A killer little soundtrack – and one that's quite different than the usual blacksploitation set, but still pretty funky overall! The film Black Girl was a surprisingly sensitive movie directed by Ossie Davis in the early 70s – not as much about action as it was about the everyday life, and the hopes and dreams of the lead characters – all of which made for some really well-rounded music, of the sort you'd find on some of the other great Fantasy Records soundtracks of the time, especially the classic Cornbread Earl & Me score. Ed Bogas and Ray Shanklin put together the whole thing, and the album's a mix of hip instrumental tracks with some other vocal ones – a really nice range that draws from singers like Betty Everett, Rodger Collins, and JJ Malone – and jazz players like Sonny Stitt and John Hunt (plus organ from Merl Saunders on one cut.) Titles include "BJ's Step", "Black Girl", "Sister", "Earl (Still A Pearl)", "Mothers Day Song", "Power", "Get Me To The Bridge", "Chock-lite Puddin", and "Black Girl Cue". CD

Heavy funk from the Florida scene, and a set that brings together some real killers from the much-lauded Saadia label – an imprint that followed on the scene after the earlier Deep City label, and which definitely set the tone for all sorts of funky 45s from TK Records to come! There's some players here you'll know from later fame – and they're set up on really raw, gritty cuts that more than live up to the funky 45 fame that has made Saadia one of the real indie greats from the south back in the day – a definite top-shelf label presented here in an all-killer, no-filler collection! Titles include "Right On Brother" and "Cold Sweat" by Brother Williams, "Do Right Man" and "Blind Man" by Little Beaver & The Rocketeers, "It's All Lover" and "Good Things" by Pearl Dowell, "Just Can't Help Myself" and "Everything's Gonna Be Alright" by Robert Moore, "Super Funky" by Thunder Lighting & Rain, "Do Right Man" by Sam Baker, and "Somebody Done Took My Baby & Gone" by Joey Gilmore. (Funky Compilations, Soul) LP, Vinyl record album

Heavy funk from the Florida scene, and a set that brings together some real killers from the much-lauded Saadia label – an imprint that followed on the scene after the earlier Deep City label, and which definitely set the tone for all sorts of funky 45s from TK Records to come! There's some players here you'll know from later fame – and they're set up on really raw, gritty cuts that more than live up to the funky 45 fame that has made Saadia one of the real indie greats from the south back in the day – a definite top-shelf label presented here in an all-killer, no-filler collection! Titles include "Right On Brother" and "Cold Sweat" by Brother Williams, "Do Right Man" and "Blind Man" by Little Beaver & The Rocketeers, "It's All Lover" and "Good Things" by Pearl Dowell, "Just Can't Help Myself" and "Everything's Gonna Be Alright" by Robert Moore, "Super Funky" by Thunder Lighting & Rain, "Do Right Man" by Sam Baker, and "Somebody Done Took My Baby & Gone" by Joey Gilmore. (Funky Compilations, Soul) LP, Vinyl record album

Think you know the sound of Atlantic Records in the 60s? Think again – because this stunning series opens the vault to a huge amount of rare treasures from the legendary label! The package is amazing – and offers up rare tracks that were mostly only issued by Atlantic on singles – including some on the other imprints associated with the company – some by names we never even knew recorded for the label, others by bigger names, but represented here by obscure material that goes way past their hits – and which is ultra cool because of that. There's also a fair bit more deep soul than you might expect from the usual Atlantic mix – tremendous vocals, and often in less hit-heavy modes – which makes the whole thing a great revelation – and just one more reason to bow down and give even more expect to one of the key companies who helped soul music find a home in the 60s. Plus – as if that's not enough – the whole thing comes in a very cool 7" gatefold package – which emphasizes the from-singles nature of the collection. Volume 4 is filled with 50 rare tracks – loads of uncommon Atlantic singles, including some from their 50s partners – with cuts that include "Bye Bye Baby" by Ella Washington, "Sleep Good Tonight" by Sam & Dave, "What Am I Gonna Do" by Dee Dee Sharp, "Book Of Memories" by Percy Wiggins, "I've Got That Feelin" by Darrell Banks, "Let's Go Steady" by Arthur Conley, "Let Me Down Slow" by Bobby Wilson, "These Simple Reasons" by The Mad Lads, "Cool Pearl" by The Capitols, "Happiness" by The Ambassadors, "That Man Of Mine" by Jean & The Darlings, "One Plus One" by William Bell, "Left Over Love" by Mable John, "Get Down" by Harvey Scales & The Seven Sounds, "All On A Sunny Day" by Deon Jackson, "Sentimental Reasons" by Percy Wiggins, "Feels Good" by Bobby Wilson, "Bigger & Better" by Mable John, "I'll Be Loving You" by Soul Brothers Six, "Greasy Spoon" by Rufus Thomas, "Don't Say Maybe Baby" by The Capitols, "I'm So Proud Of My Baby" by The Ambassadors, "She Knows What To Do For Me" by Ben E King, "I Gotta Have My Baby's Love" by Sir Mack Rice, "Loveitis" by Harvey Scales, "Love Comes & Goes" by Arthur Conley, "The Grass Always Seems Greener" by Ella Washington, and "Behind Every Great Man There's A Woman" by Percy Sledge. CD

