astrud Gilberto Album/Look To The Rainbow/Certain Smile Certain Sadness/Windy/I Haven't Got Anything Better) (5CD set) ... CD
Verve (Germany), Late 60s. New Copy 5 CDs ... Out Of Stock
A quintet of wonderful records from the legendary Astrud Gilberto! First up is the Astrud Gilberto Album – pne of Astrud Gilberto's greatest albums of the 60s – a classic session produced for Verve by Creed Taylor, and featuring sweet gentle arrangements from Marty Paich, co-arranged with Antonio Carlos Jobim, who also plays guitar on the session next to the piano of Joao Donato! That's a mouthful of heavy-hitters, we know – but the result is a totally great session that has Astrud's light and gentle vocals drifting over some of the most magical bossa backings you'll ever hear. The whole thing's great, stuffed with bossa classics done in English – and titles include "Once I Loved", "Aqua De Beber", "O Morro", "Dindi", "Dreamer", and "Photograph". Look To The Rainbow is one of the moodiest Verve albums from Astrud Gilberto – a set that has some surprising arrangements by Gil Evans – working here on one of his few 60s dates with a singer! Astrud's blue-tinged vocals work perfectly with Evans' backdrops – and Al Cohn also takes over the helm on two of the album's tracks, but still does a very good job of keeping the groove. There's a nice mix of sadness and lightness in the set – and titles include a wonderful version of "Berimbau" that actually features berimbau playing by Dom Um Romao, a great take on "El Preciso Aprender A Ser So" with English lyrics, and the titles "Bim Bom", "Lugar Bonito", "Frevo", and "Once Upon A Summertime". For Certain Smile Certain Sadness, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! Windy is one of the hardest to find Astrud Gilberto records on Verve – and one of the best! Deodato, Don Sebesky, and Pat Williams did the arrangements – and the sound here is a bit different than some of the straighter Gilberto sets of the time – still very bossa-inspired, but also in a style that mixes in some great Sunshine Pop and 60s easy influences too – particularly on the tracks arranged by Williams! Tracks are all quite short, but get a heck of a lot of magic into a tiny space – and the album features some really wonderful songs that break Gilberto's pattern a bit – including versions of the Marcos Valle tracks "Crickets Sing For Anamaria" and "Chup Chup, I Got Away" – plus takes on "Windy", "Sing Me A Rainbow", "Never My Love", and "Where Are They Now?" I Haven't Got Anything Better To Do is one of the darkest albums ever recorded by Astrud Gilberto – her 60s last session for Verve Records, and a batch of beautifully moody tunes throughout! Arrangements are by Albert Gorgoni, who'd handled Gilberto's previous September 69 album – but the style here is a bit mellower, a bit sadder – touched with more adult themes of love, life, and loss – and very much in keeping with Astrud's tear-stained image on the cover! There's a sound here that almost mixes Gilberto's earlier bossa with the more baroque modes of Scott Walker at the end of the 60s – and as with Scott Walker's classic solo sets, the album shows a side of Astrud's talents that we never would have expected a few years earlier! Titles include "Wailing Of The Willow", "Where's The Love", "Wee Small Hours", "If", "Without Him", "Trains & Boats & Planes", "The Sea Is My Soil", and "Didn't We?". CD

Possible matches20
CD, LP, Vinyl record album cover art
✨✧ Joao Donato & OthersJoao Donato Songbook Vol 3 ... CD
Lumiar/Sony (Brazil), 1999. New Copy ... Out Of Stock
Beautiful! Joao Donato has long been one of our favorite-ever Brazilian songwriters, and this tasty series from Lumiar finally pays him the rich tribute he deserves! The series, like the others on Lumiar, features some of Brazil's greatest artists ever, paying tribute to Donato with loving renditions of his best songs. This third volume features "Lugar Comum" by Leny Andrade, "Minha Saudade" by Gilberto Gil, "Everyday" by Ed Motta & Joao Donato, "Luo Dourada" by Os Cariocas & Joao Donato, "Fonta Da Saudade" by Elza Soares, "A Paz" by Rosa Passos, "Naturamente" by Zelia Duncan & Lenine, "Amazonas" by Veronica Sabino & Leandro Braga, "Os Escafandrista" by Tita, "Depois Do Natal" by Djavan & Joao Donato. CD

Possible matches21
CD, LP, Vinyl record album cover art
✨✧ Gilberto GilGilberto Gil Songbook Vol 3 ... CD
Lumiar/Sony (Brazil), 1993. New Copy ... Out Of Stock
Gilberto Gil's working here not as the main artist, but as the songwriter – the very special talent around which this excellent set of recordings is based! The package is one of our favorite in the Lumiar Songbooks series – and, like the rest, it showcases the tremendous compositional abilities of Gil – songs that have touched the Brazilian scene from the late 60s onward – presented here in a number of new recordings by some of his key contemporaries, and younger generations too! This third volume features a dozen new recordings – and titles include "Zabele" by Nana Caymmi, "Expresso 2222" by Joao Bosco, "Super Homem - A Cancao" by Caetano Veloso, "Felicidade Vem Depois" by Paulinho Da Viola, "Domingo No Parque" by Hermeto Pascoal & Margareth Menezes, "Lamento Sertanejo" by Djavan, and "Eu Vim Da Bahia" by Leila Pinheiro & Oscar Castro Neves. CD

