Soundtracks — CDs

Film noir to new wave, Italian film scores, cop movies, crime jazz, blacksploitation funk, spaghetti westerns, and more!




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Partial matches: 4
Partial matches1
CD, LP, Vinyl record album cover art
Antoine Duhamel/Anna KarinaPierrot Le Fou/Weekend ... CD
Philips/Rambling (Japan), 1965. New Copy ... $16.99
One of the most playful soundtracks ever penned for a film by Jean-Luc Godard – a really lovely batch of music scored by Antoine Duhamel, and featuring a bit of vocals from Anna Karina! The main instrumental score is almost tongue-in-cheek at times – kind of a Godardian parody of more dramatic film scoring modes – stretched out beautifully by Duhamel with styles that are quite vibrant, but which also poke some holes at more conventional modes. The tunes always hint at some warmth or emotion, but quickly move into another direction – much like the characters in the film – and even the few jazzier numbers have an unsettling feel that ties them to the rest of the work. Anna Karina sings on the tracks "Ma Ligne De Chance", "Jamais Je Ne T'Ai Dit Que Je T'Aimerai Toujours", and "Mic Et Mac" – and other titles include "Ferdinand", "Pierrot", "Soiree Perdue", "Sans Lendemain", and "Twist Pour Jean-Luc". CD also includes 7 more groovy tracks from the film Week-End – titles that include "Footit Et Chocolat", "Lamento", "Alice Au Pays Des Syllogismes", and "Elle Et Lui". CD

Partial matches2
CD, LP, Vinyl record album cover art
Piero PiccioniI Tre Volti (with bonus tracks) ... CD
RCA/Legend (Italy), Mid 60s. New Copy ... $16.99
An unusual soundtrack for a very unusual film – one that features the lovely Soraya in three different stories, each of which seem to get a different musical treatment in the hands of Piero Piccioni! Some numbers are moody and mellow – maybe more conventionally romantic, and handled by Piccioni with these beautifully swirling strings – but some of the others are nicely playful, and evoke qualities that would show up even more strongly in some of his later 60s work, with some nicely groovy touches. The whole thing's got the sense of class you'd expect from the image on the title – and tracks include the lovely "Bossa Nova On The Sand", plus "Amanti Celebri", "Nebulosa", "Gondola", "Latin Lover", "Lost Life", and "Waltz A La Ravel". CD features 11 bonus tracks too – including a nice bossa number, a jazzy track, and even one with some cool harpsichord! CD

Partial matches3
CD, LP, Vinyl record album cover art
✨✧ Francis LaiUn Homme Et Une Femme (aka A Man & A Woman) (remastered edition) ... CD
Saravah/Sony (Japan), 1966. New Copy ... Temporarily Out Of Stock
One of the greatest soundtracks ever – an archetypal album from French composer Francis Lai, and a record that set the tone for countless other imitations to come – yet which is still the best! The groove here is really unique – a spare blend of bossa influences, jazzy organ lines, and wordless vocals that are sung beautifully by French singers Nicole Croisille and Pierre Barouh – and although a mainstream success, the record was the initial force behind the legendary Saravah imprint that Barouh would form later, to record a wide range of groundbreaking work in a variety of genres. But history aside, the music here is plenty – and from the very first note the whole soundtrack grabs you with a sense of warmth and sentiment that defy description – modes never heard before in the soundtrack world, and which really broke the mold from Hollywood conventions! Titles include the seminal bossa number "Samba Saravah", plus "A Man & A Woman", "Today It's You", "In Our Shadow", "At 200 MPH", and "Stronger Than Us". Japanese pressing is done with the original French cover art – and also features some great photos inside the booklet! CD
(Features new remastering for 2016 – in mono.)

Partial matches4
CD, LP, Vinyl record album cover art
✨✧ Bruno CanfornaIl Vostro Super Agente Flit ... CD
Digitmovies (Italy), 1967. New Copy ... Out Of Stock
With "super agent" in the title, you can bet that the soundtrack's plenty darn groovy – very much in the best spy spoof mode of the 60s – with a groove that has more conventional styles given a nice little twist! The music is sometimes jazzy, sometimes mod, and sometimes more brooding – but throughout the set, there's a really great sense of variety, with vibrant instrumentation that more than lives up to the comedic look of the cover! The record's one that you'd file nicely next to American soundtracks like Our Man Flint or Man From Uncle – and Bruno Canforna uses loads of great instrumentation throughout – including bits of vibes, eerie organ lines, offbeat woodwinds, and a fair bit of added percussion – which underscores the drama with some great organic flourishes. CD features 25 tracks in all – the first release we've ever seen of the music! CD
 
 
 



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