An amazing collection – a wealth of rare R&B from the 50s years of Okeh Records – most of it only ever on 78s before, issued here in a really wonderful package! The set includes rare work from Andre Williams, Pearl Traylor, Red Rodney, Lloyd Fatman, The Shufflers, Larry Darnell, Sammy Cotton, Cliff King Solomon, Chuck Willis, Jumpin Joe Williams, Titus Turner, The Treneirs, Chris Powell, and many others! Loads of tracks – 78 cuts in all – some previously unissued, too! CD

A great little set, even if it's not what you might expect – not the kind of cuts that heralded the early years of country soul – and instead an even cooler batch of tracks from those years when R&B and hillbilly records often crossed paths on the postwar scene! Many of the small indie labels of the 50s recorded both country and blues, sometimes even having different artists take on the same songs, but in different ways – which meant that there was often a lot of cross-pollination going on in the farther reaches of the music business! The cuts here definitely show that approach – as a good many of them were originally country hits for other singers, but sound great and very different in the hands of R&B artists – and are mixed with a few others that follow similar themes, and really fit into the set in a great way. As always with Bear Family, the whole thing is presented with great notes and details on the music – in a set list of 29 tracks that include "Steel Guitar Rag" by Earl Hooker, "Sixteen Tons" by BB King, "Lovesick Blues" by Sonny Knight, "Big Mamou" by Smiley Lewis, "Ghost Riders In The Sky" by Scatman Crothers, "It'd Surprise You" by The Griffin Brothers with Margie Day, "Indian Love Call" by Hal Singer, "No Help Wanted" by Bob Gaddy & His Alley cats, "Cherokee Boogie" by Moose Jackson, "It Makes No Difference Now" by Piano Red, and "You Can't Stay Here" by Pearl Reaves & The Concords. CD

A killer little soundtrack – and one that's quite different than the usual blacksploitation set, but still pretty funky overall! The film Black Girl was a surprisingly sensitive movie directed by Ossie Davis in the early 70s – not as much about action as it was about the everyday life, and the hopes and dreams of the lead characters – all of which made for some really well-rounded music, of the sort you'd find on some of the other great Fantasy Records soundtracks of the time, especially the classic Cornbread Earl & Me score. Ed Bogas and Ray Shanklin put together the whole thing, and the album's a mix of hip instrumental tracks with some other vocal ones – a really nice range that draws from singers like Betty Everett, Rodger Collins, and JJ Malone – and jazz players like Sonny Stitt and John Hunt (plus organ from Merl Saunders on one cut.) Titles include "BJ's Step", "Black Girl", "Sister", "Earl (Still A Pearl)", "Mothers Day Song", "Power", "Get Me To The Bridge", "Chock-lite Puddin", and "Black Girl Cue". CD

Sade's last LP from the early 90s before she went into her brief recording and performing hiatus. Like the preceding records, the approach is heavy on the jazz side of things, with a crisp, spare touch on the production and a wonderfully soulful feel to the songwriting. At this point she no longer had to work to break into the charts, but that didn't stop her and her band from coming up with a great batch of material that managed to be easily accessible without losing any of the sublime grace that set her apart. Includes "No Ordinary Love", "Cherish The Day", "Feel No Pain", "I Couldn't Love You More", "Like A Tattoo", "Kiss Of Life", "Pearls", "Bullet Proof Soul" and "Mermaid". CD

Sade's last LP from the early 90s before she went into her brief recording and performing hiatus. Like the preceding records, the approach is heavy on the jazz side of things, with a crisp, spare touch on the production and a wonderfully soulful feel to the songwriting. At this point she no longer had to work to break into the charts, but that didn't stop her and her band from coming up with a great batch of material that managed to be easily accessible without losing any of the sublime grace that set her apart. Includes "No Ordinary Love", "Cherish The Day", "Feel No Pain", "I Couldn't Love You More", "Like A Tattoo", "Kiss Of Life", "Pearls", "Bullet Proof Soul" and "Mermaid". CD

Sade's last LP from the early 90s before she went into her brief recording and performing hiatus. Like the preceding records, the approach is heavy on the jazz side of things, with a crisp, spare touch on the production and a wonderfully soulful feel to the songwriting. At this point she no longer had to work to break into the charts, but that didn't stop her and her band from coming up with a great batch of material that managed to be easily accessible without losing any of the sublime grace that set her apart. Includes "No Ordinary Love", "Cherish The Day", "Feel No Pain", "I Couldn't Love You More", "Like A Tattoo", "Kiss Of Life", "Pearls", "Bullet Proof Soul" and "Mermaid". LP, Vinyl record album