Possible matches22
CD, LP, Vinyl record album cover art
Carlos LyraBossa Nova/Carlos Lyra (1960) ... CD
Philips (Japan), 1960. Used ... $9.99
2 of the earliest albums ever from bossa genius Carlos Lyra – back to back on one CD! The first album, Bossa Nova, definitely lives up to its title – as it features Lyra's wonderful original compositions wrapped around a set of orchestrations that are lightly breezy, and which dance with a slight hint of jazz that often comes from the use of acoustic guitar or vibes on some tracks. The format's similar to some of Joao Gilberto's work of the time – and backings are by Carlos Monteiro De Souza. Titles are all originals by Lyra, and include "O Bem Do Amor", "Chora Tua Tristeza", "Ciume", "Barquinho De Papel", "Rapaz De Bem", "Gosto De Voce", and "Menina". The CD features a whole other album of bonus tracks as well – the similar session Carlos Lyra, also from 1960 – another showcase for Lyra's wonderful skills as a writer! The arrangements on that set are similar, and titles include "Nos Dois", "Mister Golden", "Nada Como Ter Amor", "Vem Do Amor", "Aonde Andou Voce", "De Quem Ama", and "Primeira Namorada". 26 tracks in all! CD
(Out of print.)

Possible matches23
CD, LP, Vinyl record album cover art
VariousBrazil's Super Hits ... LP
Atlantic, Mid 60s/1968. Very Good ... $7.99
Very nice compilation of Brazilian tracks from the early and mid 60 – most of which were issued earlier on Atlantic, but which go together nicely on this lively compilation. Titles include Baden Powell and Herbie Mann doing "Consolacao", Modern Jazz Quartet & Laurindo Almeida playing "One Note Samba", Sergio Mendes and Brasil 65 doing a medley of tracks from Black Orpheus, Sergio and Art Farmer playing "Girl From Ipanema", Joao Gilberto singing "Chega De Saudade", and Luiz Bonfa soloing on "Brasilia". 11 tracks in all. LP, Vinyl record album
(Blue & green label pressing.)

Possible matches24
CD, LP, Vinyl record album cover art
✨✧ Luiz BonfaLuiz Bonfa – Composer Of Black Orpheus Plays & Sings Bossa Nova ... CD
Verve, 1962. Used ... Temporarily Out Of Stock
One of the earliest of the classic Verve bossa nova sessions of the 60s – and a wonderful showcase for the talents of guitarist Luiz Bonfa! Most of Bonfa's previous recordings were done in a very spare or solo mode – and this set makes a nice change by adding in some larger orchestrations – yet still handled with great bossa sensitivity by Oscar Castro Neves and Lalo Schifrin – themselves very big up-and-coming talents at the time! The sound is bright and breezy, as you'd expect from Verve at this time – and Bonfa's a lot livelier than usual, and even sings on a number of cuts – with a charming quality that's a bit like Joao Gilberto. Titles include "Bossa Nova Cha Cha", "Sambalamento", "Vem So", "Samba De Duas Notas", "Domingo A Noite", "Quebra Mar", and "Adeus". CD
(Out of print.)

Possible matches25
CD, LP, Vinyl record album cover art
✨✧ Stan Getz & Laurindo AlmeidaStan Getz With Laurindo Almeida ... CD
Verve/MGM (Germany), 1963. Used ... Temporarily Out Of Stock
One of the best of the Stan Getz bossa nova sessions – and a record that features the great Laurindo Almeida on guitar – playing with more virtuosity than either Charlie Byrd or Joao Gilberto did on their collaborations with Getz! The record's got a driving rhythm section, with lots of long tracks, and nice laid-back solos by both Getz and Almeida – who's getting in some of his few jazz licks of the 60s here, working in a groove similar to that of his earlier sides with Bud Shank, but which sounds almost even better in the languid company of Getz. Cuts include "Outra Vez", "Winter Moon", "Maracatu-Too", and "Samba Da Sahra". Very nice! CD also includes the bonus track "Corcovado" – unreleased for years! (Jazz, Brazil) CD
(Out of print.)

Possible matches26
CD, LP, Vinyl record album cover art
✨✧ Sergio Mendes & Brasil '66Look Around ... CD
A&M, 1967. Used ... Temporarily Out Of Stock
Dreamy bossa pop from the A&M studios of the 60s – the Brasil 66 sound at its best! The style here is a perfect blend of real Brazilian influences and some of the hipper styles bubbling in the LA studio scene of the time – all locked together perfectly by Sergio Mendes, in the twin-voiced style that let Brasil 66 transform any tune they could get their hands on! There's some really great numbers here of Brazilian origin – including Joao Donato's "The Frog", Marcos Valle's "Batucada", and Gilberto Gil's "Roda" – not to mention Sergio's own "Look Around", which is an especially charming number! Other titles include "The Look Of Love", "Pradizer Adeus", and "Like A Lover". CD
(Out of print, cutout mark through digipack barcode.)

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CD, LP, Vinyl record album cover art
✨✧ Maria De FatimaBahia Com H (Japanese paper sleeve edition) ... CD
Sondor/Think (Japan), 1981. New Copy Gatefold ... Out Of Stock
A rare bossa set from Argentina – but one that sparkles like some of the best MPB of the time! The lovely Maria De Fatima sings and plays guitar in a style that's not unlike Joyce – quite warm, and often a bit airy – gliding out beautifully over lightly dancing rhythms that draw on samba, bossa, and a bit of jazz! But there's also some more sophisticated phrasings here too – elements that clearly come from a love of 70s work by Caetano Veloso, Gilberto Gil, and their generation – served up subtly and simply by Maria in her music, with a really unique feel overall. Instrumentation is relatively light – again, a quality that reminds us of Joyce at her best – and backings include work from the Fattoruso brothers, who'd crafted some earlier bossa sets on their own! Titles include "Voce", "Toda Menina Bahiana", "Coisas Estranhas", "Bahia Com H", "Tres Pontas", "Sao Joao Xango Menino", and "Cancombe Brasileiro Montevideano". CD
 
 
 



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