Funky Compilations — All

Great compilations from labels like Soul Jazz, Ace, Numero, BBE, Vampi Soul, BGP, Luv N Haight, Harmless, Tramp, Jazzman, and others!


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Partial matches: 3
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CD, LP, Vinyl record album cover art
✨✧ VariousReal Thing – The Songs Of Ashford, Simpson, & Armstead ... CD
Kent (UK), Mid 60s. New Copy ... Out Of Stock
Mindblowing music from the trio of Nick Ashford, Valerie Simpson, and Jo Armstead – most of it composed and recorded in New York during the mid 60s – before Armstead left for the Chicago scene, and Ashford & Simpson went to work for Motown in Detroit! The three writers have a really beautiful way of putting over a tune – fresh lyrics that are perfect for the budding soul generation of the 60s – and which often get some production work from the members of the trio too, especially on some of the tracks here that were issued by Wand Records. The package does a perfect job of unearthing these early years – pulling together compositions by the three (and occasionally just by Ashford & Simpson) – and illuminating this period with notes that are as thorough as the selection of tracks on the set. Titles include "Dance Children Dance" by Mary Love, "The Shoe Won't Fit" by Betty Everett, "Look Away" by The Shirelles, "Are You Trying To Get Rid Of Me Baby" by The Crystals, "I Don't Need No Doctor" by Sandy Nelson, "Please Little Angel" by Doris Troy, "The Real Thing" by The Chiffons, "Smokie Joe's" by The Jewels, "Say It Again" by Marie Knight, "Looky Looky" by Candy & The Kisses, "Mr Creator" by The Apollas, "You're Absolutely Right" by Tina Britt, "I'm Satisfied" by Chuck Jackson & Maxine Brown, "Cry Like A Baby" by Aretha Franklin, "Same Old Feeling" by Jo Ann & Troy, "Only Your Love Can Save Me" by Betty LaVette, and "Love Ain't What It Used To Be" by The Diplomats. (Soul, Funky Compilations) CD

Partial matches2
CD, LP, Vinyl record album cover art
✨✧ VariousStudio One Dancehall – Sir Coxsone In The Dance – The Foundation Sound ... CD
Soul Jazz (UK), Late 70s. New Copy ... Out Of Stock
The first great wave of dancehall from Studio One – which also marks the late wave of Jamaican innovation before the label's move to New York in the 80s! The music here is often build upon structures forged in earlier Studio One recordings – but updated with a dubbier late 70s vibe, and sometimes infused with a sense of politics that reflects the growing hardship in Jamaica, and the heady political struggle that was taking place. There's a harder edge to these tracks than reggae from a few years before – and you can definitely hear the core sounds that lead to the more bombastic dancehall that would come to play a decade later. Titles include "I Don't Know Why" by Doreen Schaeffer, "Rebel Disco" by Brentford Disco Set, "Thanks & Praise" by Devon Russell, "Noah In The Ark" by Lone Ranger, "Lend Me The Sixteen" by Johnny Osbourne, "Why Oh Why" by Ernest Wilson, "Roots & Herb Style" by Field Marshall Haye, "Lonely Lover" by Slim Smith, and "Far East" by Barry Brown. Packaged with the usual Soul Jazz flair and great set of notes! (Reggae, Funky Compilations) CD

Partial matches3
CD, LP, Vinyl record album cover art
✨✧ VariousUncompromising Expression – The Story Of Blue Note In 75 Singles (5CD set) ... CD
Blue Note, 1940s/1950s/1960s/1970s/1980s/1990s/2000s. New Copy 5CD ... Out Of Stock
A surprisingly cool package from Blue Note Records – especially given its unassuming cover! The 5CD set looks at a really overlooked side of the Blue Note legacy – the label's strong line of 78 and 45 rpm singles over the years – many of which featured different mixes or performances than the better-known album recordings from the time! The set begins with the earliest years of Blue Note – and goes right up to the present, to include some rare promo or download-only tracks too – but the core focus is on the legendary Blue Note years of the 50s, 60s, and early 70s – with a tremendous amount of hard-to-find gems that were originally only issued as 7" records. The package features 75 tracks in all, with a sweet little book on all the material too – which includes all the session/lineup details for each cut – and titles include "The Thin Man" by Art Blakey, "Born To Be Blue" by Wynton Kelly, "Oop Pop A Da" by Bab's 3 Bips & A Bop, "Topsy" by Ike Quebec Swing Seven, "Summertime" by Sidney Bechet, "Safari" by Horace Silver, "Roccus" by Lou Donaldson, "Senor Blues" by Bill Henderson, "Blue Train (part 1)" by John Coltrane, "Oscalypso" by Curtis Fuller, "DB Blues" by Kenny Burrell, "The High & The Mighty" by Jimmy Smith, "Message From Kenya" by Art Blakey & Sabu, "Ain't No Use" by Jimmy Smith & Bill Henderson, "The Rake" by Dizzy Reece, "True Blue" by Tina Brooks, "One Mint Julep" by Freddie Hubbard, "Ernie's Tune" by Dexter Gordon, "Our Miss Brooks" by Harold Vick, "Miss Ann's Tempo" by Grant Green, "Change" by Donald Byrd, "Chicago Damn" by Bobbi Humphrey, "Theme From Electric Surfboard" by Jack McDuff, "Smells Like Teen Spirit" by Robert Glasper, "Holding Onto You" by Derric Hodge, and "I Can't Stand The Rain" by Cassandra Wilson. (Jazz, Funky Compilations) CD

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