Os Tres Brasileiros (aka Os Tres Morais) —
Brazil LXIX ... CD Capitol/Universal (Japan), 1969. New Copy ...
Temporarily Out Of Stock
Excellent work from Os Tres Brasileiros – better known in Brazil as Os Tres Morais! The group, like many, were a Brazilian ensemble who recorded in America under a different name – one that might be more "catchy" for the American audiences – but apart from that shift, their music is all authentic all the way – with a wonderful harmony vocal sound that follows in the tradition of Quarteto Em Cy or Tamba Trio! Even better, the album has an organist backing the group up – with sweet bubbling notes that sound a lot like the work of Walter Wanderley, and which give the album an even nicer groovy touch! The whole thing's incredible – a real treat all the way through, with great originals like "Sambamor", "Jequi-Bach", "Outono", and "Brincando De Samba" – plus sweet covers like "Days Of Wine & Roses", "Moon River", and "The Shadow Of Your Smile". CD
A sweet blend of west coast jazz and Brazilian rhythms – and one of our favorite records ever from trombonist Raul De Souza! The session's got a more soulful, jazzy feel than some of Raul's other dates from the 70s – not nearly as tight as his sets for Capitol, with an earthy undercurrent in the music, thanks to the production efforts of Airto, who spearheads the session. Horns are by JJ Johnson, with some slight echoes of his soul soundtrack work of the period – and other players include Ted Lo on keyboards, Richard Davis on bass, and Jack DeJohnette on drums – plus a bit of guest alto sax from Cannonball Adderley on a few tunes. Titles include "Water Buffalo", "Dr Honoris Causa", "Canto De Ossahna", "Nana", "Festival", and "Chants To Burn". (Jazz, Brazil)CD
One of the funkiest albums Sergio Mendes ever recorded – a monster of a record that's filled with enough dancefloor groovers to have had a big impact on the soul market in the US! There's still elements of the older Mendes modes – especially in the way the vocals float nicely through the mix – but the overall groove is polished 70s soul, with plenty of jazzy touches – similar to the modern soul generation coming up on labels like Capitol or Elektra at the time. The group delivers a landmark version of Stevie Wonder's "The Real Thing" – a killer stepper that's kept the album alive for years – and other tracks include "Why", "Love City", "Mozambique", "Love Me Tomorrow", "P-Ka-Boo", and "Peninsula". LP, Vinyl record album
(Includes the printed inner sleeve. Cover has fully unglued top & bottom seams.)
Nice early stuff from Sergio – also issued as the album Brazil 65 on Capitol! That's Brasil 65, not Brasil 66 – a distinction that marks a key early stage for the great Sergio Mendes – heard here on one of his first albums to mix together bossa jazz and vocals! The approach here is a bit more like vintage bossa dates from Brazil – or a bit like some of the Verve bossa records too – as Sergio's core trio is at the heart of every tune, playing with a great jazzy approach – then augmented in different ways by alto and flute from Bud Shank, guitar from Rosinha De Valenca, and vocals from the lovely Wanda De Sah! Production is perfect – really in a classic Elenco Records mode – and titles include "Let Me", "Consolacao", "Tristeza Em Mim", "Muito A Vontade", "Reza", "Berimbau", and "Aquarius". LP, Vinyl record album